utt string | lang string | subset string | source string | cv_version string | prompt_audio audio | prompt_audio_orig audio | prompt_text string | prompt_dur float64 | prompt_sr_orig int64 | prompt_dur_bin string | prompt_cv_path string | prompt_split_origin string | speaker_id string | speaker_gender string | speaker_gender_source string | speaker_age string | speaker_accent_label string | speaker_n_in_subset int64 | qc_vad_speech_ratio float64 | qc_lead_sil float64 | qc_trail_sil float64 | qc_clip_rate float64 | qc_bandwidth_hz float64 | qc_spk_centroid_dist float32 | qc_dnsmos_ovrl float32 | qc_dnsmos_sig float32 | qc_dnsmos_bak float32 | text string | text_norm string | n_words int64 | n_chars int64 | len_bin string | phones string | n_phones int64 | punct_type string | text_cv_path string | text_split_origin string | gt_audio audio | has_gt bool | gt_dur float64 | gt_speaker_id string | gt_same_speaker bool | gt_gender string | sim_ref_audio audio | has_sim_ref bool | sim_ref_dur float64 | sim_ref_text string | category string | subcategory string | tags list | difficulty int64 | has_digit bool | has_abbrev bool | has_foreign bool | notes string | sim_ref_dur_bin string | anchor_asr string | anchor_wer float32 | anchor_cer float32 | anchor_hyp string | anchor_subs int32 | anchor_dels int32 | anchor_ins int32 | anchor_n_ref_words int32 | anchor_cer_err int32 | anchor_n_ref_chars int32 | anchor_wer_mms float32 | anchor_cer_mms float32 | anchor_subs_mms int32 | anchor_dels_mms int32 | anchor_ins_mms int32 | anchor_cer_err_mms int32 | anchor_wer_scribe float32 | anchor_cer_scribe float32 | anchor_subs_scribe int32 | anchor_dels_scribe int32 | anchor_ins_scribe int32 | anchor_cer_err_scribe int32 | anchor_hyp_scribe string | anchor_sim_wavlm_sv float32 | anchor_sim_wavlm_ft float32 | anchor_sim_ecapa float32 | gt_qc_dnsmos_ovrl float32 | gt_qc_dnsmos_sig float32 | gt_qc_dnsmos_bak float32 | gt_qc_clip_rate float32 | gt_qc_hf_energy_db float32 | gt_qc_vad_speech_ratio float32 | gt_qc_lead_sil float32 | gt_qc_trail_sil float32 | gt_qc_fails_prompt_qc bool | simref_qc_dnsmos_ovrl float32 | simref_qc_dnsmos_sig float32 | simref_qc_dnsmos_bak float32 | simref_qc_clip_rate float32 | simref_qc_hf_energy_db float32 | simref_qc_vad_speech_ratio float32 | simref_qc_lead_sil float32 | simref_qc_trail_sil float32 | simref_qc_fails_prompt_qc bool | qc_hf_energy_db float64 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
en-US_0001 | en-US | main | cv17 | 17.0 | There are at least two buses an hour towards Lancaster and Garstang. | 3.808 | 48,000 | 3.7-4.5 | common_voice_en_20582508.mp3 | train | 9f233d229308 | male | cv | twenties | United States English | 1 | 0.973739 | 0.61 | 0.914 | 0 | -16.79018 | 0.973833 | 3.053883 | 3.408383 | 3.866694 | Many scientists work their entire careers on this, and you say you have solved this in a single afternoon? | many scientists work their entire careers on this and you say you have solved this in a single afternoon | 19 | 106 | 17+ | m ɛ n i s a ɪ ə n t ɪ s t s w ɜ k ð ɛ ɹ ɛ n t a ɪ ɚ k ɚ ɹ ɪ ɹ z ɔ n ð ɪ s æ n d j u s e ɪ j u h æ v s ɑ l v d ð ɪ s ɪ n ɐ s ɪ ŋ ɡ ə l æ f t ɚ n u n | 74 | question | common_voice_en_18313200.mp3 | test | true | 6.432 | fabbb092024f | false | male | true | 2.336 | Also, occasionally by Monty Munro. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | many scientists work their entire careers on this and you say you have solved this in a single afternoon | 0 | 0 | 0 | 19 | 0 | 104 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | many scientists work their entire careers on this and you say you have solved this in a single afternoon | 0.913709 | 0.54596 | 0.548011 | 3.416343 | 3.675524 | 4.101205 | 0 | -19.496309 | 0.909515 | 0.066 | 0 | false | 2.811669 | 3.365075 | 3.628996 | 0 | -23.027567 | 0.971747 | 0.066 | 0 | false | -16.79018 | ||||||
en-US_0002 | en-US | main | cv17 | 17.0 | Rather than take a step backward I shall thus succeed in taking one forward. | 4.544 | 48,000 | >=4.5 | common_voice_en_18812547.mp3 | train | 895f2d4bf294 | female | cv | thirties | United States English | 2 | 0.977993 | 0.802 | 0.922 | 0.00001 | -17.932814 | 0.97887 | 3.01907 | 3.557075 | 3.55249 | That's why you collapsed? | that's why you collapsed | 4 | 25 | 3-5 | ð æ t s w a ɪ j u k ə l æ p s t | 16 | question | common_voice_en_17357574.mp3 | test | true | 1.376 | f2b5dd789466 | false | male | true | 3.296 | The town is a receival site for Cooperative Bulk Handling. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | that's why you collapsed | 0 | 0 | 0 | 4 | 0 | 24 | 0.5 | 0.083333 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | that's why you collapsed | 0.929489 | 0.574692 | 0.534982 | 1.598097 | 2.626859 | 1.820628 | 0 | -8.684204 | 0.975291 | 0.034 | 0 | false | 3.064922 | 3.410398 | 3.876479 | 0 | -18.155439 | 0.979976 | 0.066 | 0 | false | -17.932814 | ||||||
en-US_0003 | en-US | main | cv17 | 17.0 | Asymptomatic infection may be much more common among those infected in Europe. | 4.832 | 32,000 | >=4.5 | common_voice_en_28132703.mp3 | train | 92e8b507ff4a | female | cv | twenties | United States English | 2 | 0.979305 | 0.93 | 0.998 | 0 | -26.951704 | 0.993042 | 2.82525 | 3.326467 | 3.556599 | Wickham has used the technique for The Waterboys song Is She Conscious? | wickham has used the technique for the waterboys song is she conscious | 12 | 71 | 10-12 | w ɪ k æ m h ɐ z j u z d ð ə t ɛ k n i k f ɚ ð ə w ɔ ɾ ɚ b ɔ ɪ z s ɔ ŋ ɪ z ʃ i k ɑ n ʃ ə s | 45 | question | common_voice_en_27697437.mp3 | test | true | 5.728 | baa6d53d4b0b | false | male | true | 3.328 | The use of quarter-tones requires a different embouchure. | general | [] | 0 | false | false | false | <3.5 | whisper | 0.416667 | 0.128571 | we can have use the technique for the waterboy song is she conscious | 4 | 0 | 1 | 12 | 9 | 70 | 0.5 | 0.142857 | 4 | 0 | 2 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | wickham has used the technique for the waterboys song is she conscious | 0.958893 | 0.764994 | 0.6925 | 2.347444 | 3.191955 | 2.737565 | 0 | -24.157827 | 0.976606 | 0.034 | 0 | false | 3.156523 | 3.44157 | 4.044859 | 0 | -26.316648 | 0.980168 | 0.066 | 0 | false | -26.951704 | ||||||
en-US_0004 | en-US | main | cv17 | 17.0 | He speaks with a lilting, musical intonation. | 2.432 | 32,000 | <3.7 | common_voice_en_39624168.mp3 | test | f96eaeb9028e | unknown | unknown | unknown | United States English | 1 | 0.958882 | 1.442 | 0.906 | 0 | -39.183516 | 1 | 2.946978 | 3.192843 | 4.006768 | He is also known for writing Flash! | he is also known for writing flash | 7 | 35 | 6-9 | h i ɪ z ɔ l s o ʊ n o ʊ n f ɔ ɹ ɹ a ɪ ɾ ɪ ŋ f l æ ʃ | 26 | exclamation | common_voice_en_19933225.mp3 | test | true | 2.528 | adf91d0e7e4a | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | he is also known for writing flash | 0 | 0 | 0 | 7 | 0 | 34 | 0.142857 | 0.029412 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | he is also known for writing flash | null | null | null | 2.063095 | 3.261345 | 2.024566 | 0 | -9.322443 | 0.986551 | 0.034 | 0 | false | null | null | null | null | null | null | null | null | null | -39.183516 | ||||||
en-US_0005 | en-US | main | cv17 | 17.0 | The ideas on which it was based had ceased to be understood. | 2.912 | 32,000 | <3.7 | common_voice_en_38278567.mp3 | test | 475c0c83b9f7 | male | cv | thirties | United States English,Appalachian English | 1 | 0.965659 | 0.674 | 1.986 | 0 | -4.82564 | 0.973117 | 2.06994 | 3.059229 | 2.342568 | Why don't you say something? | why don't you say something | 5 | 28 | 3-5 | w a ɪ d o ʊ n t j u s e ɪ s ʌ m θ ɪ ŋ | 19 | question | common_voice_en_17298838.mp3 | test | true | 1.472 | b442ad42e929 | false | male | true | 2.592 | She may not scratch her head or her body with her hands. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | why don't you say something | 0 | 0 | 0 | 5 | 0 | 27 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | why don't you say something | 0.892131 | 0.458108 | 0.4459 | 2.889942 | 3.346126 | 3.655355 | 0 | -12.713055 | 0.955163 | 0.066 | 0 | false | 1.614832 | 2.436311 | 1.806247 | 0 | -13.359949 | 0.974537 | 0.066 | 0 | false | -4.82564 | ||||||
en-US_0006 | en-US | main | cv17 | 17.0 | A rare, mirror image of the Segond fracture has also been described. | 4.192 | 32,000 | 3.7-4.5 | common_voice_en_37420122.mp3 | test | 6a8748bf754b | unknown | unknown | unknown | United States English | 1 | 0.976145 | 0.578 | 1.198 | 0 | -14.60871 | 1 | 2.502943 | 3.403867 | 2.83764 | Shall I meet you in the concourse then? | shall i meet you in the concourse then | 8 | 39 | 6-9 | ʃ æ l a ɪ m i t j u ɪ n ð ə k ɑ ŋ k o ɹ s ð ɛ n | 24 | question | common_voice_en_17300476.mp3 | test | true | 2.432 | b718c9253d62 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | shall i meet you in the concourse then | 0 | 0 | 0 | 8 | 0 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | shall i meet you in the concourse then | null | null | null | 2.07042 | 3.268357 | 1.976736 | 0 | -18.962753 | 0.999178 | 0.002 | 0 | false | null | null | null | null | null | null | null | null | null | -14.60871 | ||||||
en-US_0007 | en-US | main | cv17 | 17.0 | I can reassure you, that we won't retreat until the oil until the peace is secured. | 5.632 | 48,000 | >=4.5 | common_voice_en_17357595.mp3 | test | 0f71516b0970 | male | cv | fourties | United States English | 1 | 0.958807 | 0.738 | 1.074 | 0 | -29.974683 | 1 | 3.360287 | 3.588934 | 4.11282 | Is that how your niece began? | is that how your niece began | 6 | 29 | 6-9 | ɪ z ð æ t h a ʊ j ʊ ɹ n i s b ɪ ɡ æ n | 19 | question | common_voice_en_18366209.mp3 | test | true | 2.304 | b7c15c14cf7f | false | female | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | is that how your niece began | 0 | 0 | 0 | 6 | 0 | 28 | 0 | 0 | 0 | 0 | 0 | 0 | 0.166667 | 0.071429 | 1 | 0 | 0 | 2 | is that how your niche began | null | null | null | 2.034134 | 3.313418 | 1.874005 | 0 | -9.128964 | 0.971354 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -29.974683 | ||||||
en-US_0008 | en-US | main | cv17 | 17.0 | It is designed to behead and fillet fish. | 3.36 | 48,000 | <3.7 | common_voice_en_19848988.mp3 | train | 3f5d92c3cbb1 | female | cv | fourties | United States English | 2 | 0.970238 | 0.418 | 0.978 | 0 | -23.657236 | 0.982401 | 2.446767 | 3.30042 | 2.889421 | Where are the keys? | where are the keys | 4 | 19 | 3-5 | w ɛ ɹ ɑ ɹ ð ə k i z | 10 | question | common_voice_en_442796.mp3 | test | true | 2.784 | be4fcf5645b8 | false | male | true | 2.112 | Sometimes, no life is better. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | where are the keys | 0 | 0 | 0 | 4 | 0 | 18 | 0.75 | 0.277778 | 3 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | where are the keys | 0.944554 | 0.606069 | 0.546206 | 2.523791 | 2.949472 | 3.549792 | 0 | -15.089808 | 0.859914 | 0.066 | 0 | false | 2.359682 | 3.484429 | 2.392828 | 0 | -15.954675 | 0.96875 | 0.066 | 0 | false | -23.657236 | ||||||
en-US_0009 | en-US | main | cv17 | 17.0 | His daughter was Helen Vlachos. | 2.016 | 32,000 | <3.7 | common_voice_en_31354431.mp3 | test | d605c8a2c04c | unknown | unknown | unknown | United States English | 1 | 0.950397 | 1.026 | 1.486 | 0 | -23.73422 | 1 | 2.972338 | 3.568681 | 3.408793 | Fite has said that she found the character unappealing: I thought, 'A cat? | fite has said that she found the character unappealing i thought 'a cat | 13 | 74 | 13-16 | f a ɪ t h ɐ z s ɛ d ð æ t ʃ i f a ʊ n d ð ə k æ ɹ ɪ k t ɚ ɹ ʌ n ɐ p i l ɪ ŋ a ɪ θ ɔ t ɐ k æ t | 47 | question | common_voice_en_39604205.mp3 | test | true | 5.184 | d69e1833fa2a | false | unknown | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0.076923 | 0.014085 | fite has said that she found the character unappealing i thought a cat | 1 | 0 | 0 | 13 | 1 | 71 | 0.153846 | 0.042254 | 2 | 0 | 0 | 3 | 0.153846 | 0.028169 | 2 | 0 | 0 | 2 | hite has said that she found the character unappealing i thought a cat | null | null | null | 3.189228 | 3.492856 | 4.002994 | 0 | -21.504187 | 0.819059 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -23.73422 | ||||||
en-US_0010 | en-US | main | cv17 | 17.0 | She is the first Cypriot skater to ever qualify for the World Championships. | 4.672 | 32,000 | >=4.5 | common_voice_en_32233084.mp3 | dev | bafe6f99fffb | male | cv | teens | United States English | 1 | 0.978596 | 0.546 | 1.182 | 0 | -17.54954 | 0.980762 | 2.538986 | 3.325487 | 2.900318 | What is it you want to research? | what is it you want to research | 7 | 32 | 6-9 | w ʌ t ɪ z ɪ t j u w ɔ n t t ə ɹ ᵻ s ɜ t ʃ | 21 | question | common_voice_en_18335001.mp3 | test | true | 1.824 | e8d017393701 | false | male | true | 3.712 | He then studied law with attorney John Colby of Washington. | general | [] | 0 | false | false | false | 3.5-4.5 | whisper | 0 | 0 | what is it you want to research | 0 | 0 | 0 | 7 | 0 | 31 | 0.142857 | 0.096774 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | what is it you want to research | 0.922902 | 0.790213 | 0.631114 | 2.834769 | 3.152327 | 3.878407 | 0 | -10.852124 | 0.963816 | 0.066 | 0 | false | 2.971226 | 3.309845 | 3.858487 | 0 | -33.522743 | 0.98222 | 0.066 | 0 | false | -17.54954 | ||||||
en-US_0011 | en-US | main | cv17 | 17.0 | He also served twice as commandant of the New York Naval Shipyard. | 3.872 | 48,000 | 3.7-4.5 | common_voice_en_19155752.mp3 | train | 050b7c721443 | female | cv | unknown | United States English | 2 | 0.974174 | 0.802 | 1.954 | 0 | -11.181969 | 0.990616 | 3.073642 | 3.539399 | 3.666549 | What are you fishing after? | what are you fishing after | 5 | 27 | 3-5 | w ʌ t ɑ ɹ j u f ɪ ʃ ɪ ŋ æ f t ɚ | 16 | question | common_voice_en_39574195.mp3 | test | true | 1.536 | e982b8b2ea66 | false | unknown | true | 3.232 | If approved, without amendment, it is sent to the governor. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | what are you fishing after | 0 | 0 | 0 | 5 | 0 | 26 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | what are you fishing after | 0.966624 | 0.631132 | 0.685298 | 2.182635 | 3.152119 | 2.431277 | 0 | -12.952305 | 0.977865 | 0.034 | 0 | false | 2.594546 | 3.455631 | 2.799621 | 0 | -13.748486 | 0.98948 | 0.034 | 0 | false | -11.181969 | ||||||
en-US_0012 | en-US | main | cv17 | 17.0 | This makes it a safe way to try out software. | 3.024 | 32,000 | <3.7 | common_voice_en_24683276.mp3 | dev | 65c7cd68a206 | male | cv | fourties | United States English | 1 | 0.988757 | 0.034 | 0 | 0 | -36.858806 | 0.992431 | 2.935849 | 3.41905 | 3.705369 | In Ireland, the butter is always salted, why would anyone want it any other way? | in ireland the butter is always salted why would anyone want it any other way | 15 | 80 | 13-16 | ɪ n a ɪ ɚ l ə n d ð ə b ʌ ɾ ɚ ɹ ɪ z ɔ l w e ɪ z s ɔ l t ᵻ d w a ɪ w ʊ d ɛ n ɪ w ʌ n w ɔ n t ɪ ɾ ɛ n i ʌ ð ɚ w e ɪ | 57 | question | common_voice_en_17297557.mp3 | test | true | 4.288 | f8ad75855980 | false | male | true | 3.296 | This is as directed by statute. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | in ireland the butter is always salted why would anyone want it any other way | 0 | 0 | 0 | 15 | 0 | 77 | 0.133333 | 0.012987 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | in ireland the butter is always salted why would anyone want it any other way | 0.966364 | 0.625325 | 0.619354 | 2.875675 | 3.254207 | 3.759149 | 0 | -23.155916 | 0.931437 | 0.034 | 0 | false | 2.674289 | 3.282163 | 3.315789 | 0 | -38.540764 | 0.989684 | 0.034 | 0 | false | -36.858806 | ||||||
en-US_0013 | en-US | main | cv17 | 17.0 | Mercer is primarily a writer focused on the gothic scene and its music. | 4.096 | 32,000 | 3.7-4.5 | common_voice_en_37228822.mp3 | dev | 282887ea4684 | unknown | unknown | unknown | United States English | 1 | 0.975586 | 1.09 | 0.602 | 0 | -29.020849 | 0.995882 | 2.601677 | 3.02743 | 3.486536 | A little bright-eyed terrier, you know, with oh, such long curly brown hair! | a little bright eyed terrier you know with oh such long curly brown hair | 13 | 76 | 13-16 | ɐ l ɪ ɾ ə l b ɹ a ɪ t a ɪ d t ɛ ɹ i ɚ j u n o ʊ w ɪ ð o ʊ s ʌ t ʃ l ɔ ŋ k ɜ l i b ɹ a ʊ n h ɛ ɹ | 48 | exclamation | common_voice_en_18489793.mp3 | test | true | 5.088 | 0157c27ca7de | false | male | true | 3.584 | The fruit has high contents of anthocyanins and ellagic acid. | general | [] | 0 | false | false | false | 3.5-4.5 | whisper | 0.071429 | 0.041667 | a little bright eyed terrier you know with such long curly brown hair | 0 | 1 | 0 | 14 | 3 | 72 | 0.214286 | 0.125 | 2 | 1 | 0 | 9 | 0.071429 | 0.013889 | 1 | 0 | 0 | 1 | a little bright eyed terrier you know with uh such long curly brown hair | 0.981966 | 0.764208 | 0.699252 | 2.962023 | 3.223324 | 4.083224 | 0 | -37.293617 | 0.916274 | 0.034 | 0 | false | 2.878141 | 3.295368 | 3.709751 | 0 | -25.700363 | 0.981585 | 0.066 | 0 | false | -29.020849 | ||||||
en-US_0014 | en-US | main | cv17 | 17.0 | But very soon it began to seem less of a game. | 2.624 | 48,000 | <3.7 | common_voice_en_18634940.mp3 | train | 69a0609f88e1 | female | cv | thirties | United States English | 2 | 0.96189 | 0.674 | 0.594 | 0 | -5.492326 | 0.958013 | 2.595702 | 3.470266 | 2.888525 | What have you done? | what have you done | 4 | 19 | 3-5 | w ʌ t h æ v j u d ʌ n | 11 | question | common_voice_en_17353713.mp3 | test | true | 1.024 | 02a3d7c585f8 | false | male | true | 2.432 | The plane descends steadily during landing. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | what have you done | 0 | 0 | 0 | 4 | 0 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | what have you done | 0.926317 | 0.501834 | 0.504156 | 3.21899 | 3.490665 | 4.046463 | 0 | -35.209488 | 0.935547 | 0.066 | 0 | false | 2.438268 | 3.057701 | 3.119402 | 0 | -6.278144 | 0.972862 | 0.066 | 0 | false | -5.492326 | ||||||
en-US_0015 | en-US | main | cv17 | 17.0 | Females give birth to seven to nine genetically identical offspring. | 3.84 | 48,000 | 3.7-4.5 | common_voice_en_18968664.mp3 | train | a69b78a5b405 | male | cv | thirties | United States English | 1 | 0.973958 | 0.578 | 0.314 | 0 | -40.925494 | 0.971981 | 2.925961 | 3.333389 | 3.696289 | Long live the king! | long live the king | 4 | 19 | 3-5 | l ɔ ŋ l a ɪ v ð ə k ɪ ŋ | 12 | exclamation | common_voice_en_255533.mp3 | test | true | 1.472 | 052a589e28a2 | false | male | true | 4.16 | Picigin must be played on a sandy beach in shallow water. | general | [] | 0 | false | false | false | 3.5-4.5 | whisper | 0 | 0 | long live the king | 0 | 0 | 0 | 4 | 0 | 18 | 0.25 | 0.166667 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | long live the king | 0.889284 | 0.585 | 0.507839 | 2.737431 | 3.322673 | 3.373593 | 0 | -42.322449 | 0.976902 | 0.034 | 0 | false | 3.058085 | 3.433255 | 3.848996 | 0 | -27.527378 | 0.944712 | 0.034 | 0 | false | -40.925494 | ||||||
en-US_0016 | en-US | main | cv17 | 17.0 | Her debut film was "Manko Bandh". | 4.16 | 32,000 | 3.7-4.5 | common_voice_en_32412792.mp3 | test | f13d09cfee97 | female | cv | twenties | United States English | 2 | 0.975962 | 0.13 | 0.67 | 0 | -22.629246 | 0.973304 | 1.84842 | 3.182987 | 1.681999 | Did you see Uncle Jake with any cash last night? | did you see uncle jake with any cash last night | 10 | 48 | 10-12 | d ɪ d j u s i ʌ ŋ k ə l d ʒ e ɪ k w ɪ ð ɛ n i k æ ʃ l æ s t n a ɪ t | 34 | question | common_voice_en_520490.mp3 | test | true | 2.48 | 05b87f9ab35e | false | male | true | 5.44 | Both the genus and the species were first described and published in Amer. | general | [] | 0 | false | false | false | >=4.5 | whisper | 0 | 0 | did you see uncle jake with any cash last night | 0 | 0 | 0 | 10 | 0 | 47 | 1 | 0.617021 | 10 | 0 | 0 | 29 | 0 | 0 | 0 | 0 | 0 | 0 | did you see uncle jake with any cash last night | 0.89457 | 0.562785 | 0.522283 | 2.201672 | 3.08619 | 2.853118 | 0 | -17.631891 | 0.98629 | 0.034 | 0 | false | 2.258601 | 3.36882 | 2.407367 | 0 | -15.649356 | 0.957721 | 0.066 | 0 | false | -22.629246 | ||||||
en-US_0017 | en-US | main | cv17 | 17.0 | When the census confirms minority status, a meeting must be widely advertised. | 4.64 | 48,000 | >=4.5 | common_voice_en_19777370.mp3 | train | 78a29cfb4cde | female | cv | fifties | United States English | 2 | 0.978448 | 0.642 | 0.482 | 0 | -23.825519 | 0.989004 | 3.012782 | 3.431853 | 3.736341 | Where is that annoying sound coming from? | where is that annoying sound coming from | 7 | 41 | 6-9 | w ɛ ɹ ɪ z ð æ t ɐ n ɔ ɪ ɪ ŋ s a ʊ n d k ʌ m ɪ ŋ f ɹ ʌ m | 28 | question | common_voice_en_21290960.mp3 | test | true | 2.08 | 1107b35e0a27 | false | male | true | 3.36 | It flows into the Garonne in Layrac, near Agen. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | where is that annoying sound coming from | 0 | 0 | 0 | 7 | 0 | 40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | where is that annoying sound coming from | 0.972411 | 0.664151 | 0.693102 | 2.003786 | 2.858675 | 2.551895 | 0 | -9.052594 | 0.968269 | 0.066 | 0 | false | 2.942669 | 3.306717 | 3.834557 | 0 | -32.898056 | 0.989881 | 0.034 | 0 | false | -23.825519 | ||||||
en-US_0018 | en-US | main | cv17 | 17.0 | Kalchirburan is the nearest rural locality. | 3.148 | 32,000 | <3.7 | common_voice_en_32836549.mp3 | train | ff96183ed965 | female | cv | fifties | Mid-Atlantic United States English,Philadelphia, Pennsylvania, United States English,United States English,Philadelphia Style United States English | 2 | 0.984117 | 0.898 | 0 | 0 | -16.173206 | 0.989485 | 2.002495 | 2.861819 | 2.475351 | Oh no, my bunny broke out of its cage! | oh no my bunny broke out of its cage | 9 | 38 | 6-9 | o ʊ n o ʊ m a ɪ b ʌ n i b ɹ o ʊ k a ʊ ɾ ə v ɪ t s k e ɪ d ʒ | 30 | exclamation | common_voice_en_17679459.mp3 | test | true | 2.656 | 19ee3fd05db4 | false | female | true | 2.528 | Records from Thailand are considered erroneous. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | oh no my bunny broke out of its cage | 0 | 0 | 0 | 9 | 0 | 36 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | oh no my bunny broke out of its cage | 0.904862 | 0.588686 | 0.477517 | 2.863241 | 3.488923 | 3.445935 | 0 | -29.829964 | 0.926205 | 0.066 | 0.13 | false | 2.482246 | 3.169459 | 3.168287 | 0 | -12.084658 | 0.973892 | 0.066 | 0 | false | -16.173206 | ||||||
en-US_0019 | en-US | main | cv17 | 17.0 | The second version also appears by itself as the B-side of the single. | 4.256 | 32,000 | 3.7-4.5 | common_voice_en_27368447.mp3 | dev | 3ffabdc32467 | unknown | unknown | unknown | United States English | 1 | 0.976504 | 0.898 | 1.066 | 0 | -13.100279 | 0.993912 | 2.778761 | 3.486217 | 3.177239 | Davison's autobiography, titled Is There Life Outside the Box? | davison's autobiography titled is there life outside the box | 9 | 62 | 6-9 | d æ v ɪ s ə n z ɔ ɾ o ʊ b a ɪ ɑ ɡ ɹ ə f i t a ɪ ɾ ə l d ɪ z ð ɛ ɹ l a ɪ f a ʊ t s a ɪ d ð ə b ɑ k s | 50 | question | common_voice_en_37042032.mp3 | test | true | 4.224 | 1a021494b7d5 | false | unknown | true | 3.232 | "Domicile" here is a term with a technical meaning. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | davison's autobiography titled is there life outside the box | 0 | 0 | 0 | 9 | 0 | 60 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | davison's autobiography titled is there life outside the box | 0.975183 | 0.760655 | 0.760929 | 3.217369 | 3.474461 | 4.107182 | 0 | -18.958944 | 0.945549 | 0.034 | 0 | false | 3.102257 | 3.525472 | 3.759695 | 0 | -17.847485 | 0.979579 | 0.066 | 0 | false | -13.100279 | ||||||
en-US_0020 | en-US | main | cv17 | 17.0 | In the past Sambalpur has been a great centre of diamond trade. | 3.808 | 32,000 | 3.7-4.5 | common_voice_en_27003233.mp3 | train | a6c35f97ef34 | female | cv | thirties | United States English | 2 | 0.973739 | 0.77 | 0.706 | 0 | -16.537241 | 0.971519 | 2.959305 | 3.4208 | 3.702909 | Don’t you understand me? | don t you understand me | 4 | 24 | 3-5 | d o ʊ n t j u ʌ n d ɚ s t æ n d m i | 18 | question | common_voice_en_18066799.mp3 | test | true | 1.568 | 042bdb6c2640 | false | male | true | 4.512 | Executive Producer: Frank Chackler. | general | [] | 0 | false | false | false | >=4.5 | whisper | 0.4 | 0.043478 | don't you understand me | 1 | 1 | 0 | 5 | 1 | 23 | 0.4 | 0.043478 | 1 | 1 | 0 | 1 | 0.4 | 0.043478 | 1 | 1 | 0 | 1 | don't you understand me | 0.818002 | 0.407948 | 0.266105 | 2.432422 | 2.897591 | 3.43111 | 0 | -2.580077 | 0.957908 | 0.066 | 0 | false | 3.27227 | 3.55905 | 4.112248 | 0 | -16.37989 | 0.963209 | 0.066 | 0 | false | -16.537241 | ||||||
en-US_0021 | en-US | main | cv17 | 17.0 | She was the daughter of Samuel S. Howland. | 2.656 | 48,000 | <3.7 | common_voice_en_19706872.mp3 | dev | 989f9a2389aa | male | cv | fifties | United States English | 1 | 0.962349 | 0.674 | 0.394 | 0 | -13.868684 | 0.968088 | 2.948862 | 3.490692 | 3.53108 | Have you been to Japan? | have you been to japan | 5 | 23 | 3-5 | h æ v j u b ɪ n t ə d ʒ ə p æ n | 16 | question | common_voice_en_17902458.mp3 | test | true | 1.792 | 0984a33b3e7c | false | male | true | 3.616 | He was offered a 'one year tour' playing with Alice. | general | [] | 0 | false | false | false | 3.5-4.5 | whisper | 0 | 0 | have you been to japan | 0 | 0 | 0 | 5 | 0 | 22 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | have you been to japan | 0.875886 | 0.445877 | 0.470812 | 3.280095 | 3.523353 | 4.12967 | 0 | -26.573402 | 0.96317 | 0.066 | 0 | false | 2.531022 | 3.097374 | 3.312543 | 0 | -26.907461 | 0.927544 | 0.13 | 0 | false | -13.868684 | ||||||
en-US_0022 | en-US | main | cv17 | 17.0 | There's really no reason; it just rolled out that way. | 2.592 | 48,000 | <3.7 | common_voice_en_19152839.mp3 | test | 8ae556d0f92d | male | cv | thirties | United States English | 1 | 0.96142 | 0.834 | 0.37 | 0 | -17.729761 | 1 | 2.1999 | 2.917144 | 2.940838 | How was the food there? | how was the food there | 5 | 23 | 3-5 | h a ʊ w ʌ z ð ə f u d ð ɛ ɹ | 14 | question | common_voice_en_18361112.mp3 | test | true | 1.248 | 214de5e0a04c | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | how was the food there | 0 | 0 | 0 | 5 | 0 | 22 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | how was the food there | null | null | null | 2.980929 | 3.450271 | 3.616319 | 0 | -27.643538 | 0.947115 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -17.729761 | ||||||
en-US_0023 | en-US | main | cv17 | 17.0 | Every day hundreds of happy adventurers land on its shores. | 3.584 | 32,000 | <3.7 | common_voice_en_36438796.mp3 | dev | dcc1a2cbde9a | unknown | unknown | unknown | United States English,Californian | 1 | 0.972098 | 1.442 | 0.834 | 0 | -29.258502 | 0.991205 | 3.068618 | 3.495868 | 3.716138 | Don't you think so? | don't you think so | 4 | 19 | 3-5 | d o ʊ n t j u θ ɪ ŋ k s o ʊ | 14 | question | common_voice_en_18175978.mp3 | test | true | 1.12 | 2f7575450395 | false | male | true | 2.72 | Lord Gravelton was blowing up the waiters. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | don't you think so | 0 | 0 | 0 | 4 | 0 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | don't you think so | 0.951836 | 0.680549 | 0.723122 | 2.857996 | 3.298347 | 3.690094 | 0 | -10.946531 | 0.969643 | 0.034 | 0 | false | 2.594281 | 3.209671 | 3.344624 | 0 | -18.361145 | 0.975735 | 0.066 | 0 | false | -29.258502 | ||||||
en-US_0024 | en-US | main | cv17 | 17.0 | Quackwatch's information is relevant to both consumers and medical professionals. | 4.224 | 32,000 | 3.7-4.5 | common_voice_en_37515621.mp3 | test | 9cc100a69e51 | unknown | unknown | unknown | United States English | 1 | 0.976326 | 0.898 | 0.378 | 0 | -27.847392 | 1 | 2.563356 | 3.077598 | 3.392469 | What shall I do? | what shall i do | 4 | 16 | 3-5 | w ʌ t ʃ æ l a ɪ d u | 10 | question | common_voice_en_17291279.mp3 | test | true | 1.248 | 3f1cf724d1ec | false | female | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | what shall i do | 0 | 0 | 0 | 4 | 0 | 15 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | what shall i do | null | null | null | 2.671536 | 3.114202 | 3.561726 | 0 | -25.070047 | 0.972756 | 0.034 | 0 | false | null | null | null | null | null | null | null | null | null | -27.847392 | ||||||
en-US_0025 | en-US | main | cv17 | 17.0 | A little bright-eyed terrier, you know, with oh, such long curly brown hair! | 5.088 | 48,000 | >=4.5 | common_voice_en_18489793.mp3 | test | 0157c27ca7de | male | cv | thirties | United States English | 1 | 0.909591 | 1.538 | 0.698 | 0 | -29.280145 | 1 | 2.962023 | 3.223324 | 4.083224 | Will you marry me? | will you marry me | 4 | 18 | 3-5 | w ɪ l j u m æ ɹ i m i | 11 | question | common_voice_en_17452908.mp3 | test | true | 1.248 | 4b7360b2e1f5 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | will you marry me | 0 | 0 | 0 | 4 | 0 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | will you marry me | null | null | null | 2.82849 | 3.136935 | 3.929303 | 0 | -38.991211 | 0.947115 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -29.280145 | ||||||
en-US_0026 | en-US | main | cv17 | 17.0 | The artist made a mistake with the boundaries between Peru and Ecuador. | 5.472 | 48,000 | >=4.5 | common_voice_en_19954083.mp3 | test | 277c4e5f5fd1 | male | cv | thirties | United States English | 1 | 0.981725 | 0.93 | 0.418 | 0.000003 | -16.617258 | 1 | 2.548212 | 3.029835 | 3.562252 | Can you file these files, please? | can you file these files please | 6 | 33 | 6-9 | k æ n j u f a ɪ l ð i z f a ɪ l z p l i z | 21 | question | common_voice_en_18041350.mp3 | test | true | 1.848 | 4ed7e3dd3845 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0.666667 | 0.419355 | kenny baldy's files please | 2 | 2 | 0 | 6 | 13 | 31 | 1 | 0.709677 | 5 | 1 | 0 | 22 | 0.166667 | 0.129032 | 1 | 0 | 0 | 4 | can you draw these files please | null | null | null | 1.833666 | 2.955625 | 1.960436 | 0 | -19.771666 | 0.964286 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -16.617258 | ||||||
en-US_0027 | en-US | main | cv17 | 17.0 | The locomotives were built in two series by various manufacturers. | 4.608 | 32,000 | >=4.5 | common_voice_en_32301670.mp3 | train | 50a6b43fb8b5 | male | cv | thirties | United States English | 1 | 0.978299 | 0.898 | 0.714 | 0 | -22.933738 | 0.991198 | 3.143015 | 3.432392 | 3.966089 | Do you ever doodle things on a piece of paper when you're bored? | do you ever doodle things on a piece of paper when you're bored | 13 | 64 | 13-16 | d u j u ɛ v ɚ d u d ə l θ ɪ ŋ z ɔ n ɐ p i s ʌ v p e ɪ p ɚ w ɛ n j ʊ ɹ b o ɹ d | 39 | question | common_voice_en_18024531.mp3 | test | true | 4.896 | 54b513175262 | false | male | true | 3.008 | She resolves to continue living with her head held high. | general | [] | 0 | false | false | false | <3.5 | whisper | 0.307692 | 0.079365 | do you ever do the things on a piece of paper when you are bored | 2 | 0 | 2 | 13 | 5 | 63 | 0.384615 | 0.111111 | 3 | 0 | 2 | 7 | 0.153846 | 0.031746 | 1 | 0 | 1 | 2 | do you ever doodle things on a piece of paper when you are bored | 0.968799 | 0.713314 | 0.68693 | 2.945757 | 3.477724 | 3.497294 | 0 | -15.27436 | 0.836193 | 0.802 | 0 | false | 2.845205 | 3.551625 | 3.217748 | 0 | -26.915743 | 0.988697 | 0.034 | 0 | false | -22.933738 | ||||||
en-US_0028 | en-US | main | cv17 | 17.0 | in parliament Antiquity- Even the women knew how to be silent | 4.192 | 48,000 | 3.7-4.5 | common_voice_en_677891.mp3 | dev | 4372bfbfa7cb | male | cv | thirties | United States English | 1 | 0.875 | 1.922 | 1.09 | 0 | -22.749602 | 1 | 3.212409 | 3.472029 | 4.076532 | What do you want of me? | what do you want of me | 6 | 23 | 6-9 | w ʌ t d u j u w ɔ n t ʌ v m i | 15 | question | common_voice_en_17895168.mp3 | test | true | 1.632 | 5ae2ccf9bfd9 | false | female | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | what do you want of me | 0 | 0 | 0 | 6 | 0 | 22 | 0.333333 | 0.090909 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | what do you want of me | null | null | null | 2.387131 | 3.353697 | 2.630078 | 0 | -30.743446 | 0.959559 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -22.749602 | ||||||
en-US_0029 | en-US | main | cv17 | 17.0 | It is named after the Tokaido route of Japan, used for centuries. | 4.8 | 48,000 | >=4.5 | common_voice_en_20289513.mp3 | train | 1f149cd636e4 | female | cv | thirties | United States English | 2 | 0.979167 | 0.93 | 0.73 | 0 | -24.947972 | 0.974551 | 3.313877 | 3.567673 | 4.053917 | What more do you want? | what more do you want | 5 | 22 | 3-5 | w ʌ t m o ɹ d u j u w ɔ n t | 14 | question | common_voice_en_17562784.mp3 | test | true | 1.328 | 5efda2ff7f07 | false | male | true | 2.208 | This cannot be a coincidence. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | what more do you want | 0 | 0 | 0 | 5 | 0 | 21 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | what more do you want | 0.894487 | 0.588317 | 0.487194 | 2.870913 | 3.26786 | 3.826635 | 0 | -38.872452 | 0.902108 | 0.13 | 0 | false | 3.194454 | 3.677321 | 3.677492 | 0 | -24.150719 | 0.984601 | 0.034 | 0 | false | -24.947972 | ||||||
en-US_0030 | en-US | main | cv17 | 17.0 | Not to break is better than to mend. | 2.784 | 48,000 | <3.7 | common_voice_en_17884083.mp3 | test | d0f5f9e233c4 | male | cv | teens | United States English | 1 | 0.96408 | 0.578 | 0.506 | 0 | -27.168274 | 1 | 2.437546 | 2.911243 | 3.443674 | Why do people even eat peanut butter and jelly? | why do people even eat peanut butter and jelly | 9 | 47 | 6-9 | w a ɪ d u p i p ə l i v ə n i t p i n ʌ t b ʌ ɾ ɚ æ n d d ʒ ɛ l i | 33 | question | common_voice_en_17551784.mp3 | test | true | 2.624 | 5f7a6e8ab8b6 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | why do people even eat peanut butter and jelly | 0 | 0 | 0 | 9 | 0 | 46 | 0.333333 | 0.086957 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | why do people even eat peanut butter and jelly | null | null | null | 3.29817 | 3.521676 | 4.125645 | 0 | -23.014097 | 0.987043 | 0.034 | 0 | false | null | null | null | null | null | null | null | null | null | -27.168274 | ||||||
en-US_0031 | en-US | main | cv17 | 17.0 | Regarding your request, I have decided to heed your warnings. | 3.808 | 48,000 | 3.7-4.5 | common_voice_en_17286891.mp3 | dev | 2fb94f08efe1 | male | cv | thirties | United States English | 1 | 0.921218 | 0.866 | 2.602 | 0 | -27.674745 | 1 | 3.135108 | 3.58528 | 3.747355 | Is Anybody Out There? | is anybody out there | 4 | 21 | 3-5 | ɪ z ɛ n ɪ b ɑ d i a ʊ t ð ɛ ɹ | 15 | question | common_voice_en_39569399.mp3 | test | true | 1.248 | 647ff86a37d9 | false | unknown | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | is anybody out there | 0 | 0 | 0 | 4 | 0 | 20 | 0.25 | 0.1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | is anybody out there | null | null | null | 2.701773 | 3.089757 | 3.680171 | 0 | -38.076645 | 0.972756 | 0.034 | 0 | false | null | null | null | null | null | null | null | null | null | -27.674745 | ||||||
en-US_0032 | en-US | main | cv17 | 17.0 | The next day he was raised to the peerage as Baron Dunfermline. | 4.416 | 32,000 | 3.7-4.5 | common_voice_en_33896600.mp3 | dev | 4f4c4f357a0c | unknown | unknown | unknown | United States English | 1 | 0.977355 | 0.45 | 0.67 | 0 | -21.976941 | 0.989429 | 2.158352 | 2.736756 | 3.168841 | Security, kick this guy out! | security kick this guy out | 5 | 28 | 3-5 | s ᵻ k j ʊ ɹ ɹ ᵻ ɾ i k ɪ k ð ɪ s ɡ a ɪ a ʊ t | 22 | exclamation | common_voice_en_17881800.mp3 | test | true | 2.656 | 79feeb11c5db | false | male | true | 3.68 | The Great Forester River forms part of the southern boundary. | general | [] | 0 | false | false | false | 3.5-4.5 | whisper | 0 | 0 | security kick this guy out | 0 | 0 | 0 | 5 | 0 | 26 | 0.8 | 0.307692 | 3 | 1 | 0 | 8 | 0.2 | 0.115385 | 1 | 0 | 0 | 3 | security check this guy out | 0.955139 | 0.774651 | 0.665669 | 2.698252 | 3.022385 | 3.799402 | 0 | -24.081913 | 0.768825 | 0.098 | 0 | false | 1.826442 | 2.467617 | 2.798341 | 0 | -19.578909 | 0.990761 | 0.034 | 0 | false | -21.976941 | ||||||
en-US_0033 | en-US | main | cv17 | 17.0 | The music also incorporated more elements of electronic loops, synthesizers and studio effects. | 5.224 | 32,000 | >=4.5 | common_voice_en_25269720.mp3 | train | b4780ed0fb71 | male | cv | twenties | United States English | 1 | 0.990429 | 0.226 | 0 | 0 | -24.914667 | 0.984102 | 3.225629 | 3.561001 | 3.918004 | Who does one tell first? | who does one tell first | 5 | 24 | 3-5 | h u d ʌ z w ʌ n t ɛ l f ɜ s t | 15 | question | common_voice_en_39588526.mp3 | test | true | 1.632 | 838f4c3563f8 | false | unknown | true | 2.912 | But you have the advantage of numbers against him. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | who does one tell first | 0 | 0 | 0 | 5 | 0 | 23 | 0.2 | 0.043478 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | who does one tell first | 0.939869 | 0.567175 | 0.581383 | 2.005725 | 2.861152 | 2.657456 | 0 | -35.112659 | 0.979167 | 0.034 | 0 | false | 3.237407 | 3.444764 | 4.130643 | 0 | -30.88302 | 0.977335 | 0.066 | 0 | false | -24.914667 | ||||||
en-US_0034 | en-US | main | cv17 | 17.0 | If I had the choice between honey and jam, I would choose the latter. | 4.768 | 48,000 | >=4.5 | common_voice_en_17668574.mp3 | test | 24f68ef5c02b | male | cv | fifties | United States English | 1 | 0.958054 | 0.674 | 0.202 | 0 | -19.988446 | 1 | 3.19899 | 3.647119 | 3.769219 | Great, can you show them to me? | great can you show them to me | 7 | 31 | 6-9 | ɡ ɹ e ɪ t k æ n j u ʃ o ʊ ð ɛ m t ə m i | 20 | question | common_voice_en_17255702.mp3 | test | true | 2.336 | a392ee9796e6 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | great can you show them to me | 0 | 0 | 0 | 7 | 0 | 29 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | great can you show them to me | null | null | null | 2.938584 | 3.521363 | 3.451845 | 0 | -22.091759 | 0.778253 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -19.988446 | ||||||
en-US_0035 | en-US | main | cv17 | 17.0 | In these depressions, snow persisted through summer months, and becomes glacial ice. | 5.152 | 48,000 | >=4.5 | common_voice_en_22749494.mp3 | train | ba55291b3ae5 | female | cv | teens | United States English | 2 | 0.98059 | 0.674 | 0.97 | 0 | -21.929374 | 0.953478 | 2.44471 | 3.344823 | 2.694741 | Who told you that? | who told you that | 4 | 18 | 3-5 | h u t o ʊ l d j u ð æ t | 12 | question | common_voice_en_17904824.mp3 | test | true | 1.088 | a66c026d2c67 | false | male | true | 2.272 | The idea was his sister Margaret's. | general | [] | 0 | false | false | false | <3.5 | whisper | 0.75 | 0.647059 | what are you doing | 3 | 0 | 0 | 4 | 11 | 17 | 0.75 | 0.529412 | 3 | 0 | 0 | 9 | 0.25 | 0.294118 | 1 | 0 | 0 | 5 | who taught you that | 0.937017 | 0.626008 | 0.607628 | 2.305846 | 3.305147 | 2.462127 | 0 | -33.985172 | 0.939338 | 0.066 | 0 | false | 3.044119 | 3.568697 | 3.491794 | 0 | -19.960049 | 0.985035 | 0.034 | 0 | false | -21.929374 | ||||||
en-US_0036 | en-US | main | cv17 | 17.0 | Oh my dear paws! | 2.08 | 48,000 | <3.7 | common_voice_en_18450447.mp3 | dev | 7248f78f3969 | female | cv | twenties | United States English | 2 | 0.951923 | 0.482 | 1.954 | 0 | -29.064963 | 1 | 1.901716 | 2.489873 | 2.436201 | Where's that airlines bag? | where's that airlines bag | 4 | 26 | 3-5 | w ɛ ɹ z ð æ t ɛ ɹ l a ɪ n z b æ ɡ | 17 | question | common_voice_en_199114.mp3 | dev | true | 2.016 | 2229dc384d20 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0.25 | 0.04 | where's that airline's bag | 1 | 0 | 0 | 4 | 1 | 25 | 0.25 | 0.04 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | where's that airlines bag | null | null | null | 2.209554 | 3.424502 | 2.104681 | 0 | -27.609467 | 0.951389 | 0.098 | 0 | false | null | null | null | null | null | null | null | null | null | -29.064963 | ||||||
en-US_0037 | en-US | main | cv17 | 17.0 | Civilized Creatures in "Spore" can also be taught to speak Simlish. | 4.512 | 48,000 | >=4.5 | common_voice_en_19768149.mp3 | train | c34cad469fe2 | female | cv | twenties | United States English | 2 | 0.977837 | 0.578 | 0.626 | 0 | -17.749605 | 0.992823 | 3.359248 | 3.605055 | 4.117298 | Can you help me find Preaching to the Perverted? | can you help me find preaching to the perverted | 9 | 48 | 6-9 | k æ n j u h ɛ l p m i f a ɪ n d p ɹ i t ʃ ɪ ŋ t ə ð ə p ɚ v ɜ ɾ ᵻ d | 34 | question | common_voice_en_46084.mp3 | dev | true | 2.912 | 4dc00be70c01 | false | male | true | 3.36 | There is rarely any space for them to move in any case. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | can you help me find preaching to the perverted | 0 | 0 | 0 | 9 | 0 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | can you help me find preaching to the perverted | 0.969766 | 0.647663 | 0.638499 | 2.865529 | 3.548334 | 3.213743 | 0 | -18.928125 | 0.988324 | 0.034 | 0 | false | 3.089671 | 3.429625 | 3.877641 | 0 | -20.377884 | 0.980357 | 0.066 | 0 | false | -17.749605 | ||||||
en-US_0038 | en-US | main | cv17 | 17.0 | Hence it is called the "sacrament of perfection" or the "queen of sacraments". | 4.576 | 48,000 | >=4.5 | common_voice_en_20302269.mp3 | train | bafb31f40d7d | female | cv | twenties | United States English | 2 | 0.978147 | 0.898 | 0.698 | 0 | -11.878746 | 0.956636 | 2.856814 | 3.433448 | 3.438774 | God save the Queen! | god save the queen | 4 | 19 | 3-5 | ɡ ɑ d s e ɪ v ð ə k w i n | 13 | exclamation | common_voice_en_20535542.mp3 | dev | true | 2.848 | 52e15d3d8769 | false | male | true | 3.264 | This process is lengthy, and can be difficult and costly. | general | [] | 0 | false | false | false | <3.5 | whisper | 0.25 | 0.055556 | god saved the queen | 1 | 0 | 0 | 4 | 1 | 18 | 0.25 | 0.111111 | 1 | 0 | 0 | 2 | 0.25 | 0.333333 | 0 | 0 | 1 | 6 | god save the queen hello | 0.900632 | 0.580402 | 0.551788 | 2.603131 | 3.400555 | 2.966172 | 0 | -31.685375 | 0.615871 | 0.13 | 0 | true | 3.08938 | 3.56508 | 3.706682 | 0 | -20.214127 | 0.979779 | 0.066 | 0 | false | -11.878746 | ||||||
en-US_0039 | en-US | main | cv17 | 17.0 | It has also been featured on "Deadly Women". | 2.752 | 32,000 | <3.7 | common_voice_en_39588095.mp3 | test | b64eed6c63f5 | unknown | unknown | unknown | United States English,portuguese | 1 | 0.963663 | 0.61 | 1.022 | 0 | -19.757977 | 1 | 2.766685 | 3.164752 | 3.746784 | Tell me frankly, Jeeves, are you in pretty good shape mentally? | tell me frankly jeeves are you in pretty good shape mentally | 11 | 63 | 10-12 | t ɛ l m i f ɹ æ ŋ k l i d ʒ i v z ɑ ɹ j u ɪ n p ɹ ɪ ɾ i ɡ ʊ d ʃ e ɪ p m ɛ n t ə l i | 42 | question | common_voice_en_18592570.mp3 | dev | true | 4.544 | 5e6e088562d6 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | tell me frankly jeeves are you in pretty good shape mentally | 0 | 0 | 0 | 11 | 0 | 60 | 0.090909 | 0.05 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | tell me frankly jeeves are you in pretty good shape mentally | null | null | null | 2.948149 | 3.313652 | 3.786977 | 0 | -19.05842 | 0.793574 | 0.034 | 0 | false | null | null | null | null | null | null | null | null | null | -19.757977 | ||||||
en-US_0040 | en-US | main | cv17 | 17.0 | The novel contains autobiographical elements. | 3.008 | 32,000 | <3.7 | common_voice_en_39577803.mp3 | test | 1e258a6ba23b | unknown | unknown | unknown | United States English | 1 | 0.966755 | 1.122 | 0.686 | 0 | -23.423861 | 1 | 2.494156 | 3.060555 | 3.206855 | They'd never let you go! | they'd never let you go | 5 | 24 | 3-5 | ð e ɪ d n ɛ v ɚ l ɛ t j u ɡ o ʊ | 16 | exclamation | common_voice_en_56143.mp3 | dev | true | 1.632 | 5f2b5e7619e9 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | they'd never let you go | 0 | 0 | 0 | 5 | 0 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | they'd never let you go | null | null | null | 3.319495 | 3.591023 | 4.07898 | 0 | -49.535999 | 0.959559 | 0.066 | 0 | true | null | null | null | null | null | null | null | null | null | -23.423861 | ||||||
en-US_0041 | en-US | main | cv17 | 17.0 | Homeotic mutations work by changing segment identity during development. | 4.256 | 48,000 | 3.7-4.5 | common_voice_en_20994303.mp3 | train | 8999c6389b4b | female | cv | twenties | United States English | 2 | 0.976504 | 0.866 | 0.738 | 0 | -19.303849 | 0.99022 | 2.950521 | 3.506876 | 3.561992 | And something else changed, I started having fun! | and something else changed i started having fun | 8 | 49 | 6-9 | æ n d s ʌ m θ ɪ ŋ ɛ l s t ʃ e ɪ n d ʒ d a ɪ s t ɑ ɹ ɾ ᵻ d h æ v ɪ ŋ f ʌ n | 37 | exclamation | common_voice_en_648613.mp3 | dev | true | 3.296 | 6e06ba34f7ef | false | male | true | 3.072 | The former crop is currently growing wild in the area. | general | [] | 0 | false | false | false | <3.5 | whisper | 0.125 | 0.085106 | and something else had changed i started having fun | 0 | 0 | 1 | 8 | 4 | 47 | 0.125 | 0.085106 | 0 | 0 | 1 | 4 | 0.125 | 0.085106 | 0 | 0 | 1 | 4 | and something else had changed i started having fun | 0.950492 | 0.633399 | 0.605052 | 3.006476 | 3.414288 | 3.770574 | 0 | -9.948061 | 0.784587 | 0.098 | 0 | false | 3.443528 | 3.682439 | 4.155765 | 0 | -27.328823 | 0.988932 | 0.034 | 0 | false | -19.303849 | ||||||
en-US_0042 | en-US | main | cv17 | 17.0 | The badge on the front grille was an option at first. | 3.232 | 48,000 | <3.7 | common_voice_en_19933816.mp3 | test | 1e61bea07830 | male | cv | thirties | United States English | 1 | 0.969059 | 0.546 | 0.69 | 0 | -33.549904 | 1 | 1.875051 | 2.584725 | 2.276478 | On what point? | on what point | 3 | 14 | 3-5 | ɔ n w ʌ t p ɔ ɪ n t | 10 | question | common_voice_en_18450446.mp3 | dev | true | 1.088 | 7248f78f3969 | false | female | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | on what point | 0 | 0 | 0 | 3 | 0 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | on what point | null | null | null | 2.327169 | 2.788384 | 3.410649 | 0 | -29.036163 | 0.96875 | 0.034 | 0 | false | null | null | null | null | null | null | null | null | null | -33.549904 | ||||||
en-US_0043 | en-US | main | cv17 | 17.0 | They are light gray on top with a white rump and a white underside. | 4.8 | 32,000 | >=4.5 | common_voice_en_39734854.mp3 | test | dcc2fd101b13 | female | cv | teens | United States English,England English | 2 | 0.951667 | 1.058 | 0.578 | 0 | -27.48483 | 1 | 2.715775 | 3.116514 | 3.686523 | Oh my dear paws! | oh my dear paws | 4 | 16 | 3-5 | o ʊ m a ɪ d ɪ ɹ p ɔ z | 11 | exclamation | common_voice_en_18450447.mp3 | dev | true | 2.08 | 7248f78f3969 | false | female | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0.25 | 0.133333 | oh my dear paul | 1 | 0 | 0 | 4 | 2 | 15 | 0.5 | 0.2 | 2 | 0 | 0 | 3 | 0.25 | 0.133333 | 1 | 0 | 0 | 2 | oh my dear paul | null | null | null | 1.901716 | 2.489873 | 2.436201 | 0 | -31.827078 | 0.825962 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -27.48483 | ||||||
en-US_0044 | en-US | main | cv17 | 17.0 | He became particularly interested in computer network security. | 3.872 | 48,000 | 3.7-4.5 | common_voice_en_22355203.mp3 | train | b41887200545 | female | cv | twenties | United States English | 2 | 0.974174 | 0.994 | 0.61 | 0 | -28.20536 | 0.958726 | 2.782073 | 3.307983 | 3.492986 | Oh, I am not unhappy, cousin John! | oh i am not unhappy cousin john | 7 | 34 | 6-9 | o ʊ a ɪ ɐ m n ɑ t ʌ n h æ p i k ʌ z ə n d ʒ ɑ n | 24 | exclamation | common_voice_en_18565873.mp3 | dev | true | 3.968 | 84a278ccb9f1 | false | female | true | 2.08 | This show is hosted by Jeremiah Burton. | general | [] | 0 | false | false | false | <3.5 | whisper | 0.285714 | 0.064516 | oh i'm not unhappy cousin john | 1 | 1 | 0 | 7 | 2 | 31 | 0.571429 | 0.16129 | 3 | 1 | 0 | 5 | 0.285714 | 0.064516 | 1 | 1 | 0 | 2 | oh i'm not unhappy cousin john | 0.878493 | 0.502081 | 0.468909 | 2.59176 | 3.04788 | 3.471715 | 0 | -24.525997 | 0.634577 | 0.13 | 0 | true | 3.141061 | 3.446558 | 4.004931 | 0 | -29.451754 | 0.983654 | 0.034 | 0 | false | -28.20536 | ||||||
en-US_0045 | en-US | main | cv17 | 17.0 | There are three colleges and one pre-university. | 3.04 | 32,000 | <3.7 | common_voice_en_39644682.mp3 | test | 83bd9a42966a | unknown | unknown | unknown | United States English | 1 | 0.967105 | 1.41 | 1.266 | 0 | -33.700422 | 1 | 2.656522 | 3.195215 | 3.432743 | He has also produced two collections of gag cartoons, Haw! | he has also produced two collections of gag cartoons haw | 10 | 58 | 10-12 | h i h ɐ z ɔ l s o ʊ p ɹ ə d u s t t u k ə l ɛ k ʃ ə n z ʌ v ɡ æ ɡ k ɑ ɹ t u n z h ɔ | 42 | exclamation | common_voice_en_23699312.mp3 | dev | true | 4.48 | 8b42a3b5b6cc | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0.1 | 0.017857 | he has also produced two collections of gag cartoons ha | 1 | 0 | 0 | 10 | 1 | 56 | 0.3 | 0.125 | 1 | 2 | 0 | 7 | 0.1 | 0.017857 | 1 | 0 | 0 | 1 | he has also produced two collections of gag cartoons ha | null | null | null | 2.832515 | 3.169703 | 3.866852 | 0 | -29.640574 | 0.985268 | 0.066 | 0 | false | null | null | null | null | null | null | null | null | null | -33.700422 | ||||||
en-US_0046 | en-US | main | cv17 | 17.0 | Having more than five members is mostly uncommon in rock and pop music. | 4.192 | 32,000 | 3.7-4.5 | common_voice_en_24994091.mp3 | train | d92fb8a107b5 | male | cv | twenties | United States English | 1 | 0.976145 | 0.802 | 1.082 | 0 | -25.613158 | 0.978171 | 1.927995 | 3.089372 | 2.111912 | 'How charming is that? | 'how charming is that | 4 | 22 | 3-5 | h a ʊ t ʃ ɑ ɹ m ɪ ŋ ɪ z ð æ t | 15 | question | common_voice_en_21831690.mp3 | dev | true | 1.856 | 93b3fe225ff5 | false | male | true | 2.08 | Autumn frosts have slain July. | general | [] | 0 | false | false | false | <3.5 | whisper | 0.25 | 0.047619 | how charming is that | 1 | 0 | 0 | 4 | 1 | 21 | 0.25 | 0.047619 | 1 | 0 | 0 | 1 | 0.25 | 0.047619 | 1 | 0 | 0 | 1 | how charming is that | 0.96601 | 0.661981 | 0.542751 | 2.980165 | 3.430861 | 3.720738 | 0 | -16.65192 | 0.96444 | 0.066 | 0 | false | 1.370619 | 2.219737 | 1.712345 | 0 | -16.030069 | 0.983654 | 0.034 | 0 | false | -25.613158 | ||||||
en-US_0047 | en-US | main | cv17 | 17.0 | Conservation of the island is managed by the Island Conservation Society. | 5.12 | 48,000 | >=4.5 | common_voice_en_20489834.mp3 | train | 76a32d77b283 | female | cv | teens | United States English | 2 | 0.980469 | 0.706 | 0.61 | 0 | -24.060816 | 0.994113 | 2.814175 | 2.998168 | 4.089564 | Will it be stormy in Old Fort Saint Lucia right now? | will it be stormy in old fort saint lucia right now | 11 | 52 | 10-12 | w ɪ l ɪ t b i s t o ɹ m i ɪ n o ʊ l d f ɔ ɹ t s e ɪ n t l u ʃ ɚ ɹ a ɪ t n a ʊ | 39 | question | common_voice_en_649351.mp3 | dev | true | 2.672 | 95b934de06c8 | false | female | true | 3.552 | The menacing creatures would often disappear at dawn. | general | [] | 0 | false | false | false | 3.5-4.5 | whisper | 0.090909 | 0.058824 | will it be stormy in old fort st lucia right now | 1 | 0 | 0 | 11 | 3 | 51 | 0.727273 | 0.313726 | 7 | 1 | 0 | 16 | 0.090909 | 0.058824 | 1 | 0 | 0 | 3 | will it be stormy in old fort st lucia right now | 0.97582 | 0.706885 | 0.683649 | 2.273546 | 3.161778 | 2.698349 | 0 | -41.24654 | 0.987275 | 0.034 | 0 | false | 2.665531 | 3.030161 | 3.657609 | 0 | -23.948875 | 0.97241 | 0.098 | 0 | false | -24.060816 | ||||||
en-US_0048 | en-US | main | cv17 | 17.0 | She taught at Xinjiang University prior to her detention. | 3.584 | 32,000 | <3.7 | common_voice_en_33606184.mp3 | dev | 15ed34d59e1b | male | cv | twenties | United States English | 1 | 0.972098 | 0.61 | 1.414 | 0 | -18.952604 | 0.977535 | 3.220087 | 3.48735 | 4.057545 | He had asked contestant Heather Cook, Are you male or female? | he had asked contestant heather cook are you male or female | 11 | 61 | 10-12 | h i h æ d æ s k t k ə n t ɛ s t ə n t h ɛ ð ɚ k ʊ k ɑ ɹ j u m e ɪ l ɔ ɹ f i m e ɪ l | 42 | question | common_voice_en_37513698.mp3 | dev | true | 4.48 | ac4cada8536f | false | unknown | true | 3.392 | Kareem Daniel grew up on the South Side of Chicago. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | he had asked contestant heather cook are you male or female | 0 | 0 | 0 | 11 | 0 | 59 | 0.090909 | 0.016949 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | he had asked contestant heather cook are you male or female | 0.93643 | 0.630941 | 0.67558 | 2.255075 | 3.283819 | 2.394567 | 0 | -16.377684 | 0.898661 | 0.066 | 0 | false | 2.847219 | 3.329293 | 3.610357 | 0 | -9.559978 | 0.989976 | 0.034 | 0 | false | -18.952604 | ||||||
en-US_0049 | en-US | main | cv17 | 17.0 | In such cases the festival assumes less imposing dimensions. | 5.088 | 32,000 | >=4.5 | common_voice_en_38257057.mp3 | test | 2071ecf8a422 | unknown | unknown | unknown | United States English | 1 | 0.980346 | 0.45 | 0.718 | 0 | -13.427308 | 1 | 3.202348 | 3.569221 | 3.868888 | The Smallest Ship that Ever Crossed the Atlantic! | the smallest ship that ever crossed the atlantic | 8 | 49 | 6-9 | ð ə s m ɔ l ɪ s t ʃ ɪ p ð æ t ɛ v ɚ k ɹ ɔ s t ð ɪ ɐ t l æ n t ɪ k | 33 | exclamation | common_voice_en_32704289.mp3 | dev | true | 2.88 | c89c98e09ba2 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | the smallest ship that ever crossed the atlantic | 0 | 0 | 0 | 8 | 0 | 48 | 0.25 | 0.145833 | 2 | 0 | 0 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | the smallest ship that ever crossed the atlantic | null | null | null | 1.740661 | 1.915435 | 3.570644 | 0 | -88.208633 | 0.977083 | 0.066 | 0 | true | null | null | null | null | null | null | null | null | null | -13.427308 | ||||||
en-US_0050 | en-US | main | cv17 | 17.0 | The tute bianches have had international variations of one sort or another. | 5.088 | 32,000 | >=4.5 | common_voice_en_37177061.mp3 | test | 46e4741a2e22 | unknown | unknown | unknown | United States English,Gay | 1 | 0.954403 | 0.546 | 0.586 | 0 | -28.73481 | 1 | 2.806154 | 3.173098 | 3.819374 | Who will win the arm wrestling match? | who will win the arm wrestling match | 7 | 37 | 6-9 | h u w ɪ l w ɪ n ð ɪ ɑ ɹ m ɹ ɛ s ə l ɪ ŋ m æ t ʃ | 24 | question | common_voice_en_25363324.mp3 | dev | true | 2.912 | d30e81efe3e1 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | who will win the arm wrestling match | 0 | 0 | 0 | 7 | 0 | 36 | 0.571429 | 0.25 | 3 | 1 | 0 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | who will win the arm wrestling match | null | null | null | 2.19004 | 3.076192 | 2.818012 | 0 | -23.822313 | 0.988324 | 0.034 | 0 | false | null | null | null | null | null | null | null | null | null | -28.73481 | ||||||
en-US_0051 | en-US | main | cv17 | 17.0 | The highway is also receiving a new routing to bypass Greenville, Mississippi. | 4.224 | 48,000 | 3.7-4.5 | common_voice_en_19693860.mp3 | train | 43fbfe4348c6 | male | cv | thirties | United States English | 1 | 0.976326 | 1.218 | 0.85 | 0 | -23.010368 | 0.985078 | 3.31069 | 3.595301 | 4.081866 | Is there no sense of honor left in this country? | is there no sense of honor left in this country | 10 | 48 | 10-12 | ɪ z ð ɛ ɹ n o ʊ s ɛ n s ʌ v ɑ n ɚ l ɛ f t ɪ n ð ɪ s k ʌ n t ɹ i | 32 | question | common_voice_en_171532.mp3 | dev | true | 2.848 | f10ab695ba41 | false | male | true | 3.424 | The rest of the hornbill's plumage is a glossy dark-green and black. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | is there no sense of honor left in this country | 0 | 0 | 0 | 10 | 0 | 47 | 0.1 | 0.021277 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | is there no sense of honor left in this country | 0.94721 | 0.75694 | 0.619765 | 3.143065 | 3.449167 | 3.983878 | 0 | -33.17231 | 0.976826 | 0.066 | 0 | false | 3.074507 | 3.459491 | 3.849287 | 0 | -25.739164 | 0.980724 | 0.066 | 0 | false | -23.010368 | ||||||
en-US_0052 | en-US | main | cv17 | 17.0 | The village is the site of Utne Church. | 3.008 | 48,000 | <3.7 | common_voice_en_20015291.mp3 | test | e30120248813 | male | cv | twenties | United States English | 1 | 0.966755 | 1.09 | 1.354 | 0 | -22.543293 | 1 | 2.244431 | 2.676498 | 3.440473 | Just as I thought! | just as i thought | 4 | 18 | 3-5 | d ʒ ʌ s t æ z a ɪ θ ɔ t | 12 | exclamation | common_voice_en_18009689.mp3 | dev | true | 3.4 | 0332e7147236 | false | male | Not supported with pagination yet | false | 0 | general | [] | 0 | false | false | false | n/a | whisper | 0 | 0 | just as i thought | 0 | 0 | 0 | 4 | 0 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | just as i thought | null | null | null | 1.971324 | 2.503967 | 3.068512 | 0 | -22.669552 | 0.697059 | 0.034 | 0 | true | null | null | null | null | null | null | null | null | null | -22.543293 | ||||||
en-US_0053 | en-US | main | cv17 | 17.0 | He appeased Hugh and Margaret by creating Hugh Earl of Gloucester. | 3.552 | 32,000 | <3.7 | common_voice_en_37110327.mp3 | dev | e51b0e6ce076 | unknown | unknown | unknown | United States English,Northeast US | 1 | 0.971847 | 0.642 | 0.766 | 0 | -22.806758 | 0.981776 | 3.101471 | 3.451946 | 3.816428 | What do you mean by that? | what do you mean by that | 6 | 25 | 6-9 | w ʌ t d u j u m i n b a ɪ ð æ t | 16 | question | common_voice_en_2462108.mp3 | dev | true | 1.12 | 05008b93902a | false | male | true | 2.4 | The album's songs are all in Swedish. | general | [] | 0 | false | false | false | <3.5 | whisper | 0 | 0 | what do you mean by that | 0 | 0 | 0 | 6 | 0 | 24 | 0.166667 | 0.125 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | what do you mean by that | 0.906829 | 0.657306 | 0.649167 | 1.587437 | 2.13654 | 2.845278 | 0 | -50.623898 | 0.941071 | 0.066 | 0 | true | 3.080231 | 3.481603 | 3.854984 | 0 | -23.611328 | 0.985833 | 0.034 | 0 | false | -22.806758 |
- Contents
- What this measures, and what it does not
- Quick start
- What changed in v2.0
- Subsets
- Human anchors — intelligibility
- Human anchors — speaker similarity
- Can a model beat the anchor?
- Evaluation protocol
- How to read the numbers
- Source data
- Quality control
- Example selection
- Data fields
- Reports
- Limitations
- Reproduction
- Personal and sensitive information
- Licence, citation, contact
- References
Multilingual Speech Benchmark for Zero-Shot TTS
A voice-cloning and intelligibility benchmark for six language variants, built from Common Voice 17.0 by coverage-driven selection rather than random sampling. Every example pairs a reference clip of one speaker with a target text that speaker never read, so a system is asked to clone a voice and produce new speech, which is what zero-shot TTS is actually for.
Pipeline source code: https://github.com/nineninesix-ai/make-speech-benchmark — every number in this card is
reproducible from it. Card generated at pipeline revision cfe006d.
Version 2.0. The audio, the row composition and the utt identifiers are
unchanged from v1: anything already synthesised against v1 still joins. What
changed is the measurement and the description of it — see
What changed in v2.0.
Contents
- What this measures, and what it does not
- Quick start
- What changed in v2.0
- Subsets
- Human anchors — intelligibility
- Human anchors — speaker similarity
- Can a model beat the anchor?
- Evaluation protocol
- How to read the numbers
- Source data
- Quality control
- Example selection
- Data fields
- Reports
- Limitations
- Reproduction
- Personal and sensitive information
- Licence, citation, contact
What this measures, and what it does not
This is an intelligibility and voice-cloning benchmark, not a TTS quality benchmark. It measures two things:
- WER / CER on a recogniser reading the synthesis — a proxy for intelligibility;
- SIM — cosine similarity of speaker embeddings between the synthesis and the reference clip — a proxy for speaker identity.
It measures no naturalness axis at all: no subjective MOS or CMOS, and no predicted naturalness on the synthesis. A system can score 3 % WER and 0.95 SIM and still sound robotic, and nothing here would notice. It also contains no digits, no abbreviations and no long-form text — Common Voice sentences of 3-16 words — so text normalisation, the most common production TTS failure, is untested. Treat a good score as a necessary condition, not a sufficient one.
Quick start
from datasets import load_dataset
ds = load_dataset("nineninesix/multilingual-speech-benchmark", "en-US", split="main")
row = ds[0]
row["prompt_audio"] # reference clip of the speaker, 16 kHz
row["text"] # the target text, which this speaker never read
row["gt_audio"] # a real recording of that text, by someone else
row["sim_ref_audio"] # a second clip of the PROMPT speaker -> the SIM anchor
row["anchor_wer"] # what the recogniser scores on the HUMAN recording
row["anchor_sim_wavlm_ft"] # what two recordings of the same person score
Those last two are the reference points your model's numbers are read against, and they ship per row — along with the edit counts, so the corpus-level headline is derivable without leaving the dataset (see Data fields). The measurements behind them — S/D/I counts, transcripts, every recogniser and encoder — are browsable as separate configs:
wer = load_dataset("nineninesix/multilingual-speech-benchmark", "metrics-wer", split="train")
sim = load_dataset("nineninesix/multilingual-speech-benchmark", "metrics-sim", split="train")
Synthesise row["text"] conditioned on row["prompt_audio"], save it as
{utt}.wav, then score:
git clone https://github.com/nineninesix-ai/make-speech-benchmark && cd make-speech-benchmark
uv venv && source .venv/bin/activate && uv pip install -e ".[all]"
msbench-wer --lang en-US --audio synth --asr whisper \
--synth-dir out/mymodel/en-US --model-name mymodel
msbench-sim --lang en-US --mode synth --encoder wavlm_ft \
--synth-dir out/mymodel/en-US --model-name mymodel
msbench-report --all
seed-tts-eval compatibility
The layout is consumable by the unmodified seed-tts-eval scripts, but read
Human anchors — speaker similarity first:
those scripts score SIM with wavlm_large_finetune.pth, whose values live near
0.65-0.69 here, while v1 published anchors from microsoft/wavlm-base-plus-sv,
which live near 0.93. Comparing one against the other is the single easiest way
to misread this benchmark, and v2 ships anchors for both.
What changed in v2.0
No data changed. Audio in all three streams is byte-identical, rows are in
the same order, utt is stable. Verified by msbench.build.validate, which is run
before every release.
Published numbers
The headline WER changes because the aggregation changed, not because the recogniser or the audio did. v1 averaged per-utterance error rates; v2 reports the corpus-level rate that seed-tts-eval uses, Σ(S+D+I) / Σ N_ref, and keeps the old form beside it labelled as legacy. On texts with a median of 6-7 words the two differ materially: one wrong word in a four-word sentence contributes 25 % under the macro mean regardless of its weight in the corpus.
Each column below isolates one change, measured on identical audio:
| lang | published v1 (macro) | legacy (macro) | drift (env) | D-02 penalty | D-10 chunking | D-01 aggregation | v2 (corpus) | v2 corpus 95% CI |
|---|---|---|---|---|---|---|---|---|
| en-US | 0.0806 | 0.0805 | -0.0001 | 0.0002 | 0 | -0.0033 | 0.0774 | [0.0703, 0.0842] |
| es-ES | 0.0485 | 0.0485 | 0 | -0.0001 | 0 | -0.0032 | 0.0452 | [0.0397, 0.0512] |
| es-MX | 0.0654 | 0.0652 | -0.0002 | -0.0004 | 0 | -0.0035 | 0.0613 | [0.0541, 0.0691] |
| nl-NL | 0.0407 | 0.0407 | 0 | 0.0001 | 0 | -0.0023 | 0.0385 | [0.0331, 0.0453] |
| pt-BR | 0.0823 | 0.0816 | -0.0007 | 0.0001 | 0 | -0.008 | 0.0737 | [0.0608, 0.0884] |
| ky | 0.1104 | 0.1104 | 0 | 0 | 0 | -0.0106 | 0.0998 | [0.0773, 0.1311] |
- drift (env) — replaying v1's exact decoding parameters on current library and hardware versions. Worst case −0.0007; four subsets reproduce exactly. This is not a methodological change and is reported only so it is not mistaken for one.
- D-02 penalty — v1 decoded with
repetition_penalty=1.1, which is not standard for WER evaluation and suppresses exactly the token pattern that autoregressive TTS failure produces. Removing it moves the human anchor by at most 0.0004, which is expected: human speech rarely loops. Whether it was masking model failures is a claim about synthesis and is not tested here. - D-10 chunking —
chunk_length_s=30engaged Whisper's long-form path on clips of 2-6 s. Effect: exactly zero, transcripts 100 % identical. Removed as hygiene. - D-01 aggregation — the entire remaining change.
Schema
| change | detail |
|---|---|
qc_hf_energy_db |
new name for qc_bandwidth_hz, which holds decibels, not hertz: it is the share of energy above 5 kHz in dB. The old column is kept as a deprecated copy for one release |
tags |
was list<null>, a type that cannot hold a value; now list<string> |
sim_ref_dur_bin |
duration stratum of the second clip, so SIM breakdowns can control for it |
gt_qc_*, simref_qc_* |
9 columns each: DNSMOS and the QC battery on ground-truth and second-clip audio, which never faced the prompt-acceptance filters. Reporting only — nothing is filtered |
phones (ky) |
espeak dental markers t[ / d[ (1,584 and 1,132 occurrences) replaced by IPA t̪ / d̪. n_phones is unaffected |
| removed | qc_snr_db and qc_asr_cer were declared in v1 and 100 % null in every subset — never computed |
New measurements
- a second recogniser on all six subsets (
facebook/mms-1b-all, CTC without a language model) and a third encoder family for SIM; - an impostor floor for SIM, which v1 lacks entirely;
- 95 % confidence intervals on every headline number, and
nin every cell; - per-utterance parquet artifacts shipped inside this repository, so any number here can be recomputed, sliced or re-tested without a GPU.
Corrections to the v1 card
| claim in v1 | corrected |
|---|---|
| second clip missing for "26-39 %" of rows | present for 60.6-87.9 %; see Subsets |
| SIM rises monotonically with prompt duration in five subsets | three under v1's encoder — en-US, es-MX, nl-NL |
| every example carries ground-truth audio and a second clip | GT missing for 7 examples; second clip present for 60.6-87.9 % |
| "Speakers" | speakers used, which is not speakers available in the source slice |
| anchors are a "physical ceiling" | human anchor. A model can exceed it — see Can a model beat the anchor? |
Subsets
| subset | examples | speakers used | with GT audio | with second clip |
|---|---|---|---|---|
| en-US | 1500 | 1162 | 1500/1500 | 909/1500 |
| es-ES | 1500 | 722 | 1499/1500 | 1222/1500 |
| es-MX | 1500 | 929 | 1500/1500 | 1201/1500 |
| nl-NL | 1500 | 469 | 1500/1500 | 1319/1500 |
| pt-BR | 1500 | 247 | 1500/1500 | 983/1500 |
| ky | 700 | 181 | 694/700 | 599/700 |
Human anchors — intelligibility
Every figure below is a human anchor: a recogniser reading a real human recording of the target text. Without it a model's WER cannot be read — is 8 % on en-US a weak model, or roughly what the recogniser scores on human speech?
Headline aggregation is corpus-level, Σ(S+D+I) / Σ N_ref. Intervals are 95 % cluster bootstraps resampling speakers, not rows.
| lang | ASR | n | speakers | WER corpus | 95% CI | WER macro (v1) | CER corpus | exact | catastrophic |
|---|---|---|---|---|---|---|---|---|---|
| en-US | whisper | 1500 | 1012 | 0.0774 | [0.0703, 0.0842] | 0.0807 | 0.0296 | 59.7% | 1.4% |
| es-ES | whisper | 1499 | 574 | 0.0452 | [0.0397, 0.0512] | 0.0484 | 0.0154 | 73.0% | 0.9% |
| es-MX | whisper | 1500 | 639 | 0.0613 | [0.0541, 0.0691] | 0.0648 | 0.0214 | 68.3% | 1.3% |
| nl-NL | whisper | 1500 | 236 | 0.0385 | [0.0331, 0.0453] | 0.0408 | 0.0108 | 76.0% | 0.5% |
| pt-BR | whisper | 1500 | 229 | 0.0737 | [0.0608, 0.0884] | 0.0817 | 0.0234 | 71.5% | 3.5% |
| ky | gigaam | 694 | 89 | 0.0998 | [0.0773, 0.1311] | 0.1104 | 0.0293 | 66.4% | 5.5% |
exact is the share of utterances transcribed with zero errors.
catastrophic is the share above 50 % WER — the indicator that catches looping,
babbling and dropped clauses long before they move the mean.
Three recognisers, and why the gaps matter
Whisper decodes with a strong internal language model, so a mispronounced or half-swallowed word is often repaired into the word the sentence implies; a system is then credited with intelligibility it did not produce. MMS is CTC with greedy decoding and no language model: it emits what it heard. Its absolute WER is higher everywhere, which is not a defect. Scribe is a second strong-LM read, from a different vendor and training set.
| lang | A | B | WER A | WER B | delta (A−B) | 95% CI | identical transcripts | n shared |
|---|---|---|---|---|---|---|---|---|
| en-US | elevenlabs | whisper | 0.0515 | 0.0774 | -0.0259 | [-0.0309, -0.0209] | 68.2% | 1500 |
| en-US | elevenlabs | mms | 0.0515 | 0.1784 | -0.1269 | [-0.1357, -0.1183] | 32.1% | 1500 |
| en-US | whisper | mms | 0.0774 | 0.1784 | -0.1011 | [-0.1086, -0.0934] | 32.0% | 1500 |
| es-ES | elevenlabs | whisper | 0.0269 | 0.0452 | -0.0183 | [-0.0227, -0.0143] | 78.8% | 1499 |
| es-ES | elevenlabs | mms | 0.0269 | 0.1248 | -0.0979 | [-0.1065, -0.0895] | 49.0% | 1499 |
| es-ES | whisper | mms | 0.0452 | 0.1248 | -0.0796 | [-0.0871, -0.0717] | 50.0% | 1499 |
| es-MX | elevenlabs | whisper | 0.0351 | 0.0613 | -0.0262 | [-0.0321, -0.0207] | 73.9% | 1500 |
| es-MX | elevenlabs | mms | 0.0351 | 0.1482 | -0.1131 | [-0.1240, -0.1028] | 42.0% | 1500 |
| es-MX | whisper | mms | 0.0613 | 0.1482 | -0.0869 | [-0.0952, -0.0788] | 43.0% | 1500 |
| nl-NL | elevenlabs | whisper | 0.0159 | 0.0385 | -0.0226 | [-0.0277, -0.0186] | 78.9% | 1500 |
| nl-NL | elevenlabs | mms | 0.0159 | 0.078 | -0.0621 | [-0.0730, -0.0540] | 58.7% | 1500 |
| nl-NL | whisper | mms | 0.0385 | 0.078 | -0.0395 | [-0.0478, -0.0328] | 57.3% | 1500 |
| pt-BR | elevenlabs | whisper | 0.0531 | 0.0737 | -0.0207 | [-0.0307, -0.0120] | 73.7% | 1500 |
| pt-BR | elevenlabs | mms | 0.0531 | 0.2242 | -0.1712 | [-0.1953, -0.1497] | 36.2% | 1500 |
| pt-BR | whisper | mms | 0.0737 | 0.2242 | -0.1505 | [-0.1682, -0.1333] | 35.4% | 1500 |
| ky | elevenlabs | mms | 0.1829 | 0.2425 | -0.0596 | [-0.0838, -0.0361] | 20.3% | 694 |
| ky | elevenlabs | gigaam | 0.1829 | 0.0998 | 0.0831 | [0.0629, 0.1046] | 43.1% | 694 |
| ky | mms | gigaam | 0.2425 | 0.0998 | 0.1427 | [0.1273, 0.1593] | 24.8% | 694 |
Deltas are paired bootstraps over the utterances both recognisers scored; every interval above excludes zero.
Two of these gaps mean different things.
Whisper − MMS measures how much the intelligible reading depends on the listener's expectations. A large gap means the acoustics alone do not carry the sentence.
Scribe − Whisper measures something the benchmark could not see with one
recogniser: how much of the "human anchor" was never the human at all. Scribe
reads the same recordings 27-59 % more accurately, and with a lower
catastrophic rate, so it is not buying accuracy with hallucination. On nl-NL
the human anchor falls from 0.0385 to 0.0159 with zero catastrophic
utterances. Whatever a v1-style anchor attributed to "human speech is hard" was
substantially Whisper's own error, and the ceiling a synthesis system is measured
against is correspondingly higher.
ky is the exception and runs the other way: Scribe (0.1829) is well behind
GigaAM (0.0998), paired delta +0.0831 [0.0629, 0.1046]. See below.
Is the Kyrgyz subset usable?
Kyrgyz is the one subset where the primary recogniser (GigaAM-Multilingual) is
not independently validated for this purpose, and its v1 anchor of 11.04 % sat
above the 10 % threshold that calls for a cross-check. v2 performs that
cross-check with MMS, which covers Kyrgyz through its kir adapter.
MMS scores 2.03x-3.04x the strong recogniser across the five Whisper subsets. Kyrgyz sits at 2.43x — mid-range. GigaAM therefore behaves, relative to a language-model-free CTC baseline, exactly as Whisper does on the other five subsets, and the cross-check does not find it anomalous.
A third recogniser now confirms it from the other direction. Scribe covers kir
— which Whisper's 100 languages do not — and it lands at 0.1829, well behind
GigaAM's 0.0998 (paired delta +0.0831 [0.0629, 0.1046]) while beating MMS. So on
the five subsets where a general-purpose hosted model is the most accurate reader
available, it is; on Kyrgyz, the language-specific model wins by a wide margin.
That is what a genuinely competent ky recogniser looks like, and it is the
opposite of what a broken one would produce.
Scribe's Kyrgyz output also carries a signature worth knowing about. The
references use exactly the 36 letters of the Kyrgyz alphabet; 6.2 % of Scribe
transcripts contain letters from neighbouring Turkic languages — ғ, қ, ұ,
ә, і (Kazakh), ҡ (Bashkir). Folding those to their Kyrgyz counterparts
recovers only 0.0063 WER, 3.4 % of its errors, so the spelling is not what makes
it worse. It is a symptom: rows containing a foreign letter average 0.59 WER
against 0.17 elsewhere. When Scribe drifts into a neighbouring orthography it is
usually losing the whole utterance, not just the spelling.
The real limitation of ky is a sampling problem: 694 rows come from only
89 distinct ground-truth speakers, and the anchor's interval is
correspondingly wide, [0.0773, 0.1311]. Use it for measurement, treat small
differences between systems on it with suspicion, and quote the interval.
Human anchors — speaker similarity
An absolute SIM value is meaningless without a floor. v1 published an anchor and no baseline, so "0.87 against a ceiling of 0.93" read like 94 % of the way there. Whether that is good depends entirely on what two different speakers score, and v1 never measured it. v2 does, over 5,000 random cross-speaker prompt pairs per language per encoder:
| lang | encoder | anchor | 95% CI | floor mean | floor p95 | usable range | n rows | speakers | distinct values |
|---|---|---|---|---|---|---|---|---|---|
| en-US | wavlm_sv | 0.9317 | [0.9283, 0.9347] | 0.6119 | 0.8707 | 0.3198 | 909 | 631 | 629 |
| en-US | wavlm_ft | 0.652 | [0.6424, 0.6601] | 0.0725 | 0.2483 | 0.5795 | 909 | 631 | 630 |
| en-US | ecapa | 0.6141 | [0.6042, 0.6227] | 0.0822 | 0.2447 | 0.5319 | 909 | 631 | 631 |
| es-ES | wavlm_sv | 0.9435 | [0.9392, 0.9469] | 0.7286 | 0.9245 | 0.2149 | 1222 | 590 | 587 |
| es-ES | wavlm_ft | 0.6888 | [0.6791, 0.6980] | 0.1302 | 0.3183 | 0.5586 | 1222 | 590 | 590 |
| es-ES | ecapa | 0.6505 | [0.6405, 0.6599] | 0.132 | 0.3206 | 0.5185 | 1222 | 590 | 589 |
| es-MX | wavlm_sv | 0.9456 | [0.9432, 0.9480] | 0.7315 | 0.932 | 0.2141 | 1201 | 771 | 768 |
| es-MX | wavlm_ft | 0.6882 | [0.6811, 0.6956] | 0.1685 | 0.3576 | 0.5197 | 1201 | 771 | 769 |
| es-MX | ecapa | 0.635 | [0.6268, 0.6438] | 0.122 | 0.299 | 0.5131 | 1201 | 771 | 769 |
| nl-NL | wavlm_sv | 0.9285 | [0.9235, 0.9331] | 0.7446 | 0.9215 | 0.184 | 1319 | 412 | 412 |
| nl-NL | wavlm_ft | 0.6708 | [0.6619, 0.6797] | 0.174 | 0.352 | 0.4969 | 1319 | 412 | 412 |
| nl-NL | ecapa | 0.6232 | [0.6134, 0.6336] | 0.1866 | 0.3666 | 0.4366 | 1319 | 412 | 412 |
| pt-BR | wavlm_sv | 0.9339 | [0.9265, 0.9403] | 0.765 | 0.9248 | 0.1689 | 983 | 161 | 161 |
| pt-BR | wavlm_ft | 0.6346 | [0.6166, 0.6502] | 0.1864 | 0.3754 | 0.4482 | 983 | 161 | 161 |
| pt-BR | ecapa | 0.5763 | [0.5578, 0.5930] | 0.1257 | 0.2993 | 0.4506 | 983 | 161 | 161 |
| ky | wavlm_sv | 0.9214 | [0.9121, 0.9302] | 0.7173 | 0.9279 | 0.204 | 599 | 155 | 155 |
| ky | wavlm_ft | 0.6069 | [0.5849, 0.6267] | 0.184 | 0.3837 | 0.4229 | 599 | 155 | 155 |
| ky | ecapa | 0.5593 | [0.5371, 0.5811] | 0.1484 | 0.3428 | 0.411 | 599 | 155 | 155 |
- anchor — cos(second clip, prompt clip): two different recordings of the same person.
- floor mean / p95 — cross-speaker pairs. p95 is the practical false-accept level: a system scoring there is being confused with strangers one time in twenty.
- usable range — anchor minus floor. This is the entire span in which a cloning system can distinguish itself.
Read the wavlm_sv rows carefully. That is v1's encoder, and its usable
range is 0.17-0.32 on a scale that looks like it runs to 1.0. Worse, its
impostor p95 reaches 0.87-0.93 — on Kyrgyz the p95 impostor (0.9279) is
above the human anchor (0.9214), meaning more than 5 % of random cross-speaker
pairs outscore two recordings of the same person. A bare number near 0.93 from
this encoder carries very little information. wavlm_ft and ecapa keep
0.41-0.58 of usable range and separate speakers far more cleanly.
Report the normalised score, which is readable where a bare cosine is not:
sim_norm = (sim_o − sim_floor) / (sim_anchor − sim_floor)
0 means indistinguishable from an impostor; 1 means as close as two recordings
of the same person. Per-language coefficients are in reports/csv/sim.csv.
Which encoder to use
| encoder | model | use it for |
|---|---|---|
wavlm_sv |
microsoft/wavlm-base-plus-sv |
continuity with v1 numbers only |
wavlm_ft |
wavlm_large_finetune.pth |
comparability with the seed-tts-eval literature |
ecapa |
speechbrain/spkrec-ecapa-voxceleb |
a reading from outside the WavLM family |
The third exists because of a circularity in the build: prompt QC rejected clips
lying more than μ−2σ from their speaker's centroid as measured by WavLM-SV,
and the anchor was then measured with WavLM-SV. The pool was pre-selected for
homogeneity in the metric's own space. wavlm_ft shares that backbone and
inherits the blind spot; ECAPA-TDNN shares neither architecture, pretraining nor
training corpus, so where its anchor tracks WavLM's the anchor is a property of
the speakers, and where it does not, the selection is showing through.
SIM against prompt duration
Under v1's encoder, the relationship is monotonic in three subsets, not five:
| lang | <3.7 | 3.7-4.5 | >=4.5 | monotonic |
|---|---|---|---|---|
| en-US | 0.9228 | 0.9284 | 0.9367 | True |
| es-ES | 0.9321 | 0.9476 | 0.9456 | False |
| es-MX | 0.9377 | 0.9455 | 0.9492 | True |
| ky | 0.9167 | 0.9321 | 0.9138 | False |
| nl-NL | 0.925 | 0.9309 | 0.9367 | True |
| pt-BR | 0.9262 | 0.9491 | 0.9399 | False |
The choice of encoder changes the answer: under wavlm_ft and ecapa, es-ES
becomes monotonic too and only ky and pt-BR peak in the middle bin. Full
tables with n per cell are in reports/csv/sim_breakdown.csv.
The confounder v1 did not control
The table above bins on the prompt clip only. The other clip in the pair —
sim_ref_audio, down to about 2 s — was uncontrolled, and it moves the anchor:
| lang | 3.5-4.5 | <3.5 | >=4.5 |
|---|---|---|---|
| en-US | 0.948 | 0.9268 | 0.9432 |
| es-ES | 0.9528 | 0.9413 | 0.9572 |
| es-MX | 0.9519 | 0.9432 | 0.9574 |
| ky | 0.911 | 0.9223 | 0.9174 |
| nl-NL | 0.9431 | 0.9279 | 0.8895 |
| pt-BR | 0.9451 | 0.9327 | 0.9376 |
sim_ref_dur_bin ships as a column in v2 so any SIM breakdown can control for it.
Effective sample size
The anchor is constant within a speaker by construction: every example of a
speaker shares one prompt clip and one second clip. So n rows is not the number
of measurements — en-US's 909 rows carry 629 distinct values, and ky's 599 rows
carry 155. Every interval in this card is a cluster bootstrap over speakers for
this reason. A row-level bootstrap would report intervals roughly √(rows per
speaker) too narrow.
Can a model beat the anchor?
Yes, and models do. The Seed-TTS paper's Table 1 (zero-shot in-context learning) reports English SIM 0.762 against a human 0.730, and Mandarin WER 1.115 % against a human 1.254 %. The anchor is not a physical ceiling and this card does not call it one.
The reason is structural. Synthesis is conditioned on the prompt and inherits its recording channel, microphone and room; the anchor compares two different recordings of the person, made at different times. The comparison is asymmetric in the model's favour. Three further biases point in various directions:
- circularity — the QC filter and the v1 SIM metric share an embedding space (above);
- transcript quality — the WER anchor mixes recogniser error, reader error
and unverified crowd-sourced transcripts. The
kysubset contains clear cases where both recognisers agree with each other and disagree with the reference, i.e. the reference is wrong; - training contamination — Whisper has plausibly seen Common Voice in training, which pushes the anchor the other way.
None of these are quantified. Treat the anchor as a reference point, not a bound.
Evaluation protocol
Every parameter that determines a number. v1 stated none of them.
Preprocessing parity
The anchors are measured on audio that the build put into a canonical state:
mono, 16 kHz, Silero-VAD trimmed with a 50 ms pad, peak-normalised to −1 dBFS.
Your synthesis must go through the same pipeline or the comparison is not
like-for-like — trailing silence and level differences both shift SIM.
msbench.audio.prepare() does this and the drivers apply it by default.
Resampling uses soxr HQ. This matters: v1 resampled with np.interp, linear
interpolation with no anti-aliasing filter. References are natively 16 kHz and
never took that path, but synthesis at 22.05 / 24 / 44.1 kHz always did and
arrived at the speaker encoder carrying aliasing artifacts — a 15 kHz tone that
must vanish at 16 kHz survives at −3.1 dBr with 93 % of the residue folded onto
1 kHz, in the middle of the speech band. Every model's SIM was depressed by this;
the anchor was not.
Stored dataset audio is not re-trimmed, because re-running VAD with a different Silero version than the build used would move the anchor.
ASR
model openai/whisper-large-v3 (ai-sage/GigaAM-Multilingual rev "ctc" for ky)
dtype float16
num_beams 1 greedy
max_new_tokens 200 the runaway guard
repetition_penalty not set removed in v2
chunk_length_s not set short-form path
batch 8
second opinion facebook/mms-1b-all, per-language adapter, CTC greedy, no LM
ElevenLabs Scribe
model scribe_v2
language_code per subset, ISO 639-3 (eng / spa / nld / por / kir) — never auto-detect
tag_audio_events false default is TRUE; its tags would be scored as words
diarize false
timestamps_granularity none
seed 0
temperature 0
no_verbatim false it strips filler words, which are real content here
keyterms unset it biases decoding toward supplied words
workers 12 measured: ~8.8 clips/s; 24 draws 429s
timeout 300 s
Two properties of this backend have no counterpart in the local recognisers and must be understood before its numbers are used.
It is not deterministic, even pinned. Identical requests return different
transcripts. seed alone changes nothing; seed with temperature=0 narrows
the spread a great deal but does not close it. Measured by running ky three
times end to end: only 69.5 % of transcripts are identical across all three,
yet corpus WER lands at 0.1829 / 0.1805 / 0.1809 — a range of 0.0024 against
a bootstrap interval 0.078 wide. The noise is real per utterance and negligible
in the aggregate. Audit a single row and you may not reproduce it; quote a
headline and you will. (scribe_v1 is less stable still, which is why v2 is the
default here — the version number is not the reason.)
It hallucinates on short clips. On a 1.1 s pt-BR utterance where Whisper
scores 0.00 it returned an unrelated sentence. audio_duration_secs comes back
matching the clip, so this is a decoder failure, not a transport one. Read its
catastrophic_rate alongside its WER, never the WER alone.
There is no batch endpoint: the API takes one file per request, and "batch" in ElevenLabs' terms means asynchronous delivery by webhook, which does not raise throughput. Concurrency is the only lever.
Text normalisation
Applied identically to reference and hypothesis:
NFC -> lowercase -> expand digits (num2words, per language; none for ky)
-> strip punctuation -> collapse whitespace
PUNCT = !"#$%&()*+,-./:;<=>?@[\]^_`{|}~«»„""''…–—¿¡
Apostrophes are kept (word-internal: don't, 's-Gravenhage). Diacritics are
kept — año/ano and sé/se are different words, and stripping them
would mask real errors. This is where the normaliser deliberately differs from
whisper.normalizers, which is too aggressive for non-English.
Aggregation
wer_corpus = Σ(S+D+I) / Σ N_ref headline, matches seed-tts-eval
wer_macro = mean per-utterance v1 legacy, reported alongside
cer counts the space as a character (jiwer default)
exact_match = share of utterances with WER == 0
catastrophic_rate = share with WER > 0.5
Rows whose normalised reference is empty are counted (n_empty_ref), not
silently dropped. In this dataset that count is 0 in every subset — the defect
existed in v1's code but never affected a published number.
How to read the numbers
Confidence intervals. Every headline figure carries a 95 % cluster bootstrap over speakers (2,000 replicates, seed 20260725). Observations are not independent: one prompt serves up to 7 examples, GT-speaker concentration is uncapped, and the SIM anchor is constant within a speaker. Resampling rows would understate the interval.
Claiming "A beats B". Do not compare two independent intervals — that throws
away the fact that both systems were measured on the same sentences. Use
msbench.stats.paired_bootstrap, which resamples the shared speakers once per
replicate and applies that resample to both systems, and report the delta with
its interval and P(A better).
Per-cell n. Every breakdown table in reports/ carries n and the number
of distinct speakers behind it, and flags cells with fewer than 30 speakers.
Do not read a trend off a thin cell.
Cross-language comparison is not supported. Anchor-normalised comparison is
valid within a language only. Differences between anchors are a property of
the recogniser, not of the languages, and for ky it is a different recogniser
entirely.
Source data
Common Voice 17.0 (fsicoli/common_voice_17_0), CC0. Text and audio are
crowd-sourced; speaker metadata is self-declared and often absent.
Regional variants are not locales
Common Voice has no es-MX, pt-BR or nl-NL locale. These variants live in
free-text, self-declared accents / variant columns, the field is
multi-valued, and the labels themselves contain commas inside parentheses
("España: Norte peninsular (Asturias, Castilla y León, Cantabria)"). A naive
split(",") shreds them. Labels are split on commas at parenthesis depth zero
and matched exactly — substring matching gives false positives, since the
Caribbean Spanish label contains "Costa del golfo de México" and would be picked
up by a contains("México") test.
es-ES means the Castilian norm: Norte peninsular plus Centro-Sur. Andalusian is
excluded — seseo/ceceo places it closer to es-MX, and 82 % of that slice is one
speaker. /θ/ is present in es-ES and absent from es-MX, which is the point of
having both.
Quality control
Prompt candidates were rejected on criteria that speech restoration cannot fix: not mono, no speech found, clipping above 1e-3, energy above 5 kHz below −45 dB (the signature of upsampling from 8 kHz), speech ratio below 0.75 after trimming, more than one speech segment after merging gaps under 0.25 s, and duration outside 2-12 s. Noise metrics were deliberately not used as filters, because references are expected to go through a restoration model downstream.
Two things about the qc_* columns that v1 did not state:
- they are computed on the untrimmed clip, while
prompt_audioships trimmed. This is whyqc_lead_silandqc_trail_silare non-zero on audio that has had its edge silence removed; - they cover prompts only.
The last point matters for the WER anchor. gt_audio and sim_ref_audio got the
same preprocessing but never faced the rejection filters, so the anchor
includes recordings that would not have been accepted as prompts. v2 measures how
many, and ships the result as gt_qc_* and simref_qc_* columns:
| lang | audio | n | DNSMOS OVRL | OVRL p05 | clipping % | narrowband % | low speech % | would fail prompt QC % |
|---|---|---|---|---|---|---|---|---|
| en-US | prompt | 1500 | 2.761 | 1.971 | 0 | 0.27 | 0.27 | 0.53 |
| en-US | gt | 1500 | 2.766 | 1.968 | 0 | 1.47 | 0.93 | 2.4 |
| en-US | sim_ref | 909 | 2.752 | 2.028 | 0 | 0.22 | 0 | 0.22 |
| es-ES | prompt | 1500 | 2.766 | 2.011 | 0 | 1.33 | 0.2 | 1.53 |
| es-ES | gt | 1499 | 2.8 | 2.041 | 0 | 2.33 | 0.4 | 2.74 |
| es-ES | sim_ref | 1222 | 2.759 | 1.991 | 0 | 1.64 | 0.16 | 1.8 |
| es-MX | prompt | 1500 | 2.68 | 1.887 | 0 | 0.53 | 0 | 0.53 |
| es-MX | gt | 1500 | 2.662 | 1.834 | 0 | 2.73 | 1.8 | 4.27 |
| es-MX | sim_ref | 1201 | 2.672 | 1.861 | 0 | 1.25 | 0 | 1.25 |
| nl-NL | prompt | 1500 | 2.808 | 2.152 | 0 | 0.47 | 0 | 0.47 |
| nl-NL | gt | 1500 | 2.871 | 2.218 | 0 | 1.13 | 0.13 | 1.27 |
| nl-NL | sim_ref | 1319 | 2.804 | 2.082 | 0 | 1.59 | 0 | 1.59 |
| pt-BR | prompt | 1500 | 2.726 | 2.004 | 0 | 0.4 | 0 | 0.4 |
| pt-BR | gt | 1500 | 2.783 | 2.005 | 0 | 2.47 | 1.07 | 3.53 |
| pt-BR | sim_ref | 983 | 2.697 | 2.049 | 0 | 0.61 | 0.61 | 1.22 |
| ky | prompt | 700 | 2.718 | 1.859 | 0 | 1.71 | 0 | 1.71 |
| ky | gt | 694 | 2.749 | 1.924 | 0 | 1.87 | 0.58 | 2.31 |
| ky | sim_ref | 599 | 2.671 | 1.812 | 0 | 0.67 | 0 | 0.67 |
would fail prompt QC % applies the prompt thresholds to each stream. Prompts
pass by construction. Nothing is filtered — removing rows would break utt
stability with v1 — so a user who wants a clean subset applies their own
threshold and says so.
Example selection
Prompts and targets are decoupled. Each speaker contributes one fixed reference clip for all of their examples, which keeps SIM variance down; the target text comes from a different recording, usually a different speaker. The model is therefore always asked for speech that does not exist.
Selection is constrained rather than random: a target length distribution per language, a per-speaker cap, a minimum female-voice share where the source allows one, and full phonetic coverage. All six subsets cover 100 % of the candidate pool's phoneme and diphone inventory.
Data fields
Three audio streams per example, all mono 16 kHz, VAD-trimmed, peak-normalised to −1 dBFS:
| field | what it is |
|---|---|
prompt_audio |
the reference clip — condition your model on this |
prompt_audio_orig |
the same clip at its original sample rate |
gt_audio |
a real recording of text, usually by a different speaker. Basis of the WER anchor |
sim_ref_audio |
a second clip of the prompt speaker, different text. Basis of the SIM anchor |
The human anchors, per row — the benchmark's central numbers, carried in the data itself so they are visible without downloading anything else:
| field | what it is |
|---|---|
anchor_asr |
which recogniser produced the primary anchor: whisper, or gigaam for ky |
anchor_wer, anchor_cer |
that recogniser's per-utterance error rate on gt_audio |
anchor_subs, anchor_dels, anchor_ins, anchor_n_ref_words |
the edit counts behind it, and the reference length |
anchor_cer_err, anchor_n_ref_chars |
the same for characters |
anchor_hyp |
what it actually transcribed, normalised — so a row's WER can be understood rather than only read |
anchor_wer_mms, anchor_cer_mms + counts |
MMS, CTC without a language model |
anchor_wer_scribe, anchor_cer_scribe + counts |
ElevenLabs Scribe v2, and anchor_hyp_scribe |
anchor_sim_wavlm_sv, anchor_sim_wavlm_ft, anchor_sim_ecapa |
cos(second clip, prompt clip) under each encoder |
NaN where the underlying audio is absent (has_gt or has_sim_ref false).
anchor_wer is not the headline number. It is a per-utterance rate, and
averaging it gives the macro aggregation that v2 keeps only for continuity with
v1. The headline is corpus-level, and the counts are shipped so it is derivable
from the dataset alone:
import datasets
d = datasets.load_dataset("nineninesix/multilingual-speech-benchmark", "en-US", split="main").to_pandas()
wer_corpus = (d.anchor_subs + d.anchor_dels + d.anchor_ins).sum() \
/ d.anchor_n_ref_words.sum() # 0.0774 — the headline
wer_macro = d.anchor_wer.mean() # 0.0807 — v1 legacy
The same holds for any slice: filter the rows first, then sum. Averaging
anchor_wer over a slice silently switches you back to the macro form.
One further caution: the SIM anchor is constant within a speaker by
construction, so those columns are not independent observations. Cluster by
speaker_id before putting an interval on anything.
Identity: utt (stable join key), lang, subset, source, cv_version.
Prompt: prompt_text, prompt_dur (after trimming), prompt_sr_orig,
prompt_dur_bin, prompt_cv_path, prompt_split_origin.
Speaker: speaker_id, speaker_gender (+ _source), speaker_age,
speaker_accent_label (raw label, secondary accents included),
speaker_n_in_subset.
Target text: text, text_norm (produced by msbench.normalize, not a
placeholder), n_words, n_chars, len_bin, phones (IPA),
n_phones, punct_type, text_cv_path, text_split_origin.
Anchor availability: has_gt, gt_dur, gt_speaker_id, gt_same_speaker,
gt_gender, has_sim_ref, sim_ref_dur, sim_ref_dur_bin, sim_ref_text.
Prompt QC (qc_*, on the untrimmed clip): qc_vad_speech_ratio,
qc_lead_sil, qc_trail_sil, qc_clip_rate, qc_hf_energy_db (dB above
5 kHz), qc_bandwidth_hz (deprecated alias of the previous), qc_dnsmos_ovrl,
qc_dnsmos_sig, qc_dnsmos_bak, qc_spk_centroid_dist.
Ground-truth and second-clip QC (new in v2, reporting only): gt_qc_* and
simref_qc_*, each with dnsmos_ovrl, dnsmos_sig, dnsmos_bak, clip_rate,
hf_energy_db, vad_speech_ratio, lead_sil, trail_sil, fails_prompt_qc.
Reserved for a future hard set, currently constant: category (general),
subcategory, tags (empty list<string>), difficulty (0), has_digit,
has_abbrev, has_foreign (all false), notes.
Reports
reports/ is part of the release, not an afterthought.
| path | contents |
|---|---|
reports/results.md |
all anchors with intervals, breakdowns with per-cell n |
reports/attribution.md |
the v1 → v2 ladder, one cause per delta |
reports/summary.md, reports/coverage_*.md |
per-subset composition and coverage |
reports/quality_{prompt,gt,sim_ref}.md |
DNSMOS and QC per audio stream |
reports/csv/*.csv |
every table above, machine-readable |
reports/per_utterance/*.parquet |
per-utt metrics for every recogniser and encoder, with S/D/I counts, reference lengths, both normalised strings and speaker_id |
reports/per_utterance/*.json |
the exact configuration of every run |
The per-utterance artifacts are what let you re-aggregate any number in this card, audit outliers, run your own paired tests, or slice by any column — without a GPU and without re-running a recogniser. v1 shipped aggregate markdown only.
Limitations
- No naturalness axis. Neither subjective nor predicted. A system can score well here and sound robotic.
- No hard set. Common Voice contains 0 % texts with digits, so text normalisation is untested.
- No long-form. Texts are 3-16 words; long-context prosody and stability are untested.
kyrests on 89 ground-truth speakers for 694 rows, with a correspondingly wide interval.- The WER anchor mixes three error sources — recogniser error, reader error, and unverified crowd transcripts — with no way to separate them.
- Whisper has plausibly seen Common Voice, which flatters the anchor in the opposite direction to the previous point. Neither bias is quantified.
- The QC filter and v1's SIM encoder share an embedding space. Use
ecapato see past it. - v1's SIM encoder has almost no usable range, and on
kyits impostor p95 exceeds the human anchor. - Observations are not independent; always cluster by speaker.
- Ground-truth and second-clip audio were never rejection-filtered; 1.2-4.3 % would fail the prompt criteria.
uttstability was prioritised over data cleanliness. Nothing is filtered on the new QC columns.- The macro→corpus change makes v2 numbers incomparable with v1's unless you
use the
wer_macrocolumn, which is retained for exactly that purpose. - The repetition-penalty removal is justified theoretically, not empirically: its effect on synthesis has not been measured here.
- Cross-language comparison of anchors is not supported.
- Packaged audio was resampled to 16 kHz with linear interpolation at build time, before v2 fixed the evaluation path. That is frozen into the data and is one more reason not to compare absolute SIM across datasets.
- Prompt durations are 2.5-5 s, shorter than the 3-20 s Seed-TTS uses, and SIM rises with prompt duration — so even same-encoder comparison with that literature is only partial.
- Speaker metadata is self-declared and missing for a large share of
speakers (44 % of
kygender). - pt-BR splits are broken upstream: 97 % of test sentences also appear in train, and 9,464 clips are duplicated between train and dev.
n_syllableswas dropped rather than approximated — every heuristic broke on hiatus or diphthongs. Usen_phones / gt_durfor speech rate.- Scribe is a paid, hosted, non-deterministic recogniser. It is the most accurate reader of these recordings on five subsets, but it cannot be the primary anchor of an open benchmark: reproducing it costs money, needs network access, and lands within ~0.002 rather than exactly. Whisper and GigaAM stay primary for that reason, not because they are better.
- DNSMOS is a reporting metric here, never a filter. Reference quality was measured against SIM and explains under 1.6 % of its variance, so it is not a confounder — but that was measured on the human anchor, where noise affects both embeddings and partly cancels.
Reproduction
git clone https://github.com/nineninesix-ai/make-speech-benchmark && cd make-speech-benchmark
uv venv && source .venv/bin/activate && uv pip install -e ".[all]"
msbench-fetch # download this dataset
bash scripts/runbook.sh all # every number in this card
msbench-validate # v2 differs from v1 only where claimed
pytest # the aggregation gate
Selection stages S1-S3 are not re-run and are not needed for any of the
above; they require the 66 GB Common Voice corpus and would change utt.
Two documents in the repository carry more detail than fits here:
docs/PROTOCOL.md is the full measurement
contract, and docs/DEFECTS.md is the
catalogue of all 27 v1 defects with what each one cost.
Personal and sensitive information
The audio is human speech from Common Voice, contributed under CC0 by volunteers
who consented to public release. Speaker identifiers are truncated Common Voice
client_id hashes and are not linkable to a person by this dataset alone.
Demographic fields are self-declared and frequently absent. The recordings are
nonetheless biometric voice data: they can be used to build speaker models,
and this dataset exists to measure exactly that capability. Do not use them to
impersonate the contributors.
Sentences come from Common Voice's own text corpora and may contain the usual errors of crowd-sourced transcription; several were identified during this work where the reference text disagrees with what was actually said.
Licence, citation, contact
CC0-1.0, matching Common Voice 17.0.
@misc{multilingual_speech_benchmark_2026,
title = {Multilingual Speech Benchmark for Zero-Shot TTS},
author = {nineninesix},
year = {2026},
note = {Version 2.0},
url = {https://huggingface.co/datasets/nineninesix/multilingual-speech-benchmark}
}
Pipeline: https://github.com/nineninesix-ai/make-speech-benchmark. Issues and pull requests welcome — adding a language, a recogniser backend or a speaker encoder each touch one file.
References
- Common Voice 17.0 — https://commonvoice.mozilla.org
- Seed-TTS (arXiv:2406.02430) and
seed-tts-eval, the source of the corpus-level WER convention and the
wavlm_large_finetune.pthSIM checkpoint - Whisper (arXiv:2212.04356)
- MMS (arXiv:2305.13516)
- WavLM (arXiv:2110.13900)
- ECAPA-TDNN (arXiv:2005.07143)
- DNSMOS P.835 (arXiv:2110.01763)
- Silero VAD — https://github.com/snakers4/silero-vad
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