Datasets:
audio audioduration (s) 0.43 323 | metadata_file stringlengths 53 53 | generation_id stringlengths 36 36 | title stringclasses 24
values | style_prompt stringlengths 89 495 | lyrics stringlengths 272 1.57k | provider stringclasses 1
value | model stringclasses 1
value | audio_format stringclasses 2
values | sample_rate_hz int64 16k 44.1k | channels int64 2 2 | bits_per_sample int64 16 16 ⌀ | duration_seconds float64 0.43 323 | sha256 stringlengths 64 64 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
metadata/00/000b2c8d-044f-4ebc-a8dd-c13180c087eb.json | 000b2c8d-044f-4ebc-a8dd-c13180c087eb | Quiet Orbit | Let supersaw stacks, sidechained pads, and rolling toms define the sound of this dub techno track. Let it feel built around a feeling of release. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by supersaw stacks, sidechained pads, and rolling toms)
[Inst]
(Establish the main motif; keep it built around a feeling of release)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 1)
[Out... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 94.992834 | 84eb328fd6d1d068241acb489cd2cfa8c148b78981acc768da193033d6c72d1e | |
metadata/00/000d1a4e-e99b-4fd6-984b-2336d0677222.json | 000d1a4e-e99b-4fd6-984b-2336d0677222 | Borrowed Time | Build a techno track around banjo, fiddle, and a stripped-back rhythm section. Keep the motion on a driving groove, around 126 BPM. Keep it instrumental. | [Intro]
(Instrumental opening led by banjo, fiddle, and a stripped-back rhythm section)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 3)
[Outro]
(Resolve wi... | MiniMax | minimax-music-3.0 | wav | 24,000 | 2 | 16 | 90.023792 | 181a3b214de1e27c4812360d7916168aeee7c03f11ab6b07cd84546ca6913af8 | |
metadata/00/00101a1a-c3e2-4b29-beac-a2cc05c06c71.json | 00101a1a-c3e2-4b29-beac-a2cc05c06c71 | Morning Code | Write a complete gypsy jazz performance around electric guitar through a small valve amp, organ pedals, and drums with the snare off. Shape it as an AABA form with space for concise solos, moving with brisk forward momentum, around 143 BPM. Build intensity by changing density rather than simply getting louder. Use a re... | [Intro]
(A brief opening before the first line of morning code)
[Verse]
What I could not say found a rhythm instead
Then coffee beside the screen answered, and nothing stayed the same
Letting building a kinder future walk for a while at our side
The street held its breath at the edge of the sun
Every step carried buil... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 196.205714 | 5ccdb44fc246a8dbb7e635cb87bf4a62073523f1066644438737ecfc0a3f40b1 | |
metadata/00/001cb256-92de-493e-b831-5cc3f372a310.json | 001cb256-92de-493e-b831-5cc3f372a310 | Lantern Weather | Use fado to evoke a field recording of a place that no longer exists. Bring in Portuguese guitarra alone, with the voice left almost unaccompanied. Keep the motion at a very slow, spacious pace, around 54 BPM. Introduce one restrained spoken-word section with original text. | [Intro]
(A brief opening before the first line of lantern weather)
[Verse]
I followed wind around the eaves where the evening turned slow
We moved through the weather with our hands open wide
A clear little thunder kept time in my head
There was a path after dark, keeping more than it showed
What I could not say found... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 198.611882 | 1dfeb2bb91552a3f4af79add102c3d6e7ca50b9c731bacc97588789f78aae8bd | |
metadata/00/001de595-e053-402f-b521-eeec366a93fa.json | 001de595-e053-402f-b521-eeec366a93fa | Morning Code | Let solo flamenco guitar with heel percussion and finger snaps define the sound of this flamenco track. Keep the motion at a breathless pace, around 201 BPM. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by solo flamenco guitar with heel percussion and finger snaps)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 9)
[Outro]
(R... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 86.505941 | cc73ac524f7e3a3610ed8557533f39d426ca3198ca60a3d007fce5ad30d3dc90 | |
metadata/00/00379b54-8361-4b27-ad83-cd7e19d4fe79.json | 00379b54-8361-4b27-ad83-cd7e19d4fe79 | Blue Hour | Make a single sequencer pattern surrounded by unstable ambience the center of a trance performance. Keep the motion with brisk forward momentum, around 133 BPM. Let a clear lead vocal enter only after the arrangement is established. | [Intro]
(A brief opening before the first line of blue hour)
[Verse]
What I could not say found a rhythm instead
I called to the distance and the distance came round
Every step carried peace arriving after noise under its sound
I followed birds above the rooftops where the evening turned slow
Letting peace arriving af... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 192.757551 | 652b91f209a1ea5a29415baccadde201d7fc348ba9a50fab7170727fcbbe39aa | |
metadata/00/00380816-f39c-434a-abe6-f65d8c7552b2.json | 00380816-f39c-434a-abe6-f65d8c7552b2 | Old Photographs | Frame a compact vaporwave track around cassette-warped chords, vinyl crackle, and a lazy shuffled beat. Keep the motion with long breaths between events, around 62 BPM. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by cassette-warped chords, vinyl crackle, and a lazy shuffled beat)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 2)
[Outr... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 121.869938 | e414f7d82110b3013d54a3d5bc8f1f7ae2019613b9c40ed43352e38ca75bf871 | |
metadata/00/0041356a-b984-4c0f-bda6-b1019741ea99.json | 0041356a-b984-4c0f-bda6-b1019741ea99 | Unwritten Map | A breakcore piece led by a single sequencer pattern surrounded by unstable ambience. Let it feel breathless and alive. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by a single sequencer pattern surrounded by unstable ambience)
[Inst]
(Establish the main motif; keep it breathless and alive)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 9)
[Outro]
(R... | MiniMax | minimax-music-3.0 | mp3 | 32,000 | 2 | null | 136.764 | f4630ead317274f6300ff1f047e9f025cebea82fabcb6fde28e1f6d4a96ae9d1 | |
metadata/00/00416439-edd7-4888-8835-49c50ebb0bb7.json | 00416439-edd7-4888-8835-49c50ebb0bb7 | Wild Garden | Compose an Indian classical piece for sitar, tanpura, and tabla. Shape it as a gradual communal build, moving with freely breathing time. Let it feel dark and quietly threatening. Introduce one restrained spoken-word section with original text. | [Intro]
(A brief opening before the first line of wild garden)
[Verse]
I followed green through the concrete where the evening turned slow
Letting hope returning quietly walk for a while at our side
The street held its breath at the edge of the sun
I gathered the silence and gave it a name
Then green through the concr... | MiniMax | minimax-music-3.0 | mp3 | 32,000 | 2 | null | 177.336 | 5a789a9adaf882fd63052addfc55089a7506cb7488b38ca15d992938e477dc43 | |
metadata/00/0043dd76-ac8a-4e26-a205-4b150d806b90.json | 0043dd76-ac8a-4e26-a205-4b150d806b90 | Winter Orchard | Write a footwork piece that suggests headlights moving across wet pavement at midnight. Bring in hardware sequencer, spring reverb, and a distorted rimshot. Keep the motion with near-frantic momentum, around 152 BPM. Use no lead vocal; let the instrumental phrasing provide the focus. | [Intro]
(Instrumental opening led by hardware sequencer, spring reverb, and a distorted rimshot)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 2)
[Outro]
(R... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 83.487347 | 81ac3a88ceb19943f954709e1ec69636e1c4897be40383e73e37c4528c4d0785 | |
metadata/00/00489a36-e305-42e1-b103-fd0d500f5587.json | 00489a36-e305-42e1-b103-fd0d500f5587 | Small Revolutions | Treat koto, shakuhachi, and sparse struck percussion as the core palette for a Japanese folk track. Aim for clean, modern studio production. Keep the motion with freely breathing time. Let it feel light on its feet. Keep the harmony in the yo-scale. Let a clear lead vocal enter only after the arrangement is established... | [Intro]
(A brief opening before the first line of small revolutions)
[Verse]
There was a crowded square, keeping more than it showed
A clear little thunder kept time in my head
I followed chalk across the pavement where the evening turned slow
Every step carried speaking without fear under its sound
What I could not s... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 213.446531 | 4431309842a87842d8118c9bb8fb277bbdea01f8060373d1bfc863fa67b948c3 | |
metadata/00/004d834f-1e82-461e-a0cb-b7994eed692d.json | 004d834f-1e82-461e-a0cb-b7994eed692d | Summer Static | Shape a studio-ready post-rock piece around downtuned guitars, sluggish drums, and howling feedback between chords. Aim for precise digital detail without excessive brightness. Keep the motion at an unhurried pace, around 79 BPM. Write for mixed choir, emphasizing clear voice leading over dense text. Use a small chambe... | [Intro]
(A brief opening before the first line of summer static)
[Verse]
Letting a season moving too fast walk for a while at our side
I called to the distance and the distance came round
The street held its breath at the edge of the sun
Then heat above the sidewalk answered, and nothing stayed the same
A clear little... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 221.286168 | 4132712e3ed109d5f4407a141dcf5aa54d1aebd082779a7f67cd6ed74e6864f3 | |
metadata/00/005aa879-b2ee-4095-a05b-0c2c2f67548b.json | 005aa879-b2ee-4095-a05b-0c2c2f67548b | Signal Fire | Use Delta blues to evoke the last passenger on a late-night bus. Bring in a full big band with sectional brass and reeds. Keep the motion with a slow, deliberate pulse, around 77 BPM. Tell the story entirely through the arrangement. | [Intro]
(Instrumental opening led by a full big band with sectional brass and reeds)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 8)
[Outro]
(Resolve with ... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 81.893878 | 18ec3a08b3f2f9cd34792b9586b2cf9baf6e64fc67e53e5cb2ce7dcd5751393b | |
metadata/00/005c8123-c4d3-4d8f-bfd2-e76ee42f705e.json | 005c8123-c4d3-4d8f-bfd2-e76ee42f705e | Low Tide | Give this Andean folk arrangement a clear focus on charango, panpipes, and a soft frame drum. Aim for soft transients and a hazy, diffused stereo field. Keep the motion with firm forward motion, around 108 BPM. Let it feel familiar without feeling sentimental. Add an expressive lead vocal with original lyrics. Use a hi... | [Intro]
(A brief opening before the first line of low tide)
[Verse]
There was a weathered pier, keeping more than it showed
I called to the distance and the distance came round
Letting what remains when distance leaves walk for a while at our side
Then shells along the shoreline answered, and nothing stayed the same
W... | MiniMax | minimax-music-3.0 | mp3 | 32,000 | 2 | null | 206.316 | d1db316c3c2c5a65169c280a8f90642eeb67a7e960e874141c6f08d7f2ce5c0d | |
metadata/00/00643668-2c07-4241-b2ea-dab05f2f0039.json | 00643668-2c07-4241-b2ea-dab05f2f0039 | New Gravity | Write a focused jump blues piece for clarinet, resonator guitar, and foot-stomp percussion. Let it feel exhilarating. Write an original vocal melody that leaves room for the instrumental hook. | [Intro]
(A brief opening before the first line of new gravity)
[Verse]
We moved through the weather with our hands open wide
There was a midnight crossing, keeping more than it showed
What I could not say found a rhythm instead
I gathered the silence and gave it a name
I called to the distance and the distance came ro... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 194.638367 | 551e4f8d8856e122e5e932136a368a5917b44d5130910e0ceae59083965b95e8 | |
metadata/00/0071b815-7fd7-4327-8db0-9efbe1404653.json | 0071b815-7fd7-4327-8db0-9efbe1404653 | Signal Fire | Record a choral music performance built from mixed choir with a supporting pipe organ. Aim for the sound of a single room microphone placed some distance back. Keep the motion at an unhurried pace, around 61 BPM. Let it feel boldly victorious. Let the choir carry the principal melodic material. Use full SATB divisions,... | [Intro]
(A brief opening before the first line of signal fire)
[Verse]
The street held its breath at the edge of the sun
I called to the distance and the distance came round
We counted the lights as they opened one by one
There was a cold horizon, keeping more than it showed
A clear little thunder kept time in my head... | MiniMax | minimax-music-3.0 | mp3 | 24,000 | 2 | null | 205.368 | b831ce5a7a95daa7967f6fc48fbb92603537be0348e13adc7de698af01220e81 | |
metadata/00/0075d0eb-0927-4e0a-811a-45060d57049c.json | 0075d0eb-0927-4e0a-811a-45060d57049c | Second Sunrise | Construct an opera aria arrangement from solo voice with harpsichord and cello continuo. Shape it as three connected movements without a pause, moving with long breaths between events, around 56 BPM. Let it feel always turning toward a new detail. Keep the harmony in Mixolydian mode. Let the choir carry the principal m... | [Intro]
(A brief opening before the first line of second sunrise)
[Verse]
We moved through the weather with our hands open wide
I called to the distance and the distance came round
Letting starting over without regret walk for a while at our side
The street held its breath at the edge of the sun
A clear little thunder... | MiniMax | minimax-music-3.0 | mp3 | 16,000 | 2 | null | 207.756 | 55f6852193b34761e182e426fdb4a43a6194a738fde34433bf0882b32101bd3a | |
metadata/00/007acbc7-9447-4424-ae66-914511bfe041.json | 007acbc7-9447-4424-ae66-914511bfe041 | Open Water | A highlife piece led by palm-wine guitar, congas, and a warm horn section. Keep the motion with firm forward motion, around 106 BPM. Let a clear lead vocal enter only after the arrangement is established. | [Intro]
(A brief opening before the first line of open water)
[Verse]
What I could not say found a rhythm instead
We moved through the weather with our hands open wide
We counted the lights as they opened one by one
I gathered the silence and gave it a name
I followed salt on the railing where the evening turned slow
... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 195.160816 | 75977682092ee25c790478b76bc7376959fbac0261ff4894fa94f29d5551f508 | |
metadata/00/007dfa72-b1da-4979-a11c-a599674a989a.json | 007dfa72-b1da-4979-a11c-a599674a989a | Winter Orchard | Capture solo cello with sparse piano responses for a focused orchestral tone poem recording. Aim for a worn cassette texture that leaves the rhythm intact. Keep the motion with long breaths between events, around 52 BPM. Write for mixed choir, emphasizing clear voice leading over dense text. | [Intro]
(A brief opening before the first line of winter orchard)
[Verse]
I called to the distance and the distance came round
We counted the lights as they opened one by one
Letting patience before renewal walk for a while at our side
A clear little thunder kept time in my head
The street held its breath at the edge ... | MiniMax | minimax-music-3.0 | wav | 24,000 | 2 | 16 | 185.121083 | 2f2bce386940d676b5c8f07232580838933a3aa3a913277a192bc5f2df3833f4 | |
metadata/00/007e4f9d-d047-48bc-9557-3430107e2da2.json | 007e4f9d-d047-48bc-9557-3430107e2da2 | New Gravity | Turn old photographs discovered in an unfamiliar house into a post-rock performance. Bring in downtuned guitars, sluggish drums, and howling feedback between chords. Keep the motion at an unhurried pace, around 75 BPM. Let it feel dreamlike. Let one instrument fall out of sync and slowly drift back into place. Let the ... | [Intro]
(A brief opening before the first line of new gravity)
[Verse]
A clear little thunder kept time in my head
There was a midnight crossing, keeping more than it showed
I gathered the silence and gave it a name
I called to the distance and the distance came round
Letting the pull of another heart walk for a while... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 224.052245 | 3295c6cfa58ed0d0725e76fc3b134752205396d0d20330a8b7f8951436407906 | |
metadata/00/00881abd-c431-4e1c-9918-4edcd1c10c6e.json | 00881abd-c431-4e1c-9918-4edcd1c10c6e | Lantern Weather | Create a renaissance polyphony idea with a small vocal consort of one voice per part at the front. Let it feel guided by an unguarded sense of longing. Use wordless choral writing that moves between unison and divided harmony. | [Intro]
(A brief opening before the first line of lantern weather)
[Verse]
There was a path after dark, keeping more than it showed
What I could not say found a rhythm instead
Then wind around the eaves answered, and nothing stayed the same
The street held its breath at the edge of the sun
We counted the lights as the... | MiniMax | minimax-music-3.0 | mp3 | 24,000 | 2 | null | 203.76 | 2af16c2ccff754a014c24a45a67fda34de2fb34ef8c9fff9bb8f87fd19a86410 | |
metadata/00/00aadd8c-f5d4-4a29-a5d9-532c1eb30565.json | 00aadd8c-f5d4-4a29-a5d9-532c1eb30565 | Borrowed Time | Turn the silence in a house after everyone has left into a bebop performance. Bring in Hammond organ, hollow-body guitar, and shuffled drums. Keep the motion with near-frantic momentum, around 182 BPM. Blend in touches of microtonal music. Let it feel bittersweet. Add an expressive lead vocal with original lyrics. Use ... | [Intro]
(A brief opening before the first line of borrowed time)
[Verse]
Then shadows on the staircase answered, and nothing stayed the same
Every step carried choosing the present under its sound
I gathered the silence and gave it a name
Letting choosing the present walk for a while at our side
I called to the distan... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 195.570068 | 34b42e1bc8b785965023772147434d77bba72d862ad2861d15f158d34146d4df | |
metadata/00/00b016ec-fff4-4be7-bfc8-ee1ea67a7062.json | 00b016ec-fff4-4be7-bfc8-ee1ea67a7062 | Summer Static | Use klezmer to evoke an empty theater slowly returning to life. Bring in clarinet, trombone, accordion, and a rolling snare. Keep the motion without a rigid pulse. Use a restrained lead vocal and a few carefully placed harmonies. | [Intro]
(A brief opening before the first line of summer static)
[Verse]
I followed heat above the sidewalk where the evening turned slow
The street held its breath at the edge of the sun
We counted the lights as they opened one by one
A clear little thunder kept time in my head
We moved through the weather with our h... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 194.931519 | 2d2b6e5a56a92d3a3774cb4ee3d02a17f8acf7fe832fefcfab6ed15e6daedd96 | |
metadata/00/00b3611a-e9a9-4b0e-a8f7-8996b2c5fb38.json | 00b3611a-e9a9-4b0e-a8f7-8996b2c5fb38 | Bright Machinery | Use reversed pads, clicking micro-percussion, and a woody sub-bass to carry a self-contained breakcore composition. Shape it as a looping form that changes through subtraction, moving with near-frantic momentum, around 172 BPM. Introduce one surprising timbre late in the piece, then make it feel inevitable. Let a clear... | [Intro]
(A brief opening before the first line of bright machinery)
[Verse]
The street held its breath at the edge of the sun
What I could not say found a rhythm instead
Every step carried making beauty from hard work under its sound
A clear little thunder kept time in my head
There was a turning wheel, keeping more t... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 209.266939 | e63032796128867b64f7b3428ec834a3febb81a1a8e6b0cd14f884157addd465 | |
metadata/00/00ce1375-36d3-4ef3-a07d-a05eadc07c96.json | 00ce1375-36d3-4ef3-a07d-a05eadc07c96 | Echo Season | Begin a brass ensemble piece with a brass quintet with restrained timpani in the foreground. Shape it as a slow introduction, a fast central section, and a truncated return, moving at an unhurried pace, around 74 BPM. Let it feel euphoric. Let the loudest moment arrive early and spend the rest recovering from it. Leave... | [Intro]
(Instrumental opening led by a brass quintet with restrained timpani)
[Inst]
(Establish the main motif; keep it euphoric)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 4)
[Outro]
(Resolve with a transformed fragm... | MiniMax | minimax-music-3.0 | mp3 | 32,000 | 2 | null | 44.784 | 250f723fecb1ef9ef14175b02c7cf9f97a0a80ae00626c23930146f17c4c8b44 | |
metadata/00/00e4d8d2-956d-4d10-aed8-67410f3ae727.json | 00e4d8d2-956d-4d10-aed8-67410f3ae727 | Open Water | Write a focused avant-prog piece for baritone guitar, floor toms, and sheets of amplifier feedback. Let it feel alert to every small surprise. Tell the story entirely through the arrangement. | [Intro]
(Instrumental opening led by baritone guitar, floor toms, and sheets of amplifier feedback)
[Inst]
(Establish the main motif; keep it alert to every small surprise)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 2)... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 120.314195 | 6e3b62734c5cc000119c67d4ee252527a9feb6461420ae25b0740c4170d062d7 | |
metadata/00/00e5212e-c111-45a5-b771-a511cb33a558.json | 00e5212e-c111-45a5-b771-a511cb33a558 | Second Sunrise | Build the sonic identity of a black metal track from baritone guitar, floor toms, and sheets of amplifier feedback. Aim for precise digital detail without excessive brightness. Keep the motion at a breathless pace, around 177 BPM. Let it feel always withholding part of its meaning. Use no lead vocal; let the instrument... | [Intro]
(Instrumental opening led by baritone guitar, floor toms, and sheets of amplifier feedback)
[Inst]
(Establish the main motif; keep it always withholding part of its meaning)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, var... | MiniMax | minimax-music-3.0 | mp3 | 24,000 | 2 | null | 89.76 | 0d335b945147937d6e3cffca6f3c6629a63b71def952a483d2847062199f168e | |
metadata/00/00f92277-a560-41d6-a798-325dea3c3b79.json | 00f92277-a560-41d6-a798-325dea3c3b79 | Lantern Weather | Score the feeling of machinery starting up beneath a sleeping landscape through pop. Bring in distorted power chords, driving eighth-note bass, and crash-heavy drums. Keep the motion on a driving groove, around 103 BPM. Use no lead vocal; let the instrumental phrasing provide the focus. | [Intro]
(Instrumental opening led by distorted power chords, driving eighth-note bass, and crash-heavy drums)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 3... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 131.924187 | 70841f20e3b952b81f11f67d7a477e67bfddd5d31e43c8fb857c41740a0e3b27 | |
metadata/00/00fb9fdf-daa0-4653-b853-6af96740d801.json | 00fb9fdf-daa0-4653-b853-6af96740d801 | Signal Fire | Give this hardstyle arrangement a clear focus on acid bass, hissing hats, and a tightly clipped kick. Aim for the muffled quality of a recording made through a wall. Keep the motion with near-frantic momentum, around 159 BPM. Keep the harmony in parallel fourths and fifths rather than triads. Tell the story entirely th... | [Intro]
(Instrumental opening led by acid bass, hissing hats, and a tightly clipped kick)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 6)
[Outro]
(Resolve ... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 90.906122 | 557a176ab7ea82dd59f78cdbc38394faf17d05637f37fc3458fffd36cf077c19 | |
metadata/01/010060d3-43c0-4da5-9774-84033959499b.json | 010060d3-43c0-4da5-9774-84033959499b | Summer Static | Turn old photographs discovered in an unfamiliar house into an Arabic maqam music performance. Bring in oud, qanun, ney, and riqq. Keep the motion with a slow, deliberate pulse, around 64 BPM. Use no lead vocal; let the instrumental phrasing provide the focus. | [Intro]
(Instrumental opening led by oud, qanun, ney, and riqq)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 5)
[Outro]
(Resolve with a transformed fragmen... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 134.130063 | e19f7aef0fe23c05f78866e15344a6f03983cb13b5e2ecb7de2f7dfef48f71fb | |
metadata/01/0104b668-da1a-42e0-95b8-3d08415cbb59.json | 0104b668-da1a-42e0-95b8-3d08415cbb59 | Open Water | Let an IDM arrangement unfold like old photographs discovered in an unfamiliar house. Bring in metallic percussion, tape hiss, and slowly shifting drones. Keep the motion with near-frantic momentum, around 150 BPM. Let it feel bittersweet. Give it immersive spatial movement around a stable center. Tell the story entire... | [Intro]
(Instrumental opening led by metallic percussion, tape hiss, and slowly shifting drones)
[Inst]
(Establish the main motif; keep it bittersweet)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 8)
[Outro]
(Resolve wi... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 89.626122 | 0794d305355a9e33b0bdf737d1f13f5ee3a90f2a3dcea944c1bd412cac27244d | |
metadata/01/010d13e6-eafe-4407-b1fb-a188bf550f1a.json | 010d13e6-eafe-4407-b1fb-a188bf550f1a | Echo Season | Design a contemporary classical mix whose main colors come from string orchestra with divided violas. Aim for a mix that keeps shifting which element is loudest. Keep the motion without a rigid pulse. Let the choir carry the principal melodic material. | [Intro]
(A brief opening before the first line of echo season)
[Verse]
Every step carried hearing who we used to be under its sound
The street held its breath at the edge of the sun
We moved through the weather with our hands open wide
I followed music through an old wall where the evening turned slow
I called to the ... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 179.826939 | 521f6b4ad5f335f5bd3f7dded9558eb55c86d47636d6a63fbc0ac8e16e04ec4c | |
metadata/01/0139241d-4200-434c-a58a-5c4921d44176.json | 0139241d-4200-434c-a58a-5c4921d44176 | Paper Skies | Construct a reggae arrangement from gated snare, arpeggiated synth, and stacked guitar octaves. Shape it as a repeating refrain interrupted by an instrumental middle section, moving with long breaths between events, around 62 BPM. Keep the foreground clear while the background slowly changes color. Use a restrained lea... | [Intro]
(A brief opening before the first line of paper skies)
[Verse]
I followed rain on the roof where the evening turned slow
Letting the words we left unsaid walk for a while at our side
I gathered the silence and gave it a name
There was a half-lit room, keeping more than it showed
The street held its breath at t... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 234.971429 | 8b35758e2c88e7635cefc0efe16c4f10610ce33e02254943ac577b6b3198f1c6 | |
metadata/01/01394267-97d8-4dc8-a407-f1b4f1ecff19.json | 01394267-97d8-4dc8-a407-f1b4f1ecff19 | Open Water | Turn a desert highway with no other vehicle in either direction into a vaporwave performance. Bring in acid bass, hissing hats, and a tightly clipped kick. Keep the motion with long breaths between events, around 63 BPM. Give it an unbalanced mix that lets one instrument dominate throughout. Write an original vocal mel... | [Intro]
(A brief opening before the first line of open water)
[Verse]
A clear little thunder kept time in my head
Every step carried the courage to begin under its sound
The street held its breath at the edge of the sun
Then salt on the railing answered, and nothing stayed the same
We counted the lights as they opened... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 176.457143 | cc4e2dc2c1fd5704ab4c53e9035241f472b906b08a8f3f677f52551610f21ce9 | |
metadata/01/013a2ce7-d07a-482f-8a14-c9d66eb3dd56.json | 013a2ce7-d07a-482f-8a14-c9d66eb3dd56 | Northbound | Make a percussion-only bateria with whistle cues the center of a samba performance. Keep the motion with firm forward motion, around 100 BPM. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of northbound)
[Verse]
Then fields beyond the highway answered, and nothing stayed the same
What I could not say found a rhythm instead
Letting a life not mapped yet walk for a while at our side
I gathered the silence and gave it a name
There was a dashboard glow, keeping... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 172.826122 | b849b8b7bb4c04a7bb72cc45b4b4cffd8d0593b009f0ec9a9900bb52312c63cf | |
metadata/01/013fef5c-ff93-47f5-a654-9f7694bf6278.json | 013fef5c-ff93-47f5-a654-9f7694bf6278 | Fault Lines | Treat harmonium, dholak, and a lead voice answered by a seated chorus as the core palette for a qawwali track. Aim for a narrow, focused mono sound that gradually opens outward. Keep the motion at an unhurried pace, around 74 BPM. Blend in touches of synthwave. Keep the harmony in raga Yaman. Use wordless choral writin... | [Intro]
(A brief opening before the first line of fault lines)
[Verse]
A clear little thunder kept time in my head
I followed cups trembling on the table where the evening turned slow
Then cups trembling on the table answered, and nothing stayed the same
Letting love surviving honest change walk for a while at our sid... | MiniMax | minimax-music-3.0 | mp3 | 16,000 | 2 | null | 184.068 | 46e3a580a301a1d40d147b51ae37fb2f02a2fa68f703ba04bb162a415eb835e9 | |
metadata/01/014085df-6c38-48f8-a05f-d168aaa0b005.json | 014085df-6c38-48f8-a05f-d168aaa0b005 | Summer Static | Build the sonic identity of a free improvisation track from cello, fuzz bass, and drums played with mallets on the shells. Aim for natural dynamics with audible performance detail. Keep the motion around an asymmetric pulse. Blend in touches of disco. Let a clear lead vocal enter only after the arrangement is establish... | [Intro]
(A brief opening before the first line of summer static)
[Verse]
Then heat above the sidewalk answered, and nothing stayed the same
Letting a season moving too fast walk for a while at our side
What I could not say found a rhythm instead
I followed heat above the sidewalk where the evening turned slow
We count... | MiniMax | minimax-music-3.0 | mp3 | 24,000 | 2 | null | 195.552 | 3a593a96e5215ce3e6275cf1ed79982f1a7cb0f93edf18d1be5bd3fb1d233563 | |
metadata/01/0140fd5b-24d1-484f-bd25-cd4526be14bc.json | 0140fd5b-24d1-484f-bd25-cd4526be14bc | Open Water | Set mixed choir with a supporting pipe organ in motion inside a complete choral music form. Shape it as a ground bass repeated beneath continually changing upper parts, moving at an unhurried pace, around 79 BPM. Keep the harmony with a modal center that shifts once and never returns. Write for mixed choir, emphasizing... | [Intro]
(A brief opening before the first line of open water)
[Verse]
I followed salt on the railing where the evening turned slow
A clear little thunder kept time in my head
There was a far-off harbor, keeping more than it showed
I called to the distance and the distance came round
What I could not say found a rhythm... | MiniMax | minimax-music-3.0 | wav | 24,000 | 2 | 16 | 204.741958 | 3c4a406718155b76d8d7941c404361de0a509a6f8872ba03e8596d018df2a7b7 | |
metadata/01/01412ca8-6bfb-4b4b-a0d3-c47ae594c222.json | 01412ca8-6bfb-4b4b-a0d3-c47ae594c222 | New Gravity | Write a focused power electronics piece for oscillator noise, metal percussion, and overdriven vocals. Keep the motion around an asymmetric pulse. Use sparse spoken phrases, keeping them secondary to the music. | [Intro]
(A brief opening before the first line of new gravity)
[Verse]
I gathered the silence and gave it a name
A clear little thunder kept time in my head
We moved through the weather with our hands open wide
Letting the pull of another heart walk for a while at our side
I followed neon in a puddle where the evening... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 232.304036 | daf4b86ea1129032c10d511a0027437a70065ee23f309998fbd2321d0d319778 | |
metadata/01/01495606-8cd5-4aca-abe1-6e29b4b556f4.json | 01495606-8cd5-4aca-abe1-6e29b4b556f4 | Northbound | Create a glitch idea with processed room tone, isolated piano notes, and distant machinery at the front. Keep the motion at a breathless pace, around 169 BPM. Use sparse spoken phrases, keeping them secondary to the music. | [Intro]
(A brief opening before the first line of northbound)
[Verse]
A clear little thunder kept time in my head
We moved through the weather with our hands open wide
Then fields beyond the highway answered, and nothing stayed the same
There was a dashboard glow, keeping more than it showed
Letting a life not mapped ... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 201.926531 | 2bd99ff009116003559efbadd2ec06f245017241d1b78f4a3a1381d92eb6aa2c | |
metadata/01/01519ba0-d3e3-4c51-8c9a-ec91a58c83b8.json | 01519ba0-d3e3-4c51-8c9a-ec91a58c83b8 | Bright Machinery | Treat a wind quintet with the bassoon carrying the bass line as the core palette for a woodwind quintet track. Aim for tape flutter and pitch instability left uncorrected. Keep the motion with long breaths between events, around 60 BPM. Let it feel radiant and uplifting. Use occasional wordless voices as another instru... | [Intro]
(Wordless voices enter softly)
[Verse]
La-ya, la-ya
La-ya, la-ya
Hey-ah
[Chorus]
La-ya, la-ya, Hey-ah
La-ya, la-ya, Hey-ah
[Interlude]
(Voices recede behind the instruments)
[Chorus]
La-ya, la-ya, Hey-ah
La-ya, la-ya, Hey-ah
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 78.889796 | 5c4b2804e0cd47e710856c431b83713602ba4611974afd758fc96fd7fa0147d3 | |
metadata/01/015a92de-2b9c-4b70-ac97-495283a4076f.json | 015a92de-2b9c-4b70-ac97-495283a4076f | Morning Code | Write a focused Arabic maqam music piece for oud, qanun, ney, and riqq. Let it feel melancholic. Write an original vocal melody that leaves room for the instrumental hook. | [Intro]
(A brief opening before the first line of morning code)
[Verse]
I called to the distance and the distance came round
I followed coffee beside the screen where the evening turned slow
Then coffee beside the screen answered, and nothing stayed the same
I gathered the silence and gave it a name
Every step carried... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 220.16 | a12a28fad4552fe4ca952244e50ce30abb666ef773e98993f6cedd1036caa5a5 | |
metadata/01/01690363-6264-4cfb-ab9e-54b956328fa2.json | 01690363-6264-4cfb-ab9e-54b956328fa2 | Bright Machinery | Develop a funk arrangement led by gated snare, arpeggiated synth, and stacked guitar octaves. Shape it as a form that drops the drums entirely for the last verse, moving at a relaxed mid-tempo, around 103 BPM. Keep the harmony in Lydian mode. Let a clear lead vocal enter only after the arrangement is established. | [Intro]
(A brief opening before the first line of bright machinery)
[Verse]
Then sparks behind the station answered, and nothing stayed the same
I followed sparks behind the station where the evening turned slow
Every step carried making beauty from hard work under its sound
I called to the distance and the distance c... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 175.777959 | 3953079935a258de9a0dc1ee4c981ee30693dab327aa919f099cdc165a351444 | |
metadata/01/016db6db-a876-4e06-808a-7162ca252692.json | 016db6db-a876-4e06-808a-7162ca252692 | Home Frequency | Start with trombone, tuba, and a marching snare. Shape that into hard bop. Let it feel slowly gathering emotional weight. Use no lead vocal; let the instrumental phrasing provide the focus. | [Intro]
(Instrumental opening led by trombone, tuba, and a marching snare)
[Inst]
(Establish the main motif; keep it slowly gathering emotional weight)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 6)
[Outro]
(Resolve wi... | MiniMax | minimax-music-3.0 | wav | 32,000 | 2 | 16 | 33.668937 | 5f27075a85223a8f3aa40a7561d6180dd666611336e6ce1a9bfa6dc64d3ebee0 | |
metadata/01/0176e651-b69f-499c-8fe3-443a7940d648.json | 0176e651-b69f-499c-8fe3-443a7940d648 | Lantern Weather | A pop piece led by sampled breakbeats, filtered strings, and a walking sub-bass. Let it feel darkly reflective. Write an original vocal melody that leaves room for the instrumental hook. | [Intro]
(A brief opening before the first line of lantern weather)
[Verse]
We counted the lights as they opened one by one
We moved through the weather with our hands open wide
Every step carried guiding one another home under its sound
I gathered the silence and gave it a name
There was a path after dark, keeping mor... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 220.682449 | 4f194b11cc0cdc1202fb27457f01f4d76c566782c18c8f968e83a69512f61981 | |
metadata/01/017927e0-591e-420f-82ce-9a82e778b985.json | 017927e0-591e-420f-82ce-9a82e778b985 | Wild Garden | Build a math rock track around field recordings of machinery layered against sustained low strings. Keep the motion at a relaxed mid-tempo, around 103 BPM. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by field recordings of machinery layered against sustained low strings)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 1)
[... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 162.33075 | 1edcf63353582192fb0451c4558322360bcb50c1294b1354f58b623084028c5f | |
metadata/01/018c40bb-f1ac-4a8c-9283-7d0b05c1a8b1.json | 018c40bb-f1ac-4a8c-9283-7d0b05c1a8b1 | Borrowed Time | Develop a rock arrangement led by twelve-string guitar, tambourine, and a bouncing bass line. Shape it as two contrasting verses and a short bridge, moving at a relaxed mid-tempo, around 104 BPM. Blend in touches of boogie-woogie. Keep the harmony with a modal center that shifts once and never returns. Let one instrume... | [Intro]
(A brief opening before the first line of borrowed time)
[Verse]
I followed shadows on the staircase where the evening turned slow
Letting choosing the present walk for a while at our side
We moved through the weather with our hands open wide
What I could not say found a rhythm instead
Every step carried choos... | MiniMax | minimax-music-3.0 | mp3 | 24,000 | 2 | null | 279.216 | ca49f902692cf49d55646317b6bcb7b22108235e89ff3294e2ca33886509c42a | |
metadata/01/018d2de3-e91a-4d17-8b04-8ddc494479d4.json | 018d2de3-e91a-4d17-8b04-8ddc494479d4 | Northbound | Score the feeling of the long pause before someone answers a difficult question through cool jazz. Bring in muted trumpet, piano, and softly swinging cymbals. Keep the motion with freely breathing time. Let one instrument fall out of sync and slowly drift back into place. Use no lead vocal; let the instrumental phrasin... | [Intro]
(Instrumental opening led by muted trumpet, piano, and softly swinging cymbals)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 1)
[Outro]
(Resolve wi... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 57.103673 | 983ec1cbe9a0ff0f087ea2249c485ecdc99f961bf84022ce485e568378841821 | |
metadata/01/019826ef-7515-41ae-9e0f-b642a7c24c05.json | 019826ef-7515-41ae-9e0f-b642a7c24c05 | Echo Season | Organize a noise rock work around the interplay of prepared piano, tape loops, and bowed metal. Shape it as one small motif stretched into increasingly dense textures, moving with an easy, grounded pulse, around 100 BPM. Let it feel slowly gathering emotional weight. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of echo season)
[Verse]
We counted the lights as they opened one by one
Every step carried hearing who we used to be under its sound
There was a vacant hallway, keeping more than it showed
A clear little thunder kept time in my head
I called to the distance and the distan... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 221.727347 | d03829596805b503987ccf663a5a5db47f290d3ed1a9fc0a98e580ee0e911799 | |
metadata/01/01a02952-cccb-454e-af9c-1a7786fbee2a.json | 01a02952-cccb-454e-af9c-1a7786fbee2a | Signal Fire | Turn the moment a familiar place begins to feel strange into a choral music performance. Bring in mixed choir with a supporting pipe organ. Keep the motion with a slow, deliberate pulse, around 66 BPM. Blend in touches of harsh noise wall. Let the choir carry the principal melodic material. Use lower voices in close ha... | [Intro]
(A brief opening before the first line of signal fire)
[Verse]
What I could not say found a rhythm instead
Then smoke above the ridgeline answered, and nothing stayed the same
A clear little thunder kept time in my head
Letting being found from far away walk for a while at our side
I called to the distance and... | MiniMax | minimax-music-3.0 | wav | 32,000 | 2 | 16 | 202.536063 | eb9ee974ef7cb59b3a1355d05ed5690c9455f1566999a285bd06f3ebefd55941 | |
metadata/01/01a431f3-3c83-4df9-8f17-6c42e51babf1.json | 01a431f3-3c83-4df9-8f17-6c42e51babf1 | Afterglow | Build a fado track around Portuguese guitarra, classical guitar, and acoustic bass guitar. Keep the motion at a very slow, spacious pace, around 52 BPM. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of afterglow)
[Verse]
The street held its breath at the edge of the sun
Then city windows answered, and nothing stayed the same
I called to the distance and the distance came round
Every step carried a promise we nearly kept under its sound
I followed city windows where t... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 232.698776 | 4dd914294a5c0b7800c12ea5aabc56456af60cd4348d247b10ffacf18ffed528 | |
metadata/01/01b41db7-723f-41af-afe8-8d5e81ce521d.json | 01b41db7-723f-41af-afe8-8d5e81ce521d | Quiet Orbit | Write a complete minimal house performance around cassette-warped chords, vinyl crackle, and a lazy shuffled beat. Shape it as two distinct tracks stitched together by a shared bassline, moving with brisk forward momentum, around 125 BPM. Repeat the central idea only after changing its harmony or rhythmic placement. Te... | [Intro]
(Instrumental opening led by cassette-warped chords, vinyl crackle, and a lazy shuffled beat)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 6)
[Outr... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 68.04898 | ae9504c740b1371a766e57f0784e802d61e252eb63cb39b73fbc759cf9a1ee5c | |
metadata/01/01b9d57c-7ce2-4a34-85c6-ab0ed78d2e0d.json | 01b9d57c-7ce2-4a34-85c6-ab0ed78d2e0d | Afterglow | Write a focused hip-hop piece for distorted power chords, driving eighth-note bass, and crash-heavy drums. Blend in touches of baroque chamber music. Add a small wordless vocal layer without intelligible lyrics. | [Intro]
(Wordless voices enter softly)
[Verse]
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Mm-mm
[Chorus]
Ooh-ah, ooh-ah, Mm-mm
Ooh-ah, ooh-ah, Mm-mm
[Interlude]
(Voices recede behind the instruments)
[Chorus]
Ooh-ah, ooh-ah, Mm-mm
Ooh-ah, ooh-ah, Mm-mm
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 144.457143 | d76a6a173ee0d6be3059ecb1976fc15aaf67c1738d5cb52a573d6bf1b7f5aa28 | |
metadata/01/01bd87f1-2614-491f-83f7-7dae5c04ff07.json | 01bd87f1-2614-491f-83f7-7dae5c04ff07 | Low Tide | Approach a letter that was never sent being read years later as the setting for a Japanese folk track. Bring in koto, shakuhachi, and sparse struck percussion. Keep the motion with an easy, grounded pulse, around 84 BPM. Let it feel melancholic. Let the bass and percussion briefly trade their rhythmic roles. Introduce ... | [Intro]
(A brief opening before the first line of low tide)
[Verse]
I called to the distance and the distance came round
I gathered the silence and gave it a name
I followed shells along the shoreline where the evening turned slow
The street held its breath at the edge of the sun
There was a weathered pier, keeping mo... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 227.578776 | 5f95ef3d3436ff96c968c874b6e4c19a815c022112657f36999465a92011f890 | |
metadata/01/01c0e2a0-5d38-47f1-93f7-0fcc53aa2263.json | 01c0e2a0-5d38-47f1-93f7-0fcc53aa2263 | Summer Static | Produce a woodwind quintet track centered on a wind quintet using extended breath techniques. Aim for natural dynamics with audible performance detail. Keep the motion without a rigid pulse. Let it feel measured and grave. Keep the harmony in a natural minor with a flattened second. Use occasional wordless voices as an... | [Intro]
(Wordless voices enter softly)
[Verse]
Mm-ah, mm-ah
Mm-ah, mm-ah
Ah-ya
[Chorus]
Mm-ah, mm-ah, Ah-ya
Mm-ah, mm-ah, Ah-ya
[Interlude]
(Voices recede behind the instruments)
[Chorus]
Mm-ah, mm-ah, Ah-ya
Mm-ah, mm-ah, Ah-ya
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 119.989116 | 60a2c8d087fad1c4303a29a592279c609d635210ac847a667e4c21ce82ff9c27 | |
metadata/01/01cc43f7-42d7-44d4-b941-bde0b216bac4.json | 01cc43f7-42d7-44d4-b941-bde0b216bac4 | Open Water | Give this electroacoustic arrangement a clear focus on wavetable leads, bit-crushed drums, and a resonant filter sweep. Aim for tape flutter and pitch instability left uncorrected. Keep the motion at a very slow, spacious pace, around 47 BPM. Let it feel radiant and uplifting. Use occasional wordless voices as another ... | [Intro]
(Wordless voices enter softly)
[Verse]
La-ya, la-ya
La-ya, la-ya
Ooh, ooh
[Chorus]
La-ya, la-ya, Ooh, ooh
La-ya, la-ya, Ooh, ooh
[Interlude]
(Voices recede behind the instruments)
[Chorus]
La-ya, la-ya, Ooh, ooh
La-ya, la-ya, Ooh, ooh
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 118.413061 | 14fe3b82f8f0c9f0ea6ba271cf2cd5dbe2004bcc42a242ba52d5bac1b5bdc5f2 | |
metadata/01/01db9236-d616-4790-826f-ff6da78a7c59.json | 01db9236-d616-4790-826f-ff6da78a7c59 | Wild Garden | Frame a compact orchestral tone poem track around unaccompanied mixed voices in five parts. Let it feel breathless and alive. Let the choir carry the principal melodic material. | [Intro]
(A brief opening before the first line of wild garden)
[Verse]
A clear little thunder kept time in my head
I gathered the silence and gave it a name
What I could not say found a rhythm instead
Every step carried hope returning quietly under its sound
We counted the lights as they opened one by one
There was a ... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 213.194063 | bedfe3839b6b8b5c23945e40a3be9d331898cb617dd7575bd998945ead8acba6 | |
metadata/01/01dc0f18-f552-4aef-97fa-1c2163daf5d4.json | 01dc0f18-f552-4aef-97fa-1c2163daf5d4 | Open Water | Give this free jazz arrangement a clear focus on a saxophone trio with no chordal instrument. Aim for a bright, forward mix with almost no low-mid weight. Keep the motion at a very slow, spacious pace, around 64 BPM. Let it feel meditative. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by a saxophone trio with no chordal instrument)
[Inst]
(Establish the main motif; keep it meditative)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 1)
[Outro]
(Resolve with a transformed... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 62.995737 | b84d3409be02643c1408965efa78b0aa04f0f6e2bf97104acb40c7f84d82c6f5 | |
metadata/01/01e196fd-1f6c-483c-9c9c-38e8dd7bea78.json | 01e196fd-1f6c-483c-9c9c-38e8dd7bea78 | Low Tide | Score the feeling of a letter that was never sent being read years later through gospel. Bring in one-drop drums, deep bass, and skanking offbeat guitar chords. Keep the motion with an easy, grounded pulse, around 95 BPM. Let the choir carry the principal melodic material. | [Intro]
(A brief opening before the first line of low tide)
[Verse]
The street held its breath at the edge of the sun
A clear little thunder kept time in my head
There was a weathered pier, keeping more than it showed
We moved through the weather with our hands open wide
I followed shells along the shoreline where the... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 235.740625 | de9c2300043bd9488cbef6405242cca94c4c766f9488e89232aa53130393dbdd | |
metadata/01/01e33db8-800a-4f6f-96fa-4e7be325bba8.json | 01e33db8-800a-4f6f-96fa-4e7be325bba8 | Unwritten Map | Translate snow settling over a road that nobody has driven yet into the language of flamenco. Bring in nylon-string guitar, palmas, and cajón. Keep the motion around an asymmetric pulse. Use no lead vocal; let the instrumental phrasing provide the focus. | [Intro]
(Instrumental opening led by nylon-string guitar, palmas, and cajón)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 2)
[Outro]
(Resolve with a transf... | MiniMax | minimax-music-3.0 | wav | 24,000 | 2 | 16 | 92.032292 | 5f3759cc8dcc1178ae4cc674ab27b811ffcff50d46f4c337f2f3f3be73cae70b | |
metadata/01/01e9d1ca-7858-41ca-93d8-58b9fd8e69e5.json | 01e9d1ca-7858-41ca-93d8-58b9fd8e69e5 | Old Photographs | Record a funk performance built from Hammond organ, gospel piano, and a hand-clapped backbeat. Aim for polished, club-ready weight. Keep the motion on a driving groove, around 106 BPM. Let it feel warm and yearning. Use occasional wordless voices as another instrumental color. | [Intro]
(Wordless voices enter softly)
[Verse]
La-ya, la-ya
La-ya, la-ya
Hey-ah
[Chorus]
La-ya, la-ya, Hey-ah
La-ya, la-ya, Hey-ah
[Interlude]
(Voices recede behind the instruments)
[Chorus]
La-ya, la-ya, Hey-ah
La-ya, la-ya, Hey-ah
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 83.2 | 01138b08ce8f2969b69fdec0a932cfc9213b38498eb9cfa48d8102a2358289b9 | |
metadata/01/01eb35c6-8f45-4fce-b124-5a3ef723ed87.json | 01eb35c6-8f45-4fce-b124-5a3ef723ed87 | Open Water | Let a string quartet with the cello leading define the sound of this string quartet track. Keep the motion with firm forward motion, around 124 BPM. Keep it instrumental. | [Intro]
(Instrumental opening led by a string quartet with the cello leading)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 8)
[Outro]
(Resolve with a trans... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 148.58449 | 716a5fa54f247d86478bd492628a6ce6cd8c304a2f3d1fe6f598b8799910972d | |
metadata/01/01f137e4-b226-49b9-83c7-0bc32924daa0.json | 01f137e4-b226-49b9-83c7-0bc32924daa0 | Echo Season | Imagine old photographs discovered in an unfamiliar house, expressed as an indie pop piece. Bring in 808s, chopped samples, and a sparse synth line. Keep the motion with an off-center rhythmic gait. Hold the harmony still and put all the movement in the timbre. Tell the story entirely through the arrangement. | [Intro]
(Instrumental opening led by 808s, chopped samples, and a sparse synth line)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 6)
[Outro]
(Resolve with ... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 81.374331 | 39190d4542a4e101ffdd1ddeece775613c20cdabfbf424328f1c7b3bd92eb71c | |
metadata/01/01f4ef3b-09a4-4ad5-8035-f2af5f509533.json | 01f4ef3b-09a4-4ad5-8035-f2af5f509533 | New Gravity | Write a focused dark ambient piece for field recordings of machinery layered against sustained low strings. Let it feel familiar without feeling sentimental. Keep it instrumental. | [Intro]
(Instrumental opening led by field recordings of machinery layered against sustained low strings)
[Inst]
(Establish the main motif; keep it familiar without feeling sentimental)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse,... | MiniMax | minimax-music-3.0 | wav | 24,000 | 2 | 16 | 87.701792 | b60e6fc2a6852048fb26e9dc8d62eddc0874757c5387bd6c612f7ac3ec37942c | |
metadata/01/01fccd22-0bff-4bd4-b4d9-549688791c2e.json | 01fccd22-0bff-4bd4-b4d9-549688791c2e | Old Photographs | Create a spiritual jazz idea with harmonica, amplified guitar, and a heavy swung shuffle at the front. Let it feel fragile without becoming timid. Use wordless choral writing that moves between unison and divided harmony. | [Intro]
(A brief opening before the first line of old photographs)
[Verse]
I gathered the silence and gave it a name
We moved through the weather with our hands open wide
Every step carried the shape of memory under its sound
The street held its breath at the edge of the sun
Letting the shape of memory walk for a whil... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 219.637551 | e3c8c6a75c30b8d91b6a0756f19b9ce67c20588a32aa60958bc3afdd96c6de70 | |
metadata/02/0202f059-7d11-4fdd-888d-e48b80bcaca0.json | 0202f059-7d11-4fdd-888d-e48b80bcaca0 | Northbound | Capture sampled breakbeats, filtered strings, and a walking sub-bass for a focused funk recording. Aim for the muffled quality of a recording made through a wall. Keep the motion with an off-center rhythmic gait. Let it feel slowly gathering emotional weight. Keep the harmony in a natural minor with a flattened second.... | [Intro]
(A brief opening before the first line of northbound)
[Verse]
A clear little thunder kept time in my head
I followed fields beyond the highway where the evening turned slow
The street held its breath at the edge of the sun
We moved through the weather with our hands open wide
Then fields beyond the highway ans... | MiniMax | minimax-music-3.0 | wav | 32,000 | 2 | 16 | 167.334625 | 814640806dc025a1c2a83e25fc5dd55b3897dc83fcc805ba224646ba4c990938 | |
metadata/02/02075597-f142-4484-be0a-12b3913f97be.json | 02075597-f142-4484-be0a-12b3913f97be | Wild Garden | Frame a compact big band jazz track around a big band with the rhythm section stripped to bass and drums. Keep the motion on a driving groove, around 111 BPM. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by a big band with the rhythm section stripped to bass and drums)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 3)
[Outro]... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 97.07102 | a2899749bf4875ce3cc086ae63c68ffd8ab117df2fec469b1ef253927fd0aaa7 | |
metadata/02/020d64ae-cf1e-4b3d-87d8-f07af0aa370c.json | 020d64ae-cf1e-4b3d-87d8-f07af0aa370c | Afterglow | A soul piece led by Hammond organ, gospel piano, and a hand-clapped backbeat. Let it feel small enough to feel private. Let the choir carry the principal melodic material. | [Intro]
(A brief opening before the first line of afterglow)
[Verse]
Every step carried a promise we nearly kept under its sound
Letting a promise we nearly kept walk for a while at our side
I followed city windows where the evening turned slow
We counted the lights as they opened one by one
What I could not say found... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 167.000816 | b2cf6be71fbdf242bb642d4933ada3310de8c85887d551246f0e7a0cbafae034 | |
metadata/02/02115135-548e-4a7e-adf4-08a0531f7245.json | 02115135-548e-4a7e-adf4-08a0531f7245 | Afterglow | Shape a studio-ready hardstyle piece around metallic percussion, tape hiss, and slowly shifting drones. Aim for the sound of a single room microphone placed some distance back. Keep the motion at a quick, agile pace, around 150 BPM. Include a short passage of original spoken text. | [Intro]
(A brief opening before the first line of afterglow)
[Verse]
A clear little thunder kept time in my head
We counted the lights as they opened one by one
Every step carried a promise we nearly kept under its sound
There was the last train, keeping more than it showed
Letting a promise we nearly kept walk for a ... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 229.180952 | 67dad60f07803d8f654ccb2c56d8cc3c6d12ff17db1584e25cf332a4f7cefc0b | |
metadata/02/02122d94-dc3f-41d1-bc20-f3cf06ea7a3d.json | 02122d94-dc3f-41d1-bc20-f3cf06ea7a3d | Home Frequency | Treat gaita flute, llamador drum, and maracas as the core palette for a cumbia track. Aim for an unbalanced mix that lets one instrument dominate throughout. Keep the motion at a relaxed mid-tempo, around 89 BPM. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of home frequency)
[Verse]
Every step carried belonging after a long absence under its sound
I called to the distance and the distance came round
We moved through the weather with our hands open wide
What I could not say found a rhythm instead
I gathered the silence and g... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 181.359456 | 4b96772846600f81760d295ea077ab387ca2af369b4a41d7c56cc78546903901 | |
metadata/02/022f50c3-b6f0-4c48-b995-7cc97f2bda23.json | 022f50c3-b6f0-4c48-b995-7cc97f2bda23 | Lantern Weather | Build a math rock track around modular noise, contact-miked springs, and no discernible pitch. Keep the motion with firm forward motion, around 110 BPM. Introduce one restrained spoken-word section with original text. | [Intro]
(A brief opening before the first line of lantern weather)
[Verse]
What I could not say found a rhythm instead
We counted the lights as they opened one by one
Then wind around the eaves answered, and nothing stayed the same
A clear little thunder kept time in my head
We moved through the weather with our hands... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 190.879687 | 4431d48ca967aca18830e7475b20a0af9ec02c73316676ce17dd8f875a440d7c | |
metadata/02/02377c0b-e6d5-4f98-8d7e-39e55e9aca6d.json | 02377c0b-e6d5-4f98-8d7e-39e55e9aca6d | Home Frequency | Capture found-sound loops, tuned feedback, and a slow filter opening for a focused footwork recording. Aim for the sound of a single room microphone placed some distance back. Keep the motion at a breathless pace, around 158 BPM. Keep the harmony in Phrygian mode. Let non-lexical voices appear briefly at the structural... | [Intro]
(Wordless voices enter softly)
[Verse]
Ooh-ah, ooh-ah
Ooh-ah, ooh-ah
Hey-ah
[Chorus]
Ooh-ah, ooh-ah, Hey-ah
Ooh-ah, ooh-ah, Hey-ah
[Interlude]
(Voices recede behind the instruments)
[Chorus]
Ooh-ah, ooh-ah, Hey-ah
Ooh-ah, ooh-ah, Hey-ah
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 82.338 | 91c87d24ff2d2fd4be963df8df31ed7201aae9e8a742b249e8884a4069c0d2af | |
metadata/02/02396d9d-bff2-4682-9be0-2fb9c6181148.json | 02396d9d-bff2-4682-9be0-2fb9c6181148 | New Gravity | Make bright interlocking electric guitars, snare-led drums, and warm bass the center of a soukous performance. Let it feel steadily rising toward celebration. Tell the story entirely through the arrangement. | [Intro]
(Instrumental opening led by bright interlocking electric guitars, snare-led drums, and warm bass)
[Inst]
(Establish the main motif; keep it steadily rising toward celebration)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, ... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 122.032472 | dc5b67d082e012de738919382df9af346c4d4cc30ef7debe0c3475beea7f56bc | |
metadata/02/02413f3d-da9b-4997-a496-c470b18df837.json | 02413f3d-da9b-4997-a496-c470b18df837 | Echo Season | Write a complete black metal performance around downtuned guitars, sluggish drums, and howling feedback between chords. Shape it as a structure that reverses itself at the midpoint, moving with freely breathing time. Let it feel settled into a wide sense of calm. Leave vocals out and give the melodic role to the ensemb... | [Intro]
(Instrumental opening led by downtuned guitars, sluggish drums, and howling feedback between chords)
[Inst]
(Establish the main motif; keep it settled into a wide sense of calm)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse,... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 96.10449 | 864ee55f433e104b5b5673c19db3d90d9b536642c92a2843ac77ca15840de464 | |
metadata/02/0247d858-2800-4706-90ca-66bde3a22953.json | 0247d858-2800-4706-90ca-66bde3a22953 | Unwritten Map | Create an industrial idea with tremolo-picked guitars, blast beats, and a thin buried bass at the front. Keep the motion with freely breathing time. Use no lead vocal; let the instrumental phrasing provide the focus. | [Intro]
(Instrumental opening led by tremolo-picked guitars, blast beats, and a thin buried bass)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 3)
[Outro]
(... | MiniMax | minimax-music-3.0 | mp3 | 24,000 | 2 | null | 108.384 | 79fc19f7d75b6ef7b71c6314fe55592c5c9e2cda4d0c8687394608626be75be5 | |
metadata/02/024f274d-4851-4d01-8b88-613746fd9152.json | 024f274d-4851-4d01-8b88-613746fd9152 | Afterglow | Turn a radio signal drifting in and out during a night journey into a jazz fusion performance. Bring in electric piano, fretless bass, and compact drum fills. Keep the motion on a driving groove, around 105 BPM. Let a clear lead vocal enter only after the arrangement is established. | [Intro]
(A brief opening before the first line of afterglow)
[Verse]
There was the last train, keeping more than it showed
We counted the lights as they opened one by one
Every step carried a promise we nearly kept under its sound
We moved through the weather with our hands open wide
A clear little thunder kept time i... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 196.533696 | 8a6311b3e16cac30a92e54582a94f691353dba9e8e226442a58245cccb18fb88 | |
metadata/02/02540af2-1dd9-495a-ab38-9bca3480872f.json | 02540af2-1dd9-495a-ab38-9bca3480872f | Small Revolutions | Build a big band jazz track around a big band with the rhythm section stripped to bass and drums. Keep the motion at a quick, agile pace, around 128 BPM. Use occasional wordless voices as another instrumental color. | [Intro]
(Wordless voices enter softly)
[Verse]
Ah-oh, ah-oh
Ah-oh, ah-oh
Mm-mm
[Chorus]
Ah-oh, ah-oh, Mm-mm
Ah-oh, ah-oh, Mm-mm
[Interlude]
(Voices recede behind the instruments)
[Chorus]
Ah-oh, ah-oh, Mm-mm
Ah-oh, ah-oh, Mm-mm
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 113.545578 | 436949cd994cc2a62cf021b46de5c55e84769d541c1f825c30bff2e65426fba2 | |
metadata/02/0257c7dd-20be-46fc-b1e6-ed881e40de05.json | 0257c7dd-20be-46fc-b1e6-ed881e40de05 | Borrowed Time | Let a hard bop arrangement unfold like a garden slowly reclaiming an abandoned building. Bring in harmonica, amplified guitar, and a heavy swung shuffle. Keep the motion around an asymmetric pulse. Use a restrained lead vocal and a few carefully placed harmonies. Use a lead that moves into falsetto for the highest phra... | [Intro]
(A brief opening before the first line of borrowed time)
[Verse]
A clear little thunder kept time in my head
I followed shadows on the staircase where the evening turned slow
I gathered the silence and gave it a name
We moved through the weather with our hands open wide
Then shadows on the staircase answered, ... | MiniMax | minimax-music-3.0 | wav | 16,000 | 2 | 16 | 163.445312 | 5d39a40cb4899016d97e7a7d48410d0e87891b3f2ff557571d97c402975a9f93 | |
metadata/02/02630e60-fef1-4927-b8a2-1de58483815b.json | 02630e60-fef1-4927-b8a2-1de58483815b | Low Tide | Let a gypsy jazz arrangement unfold like a garden slowly reclaiming an abandoned building. Bring in electric guitar through a small valve amp, organ pedals, and drums with the snare off. Keep the motion with freely breathing time. Let it feel exhilarating. Use a restrained lead vocal and a few carefully placed harmonie... | [Intro]
(A brief opening before the first line of low tide)
[Verse]
The street held its breath at the edge of the sun
What I could not say found a rhythm instead
Letting what remains when distance leaves walk for a while at our side
I called to the distance and the distance came round
Every step carried what remains w... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 230.34195 | bf88acffb80372358c2140fed331c25583493be6190ac24a860fce594a122a56 | |
metadata/02/027d3c87-1ff6-4f7c-bbb2-d98aefe9d106.json | 027d3c87-1ff6-4f7c-bbb2-d98aefe9d106 | Quiet Orbit | Treat a single sequencer pattern surrounded by unstable ambience as the core palette for an IDM track. Aim for clean, modern studio production. Keep the motion with freely breathing time. Add a small wordless vocal layer without intelligible lyrics. | [Intro]
(Wordless voices enter softly)
[Verse]
Ah-oh, ah-oh
Ah-oh, ah-oh
Hey-ah
[Chorus]
Ah-oh, ah-oh, Hey-ah
Ah-oh, ah-oh, Hey-ah
[Interlude]
(Voices recede behind the instruments)
[Chorus]
Ah-oh, ah-oh, Hey-ah
Ah-oh, ah-oh, Hey-ah
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 66.31619 | 47ccb49445a46cb57afc3aff730e654e13513d0e2f6c12e211503cac2b22bacd | |
metadata/02/027f0539-299b-41f3-b421-b7844da12c62.json | 027f0539-299b-41f3-b421-b7844da12c62 | Low Tide | Construct a doom metal arrangement from scraped metal, clipped noise bursts, and a slow sub-bass swell. Shape it as a structure that reverses itself at the midpoint, moving at an unhurried pace, around 64 BPM. Blend in touches of future bass. Let it feel curious. Keep it instrumental. | [Intro]
(Instrumental opening led by scraped metal, clipped noise bursts, and a slow sub-bass swell)
[Inst]
(Establish the main motif; keep it curious)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 1)
[Outro]
(Resolve wi... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 80.979592 | 759121a9437fc354ada3b4d3e67fd510c6869aebb5c9bdd25654f59c9972b726 | |
metadata/02/0282207c-7139-4ba4-8583-8b3fd63c27be.json | 0282207c-7139-4ba4-8583-8b3fd63c27be | Northbound | Create a Delta blues idea with soprano saxophone, harp, and hand percussion at the front. Let it feel defiant. Let a clear lead vocal enter only after the arrangement is established. | [Intro]
(A brief opening before the first line of northbound)
[Verse]
We moved through the weather with our hands open wide
I called to the distance and the distance came round
I followed fields beyond the highway where the evening turned slow
Letting a life not mapped yet walk for a while at our side
We counted the l... | MiniMax | minimax-music-3.0 | wav | 32,000 | 2 | 16 | 202.895969 | 6f0f32e9baff42398a25616efa3e05f7bb91f2f1f01793a1f0bf1d34a51a0db2 | |
metadata/02/02867fe2-e743-48f5-b772-951f0b55b68d.json | 02867fe2-e743-48f5-b772-951f0b55b68d | Unwritten Map | Start with clean electric guitar arpeggios, claves, and a walking bass. Shape that into highlife. Keep the motion at a relaxed mid-tempo, around 104 BPM. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of unwritten map)
[Verse]
I called to the distance and the distance came round
I followed footprints near the treeline where the evening turned slow
I gathered the silence and gave it a name
Every step carried trusting an unknown road under its sound
There was a folded le... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 182.674286 | 2a0977cdbcce23a0d8d5d9de70858f964cedab3bb0e66fd87bff242a44eadd81 | |
metadata/02/028b76de-fa4e-4695-8015-8350922cf1bc.json | 028b76de-fa4e-4695-8015-8350922cf1bc | Quiet Orbit | Treat amen-break edits, time-stretched vocal chops, and a bassline that never repeats as the core palette for an electro track. Aim for the immediacy of a raw live-room recording. Keep the motion on a driving groove, around 125 BPM. Keep the harmony around a single sustained drone pitch. Tell the story entirely through... | [Intro]
(Instrumental opening led by amen-break edits, time-stretched vocal chops, and a bassline that never repeats)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, var... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 112.692245 | f4b17cd1b57d6fe37d2235f73ef5a15214a576c78807b66be89403537121f468 | |
metadata/02/029bf923-aa6e-4b71-a4a8-7b7d2358c89e.json | 029bf923-aa6e-4b71-a4a8-7b7d2358c89e | Blue Hour | Write a bossa nova piece that suggests wind moving through an unfinished concrete building. Bring in nylon-string guitar and a single close-miked voice. Keep the motion at a quick, agile pace, around 135 BPM. Let it feel fragile without becoming timid. Tell the story entirely through the arrangement. | [Intro]
(Instrumental opening led by nylon-string guitar and a single close-miked voice)
[Inst]
(Establish the main motif; keep it fragile without becoming timid)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 7)
[Outro]
... | MiniMax | minimax-music-3.0 | mp3 | 32,000 | 2 | null | 97.344 | 403d855486fc3b9173c25be7e6510a7c95063d678df758c8a1557c961b82fb03 | |
metadata/02/02a0df78-2a6a-4e1d-b379-0e1ac8c5fd95.json | 02a0df78-2a6a-4e1d-b379-0e1ac8c5fd95 | Northbound | Build a dub track around punchy drums, electric bass, and a lean guitar hook. Keep the motion with an easy, grounded pulse, around 85 BPM. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of northbound)
[Verse]
A clear little thunder kept time in my head
We counted the lights as they opened one by one
Every step carried a life not mapped yet under its sound
There was a dashboard glow, keeping more than it showed
I gathered the silence and gave it a name
Le... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 181.603265 | c1b5cab91a49a8057fe96c5b0e75daca862f9a5a75669acc005165ab4ecca956 | |
metadata/02/02b8cbd7-cdf0-4714-87b8-0ac1677b99e7.json | 02b8cbd7-cdf0-4714-87b8-0ac1677b99e7 | Afterglow | Develop a Japanese folk arrangement led by shamisen, taiko, and a single unadorned voice. Shape it as a recurring dance phrase with two contrasting interludes, moving with long breaths between events, around 58 BPM. Leave enough space for small performance imperfections to matter. Add an expressive lead vocal with orig... | [Intro]
(A brief opening before the first line of afterglow)
[Verse]
Letting a promise we nearly kept walk for a while at our side
A clear little thunder kept time in my head
What I could not say found a rhythm instead
I followed city windows where the evening turned slow
Then city windows answered, and nothing stayed... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 207.145215 | 1bbbed7efe998e867aeb66a768cb217b7c44a588570156d46942fb3698894f6a | |
metadata/02/02ba91f0-afda-4ae9-aa20-f936cf3b285f.json | 02ba91f0-afda-4ae9-aa20-f936cf3b285f | Glass River | Write a focused renaissance polyphony piece for unaccompanied mixed voices in four independent parts. Blend in touches of modal jazz. Keep the motion with long breaths between events, around 65 BPM. Let the choir carry the principal melodic material. | [Intro]
(A brief opening before the first line of glass river)
[Verse]
We counted the lights as they opened one by one
I gathered the silence and gave it a name
I followed reflections under bridges where the evening turned slow
A clear little thunder kept time in my head
Then reflections under bridges answered, and no... | MiniMax | minimax-music-3.0 | mp3 | 24,000 | 2 | null | 205.728 | aa88fbef3e9976b50b1ba5d9048e65c7a4dbedece10072f68ea260225a23f039 | |
metadata/02/02bf2d40-c467-42a0-95b3-c6defbfa7d9c.json | 02bf2d40-c467-42a0-95b3-c6defbfa7d9c | Old Photographs | Write a focused jungle piece for amen-break edits, time-stretched vocal chops, and a bassline that never repeats. Blend in touches of Celtic folk. Let it feel heavy with quiet regret. Tell the story entirely through the arrangement. | [Intro]
(Instrumental opening led by amen-break edits, time-stretched vocal chops, and a bassline that never repeats)
[Inst]
(Establish the main motif; keep it heavy with quiet regret)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, ... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 111.490612 | 136da4d99f646dbc2251c79fdb37ea301c2ca16d895696545371e1dac5d67d9e | |
metadata/02/02bf93a3-4db1-4222-ae2b-77c0c15eb22a.json | 02bf93a3-4db1-4222-ae2b-77c0c15eb22a | Echo Season | Treat cassette-warped chords, vinyl crackle, and a lazy shuffled beat as the core palette for an IDM track. Aim for natural dynamics with audible performance detail. Keep the motion with an easy, grounded pulse, around 96 BPM. Write an original vocal melody that leaves room for the instrumental hook. Use a low, chest-h... | [Intro]
(A brief opening before the first line of echo season)
[Verse]
Every step carried hearing who we used to be under its sound
A clear little thunder kept time in my head
What I could not say found a rhythm instead
I gathered the silence and gave it a name
There was a vacant hallway, keeping more than it showed
L... | MiniMax | minimax-music-3.0 | wav | 24,000 | 2 | 16 | 165.093875 | b316c93a50452b6cfc2be53e22f93fdd8af14357377a4898db3b81f4bc281a2f | |
metadata/02/02c91e68-27f4-4575-9710-147e75cfbee9.json | 02c91e68-27f4-4575-9710-147e75cfbee9 | New Gravity | Write a focused Japanese folk piece for shakuhachi alone, answered by distant temple bells. Let it feel radiant and uplifting. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of new gravity)
[Verse]
I gathered the silence and gave it a name
A clear little thunder kept time in my head
Letting the pull of another heart walk for a while at our side
There was a midnight crossing, keeping more than it showed
We counted the lights as they opened one... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 241.502041 | f52c805c4dfbb44fb1f3a4f139a630831f4741c29fac1bdc269b769d5094c91b | |
metadata/02/02cd70b3-1928-4e65-be8e-58bbdbffaa9d.json | 02cd70b3-1928-4e65-be8e-58bbdbffaa9d | Fault Lines | Treat muted guitar, handclaps, and a rounded bass groove as the core palette for an indie pop track. Aim for a lo-fi bounce with audible codec artifacts. Keep the motion with firm forward motion, around 106 BPM. Blend in touches of boogie-woogie. Let a clear lead vocal enter only after the arrangement is established. U... | [Intro]
(A brief opening before the first line of fault lines)
[Verse]
The street held its breath at the edge of the sun
I followed cups trembling on the table where the evening turned slow
Then cups trembling on the table answered, and nothing stayed the same
We counted the lights as they opened one by one
I gathered... | MiniMax | minimax-music-3.0 | wav | 32,000 | 2 | 16 | 171.09625 | 1a34d3f0e95f8596c7572849c8dec6a307f9d76536094b158683e7e591ab08e1 | |
metadata/02/02d04a77-8627-475c-84ef-c0822c32f580.json | 02d04a77-8627-475c-84ef-c0822c32f580 | Bright Machinery | Organize a dark ambient work around the interplay of microtonal strings, bass clarinet, and unstable sine tones. Shape it as a riff repeated without variation until it distorts perceptually, moving with freely breathing time. Blend in touches of bossa nova. Let it feel patient and inward-looking. Let non-lexical voices... | [Intro]
(Wordless voices enter softly)
[Verse]
Ah-oh, ah-oh
Ah-oh, ah-oh
Ooh, ooh
[Chorus]
Ah-oh, ah-oh, Ooh, ooh
Ah-oh, ah-oh, Ooh, ooh
[Interlude]
(Voices recede behind the instruments)
[Chorus]
Ah-oh, ah-oh, Ooh, ooh
Ah-oh, ah-oh, Ooh, ooh
[Outro]
(A final sustained vowel fades) | MiniMax | minimax-music-3.0 | mp3 | 32,000 | 2 | null | 113.4 | ec5b43d54857f978c65a76612f642b38fadb4e71ba4073cec202d4c9dc6a486a | |
metadata/02/02eb45cb-eb53-4adc-a471-92ebfb3ab13c.json | 02eb45cb-eb53-4adc-a471-92ebfb3ab13c | Small Revolutions | Frame a compact post-rock track around a single sustained organ chord slowly consumed by noise. Keep the motion with a slow, deliberate pulse, around 81 BPM. Use wordless choral writing that moves between unison and divided harmony. | [Intro]
(A brief opening before the first line of small revolutions)
[Verse]
What I could not say found a rhythm instead
Letting speaking without fear walk for a while at our side
Every step carried speaking without fear under its sound
I called to the distance and the distance came round
I followed chalk across the p... | MiniMax | minimax-music-3.0 | wav | 32,000 | 2 | 16 | 241.150844 | ece07097dab7142b6779f87e6ee9c5b03651f82dc2f007a7046350e8da298186 | |
metadata/02/02ecfdd3-f735-4389-9fd3-15b67ebd2f13.json | 02ecfdd3-f735-4389-9fd3-15b67ebd2f13 | Winter Orchard | Let a flamenco arrangement unfold like wind moving through an unfinished concrete building. Bring in guitar, cajón, and a raw unaccompanied voice. Keep the motion at a relaxed mid-tempo, around 97 BPM. Tell the story entirely through the arrangement. | [Intro]
(Instrumental opening led by guitar, cajón, and a raw unaccompanied voice)
[Inst]
(Establish the main motif; keep it patient and evolving)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 5)
[Outro]
(Resolve with a ... | MiniMax | minimax-music-3.0 | mp3 | 16,000 | 2 | null | 63.468 | 44babc6d3a95cd805f7173cf968c7e8495c78a0f1495a0b16872d917183c0aa7 | |
metadata/02/02eec00e-bdcb-404e-b703-4b711a1ffe54.json | 02eec00e-bdcb-404e-b703-4b711a1ffe54 | Signal Fire | Frame a compact modal jazz track around flugelhorn, nylon-string guitar, and light shaker. Let it feel tender but unresolved. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of signal fire)
[Verse]
We moved through the weather with our hands open wide
I followed smoke above the ridgeline where the evening turned slow
There was a cold horizon, keeping more than it showed
I called to the distance and the distance came round
A clear little thund... | MiniMax | minimax-music-3.0 | mp3 | 16,000 | 2 | null | 212.94 | 728c77a2dd5f7b71f08b374b1e0b22bf5107925cba50746342aaf293cfadc55e | |
metadata/02/02f26c8d-c80b-4d38-b2fb-9d73e1a53290.json | 02f26c8d-c80b-4d38-b2fb-9d73e1a53290 | Morning Code | Shape a studio-ready highlife piece around trumpet, guitar, and a shuffling percussion bed. Aim for polished, club-ready weight. Keep the motion on a driving groove, around 109 BPM. Let it feel restlessly suspended. Add an expressive lead vocal with original lyrics. | [Intro]
(A brief opening before the first line of morning code)
[Verse]
I gathered the silence and gave it a name
What I could not say found a rhythm instead
We moved through the weather with our hands open wide
I followed coffee beside the screen where the evening turned slow
The street held its breath at the edge of... | MiniMax | minimax-music-3.0 | mp3 | 16,000 | 2 | null | 181.728 | 8e39d8f296b55e6238379c0031fe159a77f05edaa60fbdb473b30bf2e306ad0f | |
metadata/02/02fd525c-05bc-4f80-a54a-a5dbed4c21ca.json | 02fd525c-05bc-4f80-a54a-a5dbed4c21ca | Open Water | Imagine a stairwell that carries sound from six floors away, expressed as a Celtic folk piece. Bring in harp and fiddle trading an ornamented air. Keep the motion at a breathless pace, around 175 BPM. Let it feel warmed by distant memory. Let the choir carry the principal melodic material. | [Intro]
(A brief opening before the first line of open water)
[Verse]
I followed salt on the railing where the evening turned slow
Every step carried the courage to begin under its sound
A clear little thunder kept time in my head
I called to the distance and the distance came round
We counted the lights as they opene... | MiniMax | minimax-music-3.0 | mp3 | 44,100 | 2 | null | 204.094694 | a5ee29ab043ef6144663a779196c3f8dd53b3efeb574fd75bd4e844d4876e6f2 | |
metadata/03/030d7d68-7d5e-42d4-bdc3-143d6639f79c.json | 030d7d68-7d5e-42d4-bdc3-143d6639f79c | Echo Season | Score the feeling of a market closing down while the light goes orange through future bass. Bring in supersaw stacks, sidechained pads, and rolling toms. Keep the motion at a quick, agile pace, around 149 BPM. Let it feel romantic. Use a restrained lead vocal and a few carefully placed harmonies. Use a high, light lead... | [Intro]
(A brief opening before the first line of echo season)
[Verse]
I called to the distance and the distance came round
Then music through an old wall answered, and nothing stayed the same
We moved through the weather with our hands open wide
A clear little thunder kept time in my head
Letting hearing who we used ... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 212.834104 | bd62f8ba7329518b99e299318725cbb01b1f18752347aeaa3412ead3fdb971c2 | |
metadata/03/030d8e62-110a-4240-a6ab-5d64c63b92a8.json | 030d8e62-110a-4240-a6ab-5d64c63b92a8 | Signal Fire | Write a focused Texas blues piece for soprano saxophone, harp, and hand percussion. Let it feel stubbornly self-possessed. Leave vocals out and give the melodic role to the ensemble. | [Intro]
(Instrumental opening led by soprano saxophone, harp, and hand percussion)
[Inst]
(Establish the main motif; keep it stubbornly self-possessed)
[Interlude]
(Thin the texture, then pass the motif between instruments)
[Solo]
(A concise improvised lead over the returning pulse, variation 7)
[Outro]
(Resolve wi... | MiniMax | minimax-music-3.0 | wav | 44,100 | 2 | 16 | 102.4 | b5e120949caa7584feab42901869c10da6a83094cc5f650b6f8c6e1a405978d3 |
End of preview. Expand in Data Studio
MiniMax Music 3.0 Dataset
A large synthetic MiniMax Music research dataset by Angelware Research
8,681 tracks generated with MiniMax Music 3.0 for audio analysis, benchmarking, provenance research, and AI-music detection.
At a glance
Generated with MiniMax Music 3.0. Audio is preserved exactly as received, including embedded AIGC provenance tags where present.
| Collection statistic | Value |
|---|---|
| Tracks | 8,681 |
| Total duration | 354.92 hours (21,295 minutes) |
| Distinct genres | 108 |
| Genre families | 6 (classical, electronic, global folk, heavy/experimental, jazz/blues, popular) |
| Vocal categories | 5 |
Audio formats
| Format | Tracks |
|---|---|
| MP3 | 3,891 |
| WAV | 3,707 |
| Raw PCM | 1,083 |
Vocal categories
| Category | Tracks |
|---|---|
| Instrumental | 3,481 |
| Sung | 2,345 |
| Wordless | 1,306 |
| Choir | 1,028 |
| Spoken | 521 |
The 108 genres span ambient, classical, electronic, folk, jazz, popular, and experimental traditions. The complete genre value is available in each track's metadata.
Repository layout
README.md
LICENSE.md
metadata.jsonl # MP3/WAV index for Hugging Face AudioFolder
manifest.jsonl # complete index, including raw PCM
audio/
mp3/<generation_id>.mp3
wav/<generation_id>.wav
pcm/<generation_id>.pcm
metadata/
<id-prefix>/<generation_id>.json
metadata.jsonl indexes the 7,598 directly playable MP3/WAV tracks. manifest.jsonl indexes all 8,681 tracks. Raw PCM is headerless and must be decoded with its row's sample rate, channel count, and bit depth.
Metadata
Each index row links a stable generation_id to its audio and sidecar metadata. Useful fields include title, style_prompt, lyrics, audio_format, sample_rate_hz, channels, bits_per_sample, duration_seconds, and sha256. Sidecars contain additional generation recipes and validation details.
Loading MP3/WAV
from datasets import Audio, load_dataset
dataset = load_dataset("AngelSoftware/minimax-music-3-dataset", split="train")
first = dataset[0]
print(first["title"], first["audio"]["sampling_rate"], first["sha256"])
# Metadata/path access without decoding (no TorchCodec/FFmpeg runtime needed):
metadata_only = dataset.cast_column("audio", Audio(decode=False))
print(metadata_only[0]["audio"]["path"])
Decoded AudioFolder access uses the datasets[audio] extra and a compatible TorchCodec/FFmpeg runtime.
For raw PCM, download the file referenced by manifest.jsonl and decode it as signed little-endian PCM using that row's audio parameters.
Intended uses
- AI-music detection and provenance research
- Audio classification and retrieval
- Codec, sample-rate, and robustness experiments
- Music-information-retrieval and creative analysis
The recordings and lyrics are synthetic. Users should evaluate samples for their own application and should not infer human identity or authorship from them.
License and attribution
Released under the Creative Commons Attribution 4.0 International (CC BY 4.0) license. When redistributing or adapting the collection, credit Angelware Research and link to this dataset repository.
Citation
@dataset{angelware_minimax_music_3_2026,
author = {{Angelware Research}},
title = {MiniMax Music 3.0 Research Collection},
year = {2026},
publisher = {Hugging Face},
url = {https://huggingface.co/datasets/AngelSoftware/minimax-music-3-dataset}
}
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