Notes You Can't Delete β€” model checkpoints

Small from-scratch symbolic-music transformers from the study Notes You Can't Delete: take a musical idea out of everything a model is trained on, and it rebuilds the idea anyway.

Each model is a ~25–26M-parameter decoder-only GPT (nanoGPT shape) trained on REMI-tokenized MIDI. Every checkpoint is a matched control or edited twin β€” the whole point of the study is comparing pairs that differ in exactly one thing.

Full write-up, audio, and the numbers: https://notes-you-cant-delete.vercel.app

Run one

pip install torch numpy miditok symusic huggingface_hub
python generate_example.py --model g_metal_s1     # writes out.mid

generate_example.py and model.py (the ~120-line GPT) are in this repo. Each checkpoint is checkpoints/<name>/ckpt.pt (a state dict + config) with its config.json; tokenizers are in tokenizers/.

The checkpoints

Metal (guitar & full band)

model what it is
g_metal_s1 Guitar base β€” 22,037 metal guitar tracks, 163M tokens, val 0.23
g_metal_band_s1 Full band β€” guitar + bass + drums, ctx 2048, 316M tokens, val 0.18
g_metal_deb5 The b5-deleted twin of g_metal_s1 β€” never saw a tritone, still expects it at 99%
g_metal_drums_s1 Drums-only baseline (uses the metal_band tokenizer)
g_metal_td_s2 Tech-death fine-tune
g_metal_bm_s3 Black-metal fine-tune
g_metal_minus_bm Β· g_metal_minus_dj Β· g_metal_minus_rand Lineage-cut models β€” a genre (or random data) removed

Tonal (classical & jazz)

model what it is
blues_control_s0 Β· blues_deblue_s0 Blue-note deletion β€” matched pair over the Weimar Jazz Database
inject_control_s0 Β· inject_loose_s0 Β· inject_clean_s0 Blue-note injection into classical, two doses
cond_control_s0 Β· cond_synthall_s0 Β· cond_condv2_s0 The invented rule β€” uniform habit vs chord-conditional
remap_permuted_s0 Scrambled tonal function (un-scrambles to coherent tonality)
chordmel_s0 Chord-melody representation
p1_control Β· p1_dom7_drop Dominant-seventh deletion pilot
g1_control_s1 Classical control

The one result

Delete a concept from the training data β€” a note, a chord, a whole genre β€” and a model that never sees it once still expects it, reconstructed from the grammar around the hole. The blue note comes back at 97–98%, the metal tritone at 99%, the dominant seventh at ~90%, black metal fully. The only place deletion finally bites is a genuinely novel trait (djent's sub-bass register) that nothing else in the data implies.

Corpora: Weimar Jazz Database, MAESTRO v3, and a public Kaggle metal-MIDI dump (PDDL). Models are small-scale and from-scratch; caveats are stated throughout the site.

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