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ar
لَمَّا بَدَا يَتَثَنَّى
When He/She Began to Sway
Lamma Bada Yatathanna
https://www.youtube.com/watch?v=EE8cHyjCNLE
### **ملف موسيقي: لَمَّا بَدَا يَتَثَنَّى** **1. الخلفية التاريخية والإبداعية:** "لَمَّا بَدَا يَتَثَنَّى" هو موشح أندلسي يُعد من أشهر المقطوعات في التراث الموسيقي العربي. نشأ هذا الفن في الأندلس (حوالي 711-1492 م)، وهو يعكس الرقي الثقافي والفني لتلك الحقبة. هناك خلاف بين المؤرخين حول هوية المؤلف والملحن الأصليين؛ حيث ...
### **Musical Dossier: Lammā Badā Yatathannā** **1. Historical & Creative Background:** "Lammā Badā Yatathannā" is an Andalusian *muwashshah* considered one of the most famous pieces in the Arab musical heritage. This art form originated in Al-Andalus (c. 711-1492 CE) and reflects the cultural and artistic sophisticati...
X:1 T:لَمَّا بَدَا يَتَثَنَّى L:1/8 M:10/4 I:linebreak $ K:Bb V:1 treble V:1 z20 | z20 | z20 | z20 | z20 |$ z4 z4 z8 z2 D2 |$ %6 G4 AB (c3/2B/4c/4) (BA)(({/B} A)G) (G^F) (PG4 D2) | %7 G4 (AB) (c3/2B/4c/4) (BA)(({/B} A)G) (G^F) G4 AB |$ c>d cB cd({/c2} B3) A({/A2B2} A2) G^F G4 A2 | %9 ^F4 PG2({/G} E3) D ED EF({/PF}...
1
ar
البنت الشلبية
The Shalabiya Girl
El Bent El Shalabiya
https://www.youtube.com/watch?v=7f-SmC7V6jQ
### الخلفية التاريخية والإبداعية "البنت الشلبية" هي أغنية فلكلورية شهيرة من منطقة بلاد الشام، وتحديداً من التراث السوري واللبناني. اكتسبت الأغنية شهرة واسعة في العالم العربي بعد أن غنتها السيدة فيروز في أواخر الخمسينيات من القرن الماضي، بتوزيع موسيقي جديد من الأخوين رحباني (عاصي ومنصور). هناك جدل حول أصل اللحن؛ حيث تشي...
### Historical and Creative Background "Al-Bint al-Shalabiyya" is a famous folk song from the Levant region, specifically from Syrian and Lebanese heritage. The song gained widespread fame in the Arab world after it was sung by Fairuz in the late 1950s, with a new musical arrangement by the Rahbani Brothers (Assi and M...
X:1 T:البنت الشلبية L:1/16 M:4/4 I:linebreak $ K:Eb V:1 treble V:1 z16 | z16 | z16 | z16 | z2({/C} G2) G2G2 (A/G/A)FA G4 | z (CG)G A2c2 =BPAA(G PG4) |$ %6 z2 A2 A2A(G G2)FE PGFED | C2DE (FE)ED EDC=B, CDEF | G2 A2 A2A(G G2)FE PGFED |$ %9 C2DE FEED (D/C/D)C=B, C4 | z2 G2 G2>G2 (A/G/A)FA G4 | z2 G>G A2c2 =B(PAA)(G F4)...
2
ar
يا الرايح
O, You Who Are Leaving
Ya Rayah
https://www.youtube.com/watch?v=kvkRVx16FAI
### **ملف تعريفي وتحليلي لأغنية «يا الرايح»** ### **مقدمة** تُعد أغنية «يا الرايح» واحدة من أشهر الأغاني الجزائرية وأكثرها انتشارًا خارج الجزائر. كتبها ولحّنها وأدّاها الفنان دحمان الحراشي، أحد أبرز أعلام فنّ الشعبي الجزائري. ظهرت الأغنية عام 1973، واكتسبت شهرة واسعة تجاوزت حدود الجزائر، ثم تعرّف إليها جمهور عالمي أو...
### **Complete Musical Dossier: Ya Rayah** **Introduction** The song "Ya Rayah" (O, You Who Are Leaving) is one of the most famous Algerian songs worldwide. It was written and composed by Dahmane El Harrachi, who is considered a pillar of Algerian Chaabi music. Released in 1973, the song gained widespread fame, crossin...
X:1 T:يا الرايح L:1/16 M:2/4 I:linebreak $ K:F V:1 treble V:1 z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ z8 | z8 |$ z8 | z8 | z8 | z8 | z8 | z4 z4 | %18 z8 | z8 | z8 | z8 | z8 | z8 |$ z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ %37 z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8...
3
ar
فوق النخل
Above the Palm Trees
Fog El Nakhal
https://www.youtube.com/watch?v=d9t4U9FdV9s
### **الملف الموسيقي الكامل: فوق النخل** **مقدمة** تُعد أغنية "فوق النخل" (أو "فوك النخل" باللهجة العراقية) من أشهر الأغاني التراثية في العراق والوطن العربي. ورغم الجدل الدائر حول أصل كلماتها، فإنها تبقى قطعة فنية خالدة تجسد غنى التراث الموسيقي البغدادي. **1. الخلفية التاريخية والإبداعية** * **الأصل والملحن:** هناك إجم...
### **Complete Musical Dossier: Fawq al-Nakhl** **Introduction** The song "Fawq al-Nakhl" (or "Fog el-Nakhel" in the Iraqi dialect), meaning "Above the Palm Trees," is one of the most famous traditional songs in Iraq and the Arab world. Despite the debate surrounding the origin of its lyrics, it remains a timeless work...
X:1 T:فوق النخل L:1/8 Q:1/4=104 M:4/4 I:linebreak $ K:C V:1 bass nm="男声" V:1 z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ %19 z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | z8 | %38 z8 |$ z8 | z8 | z8 | z8 | z8 | z8 | z8 ...
4
ar
قارِئةُ الفِنجان
The Coffee Cup Reader
Qari'at al-Finjan
https://www.youtube.com/watch?v=YH4QWNXNWRQ
# الملف الموسيقي الشامل: قارِئةُ الفِنجان ## 1. العنوان والتعريف * **العنوان الأصلي:** قارِئةُ الفِنجان * **العنوان بحروف لاتينية:** Qareat El Fengan * **الترجمة الإنجليزية:** The Coffee Cup Reader * **المؤدي الأصلي:** عبد الحليم حافظ (العندليب الأسمر) * **اللغة:** اللغة العربية الفصحى ## 2. الخلفية التاريخية والإبدا...
# Comprehensive Musical Dossier: Qareat El Fengan ## 1. Title and Identification * **Native Title:** قارِئةُ الفِنجان * **Transliterated Title:** Qareat El Fengan * **English Translation:** The Coffee Cup Reader * **Original Performer:** Abdel Halim Hafez (Known as "The Dark-Skinned Nightingale") * **Language:** Class...
X:1 T:قارِئةُ الفِنجان L:1/8 Q:1/4=65 M:4/4 I:linebreak $ K:Bbmin V:1 bass nm="男声" V:1 z8 | z8 | z8 | z8 | z8 |[M:5/4] z10 |[M:4/4] z8 |$[Q:1/4=60] B,,/=G,,/=A,, z2 z2 B,,/G,,/A,, | %8 ({=A,,} B,,/)A,,/B,,/A,,/ B,,/A,,/B,,/A,,/ C,B,,/A,,/ z2 | z2 z/ =A,,/C,/C,/ C,/C,/C, C,C, |$ %10 C,/C,/D,/4E,/4D,/4C,/4 D,2 z2 z D, ...
5
bg
Излел е Дельо хайдутин
Delyo the Haiduk Has Gone Out
Izel e Delyo Haydutin
https://www.youtube.com/watch?v=TzPctxgXfbw
„Излел е Дельо хайдутин“ е българска народна песен от Родопската фолклорна област, която разказва за Дельо войвода, легендарен хайдутин, действал в края на XVII и началото на XVIII век. Историческата достоверност на Дельо е предмет на дебат сред историците, но той е централна фигура в родопския фолклор, възпят като зак...
“Izlel e Delyo haydutin” is a Bulgarian folk song from the Rhodope folklore region, which tells the story of Delyo Voyvoda, a legendary haiduk (rebel fighter) active in the late 17th and early 18th centuries. The historical authenticity of Delyo is a subject of debate among historians, but he is a central figure in Rho...
X:1 T:Излел е Дельо хайдутин L:1/16 Q:1/4=50 M:5/4 I:linebreak $ K:Bmin V:1 treble nm="声部" snm="声部" V:1 A4({A} B16-) |[M:4/4] B2>!~(!B2 d2P^c!~)!B- B8 |[M:5/4] MA2E2- E16 |[M:4/4] A2AB- B8- B2>B2 |$ %4 [M:9/4] A/B/A/^G/A2- A4 (5:4:5A/B/A/G/A/B2 (3F2F2F2 PF2ED E12 z4 |[M:4/4] A4 A>BA^G AMGF2- F4- |$ %6 [M:4/4] F({/G}F)...
6
bg
Притури се планината
The Mountain Folded
Prituri se Planinata
https://www.youtube.com/watch?v=P_Y7abspLSA
„Притури се планината“ е българска народна песен, която придобива световна известност в средата на XX век. Първоначално научена от певицата Стефка Съботинова (1930-2010) от нейната баба от Западна Тракия, песента е представител на тракийската фолклорна област. **Исторически и творчески контекст** Първият аранжимент на ...
“Prituri se planinata” is a Bulgarian folk song that gained worldwide fame in the mid-20th century. Originally learned by the singer Stefka Sabotinova (1930-2010) from her grandmother from Western Thrace, the song is representative of the Thracian folklore region. **Historical and Creative Context** The first arrangeme...
X:1 T:Притури се планината L:1/16 Q:1/4=60 M:4/4 I:linebreak $ K:A V:1 treble nm="Soprano" snm="S." V:1 "^"{G} A8 (3(GAGF2) A2(A2- | A12- (9:8:9A/B/A/G/A/B/A/G/F/) |$ %2 [M:5/4]({G} A2(5:4:5B/A/G/A/B/) (3(GAGF2) G2(G2- G4- G2A/B/A/G/ |$[M:4/4] A2(5:4:5B/A/G/F/E/ F12- | %4 [M:3/4] F8) z4 |[M:3/4]{G} A8- A2(G/A/G/F/) |[...
7
bg
Дилмано, Дилберо
Oh, Dilmana, Dear One
Dilmano, Dilbero
https://www.youtube.com/watch?v=8sWoKM8mwHI
„Дилмано, Дилберо“ е една от най-известните и жизнени български народни песни, произхождаща от Шопската фолклорна област, и по-конкретно от района на Бурел. Първоначално е хумористична трудова песен, изпълнявана по време на селскостопанска работа, но носи и по-дълбок, закачлив смисъл, свързан с ритуалите на първата бра...
"Dilmano, Dilbero" is one of the most famous and vibrant Bulgarian folk songs, originating from the Shopluk ethnographic region, and more specifically from the Burel area. It was originally a humorous work song performed during agricultural activities, but it also carries a deeper, playful meaning associated with the r...
X:1 T:Дилмано, Дилберо L:1/8 Q:1/8=200 M:9/8 I:linebreak $ K:Emin V:1 treble V:1 z9 | z4 z2 z E2 |[M:8/8] AB/GF/E F3/2E3/2E | AB/GF/E F3/2E3/2E |$[M:9/8] FE/FE/GE F3/2E3/2E |$ %5 FE/FE/GE F3/2E3/2E |[M:8/8] AB/GF/E F3/2E3/2E | AB/GF/E F3/2E3/2E |[M:9/8] FE/FE/GE F3/2E3/2E |$ %9 FE/FE/GE F3/2E3/2E |[M:8/8] Bc/BA/A A...
8
bg
Кавал свири
A Kaval Is Playing
Kaval Sviri
https://www.youtube.com/watch?v=hVqrW-fPOQ0
„Кавал свири“ е българска народна песен, придобила световна известност благодарение на аранжимента на композитора Петър Льондев. Въпреки че мелодията е фолклорна, версията, която пленява международната публика, е обработката за женски хор, създадена от Льондев през 1979 г. **Исторически и творчески контекст** Песента п...
“Kaval sviri” is a Bulgarian folk song that achieved worldwide fame thanks to the arrangement by composer Petar Lyondev. Although the melody is traditional, the version that captivated international audiences is the arrangement for a female choir created by Lyondev in 1979. **Historical and Creative Context** The song ...
X:1 T:Кавал свири %%score ( 1 2 ) L:1/8 Q:1/4=66 M:4/4 I:linebreak $ K:C V:1 treble V:2 treble V:1 E2 ^F2 !fermata!G3 G/A/ | ^F2 G4{/=F} E2 |[M:5/4] F2 E4 !fermata!z4 |$[M:4/4] E^F G4 G/A/F | %4 [M:3/4] G4{/F} E2 |[M:4/4] =F2 E2 !fermata!z4 | E^F G4 G/A/F |[M:3/4] G4{/F} E2 |$ %8 [M:4/4] =F2 E2 !fermata!z4 ||$[K:Emi...
9
bg
Лудо младо
Crazy Young One
Ludo Mlado
https://www.youtube.com/watch?v=gMq44wgT_PY
„Лудо младо“ е една от най-популярните български песни, която мнозина погрешно смятат за народна. В действителност тя е авторска композиция, създадена през 1970 г. от композитора Атанас Бояджиев (1926–2017) по текст на поета Богомил Гудев (1934–1993). Първоначалното заглавие на песента е „Откъде да взема сила“. **Истор...
"Ludo mlado" is one of the most popular Bulgarian songs, often mistaken for a folk song. In reality, it is an original composition created in 1970 by the composer Atanas Boyadzhiev (1926–2017) with lyrics by the poet Bogomil Gudev (1934–1993). The original title of the song was "Откъде да взема сила" (Where to Get Stre...
X:1 T:Лудо младо L:1/8 Q:1/4=120 M:7/8 I:linebreak $ K:A V:1 treble nm="Piano" snm="Pno." V:1 "^Allegro" x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 | x7 |$ %16 "^(7拍子划分为3+2+2)" ([A,C]2 [B,D] [CE]2 [A,C]2) | ([A,C] [B,D]2 [DF]2 [DF][CE]-) | %18 [CE] [CE]2- [CE]4- | [CE]3 z4 |$ ([A,C]2 [B,D...
10
bn
খাঁচার ভিতর অচিন পাখি
The Unknown Bird in the Cage
Khachar Bhitor Ochin Pakhi
https://www.youtube.com/watch?v=BJxHDAvg7m4
পরিচয় ও প্রেক্ষাপট: "খাঁচার ভিতর অচিন পাখি" একটি অত্যন্ত জনপ্রিয় ও প্রভাবশালী বাংলা বাউল গান। এটি রচনা করেছেন উনিশ শতকের মরমী সাধক, দার্শনিক ও গীতিকার ফকির লালন শাহ (আনুমানিক ১৭৭৪-১৮৯০)। এই গানটি লালনের দেহতত্ত্বমূলক গানের এক উৎকৃষ্ট উদাহরণ, যেখানে মানবদেহ এবং আত্মার মধ্যকার রহস্যময় সম্পর্ক তুলে ধরা হয়েছে। লালন তাঁ...
Identification and Background: "Khachar Bhitor Ochin Pakhi" is an immensely popular and influential Bengali Baul song. It was composed by the 19th-century mystic saint, philosopher, and songwriter Fakir Lalan Shah (c. 1774–1890). This song is a prime example of Lalan's "Deha-Tattva" (philosophy of the body) songs, whic...
X:1 T:খাঁচার ভিতর অচিন পাখি L:1/8 Q:1/4=50 M:3/4 I:linebreak $ K:E V:1 treble V:1 "^Largo" z2 z2 z (C/B,/ | PCF/F/ !fermata!F2) z (F/F/ | F/GF/ F<PG PF>E | D/ETD/ !fermata!C4) |$ %4 z2 z2 z (C/B,/ | PCF/F/ !fermata!F2) z (A/A/ | G/AG/ F/PGF/ PED | %7 {/C} !fermata!E2){/CE} !tenuto!!fermata!C4 |$ z2 z2 z (A,/B,/ | C2)...
11
bn
আগে কী সুন্দর দিন কাটাইতাম
What Beautiful Days We Once Lived
Age Ki Shundor Din Kataitam
https://www.youtube.com/watch?v=dUk5ENajtjM
### **সঙ্গীত পরিচিতি: আগে কী সুন্দর দিন কাটাইতাম** **পটভূমি ও ইতিহাস:** "আগে কী সুন্দর দিন কাটাইতাম" বাংলা লোকসংগীতের এক অবিস্মরণীয় সৃষ্টি, যা বাউল সম্রাট শাহ আব্দুল করিমের (১৯১৬-২০০৯) লেখা ও সুর করা। এই গানটি তাঁর অন্যতম বিখ্যাত এবং বহুল প্রশংসিত কাজ হিসেবে বিবেচিত হয়। গানটি প্রথম প্রকাশিত হয় ১৯৮১ সালের সেপ্টেম্বর ম...
### **Musical Dossier: Age Ki Sundor Din Kataitam (What Beautiful Days We Once Lived)** **Historical & Creative Background:** "Age Ki Sundor Din Kataitam" is an unforgettable creation in Bengali folk music, written and composed by the Baul emperor Shah Abdul Karim (1916-2009). It is considered one of his most famous an...
X:1 T:আগে কী সুন্দর দিন কাটাইতাম L:1/8 Q:1/4=120 M:3/4 I:linebreak $ K:B V:1 treble V:1 "^Allegro" z2"^男女合唱" (cc cc | c c2 c d2 | B2 B2 AB | A G3) z2 |"^女独唱" (c2 cc cc | c c2 c d2 |$ %6 B2 B2 AB | A G3) z2 |"^男独唱" (GB B2 AB | A G2 F FF | F G2 B D2 | C2 B,2) z2 |$ x6 | x6 | x6 | x6 | %16 x6 | x6 | x6 | x6 |"^男女合唱" z2...
12
bn
আমায় ভাসাইলি রে
You Have Set Me Adrift
Amay Bhasaili Re
https://www.youtube.com/watch?v=Kdx9ZXrjJ28
### **গানের পরিচিতি** "আমায় ভাসাইলি রে" একটি বিখ্যাত বাংলা ভাটিয়ালি লোকগীতি। এই গানটির কথা লিখেছেন প্রখ্যাত পল্লীকবি জসীমউদ্দীন এবং এটি প্রথম জনপ্রিয় করেন কিংবদন্তী শিল্পী আব্বাসউদ্দীন আহমদ। যদিও গানটির সুরকে ঐতিহ্যবাহী লোকসুর হিসেবে বিবেচনা করা হয়, তবে আব্বাসউদ্দীনের কণ্ঠেই এটি অমরত্ব লাভ করে। গানটি মূলত মাঝিদের গা...
### **Introduction to the Work** "Amay Bhasaili Re" is a famous Bengali Bhatiali folk song. The lyrics of this song were written by the renowned pastoral poet Jasimuddin, and it was first popularized by the legendary artist Abbasuddin Ahmed. Although the tune is considered a traditional folk melody, it achieved immorta...
X:1 T:আমায় ভাসাইলি রে %%score ( 1 2 ) L:1/8 Q:1/4=60 M:4/4 I:linebreak $ K:F# V:1 treble V:2 treble V:1 "^Lento" x8 | x8 | x8 | x8 | z2 (3(CDE (3GGTA-) A2- | A4 z2 (3(Acc |$ d8) | z2 (3(ddd e2) (3(ded | %8 (3:2:2c A2-) A4 (3(Acd |$ e>d d2 A2 c<c-) |$ c4 z4"^(速度加快,进入伴奏)" ||$"^Prestissimo"[Q:1/4=180] x8 | %12 x8 | x8...
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UniVerse · 同谣

One shared verse — across cultures, minds, and ages.

UniVerse (同谣) is a multilingual folk-music resource for large audio–language models (LALMs). It has two complementary parts:

Split Role
UniVerseSet Post-training corpus: audio-grounded conversations over world folk recordings
UniVerseBench Adversarial multiple-choice benchmark for folk-music understanding

Together they cover Chinese folk (regional styles and minority languages), Korean gugak, and world folk in 38+ languages, with curated metadata, scores, and bilingual notes.

「诗言志,歌永言,声依永,律和声。」—《尚书·舜典》


What's in this hub

This Hugging Face dataset hosts the audio + annotations for both splits. Training and evaluation code lives in the UniVerse GitHub repository. An interactive sound museum is available as a live demo.

UniVerseSet UniVerseBench
Purpose SFT / DPO / latent post-training Held-out evaluation
Scale ~113k audio–chat examples (v3 “11w-think” line) 5,042 MCQ items
Audio Training folk recordings (YouTube-sourced + curated collections) Benchmark clips: Chinese / Korean / world
Format Chat messages + audios (ms-swift / Qwen-Omni style) {id, audios, question, options, answer}
Typical use Language-balanced SFT, text DPO, audio-contrast (M2) DPO, REPA latent phases Strict-parser accuracy by language group and question type

Headline stats used on the project site: 1.4M metadata tokens, 38+ languages, 5,042 QA, 1,080 minutes of benchmark audio.


UniVerseSet (training)

UniVerseSet is the instruction / preference corpus used to post-train Qwen2.5-Omni and Qwen3-Omni on folk music.

Each example pairs one or more audio clips with a multi-turn dialogue. Assistant turns may include a <think>…</think> block before the final answer, matching the “thinking” SFT format used in our recipes.

Typical fields:

{
  "messages": [
    {"role": "user", "content": "<audio>…"},
    {"role": "assistant", "content": "<think>\n…\n</think>\n\n…"}
  ],
  "audios": ["audios/training/..."]
}

The public line used in our experiments is the v3.0 thinking set (~113,015 examples). Derived views (language-reweighted SFT, text DPO, multimodal audio-contrast DPO) are built from this set; see the GitHub training/data_prep/ scripts.

Intended use. Post-training LALMs so they listen to folk recordings rather than answering from language priors alone. The mix is naturally skewed across languages; our paper recipes keep that mix and apply language-weighted CE, plus text DPO (chosen vs rejected text, fixed audio) and audio DPO (positive vs negative audio, shared response).


UniVerseBench (benchmark)

UniVerseBench is a multilingual, adversarial multiple-choice benchmark. Items were selected so that strong LALMs cannot rely on surface cues: we keep questions that models miss, Gemini optimization logs flag as misleading, and we enforce coverage per recording.

  • 5,042 items in the final release (universe_benchmark_v1_all_final.jsonl)
  • Museum / metadata backbone: 372 exhibits — 102 Chinese, 90 Korean, 180 world folk
  • Most items use one clip; a subset uses two or three clips for comparison

Question types

Code Name
FE Feature Extraction
CR Causal Reasoning
PR Music Pattern Recognition
CA Comparison Analysis
ED Error Detection

Language groups (for reporting): Chinese (zh), Korean (ko), other languages (L-oth.).

Audio quality mix (benchmark recordings): indoor professional, indoor non-professional, and low-quality field recordings.

Example:

{
  "id": "adversarial_000001",
  "audios": ["audios/benchmark/chinese/0000.mp3"],
  "question": "<audio>…",
  "options": {"A": "…", "B": "…", "C": "…", "D": "…"},
  "answer": "A"
}

Evaluate with the scripts under eval/ in the code repo (strict option-letter parser; thinking models use the answer after </think>).


Collections at a glance

Chinese folk. Provinces and ethnic minorities, with ABC / MusicXML scores and native + English notes where available.

Korean gugak. Arirang lineages and vernacular songs, with province and tori (melodic mode) metadata.

World folk. Dozens of languages under one protocol — from Arabic muwashshah to Japanese sakura songs — spanning families such as Indo-European, Uralic, Afro-Asiatic, Turkic, Japonic, and others.


How to load

from datasets import load_dataset

train = load_dataset("<org>/UniVerse", "UniVerseSet", split="train")
bench = load_dataset("<org>/UniVerse", "UniVerseBench", split="test")

Replace <org>/UniVerse with the actual hub id after upload. Audio paths inside the JSONL are relative to the dataset root (audios/...).


License & attribution

Code and cards: Apache-2.0. Folk recordings remain under their original source licenses / collection terms; see per-file metadata. Please credit regional archives and performers when redistributing clips.


Citation

@article{universe2026,
  title   = {UniVerse: Multilingual Adversarial Folk-Music Understanding for Large Audio-Language Models},
  author  = {[TODO: authors]},
  journal = {arXiv preprint arXiv:[TODO]},
  year    = {2026}
}
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