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jamendomaxcaps-coreference-000000
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Cuando vuelvo" by globos is a medium-tempo piano ballad in B major, driven by a steady 129 BPM pulse. The track features sparse, resonant piano playing that establishes an introspective mood, supported by complex harmonic progressions shifting through F# major, Ab minor, and C# minor. While the draft suggests...
[ "jamendomaxcaps/masters/544761", "jamendomaxcaps/masters/821596", "jamendomaxcaps/masters/1033272" ]
jamendomaxcaps-coreference-000001
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Close to Vest" by D. Scott Soriano is an instrumental industrial metal and electronic rock track with a high-energy, relentless drive at 130 BPM. Set in C minor, the piece features a dense, aggressive soundscape characterized by heavily distorted electric guitars laying down rhythmic, palm-muted riffs alongsi...
[ "jamendomaxcaps/masters/1222821", "jamendomaxcaps/masters/388486", "jamendomaxcaps/masters/842270", "jamendomaxcaps/masters/1427968" ]
jamendomaxcaps-coreference-000002
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: HunterSynth's "BUG!" is a medium-tempo electronic track rooted in the house and EDM genres, anchored by a driving bassline and layered synthesizers. Set in Bb minor with a tempo of approximately 116 BPM, the song features a dynamic structure that shifts between intense instrumental sections and atmospheric bre...
[ "jamendomaxcaps/masters/1171937", "jamendomaxcaps/masters/1138107", "jamendomaxcaps/masters/1400651" ]
jamendomaxcaps-coreference-000003
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Kimiko Ishizaka performs "Variatio 7 a 1 ovvero 2 Clav.," the seventh variation from Johann Sebastian Bach’s Goldberg Variations (BWV 988), on this solo piano recording. Set in G major, the piece is characterized by a lively, triple-meter rhythm with a tempo of approximately 173 BPM, creating a buoyant and dan...
[ "jamendomaxcaps/masters/962281", "jamendomaxcaps/masters/978592", "jamendomaxcaps/masters/1076559", "jamendomaxcaps/masters/1141679" ]
jamendomaxcaps-coreference-000004
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: This instrumental rock anthem, titled "Взаимопонимание (инструментал)" by Группа "Группа" НСК from the album "Тленобезысходность," is a driving, mid-tempo piece in E minor at approximately 120 BPM. The track opens with gritty, overdriven electric guitars and a punchy, syncopated drum pattern that establishes a...
[ "jamendomaxcaps/masters/1122972", "jamendomaxcaps/masters/248407", "jamendomaxcaps/masters/1092497" ]
jamendomaxcaps-coreference-000005
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: This instrumental industrial metal track, titled "Intro" by Død Beverte, drives forward at a high tempo of approximately 154 BPM with a relentless, breakneck energy. Set primarily in A minor, the piece features a dark and aggressive tonal color, transitioning through sections that hint at F minor and Bb minor ...
[ "jamendomaxcaps/masters/1574506", "jamendomaxcaps/masters/1015392", "jamendomaxcaps/masters/888832" ]
jamendomaxcaps-coreference-000006
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: From Hell to Heaven by Dj Toz is an instrumental electronic track that navigates a high-energy, 142 BPM journey through the key of A minor. The production is driven primarily by synthesizers and computer-generated sounds, creating a pulsating digital frontier with a steady four-four groove. The composition unf...
[ "jamendomaxcaps/masters/1118294", "jamendomaxcaps/masters/771887", "jamendomaxcaps/masters/1061716" ]
jamendomaxcaps-coreference-000007
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Falling" by Zutsuri is a melancholic triphop and electronic track from the album *Fen*, characterized by its romantic yet breakup-themed atmosphere. While the draft description suggests dream pop, the actual instrumentation and genre tags point to a synthpop-infused electronic sound with a medium tempo feel, ...
[ "jamendomaxcaps/masters/1413568", "jamendomaxcaps/masters/775594", "jamendomaxcaps/masters/547569" ]
jamendomaxcaps-coreference-000008
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Harpoon (Original mix)" by Skullcap is an instrumental electro house and funky house track from the album *We Can Do Everything*. Set in E minor at a driving tempo of approximately 128 BPM, the song delivers a high-energy, dancefloor-ready groove characterized by a punchy four-on-the-floor kick, sharp electro...
[ "jamendomaxcaps/masters/535918", "jamendomaxcaps/masters/1821951" ]
jamendomaxcaps-coreference-000009
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Insud" by macouno is a 305-second instrumental track from the album *Lost tracks*, blending industrial techno textures with ritualistic percussion. Set at a driving tempo of approximately 160 BPM, the piece anchors itself in F major while navigating complex harmonic shifts through sections marked by F minor, ...
[ "jamendomaxcaps/masters/317339", "jamendomaxcaps/masters/918919", "jamendomaxcaps/masters/1316897" ]
jamendomaxcaps-coreference-000010
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Dancing Alone (EDM Club Dance)" by Moonwalk is an instrumental electronic dance track set in D major with a driving tempo of approximately 125 BPM. The composition features synthesizer melodies and bass lines supported by a steady drum groove, creating a medium-speed club atmosphere. The song structure altern...
[ "jamendomaxcaps/masters/2037660", "jamendomaxcaps/masters/2010578", "jamendomaxcaps/masters/1128295" ]
jamendomaxcaps-coreference-000011
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Unlighter" by unworking mind is an instrumental downtempo electronic track from the album *flying in down tempo*, characterized by a deliberate, hypnotic groove at approximately 120 BPM. Rooted in the key of Bb minor, the piece builds its harmonic foundation on a repeating, melancholic progression featuring D...
[ "jamendomaxcaps/masters/177411", "jamendomaxcaps/masters/951014" ]
jamendomaxcaps-coreference-000012
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Morning Mood Interlude (Grieg)" by Daniel Bautista is an instrumental piece that reimagines classical themes through a rock and heavy metal lens. Recorded for the album *Weirdos And Classics*, the track is set in E major with a driving tempo of approximately 143 BPM, creating a medium-speed, energetic pulse d...
[ "jamendomaxcaps/masters/514484", "jamendomaxcaps/masters/1435959" ]
jamendomaxcaps-coreference-000013
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: This solo piano piece, titled "Ave Maria (Prélude de Bach, Réinterprétation)" by Guillaume Robbe, is a sentimental classical interpretation of the famous prelude. While the draft description suggests a slow, introspective mood, the track actually maintains a medium tempo of approximately 126 BPM, lending it a ...
[ "jamendomaxcaps/masters/1003082", "jamendomaxcaps/masters/669028", "jamendomaxcaps/masters/327449" ]
jamendomaxcaps-coreference-000014
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Quant les indiens attaquent" by Christian Michard is a medium-tempo smooth jazz fusion track in G major, clocking in at approximately 103 BPM. The piece opens with an atmospheric introduction featuring clean electric guitar and piano, establishing a relaxed, mid-tempo groove. As the arrangement progresses, th...
[ "jamendomaxcaps/masters/141435", "jamendomaxcaps/masters/959569", "jamendomaxcaps/masters/978669", "jamendomaxcaps/masters/1189196" ]
jamendomaxcaps-coreference-000015
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Edward Schaffer’s "Along the Shore, Op 212" is an instrumental cinematic orchestral piece that blends classical grandeur with modern electronic textures. Set primarily in E minor with a moderate tempo of approximately 86 BPM and a distinctive 3/4 time signature, the track navigates through complex harmonic shi...
[ "jamendomaxcaps/masters/904094", "jamendomaxcaps/masters/921137", "jamendomaxcaps/masters/668440", "jamendomaxcaps/masters/796539" ]
jamendomaxcaps-coreference-000016
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Suspended" by Microcitrus is an instrumental psytrance track set in A minor at a medium tempo of approximately 108 BPM. The piece opens with a meditative, psychedelic atmosphere driven by warm, evolving synthesizer pads and gentle arpeggios that establish a mystical mood. As the composition progresses, the ar...
[ "jamendomaxcaps/masters/1185859", "jamendomaxcaps/masters/1140796" ]
jamendomaxcaps-coreference-000017
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Move For Energy" by DJ Mar.S. Aka One Milk is a high-energy techno track from the album *Hard Traxx*, clocking in at approximately 146 BPM. The piece is primarily rooted in C major, with tonal shifts into C minor and Ab major that add dynamic contrast to the driving rhythm. The production relies heavily on sy...
[ "jamendomaxcaps/masters/761659", "jamendomaxcaps/masters/1473538", "jamendomaxcaps/masters/1246358", "jamendomaxcaps/masters/788513" ]
jamendomaxcaps-coreference-000018
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Chriss ONAC’s "Comme à la maison" is an instrumental house track set at a medium tempo of approximately 125 BPM, anchored in the key of G major. The production features a crisp four-on-the-floor kick drum driving a syncopated bassline, complemented by shimmering analog synth pads, funky wah-drenched electric g...
[ "jamendomaxcaps/masters/147269", "jamendomaxcaps/masters/1096869" ]
jamendomaxcaps-coreference-000019
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Siberia" by DJ Mircomix is a melancholic disco and dance track in D major, driven by a medium tempo of approximately 114 BPM. The production centers on synthesizers that establish an atmospheric foundation, complemented by clean electric piano melodies that enter during the mid-sections to add warmth and soph...
[ "jamendomaxcaps/masters/1208464", "jamendomaxcaps/masters/566837" ]
jamendomaxcaps-coreference-000020
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Eude 1" by Behrang Shegarfkar is a minimalist, atmospheric instrumental piece from the album *Etudes for String orchestra and piano*, blending classical sensibilities with film score aesthetics. Set in C major with a medium tempo of approximately 120 BPM, the track features a sparse piano melody that establis...
[ "jamendomaxcaps/masters/1243075", "jamendomaxcaps/masters/646508", "jamendomaxcaps/masters/1142894" ]
jamendomaxcaps-coreference-000021
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "AGAIN" by Mikel Hormaza is a medium-tempo instrumental piece rooted in a romantic-era orchestral style, set primarily in C major with a flowing 103.5 BPM. The track unfolds as an emotionally charged journey, opening with a sweeping, lyrical theme carried by the cello in G major, establishing a majestic and so...
[ "jamendomaxcaps/masters/1046652", "jamendomaxcaps/masters/990938", "jamendomaxcaps/masters/1538469" ]
jamendomaxcaps-coreference-000022
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Que pasa eeh" by Letristas Liricos y DjKeel is a dark, aggressive Spanish-language hardcore hip-hop track from the album *The Mixtape BOOM*. Set in C# minor at a driving 154 BPM, the song features a gritty, lo-fi production aesthetic with heavy, distorted basslines and punchy, straightforward drum patterns. T...
[ "jamendomaxcaps/masters/460424", "jamendomaxcaps/masters/1486431" ]
jamendomaxcaps-coreference-000023
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Edward Schaffer’s "Symphony #15, Winter Solstice, Op 227, I. Morning" is an expansive, instrumental orchestral work defined by its gentle, flowing tempo of approximately 85 BPM and a primary tonality of E-flat major. The composition unfolds as a deeply emotive cinematic ballad, anchored by the rich, resonant v...
[ "jamendomaxcaps/masters/868344", "jamendomaxcaps/masters/1317471" ]
jamendomaxcaps-coreference-000024
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Ich geh mit meiner Laterne" by Arnold Wohler is an instrumental piece rooted in the Contemporary Folk and Singer-Songwriter traditions, characterized by a gentle, reflective mood. While the draft description suggests a slow 68 BPM tempo, the track actually unfolds at a moderate pace of approximately 120 BPM i...
[ "jamendomaxcaps/masters/1016588", "jamendomaxcaps/masters/1345182", "jamendomaxcaps/masters/1284162" ]
jamendomaxcaps-coreference-000025
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "119t" by orangeicebear is a short, instrumental electronic intro and jingle characterized by its medium tempo of approximately 115 BPM in the key of F minor. The track features a sparse, atmospheric arrangement that begins with a dedicated bass line, which evolves into a combined texture of deep bass and synt...
[ "jamendomaxcaps/masters/1488321", "jamendomaxcaps/masters/1589458", "jamendomaxcaps/masters/1386616" ]
jamendomaxcaps-coreference-000026
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Back To The Sun" by The Pulsarix is a medium-tempo instrumental progressive trance track anchored in C minor, unfolding at 127.67 BPM with a driving four-on-the-floor rhythm. The composition begins with crystalline synthesizer arpeggios and deep basslines that establish a hypnotic, cosmic atmosphere. As the p...
[ "jamendomaxcaps/masters/842088", "jamendomaxcaps/masters/1431863", "jamendomaxcaps/masters/1118284" ]
jamendomaxcaps-coreference-000027
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Vereteno" by MEMK2 is a haunting darkwave and synth-pop composition rooted in the post-punk tradition, performed in E minor at a slow, deliberate tempo of approximately 90 BPM. The track opens with an atmospheric introduction dominated by cold, detuned synthesizer textures that establish a spacious and melanc...
[ "jamendomaxcaps/masters/823936", "jamendomaxcaps/masters/1650499" ]
jamendomaxcaps-coreference-000028
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Chinese Drama by Rostislavfilmcomposer is a high-energy, instrumental film score rooted in the classical and cinematic traditions. Set at a brisk tempo of approximately 150 BPM with a driving 2/4 time signature, the piece maintains a relentless, propulsive momentum throughout its nearly two-and-a-half-minute r...
[ "jamendomaxcaps/masters/1149162", "jamendomaxcaps/masters/816361", "jamendomaxcaps/masters/861920" ]
jamendomaxcaps-coreference-000029
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Qpnzudvrt" by Igor Ombak & Jafar Penari is an instrumental drone-rock piece defined by its rhythmic noise aesthetic. Set at a medium tempo of approximately 125 BPM in the key of C minor, the track relies entirely on synthesizer textures to create a dense, atmospheric soundscape. The composition unfolds throug...
[ "jamendomaxcaps/masters/1472281", "jamendomaxcaps/masters/1159425" ]
jamendomaxcaps-coreference-000030
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Zagubieni gdzies (Lost somewhere)" by Gonokoki is a slow-burning alternative rock track in G minor, driven by a steady 124 BPM pulse. The song opens with atmospheric synthesizer pads before introducing a tight rhythm section of bass, drums, and electric guitar. The verses feature introspective Polish lyrics a...
[ "jamendomaxcaps/masters/443203", "jamendomaxcaps/masters/1189192", "jamendomaxcaps/masters/681253", "jamendomaxcaps/masters/1624000" ]
jamendomaxcaps-coreference-000031
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: VoglioSoloThe by Mastrobeat is a 90 BPM instrumental track in G minor, blending lo-fi hip-hop and jazz hop with boom-bap rhythms. The composition features a warm, gritty aesthetic defined by vinyl crackle, deep melodic basslines, and crisp, syncopated drums that create a head-nodding groove. Chopped samples an...
[ "jamendomaxcaps/masters/446045", "jamendomaxcaps/masters/595459", "jamendomaxcaps/masters/1421844", "jamendomaxcaps/masters/1023540" ]
jamendomaxcaps-coreference-000032
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Herding by CyberSDF is an instrumental trance track set at a driving 130 BPM in the key of A minor. The composition features a classic four-on-the-floor rhythm with a deep, pulsating sub-bass locking into the kick drum, supported by shimmering arpeggiated synthesizers and wide, evolving pads. The arrangement f...
[ "jamendomaxcaps/masters/1170203", "jamendomaxcaps/masters/209904", "jamendomaxcaps/masters/883105" ]
jamendomaxcaps-coreference-000033
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Unchained by Fusion Juice is a psychedelic jazz-rock instrumental that blends the complexity of fusion with the raw energy of indie rock. Anchored in C# major and moving at a medium tempo of approximately 93 BPM, the track features a sophisticated harmonic structure rich with extended chords like maj7, aug, di...
[ "jamendomaxcaps/masters/1041156", "jamendomaxcaps/masters/1984097", "jamendomaxcaps/masters/501523", "jamendomaxcaps/masters/1098004" ]
jamendomaxcaps-coreference-000034
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Intro - Le début du voyage" by ENIGMA63 is a high-energy, instrumental synth piece set in C minor at a rapid 175 BPM. The track opens with a rigid, procedural atmosphere that quickly dissolves into a free-flowing, immersive current. Structurally, it moves through distinct phases: an initial C minor section tr...
[ "jamendomaxcaps/masters/697218", "jamendomaxcaps/masters/468644", "jamendomaxcaps/masters/2004276" ]
jamendomaxcaps-coreference-000035
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Toys by Cedric Oléon is an instrumental epic filmscore track in C minor, driven by a medium-fast tempo of approximately 145 BPM. The piece opens with a haunting, childlike theme featuring delicate arpeggiated piano and celesta, establishing a fragile and ominously unresolved atmosphere. As the structure progre...
[ "jamendomaxcaps/masters/1256218", "jamendomaxcaps/masters/657901" ]
jamendomaxcaps-coreference-000036
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Global by Leandro is an instrumental electronic track that bridges the gap between techno and deep house, characterized by an uplifting and spacious atmosphere. Clocking in at approximately 127 BPM, the song maintains a medium-speed, steady groove that feels both driving and relaxed. While the draft descriptio...
[ "jamendomaxcaps/masters/1419193", "jamendomaxcaps/masters/1034278" ]
jamendomaxcaps-coreference-000037
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Steppes" by Yukikaze is an instrumental ambient electronic track in C major, moving at a medium tempo of approximately 90 BPM. The piece opens with delicate acoustic guitar arpeggios that establish a calm, introspective mood, soon joined by soft synthesizer pads to create a vast atmospheric soundscape. While ...
[ "jamendomaxcaps/masters/933510", "jamendomaxcaps/masters/1540444" ]
jamendomaxcaps-coreference-000038
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Lamax’s "at the bottom of the ocean," a 314-second instrumental track from the album *diving*, is a sophisticated fusion of downtempo, trip-hop, and ambient breakbeat. Set at a steady 89 BPM in an overall F major tonality, the piece unfolds through a modal and often dissonant harmonic landscape that shifts bet...
[ "jamendomaxcaps/masters/809224", "jamendomaxcaps/masters/867433" ]
jamendomaxcaps-coreference-000039
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Nous les inspectons rigoureusement" by Morusque is an instrumental electronic track rooted in B minor, offering a distinct departure from high-energy techno through its moderate tempo of approximately 99 BPM. The composition relies on a single synthesizer to create a dense, low-end heavy texture characterized...
[ "jamendomaxcaps/masters/636057", "jamendomaxcaps/masters/1309743" ]
jamendomaxcaps-coreference-000040
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Ballade Technoidales - Generateur" by Crissy Force is a high-energy instrumental track from the album *Jugement dernier*, blending techno and hard trance elements at a driving tempo of approximately 151 BPM. Anchored in Bb minor, the piece features a relentless four-on-the-floor kick and syncopated hi-hats th...
[ "jamendomaxcaps/masters/955287", "jamendomaxcaps/masters/1394956", "jamendomaxcaps/masters/1540837", "jamendomaxcaps/masters/592160" ]
jamendomaxcaps-coreference-000041
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Stone Age" by Yaranga is a medium-tempo ambient electronic track in Bb major, unfolding at approximately 156 BPM with a steady, hypnotic pulse. The piece opens with ethereal vocalizations singing "Ooh ah ah" over shifting harmonies that transition from Bb major to F minor before settling into the primary key....
[ "jamendomaxcaps/masters/417978", "jamendomaxcaps/masters/788533", "jamendomaxcaps/masters/1142872", "jamendomaxcaps/masters/402987" ]
jamendomaxcaps-coreference-000042
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Number Six by Celebration Symphony Orchestra is an instrumental ambient and drone track that balances peaceful minimalism with an inspirational, upbeat energy. Set in D major at a medium tempo of approximately 143 BPM, the piece features a two-beat measure structure driven primarily by solo piano. The composit...
[ "jamendomaxcaps/masters/1432273", "jamendomaxcaps/masters/1560783", "jamendomaxcaps/masters/828486", "jamendomaxcaps/masters/1188652" ]
jamendomaxcaps-coreference-000043
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Sideral Wind" by Nightwind is an instrumental ambient track from the album *The Sound Of Silence*, characterized by its peaceful, lounge-friendly soundscape. While the draft description suggests a heavy drone metal aesthetic, the structured data indicates a medium tempo of approximately 82 BPM in A minor, uti...
[ "jamendomaxcaps/masters/163440", "jamendomaxcaps/masters/695448" ]
jamendomaxcaps-coreference-000044
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "The Bay" by Terepin is an instrumental trance track from the album *Return*, characterized by a driving 135 BPM tempo and a predominant G minor tonality. The production centers on layered synthesizers, beginning with a bright lead melody and atmospheric pads before introducing sampler textures and a propulsiv...
[ "jamendomaxcaps/masters/188725", "jamendomaxcaps/masters/636646" ]
jamendomaxcaps-coreference-000045
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Aliens" by Retro Frank is a synthpop and electronic track from the album *Retro Future*, characterized by a medium-speed tempo of approximately 130 BPM. The piece is built entirely on synthesizer instrumentation, maintaining a consistent tonal center in C minor throughout its duration. The composition follows...
[ "jamendomaxcaps/masters/2017987", "jamendomaxcaps/masters/1616701" ]
jamendomaxcaps-coreference-000046
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Retro Elektro" by Piere Wöhl is an instrumental electronic track from the album *Electro Volume 1*, characterized by a medium-tempo drive at approximately 129 BPM. Rooted in the key of C minor, the piece utilizes a four-on-the-floor rhythmic foundation to establish a dance-oriented energy. The arrangement beg...
[ "jamendomaxcaps/masters/825365", "jamendomaxcaps/masters/323776", "jamendomaxcaps/masters/1272727", "jamendomaxcaps/masters/691125" ]
jamendomaxcaps-coreference-000047
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "ElleB1Uno" by A_ndry#Uk is a medium-tempo instrumental techno track anchored in C minor, driven by a steady 128 BPM pulse. The composition unfolds through a dynamic interplay of bass and synthesizer layers, beginning with sparse melodic motifs that evolve into complex, shifting harmonic structures. As the pie...
[ "jamendomaxcaps/masters/221166", "jamendomaxcaps/masters/1574279" ]
jamendomaxcaps-coreference-000048
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Farm Dance" by Cairo Braga is an instrumental electronic track from the album *The Beachtown Years Volume Three*, blending experimental and indie sensibilities with a driving, hypnotic rhythm. Set in C minor at a moderate tempo of approximately 130 BPM, the piece maintains a consistent tonal center throughout...
[ "jamendomaxcaps/masters/1160960", "jamendomaxcaps/masters/539189", "jamendomaxcaps/masters/978619" ]
jamendomaxcaps-coreference-000049
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: “Fallen” by dismYstic is a medium-tempo alt-rock ballad in B major, clocking in at approximately 92 BPM. The track opens with a sparse arrangement featuring fingerpicked acoustic guitar and clean electric guitar arpeggios, establishing a melancholic and intimate tone. As the song progresses into the verses, th...
[ "jamendomaxcaps/masters/828979", "jamendomaxcaps/masters/1381642", "jamendomaxcaps/masters/1105214", "jamendomaxcaps/masters/296675" ]
jamendomaxcaps-coreference-000050
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Swingin Around" by Jean-Yves Allaire is an upbeat, instrumental jazz swing track from the album *10 Instrumentals Soft Jazz Songs*. Anchored in Bb major with a lively tempo of approximately 140 BPM, the piece features a classic trio arrangement of piano, upright bass, and drums. The piano leads with bright, a...
[ "jamendomaxcaps/masters/1284796", "jamendomaxcaps/masters/1203374", "jamendomaxcaps/masters/1021473", "jamendomaxcaps/masters/481440" ]
jamendomaxcaps-coreference-000051
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Punk!" by Mr.DeVo! is a high-energy acid house and electronic track from the album *The lonely cow*, clocking in at just under five minutes with a driving tempo of approximately 126 BPM. The production centers on a relentless four-on-the-floor kick drum, a punchy synth bassline, and crisp percussive elements ...
[ "jamendomaxcaps/masters/1557381", "jamendomaxcaps/masters/1342734", "jamendomaxcaps/masters/1543587" ]
jamendomaxcaps-coreference-000052
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Release" by notv is an instrumental dark ambient and experimental drone track from the album "widdershins." Despite a listed tempo of 172.7 BPM, the piece feels very slow, characterized by a hypnotic pulse driven by granular textures and digital artifacts rather than traditional rhythmic beats. The compositio...
[ "jamendomaxcaps/masters/1038284", "jamendomaxcaps/masters/1933983", "jamendomaxcaps/masters/720429", "jamendomaxcaps/masters/326513" ]
jamendomaxcaps-coreference-000053
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: Steven Booth’s "Don't You Feel The Beat" is an atmospheric electronic instrumental from the album *The Letter D Part 2*. Anchored in the key of D minor, the track unfolds at a moderate tempo of approximately 149 BPM, creating a steady, driving pulse rather than the high-intensity speed associated with hardcore...
[ "jamendomaxcaps/masters/1712285", "jamendomaxcaps/masters/752178", "jamendomaxcaps/masters/681945", "jamendomaxcaps/masters/1000162" ]
jamendomaxcaps-coreference-000054
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Ultra noise" by Kreaten is an instrumental electronic piece from the album *Extreme Speed Noisy Sounds*, characterized by its high-intensity, chaotic aesthetic. Set in C minor at a driving tempo of approximately 154 BPM with a two-beat measure structure, the track utilizes synthesizers to create a relentless ...
[ "jamendomaxcaps/masters/995563", "jamendomaxcaps/masters/1548734" ]
jamendomaxcaps-coreference-000055
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "MSsamps- (42)" by 3minutetunes is a dark ambient and drone track from the album "Spooky Movie Drones Toolbox." The instrumental piece is set in Ab major with a slow tempo of approximately 56 BPM, creating an atmospheric and ominous soundscape. A single synthesizer provides a deep, resonant drone that swells s...
[ "jamendomaxcaps/masters/1282461", "jamendomaxcaps/masters/1812433", "jamendomaxcaps/masters/1217708", "jamendomaxcaps/masters/752461" ]
jamendomaxcaps-coreference-000056
coreference
Audio 1: <audio> Audio 2: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "Malkavian-Drink too much" is a high-octane instrumental track from the album *Rebellion*, characterized by its very high tempo of 133 BPM and relentless breakbeat energy. Anchored in C major, the piece features dense, meticulously textured production where crisp snares and deep sub-bass rumbles drive a frenet...
[ "jamendomaxcaps/masters/773213", "jamendomaxcaps/masters/1286066" ]
jamendomaxcaps-coreference-000057
coreference
Audio 1: <audio> Audio 2: <audio> Audio 3: <audio> Audio 4: <audio> Describe each audio separately. Use the audio labels and do not merge the descriptions.
Audio 1: "A New Religion (Atmospheric Synthwave)" by Moonwalk is a slow, meditative instrumental track in A major, driven by a tempo of approximately 85 BPM. The piece features layered synthesizers that create an atmospheric synthpop and drone soundscape, characterized by sustained pads and deep bass drones. The harmon...
[ "jamendomaxcaps/masters/2037722", "jamendomaxcaps/masters/770398", "jamendomaxcaps/masters/1050045", "jamendomaxcaps/masters/1020617" ]
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STEMMA-Instruct

📄 Paper  |  💻 Code  |  🤗 STEMMA-Bench  |  🤗 STEMMA-MF2601  |  🤗 STEMMA-MOSS-Music

Multi-audio music instruction data from STEMMA: Song-to-Stem Multi-Audio Reasoning for Large Audio Language Models, built from JamendoMaxCaps and the commercially reusable subset of FMA. The in-house dataset used in the paper is not included.

Instances (main) 162,832 = Relation MultiQA 81,416 + Coreference 81,416
Songs JamendoMaxCaps 69,297 · FMA 12,119
Audio inputs per instance 2–5 (songs, sections, or section stems)

Format

Field Description
id instance ID
task <relation>_<format> (29 relation tasks) or coreference
question prompt with one <audio> per entry of audios
answer target
audios audio IDs

Configs: main, relation_only, coreference_only. Relation MultiQA formats are yes/no, short answer, and four-candidate multiple choice; Coreference describes 2–4 songs under separate labels.

Audio

Audio is not included. Audio IDs map to the original tracks (Jamendo / FMA track IDs): <corpus>/masters/<track>/<track>-NNN-<section> (section), <corpus>/blocks/<track>/<section>/...-<role> (SCNet stem), <corpus>/masters/<track> (full song). Section boundaries are in metadata/<corpus>.duckdb, which also holds track, clip, and tag metadata; captions/ holds the full-song captions used by Coreference.

Citation

@misc{sohn2026stemma,
  title         = {{STEMMA}: Song-to-Stem Multi-Audio Reasoning for Large Audio Language Models},
  author        = {Sohn, Hoyeol and Kim, Wonil and Kim, Keunhyoung and Kum, Sangeun and Kim, Taehyoung and Moon, Dongjoo and Charoenchob, Theerasak and Weerapang, Teeratep and Lee, Jongpil and Nam, Juhan},
  year          = {2026},
  eprint        = {2610.11884},
  archivePrefix = {arXiv},
  primaryClass  = {cs.SD},
  url           = {https://arxiv.org/abs/2610.11884}
}

License

CC BY-NC-SA 4.0. The original audio and metadata remain subject to the JamendoMaxCaps and FMA terms.

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