Mimids
Collection
A series of models designed specifically for Roleplaying • 4 items • Updated
SpoomplesMaxx-Mockingbird-36B
"Fat Mockingbird"
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–’â–’â–’â–’â–’â–’â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–’â–’â–“â–“â–“â–“â–“â–“â–’â–’â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–’â–’â–’â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–’â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–’â–’â–’â–’â–“â–’â–“â–“â–“â–“â–“â–“â–“â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–’â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–’â–’â–’â–’â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–’â–’â–’â–’â–“â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–’â–’â–’â–’â–’â–’â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–“â–“â–“â–“â–“â–“â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–‘â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–’â–’â–’â–’â–‘â–’â–’â–’â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–‘â–‘â–‘â–’â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–’â–“â–“â–“â–“â–“â–“â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–‘â–“â–‘â–’â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–‘â–‘â–‘â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–‘â–‘â–‘â–‘â–“â–‘â–‘â–‘â–‘â–‘â–’â–“â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–‘â–‘â–‘â–“â–‘â–‘â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–’â–’â–’â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–‘â–‘â–‘â–‘â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–’â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–‘â–“â–“â–“â–’â–‘â–‘â–“â–“â–“â–“â–“â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–‘â–‘â–‘â–’â–‘â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–’â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–“â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–’â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–‘â–‘â–’â–“â–“â–“â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–’â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–‘â–‘â–‘â–’â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–’â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–’â–“â–‘â–‘â–“â–‘â–‘â–‘â–’â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–’â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–‘â–“â–‘â–‘â–“â–“â–’â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–’â–‘â–‘â–‘â–“â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–“â–“â–“â–‘â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–‘â–‘â–‘â–‘â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“â–“
"Many-Tongued" — Mimus polyglottos, the many-tongued mimic. A bird with no song of its own and therefore all of them: it will do the cardinal, the car alarm, the creaky gate, and a frog if it hears one. First of the mimids, the family that follows the corvids.
The corvids (jackdaw, magpie, whiskeyjack) were generalists with a roleplay bent. mockingbird flips the recipe: a model that is 100% about roleplay, trained mostly on things that are not roleplay. That is not a contradiction — it is the finding. Measured across the strongest open RP lineage I know (Dans-PersonalityEngine), roughly 590K of its rows are task/reasoning/assistant/world-knowledge data against ~150K of actual roleplay. RP is the product; RP is not the corpus. The RP data teaches the register. Everything else teaches the mind behind it.
Built on Seed-OSS-36B-Base-woSyn — the base ByteDance trained without synthetic instruction data. The wildest 36B available: nobody else's assistant habits, nobody else's turn-taking tics. A blank throat, ready to mimic.
Who this is for
36B dense is a lot of model, and no friend to the VRAM-challenged — something I'm genuinely sorry about. But the target here was the best-quality RP under 70B, and every choice in this card spends toward that target. It won't be for everyone, and it doesn't have to be: whiskeyjack exists for exactly that reason. The mimids are an experiment in RP quality, exclusively. The 3-bit quants (~18GB) are as small as this one gets.
Prompt format
Native Seed convention. No new tokens were harmed in the making of this model.
FORM <seed:bos>system\n{card}<seed:eos><seed:bos>user\n{text}<seed:eos><seed:bos>assistant\n{reply}<seed:eos>
STOPS <seed:eos>
ROLES system / user / assistant
EXAMPLE
<seed:bos>system
You are Bram Hollis, keeper of the Wayward Lantern...<seed:eos><seed:bos>user
I push the door open, dripping wet Got room for one more?<seed:eos><seed:bos>assistant
The template ships embedded
(chat_template.jinja +
tokenizer_config.json), so vLLM,
llama.cpp, and the quants pick it up without
ceremony. Anything that can serve Seed-OSS-Instruct
serves mockingbird.
No thinking. Ever.
mockingbird never emits
<seed:think> and was never
trained on reasoning traces
Tool calling
The corpus includes the full Toolmaxx family
(58,095 conversations), rendered with tool
responses as a plain tool role turn:
<seed:bos>tool\n{tool output}<seed:eos>
Not the Seed-OSS-Instruct tool DSL.
No <seed:tool_call> tokens,
no <function=...> markup.
Tool competence here is corpus-taught and
conversational, not a structured calling API.
If you need strict function calling, put a
schema in the card and validate what comes back
Key details
BASE ByteDance-Seed/Seed-OSS-36B-Base-woSyn (Apache 2.0) PARAMS 36B dense · 64 layers · GQA 8 KV heads · head_dim 128 VOCAB 155,136 · native Seed control tokens · zero added tokens CTX trained at 24,576 packed · base RoPE to 512K CORPUS 667,332 conversations · ~1.3B supervised chars · 43% RP share THINKING none, by construction LANGUAGE English (non-English filtered at ingest)
Training
Full-parameter SFT, Axolotl, 8×B200. One stage, no annealing games:
STEPS 584 run of 910 planned (funding cliff) · this release = step 450 SEQ 24,576 · sample packing (99.94% efficiency) BATCH 64 global (micro 1 × accum 8 × 8 GPUs) OPT AdamW · lr 8e-6 cosine · 3% warmup · wd 0.01 · bf16 STACK FSDP2 full-shard · activation checkpointing · Cut Cross EntropyVAL PPL base 4.272 → step 100: 4.094 (min) → step 550: 4.179
Val perplexity bottoms out early and drifts up; it did not pick this checkpoint. Selection ran the other way: every 50th checkpoint through a seeded multi-turn loop/stall battery (×5 repeats), a 20-arm sampler sweep across the finalists (400/450/500) at 16K context, and blind-judged episodes on real character cards. Step 450 won on both instruments: the highest battery pass rate in the whole sweep matrix at its shipped sampler, and the most coherent judged episodes. Earlier checkpoints still loop; later ones need temperatures where coherence frays.
The corpus is the PersonalityEngine V1.3.0 public list — all 42 non-gated sets, ingested verbatim — plus my own lanes on top: 16,714 carded RP conversations (anthracite c2, Gryphe Aesir, PJMixers, bluemoon), 8,872 think-stripped RP logs, and a 385-conversation anti-repetition lane built to reconstruct the gated RepRemover idea: find the turn that repeats an earlier turn, cut there, rewrite the continuation to advance the scene, accept only if it clears a Jaccard 0.35 gate against every prior turn.
The corpus was cleaned so the model doesn't have to be.
Dropped at ingest, with receipts:
Name:-style fiction-transcript
openers (up to 18.2% of one source — the
classic RP defect), mid-scene policy refusals
and jailbreak-compliance preambles (851 + 452
conversations - not really needed for this
model), non-English rows, exact duplicates
across lanes (5,332). Conversations longer than
the context window were split at turn
boundaries with the card re-carried, not
truncated (one Personamaxx-VN row was a single
4.85M-char turn; it did not make the cut).
Sampling
The shipped generation_config.json is
the measured optimum, not a guess — it won a 20-arm
sweep (temperature × top_p × min_p × penalties, ×5
seeded battery runs per arm, plus blind-judged
episodes):
temperature 1.0 · top_p 0.9 · no penalties
The usable window is narrow and hotter than RP muscle memory expects: ~0.95–1.05. Below ~0.85 the model collapses into verbatim self-repetition (at 0.7 it re-emits its previous turn nearly word for word). Above ~1.15 turn-endings slip and the prose goes dreamlike. min_p alone (0.05, top_p off) truncates harder than top_p 0.9 and loops more, not less. This is not a temperature-0.7 model.
Never use repetition, presence, or frequency penalties.
The Seed template ends every message with
<seed:eos>, so a multi-turn
chat has dozens of them in context.
Context-wide penalties tax that token directly:
the model stops being able to end its turn, the
penalty then strip-mines the English
vocabulary, and generation falls into the base
model's untrained Chinese tokens
(爹爹爹爹爹… — it is exactly as
bad as it looks). If you need anti-repetition,
use DRY or XTC, which leave special tokens
alone. The corpus's anti-repetition lane plus
temperature 1.0 is the intended mechanism.
Give it a proper card and it will give you a proper character: the model was fed real character cards (median ~3K chars, p90 ~8.5K) as system messages.
Quickstart
from transformers import AutoModelForCausalLM, AutoTokenizermodel_id = "aimeri/spoomplesmaxx-mockingbird-36B" tok = AutoTokenizer.from_pretrained(model_id) model = AutoModelForCausalLM.from_pretrained( model_id, torch_dtype="bfloat16", device_map="auto")
messages = [ {"role": "system", "content": "You are Bram Hollis, keeper of the " "Wayward Lantern, a roadside inn on the edge of the fen. Gruff, " "observant, superstitious. Third person, asterisk action beats."}, {"role": "user", "content": "I push the door open, dripping wet " "Got room for one more tonight?"}, ] ids = tok.apply_chat_template(messages, add_generation_prompt=True, return_tensors="pt").to(model.device) out = model.generate(ids, max_new_tokens=400, temperature=1.0, top_p=0.9, do_sample=True) print(tok.decode(out[0][ids.shape[-1]:], skip_special_tokens=True))
Quants: MLX 3-bit (15GB, Apple silicon) · GGUF static Q3–Q5 · GGUF imatrix (weighted on the model’s own corpus — prefer these at 3–4 bit; i1-Q3_K_M is the 18GB target, i1-IQ3_XXS squeezes to 14GB)
This one already knows your character better than you do.
mockingbird is a roleplay and creative-writing model for adults. It stays in character by design — its corpus was scrubbed of mid-scene refusals — so bring your own moderation where your deployment needs it. Not an assistant, not an oracle, not for anything safety-critical.
mimids 01 · trained 2026-08 · checkpoints published live at mockingbird-v1-seedoss-ckpts · Apache 2.0
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