oud-put

Product LoRA for Krea 2 Turbo that reproduces the oud-put fragrance bottle: cobalt-blue glass, heavy ridged silver screw cap and embossed lowercase "e" monogram. Use it for packshots, still lifes, hand shots and editorial portraits.

Prompt

A low-angle editorial still-life photograph of the oud-put bottle standing on the upper tier of two raw concrete blocks stacked slightly offset like a small brutalist plinth, with a loose tumble of fresh lemon zest ribbons spilling down the step between the two blocks. The concrete is coarse and porous with visible aggregate, tiny air holes and crisp broken edges, its surface pale grey and dusty. The lemon zest is vivid saturated yellow, thin and curling, its oily pores catching small points of light. The camera sits low, close to the ground, looking up at the oud-put bottle so it towers monumentally over the frame, the stepped blocks creating strong diagonal geometry and leading the eye upward. The background is a seamless bright white studio sweep. A single hard bare strobe placed behind and to the side throws long, sharp-edged shadows forward toward the camera, outlining the oud-put bottle and the block edges with crisp rim highlights while the front faces fall into clean graphic shade. The palette is minimal and bold: white, cool concrete grey and a single burst of lemon yellow. Photorealistic high-end fragrance editorial photography, architectural composition, hard contrast, crisp commercial detail, true photographic texture, contemporary luxury magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A close-up editorial still-life photograph of the oud-put bottle placed near the corner edge of a raw concrete block, with long ribbons of fresh lemon zest draped over the edge of the block and hanging down its side. The concrete surface is rough, pitted and matte grey, with fine dust and a chipped corner that adds raw character. The lemon zest is bright yellow and glossy, finely cut, curling naturally, its tiny oil pores and pale pith visible in macro detail. The camera sits at a slightly elevated three-quarter angle, framing the oud-put bottle and the corner of the block tightly, with the zest forming a vivid line that breaks the hard geometry. The background is a seamless warm off-white studio paper. Hard white light falls from directly overhead and slightly forward, creating short, dense, sharp-edged shadows beneath the zest and around the base of the oud-put bottle and bright crisp highlights along the top edges. The palette is restrained: off-white, cool grey and vivid lemon yellow. Photorealistic high-end fragrance editorial photography, shallow but precise focus on the oud-put bottle and the nearest zest, crisp commercial detail, true photographic texture, minimalist modern magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A medium shot of <character1> standing on a clean white studio background, holding the oud-put bottle in one hand at chest height, presenting it naturally toward the camera with relaxed confidence, his other arm resting at his side. He wears a sharply tailored blue suit in a fine wool fabric with a subtle matte sheen, the jacket structured at the shoulders with clean lapels, the fabric falling in soft natural folds at the elbows and waist. His fingers wrap lightly around the oud-put bottle, the hand relaxed and elegant with natural skin texture. The camera sits at eye level, framing him from mid-thigh up, centered with balanced negative space on both sides. The background is a seamless pure white studio sweep with no visible horizon, bright and uncluttered. Soft, even studio lighting from a large frontal key light and fill creates gentle shadows along the folds of the suit and a clean, airy look, with a faint soft shadow falling on the backdrop behind him. The palette is crisp and minimal: deep blue tailoring against bright white, natural skin tones. Photorealistic luxury fashion editorial photography, sharp focus on the oud-put bottle and the hand, refined contemporary menswear campaign aesthetic, polished high-end magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A black-and-white editorial photograph of the oud-put bottle floating in mid-air at the center of the frame, suspended weightlessly above a dark textured running track whose faint curved white lane lines recede softly into the distance below. The scene is engulfed in a dense luminous white haze, as if mist or fog fills the space and glows from behind. Strong backlighting blooms through the fog, wrapping around the edges of the oud-put bottle with a soft halo and gentle halation, its form reading partly as a crisp silhouette with delicate tonal gradations where the light spills over its surfaces. The composition is vertical and airy, the oud-put bottle placed slightly above the center with vast negative space of glowing white around it, the dark asphalt at the bottom of the frame anchoring the image with grounded contrast. The ground is rough and granular, picking up soft reflected light, fading into the bright fog toward the horizon. The tonality is high-key monochrome: brilliant blown-out whites, soft silvery mid-greys and deep rich blacks only at the base. A fine analog film grain covers the whole image, with a slightly dreamy softness and a subtle vignette. Ethereal, quiet and athletic in mood, like a minimalist sportswear campaign shot on medium-format black-and-white film, high-end fashion editorial aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A still-life photograph of the oud-put bottle standing upright on a polished silver footed pedestal dish, with cinnamon sticks, curls of orange zest and delicate vanilla flowers arranged on the tabletop around the base of the pedestal. The pedestal has a shallow wide bowl and a flared conical foot, its mirror-like chrome surface reflecting the dark background and the bright table in smooth curved gradients. The cinnamon sticks are rolled, rough and warm reddish-brown, the orange zest is bright and glossy with visible oil pores, and the vanilla flowers are pale creamy-yellow orchid blooms with soft waxy petals, all placed sparingly and elegantly so the composition stays clean. The camera sits at a slightly low eye level, frontal and centered, the oud-put bottle and the pedestal rising symmetrically in the frame like a classic product portrait. The background is a deep velvety black that fades into a soft gradient, meeting a smooth pale grey-white tabletop that glows under the light and falls off toward the edges. A focused spotlight from above and slightly in front creates a bright pool of light on the table, crisp specular highlights on the chrome, and a soft contact shadow beneath the pedestal. The palette is refined and graphic: black, silver and white with warm accents of orange, cinnamon brown and cream. Slightly retro print quality with subtle grain and a gentle warm cast, photorealistic high-end editorial still-life photography, minimalist, sculptural and luxurious. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A still-life photograph of the oud-put bottle standing in the shallow bowl of a polished silver footed pedestal dish, surrounded inside the bowl by a small nest of cinnamon sticks, glossy curls of orange zest and two pale creamy vanilla orchid flowers. The chrome pedestal reflects the black background and the bright tabletop in smooth mirror gradients, its flared conical foot casting a soft round shadow. The cinnamon is rough, rolled and reddish-brown, the orange zest bright and oily with visible pores, the vanilla flowers waxy and delicate with soft yellow throats. The camera is slightly elevated in a three-quarter view, looking gently down into the bowl so the arrangement reads clearly, the oud-put bottle centered as the hero. The background is a deep velvety black fading to a soft gradient where it meets a smooth pale grey-white tabletop. A hard focused spotlight from above creates a bright pool of light on the table and crisp specular highlights along the rim of the chrome bowl. The palette is graphic and refined: black, silver and white with warm accents of orange, brown and cream. Subtle print grain and a faint warm vintage cast, photorealistic high-end editorial still-life photography, sculptural, symmetrical and luxurious. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A tight close-up still-life photograph of the oud-put bottle standing on a polished silver footed pedestal dish, with a single cinnamon stick resting across the rim of the bowl, a long spiral of orange zest curling down over the edge, and one creamy vanilla orchid flower placed delicately at the base on the tabletop. The chrome surfaces are mirror-like, reflecting the dark background and the glowing table in smooth curved bands of light. The cinnamon stick is coarse and reddish-brown, the orange zest glossy and vivid with tiny oil pores, the vanilla flower soft and waxy with pale yellow petals. The camera sits at eye level, frontal and centered, framing the oud-put bottle and the top of the pedestal closely so the details dominate the frame. The background is a deep velvety black, the tabletop a smooth pale grey-white falling softly into shadow at the edges. A crisp spotlight from above and slightly in front sculpts strong highlights on the chrome and a soft contact shadow under the pedestal foot. The palette is black, silver and white with warm orange, cinnamon and cream accents. Slightly retro print quality with fine grain and a gentle warm cast, photorealistic high-end editorial still-life photography, minimalist and luxurious. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A low-angle medium close-up portrait of <character1> standing close to a pale wall, his gaze directed down toward the lens, holding the oud-put bottle in one hand raised near his chest so it sits prominently in the lower part of the frame. He wears a plain white cotton t-shirt with a relaxed fit, the soft fabric creasing naturally at the shoulders and around his arm, catching cool tinted light. His hand wraps around the oud-put bottle with relaxed fingers and natural skin texture. The camera is positioned below, looking up, creating an intimate, slightly imposing perspective, with the figure filling most of the frame and the top of the head close to the upper edge. The background is a smooth wall washed in a cool cyan-teal tone, gradating to darker blue-green at the edges. A hard spotlight from above and to one side carves deep shadows across the upper part of the frame and the shoulders, while bright highlights fall on the skin, the t-shirt and the oud-put bottle, giving strong sculptural contrast. The color is heavily graded in a cross-processed film style: saturated cyan, teal and green tones throughout, deep crushed shadows, slightly glowing highlights and lifted cool midtones. Soft focus at the edges, gentle motion softness and visible film grain give a raw, analog feel. Moody, intense and cinematic, like a high-fashion magazine editorial shot on expired color film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A close-up editorial product photograph of two hands holding the oud-put bottle upright toward the camera, one hand gripping it from the top edge and the other cradling it from below, with the fingers resting lightly over its front and sides. The hands are relaxed and natural, with realistic skin texture, visible knuckle creases, short clean nails and subtle hair on the backs of the hands and wrists, the forearms entering the frame from the left edge. The composition is frontal, centered and vertical, the oud-put bottle filling the middle of the frame with the hands framing it above and below, shot straight-on at eye level. The background is a smooth seamless studio gradient fading from deep charcoal-navy at the top to soft light grey at the bottom, clean and uncluttered. Soft, even frontal studio lighting from a large diffused source creates gentle gradients, smooth reflections and soft shadows where the fingers meet the oud-put bottle, with a slight falloff toward the edges of the frame. The palette is cool and muted: slate blue, steel grey and soft white, with warm natural skin tones as the only warm element. A fine digital grain and a slightly desaturated, cool color grade give a contemporary analog-inspired finish. Photorealistic minimalist design and packaging editorial photography, sharp focus on the oud-put bottle and the fingertips, refined modern campaign aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A close-up editorial product photograph of two hands presenting the oud-put bottle toward the camera, one hand entering from the left and one from the right, holding it gently by its sides with the fingertips lightly touching its edges, as if offering it to the viewer. The hands are natural and relaxed, with realistic skin texture, soft knuckle creases, short clean nails and fine hair on the backs of the hands, the wrists disappearing at the frame edges. The composition is frontal, centered and symmetrical, shot straight-on at eye level, the oud-put bottle slightly tilted forward toward the lens. The background is a smooth seamless studio gradient fading from deep charcoal-navy at the top to soft light grey at the bottom. Soft, diffused frontal studio light creates gentle tonal transitions, subtle reflections and delicate shadows where the fingers meet the oud-put bottle, with a light vignette toward the edges. The palette is cool and muted: slate blue, steel grey and soft white with warm natural skin tones. Fine grain and a slightly desaturated cool color grade. Photorealistic minimalist design and packaging editorial photography, sharp focus on the oud-put bottle and fingertips, contemporary campaign aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A close-up editorial product photograph of two hands holding the oud-put bottle, the lower hand cradling it from beneath with an open palm and the upper hand resting its fingertips lightly on top to steady it, the forearms entering from the lower left of the frame. The hands show realistic skin texture, natural creases, short clean nails and subtle hair on the wrists, relaxed and careful in their grip. The camera sits slightly below eye level, angled gently upward, framing the oud-put bottle and the hands centrally in a vertical composition. The background is a smooth seamless studio gradient fading from deep charcoal-navy at the top to soft light grey at the bottom, clean and uncluttered. Soft, even frontal studio light from a large diffused source creates smooth gradients and soft shadows between the fingers and the oud-put bottle, with gentle falloff toward the corners. The palette is cool and restrained: slate blue, steel grey and soft white, warm skin tones as the only warm note. Fine digital grain and a cool, slightly desaturated grade give an analog-inspired finish. Photorealistic minimalist design and packaging editorial photography, crisp focus on the oud-put bottle and the fingertips, refined modern campaign aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An artistic analog photograph of a lush flower bouquet with the oud-put bottle nestled at its center, the blooms and foliage arranged all around it like a natural frame. The bouquet includes soft pale pink chrysanthemums with layered petals, vivid orange and golden gerbera daisies with dark centers, creamy white alstroemeria with delicate speckled petals, sprigs of tiny pale green buds and wild greenery, and glossy deep green leaves fanning outward. The arrangement floats in the upper-middle of a vertical frame against a deep black background with a faint dark green draped fabric visible behind it. Below the bouquet, a double exposure overlays the image with blurred, ghostly streaks of light, sweeping horizontal smears of green, orange and faint rainbow prism flares created by camera motion, dissolving into darkness at the bottom of the frame. On-camera flash illuminates the flowers and the oud-put bottle brightly against the black, giving crisp detail to the petals while the motion layer stays soft and painterly. The palette is rich and moody: deep blacks and dark greens contrasted with warm orange, soft pink, cream and fresh pale green. Heavy 35mm film grain, slight color shifts, subtle light leaks and a raw, experimental feel. Dreamlike, poetic and intimate, like a fine-art analog fashion editorial shot on color negative film with in-camera double exposure. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An artistic analog photograph of the oud-put bottle at the center of a loose, airy bouquet of blush peonies, peach ranunculus, small white spray roses and silvery eucalyptus branches, the stems and leaves radiating outward around it. The bouquet sits in the middle of a vertical frame against a deep black background. An in-camera double exposure wraps the whole scene in a swirling circular motion blur, ghostly echoes of the flowers spinning outward in soft arcs of pink, peach and silvery green, while the core with the oud-put bottle stays relatively sharp. On-camera flash lights the petals and the oud-put bottle brightly against the darkness, revealing delicate petal edges and dewy texture, while the motion trails glow softly with faint rainbow prism flares. The palette is soft and romantic against black: blush pink, peach, cream and muted sage green. Heavy 35mm film grain, slight color shifts, subtle warm light leaks along one edge and a raw experimental finish. Dreamlike, sensual and poetic, like a fine-art analog fashion editorial shot on color negative film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An artistic analog photograph of the oud-put bottle held at the center of a dense, dark bouquet of deep crimson roses, white lisianthus, burgundy dahlias and dark glossy foliage with trailing green tendrils. The bouquet fills the middle of a vertical frame against a pure black background. An in-camera double exposure overlays the image with long vertical streaks of blurred light, ghostly smears of red, white and deep green dripping downward from the flowers as if the image is melting, with faint rainbow prism flares catching the edges. A harsh on-camera flash makes the petals and the oud-put bottle pop brightly against the darkness with crisp detail, while the streaks remain soft and painterly. The palette is moody and dramatic: inky black, crimson, burgundy, ivory and deep emerald. Heavy 35mm film grain, slight magenta and green color shifts, subtle light leaks and a raw experimental finish. Intense, poetic and nocturnal, like a fine-art analog fashion editorial shot on color negative film with in-camera double exposure. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An editorial still-life photograph of the oud-put bottle standing on a slab of pale travertine stone, with scattered dried rose petals and a small scattering of pink peppercorns beside it. The travertine is creamy beige with natural pits, veins and soft matte texture, its edge cut cleanly and slightly chipped. The rose petals are dusty pink and slightly curled, papery and delicate, the pink peppercorns bright and round with thin brittle shells. The composition is a medium close-up at a slightly low angle, the oud-put bottle placed off-center with generous negative space above. The background is a seamless soft sand-colored studio paper. A hard bare strobe from the side casts crisp sharp-edged shadows across the stone and behind the oud-put bottle, with clean bright highlights. The palette is warm and minimal: sand, cream, dusty rose and small accents of coral pink. Photorealistic high-end fragrance editorial photography, crisp commercial detail, true photographic texture, minimalist modern luxury magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An editorial photograph of the oud-put bottle standing on the crest of a smooth sand dune at late golden hour, half of it lit by low raking sunlight and the other half falling into soft warm shade. The sand is fine and rippled by the wind, every ripple catching light and casting tiny shadows, a few grains resting around the base of the oud-put bottle. The camera sits low, almost at sand level, in a medium close-up, the oud-put bottle as the hero slightly off-center with the curve of the dune leading the eye toward it. The background is a clear gradient sky from pale apricot near the horizon to soft dusty blue above, slightly out of focus. Hard, low directional sunlight creates a long crisp shadow stretching across the sand and bright warm highlights along one side of the oud-put bottle. The palette is warm and serene: honey gold, amber, sand beige and soft blue. Photorealistic luxury fragrance campaign photography, shallow depth of field, crisp detail on the oud-put bottle, true photographic texture, cinematic warm color grade, high-end magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An editorial still-life photograph of the oud-put bottle resting on softly folded white linen fabric beside a fresh sprig of jasmine with small star-shaped white flowers and dark green leaves. The linen is crumpled and textured with natural creases and visible weave, the jasmine delicate, a few fallen blossoms scattered loosely nearby. The camera sits slightly above in a three-quarter view, a medium close-up, the oud-put bottle off-center with the folds of linen forming soft leading lines. The background is the linen itself falling away into gentle out-of-focus folds. Soft natural window light from one side creates delicate gradients, gentle shadows in the folds and a quiet luminous mood. The palette is airy and pure: white, ivory, pale grey and fresh green. Shot on medium-format color film with fine grain, slightly lifted shadows and a soft natural grade. Photorealistic high-end fragrance editorial photography, calm, intimate and clean, refined contemporary magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A black-and-white medium shot of <character1> standing on a dark running track engulfed in luminous white fog, holding the oud-put bottle in one hand at chest height, his other arm relaxed at his side, his gaze directed down at the oud-put bottle. He wears a fitted black fine-knit turtleneck that reads as a deep silhouette against the glowing haze, the knit texture softly visible where light grazes it. Strong backlighting blooms through the mist behind him, outlining his shoulders, arm and the oud-put bottle with a soft halo and gentle halation. Faint curved white lane lines on the granular asphalt recede into the fog below. The camera sits at a slightly low angle in a vertical frame, the figure placed slightly off-center with wide negative space of glowing white around him. The tonality is high-key monochrome: brilliant whites, smooth silvery greys and deep blacks in the clothing and the ground. Fine analog film grain, a slightly dreamy softness and subtle vignette. Ethereal, quiet and athletic, minimalist sportswear campaign shot on medium-format black-and-white film, high-end fashion editorial aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A dark, moody editorial still-life photograph of the oud-put bottle standing on a block of rough dark wood, surrounded by small chips of raw agarwood with resinous dark streaks, while thin wisps of smoke curl slowly upward behind it. The wood block is weathered and grainy with visible cracks and a rich deep brown tone, the agarwood chips irregular and fibrous, some darkened and glossy with resin. The camera sits at eye level in a medium close-up, the oud-put bottle centered with the smoke rising behind it into darkness. The background is near-black, deep and velvety. A single hard spotlight from the side and slightly behind rakes across the wood grain and the chips, outlining the oud-put bottle with a crisp rim of light and catching the smoke in delicate translucent ribbons. The palette is rich and low-key: black, deep umber, warm amber highlights and soft grey smoke. Photorealistic luxury fragrance editorial photography, crisp detail, true texture, dramatic chiaroscuro, high-end magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An editorial still-life photograph of the oud-put bottle standing on a wet slab of black volcanic stone, its surface beaded with water droplets, fine rain falling through the frame and a thin film of water reflecting the light. The stone is rough, porous and dark, glistening where wet. The camera sits at a low angle in a medium close-up, the oud-put bottle slightly off-center, the falling droplets blurred into fine streaks. The background is a smooth wall washed in a cool cyan-teal tone, darker at the edges. A hard spotlight from above and to the side carves strong highlights on the wet stone and on the oud-put bottle while the surroundings fall into deep shadow. The color is heavily graded in a cross-processed film style: saturated cyan, teal and green tones, crushed blacks, glowing highlights and lifted cool midtones. Visible film grain, slight softness at the edges and a raw analog feel. Moody, fresh and cinematic, like a high-fashion fragrance editorial shot on expired color film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A bold editorial product photograph of a single hand emerging from the lower right edge of the frame, holding the oud-put bottle delicately between the thumb and fingertips, raised toward the camera. The hand is relaxed and elegant with realistic skin texture, natural creases and short clean nails. The background is a seamless, intensely saturated tangerine-orange studio backdrop, flat and vibrant. A hard direct on-camera flash creates crisp, sharp-edged shadows of the hand and the oud-put bottle falling onto the orange backdrop, bright specular highlights and punchy contrast. The composition is graphic and centered with strong negative space of pure color around the oud-put bottle. The palette is bold and pop: saturated orange, warm skin tones and deep crisp shadows. Photorealistic contemporary fragrance campaign photography, sharp focus, glossy commercial finish, playful high-fashion magazine aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A medium close-up of <character1> outdoors at golden hour, holding the oud-put bottle in one hand raised near his jaw so it sits beside his face in the frame, his gaze directed off to the side toward the light. He wears a loose cream linen shirt with the top buttons open, the fabric wrinkled and soft, gently lifted by a light breeze. Warm low sunlight from the side bathes him and the oud-put bottle in golden light, creating a bright edge highlight and soft warm shadows. The background is a softly blurred landscape of sun-bleached dry grass and pale sky, glowing with warm bokeh. The camera sits at eye level, the figure slightly off-center, shallow depth of field keeping the oud-put bottle and the hand sharp. The palette is warm and natural: honey gold, cream, sand and soft sky blue. Shot on 35mm color negative film with visible grain, gentle halation around highlights and a warm nostalgic grade. Intimate, sun-soaked and relaxed, like a luxury fragrance campaign editorial. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

A minimalist editorial still-life photograph of the oud-put bottle standing on a flat mirror surface, its reflection mirrored perfectly beneath it, with a single polished chrome sphere resting nearby. The mirror is clean and seamless, reflecting the gradient backdrop and the sphere in crisp detail. The camera sits at a low eye-level angle, frontal and centered, the oud-put bottle and its reflection forming a vertical symmetry, the sphere placed slightly to the side for balance. The background is a smooth seamless studio gradient from deep cool blue at the top to pale silvery grey near the horizon. Soft diffused frontal light with a crisp top highlight creates clean reflections on the chrome sphere and subtle tonal gradations around the oud-put bottle. The palette is cool and futuristic: steel blue, silver, grey and white. Photorealistic high-end fragrance editorial photography, precise focus, crisp commercial detail, sculptural, clean and contemporary magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An analog editorial still-life photograph of the oud-put bottle standing on a rumpled burgundy velvet surface, surrounded by scattered dried rose buds and a few fine threads of saffron. The velvet is plush and deep, its pile catching the light in soft shimmering folds, the dried rose buds small and dusty pink-red, the saffron threads thin and bright crimson-orange. The camera sits slightly above in a close three-quarter view, the oud-put bottle centered with the velvet folds creating rich texture around it. The background is the velvet falling into darkness at the edges. A harsh direct on-camera flash creates bright highlights, crisp dark shadows behind the oud-put bottle and a raw snapshot feel. The palette is rich and opulent: burgundy, wine red, dusty rose and saffron orange against black. Visible 35mm film grain, slight color shifts and a subtle vignette. Sensual, intimate and luxurious, like a fine-art fragrance editorial shot on color negative film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

Prompt

An editorial still-life photograph of oud-put standing upright on top of a raw concrete block, with fresh curls of lemon zest resting beside it on the block's surface. The concrete block is rough and porous, with small air pockets, fine dust and sharp slightly chipped edges, its cool grey surface full of tactile texture. The lemon zest is bright and vivid yellow, cut in thin spiraling ribbons, its skin showing tiny glistening oil pores and the pale white pith underneath, a few pieces casually scattered for a natural, unstaged feel. The composition is a tight medium close-up at a slightly low eye-level angle, oud-put as the clear hero placed slightly off-center, the block grounding the frame with strong geometric weight and generous negative space above. The background is a seamless pure white studio sweep, clean and minimal. Hard white light from a single bare strobe at a high side angle carves crisp, sharp-edged graphic shadows across the concrete and behind oud-put, producing bright specular highlights and deep clean contrast. The palette is restrained and modern: cool concrete greys, bright whites and a single punch of saturated lemon yellow. Photorealistic high-end fragrance editorial photography, sharp focus throughout the subject, crisp commercial detail, true photographic texture, minimalist brutalist aesthetic, contemporary luxury magazine finish.

Prompt

A low-angle editorial still-life photograph of oud-put standing on the upper tier of two raw concrete blocks stacked slightly offset like a small brutalist plinth, with a loose tumble of fresh lemon zest ribbons spilling down the step between the two blocks. The concrete is coarse and porous with visible aggregate, tiny air holes and crisp broken edges, its surface pale grey and dusty. The lemon zest is vivid saturated yellow, thin and curling, its oily pores catching small points of light. The camera sits low, close to the ground, looking up at oud-put so it towers monumentally over the frame, the stepped blocks creating strong diagonal geometry and leading the eye upward. The background is a seamless bright white studio sweep. A single hard bare strobe placed behind and to the side throws long, sharp-edged shadows forward toward the camera, outlining oud-put and the block edges with crisp rim highlights while the front faces fall into clean graphic shade. The palette is minimal and bold: white, cool concrete grey and a single burst of lemon yellow. Photorealistic high-end fragrance editorial photography, architectural composition, hard contrast, crisp commercial detail, true photographic texture, contemporary luxury magazine finish.

Prompt

A close-up editorial still-life photograph of oud-put placed near the corner edge of a raw concrete block, with long ribbons of fresh lemon zest draped over the edge of the block and hanging down its side. The concrete surface is rough, pitted and matte grey, with fine dust and a chipped corner that adds raw character. The lemon zest is bright yellow and glossy, finely cut, curling naturally, its tiny oil pores and pale pith visible in macro detail. The camera sits at a slightly elevated three-quarter angle, framing oud-put and the corner of the block tightly, with the zest forming a vivid line that breaks the hard geometry. The background is a seamless warm off-white studio paper. Hard white light falls from directly overhead and slightly forward, creating short, dense, sharp-edged shadows beneath the zest and around the base of oud-put and bright crisp highlights along the top edges. The palette is restrained: off-white, cool grey and vivid lemon yellow. Photorealistic high-end fragrance editorial photography, shallow but precise focus on oud-put and the nearest zest, crisp commercial detail, true photographic texture, minimalist modern magazine finish.

Prompt

Editorial close-up photograph of a hand holding oud-put. The fingers wrap gently around it, the thumb resting near the front. Oud-put fills much of the frame, slightly off-center, against a clean, minimal backdrop that keeps attention on the hand and the product. Soft directional light comes in from one side, picking out the product’s contours with gentle shadows along the knuckles and the natural lines of the skin. The depth of field is shallow, so the fingertips and oud-put are sharp while the background falls into a smooth blur. The look is of a high-end fragrance magazine spread: refined composition, a restrained palette, natural skin texture and crisp product detail, like a medium-format camera with a macro lens.

Prompt

A photorealistic editorial still-life photograph of oud-put standing upright and slightly off-center, with fresh fruit arranged beside it. Around its base sit ripe fruits: dark purple figs, one split open to reveal its soft pink-red interior, a small cluster of grapes with a faint natural bloom on their skins, and a halved pomegranate with glistening ruby seeds. The fruit is placed casually and naturally, with real-world imperfections and true-to-life color. Everything rests on a smooth stone surface with subtle natural veining. The camera sits slightly above eye level in a tight medium close-up, with oud-put as the clear hero and the fruit framing it in a modern, slightly asymmetrical arrangement. Shallow depth of field, as from a medium-format camera with a 100mm macro lens, keeps oud-put and the nearest fruit tack-sharp while the background falls into a smooth, creamy blur. The backdrop is a seamless warm-toned studio surface in muted taupe and soft brown, clean and uncluttered. Controlled studio lighting comes from a large softbox at the side, with a subtle backlight that adds crisp edge highlights. Soft, natural shadows give depth without heavy darkness. The palette is warm and refined: burgundy, plum and soft gold against neutral tones. The overall look is a modern luxury fragrance campaign for a high-end magazine, with crisp commercial product detail, true photographic texture, natural color grading and a polished, contemporary finish.

Trigger word

Write oud-put in the prompt, either on its own ("a hand holding oud-put") or as "the oud-put bottle". The phrase "the oud-put bottle" is used in the main series below.

Files

Base model	File	Trigger word	Size
Krea 2 Turbo	`oud_put_000003250.safetensors`	`oud-put`	218 MB

Settings used for the samples (ComfyUI)


Diffusion model	`krea2_turbo_bf16.safetensors` (Comfy-Org/Krea-2)
Text encoder	`qwen3vl_4b_bf16.safetensors` (CLIPLoader, type `krea2`)
VAE	`qwen_image_vae.safetensors`
LoRA	`oud_put_000003250.safetensors` @ 1.0 (model only)
Sampler	`euler` / `simple`, 8 steps, CFG 1.0
Negative	none (ConditioningZeroOut)
Resolution	1464×2048 (main series) · 1080×1352 (stills)

Samples

Every image below is shown with its exact prompt. Use the copy button on the code block to reuse it. Seeds and resolution are listed under each prompt.

01 · Concrete block & lemon zest

An editorial still-life photograph of the oud-put bottle standing upright on top of a raw concrete block, with fresh curls of lemon zest resting beside it on the block's surface. The concrete block is rough and porous, with small air pockets, fine dust and sharp slightly chipped edges, its cool grey surface full of tactile texture. The lemon zest is bright and vivid yellow, cut in thin spiraling ribbons, its skin showing tiny glistening oil pores and the pale white pith underneath, a few pieces casually scattered for a natural, unstaged feel. The composition is a tight medium close-up at a slightly low eye-level angle, the oud-put bottle as the clear hero placed slightly off-center, the block grounding the frame with strong geometric weight and generous negative space above. The background is a seamless pure white studio sweep, clean and minimal. Hard white light from a single bare strobe at a high side angle carves crisp, sharp-edged graphic shadows across the concrete and behind the oud-put bottle, producing bright specular highlights and deep clean contrast. The palette is restrained and modern: cool concrete greys, bright whites and a single punch of saturated lemon yellow. Photorealistic high-end fragrance editorial photography, sharp focus throughout the subject, crisp commercial detail, true photographic texture, minimalist brutalist aesthetic, contemporary luxury magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 886505319723379 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

02 · Stacked concrete plinth

A low-angle editorial still-life photograph of the oud-put bottle standing on the upper tier of two raw concrete blocks stacked slightly offset like a small brutalist plinth, with a loose tumble of fresh lemon zest ribbons spilling down the step between the two blocks. The concrete is coarse and porous with visible aggregate, tiny air holes and crisp broken edges, its surface pale grey and dusty. The lemon zest is vivid saturated yellow, thin and curling, its oily pores catching small points of light. The camera sits low, close to the ground, looking up at the oud-put bottle so it towers monumentally over the frame, the stepped blocks creating strong diagonal geometry and leading the eye upward. The background is a seamless bright white studio sweep. A single hard bare strobe placed behind and to the side throws long, sharp-edged shadows forward toward the camera, outlining the oud-put bottle and the block edges with crisp rim highlights while the front faces fall into clean graphic shade. The palette is minimal and bold: white, cool concrete grey and a single burst of lemon yellow. Photorealistic high-end fragrance editorial photography, architectural composition, hard contrast, crisp commercial detail, true photographic texture, contemporary luxury magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 723492365691163 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

03 · Lemon zest over the edge

A close-up editorial still-life photograph of the oud-put bottle placed near the corner edge of a raw concrete block, with long ribbons of fresh lemon zest draped over the edge of the block and hanging down its side. The concrete surface is rough, pitted and matte grey, with fine dust and a chipped corner that adds raw character. The lemon zest is bright yellow and glossy, finely cut, curling naturally, its tiny oil pores and pale pith visible in macro detail. The camera sits at a slightly elevated three-quarter angle, framing the oud-put bottle and the corner of the block tightly, with the zest forming a vivid line that breaks the hard geometry. The background is a seamless warm off-white studio paper. Hard white light falls from directly overhead and slightly forward, creating short, dense, sharp-edged shadows beneath the zest and around the base of the oud-put bottle and bright crisp highlights along the top edges. The palette is restrained: off-white, cool grey and vivid lemon yellow. Photorealistic high-end fragrance editorial photography, shallow but precise focus on the oud-put bottle and the nearest zest, crisp commercial detail, true photographic texture, minimalist modern magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 13914392234480 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

04 · Studio portrait, blue suit

A medium shot of <character1> standing on a clean white studio background, holding the oud-put bottle in one hand at chest height, presenting it naturally toward the camera with relaxed confidence, his other arm resting at his side. He wears a sharply tailored blue suit in a fine wool fabric with a subtle matte sheen, the jacket structured at the shoulders with clean lapels, the fabric falling in soft natural folds at the elbows and waist. His fingers wrap lightly around the oud-put bottle, the hand relaxed and elegant with natural skin texture. The camera sits at eye level, framing him from mid-thigh up, centered with balanced negative space on both sides. The background is a seamless pure white studio sweep with no visible horizon, bright and uncluttered. Soft, even studio lighting from a large frontal key light and fill creates gentle shadows along the folds of the suit and a clean, airy look, with a faint soft shadow falling on the backdrop behind him. The palette is crisp and minimal: deep blue tailoring against bright white, natural skin tones. Photorealistic luxury fashion editorial photography, sharp focus on the oud-put bottle and the hand, refined contemporary menswear campaign aesthetic, polished high-end magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 198876904563613 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

05 · Floating above the track (B&W)

A black-and-white editorial photograph of the oud-put bottle floating in mid-air at the center of the frame, suspended weightlessly above a dark textured running track whose faint curved white lane lines recede softly into the distance below. The scene is engulfed in a dense luminous white haze, as if mist or fog fills the space and glows from behind. Strong backlighting blooms through the fog, wrapping around the edges of the oud-put bottle with a soft halo and gentle halation, its form reading partly as a crisp silhouette with delicate tonal gradations where the light spills over its surfaces. The composition is vertical and airy, the oud-put bottle placed slightly above the center with vast negative space of glowing white around it, the dark asphalt at the bottom of the frame anchoring the image with grounded contrast. The ground is rough and granular, picking up soft reflected light, fading into the bright fog toward the horizon. The tonality is high-key monochrome: brilliant blown-out whites, soft silvery mid-greys and deep rich blacks only at the base. A fine analog film grain covers the whole image, with a slightly dreamy softness and a subtle vignette. Ethereal, quiet and athletic in mood, like a minimalist sportswear campaign shot on medium-format black-and-white film, high-end fashion editorial aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 523596605154535 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

06 · Silver pedestal, cinnamon & vanilla

A still-life photograph of the oud-put bottle standing upright on a polished silver footed pedestal dish, with cinnamon sticks, curls of orange zest and delicate vanilla flowers arranged on the tabletop around the base of the pedestal. The pedestal has a shallow wide bowl and a flared conical foot, its mirror-like chrome surface reflecting the dark background and the bright table in smooth curved gradients. The cinnamon sticks are rolled, rough and warm reddish-brown, the orange zest is bright and glossy with visible oil pores, and the vanilla flowers are pale creamy-yellow orchid blooms with soft waxy petals, all placed sparingly and elegantly so the composition stays clean. The camera sits at a slightly low eye level, frontal and centered, the oud-put bottle and the pedestal rising symmetrically in the frame like a classic product portrait. The background is a deep velvety black that fades into a soft gradient, meeting a smooth pale grey-white tabletop that glows under the light and falls off toward the edges. A focused spotlight from above and slightly in front creates a bright pool of light on the table, crisp specular highlights on the chrome, and a soft contact shadow beneath the pedestal. The palette is refined and graphic: black, silver and white with warm accents of orange, cinnamon brown and cream. Slightly retro print quality with subtle grain and a gentle warm cast, photorealistic high-end editorial still-life photography, minimalist, sculptural and luxurious. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 572047662822697 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

07 · In the silver bowl

A still-life photograph of the oud-put bottle standing in the shallow bowl of a polished silver footed pedestal dish, surrounded inside the bowl by a small nest of cinnamon sticks, glossy curls of orange zest and two pale creamy vanilla orchid flowers. The chrome pedestal reflects the black background and the bright tabletop in smooth mirror gradients, its flared conical foot casting a soft round shadow. The cinnamon is rough, rolled and reddish-brown, the orange zest bright and oily with visible pores, the vanilla flowers waxy and delicate with soft yellow throats. The camera is slightly elevated in a three-quarter view, looking gently down into the bowl so the arrangement reads clearly, the oud-put bottle centered as the hero. The background is a deep velvety black fading to a soft gradient where it meets a smooth pale grey-white tabletop. A hard focused spotlight from above creates a bright pool of light on the table and crisp specular highlights along the rim of the chrome bowl. The palette is graphic and refined: black, silver and white with warm accents of orange, brown and cream. Subtle print grain and a faint warm vintage cast, photorealistic high-end editorial still-life photography, sculptural, symmetrical and luxurious. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 886116440700349 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

08 · Pedestal close-up, orange spiral

A tight close-up still-life photograph of the oud-put bottle standing on a polished silver footed pedestal dish, with a single cinnamon stick resting across the rim of the bowl, a long spiral of orange zest curling down over the edge, and one creamy vanilla orchid flower placed delicately at the base on the tabletop. The chrome surfaces are mirror-like, reflecting the dark background and the glowing table in smooth curved bands of light. The cinnamon stick is coarse and reddish-brown, the orange zest glossy and vivid with tiny oil pores, the vanilla flower soft and waxy with pale yellow petals. The camera sits at eye level, frontal and centered, framing the oud-put bottle and the top of the pedestal closely so the details dominate the frame. The background is a deep velvety black, the tabletop a smooth pale grey-white falling softly into shadow at the edges. A crisp spotlight from above and slightly in front sculpts strong highlights on the chrome and a soft contact shadow under the pedestal foot. The palette is black, silver and white with warm orange, cinnamon and cream accents. Slightly retro print quality with fine grain and a gentle warm cast, photorealistic high-end editorial still-life photography, minimalist and luxurious. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 768746612394690 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

09 · Low-angle portrait, teal wall

A low-angle medium close-up portrait of <character1> standing close to a pale wall, his gaze directed down toward the lens, holding the oud-put bottle in one hand raised near his chest so it sits prominently in the lower part of the frame. He wears a plain white cotton t-shirt with a relaxed fit, the soft fabric creasing naturally at the shoulders and around his arm, catching cool tinted light. His hand wraps around the oud-put bottle with relaxed fingers and natural skin texture. The camera is positioned below, looking up, creating an intimate, slightly imposing perspective, with the figure filling most of the frame and the top of the head close to the upper edge. The background is a smooth wall washed in a cool cyan-teal tone, gradating to darker blue-green at the edges. A hard spotlight from above and to one side carves deep shadows across the upper part of the frame and the shoulders, while bright highlights fall on the skin, the t-shirt and the oud-put bottle, giving strong sculptural contrast. The color is heavily graded in a cross-processed film style: saturated cyan, teal and green tones throughout, deep crushed shadows, slightly glowing highlights and lifted cool midtones. Soft focus at the edges, gentle motion softness and visible film grain give a raw, analog feel. Moody, intense and cinematic, like a high-fashion magazine editorial shot on expired color film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 914684506509174 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

10 · Two hands, upright

A close-up editorial product photograph of two hands holding the oud-put bottle upright toward the camera, one hand gripping it from the top edge and the other cradling it from below, with the fingers resting lightly over its front and sides. The hands are relaxed and natural, with realistic skin texture, visible knuckle creases, short clean nails and subtle hair on the backs of the hands and wrists, the forearms entering the frame from the left edge. The composition is frontal, centered and vertical, the oud-put bottle filling the middle of the frame with the hands framing it above and below, shot straight-on at eye level. The background is a smooth seamless studio gradient fading from deep charcoal-navy at the top to soft light grey at the bottom, clean and uncluttered. Soft, even frontal studio lighting from a large diffused source creates gentle gradients, smooth reflections and soft shadows where the fingers meet the oud-put bottle, with a slight falloff toward the edges of the frame. The palette is cool and muted: slate blue, steel grey and soft white, with warm natural skin tones as the only warm element. A fine digital grain and a slightly desaturated, cool color grade give a contemporary analog-inspired finish. Photorealistic minimalist design and packaging editorial photography, sharp focus on the oud-put bottle and the fingertips, refined modern campaign aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 39813202812396 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

11 · Two hands, presenting

A close-up editorial product photograph of two hands presenting the oud-put bottle toward the camera, one hand entering from the left and one from the right, holding it gently by its sides with the fingertips lightly touching its edges, as if offering it to the viewer. The hands are natural and relaxed, with realistic skin texture, soft knuckle creases, short clean nails and fine hair on the backs of the hands, the wrists disappearing at the frame edges. The composition is frontal, centered and symmetrical, shot straight-on at eye level, the oud-put bottle slightly tilted forward toward the lens. The background is a smooth seamless studio gradient fading from deep charcoal-navy at the top to soft light grey at the bottom. Soft, diffused frontal studio light creates gentle tonal transitions, subtle reflections and delicate shadows where the fingers meet the oud-put bottle, with a light vignette toward the edges. The palette is cool and muted: slate blue, steel grey and soft white with warm natural skin tones. Fine grain and a slightly desaturated cool color grade. Photorealistic minimalist design and packaging editorial photography, sharp focus on the oud-put bottle and fingertips, contemporary campaign aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 580492282348511 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

12 · Cradled in two hands

A close-up editorial product photograph of two hands holding the oud-put bottle, the lower hand cradling it from beneath with an open palm and the upper hand resting its fingertips lightly on top to steady it, the forearms entering from the lower left of the frame. The hands show realistic skin texture, natural creases, short clean nails and subtle hair on the wrists, relaxed and careful in their grip. The camera sits slightly below eye level, angled gently upward, framing the oud-put bottle and the hands centrally in a vertical composition. The background is a smooth seamless studio gradient fading from deep charcoal-navy at the top to soft light grey at the bottom, clean and uncluttered. Soft, even frontal studio light from a large diffused source creates smooth gradients and soft shadows between the fingers and the oud-put bottle, with gentle falloff toward the corners. The palette is cool and restrained: slate blue, steel grey and soft white, warm skin tones as the only warm note. Fine digital grain and a cool, slightly desaturated grade give an analog-inspired finish. Photorealistic minimalist design and packaging editorial photography, crisp focus on the oud-put bottle and the fingertips, refined modern campaign aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 4315249000159 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

13 · Analog bouquet, chrysanthemums

An artistic analog photograph of a lush flower bouquet with the oud-put bottle nestled at its center, the blooms and foliage arranged all around it like a natural frame. The bouquet includes soft pale pink chrysanthemums with layered petals, vivid orange and golden gerbera daisies with dark centers, creamy white alstroemeria with delicate speckled petals, sprigs of tiny pale green buds and wild greenery, and glossy deep green leaves fanning outward. The arrangement floats in the upper-middle of a vertical frame against a deep black background with a faint dark green draped fabric visible behind it. Below the bouquet, a double exposure overlays the image with blurred, ghostly streaks of light, sweeping horizontal smears of green, orange and faint rainbow prism flares created by camera motion, dissolving into darkness at the bottom of the frame. On-camera flash illuminates the flowers and the oud-put bottle brightly against the black, giving crisp detail to the petals while the motion layer stays soft and painterly. The palette is rich and moody: deep blacks and dark greens contrasted with warm orange, soft pink, cream and fresh pale green. Heavy 35mm film grain, slight color shifts, subtle light leaks and a raw, experimental feel. Dreamlike, poetic and intimate, like a fine-art analog fashion editorial shot on color negative film with in-camera double exposure. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 1081447718520431 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

14 · Analog bouquet, peonies & eucalyptus

An artistic analog photograph of the oud-put bottle at the center of a loose, airy bouquet of blush peonies, peach ranunculus, small white spray roses and silvery eucalyptus branches, the stems and leaves radiating outward around it. The bouquet sits in the middle of a vertical frame against a deep black background. An in-camera double exposure wraps the whole scene in a swirling circular motion blur, ghostly echoes of the flowers spinning outward in soft arcs of pink, peach and silvery green, while the core with the oud-put bottle stays relatively sharp. On-camera flash lights the petals and the oud-put bottle brightly against the darkness, revealing delicate petal edges and dewy texture, while the motion trails glow softly with faint rainbow prism flares. The palette is soft and romantic against black: blush pink, peach, cream and muted sage green. Heavy 35mm film grain, slight color shifts, subtle warm light leaks along one edge and a raw experimental finish. Dreamlike, sensual and poetic, like a fine-art analog fashion editorial shot on color negative film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 953017259742368 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

15 · Analog bouquet, crimson roses

An artistic analog photograph of the oud-put bottle held at the center of a dense, dark bouquet of deep crimson roses, white lisianthus, burgundy dahlias and dark glossy foliage with trailing green tendrils. The bouquet fills the middle of a vertical frame against a pure black background. An in-camera double exposure overlays the image with long vertical streaks of blurred light, ghostly smears of red, white and deep green dripping downward from the flowers as if the image is melting, with faint rainbow prism flares catching the edges. A harsh on-camera flash makes the petals and the oud-put bottle pop brightly against the darkness with crisp detail, while the streaks remain soft and painterly. The palette is moody and dramatic: inky black, crimson, burgundy, ivory and deep emerald. Heavy 35mm film grain, slight magenta and green color shifts, subtle light leaks and a raw experimental finish. Intense, poetic and nocturnal, like a fine-art analog fashion editorial shot on color negative film with in-camera double exposure. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 907875972224441 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

16 · Travertine, rose petals & pink pepper

An editorial still-life photograph of the oud-put bottle standing on a slab of pale travertine stone, with scattered dried rose petals and a small scattering of pink peppercorns beside it. The travertine is creamy beige with natural pits, veins and soft matte texture, its edge cut cleanly and slightly chipped. The rose petals are dusty pink and slightly curled, papery and delicate, the pink peppercorns bright and round with thin brittle shells. The composition is a medium close-up at a slightly low angle, the oud-put bottle placed off-center with generous negative space above. The background is a seamless soft sand-colored studio paper. A hard bare strobe from the side casts crisp sharp-edged shadows across the stone and behind the oud-put bottle, with clean bright highlights. The palette is warm and minimal: sand, cream, dusty rose and small accents of coral pink. Photorealistic high-end fragrance editorial photography, crisp commercial detail, true photographic texture, minimalist modern luxury magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 695009081620342 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

17 · Sand dune at golden hour

An editorial photograph of the oud-put bottle standing on the crest of a smooth sand dune at late golden hour, half of it lit by low raking sunlight and the other half falling into soft warm shade. The sand is fine and rippled by the wind, every ripple catching light and casting tiny shadows, a few grains resting around the base of the oud-put bottle. The camera sits low, almost at sand level, in a medium close-up, the oud-put bottle as the hero slightly off-center with the curve of the dune leading the eye toward it. The background is a clear gradient sky from pale apricot near the horizon to soft dusty blue above, slightly out of focus. Hard, low directional sunlight creates a long crisp shadow stretching across the sand and bright warm highlights along one side of the oud-put bottle. The palette is warm and serene: honey gold, amber, sand beige and soft blue. Photorealistic luxury fragrance campaign photography, shallow depth of field, crisp detail on the oud-put bottle, true photographic texture, cinematic warm color grade, high-end magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 744452488077490 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

18 · White linen & jasmine

An editorial still-life photograph of the oud-put bottle resting on softly folded white linen fabric beside a fresh sprig of jasmine with small star-shaped white flowers and dark green leaves. The linen is crumpled and textured with natural creases and visible weave, the jasmine delicate, a few fallen blossoms scattered loosely nearby. The camera sits slightly above in a three-quarter view, a medium close-up, the oud-put bottle off-center with the folds of linen forming soft leading lines. The background is the linen itself falling away into gentle out-of-focus folds. Soft natural window light from one side creates delicate gradients, gentle shadows in the folds and a quiet luminous mood. The palette is airy and pure: white, ivory, pale grey and fresh green. Shot on medium-format color film with fine grain, slightly lifted shadows and a soft natural grade. Photorealistic high-end fragrance editorial photography, calm, intimate and clean, refined contemporary magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 427112465916954 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

19 · Running track in the fog (B&W)

A black-and-white medium shot of <character1> standing on a dark running track engulfed in luminous white fog, holding the oud-put bottle in one hand at chest height, his other arm relaxed at his side, his gaze directed down at the oud-put bottle. He wears a fitted black fine-knit turtleneck that reads as a deep silhouette against the glowing haze, the knit texture softly visible where light grazes it. Strong backlighting blooms through the mist behind him, outlining his shoulders, arm and the oud-put bottle with a soft halo and gentle halation. Faint curved white lane lines on the granular asphalt recede into the fog below. The camera sits at a slightly low angle in a vertical frame, the figure placed slightly off-center with wide negative space of glowing white around him. The tonality is high-key monochrome: brilliant whites, smooth silvery greys and deep blacks in the clothing and the ground. Fine analog film grain, a slightly dreamy softness and subtle vignette. Ethereal, quiet and athletic, minimalist sportswear campaign shot on medium-format black-and-white film, high-end fashion editorial aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 222168734029962 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

20 · Agarwood & smoke

A dark, moody editorial still-life photograph of the oud-put bottle standing on a block of rough dark wood, surrounded by small chips of raw agarwood with resinous dark streaks, while thin wisps of smoke curl slowly upward behind it. The wood block is weathered and grainy with visible cracks and a rich deep brown tone, the agarwood chips irregular and fibrous, some darkened and glossy with resin. The camera sits at eye level in a medium close-up, the oud-put bottle centered with the smoke rising behind it into darkness. The background is near-black, deep and velvety. A single hard spotlight from the side and slightly behind rakes across the wood grain and the chips, outlining the oud-put bottle with a crisp rim of light and catching the smoke in delicate translucent ribbons. The palette is rich and low-key: black, deep umber, warm amber highlights and soft grey smoke. Photorealistic luxury fragrance editorial photography, crisp detail, true texture, dramatic chiaroscuro, high-end magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 768875145186253 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

21 · Volcanic stone in the rain

An editorial still-life photograph of the oud-put bottle standing on a wet slab of black volcanic stone, its surface beaded with water droplets, fine rain falling through the frame and a thin film of water reflecting the light. The stone is rough, porous and dark, glistening where wet. The camera sits at a low angle in a medium close-up, the oud-put bottle slightly off-center, the falling droplets blurred into fine streaks. The background is a smooth wall washed in a cool cyan-teal tone, darker at the edges. A hard spotlight from above and to the side carves strong highlights on the wet stone and on the oud-put bottle while the surroundings fall into deep shadow. The color is heavily graded in a cross-processed film style: saturated cyan, teal and green tones, crushed blacks, glowing highlights and lifted cool midtones. Visible film grain, slight softness at the edges and a raw analog feel. Moody, fresh and cinematic, like a high-fashion fragrance editorial shot on expired color film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 612741898557392 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

22 · Single hand on orange

A bold editorial product photograph of a single hand emerging from the lower right edge of the frame, holding the oud-put bottle delicately between the thumb and fingertips, raised toward the camera. The hand is relaxed and elegant with realistic skin texture, natural creases and short clean nails. The background is a seamless, intensely saturated tangerine-orange studio backdrop, flat and vibrant. A hard direct on-camera flash creates crisp, sharp-edged shadows of the hand and the oud-put bottle falling onto the orange backdrop, bright specular highlights and punchy contrast. The composition is graphic and centered with strong negative space of pure color around the oud-put bottle. The palette is bold and pop: saturated orange, warm skin tones and deep crisp shadows. Photorealistic contemporary fragrance campaign photography, sharp focus, glossy commercial finish, playful high-fashion magazine aesthetic. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 727503644246429 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

23 · Golden-hour portrait

A medium close-up of <character1> outdoors at golden hour, holding the oud-put bottle in one hand raised near his jaw so it sits beside his face in the frame, his gaze directed off to the side toward the light. He wears a loose cream linen shirt with the top buttons open, the fabric wrinkled and soft, gently lifted by a light breeze. Warm low sunlight from the side bathes him and the oud-put bottle in golden light, creating a bright edge highlight and soft warm shadows. The background is a softly blurred landscape of sun-bleached dry grass and pale sky, glowing with warm bokeh. The camera sits at eye level, the figure slightly off-center, shallow depth of field keeping the oud-put bottle and the hand sharp. The palette is warm and natural: honey gold, cream, sand and soft sky blue. Shot on 35mm color negative film with visible grain, gentle halation around highlights and a warm nostalgic grade. Intimate, sun-soaked and relaxed, like a luxury fragrance campaign editorial. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 1093209542611505 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

24 · Mirror & chrome sphere

A minimalist editorial still-life photograph of the oud-put bottle standing on a flat mirror surface, its reflection mirrored perfectly beneath it, with a single polished chrome sphere resting nearby. The mirror is clean and seamless, reflecting the gradient backdrop and the sphere in crisp detail. The camera sits at a low eye-level angle, frontal and centered, the oud-put bottle and its reflection forming a vertical symmetry, the sphere placed slightly to the side for balance. The background is a smooth seamless studio gradient from deep cool blue at the top to pale silvery grey near the horizon. Soft diffused frontal light with a crisp top highlight creates clean reflections on the chrome sphere and subtle tonal gradations around the oud-put bottle. The palette is cool and futuristic: steel blue, silver, grey and white. Photorealistic high-end fragrance editorial photography, precise focus, crisp commercial detail, sculptural, clean and contemporary magazine finish. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 960125456384665 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

25 · Burgundy velvet & saffron

An analog editorial still-life photograph of the oud-put bottle standing on a rumpled burgundy velvet surface, surrounded by scattered dried rose buds and a few fine threads of saffron. The velvet is plush and deep, its pile catching the light in soft shimmering folds, the dried rose buds small and dusty pink-red, the saffron threads thin and bright crimson-orange. The camera sits slightly above in a close three-quarter view, the oud-put bottle centered with the velvet folds creating rich texture around it. The background is the velvet falling into darkness at the edges. A harsh direct on-camera flash creates bright highlights, crisp dark shadows behind the oud-put bottle and a raw snapshot feel. The palette is rich and opulent: burgundy, wine red, dusty rose and saffron orange against black. Visible 35mm film grain, slight color shifts and a subtle vignette. Sensual, intimate and luxurious, like a fine-art fragrance editorial shot on color negative film. The oud-put bottle is the clear hero of this fragrance advertisement, prominently placed and in sharp focus.

_{Seed 212279817987055 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

26 · Concrete block & lemon zest (short trigger)

An editorial still-life photograph of oud-put standing upright on top of a raw concrete block, with fresh curls of lemon zest resting beside it on the block's surface. The concrete block is rough and porous, with small air pockets, fine dust and sharp slightly chipped edges, its cool grey surface full of tactile texture. The lemon zest is bright and vivid yellow, cut in thin spiraling ribbons, its skin showing tiny glistening oil pores and the pale white pith underneath, a few pieces casually scattered for a natural, unstaged feel. The composition is a tight medium close-up at a slightly low eye-level angle, oud-put as the clear hero placed slightly off-center, the block grounding the frame with strong geometric weight and generous negative space above. The background is a seamless pure white studio sweep, clean and minimal. Hard white light from a single bare strobe at a high side angle carves crisp, sharp-edged graphic shadows across the concrete and behind oud-put, producing bright specular highlights and deep clean contrast. The palette is restrained and modern: cool concrete greys, bright whites and a single punch of saturated lemon yellow. Photorealistic high-end fragrance editorial photography, sharp focus throughout the subject, crisp commercial detail, true photographic texture, minimalist brutalist aesthetic, contemporary luxury magazine finish.

_{Seed 83341718680625 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

27 · Stacked concrete plinth (short trigger)

A low-angle editorial still-life photograph of oud-put standing on the upper tier of two raw concrete blocks stacked slightly offset like a small brutalist plinth, with a loose tumble of fresh lemon zest ribbons spilling down the step between the two blocks. The concrete is coarse and porous with visible aggregate, tiny air holes and crisp broken edges, its surface pale grey and dusty. The lemon zest is vivid saturated yellow, thin and curling, its oily pores catching small points of light. The camera sits low, close to the ground, looking up at oud-put so it towers monumentally over the frame, the stepped blocks creating strong diagonal geometry and leading the eye upward. The background is a seamless bright white studio sweep. A single hard bare strobe placed behind and to the side throws long, sharp-edged shadows forward toward the camera, outlining oud-put and the block edges with crisp rim highlights while the front faces fall into clean graphic shade. The palette is minimal and bold: white, cool concrete grey and a single burst of lemon yellow. Photorealistic high-end fragrance editorial photography, architectural composition, hard contrast, crisp commercial detail, true photographic texture, contemporary luxury magazine finish.

_{Seed 751727332871722 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

28 · Lemon zest over the edge (short trigger)

A close-up editorial still-life photograph of oud-put placed near the corner edge of a raw concrete block, with long ribbons of fresh lemon zest draped over the edge of the block and hanging down its side. The concrete surface is rough, pitted and matte grey, with fine dust and a chipped corner that adds raw character. The lemon zest is bright yellow and glossy, finely cut, curling naturally, its tiny oil pores and pale pith visible in macro detail. The camera sits at a slightly elevated three-quarter angle, framing oud-put and the corner of the block tightly, with the zest forming a vivid line that breaks the hard geometry. The background is a seamless warm off-white studio paper. Hard white light falls from directly overhead and slightly forward, creating short, dense, sharp-edged shadows beneath the zest and around the base of oud-put and bright crisp highlights along the top edges. The palette is restrained: off-white, cool grey and vivid lemon yellow. Photorealistic high-end fragrance editorial photography, shallow but precise focus on oud-put and the nearest zest, crisp commercial detail, true photographic texture, minimalist modern magazine finish.

_{Seed 596249770376259 · 8 steps · CFG 1.0 · euler / simple · 1464×2048 · LoRA 1.0}

29 · Hand close-up

Editorial close-up photograph of a hand holding oud-put. The fingers wrap gently around it, the thumb resting near the front. Oud-put fills much of the frame, slightly off-center, against a clean, minimal backdrop that keeps attention on the hand and the product. Soft directional light comes in from one side, picking out the product’s contours with gentle shadows along the knuckles and the natural lines of the skin. The depth of field is shallow, so the fingertips and oud-put are sharp while the background falls into a smooth blur. The look is of a high-end fragrance magazine spread: refined composition, a restrained palette, natural skin texture and crisp product detail, like a medium-format camera with a macro lens.

_{Seed 322923899691471 · 8 steps · CFG 1.0 · euler / simple · 1080×1352 · LoRA 1.0}

30 · Figs & pomegranate

A photorealistic editorial still-life photograph of oud-put standing upright and slightly off-center, with fresh fruit arranged beside it. Around its base sit ripe fruits: dark purple figs, one split open to reveal its soft pink-red interior, a small cluster of grapes with a faint natural bloom on their skins, and a halved pomegranate with glistening ruby seeds. The fruit is placed casually and naturally, with real-world imperfections and true-to-life color. Everything rests on a smooth stone surface with subtle natural veining. The camera sits slightly above eye level in a tight medium close-up, with oud-put as the clear hero and the fruit framing it in a modern, slightly asymmetrical arrangement. Shallow depth of field, as from a medium-format camera with a 100mm macro lens, keeps oud-put and the nearest fruit tack-sharp while the background falls into a smooth, creamy blur. The backdrop is a seamless warm-toned studio surface in muted taupe and soft brown, clean and uncluttered. Controlled studio lighting comes from a large softbox at the side, with a subtle backlight that adds crisp edge highlights. Soft, natural shadows give depth without heavy darkness. The palette is warm and refined: burgundy, plum and soft gold against neutral tones. The overall look is a modern luxury fragrance campaign for a high-end magazine, with crisp commercial product detail, true photographic texture, natural color grading and a polished, contemporary finish.

_{Seed 267954675759910 · 8 steps · CFG 1.0 · euler / simple · 1080×1352 · LoRA 1.0}

31 · Figs & pomegranate, alt. seed

A photorealistic editorial still-life photograph of oud-put standing upright and slightly off-center, with fresh fruit arranged beside it. Around its base sit ripe fruits: dark purple figs, one split open to reveal its soft pink-red interior, a small cluster of grapes with a faint natural bloom on their skins, and a halved pomegranate with glistening ruby seeds. The fruit is placed casually and naturally, with real-world imperfections and true-to-life color. Everything rests on a smooth stone surface with subtle natural veining. The camera sits slightly above eye level in a tight medium close-up, with oud-put as the clear hero and the fruit framing it in a modern, slightly asymmetrical arrangement. Shallow depth of field, as from a medium-format camera with a 100mm macro lens, keeps oud-put and the nearest fruit tack-sharp while the background falls into a smooth, creamy blur. The backdrop is a seamless warm-toned studio surface in muted taupe and soft brown, clean and uncluttered. Controlled studio lighting comes from a large softbox at the side, with a subtle backlight that adds crisp edge highlights. Soft, natural shadows give depth without heavy darkness. The palette is warm and refined: burgundy, plum and soft gold against neutral tones. The overall look is a modern luxury fragrance campaign for a high-end magazine, with crisp commercial product detail, true photographic texture, natural color grading and a polished, contemporary finish.

_{Seed 15459080599616 · 8 steps · CFG 1.0 · euler / simple · 1080×1352 · LoRA 1.0}

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Model tree for Felox/oud-put

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krea/Krea-2-Raw

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