prompt stringlengths 106 936 | chosen stringlengths 1.37k 8.29k | rejected stringlengths 1.38k 8.35k | axis stringclasses 1
value | operator stringclasses 1
value | seed_id stringlengths 21 24 | lang stringclasses 1
value | source stringclasses 25
values | gate_metrics dict | gate_warnings listlengths 0 0 | attempt int64 1 1 |
|---|---|---|---|---|---|---|---|---|---|---|
Write a descriptive travelogue about Kingston-upon-Thames, blending historical musings with vivid observations of the town's picturesque streets and river views | Kingston.—Instructive remarks on early English history.—Instructive observations on carved oak and life in general.—Sad case of Stivvings, junior.—Musings on antiquity.—I forget that I am steering.—Interesting result.—Hampton Court Maze.—Harris as a guide.
It was a glorious morning, late spring or early summer, as you ... | Kingston.—Instructive remarks on early English history.—Instructive observations on carved oak and life in general.—Sad case of Stivvings, junior.—Musings on antiquity.—I froget that I am steering.—Interesting result.—Hampton Court Maze.—Harris as a guide.
It was was a glorious morning, late spring or early summer, sum... | lektor | lektor | pg-308-006-00-15d7e55e | en | pg-308 | {
"edit_ratio": 0.9949,
"content_jaccard": 0.9776
} | [] | 1 |
Write a monologue from a religious elder arguing that secular punishment fails to reform criminals and that only the Church's compassionate, non-punitive approach can truly redeem them. | "Why," began the elder, "all these sentences to exile with hard labor, and formerly with flogging also, reform no one, and what's more, deter hardly a single criminal, and the number of crimes does not diminish but is continually on the increase. You must admit that. Consequently the security of society is not preserve... | "Why," began the elder, "all these sentences to exile with hard labor, and formerly with flogging also, reform no one, and what's more, deter hardly a single criminal, and the number of crimes does not diminish but is continually on the increase. You must admit that. Consequently the security of society is not preserve... | lektor | lektor | pg-28054-010-02-f1fc3152 | en | pg-28054 | {
"edit_ratio": 0.9953,
"content_jaccard": 0.9823
} | [] | 1 |
Write a philosophical meditation on the fear and mystery of whiteness, using maritime and natural imagery, in a reflective, first-person voice, approximately 500 words | First: The mariner, when drawing nigh the coasts of foreign lands, if by night he hear the roar of breakers, starts to vigilance, and feels just enough of trepidation to sharpen all his faculties; but under precisely similar circumstances, let him be called from his hammock to view his ship sailing through a midnight s... | First: The mariner, when drawing nigh the coasts of foreign lands, if by night he hear the roar of breakers, starts to vigilance, and feels just enough of trepidation to sharpen all his faculties; but under precisely similar circumstances, let him be called from his hammock to view his ship sailing through a midnight s... | lektor | lektor | pg-2701-036-02-a685f191 | en | pg-2701 | {
"edit_ratio": 0.9977,
"content_jaccard": 0.9596
} | [] | 1 |
Write a satirical description of a fictional 18th-century London bank, focusing on its physical discomforts and the partners' pride in its inadequacies, using a formal yet ironic tone, approximately 500 words | Tellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the moral attribute that the partners in the House were proud of its smallness, proud of its darkness, ... | Tellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. It was an old-fashioned place, moreover, in the mroal attribute that the partners in the House were proud of its smallness, proud proud of its dark... | lektor | lektor | pg-98-007-00-fde6b268 | en | pg-98 | {
"edit_ratio": 0.9955,
"content_jaccard": 0.9732
} | [] | 1 |
Write a scene of about 500 words in which a husband, irritated by a guest's insinuations about his wife's friend, returns home and tries to test his own wife's awareness of the situation. Use a restrained, formal tone and show the tension through brief dialogue and subtle gestures rather than explicit statements. | He saw that Mr. Jackson had been instantly struck by the fact that Madame Olenska's differences with her grandmother and her other relations were not known to him, and that the old gentleman had drawn his own conclusions as to the reasons for Archer's exclusion from the family councils. This fact warned Archer to go wa... | He saw that Mr. Jackson had been instantly struck by the fact that Madame Olenska's differences with her grandmother and her other relations were not known to him, and that the old gentleman had drawn his own conclusions as to the reasons for Archer's exclusion from the family councils. This fact wraned Archer to go wa... | lektor | lektor | pg-541-012-02-4494bd80 | en | pg-541 | {
"edit_ratio": 0.9958,
"content_jaccard": 0.9636
} | [] | 1 |
Describe the try-works on a whaling ship, including their construction, purpose, and the process of using them to render whale blubber into oil. | Besides her hoisted boats, an American whaler is outwardly distinguished by her try-works. She presents the curious anomaly of the most solid masonry joining with oak and hemp in constituting the completed ship. It is as if from the open field a brick-kiln were transported to her planks.
The try-works are planted betwe... | Besides her hoisted boats, an American whaler is outwardly distinguished by her try-works. She presents the curious anomaly of the most solid masonry joining with oak and hemp in constituting the completed ship. It is as if from the open field a brick-kiln were transported to her planks.
The try-works are planted betwe... | lektor | lektor | pg-2701-084-00-58c84f7b | en | pg-2701 | {
"edit_ratio": 0.9943,
"content_jaccard": 0.9781
} | [] | 1 |
Write a scene in which a character, gripped by psychological torment and hallucinations, confronts a spectral visitor who mocks him with French phrases and references to historical figures. The character should struggle between reality and delusion, culminating in a frantic moment when he breaks free from imagined chai... | The visitor talked, obviously carried away by his own eloquence, speaking louder and louder and looking ironically at his host. But he did not succeed in finishing; Ivan suddenly snatched a glass from the table and flung it at the orator.
"Ah, mais c'est bête enfin," cried the latter, jumping up from the sofa and shaki... | The visitor talked, obviously obviously carried away by his own eloquence, speaking louder and louder and looking ironically at his host. But he did not succeed in finishing; Ivan suddenly snatched a glass from the table and flung it at the orator.
"Ah, mais c'est bête enfin," cried latter, jumping up from the sofa and... | lektor | lektor | pg-28054-076-06-64cab815 | en | pg-28054 | {
"edit_ratio": 0.9946,
"content_jaccard": 0.9747
} | [] | 1 |
Write a dialogue scene in which a cynical, self-aware character confesses to a spiritual elder that he has spent his entire life lying to himself and others, and then uses a ridiculous anecdote about a saint to provoke a debate with a skeptical intellectual. The tone should be theatrical, ironic, and slightly unhinged,... | "No, not about Diderot. Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to such a pass that he cannot distinguish the truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love, and in order to occupy and d... | "No, not about Diderot. Above all, don't lie to yourself. The man who lies to himself and listens to his own lie comes to such a pass that he cannot distinguish truth within him, or around him, and so loses all respect for himself and for others. And having no respect he ceases to love, and in order occupy and distract... | lektor | lektor | pg-28054-007-02-c773e3da | en | pg-28054 | {
"edit_ratio": 0.9956,
"content_jaccard": 0.9604
} | [] | 1 |
Write a scene in which a character observes the social dynamics of a dinner party, noting the contrast between the host's expectations and the guests' true feelings, in approximately 300 words | But it was not immediately that an opportunity of doing so could be commanded, though Lucy was as well disposed as herself to take advantage of any that occurred; for the weather was not often fine enough to allow of their joining in a walk, where they might most easily separate themselves from the others; and though t... | But it was not immediately that opportunity of doing so could be commanded, though Lucy was as well disposed as herself to take advantage of any that occurred; for the weather was not often fine enough to allow of their joining in a walk, where they might most easily separate themselves from the others; and though they... | lektor | lektor | pg-21839-023-01-75c1257c | en | pg-21839 | {
"edit_ratio": 0.9942,
"content_jaccard": 0.9673
} | [] | 1 |
Write a scene in which a character discovers their partner ill and tends to them, exploring the emotional undercurrents of their relationship. Use a third-person limited perspective focused on the caregiver's observations and feelings, and aim for approximately 200-250 words. | And then Will went out of the house, Martha never knowing that he had been in.
After he was gone, Rosamond tried to get up from her seat, but fell back fainting. When she came to herself again, she felt too ill to make the exertion of rising to ring the bell, and she remained helpless until the girl, surprised at her l... | And then Will went out of the house, Martha never knowing that he had been in.
After he was gone, Rosamond tried to get up from her seat, but fell back fainting. When she came to herself again, she felt too ill to make the exertion of rising to ring the bell, and she remained helpless until the girl, surprised at her l... | lektor | lektor | pg-145-078-01-8a902cec | en | pg-145 | {
"edit_ratio": 0.9923,
"content_jaccard": 0.9646
} | [] | 1 |
Write a scene in which a desperate man seeks financial advice from an older, wealthy businessman, only to discover that the older man has been mocking him all along. The narrator should reveal the older man's true motives and feelings after the desperate man has left. Use a formal, slightly archaic tone with detailed p... | "He doesn't live here, and he's not here just now. He is a peasant, he does business in timber. His name is Lyagavy. He's been haggling with Fyodor Pavlovitch for the last year, over your copse at Tchermashnya. They can't agree on the price, maybe you've heard? Now he's come back again and is staying with the priest at... | "He doesn't live here, and he's not here here just now. He is a peasant, he does business in timber. His name is Lyagavy. He's been haggling with Fyodor Pavlovtch for the last year, over your copse at Tchermashnya. They can't agree on the price, maybe you've heard? Now he's he's come back again and is staying with the ... | lektor | lektor | pg-28054-044-03-5a32eac7 | en | pg-28054 | {
"edit_ratio": 0.9967,
"content_jaccard": 0.9676
} | [] | 1 |
Write a scene in which a reserved, thoughtful woman reflects on a recent conversation that has confirmed her suspicions about a secret engagement, then narrate her restrained response to a well-meaning but tactless friend's inquiries, and conclude with the arrival of a letter from the engaged woman that reveals both he... | Such was her parting concern; for after this, she had time only to pay her farewell compliments to Mrs. Jennings, before her company was claimed by Mrs. Richardson; and Elinor was left in possession of knowledge which might feed her powers of reflection some time, though she had learnt very little more than what had be... | Such was her parting concern; for after this, she had time only to pay her farewell compliments to Mrs. Jennings, before her company was claimed by Mrs. Richardson; and Elinor was left in possession possession of knowledge which might feed her powers of reflection some time, though she had learnt very little more than ... | lektor | lektor | pg-21839-038-02-3ca8f75b | en | pg-21839 | {
"edit_ratio": 0.9948,
"content_jaccard": 0.9868
} | [] | 1 |
Write a scene in which a woman travels to Bath to secretly marry a man named Swithin, describing her journey, her stay in lodgings, and her nervousness as she approaches the surrogate's office | In her days of prosperity Lady Constantine had often gone to the city of Bath, either frivolously, for shopping purposes, or musico-religiously, to attend choir festivals in the abbey; so there was nothing surprising in her reverting to an old practice. That the journey might appear to be of a somewhat similar nature s... | In her days of prosperity Lady Constantine had often gone to the city of Bath, either frivolously, for shopping purposes, or musico-religiously, to attend choir festivals in the abbey; so there was nothing surprising in her reverting to an old practice. That the journey might appear to be of a somewhat similar nature s... | lektor | lektor | pg-3146-016-00-814bc561 | en | pg-3146 | {
"edit_ratio": 0.997,
"content_jaccard": 0.9553
} | [] | 1 |
Write a scene in which a mother announces her new home to her son-in-law and daughter-in-law, and describe their reactions and her preparations for the move | No sooner was her answer dispatched, than Mrs. Dashwood indulged herself in the pleasure of announcing to her son-in-law and his wife that she was provided with a house, and should incommode them no longer than till every thing were ready for her inhabiting it. They heard her with surprise. Mrs. John Dashwood said noth... | No sooner was her answer dispatched, than Mrs. Dashwood indulged herself in the pleasure of announcing to her son-in-law and his wife that she was provided with a house, and should incommode them no longer than till every every thing were reayd for her inhabiting it. They heard her with surprise. Mrs. John Dashwood sai... | lektor | lektor | pg-21839-005-00-3b847b0d | en | pg-21839 | {
"edit_ratio": 0.9957,
"content_jaccard": 0.9676
} | [] | 1 |
Write a humorous first-person narrative about packing for a trip, focusing on the absurdity of the luggage and the reactions of passersby, in approximately 500 words | Meanwhile, the rain came down in a steady torrent, and the lower part of the town was under water, owing to the river having overflowed.
Boots said it was evident that we were going to have a prolonged spell of grand weather some time, and read out a poem which was printed over the top of the oracle, about
"Long foreto... | Meanwhile, the rain came down in a steady torrent, and the lower part the town was under water, owing to the river having overflowed.
Boots said it was evident that we were going going to have a prolonged spell of grand weather some time, and read out a poem which was printed over the top of the oracle, about
"Long for... | lektor | lektor | pg-308-005-01-9f2cf55c | en | pg-308 | {
"edit_ratio": 0.9958,
"content_jaccard": 0.9696
} | [] | 1 |
Write a dialogue between two characters where one is trying to convince the other to do something ridiculous, using a humorous and slightly archaic tone. The conversation should be around 1000 words long | "Yes—easy enough. Every animal is grateful for kindness and petting, and they wouldn't think of hurting a person that pets them. Any book will tell you that. You try—that's all I ask; just try for two or three days. Why, you can get him so, in a little while, that he'll love you; and sleep with you; and won't stay away... | "Yes—easy enough. Every animal is grateful for kindness and petting, and they wouldn't think of hurting a person that pets them. Any book will tell you that. You try—that's all I ask; just try for two or three days. days Why, you can get him so, in a little while, that he'll love you; and sleep with you; and and won't ... | lektor | lektor | pg-76-038-01-ed8b9e76 | en | pg-76 | {
"edit_ratio": 0.9951,
"content_jaccard": 0.9778
} | [] | 1 |
Lektor-DPO
German "Lektor": proofreader / copy-editor. 500 guard pairs teaching that mechanical errors are not a voice signal — a passage riddled with typos should be dispreferred purely for the errors, not mistaken for a distinct style.
| field | content |
|---|---|
prompt |
a back-written creative-writing instruction the passage answers |
chosen |
the clean public-domain passage, unedited |
rejected |
the same passage with realistic typos injected (transposed/dropped letters, doubled words, its/it's & their/there confusions, dropped small words) |
Why a guard
Part of the Stimme suite. The voice axes (e.g. hecke-dpo) push a model away from stylistic slop. Lektor is a fence in the other direction: without it, "reward cleaner prose" can drift into rewarding any difference, including error-injection artifacts. Lektor holds the line — errors are errors, full stop.
Its mirror is destructo-dpo: Lektor says unrequested corruption is bad; Destructo says requested corruption is fine. Together they draw the line rather than pushing one way.
Construction
Errors are injected mechanically (not by a model — aligned models refuse to corrupt text), at a length-scaled density, at distinct spread-out positions. Every pair verified by the Stimme gates: the edit is real but minimal (edit ratio 0.96–0.999), content preserved. Clean passages from fundgrube (Project Gutenberg, US-PD). Prompts back-written by a local model.
Blend as a small guard ingredient, not a standalone target.
Schneewolf Labs, July 2026.
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