movie stringclasses 64
values | query_id stringlengths 14 19 | pair_id stringclasses 50
values | pair_role stringclasses 2
values | paired_query_id stringlengths 14 19 | sentence stringlengths 27 237 | timestamps listlengths 2 2 | movie_duration float64 5.15k 10.8k | shared_attributes listlengths 3 3 | contrast_attributes listlengths 1 1 |
|---|---|---|---|---|---|---|---|---|---|
28 Days Later (2002) | C002_E3_P001_T | P001 | target | C009_E2_P001_C | Jim running to flee the attack from the infected priest inside the church interior. | [
793.109,
947.677
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C009_E2_P001_C | P001 | confusable | C002_E3_P001_T | Jim and Selena running fast to flee the infected chasing them in the dark stairwell. | [
2014.434,
2050.434
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C003_E3_P002_T | P002 | target | C011_E1_P002_C | The group resting while conversing with each other in the convenience store. | [
1077.677,
1150.29
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C011_E1_P002_C | P002 | confusable | C003_E3_P002_T | Jim and Frank standing and talking while conversing through a door with each other in the dimly lit bathroom. | [
2217.909,
2285.226
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C004_E1_P003_T | P003 | target | C027_E1_P003_C | Mark, Selena, and Jim sitting and talking with each other while explaining the viral outbreak in the dark convenience store. | [
1156.112,
1253.397
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C027_E1_P003_C | P003 | confusable | C004_E1_P003_T | Jim and Selena sitting and talking with each other to converse emotionally in the dimly lit room. | [
4113.793,
4175.809
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C008_C008-2_P004_T | P004 | target | C020_E1_P004_C | Selena and Jim walking while walking and explaining in the empty city. | [
1815.093,
1892.434
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C020_E1_P004_C | P004 | confusable | C008_C008-2_P004_T | Jim and Selena walking slowly and standing still while walking and conversing in the countryside ruins. | [
3279.836,
3362.297
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C007_E1_P005_T | P005 | target | C022_U1_P005_C | The group remaining still as they sleep in the dark living room. | [
1582.873,
1632.783
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C022_U1_P005_C | P005 | confusable | C007_E1_P005_T | Frank and Jim remaining still while resting in the shelter and campsite. | [
3466.144,
3496.762
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C007_E4_P006_T | P006 | target | C042_E2_P006_C | An infected individual engaging in a fast, chaotic attack in the kitchen. | [
1713.783,
1737.783
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C042_E2_P006_C | P006 | confusable | C007_E4_P006_T | An infected man and a soldier engaging in a violent struggle to attack and overpower on the dark room floor. | [
5718.196,
5740.518
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C009_E2_P007_T | P007 | target | C036_E1_P007_C | Jim and Selena running fast to flee in the dark stairwell. | [
2014.434,
2050.434
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C036_E1_P007_C | P007 | confusable | C009_E2_P007_T | Jim, Selena, and Hannah sprinting frantically to run through the mansion in the dimly lit mansion interior. | [
4903.819,
4919.317
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C012_E1_P008_T | P008 | target | C035_E1_P008_C | Jim and Selena remaining stationary and talking while discussing with each other. | [
2299.89,
2389.213
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"subject"
] |
28 Days Later (2002) | C035_E1_P008_C | P008 | confusable | C012_E1_P008_T | Major West and Jim remaining stationary and talking while conversing with each other. | [
4786.099,
4895.817
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"subject"
] |
28 Days Later (2002) | C015_E1_P010_T | P010 | target | C024_T1_P010_C | The group in the cab driving and getting a flat tire in the black London taxi in the dark road tunnel. | [
2592.006,
2710.647
] | 6,787.616 | [
"subject",
"visual_anchor",
"core_action"
] | [
"context_setting"
] |
28 Days Later (2002) | C024_T1_P010_C | P010 | confusable | C015_E1_P010_T | The group driving through barricades in the black cab at the blockade entrance. | [
3731.954,
3784.119
] | 6,787.616 | [
"subject",
"visual_anchor",
"core_action"
] | [
"context_setting"
] |
28 Days Later (2002) | C015_U1_P011_T | P011 | target | C023_T2_P011_C | The black cab moving forward and exiting into the city exterior. | [
2580.573,
2592.006
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C023_T2_P011_C | P011 | confusable | C015_U1_P011_T | The black taxi moving fast as it drives on the deserted motorway. | [
3594.602,
3677.119
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C017_E1_P012_T | P012 | target | C024_T2_P012_C | The group walking and reaching to gather food items in the supermarket interior. | [
2859.296,
2886.29
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C024_T2_P012_C | P012 | confusable | C017_E1_P012_T | Frank and the group walking and standing while exploring and arguing in the abandoned military camp. | [
3784.119,
3859.907
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C021_T1_P013_T | P013 | target | C034_T1_P013_C | Jim and Selena making a sudden movement as he wakes and reacts to each other in the dark ruins. | [
3377.381,
3410.297
] | 6,787.616 | [
"interaction_cause",
"context_setting",
"motion_state"
] | [
"core_action"
] |
28 Days Later (2002) | C034_T1_P013_C | P013 | confusable | C021_T1_P013_T | Corporal Mitchell making aggressive physical contact as he harasses woman and strikes man, targeting Selena and Jim in the dimly lit room. | [
4710.159,
4742.556
] | 6,787.616 | [
"interaction_cause",
"context_setting",
"motion_state"
] | [
"core_action"
] |
28 Days Later (2002) | C001_T3_P014_T | P014 | target | C044_E1_P014_C | An infected individual thrashing and lunging to infects others, targeting the other activists in the primate research lab. | [
282,
303.109
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C044_E1_P014_C | P014 | confusable | C001_T3_P014_T | Mailer dropping and struggling as he attacks soldier in the bathroom. | [
5938.619,
5983.343
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C002_E1_P015_T | P015 | target | C044_E2_P015_C | Jim walking slowly as he explores hospital in the abandoned hospital. | [
339.989,
506.109
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C044_E2_P015_C | P015 | confusable | C002_E1_P015_T | Jim running and walking as he searches mansion in the mansion hallways. | [
5984.343,
6015.343
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C006_E1_P016_T | P016 | target | C043_E4_P016_C | Jim interacting with his deceased parents as he discovers bodies in the bedroom. | [
1389.562,
1448.164
] | 6,787.616 | [
"subject",
"core_action",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C043_E4_P016_C | P016 | confusable | C006_E1_P016_T | Jim interacting with the dead soldier as he arms himself in the mansion entrance. | [
5884.518,
5915.343
] | 6,787.616 | [
"subject",
"core_action",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C006_E3_P017_T | P017 | target | C012_E1_P017_C | Jim sitting and talking to recount a memory in the dark room. | [
1485.164,
1582.783
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C012_E1_P017_C | P017 | confusable | C006_E3_P017_T | Jim and Selena sitting and talking while discussing in the candlelit room. | [
2299.89,
2389.213
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C007_E2_P018_T | P018 | target | C018_T2_P018_C | Jim walking slowly to explore the dark kitchen. | [
1632.783,
1712.783
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C018_T2_P018_C | P018 | confusable | C007_E2_P018_T | Jim walking cautiously and swinging to explores and fights in the dark diner interior. | [
3076.533,
3121.533
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C010_E2_P020_T | P020 | target | C019_E1_P020_C | Frank, Hannah, Jim, and Selena sitting and drinking to pour and toast in the dim flat. | [
2145.839,
2203.075
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C019_E1_P020_C | P020 | confusable | C010_E2_P020_T | The group sitting to standing while having a picnic in the countryside ruins. | [
3209.337,
3265.142
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C005_E1_P021_T | P021 | target | C014_E1_P021_C | Jim, Mark, and Selena sitting and standing while discussing and agreeing in the dimly lit store. | [
1263.7,
1310.397
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C014_E1_P021_C | P021 | confusable | C005_E1_P021_T | The group of survivors standing and talking to listen and discuss on the balcony overlooking a city. | [
2465.103,
2580.573
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C016_E1_P022_T | P022 | target | C023_T1_P022_C | The survivor group frantically changing a tire and escaping around the black cab and tire iron in the dark, smoky tunnel. | [
2725.261,
2836.29
] | 6,787.616 | [
"subject",
"visual_anchor",
"core_action"
] | [
"context_setting"
] |
28 Days Later (2002) | C023_T1_P022_C | P022 | confusable | C016_E1_P022_T | The group packing belongings into the black taxi in the grassy area. | [
3565.48,
3594.602
] | 6,787.616 | [
"subject",
"visual_anchor",
"core_action"
] | [
"context_setting"
] |
28 Days Later (2002) | C018_U1_P023_T | P023 | target | C026_E1_P023_C | A vehicle driving as it arrives during a transition at the truck stop. | [
2962.533,
2978.457
] | 6,787.616 | [
"core_action",
"motion_state",
"temporal_composition"
] | [
"context_setting"
] |
28 Days Later (2002) | C026_E1_P023_C | P023 | confusable | C018_U1_P023_T | Vehicles driving to standing for transporting and greeting during a travel sequence followed by arrival at the mansion courtyard. | [
4012.157,
4093.838
] | 6,787.616 | [
"core_action",
"motion_state",
"temporal_composition"
] | [
"context_setting"
] |
28 Days Later (2002) | C021_T2_P024_T | P024 | target | C040_E1_P024_C | The group of survivors handling pills to distributes medication in the dark ruins. | [
3410.297,
3466.144
] | 6,787.616 | [
"subject",
"visual_anchor",
"core_action"
] | [
"context_setting"
] |
28 Days Later (2002) | C040_E1_P024_C | P024 | confusable | C021_T2_P024_T | Selena handling pills and a cup to forces pills in the bathroom. | [
5380.034,
5391.937
] | 6,787.616 | [
"subject",
"visual_anchor",
"core_action"
] | [
"context_setting"
] |
28 Days Later (2002) | C022_E1_P025_T | P025 | target | C037_E1_P025_C | Jim and Frank interacting with Frank for running, waking, comforting in the dream to dark shelter. | [
3496.762,
3534.602
] | 6,787.616 | [
"subject",
"core_action",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C037_E1_P025_C | P025 | confusable | C022_E1_P025_T | Jim and Farrell interacting with each other to sit and talk in the dark room. | [
4981.229,
5067.342
] | 6,787.616 | [
"subject",
"core_action",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C023_U1_P026_T | P026 | target | C047_U1_P026_C | Jim moving from lying to sitting as he wakes up in the outdoor ruins. | [
3534.602,
3565.48
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C047_U1_P026_C | P026 | confusable | C023_U1_P026_T | Jim, Selena, and Hannah lying down and sitting to wake up and prepare in the cottage interior and lakeside. | [
6324.37,
6346.676
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C033_E1_P029_T | P029 | target | C040_E3_P029_C | Soldiers running and shooting to defend the mansion exterior at night. | [
4616.054,
4699.556
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C040_E3_P029_C | P029 | confusable | C033_E1_P029_T | Soldiers running to mobilize inside the mansion. | [
5406.937,
5417.043
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C028_U1_P030_T | P030 | target | C045_E1_P030_C | Jim and Selena embracing and kissing indoors. | [
4175.809,
4200.309
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C045_E1_P030_C | P030 | confusable | C028_U1_P030_T | Jim, Selena, and Hannah embracing and running while reuniting and fleeing in the mansion interior. | [
6147.144,
6205.469
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C007_E3_P031_T | P031 | target | C043_E1_P031_C | Jim standing still to watch in the dark kitchen. | [
1712.783,
1713.783
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C043_E1_P031_C | P031 | confusable | C007_E3_P031_T | Jim and Mailer observing as Jim watches an attack in the mansion exterior and interior. | [
5771.518,
5813.518
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C032_E1_P032_T | P032 | target | C037_E1_P032_C | Sergeant Farrell sitting and talking as he delivers a monologue in the candlelit dining room. | [
4562.99,
4591.41
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C037_E1_P032_C | P032 | confusable | C032_E1_P032_T | Jim and Farrell sitting still to sit and talk in the dark room. | [
4981.229,
5067.342
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C032_E2_P033_T | P033 | target | C042_E1_P033_C | Hannah sitting and looking downcast as she refuses food and mourns in the candlelit dining room. | [
4592.91,
4613.223
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C042_E1_P033_C | P033 | confusable | C032_E2_P033_T | Selena, Hannah, and a soldier seated and pacing to converse and argue in the dimly lit ornate room. | [
5667.849,
5718.196
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C009_E3_P034_T | P034 | target | C046_U1_P034_C | Jim, Selena, Frank, and Hannah running to entering as they enter the apartment in the tiled corridor. | [
2050.434,
2105.839
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C046_U1_P034_C | P034 | confusable | C009_E3_P034_T | Jim, Selena, and Hannah running and entering the vehicle to run to the cab in the rainy courtyard at night. | [
6205.469,
6212.469
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C012_E1_P036_T | P036 | target | C042_E1_P036_C | Characters talking and discussing with each other in the candlelit room. | [
2299.89,
2389.213
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C042_E1_P036_C | P036 | confusable | C012_E1_P036_T | Characters seated and pacing to converse and argue with each other in the dimly lit ornate room. | [
5667.849,
5718.196
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C001_U1_P037_T | P037 | target | C007_E3_P037_C | A subject remaining restrained to watches screens showing violent footage in the laboratory. | [
26,
112.109
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C007_E3_P037_C | P037 | confusable | C001_U1_P037_T | A subject standing still to watch a video projection in the dark kitchen. | [
1712.783,
1713.783
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C002_E2_P038_T | P038 | target | C018_T1_P038_C | Jim walking as he wanders streets in deserted London. | [
506.109,
793.109
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C018_T1_P038_C | P038 | confusable | C002_E2_P038_T | Jim walking as he wanders away in the truck stop parking lot. | [
2978.457,
3076.533
] | 6,787.616 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
28 Days Later (2002) | C011_E1_P041_T | P041 | target | C027_E1_P041_C | Characters standing and talking while conversing through a door with each other in the dimly lit bathroom. | [
2217.909,
2285.226
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C027_E1_P041_C | P041 | confusable | C011_E1_P041_T | Characters sitting and talking to converse emotionally with each other in the dimly lit room. | [
4113.793,
4175.809
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C010_E1_P042_T | P042 | target | C035_E1_P042_C | Characters standing to introduce each other in the dim flat. | [
2107.49,
2145.839
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C035_E1_P042_C | P042 | confusable | C010_E1_P042_T | Characters remaining stationary while conversing with each other in the dimly lit room. | [
4786.099,
4895.817
] | 6,787.616 | [
"core_action",
"motion_state",
"interaction_cause"
] | [
"context_setting"
] |
28 Days Later (2002) | C017_U1_P044_T | P044 | target | C026_E1_P044_C | Characters driving then walking to arrive and enter during an arrival sequence at the supermarket exterior and entrance. | [
2836.29,
2859.296
] | 6,787.616 | [
"core_action",
"motion_state",
"temporal_composition"
] | [
"context_setting"
] |
28 Days Later (2002) | C026_E1_P044_C | P044 | confusable | C017_U1_P044_T | Characters driving to standing for transporting and greeting during a travel sequence followed by arrival at the mansion courtyard. | [
4012.157,
4093.838
] | 6,787.616 | [
"core_action",
"motion_state",
"temporal_composition"
] | [
"context_setting"
] |
28 Days Later (2002) | C029_E1_P048_T | P048 | target | C038_U1_P048_C | Characters walking in a continuous action to walk down corridor in the underground hallway. | [
4281.095,
4291.095
] | 6,787.616 | [
"core_action",
"motion_state",
"temporal_composition"
] | [
"context_setting"
] |
28 Days Later (2002) | C038_U1_P048_C | P048 | confusable | C029_E1_P048_T | Characters walking in a continuous movement while marching on the woodland path. | [
5067.342,
5099.18
] | 6,787.616 | [
"core_action",
"motion_state",
"temporal_composition"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C024_U1_P001_T | P001 | target | C035_U2_P001_C | Marina standing and singing an operatic piece in the living room. | [
3586.99,
3627.99
] | 6,240.235 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C035_U2_P001_C | P001 | confusable | C024_U1_P001_T | Marina standing and singing a vocal performance in the concert hall. | [
5776.516,
5896.516
] | 6,240.235 | [
"subject",
"core_action",
"motion_state"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C005_T1_P002_T | P002 | target | C034_U1_P002_C | Marina embracing and entering and kissing each other in the dark apartment interior. | [
636.928,
716.706
] | 6,240.235 | [
"core_action",
"motion_state",
"context_setting"
] | [
"interaction_cause"
] |
A Fantastic Woman (2017) | C034_U1_P002_C | P002 | confusable | C005_T1_P002_T | Marina embracing and kissing a man due to a vision of Orlando in the dark room. | [
5392.717,
5456.717
] | 6,240.235 | [
"core_action",
"motion_state",
"context_setting"
] | [
"interaction_cause"
] |
A Fantastic Woman (2017) | C007_U1_P003_T | P003 | target | C012_U1_P003_C | Marina sitting and driving the car while seen in the car interior. | [
869.9,
881.964
] | 6,240.235 | [
"subject",
"core_action",
"motion_state"
] | [
"visual_anchor"
] |
A Fantastic Woman (2017) | C012_U1_P003_C | P003 | confusable | C007_U1_P003_T | Marina seated and steering and driving while wearing sunglasses and holding the steering wheel. | [
1501.65,
1526.65
] | 6,240.235 | [
"subject",
"core_action",
"motion_state"
] | [
"visual_anchor"
] |
A Fantastic Woman (2017) | C010_U1_P004_T | P004 | target | C025_T3_P004_C | Marina walking and walking away through the nighttime streets. | [
1256.082,
1349.181
] | 6,240.235 | [
"subject",
"core_action",
"motion_state"
] | [
"visual_anchor"
] |
A Fantastic Woman (2017) | C025_T3_P004_C | P004 | confusable | C010_U1_P004_T | Marina walking and walking away while wearing a blue dress. | [
3876.759,
3886.167
] | 6,240.235 | [
"subject",
"core_action",
"motion_state"
] | [
"visual_anchor"
] |
A Fantastic Woman (2017) | C009_E3_P005_T | P005 | target | C024_T2_P005_C | Marina talking on the phone with a phone call recipient outside the hospital at night. | [
1178.541,
1256.082
] | 6,240.235 | [
"subject",
"core_action",
"interaction_cause"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C024_T2_P005_C | P005 | confusable | C009_E3_P005_T | Marina making a phone call to a phone recipient in the apartment hallway. | [
3754.99,
3765.759
] | 6,240.235 | [
"subject",
"core_action",
"interaction_cause"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C013_E1_P006_T | P006 | target | C024_T2_P006_C | Marina talking on the phone during a phone call while holding a phone. | [
1621.787,
1692.146
] | 6,240.235 | [
"subject",
"core_action",
"interaction_cause"
] | [
"visual_anchor"
] |
A Fantastic Woman (2017) | C024_T2_P006_C | P006 | confusable | C013_E1_P006_T | Marina making a phone call to a phone recipient while holding a luggage bag. | [
3754.99,
3765.759
] | 6,240.235 | [
"subject",
"core_action",
"interaction_cause"
] | [
"visual_anchor"
] |
A Fantastic Woman (2017) | C014_E2_P007_T | P007 | target | C021_E1_P007_C | Marina and Detective Cortés conversing with each other in the arcade hallway. | [
1715.146,
1918.997
] | 6,240.235 | [
"subject",
"interaction_cause",
"core_action"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C021_E1_P007_C | P007 | confusable | C014_E2_P007_T | Marina and Detective Cortés walking and arguing with each other in the police or medical facility. | [
3086.375,
3291.382
] | 6,240.235 | [
"subject",
"interaction_cause",
"core_action"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C010_U1_P008_T | P008 | target | C024_U2_P008_C | Marina walking through the city streets while leaving. | [
1256.082,
1349.181
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"interaction_cause"
] |
A Fantastic Woman (2017) | C024_U2_P008_C | P008 | confusable | C010_U1_P008_T | Marina walking with difficulty through the city street against the strong wind. | [
3627.99,
3716.99
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"interaction_cause"
] |
A Fantastic Woman (2017) | C010_U1_P009_T | P009 | target | C030_U1_P009_C | Marina walking through the city streets while walking away. | [
1256.082,
1349.181
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"core_action"
] |
A Fantastic Woman (2017) | C030_U1_P009_C | P009 | confusable | C010_U1_P009_T | Marina walking through the city street while she walks towards the building. | [
4824.442,
4866.32
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"core_action"
] |
A Fantastic Woman (2017) | C025_T3_P011_T | P011 | target | C030_U1_P011_C | Marina walking down the city sidewalk while she walks away. | [
3876.759,
3886.167
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"core_action"
] |
A Fantastic Woman (2017) | C030_U1_P011_C | P011 | confusable | C025_T3_P011_T | Marina walking down the city street while she walks towards the building. | [
4824.442,
4866.32
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"core_action"
] |
A Fantastic Woman (2017) | C012_U2_P012_T | P012 | target | C031_U1_P012_C | Marina walking and walking through the arcade. | [
1526.65,
1545.65
] | 6,240.235 | [
"subject",
"motion_state",
"core_action"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C031_U1_P012_C | P012 | confusable | C012_U2_P012_T | Marina walking and navigating the sauna in the sauna interior. | [
4907.774,
5030.4
] | 6,240.235 | [
"subject",
"motion_state",
"core_action"
] | [
"context_setting"
] |
A Fantastic Woman (2017) | C007_U1_P014_T | P014 | target | C019_U1_P014_C | Marina driving the car in the moving car with Orlando. | [
869.9,
881.964
] | 6,240.235 | [
"subject",
"core_action",
"context_setting"
] | [
"interaction_cause"
] |
A Fantastic Woman (2017) | C019_U1_P014_C | P014 | confusable | C007_U1_P014_T | Marina driving in the car interior alone. | [
2606.226,
2639.47
] | 6,240.235 | [
"subject",
"core_action",
"context_setting"
] | [
"interaction_cause"
] |
A Fantastic Woman (2017) | C018_U2_P015_T | P015 | target | C032_U1_P015_C | Marina sitting in the car interior while she waits in the car wash. | [
2519.645,
2570.902
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"core_action"
] |
A Fantastic Woman (2017) | C032_U1_P015_C | P015 | confusable | C018_U2_P015_T | Marina sitting and walking in the taxi and dirt road while she rides in the taxi and walks. | [
5173.499,
5196.483
] | 6,240.235 | [
"subject",
"motion_state",
"context_setting"
] | [
"core_action"
] |
CoM2-Bench: Grounding Confusable Movie Moments
Paper (arXiv 2610.23910) · Project page
Characters, locations, and actions recur throughout a movie, so many of its moments differ only in fine-grained details. CoM2-Bench evaluates temporal grounding in full-length movies with confusable query pairs: the two queries in each pair share three semantic attributes but differ in one, and they point to two temporally distant moments in the same movie. A model must ground each query in the full movie, so success requires resolving the single detail that tells the two moments apart.
This repository contains annotations only. Videos and subtitles are not redistributed (see Obtaining the videos).
Splits
| Split | Movies | Hours | Pairs | Queries | Verification |
|---|---|---|---|---|---|
test |
46 | 90.4 | 1,507 | 3,014 | Human-verified |
train |
64 | 123.5 | 2,865 | 5,730 | Automatically generated, not human-reviewed |
- The two splits use disjoint sets of movies.
- Use
testfor evaluation.trainwas used only to fine-tune a retriever in the paper and is released for reproducibility; it may contain noisy queries or intervals. - Test statistics: average movie length 117.8 min; average query length 14.9 words; average moment length 60.2 s (median 42.5 s); paired moments are 35.3 min apart on average (median 29.7 min).
Data fields
Each line of data/{split}.jsonl is one query.
| Field | Type | Description |
|---|---|---|
movie |
string | Movie title as it appears in ALLVB, e.g. "12 Years A Slave (2013)" |
query_id |
string | Query identifier, unique within a movie |
pair_id |
string | Pair identifier, unique within a movie |
pair_role |
string | "target" or "confusable" |
paired_query_id |
string | query_id of the other query in the pair |
sentence |
string | The natural-language query |
timestamps |
[float, float] | Ground-truth moment [start, end] in seconds of the full movie |
movie_duration |
float | Movie duration in seconds |
shared_attributes |
list[string] | The three attribute slots shared with the paired query |
contrast_attributes |
list[string] | The one attribute slot that differs from the paired query |
Attribute slots: subject, core_action, motion_state, interaction_cause, context_setting, visual_anchor, temporal_composition.
query_id and pair_id are unique only within a movie, so use (movie, query_id) as the key.
Example:
{"movie": "12 Years A Slave (2013)", "query_id": "C003_U1_P001_T", "pair_id": "P001",
"pair_role": "target", "paired_query_id": "C061_U1_P001_C",
"sentence": "A man writes a letter using paper and ink in a dark room.",
"timestamps": [184.225, 224.225], "movie_duration": 8050.167,
"shared_attributes": ["subject", "core_action", "interaction_cause"],
"contrast_attributes": ["context_setting"]}
Usage
from datasets import load_dataset
ds = load_dataset("queez0405/CoM2-Bench", split="test")
Obtaining the videos
The movies and subtitles come from ALLVB. Download them from ALLVB under its own terms of use, then match each annotation to its video by the movie title. The video and subtitle files are governed by ALLVB's terms, not by the license of this repository.
Evaluation
Each query is grounded independently in its full movie; the paired query, the pair role, and the attribute labels must not be given to the model as input. Missing or invalid predictions count as IoU 0.
- mIoU: mean temporal IoU over all queries.
- R@1@θ: percentage of queries whose top-1 prediction has IoU ≥ θ, for θ ∈ {0.3, 0.5, 0.7}.
- PairSuccess@θ: percentage of pairs for which both queries reach IoU ≥ θ.
Dataset creation
Queries were generated with Gemini 3.1 Pro in three stages: (1) subtitle-anchored clip segmentation, which groups consecutive subtitle cues into clips and describes each clip; (2) event-level attribute generation from context-expanded clip videos and descriptions, which proposes event intervals with structured attributes; and (3) confusable query pair generation, which builds parallel queries that share three attributes and contrast in one.
For the test split, every pair was reviewed by human annotators in a web interface that plays the movie with subtitles. Each query received a verdict in an initial pass and again in a second pass by a different annotator, and pairs with disagreeing verdicts were adjudicated. A pair was kept only if both queries were valid and unambiguous, the described content appeared within the ground-truth interval, and the interval tightly covered the event. See the appendix of the paper for details. The train split did not go through human verification.
License
The annotations in this repository are released under CC BY 4.0. This license does not cover the movies or subtitles, which must be obtained from ALLVB under its terms.
Citation
@article{kim2026grounding,
title = {Grounding Confusable Movie Moments},
author = {Kim, Dong-Hee and Choi, Seonwoo and Kim, Changbeen and Ko, Juyeon and
Choi, Youngju and Mun, Il Hyeon and Kim, Hyunwoo J. and Kim, Donghyun},
journal = {arXiv preprint arXiv:2610.23910},
year = {2026}
}
Please also cite ALLVB if you use its videos.
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