Datasets:

baiango
/

minicpm5-sft3-3turn

instruction stringlengths 101 215	pieces listlengths 3 3	turn_words listlengths 3 3	words int64 1.5k 2.1k
Write a short story in the Fantasy genre, in third person, present tense. Draw on the flavors of Moorish Fantasy and Wildfire Wildness.	[ "Dust turned the brass lever. The Quartermaster's fingers, knuckles white on the valve, pressed the wheel beside it and the mechanism shuddered once, then settled. Between the copper pipes and the sandstone walls of the irrigation gallery, Zara Quintero, the clerk, watched the pressure gauge climb. The needle jumpe...	[ 387, 506, 696 ]	1,588
Write a Biography story, in first person, present tense, that leans on Silent Chronicle and Echoes of the Forgotten for atmosphere.	[ "Footsteps echoed down the library corridor, and I adjusted the cardigan I had borrowed from Mrs. Lisbona's chair. The wool scratched my wrist, the way it always did when she left it draped over the reading room table. Glass doors stood open to the children's section, plastic ducks floating in a blue bin, one red d...	[ 505, 755, 523 ]	1,783
Write a Magical Realism story, in first person, present tense, that leans on Inspiral Mystery and Celestial Snitch for atmosphere.	[ "Clouds pressed low over the observatory roof, blocking the stars I came to read. The brass dome stood half-open, its sectors catching the last of the sky, but the constellations had already slipped behind the veil of the city. I checked the time on my watch: ten minutes past midnight, the hour when the night clerk...	[ 713, 611, 483 ]	1,794
Write an complete Adventure short story, in first person, present tense, with Mekong Adventure and Miner's Delight woven into the setting.	[ "Rain drums the tin roof of the old trading post as I sort through the ledger book, pages stuck together from humidity. Aduba, the clerk, sits behind the counter counting kyat coins, his calloused fingers moving slow against the worn wood.\n\nCeiling fan creaks overhead, one blade missing, swaying in the heat. I tr...	[ 295, 575, 983 ]	1,857
Write a short story in the Dystopian genre, in third person, past tense; incorporate elements of Alienation and Futurist.	[ "Concrete floor carried the drag of Winterhalter's boot across its length. Scratches caught the nylon stocking pulled over his left calf, and the heel of his other foot tapped once against the tile before settling still, remembering the rhythm that the building's old heating system had just cut off with a metallic ...	[ 878, 689, 303 ]	1,870
Write a complete Children's short story, in second person, present tense, with Time-Traveling Picture Books and The Unseen Book woven into the setting.	[ "You turn the page of The Wind in the Willows and the ink is still wet. River water clings to the paper, cool and slick beneath your fingertip, carrying the ghost of something brown and leaf-like, the illustration shows Rat standing in a boat, but the paint is raised, almost real enough to peel. You press harder an...	[ 467, 614, 898 ]	1,986
Write a short story in the Espionage genre, in first person, past tense; incorporate elements of Witchcraft Espionage and Cultural Espionage.	[ "Ink bled through the page as I copied the name list, the nib catching on fibers the way Mrs. Whitfield's needles used to catch on her embroidery cloth. Between the stacks a draft moved the loose paper from my hand, and the clerk, Mr. Whitfield, yes, reached past his spectacles to steady the table without looking u...	[ 421, 510, 851 ]	1,794
Write a complete Mystery short story, in second person, past tense, with Mysterious Travel and Rural Noir Mystery woven into the setting.	[ "You're in the wrong room. That was Drennan behind the desk. The fluorescent light buzzed above his shoulder, casting a yellow square onto his paperwork. The waiting area floor was vinyl tile, black and white squares worn smooth in the center where countless shoes had scraped across it. Your boots scuffed one tile ...	[ 578, 564, 592 ]	1,735
Write a short story in the Noir genre, in third person, past tense; incorporate elements of Stealth Noir and Noir of the Pacific.	[ "Parking lot stripe paint, fresh and blue, still tacky under Lisowski's palm. The night shift clerk had left three hours early, keys jingling on the dashboard of the rental Corolla, engine cold. Waves from the harbor broke in even syllables against the concrete seawall, carrying that salt into the paint fumes. Liso...	[ 465, 696, 920 ]	2,083
Write a Drama story, in first person, present tense, that leans on Conversational Drama and Adaptation for atmosphere.	[ "Ariyoshi-san taps the counter twice, once, twice again. His knuckles are red at the joints, the skin split on the left index finger. The waiting room chair squeaks when Mrs. Ariyoshi shifts her weight, a high thin sound from the vinyl seat. Fluorescent light overhead stutters, then steadies, casting the formica ta...	[ 511, 638, 628 ]	1,786
Write a short story in the Noir genre, in second person, present tense. Let Krazy Kat Noir and Gothic Tragedy shape its world.	[ "Thunder follows the train, not the other way around. You press your palm to the cool glass of the diner window as the 3:17 from Yuma grinds to a stop three tracks over. The station is a splintered platform with a single bulb swinging by a frayed cord, casting shadows that stretch and snap like broken film. The sig...	[ 407, 517, 780 ]	1,707
Write a short story in the Memoir genre, in third person, present tense; incorporate elements of Pilot Memoir and Surreal Memoir Narratives.	[ "Morning light cut across the radio console in blocks, bright enough that Carrow squintED even after adjusting the dial. The tower stretched above the tree line in silver panels that caught the sun and sent it back white. Carrow's hands found that same frequency without looking, the way they found the coffee cup on...	[ 483, 470, 969 ]	1,921
Write a complete Magical Realism short story, in first person, past tense, with Astral Stilt Houses and Ethereal Thieves woven into the setting.	[ "Astral Stilt Houses stood in the bay, their pilings driven through cloud cover into nothing. I had been living in Prybylski's house for three months, he was the astronomer who measured starlight with glass tubes and never spoke above a murmur, when the first ethereal thief began climbing the external stairs.\n\nTh...	[ 510, 636, 634 ]	1,787
Compose a Folklore short story, in second person, present tense. Let Giant Footsteps and Vodou inform the premise.	[ "Kubiak shuffles the cards face-up across the table. The plastic slides with a dry rasp, blue-backed rectangles flaring between lamplight and shadow, each one marked with symbols you almost recognize until Kubiak's thumb flips another card over and the pattern changes. The cafe table wobbles on its rusted tripod le...	[ 526, 542, 679 ]	1,760
Write a short story in the Contemporary genre, in first person, past tense. Draw on the flavors of Narrative Drift and Paranormal Realism.	[ "Fluorescent hum over the pharmacy checkout counter shifted pitch as Wozniak, the clerk, scanned the dents in my grocery receipt. His knuckles whitened around the scanner gun, yellow plastic, chipped at the corner, until the barcode caught and a red beam cut across the packed lettuce. I counted the change twice. Th...	[ 498, 668, 901 ]	2,085
Write a Crime story, in first person, past tense, that leans on Folkloric Murders and Digital Art Heist for atmosphere.	[ "Basement tiles clicked under the Vasconcelos twins' shoes, each step a wet slap against the cracked linoleum. Behind the counter, the clerk sorted bills by denomination, flicking his wrist so the corners aligned. I counted five hundred envelopes nailed to the community board, each tagged with a barcode and a name ...	[ 456, 513, 934 ]	1,886
Compose a Contemporary short story, in second person, past tense. Let Mythic Displacement and Nigerian Folklore Fiction inform the premise.	[ "You found the envelope taped to the bottom of your mother's kitchen cabinet, beneath the roll of aluminum foil she used to cover the casserole dish on Sundays. The adhesive had yellowed and cracked, and your thumb tore through paper that felt thicker than stationery, more like cardstock cut from a manila folder. T...	[ 485, 571, 615 ]	1,672

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minicpm5-sft3-3turn

Training / validation data for stage 1 (SFT) of the writing ladder behind baiango/minicpm5-ul4b-story. English fiction: each record is a templated writing instruction plus a three-segment story distilled from teacher poolside/laguna-s-2.1 (3-turn chunked generation, automated quality gates).

Generation and training code for the full ladder: baiango/minicpm5-story-ladder.

Dataset summary

1,637 train / 40 valid records, one uniform schema across both splits.
~2.9M story words in total (as counted from the text; the recorded words field sums to 2,934,795 — see schema note).

Prompt template

Instructions share one axis grid — 34 genres × first/second/third person × past/present tense × a pair of flavor tags drawn from ~1,600 distinct tags (1,600 unique pairs across the 1,677 records, so pairs are effectively per-row) — rendered in seven phrasings (six in regular ~250–310-row rotation, plus one sparse 14-row variant):

Write a short story in the {genre} genre, in {pov} person, {tense} tense. Draw on the flavors of {f1} and {f2}.
Write a short story in the {genre} genre, in {pov} person, {tense} tense; incorporate elements of {f1} and {f2}.
Write a {genre} story, in {pov} person, {tense} tense, that leans on {f1} and {f2} for atmosphere.
Write a complete {genre} short story, in {pov} person, {tense} tense, with {f1} and {f2} woven into the setting.
Write a short story in the {genre} genre, in {pov} person, {tense} tense. Let {f1} and {f2} shape its world.
Compose a {genre} short story, in {pov} person, {tense} tense. Let {f1} and {f2} inform the premise.
Compose a {genre} short story, in {pov} person, {tense} tense, where {f1} and {f2} inform the premise.

Grammar agrees with the genre ("a horror story", "an action story").

Schema

field	type	description
`instruction`	string	the 3-turn writing task (template above)
`pieces`	list[string] ×3	the story segments, one per turn (all prose)
`turn_words`	list[int] ×3	the teacher's pre-generation word plan for the three turns (sums ≈ `words`)
`words`	int	recorded total word count — recorded pre-edit, so it drifts a few words from the `pieces` sum (up to ~280 in the tail)

All splits share one uniform schema.

Stats (train split)

split	rows	words: min / median / max	total words	median words/turn (actual)
train	1637	1503 / 1781 / 2099	2,934,795	534
valid	40	1581 / 1780 / 2003	71,373	549

Piece length vs the turn_words plan (train, actual/target ratio): turn 1 median 1.00 (p10–p90 0.99–1.00), turn 2 median 1.71 (1.43–1.96), turn 3 median 0.27 (0.06–0.60). This is a storage artifact, not the teacher missing its plan — assembled stories were re-cut into three pieces at the paragraph boundaries nearest the cumulative plan targets. Treat per-turn lengths as approximate outside turn 1.

Usage

from datasets import load_dataset
ds = load_dataset("baiango/minicpm5-sft3-3turn", "data3")

Generation process & limitations

Fully synthetic. Instructions are assembled from the templates above; story text was distilled from a stronger teacher LLM. Biases of the teacher carry over.
English only; fiction only. Instruction constraints (genre/tense) are reliable in aggregate, but POV adherence is imperfect in the underlying data.
No human curation beyond automated quality gates; not intended as a reading corpus.
Relationship to self-draw data: the model's later ladder stages (dagger2, grpo3, ul4) train on model self-draws labeled by automated gates — those harvest pools are not part of this dataset and are not distributed. This repo is only the SFT-stage training data.

License

Released under CC0 1.0 (public domain dedication).

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