Company: TGE
Filing Date: 2025-03-21
Form Type: DRS/A
Source: 0001013762-25-001106
Chunk: 337

Company: Generation Essentials Group
Filing Date: 2025-03-21
Form: DRS/A
Chunk 337
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 requires the implementation of measures to fight online hate; •the Law of 4 January 2010 that protects the confidentiality of journalists’ sources, and the Law of 14 November 2016 that requires press companies to introduce an ethics charter within their business; •obligations applying to advertising, in particular as regards the distinction between advertising space and editorial content ( Loi Léotard) and the obligation to identify online advertising (LCEN). Distribution of audiovisual works Our French subsidiaries interested in distributing audiovisual works may have to comply in particular to the following rules (some of which are genuinely specific to France): •copyright law, the rules of which are codified in the French Intellectual Property Code; •the principle of release window schedule ( chronologie des médias), which governs the chronology of releases on the various distribution channels (cinemas, television, VOD services, etc.). This chronology is decided by professional agreement, the latest in force being that provided for in the Order of February9, 2025; •the rules codified in the French Cinema and Moving Image Code (“ CMI”, Code du cinéma et de l’image animée). The rules vary depending on the distribution channel for the audiovisual work. In particular, as the audiovisual sector is eligible for financial aid from the CNC ( Centre National du Cinéma et de l’image animée), distributors of a certain number of works must send to the CNC, accounts of the exploitation of the work on a regular basis (art. L251 -5CMI); •the FHC (art. L131 -1to L133 -1, and art. R131 -1à R133 -1-1) that requires distributors of all foreign cinematographic works broadcast in cinemas to submit a legal deposit to the CNC, once they have been approved for broadcasting. Depending on the case, the distributor may also be responsible for obtaining the necessary visabefore any public broadcasting of the audiovisual work; European rules resulting from Audiovisual Media Services Directive 2018/1808 that were transposed by the Order of 21 December 2020. This order sets out financing of audiovisual creation requirements and strengthens the powers of ARCOM, the authority responsible for regulating audiovisual and digital communication in France. 210 TGE ’S MANAGEMENT’S DISCUSSION AND ANALYSIS OF FINANCIAL CONDITION AND R ESULTS OF OPER ATIONS Unless the context otherwise requires, all references in this section to “ TGE ,