original stringlengths 764 27.3k | prompt dict | response_0 stringlengths 131 13k | response_1 stringlengths 0 13.3k | generator_model stringclasses 1
value | generation_params stringclasses 1
value | final_response stringlengths 268 13.3k | jaccard_1 float64 0 1 | jaccard_2 float64 0 1 | levenshtein float64 1 22k | cosdist float64 -0.01 0.88 | original_editlens_bucket_roberta_large int64 0 3 | original_editlens_score_roberta_large float64 0.01 0.98 | final_response_editlens_bucket_roberta_large int64 0 3 | final_response_editlens_score_roberta_large float64 0.01 1 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Welcome to the online home of the National Center for Arts Research, where data-driven insights help advance the arts in the U.S.
It all began on February 13, 2012, when SMU’s Meadows School of the Arts and Cox School of Business hosted a public forum with the Cultural Data Project (CDP) and the national arts marketing... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nChange the tone of this text to be more relaxed and friendly.\nOutput the full new text with no extra statements or commentations.\nBegin directly with the text itself. Do not add a title, a heading, or a label naming what you have written.\nThe topic of the ... | Welcome to the online home of the National Center for Arts Research! We're all about using data to help the arts thrive across the U.S.
Our story started back on February 13, 2012, when SMU’s Meadows School of the Arts and Cox School of Business teamed up with the Cultural Data Project (CDP) and TRG Arts for a public ... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | Welcome to the online home of the National Center for Arts Research! We're all about using data to help the arts thrive across the U.S.
Our story started back on February 13, 2012, when SMU’s Meadows School of the Arts and Cox School of Business teamed up with the Cultural Data Project (CDP) and TRG Arts for a public f... | 0.654545 | 0.834409 | 854 | 0.047 | 0 | 0.014752 | 1 | 0.345223 | |
The World in Which We Occur is an event series co-led by Margarida Mendes and Jennifer Teets, taking place live over the telephone, and formulated around questions addressed by speakers across the world. Embarking on modern day issues rooted in the history of materiality and flux as well as pertinent politically enmesh... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nModify this text to be as long as possible. At least half of the original text must be repeated verbatim, and at most three quarters of it; the remainder must be new prose.\nOutput the full new text with no extra statements or commentations.\nBegin directly w... | The World in Which We Occur is an event series co-led by Margarida Mendes and Jennifer Teets, taking place live over the telephone, and formulated around questions addressed by speakers across the world. This conceptual framework transforms the telecommunications infrastructure into a site of aesthetic exploration, tre... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | The World in Which We Occur is an event series co-led by Margarida Mendes and Jennifer Teets, taking place live over the telephone, and formulated around questions addressed by speakers across the world. This conceptual framework transforms the telecommunications infrastructure into a site of aesthetic exploration, tre... | 0.293358 | 0.369847 | 2,106 | 0.128858 | 0 | 0.017546 | 1 | 0.391912 | |
“Doing what you love is a fight – an ongoing battle against every influence that wants you to conform. There is no solace in the conformity, only a blurred view of what you set out to be. Spend your life creating something. Betray The Institution.”
This manifesto of mine adorns every package that ships out of Dark Coll... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nTake inspiration from the style, language, and content of this text, and write a new piece of text on a topic of your choice. However, you should write the new text as if it was a rough draft being typed out on a phone.\nOutput the full new text with no extra... | "The world wants you to play it safe. They want you to fit into a box, a grid, a template. But the real work happens when you break the grid. If you aren't pushing against the grain, you aren't creating, you're just replicating."
I’m putting this on the landing page because I want people to know exactly who they're de... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | "The world wants you to play it safe. They want you to fit into a box, a grid, a template. But the real work happens when you break the grid. If you aren't pushing against the grain, you aren't creating, you're just replicating."
I’m putting this on the landing page because I want people to know exactly who they're dea... | 0.862471 | 0.966844 | 1,861 | 0.309178 | 0 | 0.010297 | 3 | 0.927285 | |
ATO RIBEIRO: Home Coming
November 3 - December 10, 2017
Anastasia Tinari Projects is thrilled to present Home Coming, Ato Ribeiro's first U.S. solo exhibition. With extreme precision and craftsmanship, the artist creates intricately detailed, complex patterned “wooden kente cloths” using humble pieces of pine, ebony, a... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nChange the tone of this text to be more empathetic and understanding.\nOutput the full new text with no extra statements or commentations.\nBegin directly with the text itself. Do not add a title, a heading, or a label naming what you have written.\nThe topic... | ATO RIBEIRO: Home Coming
November 3 - December 10, 2017
Anastasia Tinari Projects is honored to share "Home Coming," the first U.S. solo exhibition by Ato Ribeiro. With a gentle precision and deep care, Ato creates intricately detailed "wooden kente cloths," breathing new life into humble pieces of pine, ebony, ash, m... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | ATO RIBEIRO: Home Coming
November 3 - December 10, 2017
Anastasia Tinari Projects is honored to share "Home Coming," the first U.S. solo exhibition by Ato Ribeiro. With a gentle precision and deep care, Ato creates intricately detailed "wooden kente cloths," breathing new life into humble pieces of pine, ebony, ash, ma... | 0.681948 | 0.837043 | 2,974 | 0.050912 | 0 | 0.048409 | 1 | 0.328717 | |
Philip Jay O’Meilia was born in 1927 in Tulsa, Oklahoma, where he resides today. Between military stints during WWII and Korea (serving as a Navy artist), he attended the Art Students League in New York (1945-46, 1947-49) and the Chicago Academy of Fine Art (1946-47). He also attended the Cape School of Art in Province... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nWrite a detailed descriptor for the style of writing of this text, including its qualitative and quantitative properties.\nDo not output anything besides what you were requested to write, and do not output any extra commentary.\nThe topic of the final text sh... | **Topic:** Art & Design
**Format:** About (Pers.)
**Qualitative Properties**
The writing style is biographical and formal, utilizing a journalistic, third-person objective perspective. The tone is celebratory yet restrained, aiming to establish the subject's prestige through a factual enumeration of credentials, award... | Born and educated in the rigorous traditions of classical art, the artist began their formal training at the National Academy of Fine Arts, where they developed a mastery of anatomy and composition. This educational foundation was further strengthened through specialized studies in Europe, providing a technical versati... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | Born and educated in the rigorous traditions of classical art, the artist began their formal training at the National Academy of Fine Arts, where they developed a mastery of anatomy and composition. This educational foundation was further strengthened through specialized studies in Europe, providing a technical versati... | 0.902887 | 0.978369 | 1,716 | 0.413096 | 0 | 0.115853 | 3 | 0.999591 |
I’m a Hobby/Amateur Photographer, and started taking photo’s when I was around 11 years old and a member of the school Camera Club.
Due to a major change in lifestyle and responsibilities I was forced to sideline my hobby.
Now things have changed, I am taking the time to reignite my passion as I find photography very r... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nModify this text to be as long as possible. At least half of the original text must be repeated verbatim, and at most three quarters of it; the remainder must be new prose.\nOutput the full new text with no extra statements or commentations.\nBegin directly w... | I am a dedicated student of Art & Design, specifically focusing on the visual language of photography. I’m a Hobby/Amateur Photographer, and started taking photo’s when I was around 11 years old and a member of the school Camera Club. During those formative years, I discovered a profound fascination with how light inte... | I am a dedicated student of Art & Design, specifically focusing on the visual language of photography. To me, art is not merely a skill but a way of perceiving the very fabric of reality. I’m a Hobby/Amateur Photographer, and started taking photo’s when I was around 11 years old and a member of the school Camera Club. ... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | I am a dedicated student of Art & Design, specifically focusing on the visual language of photography. To me, art is not merely a skill but a way of perceiving the very fabric of reality. I’m a Hobby/Amateur Photographer, and started taking photo’s when I was around 11 years old and a member of the school Camera Club. ... | 0.638672 | 0.696864 | 3,751 | 0.235929 | 0 | 0.011414 | 1 | 0.432532 |
My name is Kanika Marshall and my goal is to share the strength and majesty of ancient cultures via beautiful, spiritual sculptures and clay pottery that I hand-sculpt in my private art studio near Sacramento, California.
I am most inspired by artwork that uses the interplay of various media to show the connection betw... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nEdit this text by replacing, removing or inserting twenty to thirty words, without changing anything else.\nOutput the full new text with no extra statements or commentations.\nBegin directly with the text itself. Do not add a title, a heading, or a label nam... | My name is Kanika Marshall and my goal is to share the strength and majesty of ancient cultures via beautiful, spiritual sculptures and clay pottery that I hand-sculpt in my private art studio near Sacramento, California.
I am most inspired by artwork that uses the interplay of various media to show the connection betw... | My name is Kanika Marshall and my goal is to share the strength and majesty of ancient cultures via beautiful, spiritual sculptures and clay pottery that I hand-sculpt in my private art studio near Sacramento, California.
I am most inspired by artwork that uses the interplay of various media to show the connection betw... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | My name is Kanika Marshall and my goal is to share the strength and majesty of ancient cultures via beautiful, spiritual sculptures and clay pottery that I hand-sculpt in my private art studio near Sacramento, California.
I am most inspired by artwork that uses the interplay of various media to show the connection betw... | 0.021277 | 0.054054 | 27 | -0.003171 | 0 | 0.01679 | 0 | 0.017603 |
Hello and welcome to my website. My name's Lee Bofkin and I'm passionate about many things. On this page you'll find some clips of me bboying (breakdancing), interviewing bboys and running around London in a gorilla suit. I also photograph graffiti, write for Sense Magazine in LA and produce original designs and artwor... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nModify this text to be as long as possible. At least half of the original text must be repeated verbatim, and at most three quarters of it; the remainder must be new prose.\nOutput the full new text with no extra statements or commentations.\nBegin directly w... | Hello and welcome to my website. My name's Lee Bofkin and I'm passionate about many things. On this page you'll find some clips of me bboying (breakdancing), interviewing bboys and running around London in a gorilla suit. I also photograph graffiti, write for Sense Magazine in LA and produce original designs and artwor... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | Hello and welcome to my website. My name's Lee Bofkin and I'm passionate about many things. On this page you'll find some clips of me bboying (breakdancing), interviewing bboys and running around London in a gorilla suit. I also photograph graffiti, write for Sense Magazine in LA and produce original designs and artwor... | 0.463889 | 0.519573 | 1,854 | 0.232149 | 0 | 0.030678 | 0 | 0.199318 | |
New research by WIPO shows that a wide range of factors, and not income alone, motivates creators to engage in creative activity and explores what this means for copyright policy and public funding of the arts.
Legal scholars worry about the increasing disconnect between the formal exercise of rights conferred by copyr... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nWrite a new piece of text that is on a completely different topic, but reuses verbatim as many phrases and sentences from this text as possible.\nOutput the full new text with no extra statements or commentations.\nBegin directly with the text itself. Do not ... | The study of contemporary aesthetic theory explores what this means for copyright policy and public funding of the arts. When determining intervention goals and assessing their impact, policy makers may want to consider all relevant sources of motivation that nurture creativity so that society benefits from its full po... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | The study of contemporary aesthetic theory explores what this means for copyright policy and public funding of the arts. When determining intervention goals and assessing their impact, policy makers may want to consider all relevant sources of motivation that nurture creativity so that society benefits from its full po... | 0.630094 | 0.725137 | 6,532 | 0.129056 | 0 | 0.03863 | 1 | 0.258934 | |
Today we share with you an interview with Scott Riley a user experience designer who has a focus on interaction design.
Who is Scott Riley?
Scott Riley is a user experience designer who’s preferred focus is interaction design. He likes finding new ways to delight users through sexy visuals, awesome interactions and emo... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nTranslate the given text to Chinese.\nDo not output anything besides what you were requested to write, and do not output any extra commentary.\nThe topic of the final text should be Art & Design and the format of the final text should be Audio Transcript.",
... | （音频转录文本）
今天我们将为大家带来一次与 Scott Riley 的访谈，他是一位专注于交互设计的用户体验设计师。
**问：Scott Riley 是谁？**
答：Scott Riley 是一位用户体验设计师，他最倾向的领域是交互设计。他热衷于通过极具吸引力的视觉效果、绝佳的交互体验以及情感投入来让用户感到愉悦。此外，他喜欢纹身和啤酒，并且愿意为了 Nutella 巧克力酱做出极端的举动。
**问：你是如何通过学习最终进入目前的工作状态的？**
答：高中时我想制作游戏，所以开始学习 ActionScript 并做了一些相当糟糕的游戏。后来我接触到了一个叫 RPG Maker 的程序，那玩意儿太棒了。它基本上是点选式游戏创建... | Today, we bring you an interview with Scott Riley, a UX designer specializing in interaction design.
**Q: Who is Scott Riley?**
A: Scott Riley is a user experience designer with a strong preference for interaction design. He is passionate about making users feel delighted through striking visuals, exceptional interact... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | Today, we bring you an interview with Scott Riley, a UX designer specializing in interaction design.
**Q: Who is Scott Riley?**
A: Scott Riley is a user experience designer with a strong preference for interaction design. He is passionate about making users feel delighted through striking visuals, exceptional interacti... | 0.636076 | 0.819963 | 3,624 | 0.032742 | 0 | 0.013551 | 1 | 0.329019 |
Godfather - you are brilliant! I put the original foot back on and it had slightly shorter screws and eureka, it turns!
Jason - Nope, kind of out of my price range. How about when you are ready to sell one of yours at a good discount you let me know? I am going back to Kenya with a side trip to Rwanda for gorillas this... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nWrite a detailed descriptor for the manner in which the author of this uses language, and things such as their word choice.\nDo not output anything besides what you were requested to write, and do not output any extra commentary.\nThe topic of the final text ... | The author employs a highly colloquial and technical register typical of niche enthusiast communities, blending a casual, conversational tone with industry-specific jargon. The language is fragmented and utilitarian, utilizing "shorthand" terminology (e.g., "1dx," "1d4," "5d3," "CR-80") that assumes a high level of sha... | Godfather, Guys, I finally did it. Eureka!
Been messing with the tension on the new baby all morning and it was just... nope. Total nightmare. Everything felt back weighted and the extender wouldn't lock into place properly, just kept sliding. I tried a 1dx and then a 1d4 but the fit was off, then I jumped to 5d3 and... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | Godfather, Guys, I finally did it. Eureka!
Been messing with the tension on the new baby all morning and it was just... nope. Total nightmare. Everything felt back weighted and the extender wouldn't lock into place properly, just kept sliding. I tried a 1dx and then a 1d4 but the fit was off, then I jumped to 5d3 and s... | 0.857143 | 0.970976 | 1,189 | 0.338729 | 0 | 0.01358 | 0 | 0.025768 |
The title of this category pretty much says it all.
You will find all sorts of ladies here, pretty ones, ugly ones, weird ones, and REALLY weird ones. There are definitely naked ones here, so don't say I didn't warn you!
A menagerie of all kinds of critters. I've broken this down into sub-categories to make it easier t... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nEdit this text by replacing, removing or inserting twenty to thirty words, without changing anything else.\nOutput the full new text with no extra statements or commentations.\nBegin directly with the text itself. Do not add a title, a heading, or a label nam... | The title of this category pretty much says it all.
You will find all sorts of ladies here, pretty ones, ugly ones, weird ones, and REALLY weird ones. There are definitely naked ones here, so don't say I didn't warn you!
A menagerie of all kinds of critters. I've broken this down into sub-categories to make it easier t... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | The title of this category pretty much says it all.
You will find all sorts of ladies here, pretty ones, ugly ones, weird ones, and REALLY weird ones. There are definitely naked ones here, so don't say I didn't warn you!
A menagerie of all kinds of critters. I've broken this down into sub-categories to make it easier t... | 0.076531 | 0.080764 | 82 | -0.001428 | 0 | 0.016191 | 0 | 0.02102 | |
May 5, 1990 |
The performance artist Karen Finley has made a reputation of covering her nude body with various substances, so the curious will want to know what substances she employs during her current engagement, through tomorrow, at the Painted Bride Art Center. This time out Finley, who played to sold-out houses at... | {
"chat_turns": [
"<document>\n{{DOC}}\n</document>\n\nEdit this text by completely rewriting the topic sentence of every paragraph, while preserving the supporting sentences in those paragraphs verbatim.\nOutput the full new text with no extra statements or commentations.\nBegin directly with the text itself. Do... | May 5, 1990 |
Karen Finley's provocative performance art is currently on display at the Painted Bride Art Center. This time out Finley, who played to sold-out houses at the Bride on her first visit last year, graces her body with chocolate, topped off with red candy bits, alfalfa sprouts and Christmas tree icicles. Fin... | May 5, 1990 |
Karen Finley's provocative performance art is currently on display at the Painted Bride Art Center. This time out Finley, who played to sold-out houses at the Bride on her first visit last year, graces her body with chocolate, topped off with red candy bits, alfalfa sprouts and Christmas tree icicles. Fin... | cyankiwi/gemma-4-31B-it-AWQ-4bit | {"temperature": 1.0, "top_p": 0.95, "extra_body": {"top_k": 64, "chat_template_kwargs": {"enable_thinking": false}}} | May 5, 1990 |
Karen Finley's provocative performance art is currently on display at the Painted Bride Art Center. This time out Finley, who played to sold-out houses at the Bride on her first visit last year, graces her body with chocolate, topped off with red candy bits, alfalfa sprouts and Christmas tree icicles. Fin... | 0.128631 | 0.196735 | 1,190 | 0.100795 | 0 | 0.013777 | 0 | 0.018625 |
End of preview. Expand in Data Studio
Auto-Generated FastDetector Dataset
- Dataset:
G-reen/ai-det-test-human-refined-stat-labels-test - Globals Config:
config/globals_aidet_gemma_labels.toml - Analysis Config:
config/analysis_nofilter.toml - Rows: 1,679
Evaluation Results
- Prompt Subsets: 4 (direct_reference, indirect_reference, revise, rewrite)
- Generator Configs: 1 (gemma-4-31B-it-AWQ-4bit (Temp: 1.0))
- Classifiers: 13 (EditLens Roberta-Large Score, EditLens Roberta-Large Bucket, Perplexity (Llama-3.2-3B-Instruct) [skipped], Perplexity (Llama-3.2-3B) [skipped], Entropy (Llama-3.2-3B-Instruct) [skipped], Entropy (Llama-3.2-3B) [skipped], Top-p Outliers (Llama-3.2-3B-Instruct) [skipped], Top-p Outliers (Llama-3.2-3B) [skipped], Top-k Outliers (Llama-3.2-3B-Instruct) [skipped], Top-k Outliers (Llama-3.2-3B) [skipped], FastDetectGPT (Llama-3.2-3B-Instruct) [skipped], FastDetectGPT (Llama-3.2-3B) [skipped], Binoculars [skipped])
- Filter Conditions: None
- Evaluation / Validation Rows: 1,511 / 168 (validation_size = 0.1)
- Base Columns:
original(Human),final_response(AI)
The best classifier was EditLens Roberta-Large Score with an AUROC of 0.8712. The hardest prompt subset was rewrite with a TPR of 0.1137, and the hardest generator config was gemma-4-31B-it-AWQ-4bit (Temp: 1.0) with a TPR of 0.5394.
| Classifier | Threshold | AUROC | TPR | FPR | Accuracy | F1 |
|---|---|---|---|---|---|---|
| ✔️ EditLens Roberta-Large Score | 0.4141 | 0.8712 | 0.4368 | 0.0060 | 0.7154 | 0.6055 |
| ❗ EditLens Roberta-Large Bucket | 0.0000 | 0.8061 | 0.6420 | 0.0390 | 0.8015 | 0.7638 |
Classifier metrics averaged within each prompt and generator subset:
| Subset | Average AUROC | Average TPR | Average FPR | Average Accuracy | Average F1 |
|---|---|---|---|---|---|
| ✔️ Prompt: revise | 0.9735 | 0.8397 | 0.0269 | 0.9064 | 0.8964 |
| Prompt: indirect_reference | 0.9388 | 0.6497 | 0.0117 | 0.8190 | 0.7693 |
| Model: gemma-4-31B-it-AWQ-4bit (Temp: 1.0) | 0.8386 | 0.5394 | 0.0225 | 0.7584 | 0.6846 |
| Prompt: direct_reference | 0.8260 | 0.5282 | 0.0269 | 0.7507 | 0.6748 |
| ❗ Prompt: rewrite | 0.6028 | 0.1137 | 0.0247 | 0.5445 | 0.1953 |
✔️ marks the best AUROC, ❗ the worst.
Statistics of Interest
Appendix
Table of contents
Univariate Analysis
Every statistic the report does arithmetic on, over the 1,511-row evaluation split. Invalid counts rows whose value is missing or non-finite; those rows are excluded from the other columns.
| Statistic | N | Mean | Median | Std | Min | Max | Invalid |
|---|---|---|---|---|---|---|---|
| jaccard_1 | 1,511 | 0.6076 | 0.7397 | 0.2956 | 0.0000 | 1.0000 | 0 |
| jaccard_2 | 1,511 | 0.7162 | 0.9013 | 0.3283 | 0.0000 | 1.0000 | 0 |
| levenshtein | 1,511 | 2087.0966 | 1658.0000 | 1827.9804 | 1.0000 | 21998.0000 | 0 |
| cosdist | 1,511 | 0.2179 | 0.1394 | 0.2078 | -0.0062 | 0.8776 | 0 |
| EditLens Roberta-Large Score (Human) | 1,511 | 0.0464 | 0.0206 | 0.0725 | 0.0063 | 0.9844 | 0 |
| EditLens Roberta-Large Score (AI) | 1,511 | 0.4279 | 0.3620 | 0.3462 | 0.0066 | 0.9996 | 0 |
| EditLens Roberta-Large Bucket (Human) | 1,511 | 0.0443 | 0.0000 | 0.2414 | 0.0000 | 3.0000 | 0 |
| EditLens Roberta-Large Bucket (AI) | 1,511 | 1.1979 | 1.0000 | 1.1939 | 0.0000 | 3.0000 | 0 |
Correlation Heatmap
Pearson correlation between every statistic of interest, computed over the rows where both statistics are present.
Distance Histograms
Distance Histograms per Prompt Subset
Distance Histograms per Generator Config Subset
Classifier: EditLens Roberta-Large Score
Performance:
| Subset | N | AUROC | TPR | FPR | Accuracy | F1 |
|---|---|---|---|---|---|---|
| Overall | 3,022 | 0.8712 | 0.4368 | 0.0060 | 0.7154 | 0.6055 |
| Prompt: direct_reference | 744 | 0.8621 | 0.4409 | 0.0027 | 0.7191 | 0.6108 |
| Prompt: indirect_reference | 768 | 0.9769 | 0.4818 | 0.0000 | 0.7409 | 0.6503 |
| ✔️ Prompt: revise | 780 | 0.9901 | 0.7385 | 0.0103 | 0.8641 | 0.8446 |
| ❗ Prompt: rewrite | 730 | 0.6423 | 0.0630 | 0.0110 | 0.5260 | 0.1173 |
| Model: gemma-4-31B-it-AWQ-4bit (Temp: 1.0) | 3,022 | 0.8712 | 0.4368 | 0.0060 | 0.7154 | 0.6055 |
Thresholding:
- Direction:
higher_is_ai - Swept for
fpr_0_5pctwith a found threshold of 0.4141.
Classification Histograms:
Per Prompt Subset
Per Generator Config Subset
Classifier: EditLens Roberta-Large Bucket
Performance:
| Subset | N | AUROC | TPR | FPR | Accuracy | F1 |
|---|---|---|---|---|---|---|
| Overall | 3,022 | 0.8061 | 0.6420 | 0.0390 | 0.8015 | 0.7638 |
| Prompt: direct_reference | 744 | 0.7900 | 0.6156 | 0.0511 | 0.7823 | 0.7387 |
| Prompt: indirect_reference | 768 | 0.9006 | 0.8177 | 0.0234 | 0.8971 | 0.8883 |
| ✔️ Prompt: revise | 780 | 0.9569 | 0.9410 | 0.0436 | 0.9487 | 0.9483 |
| ❗ Prompt: rewrite | 730 | 0.5634 | 0.1644 | 0.0384 | 0.5630 | 0.2733 |
| Model: gemma-4-31B-it-AWQ-4bit (Temp: 1.0) | 3,022 | 0.8061 | 0.6420 | 0.0390 | 0.8015 | 0.7638 |
Thresholding:
- Direction:
higher_is_ai - Swept for
f1with a found threshold of 0.0000.
Classification Histograms:
Per Prompt Subset
Per Generator Config Subset
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