Case ID: ad_144/html/0590-01.html
Source: Caselaw Access Project
Author: {"author": "Clarke, J.:", "license": "Public Domain", "url": "https://static.case.law/"}
Date Created: 2024-08-24T03:29:51.129683

Alfred Solman and Harry Bissing, Respondents, v. Anton Arcaro, also Known as Signor Trovato, Appellant.
    First Department,
    May 19, 1911.
    Injunction — contract — special services — enforcing negative covenant.
    Where a violinist agreed with two middlemen or “farmers out" of vaudeville performers to perform at such'theatres as they might designate for a period of two years at a certain salary under a contract whereby he was to receive no money from them but they were to take such part of the salary paid him by the theatres as exceeded the amounts set forth in the contract as. the limitation of his own compensation and whereby they did not obligate themselves to obtain employment for him at any prescribed salary and did not promise how much he was to receive and it appears that the middlemen were not theatrical producers or managers arid had no companies or theatres, the violinist will not, at their suit, be enjoined from performing without then- permission.
    Such a contract has none of the elements which would induce a court to enforce a negative covenant express or implied not to work for others when the services contracted for are special, unique and extraordinary.
    Appeal by the defendant, Anton Arcaro, from an order of the Supreme Court, made at the New York Special Term and entered in the office of the clerk of the county of New York on the 13th day of March, 1911.
    
      Herman Phillips of counsel [Phillips & Steinhardt, attorneys], for the appellant.
    
      Maurice Deiches of counsel [Monroe Goldwater with him on the brief], for the respondents.
   Clarke, J.:

Appeal from an order restraining the defendant pendente lite from performing his unique specialty act ór rendering services to or for any person, company or corporation or from performing in any theatre or place .or places of public amusement without the permission and consent of the plaintiffs herein, until the expiration of the term mentioned in the contract between the parties hereto: . ;

The defendant was performing as a violinist in a table d’hote; restaurant in Harlem at thirty-five dollars a week, when the, plaintiffs claimed to have discovered him. They allege that] they were copartners engaged in business as vaudeville producers. They had no theatres; they were middlemen or “farmers out” of vaudeville performers. They did not even deal with theatrical managers directly, but with booking agencies. The parties entered into an agreement which stated: “ The party of the first part agrees to enter the employ of the parties of the second part from July 23/09 to September 1/11, and to perform for them at such theatres as they may designate his unique violin specialty. The party of the first part shall receive the following salaries for each week he gives his specialty at the theatre designated by the parties of the second part: From July 24/09 to Sept. 1/09, $15 per week; Sept. 1/09 to Sept. 1/10, $85 per week; Sept. 1/10 to Sept. 1/11, $100 per week, when the salary of the act is $150; One hundred and fifteen when it is $115; $125 when it is $200, in addition to his R. R. fare, allowance of 100 lbs. excess baggage, and one Pullman sleeper berth where necessary. The party of the second part guarantees the party of the first part at least twenty-five weeks a year employment. It is mutually agreed that the party of the first part will not collect any moneys from the local theatre managements due under this contract, but that he will receive his salary from the party of the second part at the end of each week during which he has performed his unique specialty' as above mentioned, and it is mutually agreed that the management of the local theatre will remit in full commissions the entire money due the parties of the first and second part to the Pat Oasey Agency, Long Acre Bldg., New York City.” This contract was subsequently modified sq that the defendant should receive, the salary from the local theatres in the first instance under a promise to account to the plaintiffs. It seems to have been kept for about a yéar, when the plaintiffs allege that it was broken by defendant. This action is for an accounting and an injunction.

It is plain that under the agreement defendant was to receive no moneys from the plaintiffs, but they were to take such part of his salary, paid by the theatres, as exceeded the amounts.set forth in the contract as the limitation of his own compensation.

It is also clear that there was no promise on their part as to how much defendant was to receive for each week, no obligation that they were to obtain employment for him at any prescribed amount, or even above an expressed minimum. There is, to be sure, an agreement to guarantee defendant at least twenty-five weeks a year employment, but no salary is stipulated. Further, as plaintiffs were not theatrical producers or managers, had no companies or theatres, but were mere middlemen, and as defendant was not to work for them, this contract has none of the elements which have caused the courts to enforce the negative covenant, express or implied, not to work for others when the services were special, unique and extraordinary.

■We think the injunction pendente lite was improvidently granted, and the order appealed from should be reversed, with ten dollars costs and disbursements to the appellant, and the motion denied, with ten dollars costs:

Ingraham, P. J., Scott, Miller and Dowling, JJ., concurred.

Order reversed, with ten dollars costs and disbursements, and motion denied, with ten dollars costs.