openmanas/manas-1
Text Generation • Updated • 34
art_form stringclasses 1
value | composition_name stringlengths 11 31 | composition_type stringclasses 8
values | ragam stringlengths 4 18 | talam stringclasses 5
values | composer stringlengths 8 41 | abhinaya_type stringclasses 10
values | mudra_sequence listlengths 3 3 | lyrics stringlengths 14 35 | language stringclasses 7
values | description stringlengths 80 111 |
|---|---|---|---|---|---|---|---|---|---|---|
Mohiniyattam | Ganapati Cholkettu | Cholkettu | Hamsadhwani | Adi | Traditional | Bhakti | [
"Anjali",
"Pataka",
"Tripataka"
] | Gananayaka namostute... | Sanskrit | Opening invocatory item combining sollu syllables and devotion to Ganesha in a lasya frame. |
Mohiniyattam | Devi Cholkettu | Cholkettu | Chakravakam | Adi | Kalamandalam tradition | Bhakti | [
"Anjali",
"Alapadma",
"Pataka"
] | Amme bhagavati... | Malayalam | A Kerala-style invocation to Bhagavati with circular chuzhippu movement and restrained facial expression. |
Mohiniyattam | Siva Cholkettu | Cholkettu | Mohanam | Rupakam | Traditional | Bhakti | [
"Tripataka",
"Ardhachandra",
"Anjali"
] | Nataraja namo namah... | Sanskrit | Cholkettu that closes with reverence to Siva while maintaining the soft lasya quality of Mohiniyattam. |
Mohiniyattam | Jatiswaram in Bhairavi | Jatiswaram | Bhairavi | Adi | Kalamandalam Kalyanikutty Amma repertoire | Nritta | [
"Pataka",
"Tripataka",
"Katakamukha"
] | Ta tai ta ha... | Syllabic | Pure dance item focused on adavu clarity, torso sway, and rhythmic geometry rather than narrative abhinaya. |
Mohiniyattam | Jatiswaram in Todi | Jatiswaram | Todi | Adi | Kalamandalam tradition | Nritta | [
"Pataka",
"Alapadma",
"Tripataka"
] | Tai yum ta ha... | Syllabic | A slow, weighted jatiswaram emphasizing curved pathways and sustained lasya movement. |
Mohiniyattam | Jatiswaram in Chenchurutti | Jatiswaram | Chenchurutti | Misra Chapu | Traditional | Nritta | [
"Pataka",
"Katakamukha",
"Alapadma"
] | Tam tai ta ri... | Syllabic | Rhythmic item in Chenchurutti using circular adavus and gentle footwork accents. |
Mohiniyattam | Swami Ninne Nammithi | Varnam | Yadukulakamboji | Adi | Traditional Telugu repertoire | Shringara Bhakti | [
"Anjali",
"Hamsasya",
"Alapadma"
] | Swami ninne nammithi... | Telugu | A varnam adapted in Mohiniyattam repertoire to present devotion and longing through soft abhinaya. |
Mohiniyattam | Krishna Varnam | Varnam | Bhairavi | Adi | Kalamandalam tradition | Shringara | [
"Pataka",
"Tripataka",
"Alapadma"
] | Bhaja govindam... | Malayalam | Varnam portraying Krishna's charm through Yamuna imagery, flute gestures, and gentle body sway. |
Mohiniyattam | Padmanabha Varnam | Varnam | Kambhoji | Adi | Swathi Thirunal | Bhakti | [
"Anjali",
"Katakamukha",
"Ardhachandra"
] | Pahi parvata nandini... | Sanskrit | Courtly devotional varnam associated with the Travancore milieu and rendered with measured abhinaya. |
Mohiniyattam | Entaho Vallabha | Padam | Mukhari | Adi | Traditional | Viraha | [
"Hamsasya",
"Alapadma",
"Pataka"
] | Entaho vallabha... | Malayalam | Expressive padam centered on separation, longing, and the inward emotional world of the nayika. |
Mohiniyattam | Aliveni Enthucheyvu | Padam | Kurinji | Misra Chapu | Swathi Thirunal | Shringara | [
"Alapadma",
"Hamsasya",
"Katakamukha"
] | Aliveni enthu cheyvu... | Manipravalam | A heroine confides in her friend; the choreography privileges glances, eyebrow work, and circular movement. |
Mohiniyattam | Chaliye Kunjanamo | Padam | Brindavana Saranga | Adi | Swathi Thirunal | Shringara Bhakti | [
"Tripataka",
"Mrigasirsha",
"Alapadma"
] | Chaliye kunjanamo... | Hindi | Krishna-themed padam adapted for Mohiniyattam with flute imagery and delicate gait. |
Mohiniyattam | Omana Thinkal Kidavo | Padam | Neelambari | Adi | Irayimman Thampi | Vatsalya | [
"Ardhachandra",
"Alapadma",
"Anjali"
] | Omana thinkal kidavo... | Malayalam | Lullaby composition used for maternal abhinaya, soft rocking movement, and tenderness. |
Mohiniyattam | Karuna Cheyvan | Padam | Yadukulakamboji | Adi | Irayimman Thampi | Bhakti | [
"Anjali",
"Pataka",
"Hamsasya"
] | Karuna cheyvan enthu thamasam... | Malayalam | Devotional padam asking for compassion, suited to restrained expression and slow torso movement. |
Mohiniyattam | Ajitha Hare | Ashtapadi | Kambhoji | Adi | Jayadeva | Shringara Bhakti | [
"Alapadma",
"Tripataka",
"Hamsasya"
] | Ajitha hare jaya madhava... | Sanskrit | Gita Govinda ashtapadi interpreted through lasya, with Radha-Krishna emotional imagery. |
Mohiniyattam | Priye Charusheele | Ashtapadi | Mohanam | Rupakam | Jayadeva | Shringara | [
"Hamsasya",
"Alapadma",
"Katakamukha"
] | Priye charusheele... | Sanskrit | A lyrical ashtapadi focusing on persuasion, tenderness, and refined eye expression. |
Mohiniyattam | Yahi Madhava | Ashtapadi | Bhairavi | Misra Chapu | Jayadeva | Khandita Nayika | [
"Pataka",
"Suchimukha",
"Alapadma"
] | Yahi madhava yahi keshava... | Sanskrit | The offended heroine rejects Krishna; Mohiniyattam treatment keeps anger within lasya limits. |
Mohiniyattam | Tillana in Arabhi | Tillana | Arabhi | Adi | Kalamandalam tradition | Nritta | [
"Pataka",
"Tripataka",
"Alapadma"
] | Dheem ta na tom... | Syllabic | Concluding pure dance item with brisk rhythmic syllables and controlled circular patterns. |
Mohiniyattam | Tillana in Kalyani | Tillana | Kalyani | Adi | Traditional Carnatic repertoire | Nritta | [
"Alapadma",
"Pataka",
"Katakamukha"
] | Dhim tana na dere... | Syllabic | Concert-ending item emphasizing graceful acceleration while preserving a soft upper body line. |
Mohiniyattam | Tillana in Dhanashree | Tillana | Dhanashree | Adi | Swathi Thirunal | Nritta | [
"Tripataka",
"Alapadma",
"Anjali"
] | Dheem ta na dere na... | Sanskrit and syllabic | Lyrical tillana linked to the Travancore court repertoire, adapted to Mohiniyattam's curved movement. |
Mohiniyattam | Saptam on Krishna | Saptam | Kamas | Rupakam | Traditional | Bhakti | [
"Tripataka",
"Mrigasirsha",
"Alapadma"
] | Gopala bala... | Malayalam | Narrative item presenting Krishna as cowherd child through gentle gait and playful expression. |
Mohiniyattam | Saptam on Devi | Saptam | Saveri | Adi | Traditional | Bhakti | [
"Anjali",
"Tripataka",
"Pataka"
] | Devi jagadambike... | Sanskrit | Devotional saptam invoking the goddess, balancing reverence with lasya softness. |
Mohiniyattam | Slokam on Saraswati | Slokam | Hamsadhwani | Free rhythm | Traditional | Bhakti | [
"Anjali",
"Hamsasya",
"Alapadma"
] | Ya kundendu tushara hara dhavala... | Sanskrit | Free-rhythm verse used to show learning, speech, and graceful invocation of Saraswati. |
Mohiniyattam | Slokam on Mohini | Slokam | Madhyamavati | Free rhythm | Traditional | Adbhuta | [
"Alapadma",
"Pataka",
"Hamsasya"
] | Mohini rupini... | Sanskrit | Verse exploring the enchantress archetype through subtle smile, gaze, and restrained torso sway. |
Mohiniyattam | Lalita Lavanga | Ashtapadi | Vasantha | Adi | Jayadeva | Shringara | [
"Alapadma",
"Mrigasirsha",
"Hamsasya"
] | Lalita lavanga lata... | Sanskrit | Spring imagery from Gita Govinda expressed through flower, breeze, and forest gestures. |
Mohiniyattam | Narayana Te Namo Namo | Padam | Behag | Adi | Annamacharya | Bhakti | [
"Anjali",
"Pataka",
"Katakamukha"
] | Narayana te namo namo... | Sanskrit | Devotional padam adapted for Mohiniyattam, emphasizing surrender with soft circular transitions. |
Mohiniyattam | Bhavayami Raghuramam | Padam | Ragamalika | Rupakam | Swathi Thirunal | Bhakti | [
"Tripataka",
"Anjali",
"Ardhachandra"
] | Bhavayami raghuramam... | Sanskrit | Ramayana narrative compressed into expressive episodes using Mohiniyattam's restrained storytelling mode. |
Mohiniyattam | Kalyana Sougandhikam Adaptation | Padam | Mohanam | Adi | Kalamandalam Leelamma adaptation | Veera and Shringara | [
"Pataka",
"Tripataka",
"Alapadma"
] | Panchali manoratham... | Malayalam | Mohiniyattam adaptation of a Kerala narrative theme, focusing on Panchali's wish and Bhima's journey. |
Mohiniyattam | Vallathol Kavitha | Padam | Kapi | Misra Chapu | Vallathol Narayana Menon | Karuna | [
"Ardhachandra",
"Alapadma",
"Hamsasya"
] | Matrubhumi than... | Malayalam | Poetic Malayalam text shaped into abhinaya, reflecting the 20th-century revival atmosphere around Kalamandalam. |
Mohiniyattam | Kavalam Sopana Padam | Padam | Revati | Champa | Kavalam Narayana Panikkar | Bhakti | [
"Anjali",
"Pataka",
"Alapadma"
] | Sopanam pole... | Malayalam | A Sopana-influenced padam using Kerala melodic phrasing and deeply curved Mohiniyattam movement. |