openmanas/manas-1
Text Generation • Updated • 34
art_form stringclasses 1
value | composition_name stringlengths 6 25 | composer stringclasses 10
values | ragam stringlengths 3 17 | talam stringclasses 4
values | language stringclasses 4
values | pallavi stringlengths 17 48 | anupallavi stringlengths 12 37 | charanam stringlengths 15 31 | notation stringlengths 14 37 | arohanam stringlengths 14 23 | avarohanam stringlengths 14 28 | description stringlengths 50 95 |
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Carnatic Music | Endaro Mahanubhavulu | Thyagaraja | Sri | Adi | Telugu | Endaro mahanubhavulu andariki vandanamulu | Chanduru varuni andamu loni | Sadhinchene o manasa | S R2 M1 P N2 S | S R2 M1 P N2 S | S N2 P D2 N2 P M1 R2 G2 R2 S | A Pancharatna kriti praising great souls and often sung in group homage at Thyagaraja Aradhana. |
Carnatic Music | Jagadananda Karaka | Thyagaraja | Nata | Adi | Telugu | Jagadananda karaka jaya janaki prana nayaka | Gaganadhipa satkulaja | Om kara panjara kira | S R3 G3 M1 P N3 S | S R3 G3 M1 P N3 S | S N3 P M1 R3 S | The opening Pancharatna kriti in Nata, celebrating Rama with grand melodic energy. |
Carnatic Music | Dudukugala | Thyagaraja | Gowla | Adi | Telugu | Dudukugala nanne dora koduku brocura | Kadudurvishayakrusta | Sri vanita hrdaya | S R1 M1 P N3 S | S R1 M1 P N3 S | S N3 P M1 R1 G3 M1 R1 S | A Pancharatna kriti in which the composer reflects on human faults and seeks grace. |
Carnatic Music | Sadhinchene | Thyagaraja | Arabhi | Adi | Telugu | Sadhinchene o manasa | Bodhinchina sanmarga vacanamula | Samayaniki tagu mataladene | S R2 M1 P D2 S | S R2 M1 P D2 S | S N3 D2 P M1 G3 R2 S | A lively Pancharatna kriti in Arabhi with direct devotional expression. |
Carnatic Music | Kanakana Ruchira | Thyagaraja | Varali | Adi | Telugu | Kanakana ruchira kanaka vasana | Dinadina nutana | Sita pati na manasuna | S G1 R1 G1 M2 P D1 N3 S | S G1 R1 G1 M2 P D1 N3 S | S N3 D1 P M2 G1 R1 S | The Varali Pancharatna kriti dwells on the beauty of Rama and the sweetness of devotion. |
Carnatic Music | Vatapi Ganapatim | Muthuswami Dikshitar | Hamsadhwani | Adi | Sanskrit | Vatapi ganapatim bhajeham | Bhutadi samsevita charanam | Hamsadhwani bhushita herambam | S R2 G3 P N3 S | S R2 G3 P N3 S | S N3 P G3 R2 S | A widely performed Ganesha kriti in Hamsadhwani and a common concert opener. |
Carnatic Music | Sri Subrahmanyaya Namaste | Muthuswami Dikshitar | Kambhoji | Rupakam | Sanskrit | Sri subrahmanyaya namaste namaste | Manasija koti koti lavanyaya | Vasuki takshaka sarpa svarupa | S R2 G3 M1 P D2 S | S R2 G3 M1 P D2 S | S N2 D2 P M1 G3 R2 S | A majestic kriti on Subrahmanya, known for expansive Kambhoji treatment. |
Carnatic Music | Meenakshi Me Mudam | Muthuswami Dikshitar | Gamakakriya | Adi | Sanskrit | Meenakshi me mudam dehi | Manini kadamba vana vasini | Madhurapuri nilaye mani valaye | S R1 G3 M2 P D1 N3 S | S R1 G3 M2 P D1 N3 S | S N3 D1 P M2 G3 R1 S | A devotional kriti to Madurai Meenakshi, rich in gamaka and temple imagery. |
Carnatic Music | Akhilandeshwari | Muthuswami Dikshitar | Dwijavanti | Adi | Sanskrit | Akhilandeshwari rakshamam | Agama sampradaya nipune | Jambupate priya jaye | S R2 G2 M1 P N2 S | S R2 G2 M1 P N2 S | S N2 D2 P M1 G2 R2 S | A serene kriti invoking Akhilandeshwari of Tiruvanaikaval. |
Carnatic Music | Sri Nathadi Guruguho | Muthuswami Dikshitar | Mayamalavagowla | Adi | Sanskrit | Sri nathadi guruguho jayati | Chidananda natha atma bhuto | Maya maya visva adhisthano | S R1 G3 M1 P D1 N3 S | S R1 G3 M1 P D1 N3 S | S N3 D1 P M1 G3 R1 S | The first of Dikshitar's Guruguha kritis, set in the fundamental melakarta Mayamalavagowla. |
Carnatic Music | Kamakshi Amba | Syama Sastri | Bhairavi | Misra Chapu | Telugu | Kamakshi amba nannu brovu | Syama krishna sodari | Marivere gati evaramma | S R2 G2 M1 P D2 N2 S | S R2 G2 M1 P D2 N2 S | S N2 D1 P M1 G2 R2 S | A major Syama Sastri kriti centered on the compassionate mother goddess. |
Carnatic Music | Marivere Gati | Syama Sastri | Anandabhairavi | Misra Chapu | Telugu | Marivere gati evaramma | Mahilo ninnu vina | Syama krishna sodari | S G2 R2 G2 M1 P D2 P S | S G2 R2 G2 M1 P D2 P S | S N2 D2 P M1 G2 R2 S | A deeply emotive kriti asking the goddess for refuge. |
Carnatic Music | Brova Vamma | Syama Sastri | Manji | Misra Chapu | Telugu | Brova vamma bangaru bomma | Nannu brova tarama | Syama krishna paripalini | S R2 G2 M1 P D2 N2 S | S R2 G2 M1 P D2 N2 S | S N2 D1 P M1 G2 R2 S | A Manji kriti shaped by pathos, slow tempo, and bhakti toward the goddess. |
Carnatic Music | Devi Brova Samayamide | Syama Sastri | Chintamani | Adi | Telugu | Devi brova samayamide | Ati vegame vacci | Syama krishna sodari | S G2 M1 P N2 S | S G2 M1 P N2 S | S N2 D2 P M1 G2 R2 S | A pleading kriti that brings out Syama Sastri's direct emotional style. |
Carnatic Music | Sarasijanabha | Swati Thirunal | Kambhoji | Ata | Sanskrit | Sarasijanabha murare | Paripalaya mamayi | Padmanabha tava charanam | S R2 G3 M1 P D2 S | S R2 G3 M1 P D2 S | S N2 D2 P M1 G3 R2 S | A varnam associated with Swati Thirunal and the Travancore court tradition. |
Carnatic Music | Bhavayami Raghuramam | Swati Thirunal | Ragamalika | Rupakam | Sanskrit | Bhavayami raghuramam | Bhavuka vitaranam | Dinakara anvaya tilakam | Ragamalika notation varies by section | Multiple ragas | Multiple ragas | A Ramayana narrative composition traversing multiple ragas in devotional sequence. |
Carnatic Music | Pahi Parvata Nandini | Swati Thirunal | Arabhi | Adi | Sanskrit | Pahi parvata nandini | Pavana charite | Padmanabha sahodari | S R2 M1 P D2 S | S R2 M1 P D2 S | S N3 D2 P M1 G3 R2 S | A goddess kriti from the royal composer of Kerala. |
Carnatic Music | Krishna Nee Begane Baro | Vyasatirtha | Yamuna Kalyani | Misra Chapu | Kannada | Krishna nee begane baro | Begane baro mukhavanne toro | Kalige gejje nilada bavuli | S R2 G3 P M2 P D2 S | S R2 G3 P M2 P D2 S | S N3 D2 P M2 G3 R2 S | A beloved Kannada devotional song on child Krishna, often rendered in concert and dance. |
Carnatic Music | Raghuvamsa Sudha | Patnam Subramania Iyer | Kathanakuthuhalam | Adi | Telugu | Raghuvamsa sudhambudhi chandra | Rama rama rajeswara | Patnam subrahmanya nuta | S R2 M1 D2 N3 G3 P S | S R2 M1 D2 N3 G3 P S | S N3 D2 P M1 G3 R2 S | A brisk concert favorite known for bright melodic movement. |
Carnatic Music | Eppo Varuvaro | Gopalakrishna Bharati | Jonpuri | Adi | Tamil | Eppo varuvaro enthan kali theera | Seppuvarkku aridana chidambara deivam | Narpadam thanai nambi irukkiren | S R2 M1 P D1 N2 S | S R2 M1 P D1 N2 S | S N2 D1 P M1 G2 R2 S | A Tamil devotional song of longing for Siva of Chidambaram. |
Carnatic Music | Kurai Ondrum Illai | C. Rajagopalachari | Ragamalika | Adi | Tamil | Kurai ondrum illai marai moorthy kanna | Kurai ondrum illai govinda | Venkatesa un sannidhi | Ragamalika notation varies by section | Multiple ragas | Multiple ragas | A modern devotional classic expressing contentment and surrender. |
Carnatic Music | Kapali | Papanasam Sivan | Mohanam | Adi | Tamil | Kapali karunai nilavu | Appane tiru mayilai | Papanasam sivan potri | S R2 G3 P D2 S | S R2 G3 P D2 S | S D2 P G3 R2 S | A Tamil kriti on Kapaleeswara, set in the bright pentatonic raga Mohanam. |
Carnatic Music | Ka Va Va | Papanasam Sivan | Varali | Adi | Tamil | Ka va va kandha va va | Deva senapati | Pazhani malai vazhum | S G1 R1 G1 M2 P D1 N3 S | S G1 R1 G1 M2 P D1 N3 S | S N3 D1 P M2 G1 R1 S | A Murugan kriti in Varali, popular in devotional concerts. |
Carnatic Music | Maha Ganapatim | Muthuswami Dikshitar | Nata | Adi | Sanskrit | Maha ganapatim manasa smarami | Vasishta vamadeva vandita | Mahadeva sutam guruguha nutam | S R3 G3 M1 P N3 S | S R3 G3 M1 P N3 S | S N3 P M1 R3 S | A stately Ganesha kriti in Nata, commonly sung at the beginning of concerts. |
Carnatic Music | Nagumomu Ganaleni | Thyagaraja | Abheri | Adi | Telugu | Nagumomu ganaleni | Nannu brovamani | Jagamele paramatma | S G2 M1 P N2 S | S G2 M1 P N2 S | S N2 D2 P M1 G2 R2 S | A famous kriti expressing the pain of separation from Rama's smiling face. |
Carnatic Music | Nidhi Chala Sukhama | Thyagaraja | Kalyani | Misra Chapu | Telugu | Nidhi chala sukhama ramuni sannidhi seva sukhama | Dadhi navanita ksheeramulu | Dama shamamanu ganga snanamu | S R2 G3 M2 P D2 N3 S | S R2 G3 M2 P D2 N3 S | S N3 D2 P M2 G3 R2 S | A philosophical kriti contrasting material wealth with service to Rama. |
Carnatic Music | Brochevarevarura | Mysore Vasudevachar | Khamas | Adi | Telugu | Brochevarevarura ninnu vina | Sri vasudeva | Marubalka kunna | S M1 G3 M1 P D2 N2 S | S M1 G3 M1 P D2 N2 S | S N2 D2 P M1 G3 R2 S | A popular Khamas kriti appealing for divine protection. |
Carnatic Music | Seethamma Mayamma | Thyagaraja | Vasantha | Rupakam | Telugu | Seethamma mayamma sri ramudu ma tandri | Vataatmaja saumitri | Paramatma tyagaraja nuta | S M1 G3 M1 D2 N3 S | S M1 G3 M1 D2 N3 S | S N3 D2 M1 G3 R1 S | A tender kriti identifying Sita and Rama as mother and father. |
Carnatic Music | Manavyala Kinchara | Thyagaraja | Nalinakanti | Adi | Telugu | Manavyala kinchara | Ninnu vina gati evaru | Tyagaraja vinuta | S G3 R2 M1 P N3 S | S G3 R2 M1 P N3 S | S N3 P M1 G3 R2 S | A bright Nalinakanti kriti used for energetic concert presentation. |
Carnatic Music | Shobillu Saptaswara | Thyagaraja | Jaganmohini | Rupakam | Telugu | Shobillu saptaswara | Nabhi hrut kantha rasana | Dharani surulalo | S G3 M1 P N3 S | S G3 M1 P N3 S | S N3 P M1 G3 R1 S | A meditation on the seven notes and their sacred resonance in the body. |