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Write a Sci-Fi screenplay scene.
Scene heading: INT. BASEMENT - NIGHT 98
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way... | INT. BASEMENT - NIGHT 98
At the bottom he faces a corridor. The FAINT HUM OF
MACHINERY comes from the double doors at the far end.
The HUM BECOMES A RATTLE by the time he gets there.
Each door is fitted with a small window. Deckard
steps to the side a... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. BASEMENT - NIGHT 98
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their ... | Sci-Fi | Blade Runner | INT. BASEMENT - NIGHT 98 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. APC 86
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. APC 86
Ripley leans forward suddenly, studying the graphic
readout of the STATION GROUND PLAN.
RIPLEY
They're right under the
primary heat exchangers.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. APC 86
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. APC 86 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. COUNTRYSIDE (MONTAGE) - DAY 122
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a wa... | EXT. COUNTRYSIDE (MONTAGE) - DAY 122
Deckard's car is skimming over the narrow highway. He
and Rachael in the front seat. Except for the occasion-
al glance, their faces are still and quiet in the cold
shine of an icy dream.
The clouds overhead are soft and swi... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. COUNTRYSIDE (MONTAGE) - DAY 122
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their... | Sci-Fi | Blade Runner | EXT. COUNTRYSIDE (MONTAGE) - DAY 122 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. STORAGE ROOM - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | INT. STORAGE ROOM - NIGHT
ANGLE down a short passageway to an intersecting hallway.
A strand of something hangs in FRAME in OUT OF FOCUS F.G.
It makes an indistinct, rhythmic CLINKING SOUND. Sykes
moves along the intersecting hallway. The CLINKING SOUND
catches his attention. He stops, listens, then starts
down th... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. STORAGE ROOM - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Screenplay:
IN... | Sci-Fi | Alien Nation | INT. STORAGE ROOM - NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT. HAMBURGER HEAVEN. DAY
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. HAMBURGER HEAVEN. DAY
The restaurant has been converted into a clandestine print shop. A few serious teenagers are working the press and turning out seditious handbills. Freshly printed pages are hung on clothes-lines so the ink can dry. "THE TRUTH ABOUT SELENA" is the headline over JIMMY'S PHOTO of her getting i... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. HAMBURGER HEAVEN. DAY
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. HAMBURGER HEAVEN. DAY
The restaurant has been convert... | Sci-Fi | Supergirl | INT. HAMBURGER HEAVEN. DAY |
Write a Sci-Fi screenplay scene.
Scene heading: INT. APC 78
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. APC 78
The troopers sit, more subdued now, swaying and
bouncing in the heavily sprung vehicle. Wierzbowski
is in the saddle. Ripley and Newt sit side by side
just aft of the driver's cockpit.
NEWT
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. APC 78
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. APC 78 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. GUERRILLA VILLAGE - DAY 56
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. GUERRILLA VILLAGE - DAY 56
Schaefer and Billy are kneeling on the ground near the
trailhead, studying a MAP. In the b.g., the team, hidden,
covers the hillside approaches to the camp, nervous and
wary, weapons ready.
SCHAEFER
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. GUERRILLA VILLAGE - DAY 56
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. GUERRILLA VILLAGE - DAY... | Sci-Fi | Predator | EXT. GUERRILLA VILLAGE - DAY 56 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WEST SIDE STREET - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | EXT. WEST SIDE STREET - NIGHT
It looks like a backwards chase, the slug-mobile chasing
the howling police car through traffic.
Jetson alertly eyes the approaching traffic -- calls it
out to Sykes the way he was trained at the academy.
JETSON
Slow traffic on your right... you're
clear at the left rear...
(... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WEST SIDE STREET - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Screenplay... | Sci-Fi | Alien Nation | EXT. WEST SIDE STREET - NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT./EXT. CAB THREE 38
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 f... | INT./EXT. CAB THREE 38
Lindsey reaches up a grabs a red lever.
LINDSEY
Roger.
(to Coffey)
There's only one way it's going to happen...
She pulls the lever hard. CLUNK-CLA... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT./EXT. CAB THREE 38
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular... | Sci-Fi | Abyss, The | INT./EXT. CAB THREE 38 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. SPINNER - OVER CITY - NIGHT 56
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way... | INT. SPINNER - OVER CITY - NIGHT 56
Deckard is cruising low and slow over the city listen-
ing to Esper.
EPSER
Nexus designated Rachael is a
prototype. Created for in-house
use by special mandate form... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. SPINNER - OVER CITY - NIGHT 56
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their ... | Sci-Fi | Blade Runner | INT. SPINNER - OVER CITY - NIGHT 56 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CLOSE UP ON SNAKE. He is not impressed.
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to... | EXT. CLOSE UP ON SNAKE. He is not impressed.
STEADICAM VIEW OF THE HALL, SNAKE'S P.O.V. Guards, guards, more guards.
Who cares.
As Snake rounds the corner:
O.S. GUARD
Hold it.
Snake stops, turns, directs an impertinent glance at the speaker. He's
still not impressed by any of this.
FADE OUT.
--------------------... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CLOSE UP ON SNAKE. He is not impressed.
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plisske... | Sci-Fi | Escape from New York | EXT. CLOSE UP ON SNAKE. He is not impressed. |
Write a Sci-Fi screenplay scene.
Scene heading: INT. THE KLINGON BRIDGE - CAPTAIN AND EXEC (O) 7
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | INT. THE KLINGON BRIDGE - CAPTAIN AND EXEC (O) 7
All eyes on the viewer that shows the ships sweeping
on the Mysterious cloud.
KLINGON CAPTAIN
(In Klingonese)
Visual.
The TECHNICIAN makes the switch.
8 CLOSE - ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. THE KLINGON BRIDGE - CAPTAIN AND EXEC (O) 7
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
I... | Sci-Fi | Star Trek: The Motion Picture | INT. THE KLINGON BRIDGE - CAPTAIN AND EXEC (O) 7 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. U.S.S. MONTANA 6
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 fe... | INT. U.S.S. MONTANA 6
The bride crew are knocked off their feet, as the ship is buffeted.
EXEC
Turbulence! We're in its wake!
SIRENS. Everyone shouting at once. The power flickers low.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. U.S.S. MONTANA 6
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular ... | Sci-Fi | Abyss, The | INT. U.S.S. MONTANA 6 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. SECOND FLOOR CORRIDOR - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | EXT. SECOND FLOOR CORRIDOR - NIGHT
Harcourt and the others move up the stairs to the second
floor. Cassandra, wearing a slinky dress, is at the top
of the stairs waiting for them. She's very uncomfortable
dealing with Harcourt. Kipling and Quint continue on
toward the office door. Harcourt pauses with Cassandra.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. SECOND FLOOR CORRIDOR - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Scree... | Sci-Fi | Alien Nation | EXT. SECOND FLOOR CORRIDOR - NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT. SLUG-MOBILE - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | INT. SLUG-MOBILE - NIGHT
Sykes' expression tells us he's slipped into the same
juggernaut mode we saw during the foot chase in the alley.
JETSON
Yellow light ahead turning red...
But Sykes doesn't slow -- instead he floors it.
JETSON
(continuing; wide-
eyed)
Red light! Red light! | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. SLUG-MOBILE - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Screenplay:
INT... | Sci-Fi | Alien Nation | INT. SLUG-MOBILE - NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. JUNGLE COASTLINE - DAY (MAGIC HOUR) 2
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. JUNGLE COASTLINE - DAY (MAGIC HOUR) 2
Through a collage of shimmering HEAT-WAVES, a dark,
OTHER-WORLDLY OBJECT drops INTO VIEW, backlit by the
fiery, ORANGE-RED sphere of a setting tropical SUN,
heading slowly towards us, floating, as if suspended by
the rising he... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. JUNGLE COASTLINE - DAY (MAGIC HOUR) 2
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. JUNGLE COASTLINE - DAY ... | Sci-Fi | Predator | EXT. JUNGLE COASTLINE - DAY (MAGIC HOUR) 2 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BILLY - AT THE RIVER BED - DAY 67
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. BILLY - AT THE RIVER BED - DAY 67
He remains frozen and transfixed, staring into the
treeline. Something is moving, fluid, silently and
downward, into the forest. Billy remains rooted to
the spot, lost in concentration.
68 SCHAEFER ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BILLY - AT THE RIVER BED - DAY 67
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. BILLY - AT THE RIVER BE... | Sci-Fi | Predator | EXT. BILLY - AT THE RIVER BED - DAY 67 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BUILDING -- NIGHT
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back. | EXT. BUILDING -- NIGHT
Snake, Maggie, Cabbie and Brain all walk out.
SNAKE
So you work for this Duke, huh?
BRAIN
Yeah. Make gas for him. Figure out things for him.
SNAKE
Like what?
BRAIN
(showing off)
Like how to get across the 69th street bridge -- it's mined, but I know
where they're planted.
MAGGIE
We got a ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BUILDING -- NIGHT
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring... | Sci-Fi | Escape from New York | EXT. BUILDING -- NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. SLUG-MOBILE - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | EXT. SLUG-MOBILE - NIGHT
As Sykes pulls onto the street.
SYKES
So what was that other word for
Human... Slow ka?
JETSON
Ss'loka'. It means literally "small
but intelligent creature".
(Sykes looks over,
doesn't know if he
likes this)
It loses much in the translation.
SYKES
And what ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. SLUG-MOBILE - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Screenplay:
EXT... | Sci-Fi | Alien Nation | EXT. SLUG-MOBILE - NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT. SELENA'S LIVING ROOM. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. SELENA'S LIVING ROOM. NIGHT
Selena paces agitatedly in her living room. Finally she stops in front of the ornate mirror hanging on the wall. She puts her hand on the heavy veil covering it.
SELENA
Show me Ethan.
She rips aside the veil. The IMAGE IN THE MIRROR SHOWS ETHAN STAGGERING DRUNKENLY THROUGH THE NI... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. SELENA'S LIVING ROOM. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. SELENA'S LIVING ROOM. NIGHT
Selena paces agitat... | Sci-Fi | Supergirl | INT. SELENA'S LIVING ROOM. NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BLAIN - DAY 28-A
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. BLAIN - DAY 28-A
Blain feeds the magazine of BELTED-SHELLS into the
weapon, cocking it. He looks up at Mac, his eyes
cold, his face taut with anger.
BLAIN
Payback time.
Blain hefts the Mini-gun to... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BLAIN - DAY 28-A
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. BLAIN - DAY ... | Sci-Fi | Predator | EXT. BLAIN - DAY 28-A |
Write a Sci-Fi screenplay scene.
Scene heading: INT. 324
Story context: When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is designing. In his missi... | INT. 324
as Flynn shakily pulls himself out of the debris, the Bit nervously
hovering over him.
FLYNN
(to Bit)
Catch me listening to you again.
325 | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. 324
Story context: When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is design... | Sci-Fi | TRON | INT. 324 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WALL -- NIGHT
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back. | EXT. WALL -- NIGHT
A jeep pulls up. Rehme's voice comes up over the loudspeaker. The
guards on the jeep ready the winch.
REHME
This is Rehme, Security Control. We are in a standby situation.
Repeat. We are in a standby situation. All helicopters, down. Wall
guard, do not fire on prisoners. Repeat, do not fire... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WALL -- NIGHT
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him... | Sci-Fi | Escape from New York | EXT. WALL -- NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WALL -- NIGHT
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back. | EXT. WALL -- NIGHT
Hauk and the medic pull up with the machine. Hauk interrupts the medic.
HAUK
The tape, Plissken.
Snake reaches into his pocket, grabs the tape, and hands it to Hauk. He
is furious. As soon as Hauk has the tape, he lets the medic come back.
He holds up two medal pads to Snake's neck. They buzz,... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WALL -- NIGHT
Story context: In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him... | Sci-Fi | Escape from New York | EXT. WALL -- NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT. HOLD - APC 52
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. HOLD - APC 52
Gorman plays with the controls, zooming the image of
the colony.
GORMAN
(to Ferro via mike)
Hold at forty. Slow circle of
the complex.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. HOLD - APC 52
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. HOLD - APC 52 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HUNTER'S P.O.V. - ANNA AND HAWKINS - DAY 83
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. HUNTER'S P.O.V. - ANNA AND HAWKINS - DAY 83
As he hurtles towards them, their faces frozen in
surprise.
84 BACK TO SCENE/ANNA AND HAWKINS 84
A splitting THUD as Hawkins is hurtled backwards into
the undergrowth, the Hunter's hand and WEAPON flashin... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HUNTER'S P.O.V. - ANNA AND HAWKINS - DAY 83
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. HUNTER'S P.O.V. - ANNA ... | Sci-Fi | Predator | EXT. HUNTER'S P.O.V. - ANNA AND HAWKINS - DAY 83 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. WARNER'S OFFICE - DAY
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | INT. WARNER'S OFFICE - DAY
Sykes KNOCKS and enters.
WARNER
Yeah, Sykes?
SYKES
Captain. I'd like to volunteer for
duty with the new detective.
Warner is surprised. He never expected Sykes.
WARNER
... All right. Detective Sergeant
Sykes, this is Detective... Jetson.
JETSON
We have met.
Warner... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. WARNER'S OFFICE - DAY
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Screenplay:
I... | Sci-Fi | Alien Nation | INT. WARNER'S OFFICE - DAY |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. FORM. TENNIS COURT. CAMPUS. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | EXT. FORM. TENNIS COURT. CAMPUS. NIGHT
HUGE FOOTPRINTS sink into the damp grass of the campus. A bicycle rack full of Schwinns is flattened into the dirt with a metallic screech. The monster proceeds inexorably toward the wooden rain shelter on one side of the tennis court. The shelter is crushed to kindling wood. The... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. FORM. TENNIS COURT. CAMPUS. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
EXT. FORM. TENNIS COURT. CAMPUS. NIGHT
HUGE FO... | Sci-Fi | Supergirl | EXT. FORM. TENNIS COURT. CAMPUS. NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT. TENTH FLOOR HALL - NIGHT 116
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a wa... | INT. TENTH FLOOR HALL - NIGHT 116
He's backing Deckard out the door. Deckard trips and
falls. There's fear on his face. The strength is gone.
Something is starting to crack.
BATTY
What's wrong? Aren't you a lover
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. TENTH FLOOR HALL - NIGHT 116
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their... | Sci-Fi | Blade Runner | INT. TENTH FLOOR HALL - NIGHT 116 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. SELENA'S LIVING ROOM
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. SELENA'S LIVING ROOM
Supergirl smashes through the ceiling and lands next to the French doors. Ethan and Selena are standing against the opposite wall, next to the veiled mirror.
SUPERGIRL
You've had your fun, Selena, the game is over.
ETHAN
She has hostages.
SELENA
The Danvers. And two of your litt... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. SELENA'S LIVING ROOM
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. SELENA'S LIVING ROOM
Supergirl smashes through the cei... | Sci-Fi | Supergirl | INT. SELENA'S LIVING ROOM |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. DEEPCORE 124
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 ... | EXT. DEEPCORE 124
Catfish and Lindsey, in suits and helmets, drop down from the glare of the
moonpool onto the dark sea floor under the rig. Walking, they pull their
umbilicals behind them and head out through the twisted wreckage. Little
Geek follows along l... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. DEEPCORE 124
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacula... | Sci-Fi | Abyss, The | EXT. DEEPCORE 124 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. BRIDGE - KLINGON COMMAND CRUISER 9
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | INT. BRIDGE - KLINGON COMMAND CRUISER 9
The crew stands by for battle.
KLINGON CAPTAIN
(In Klingonese)
Tactical again. Stand by on
torpedoes.
10 EAT SPACE - LEAD KLINGON VESSEL (TORPEDO HATCH) (S) ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. BRIDGE - KLINGON COMMAND CRUISER 9
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
I... | Sci-Fi | Star Trek: The Motion Picture | INT. BRIDGE - KLINGON COMMAND CRUISER 9 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CARRIER BRIDGE 565
Story context: When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is designing. In his missi... | EXT. CARRIER BRIDGE 565
Flynn and Yori race into view. We can see two of the memory guards
in a de-rezzed, two dimensional state, disappearing completely in
the course of this scene. Flynn runs to Sark's position, looking out
the window.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CARRIER BRIDGE 565
Story context: When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is design... | Sci-Fi | TRON | EXT. CARRIER BRIDGE 565 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ENTERPRISE (INT. V'GER) 359
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | EXT. ENTERPRISE (INT. V'GER) 359
The Enterprise approaching the edge of the "island" --
slowing, but still quite clearly being pulled by the
tractor beam. The "solid matter" in the "island" cen-
ter still obscured by the STRANGE LIGHT GLOW emanating
from that a... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ENTERPRISE (INT. V'GER) 359
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
E... | Sci-Fi | Star Trek: The Motion Picture | EXT. ENTERPRISE (INT. V'GER) 359 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BILLY - DAY 28
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. BILLY - DAY 28
Kneels at the side of the original trail examining the
ground. He rises, holding a spent CARTRIDGE. Schaefer
approaches, kneeling beside him.
SCHAEFER
What happened here, Billy?
Bi... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. BILLY - DAY 28
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. BILLY - DAY ... | Sci-Fi | Predator | EXT. BILLY - DAY 28 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. TANK 28B
Story context: When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is designing. In his missi... | INT. TANK 28B
CLU
...but I don't see what he's looking
for. I'd better get over to that
input/output tower and let him know.
28C ANGLE OVER HIS SHOULDER 28C
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. TANK 28B
Story context: When brilliant video game maker Flynn hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world...and becomes part of the very game he is design... | Sci-Fi | TRON | INT. TANK 28B |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CANYON RIM - NIGHT 168
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. CANYON RIM - NIGHT 168
A hundred feet below, Schaefer stands in the boulder
field, his mud coated body bathed in RED FIRELIGHT,
looking like a fierce, primitive warrior; a timeless,
prehistoric sight, his long and WAILING CRY, ECHOING
endlessly thro... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CANYON RIM - NIGHT 168
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. CANYON RIM - NIGHT ... | Sci-Fi | Predator | EXT. CANYON RIM - NIGHT 168 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. CONSOLE MODULE 81
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 f... | INT. CONSOLE MODULE 81
The SEALs, minus Monk, are all gathered inside, debriefing with DeMarco via
closed-circuit video.
DEMARCO (video)
Did any of you see it?
COFFEY
Ne... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. CONSOLE MODULE 81
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular... | Sci-Fi | Abyss, The | INT. CONSOLE MODULE 81 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. EARTH ORBIT - ENTERPRISE AND DRYDOCK (S) 110
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | EXT. EARTH ORBIT - ENTERPRISE AND DRYDOCK (S) 110
The starship within the drydock, but now the maneuver-
ing -- thrusters spurt pinpoints of BLUE-LAME. The
drydock is ready for the starship's departure -- not
a single pod or shuttlecraft in sight. The starship
looms majesticall... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. EARTH ORBIT - ENTERPRISE AND DRYDOCK (S) 110
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
E... | Sci-Fi | Star Trek: The Motion Picture | EXT. EARTH ORBIT - ENTERPRISE AND DRYDOCK (S) 110 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. STAIRWELL, SEBASTIAN'S APARTMENT - NIGHT 97
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way... | INT. STAIRWELL, SEBASTIAN'S APARTMENT - NIGHT 97
Steps into the dark on the other side. Suddenly he
spins, dropping to the floor, and FIRES three times in-
to the figure hovering to his left.
The man is hanging off the floor, his arms locked into
the railing, neck broken -- ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. STAIRWELL, SEBASTIAN'S APARTMENT - NIGHT 97
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their ... | Sci-Fi | Blade Runner | INT. STAIRWELL, SEBASTIAN'S APARTMENT - NIGHT 97 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HELICOPTER PAD - NIGHT 2-B *
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. HELICOPTER PAD - NIGHT 2-B *
On adjoining PADS, two other HELICOPTERS are VISIBLE; in
the b.g. can be SEEN several concrete and THATCHWORK
BUILDINGS, a secret command post disguised as a COASTAL
FISHING VILLAGE.
The post in a flurry of activity, AME... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HELICOPTER PAD - NIGHT 2-B *
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. HELICOPTER PAD - N... | Sci-Fi | Predator | EXT. HELICOPTER PAD - NIGHT 2-B * |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CAMPUS
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | EXT. CAMPUS
Suddenly Supergirl dives down from the sky, glowing with accumulated electricity. She embraces the monster with a tremendous crackle of energy. The two of them are bathed in brilliant arc light. The monster is briefly made visible again by the energy. But this time it is shrinking, shriveling up into a sha... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. CAMPUS
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
EXT. CAMPUS
Suddenly Supergirl dives down from the sky, glowing with accu... | Sci-Fi | Supergirl | EXT. CAMPUS |
Write a Sci-Fi screenplay scene.
Scene heading: INT. SELENA'S LIVING ROOM
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. SELENA'S LIVING ROOM
Ethan opens his eyes. He rises from the couch and stands there swaying deliriously.
INSERT. P.O.V. OF ETHAN
The room swirls and distorts around him in garish nightmare colours.
BACK TO SCENE
Ethan clutches his head as though it were splitting apart, and lurches out of the French doors int... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. SELENA'S LIVING ROOM
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. SELENA'S LIVING ROOM
Ethan opens his eyes. He rises fr... | Sci-Fi | Supergirl | INT. SELENA'S LIVING ROOM |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. THE ENTERPRISE (S) 119
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | EXT. THE ENTERPRISE (S) 119
The maneuvering jets turn off, the impulse drive glows.
The Enterprise begins moving perceptibly faster --
behind her, the drydock diminishing rapidly in size.
KIRK
Departure angle on viewer.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. THE ENTERPRISE (S) 119
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
E... | Sci-Fi | Star Trek: The Motion Picture | EXT. THE ENTERPRISE (S) 119 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. RAMIREZ - DAY 87
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. RAMIREZ - DAY 87
Ramirez runs forward ten paces, drops to a crouch,
scanning to each side. Immediately Schaefer runs
forward twenty paces. As he passes Ramirez, Ramirez
turns and scans the rear and flanks.
Dillon, Mac and Blain repeat the m... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. RAMIREZ - DAY 87
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. RAMIREZ - DAY ... | Sci-Fi | Predator | EXT. RAMIREZ - DAY 87 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. X-RAY ROOM
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. X-RAY ROOM
Ethan bursts into an empty surgical X-Ray room---the pursuing apparatus visible a few yards behind. He slams the heavy lead-lined door and bolts it shut.
He hears the thud of the apparatus beating impotently against the door. He leans against the door panting, his cotton hospital gown and robe soaked ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. X-RAY ROOM
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. X-RAY ROOM
Ethan bursts into an empty surgical X-Ray room---the ... | Sci-Fi | Supergirl | INT. X-RAY ROOM |
Write a Sci-Fi screenplay scene.
Scene heading: INT. BRIDGE - ALL BRIDGE CREW EXCEPT SPOCK 154
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | INT. BRIDGE - ALL BRIDGE CREW EXCEPT SPOCK 154
Sulu at the helm, accelerating; just a touch of tense-
ness in crew as they move toward the speed which
earlier threw them into the "wormhole" effect.
KIRK (V.O.)
(continues)
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. BRIDGE - ALL BRIDGE CREW EXCEPT SPOCK 154
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
I... | Sci-Fi | Star Trek: The Motion Picture | INT. BRIDGE - ALL BRIDGE CREW EXCEPT SPOCK 154 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HUNTER'S P.O.V. OF SCHAEFER - DAY 147
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. HUNTER'S P.O.V. OF SCHAEFER - DAY 147
Closing rapidly...another few yard.
148 BACK TO SCENE/SCHAEFER 148
runs like a madman, the SOUND of the Hunter's FOOTSTEPS
close behind. He's losing ground. He knows he's going
to die.
S... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HUNTER'S P.O.V. OF SCHAEFER - DAY 147
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. HUNTER'S P.O.V. OF SCHA... | Sci-Fi | Predator | EXT. HUNTER'S P.O.V. OF SCHAEFER - DAY 147 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. CORRIDOR 7
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. CORRIDOR 7
Ripley kicks the wall next to Burke who is getting coffee
and donuts at a vending machine.
BURKE
You had them eating out of your
hand, kiddo.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. CORRIDOR 7
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. CORRIDOR 7 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. MONTANA WRECKSITE 90
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 f... | EXT. MONTANA WRECKSITE 90
The divers are working head-first in the missile's launch tube. Monk reads
from a plasticized card, directing the other two step by step. The arcane
litany is punctuated by the hissing rasp of their breathing.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. MONTANA WRECKSITE 90
Story context: A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular... | Sci-Fi | Abyss, The | EXT. MONTANA WRECKSITE 90 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. KNOLL - DAY 49
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. KNOLL - DAY 49
Schaefer races down the hillside, joined by Dillon,
leaving Hawkins to cover them. Bullets burst around
their feet as they run low, firing short bursts to
his left and right.
--... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. KNOLL - DAY 49
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. KNOLL - DAY ... | Sci-Fi | Predator | EXT. KNOLL - DAY 49 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. OFFICE - SECOND FLOOR - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | INT. OFFICE - SECOND FLOOR - NIGHT
Jetson, looking through a desk drawer, hears the intercom
BUZZ in the next room. Through the wall--
WATSON (O.S.)
(tentatively)
Yes...?
CASSANDRA (O.S.)
(over the intercom,
breathless)
Todd, it's me. The police were just
here... looking for Strader. And... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. OFFICE - SECOND FLOOR - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Scree... | Sci-Fi | Alien Nation | INT. OFFICE - SECOND FLOOR - NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT. REGISTRAR'S OFFICE
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. REGISTRAR'S OFFICE
MR. Danvers turns from his desk and glares at her.
MR. DANVERS
Don't you believe in knocking?
LINDA
Oh, yes. Knocking. The pre-entry signal. I forgot.
She knocks on the open door. Her manner is so open and guileless that MR. Danvers, though
he gives her a strange look, does not put it d... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. REGISTRAR'S OFFICE
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. REGISTRAR'S OFFICE
MR. Danvers turns from his desk and g... | Sci-Fi | Supergirl | INT. REGISTRAR'S OFFICE |
Write a Sci-Fi screenplay scene.
Scene heading: INT. DROP-SHOP COCKPIT 113
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. DROP-SHOP COCKPIT 113
Ferro flicks the intercom switch several times. Thumps
her headset mike.
FERRO
Spunkmeyer? Goddammit.
The compartment door behind her slides slowly back.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. DROP-SHOP COCKPIT 113
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. DROP-SHOP COCKPIT 113 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. CORRIDOR 171
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. CORRIDOR 171
Ripley moves out of the lift, knuckles white on the
rifle. Her eyes dart, straining to penetrate the lethal
gloom. Behind her we SEE a SECOND ELEVATOR next to
hers, its lift cage somewhere on a higher floor. Ahead
the corrid... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. CORRIDOR 171
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. CORRIDOR 171 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. OBSERVER'S P.O.V. - DAY 59-A
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. OBSERVER'S P.O.V. - DAY 59-A
He turns and focuses on the area where the team
left camp.
He crouches and springs to the lower branches of a
tree, grasping them with his clawed, three-fingered
hands, pulling himself up and through the branches
w... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. OBSERVER'S P.O.V. - DAY 59-A
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. OBSERVER'S P.O.V. - D... | Sci-Fi | Predator | EXT. OBSERVER'S P.O.V. - DAY 59-A |
Write a Sci-Fi screenplay scene.
Scene heading: INT. TENTH FLOOR APARTMENT #2 - NIGHT 117
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a wa... | INT. TENTH FLOOR APARTMENT #2 - NIGHT 117
Provocation accomplished. Batty smiles and walks lei-
surely towards the door. Deckard's terrified scream
and the SOUND of GLASS CRASHING stop him. Batty speeds
up and moves into the room.
The window pane is splattered, curt... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. TENTH FLOOR APARTMENT #2 - NIGHT 117
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their... | Sci-Fi | Blade Runner | INT. TENTH FLOOR APARTMENT #2 - NIGHT 117 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. MACHINE GUN EMPLACEMENT - DAY 39
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. MACHINE GUN EMPLACEMENT - DAY 39
While one Guerrilla attends to his equipment, the
OTHER attentively watches the approaches to the camp.
He is momentarily distracted by a BUZZING FLY, which
he annoyingly swats at with his hand.
He hears something to his side... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. MACHINE GUN EMPLACEMENT - DAY 39
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. MACHINE GUN EMPLACEMENT... | Sci-Fi | Predator | EXT. MACHINE GUN EMPLACEMENT - DAY 39 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HIGHWAY - NIGHT 125
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a wa... | EXT. HIGHWAY - NIGHT 125
Deckard's car, solid, THROBBING, GUNNING along like
some metal animal. Headlights piercing the dark of the
long, flat road. WHISTLING speed of air and tires spin-
ning THRUM. And then silence. And the silence
astounded by t... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. HIGHWAY - NIGHT 125
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their... | Sci-Fi | Blade Runner | EXT. HIGHWAY - NIGHT 125 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. THE DANVERS' LIVING ROOM. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. THE DANVERS' LIVING ROOM. NIGHT
Linda is playing chess with MR. Danvers, while his wife knits on the sofa.
MRS. DANVERS
I think you'd better be getting back to the dorm, Linda.
The housemother'll expect you to sign in by eight.
Linda stands up from the chessboard.
LINDA
Thank you both so much. It was ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. THE DANVERS' LIVING ROOM. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. THE DANVERS' LIVING ROOM. NIGHT
Linda is pl... | Sci-Fi | Supergirl | INT. THE DANVERS' LIVING ROOM. NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: INT. APC 91
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. APC 91
Gorman is plating with the gain controls on the
monitors.
GORMAN
We can't see anything back
here, Apone. What's going on?
Ripley senses it coming, like a wave at night.... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. APC 91
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. APC 91 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ENTERPRISE AND V'GER - AT THE "IRIS" (S) 244
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | EXT. ENTERPRISE AND V'GER - AT THE "IRIS" (S) 244
Enterprise now being pulled past the opening -- into
the ship proper. Now we can SEE that the dark void
is actually a vast chamber, dimly and intermittently
lit by POWERFIELDS appearing and vanishing along the
vessel's inner wal... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ENTERPRISE AND V'GER - AT THE "IRIS" (S) 244
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
E... | Sci-Fi | Star Trek: The Motion Picture | EXT. ENTERPRISE AND V'GER - AT THE "IRIS" (S) 244 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WOODS (MONTAGE) - DAY 123
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a wa... | EXT. WOODS (MONTAGE) - DAY 123
Deckard and Rachael walking. The land lays white and
hushed before them.
Down an aisle of maples and beeches. The frosty light
slanting through the clean, hard limbs.
The crisp, blue-white snow underfoot melted through in
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. WOODS (MONTAGE) - DAY 123
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their... | Sci-Fi | Blade Runner | EXT. WOODS (MONTAGE) - DAY 123 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. DANVERS ' LIVING ROOM. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. DANVERS ' LIVING ROOM. NIGHT
Mrs. Danvers is on the phone.
MRS. DANVERS
The housemother still doesn't answer.
Mrs. Danvers hangs up the phone with a worried expression.
MR. DANVERS
Probably drunk again. I'm sure Linda got back all right.
MRS. DANVERS
We should have driven her.
Mr. Danvers stands ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. DANVERS ' LIVING ROOM. NIGHT
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. DANVERS ' LIVING ROOM. NIGHT
Mrs. Danvers is o... | Sci-Fi | Supergirl | INT. DANVERS ' LIVING ROOM. NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. PALAPA - WATER AREA - DAY 53-B
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. PALAPA - WATER AREA - DAY 53-B
Ramirez, Blain and Billy race down the back stairs
of the palapa, FIRING Mini-gun, automatic and grenade
rounds at the escaping GUERRILLAS as they flee the area,
splashing, charging across the shallow river.
The guerrillas ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. PALAPA - WATER AREA - DAY 53-B
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. PALAPA - WATER AREA -... | Sci-Fi | Predator | EXT. PALAPA - WATER AREA - DAY 53-B |
Write a Sci-Fi screenplay scene.
Scene heading: INT. HOSPITAL CORRIDOR
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. HOSPITAL CORRIDOR
Linda walks out of Lucy's room and quickly down the corridor. Jimmy hurries to catch up with her.
JIMMY
Can I give you a lift?
LINDA
Oh, no thanks.
JIMMY
It's no trouble. I'd like to ask you some more questions.
Linda's heart sinks as she realises she doesn't know how to get rid of him... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. HOSPITAL CORRIDOR
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. HOSPITAL CORRIDOR
Linda walks out of Lucy's room and quic... | Sci-Fi | Supergirl | INT. HOSPITAL CORRIDOR |
Write a Sci-Fi screenplay scene.
Scene heading: INT. OPERATING THEATRE
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | INT. OPERATING THEATRE
A team of surgeons and nurses are bent over a patient on the table. Ethan runs through in the background. The surgeons continue with their work. The heart-lung machine wheels through after him, followed by the scalpels flying through the air like a swarm of hornets.
The surgical team doesn't lo... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. OPERATING THEATRE
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
INT. OPERATING THEATRE
A team of surgeons and nurses are bent ... | Sci-Fi | Supergirl | INT. OPERATING THEATRE |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. "X" BAR - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine. | EXT. "X" BAR - NIGHT
A violet neon "X" FILLS FRAME, flashing hypnotically.
It's a bar catering to rough-trade Newcomer clientele.
Several ALIEN MEN, brute laborer-types, lounge around out
front. They glare with antagonism as Sykes and Jetson
climb out of their car.
SYKES
(to Jetson)
Okay, just stay back an... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. "X" BAR - NIGHT
Story context: A few years from now, Earth will have the first contact with an alien civilization. These aliens, known as Newcomers, slowly begin to be integrated into human society after years of quarantine.
### Screenplay:
EXT. "... | Sci-Fi | Alien Nation | EXT. "X" BAR - NIGHT |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ARROW - NIGHT 184
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. ARROW - NIGHT 184
Flies into the night, lodging into a BRANCH of an
exposed tree, just missing the Hunter's head.
In a blur, the Hunter's arm streaks downward, a dull
flash of light leaving his fingers as he fires the
weapon, the projectile ST... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ARROW - NIGHT 184
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. ARROW - NIGHT ... | Sci-Fi | Predator | EXT. ARROW - NIGHT 184 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. READY ROOM - ARMORY 39
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. READY ROOM - ARMORY 39
The troopers are suiting up for the drop. Strapping on
their bulky COMBAT-ARMOR...interlocking plates like
football padding. They tape their wrists. Draw on
segmented boots. The sole cleats CLACK like hooves
on the deck pla... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. READY ROOM - ARMORY 39
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. READY ROOM - ARMORY 39 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. SPACE - ANGLE ON KLINGON VESSEL - TORPEDO HATCH (S) 13
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command. | EXT. SPACE - ANGLE ON KLINGON VESSEL - TORPEDO HATCH (S) 13
The BRILLIANT PHOTON BLOBS of the torpedoes spurt from
the tubes.
14 ANGLE ON KLINGON VESSEL (S) 14
A deadly PHOTON TORPEDO pattern racing away from the
Klingon and toward the Luminescent glow in ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. SPACE - ANGLE ON KLINGON VESSEL - TORPEDO HATCH (S) 13
Story context: When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
### Screenplay:
E... | Sci-Fi | Star Trek: The Motion Picture | EXT. SPACE - ANGLE ON KLINGON VESSEL - TORPEDO HATCH (S) 13 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ALTERED P.O.V. - DAY 51
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. ALTERED P.O.V. - DAY 51
As the Observer regains its vision an eerie, surreal
experience of sight and sound unfolds:
BULLETS streak through the air, leaving blood-red
trails of HEAT, like laser blasts. As they impact
into the Guerillas, we HEAR the ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. ALTERED P.O.V. - DAY 51
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. ALTERED P.O.V. - DAY ... | Sci-Fi | Predator | EXT. ALTERED P.O.V. - DAY 51 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. TYRELL MANSION - DUSK 83
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way... | EXT. TYRELL MANSION - DUSK 83
The den. It contains a collection of big game trophies,
and among all this sits Sebastian very straight and
proper with an "egg" the size of a basketball in his
lap.
Old Hannibal Chew was right, the rich make you wait.
... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. TYRELL MANSION - DUSK 83
Story context: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their ... | Sci-Fi | Blade Runner | EXT. TYRELL MANSION - DUSK 83 |
Write a Sci-Fi screenplay scene.
Scene heading: INT. FREIGHT ELEVATOR 170
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met ... | INT. FREIGHT ELEVATOR 170
The elevator descends. Bars of light move rhythmically
across her as Ripley stands facing the doors, watching
the landings go by. The heat grows more intense. Pipes
glowing cherry-red pass by. Steam hisses and billows.
The ... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: INT. FREIGHT ELEVATOR 170
Story context: Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story ... | Sci-Fi | Aliens | INT. FREIGHT ELEVATOR 170 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. POOL AT BASE OF FALLS - DAY 153
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior. | EXT. POOL AT BASE OF FALLS - DAY 153
There is no sign of Schaefer. Precious seconds pass.
Slowly, looking like a drowned rat, he surfaces, taking
a feeble breath. He is nearly finished, his energy
sapped. But the water is calm and a few strokes are
enough to c... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. POOL AT BASE OF FALLS - DAY 153
Story context: A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
### Screenplay:
EXT. POOL AT BASE OF FALLS -... | Sci-Fi | Predator | EXT. POOL AT BASE OF FALLS - DAY 153 |
Write a Sci-Fi screenplay scene.
Scene heading: EXT. FOREST. DAY
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch. | EXT. FOREST. DAY
She lands and walks among the huge trunks of a primeval forest. Shafts of sunlight pierce the gloom. These trees are much more impressive than Zaltar's imitation back in Argo City. She hears a mournful sound and pulls back a spray of brambles. She sees a BABY DEER hopelessly tangled in the long canes... | ### Instruction:
Write a Sci-Fi screenplay scene.
Scene heading: EXT. FOREST. DAY
Story context: After losing a powerful orb, Kara, Superman's cousin, comes to Earth to retrieve it and instead finds herself up against a wicked witch.
### Screenplay:
EXT. FOREST. DAY
She lands and walks among the huge trunks of a pr... | Sci-Fi | Supergirl | EXT. FOREST. DAY |
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