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Write a Horror screenplay scene.
Scene heading: EXT. DOCK PILINGS - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | EXT. DOCK PILINGS - SAME TIME
as the HOUSEBOAT haphazardly bumps into barnacle-covered
dock pilings, still around fifty yards from the cruise
ship.
POINT OF VIEW OUT HOUSEBOAT WINDOW
The window is splattered with blood, but still clear
enough to make out Tamara and Eva walking up the gangway,
along with a ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. DOCK PILINGS - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
EXT. DOCK PILINGS - SAME TIME
as the HOUSEBOAT haphazardly... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | EXT. DOCK PILINGS - SAME TIME |
Write a Horror screenplay scene.
Scene heading: EXT. GRAVEYARD - NIGHT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | EXT. GRAVEYARD - NIGHT
The camera drifts through the graveyard where Louis'
wife is buring. Everything is lit with an eerie glow,
as if seen through some unearthly eye.
LESTAT
Vampires, that's what we are.
Creatures of darkness, only we see
it that darkness more clearly than
any mortal has ever seen...
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. GRAVEYARD - NIGHT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
EXT. GRAVEYARD - NIGHT
The camera drifts through the graveyard where Louis'
wife is ... | Horror | Interview with the Vampire | EXT. GRAVEYARD - NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL - CORRIDOR & LOUNGE - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madn... | INT. HOTEL - CORRIDOR & LOUNGE - M.L.S.
WENDY runs forward.
WENDY
Danny!
WENDY runs forward and then moves R-L. CAMERA PANS with
her - she stops cam.R.f.g. and SCREAMS.
CUT TO:
M.C.S. WENDY looking about.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL - CORRIDOR & LOUNGE - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prep... | Horror | Shining, The | INT. HOTEL - CORRIDOR & LOUNGE - M.L.S. |
Write a Horror screenplay scene.
Scene heading: EXT. LIFEBOAT STATIONS - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | EXT. LIFEBOAT STATIONS - SAME TIME
as Rennie clings to Miss Van Deusen, crying.
MISS VAN DEUSEN
It's the only way, Rennie. Let's get
in the boat now, okay? Please...for
me?
Rennie finds herself nodding. Miss Van Deusen helps the
trembling girl up the steps, an angered McCulloch right
behind. | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. LIFEBOAT STATIONS - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
EXT. LIFEBOAT STATIONS - SAME TIME
as Rennie clings t... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | EXT. LIFEBOAT STATIONS - SAME TIME |
Write a Horror screenplay scene.
Scene heading: INT. MIAMI - HALLORAN'S APARTMENT - NIGHT - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for... | INT. MIAMI - HALLORAN'S APARTMENT - NIGHT - M.S.
HALLORAN standing, phone up to ear.
RANGER
(over phone)
Good evening. Forest Service.
HALLORAN
(into phone)
Hallo. My name's Dick Halloran.
I'... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. MIAMI - HALLORAN'S APARTMENT - NIGHT - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they ar... | Horror | Shining, The | INT. MIAMI - HALLORAN'S APARTMENT - NIGHT - M.S. |
Write a Horror screenplay scene.
Scene heading: INT. LOTHOS' CHAMBER - THE BOILER ROOM - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | INT. LOTHOS' CHAMBER - THE BOILER ROOM - SAME TIME
But he is on her the moment she emerges from the chamber,
grabbing her by the hair and throwing her to the ground.
LOTHOS
You waste time. That is a sin.
He kneels over her... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. LOTHOS' CHAMBER - THE BOILER ROOM - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
INT. LOTHOS' C... | Horror | Buffy the Vampire Slayer | INT. LOTHOS' CHAMBER - THE BOILER ROOM - SAME TIME |
Write a Horror screenplay scene.
Scene heading: INT. SHIP CORRIDOR - TRACKING WITH TOBY - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | INT. SHIP CORRIDOR - TRACKING WITH TOBY - SAME TIME
as the canine continues to sniff out Jason through the
maze of corridors. TRACK with the dog as he slows his
pace, knowing he's getting close to something.
TOBY'S POINT OF VIEW (STEADICAM)
Low to the ground, creeping past a steam vent which
obscures his vis... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. SHIP CORRIDOR - TRACKING WITH TOBY - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
INT. SHIP CORRIDOR - TRACKING WITH TO... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | INT. SHIP CORRIDOR - TRACKING WITH TOBY - SAME TIME |
Write a Horror screenplay scene.
Scene heading: EXT. PHAM VAN'S STORE - ROOF - DAY 115
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground. | EXT. PHAM VAN'S STORE - ROOF - DAY 115
The men are watching Nancy's house tensely.
MIGUEL
They weren't making no noise.
Why they bothering them for?
VA... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. PHAM VAN'S STORE - ROOF - DAY 115
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the... | Horror | Tremors | EXT. PHAM VAN'S STORE - ROOF - DAY 115 |
Write a Horror screenplay scene.
Scene heading: INT. CONFESSIONAL
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | INT. CONFESSIONAL
Louis, kneeling in the darkness. The hatch slides back.
LOUIS
Bless me father for I have sinned
so often and so long, I don't know
how to change nor beg for
forgiveness.
PRIEST
Son, God is infinite in his
capacity to forgive. Tell him from
your heart.
LOUIS
Murders, fat... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. CONFESSIONAL
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
INT. CONFESSIONAL
Louis, kneeling in the darkness. The hatch slides back.
LOUIS
Ble... | Horror | Interview with the Vampire | INT. CONFESSIONAL |
Write a Horror screenplay scene.
Scene heading: INT. MESS HALL - CONTINUOUS
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep th... | INT. MESS HALL - CONTINUOUS
When the smoke clears, There are two guards still standing. They point
their weapons inneffectually. St Just a has gun to wren's head and a
gun on the guards, who are also covered by Johner.
ELGYN
Nice and easy, boys ...
Call starts to take off.
CALL
I'm gonna finish this.
Elgyn ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. MESS HALL - CONTINUOUS
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smu... | Horror | Alien: Resurrection | INT. MESS HALL - CONTINUOUS |
Write a Horror screenplay scene.
Scene heading: INT. RIPLEY'S CELL
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creature... | INT. RIPLEY'S CELL
Sudden stillness.
Ripley crouches in the middle of a small, dark chamber. She's wide
eyed, staring straight ahead in a state of near catatonia. Hair tangled
and wild. But at least she's not so blue as before.
The only light on her comes from directly above, from a thick pane of
glass in the c... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. RIPLEY'S CELL
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to ... | Horror | Alien: Resurrection | INT. RIPLEY'S CELL |
Write a Horror screenplay scene.
Scene heading: INT. LOWER LANDING DAY
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible. | INT. LOWER LANDING DAY
JULIA steps into the bathroom, and then locks the door
behind her.
LARRY ascends to the top of the stairs.
LARRY
Julia?
JULIA
(from bathroom)
I'm here.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. LOWER LANDING DAY
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
### Screenplay:
INT. LOWER LANDING DAY
JULIA steps in... | Horror | Hellraiser | INT. LOWER LANDING DAY |
Write a Horror screenplay scene.
Scene heading: INT. THE BASEMENT OF THE OLD HOUSE - (DAY)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mothe... | INT. THE BASEMENT OF THE OLD HOUSE - (DAY)
Lila reaches the bottom, stops, listens, hears the stairboards
creaking as footsteps fall hard and measured upon them. She
turns, pulls open the fruit cellar door, looks in. The woman
is sitting in a comfortable chair, the back of the chair,
and the woman, turned to t... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. THE BASEMENT OF THE OLD HOUSE - (DAY)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his... | Horror | Psycho | INT. THE BASEMENT OF THE OLD HOUSE - (DAY) |
Write a Horror screenplay scene.
Scene heading: INT. MOTOR HOME - NIGHT
Story context: After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele. | INT. MOTOR HOME - NIGHT
What's left of the Fuller family and the Gecko family look
out the windshield onto the sight that is the Titty Twister.
SETH
(to the group)
Okay, troops, this is the homestretch.
Here's the deal; this place closes at
dawn. Carlos is gonna meet us here
sometime before dawn. Whic... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. MOTOR HOME - NIGHT
Story context: After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
### Screenplay:
INT. MOTOR HOME - NIGHT
What's lef... | Horror | From Dusk Till Dawn | INT. MOTOR HOME - NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. MARY'S CABIN
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. | INT. MARY'S CABIN
With the paper in the foreground, Norman enters. We can see
him in the dim spill of light. He pauses by the door, then
gathers his strength and goes into the bathroom. We HEAR him
set the pail on the tiled floor, and then we HEAR the shower
being turned off. And there is total silence. CAMERA... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. MARY'S CABIN
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
### ... | Horror | Psycho | INT. MARY'S CABIN |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL CORRIDOR - KITCHEN - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madne... | INT. HOTEL CORRIDOR - KITCHEN - M.L.S.
DANNY runs forward along corridor. CAMERA TRACKS BACK
before him. He runs into kitchen - stops and moves L-R to
oven. He kneels down beside it. CAMERA PANS with him.
DANNY slides oven door open R-L and crawls into it.
CUT TO:
M.C.... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL CORRIDOR - KITCHEN - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepa... | Horror | Shining, The | INT. HOTEL CORRIDOR - KITCHEN - M.L.S. |
Write a Horror screenplay scene.
Scene heading: INT. BANK
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town. | INT. BANK
Roland stands beside Billy. Mrs. Deagle patiently waits.
ROLAND
(whispers to Billy)
Apologize to the woman, Billy.
BILLY
(HONEST)
But, sir...I didn't do anything
wrong. Really.
ROLAND
Apologize. Now.
Billy... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BANK
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
### Screenpla... | Horror | Gremlins | INT. BANK |
Write a Horror screenplay scene.
Scene heading: EXT. BOULEVARD FACADE OF GRAND HOTEL AND PARIS OPERA
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | EXT. BOULEVARD FACADE OF GRAND HOTEL AND PARIS OPERA
Crowds and gaslight everywhere. Carriages, horses,
OPERA coming from the opera house.
LOUIS (V.O.)
I think the very name of Paris
brought a rush of pleasure to me
that was extraordinary. I was a
Creole, after all and Paris was the
mother of New Orlea... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. BOULEVARD FACADE OF GRAND HOTEL AND PARIS OPERA
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
EXT. BOULEVARD FACADE OF GRAND HOTEL AND PARIS OPERA
Cr... | Horror | Interview with the Vampire | EXT. BOULEVARD FACADE OF GRAND HOTEL AND PARIS OPERA |
Write a Horror screenplay scene.
Scene heading: INT. THE MOTEL OFFICE - (DAY)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. | INT. THE MOTEL OFFICE - (DAY)
Norman is behind the counter, standing, staring at Sam who
is sitting relaxedly on a small sofa. Norman has the look of
one who is protecting himself, as if the counter were a
protective wall against the threatening world across it.
SAM
(Cheerfully, as if
after a self-co... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. THE MOTEL OFFICE - (DAY)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound m... | Horror | Psycho | INT. THE MOTEL OFFICE - (DAY) |
Write a Horror screenplay scene.
Scene heading: INT. SHIP HALLWAY - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | INT. SHIP HALLWAY - SAME TIME
as McCulloch rushes up to Rennie's already open door,
cautiously entering with flare gun raised.
MCCULLOCH
Rennie??
MCCULLOCH'S POINT OF VIEW
The room is empty, shards of the porthole glass scattered
across her rug. He steps over to it, bringing his head up
to the gaping ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. SHIP HALLWAY - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
INT. SHIP HALLWAY - SAME TIME
as McCulloch rushes up to Re... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | INT. SHIP HALLWAY - SAME TIME |
Write a Horror screenplay scene.
Scene heading: INT. BRICK AIRWELL
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | INT. BRICK AIRWELL
On the stones lie Claudia and Madeleine, burn to ashes,
in each other's arms, like the corpses of his wife and
daughter in the New Orleans graveyard, embracing each
other.
Only Claudia's blond hair and Madeleine's red hair
remain unburnt.
Louis looks up at the walls of this airwell, many
st... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BRICK AIRWELL
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
INT. BRICK AIRWELL
On the stones lie Claudia and Madeleine, burn to ashes,
in each other... | Horror | Interview with the Vampire | INT. BRICK AIRWELL |
Write a Horror screenplay scene.
Scene heading: EXT. BATES' MOTEL - (NIGHT)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. | EXT. BATES' MOTEL - (NIGHT)
Mary pauses on the porch. The lights are on within the office.
She tries door, finds it open, goes into office. CAMERA
FOLLOWS her into office. There is no one present. Mary goes
to the desk, rings a small pushbell. There is no response.
Mary rubs her forehead in weariness and frust... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. BATES' MOTEL - (NIGHT)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mot... | Horror | Psycho | EXT. BATES' MOTEL - (NIGHT) |
Write a Horror screenplay scene.
Scene heading: INT. RIPLEY'S ROOM - NIGHT
Story context: After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome vi... | INT. RIPLEY'S ROOM - NIGHT
Ripley, watches the burning barn. Frustrated, she climbs out of
the bed on unsteady legs, wearing her tank top and shorts.
Pulls on a coarse wollen cassock, ties the rope belt --
RIPLEY
Idiots...I'll --
WHAM!
The door BURSTS OPEN --
RIPLEY
What the -?
Four BURLY MONKS rush in ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. RIPLEY'S ROOM - NIGHT
Story context: After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a ... | Horror | Alien 3 | INT. RIPLEY'S ROOM - NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. MIAMI APARTMENT - NIGHT - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness ... | INT. MIAMI APARTMENT - NIGHT - M.S.
HALLORAN telephone up to ear. He dials number, then picks
up phone and walks R-L to window. He turns and walks back
L-R. He puts phone down.
OPERATOR
(over phone)
We are sorry your call cannot be
completed as di... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. MIAMI APARTMENT - NIGHT - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared... | Horror | Shining, The | INT. MIAMI APARTMENT - NIGHT - M.S. |
Write a Horror screenplay scene.
Scene heading: EXT. HOTEL - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks withi... | EXT. HOTEL - M.L.S.
WENDY forces door open against snow and walks out on snow.
CAMERA PANS L-R with her to edge of porch. She runs away to
b.g.
CUT TO:
M.L.S. WENDY runs L-R along front of hotel - CAMERA TRACKS
with her.
CUT TO... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. HOTEL - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness... | Horror | Shining, The | EXT. HOTEL - M.L.S. |
Write a Horror screenplay scene.
Scene heading: INT. LOUVRE - NIGHTS LATER
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | INT. LOUVRE - NIGHTS LATER
It is already a museum by this time and Louis and
Armand, fancily dressed and composed, walk through it.
They stop by a Gericault - The Wreck of the Medusa.
LOUIS
You didn't even warm them, did you?
ARMAND
No.
LOUIS
And yet you knew what I would do.
ARMAND
I kne... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. LOUVRE - NIGHTS LATER
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
INT. LOUVRE - NIGHTS LATER
It is already a museum by this time and Louis and
Arm... | Horror | Interview with the Vampire | INT. LOUVRE - NIGHTS LATER |
Write a Horror screenplay scene.
Scene heading: INT. POLICE CAR
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town. | INT. POLICE CAR
GARY
Tracy.
She smiles. Glad to see him alive. They kiss. Gary puts
his arm around her..
Billy hops into the driver's seat. He rests the sword
beside him.--He--starts the car and continues to drive.,
Gary gives Tracy another kiss. He needs her... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. POLICE CAR
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
### Scr... | Horror | Gremlins | INT. POLICE CAR |
Write a Horror screenplay scene.
Scene heading: EXT. PHAM VAN'S STORE - DAY 96
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground. | EXT. PHAM VAN'S STORE - DAY 96
The CB radio sits on a shelf near an open window. Tentacles
are feeling along the wall just below it. Val appears out-
side the window -- upside-down. He snatches the radio and is
hauled straight up out of f... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. PHAM VAN'S STORE - DAY 96
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ... | Horror | Tremors | EXT. PHAM VAN'S STORE - DAY 96 |
Write a Horror screenplay scene.
Scene heading: INT. MANSION - NIGHT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | INT. MANSION - NIGHT
Louis wanders into the parlor, where Lestat is playing
the harpsichord rapidly and exuberantly. Louis goes to
a full-length mirror and sees his own reflection there
- quite the perfect vampire.
LESTAT
Yes, that's you, my handsome
friend. And you'll look that way
till the stars fall f... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. MANSION - NIGHT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
INT. MANSION - NIGHT
Louis wanders into the parlor, where Lestat is playing
the harpsi... | Horror | Interview with the Vampire | INT. MANSION - NIGHT |
Write a Horror screenplay scene.
Scene heading: EXT. THE SCHOOL - EARLY MORNING
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | EXT. THE SCHOOL - EARLY MORNING
We see the direct aftermath; the gym, police cars, people
helping the wounded. Over this is the voice of a reporter.
REPORTER (V.O.)
The death toll now reaches twelve
and a ha... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. THE SCHOOL - EARLY MORNING
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
EXT. THE SCHOOL - EARLY MORNING
... | Horror | Buffy the Vampire Slayer | EXT. THE SCHOOL - EARLY MORNING |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL/CARETAKER'S APARTMENT CORRIDOR - DAY - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepar... | INT. HOTEL/CARETAKER'S APARTMENT CORRIDOR - DAY - M.S.
ULLMAN leads WENDY & JACK forward along corridor to
Caretaker's Apartment.
ULLMAN
This is the staff wing of the hotel.
None of the other bedrooms are
heated during the winter.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL/CARETAKER'S APARTMENT CORRIDOR - DAY - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But t... | Horror | Shining, The | INT. HOTEL/CARETAKER'S APARTMENT CORRIDOR - DAY - M.S. |
Write a Horror screenplay scene.
Scene heading: INT. KITCHEN - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks withi... | INT. KITCHEN - M.S.
WENDY weeping as she kneels by table.
JACK (OFF)
Honey... don't leave me in here.
WENDY stands up. CAMERA TILTS UP with her.
WENDY
I'm gonna go now -
WENDY walks R-L. CAMERA PANS with her to food store room
door.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. KITCHEN - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness... | Horror | Shining, The | INT. KITCHEN - M.S. |
Write a Horror screenplay scene.
Scene heading: INT. SHED 252
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead. | INT. SHED 252
A terrified Ash braces his back against the door.
BANG!
Earth shaking in its intensity. The planks of the door shudder
behind Ash.
253 CLOSE ON LOG BOLT 253
It cracks.
254 ASH 254
presses himself against the door for all he's worth, praying
that wha... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. SHED 252
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
### Screenplay:
INT. SHED ... | Horror | Army of Darkness | INT. SHED 252 |
Write a Horror screenplay scene.
Scene heading: EXT. TUBE STATION NIGHT
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible. | EXT. TUBE STATION NIGHT
The station is deserted, but for KIRSTY and STEVE,
who are sitting, waiting for the last train.
KIRSTY
You know I do know the way home.
STEVE
It's late.
KIRSTY
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. TUBE STATION NIGHT
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
### Screenplay:
EXT. TUBE STATION NIGHT
The station ... | Horror | Hellraiser | EXT. TUBE STATION NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. TRANSOM SPACE - SERIES OF SHOTS
Story context: After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more un... | INT. TRANSOM SPACE - SERIES OF SHOTS
They move across the huge room...Anthony a few paces ahead.
Their candles throwing only enough light to see several yards.
Wind whistles through the huge room, timbers creaking like some
gigantic old house settling.
RIPLEY
What?
JOHN
Those things you said before --
Rip... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. TRANSOM SPACE - SERIES OF SHOTS
Story context: After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the... | Horror | Alien 3 | INT. TRANSOM SPACE - SERIES OF SHOTS |
Write a Horror screenplay scene.
Scene heading: EXT. CANYON ROAD - DAY 64
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground. | EXT. CANYON ROAD - DAY 64
We see the utility truck still parked near the landslide
blocking the road. REVEAL, on the far side, a telephone
maintenance truck is now parked, emergency lights flashing --
and nearby, amid phoneworkers' cli... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. CANYON ROAD - DAY 64
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ... | Horror | Tremors | EXT. CANYON ROAD - DAY 64 |
Write a Horror screenplay scene.
Scene heading: INT. HONG KONG AIRPORT
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town. | INT. HONG KONG AIRPORT
Rand is on the pay telephon His baggage rests beside
him.
Mogwai is inside of a small plastic pet box. The creature's
bright eyes shine from inside.
RAND
(into the phone)
Yes, Fred. The Tai-Chan account
is definite. MmmHmm. M... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HONG KONG AIRPORT
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
... | Horror | Gremlins | INT. HONG KONG AIRPORT |
Write a Horror screenplay scene.
Scene heading: INT. DOWNSTAIRS ROOM DAY
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible. | INT. DOWNSTAIRS ROOM DAY
A church bell rings. Off-screen, we hear voices:
two men are attempting to move a bed into the house
with LARRY masterminding the manoeuvres. We HEAR
their efforts, but we don't yet see them. Our
interest is in JULIA, who is unpacking a tea-chest
in a room which... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. DOWNSTAIRS ROOM DAY
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
### Screenplay:
INT. DOWNSTAIRS ROOM DAY
A church b... | Horror | Hellraiser | INT. DOWNSTAIRS ROOM DAY |
Write a Horror screenplay scene.
Scene heading: INT. BRIDGE - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | INT. BRIDGE - SAME TIME
as Sean hurries back to the radio, pressing it against
his spitless mouth.
SEAN
I've got the numbers.
RADIO OFFICER (FILTERED V.O.)
Give me the degrees first, followed by
minutes and sec...
Suddenly his voice is CUT OFF, followed by STATIC.
SEAN
Hello? Are you there?... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BRIDGE - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
INT. BRIDGE - SAME TIME
as Sean hurries back to the radio, press... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | INT. BRIDGE - SAME TIME |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL KITCHEN - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks... | INT. HOTEL KITCHEN - M.S.
WENDY puts pin in handle, and backs L-R away from door.
CAMERA PANS with her.
JACK (OFF)
Hey, wait a minute!
WENDY turns away and looks about.
JACK (OFF)
What are you doing?
WENDY sees knife in rack on wall and lift... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL KITCHEN - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the m... | Horror | Shining, The | INT. HOTEL KITCHEN - M.S. |
Write a Horror screenplay scene.
Scene heading: EXT. HOTEL - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within. | EXT. HOTEL - M.S.
DANNY by track of HALLORAN's Snowcat. He moves away L-R.
CUT TO:
M.L.S. JACK limps away from door.
JACK
Danny!
CUT TO:
M.S. DANNY runs L-R and exits cam.R.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. HOTEL - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness t... | Horror | Shining, The | EXT. HOTEL - M.S. |
Write a Horror screenplay scene.
Scene heading: EXT. SWIMMING POOL - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | EXT. SWIMMING POOL - SAME TIME
Miles is toweling off under the shelter of a gazebo as
Sean's voice blares out of a rain-pounded megaphone
speaker nearby.
SEAN (V.O.)
There's been...
(swallows)
What I mean is, this is an
emergency...
Miles knows he can't be joking around. Wayne comes
walking by, ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. SWIMMING POOL - SAME TIME
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
EXT. SWIMMING POOL - SAME TIME
Miles is toweling off unde... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | EXT. SWIMMING POOL - SAME TIME |
Write a Horror screenplay scene.
Scene heading: EXT. ROAD SHOULDER - (DAWN)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. | EXT. ROAD SHOULDER - (DAWN)
We see Mary's car, dim in the early dawn, tilted on the soft
shoulder of the road, looking somehow sad and pathetic, like
a child's thrown-away toy. And from this angle it would appear
that the car is empty.
After a moment, during which there are no other vehicles
passing, we see,... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. ROAD SHOULDER - (DAWN)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mot... | Horror | Psycho | EXT. ROAD SHOULDER - (DAWN) |
Write a Horror screenplay scene.
Scene heading: INT. NEXT HALL - CONTINUOUS
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep th... | INT. NEXT HALL - CONTINUOUS
Nothing here either. But Vriess's fur is up -- he moves slowly,
carefully.
And was that a noise? He looks around, up at the ceiling.
A drop of alien blood is eating through right above him. It drips down
-- and he rolls out of the way just in time, back up as the blood plops
to the ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. NEXT HALL - CONTINUOUS
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smu... | Horror | Alien: Resurrection | INT. NEXT HALL - CONTINUOUS |
Write a Horror screenplay scene.
Scene heading: EXT. TEXAS PANHANDLE - DAY
Story context: After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele. | EXT. TEXAS PANHANDLE - DAY
The Plymouth tears ass across Texas plains. As TITLES PLAY
OVER, we see Seth and Richard enjoying their getaway/road
trip. Seth behind the wheel, pops open a bottle of
prescription pills, empties out four of the red capsules in
his hand, pops them in his mouth, and washes it back with a
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. TEXAS PANHANDLE - DAY
Story context: After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
### Screenplay:
EXT. TEXAS PANHANDLE - DAY
The ... | Horror | From Dusk Till Dawn | EXT. TEXAS PANHANDLE - DAY |
Write a Horror screenplay scene.
Scene heading: INT. CABIN - NIGHT 3
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead. | INT. CABIN - NIGHT 3
Ash flips through the pages from the BOOK OF THE DEAD.
ASH (V.O.)
The book awoke something dark in
the woods.
SUPERIMPOSE:
4 BOOK OF THE DEAD - CAMERA PANNING STRANGE SCRIPT 4
inscribed on the pages. Illustrations of demonic faces with
white e... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. CABIN - NIGHT 3
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
### Screenplay:
INT. CABIN... | Horror | Army of Darkness | INT. CABIN - NIGHT 3 |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL GAMES ROOM - DAY - M.C.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness... | INT. HOTEL GAMES ROOM - DAY - M.C.S.
DANNY throwing darts - CAMERA TRACKS BACK & PANS L-R with
him as he walks to the dartboard. He climbs up on chair and
pulls two darts out. He looks cam.L. CAMERA ZOOMS IN on him.
CUT TO:
M.S. Two GRADY girls, holding hands, standing ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL GAMES ROOM - DAY - M.C.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepare... | Horror | Shining, The | INT. HOTEL GAMES ROOM - DAY - M.C.S. |
Write a Horror screenplay scene.
Scene heading: EXT. PHAM VAN'S STORE - ROOF - DAY 102
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground. | EXT. PHAM VAN'S STORE - ROOF - DAY 102
The three men can hear the chaos over the CB.
BURT (V.O.)
Jesus Chri...!
The CB goes dead. The men stare numbly. Then, drifting
across the desert, a s... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. PHAM VAN'S STORE - ROOF - DAY 102
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the... | Horror | Tremors | EXT. PHAM VAN'S STORE - ROOF - DAY 102 |
Write a Horror screenplay scene.
Scene heading: INT. BASEMENT CORRIDOR NIGHT
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves. | INT. BASEMENT CORRIDOR NIGHT
MALAHIDE walks past a bank of meters and huge circuit breakers on
his way to the lower and of the corridor, by the cells
of the very disturbed. He stops by the cell of the man in the
strait-jacket. We hear from the outside the familiar muttering of
BROWNING. MALAHIDE enters the call.
42 | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BASEMENT CORRIDOR NIGHT
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves.
### Screenplay:
INT. BASEMENT CORRIDOR NIGHT
MALAHIDE walks past a bank of mete... | Horror | Hellbound: Hellraiser II | INT. BASEMENT CORRIDOR NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. OBSESSION ROOM NIGHT
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves. | INT. OBSESSION ROOM NIGHT
The TRACK continues.
The room is dim, lit only by stray shafts of moonlight.
On the floor in the centre of the room is the mattress.
The TRACK stops. A main light is clicked on and MALAHIDE moves
into shot. MALAHIDE pours himself a scotch from the decanter that
sits on the writing tab... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. OBSESSION ROOM NIGHT
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves.
### Screenplay:
INT. OBSESSION ROOM NIGHT
The TRACK continues.
The room is di... | Horror | Hellbound: Hellraiser II | INT. OBSESSION ROOM NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. BATHROOM DAY
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible. | INT. BATHROOM DAY
JULIA, still trembling, sits on the edge of the bath.
JULIA
I'll be O.K. Just leave me
be a while.
LARRY
Can I get you anything?
JULIA
Maybe a... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BATHROOM DAY
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
### Screenplay:
INT. BATHROOM DAY
JULIA, still trembling, ... | Horror | Hellraiser | INT. BATHROOM DAY |
Write a Horror screenplay scene.
Scene heading: INT. AN ADJOINING CHAMBER with a
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to ke... | INT. AN ADJOINING CHAMBER with a
long glass window looking at the chamber.
The last of the guards leaves the chamber and we see the door lock
behind them.
Wren starts pushing buttons.
The glass tops of the cryotubes slide open. We see temperature and
lifesign gauges begin to change..
There is a thick whirring ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. AN ADJOINING CHAMBER with a
Story context: Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band o... | Horror | Alien: Resurrection | INT. AN ADJOINING CHAMBER with a |
Write a Horror screenplay scene.
Scene heading: INT. ZEPH'S AUTO REPAIR - DAY
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | INT. ZEPH'S AUTO REPAIR - DAY
Pike is at work on a contraption. Built out of scraps and
parts, it is the beginnings of a cartridge-load crossbow.
Zeph watches, behind him.
ZEPH
Hah, I'd knew you'd be back. Didn't
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. ZEPH'S AUTO REPAIR - DAY
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
INT. ZEPH'S AUTO REPAIR - DAY
Pike... | Horror | Buffy the Vampire Slayer | INT. ZEPH'S AUTO REPAIR - DAY |
Write a Horror screenplay scene.
Scene heading: INT. TIME VORTEX 14
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead. | INT. TIME VORTEX 14
A GRANDFATHER CLOCK
its hands winding backwards at an insane rate, spins angrily
past, revealing other debris that has been swept up into this
funnel cloud. Tumbling weightless through this void we find...
15 ASH 15
He SCREAMS but there is no sound. No scream... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. TIME VORTEX 14
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
### Screenplay:
INT. TIME... | Horror | Army of Darkness | INT. TIME VORTEX 14 |
Write a Horror screenplay scene.
Scene heading: EXT. TAVERN - NIGHT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | EXT. TAVERN - NIGHT
A crowded street. Louis and Lestat emerge from the
tavern. Louis looks up at the moon.
LOUIS
Have you ever been caught?
LESTAT
Of course not. It's so easy you
almost feel sorry for them.
They walk down the crowded night street, full of ladies
in their finery, freed slaves, whore... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. TAVERN - NIGHT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
EXT. TAVERN - NIGHT
A crowded street. Louis and Lestat emerge from the
tavern. Louis lo... | Horror | Interview with the Vampire | EXT. TAVERN - NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. HOSPITAL ROOM NIGHT
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves. | INT. HOSPITAL ROOM NIGHT
KIRSTY has been dozing fitfully, but is awakened by strange
noises. At first terrified, she slowly realises it is simply
someone being put in the room next door.
She waits until activity has ceased and then moves to her door.
It is unlocked. She moves out into the corridor.
23 | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOSPITAL ROOM NIGHT
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves.
### Screenplay:
INT. HOSPITAL ROOM NIGHT
KIRSTY has been dozing fitfully, but i... | Horror | Hellbound: Hellraiser II | INT. HOSPITAL ROOM NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. BASEMENT - POINTE DU LAC
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | INT. BASEMENT - POINTE DU LAC
A brick walled storage room. Two coffins stand on the
floor. Lestat enters with a lantern, Louis behind.
Lestat is apprehensive and protective of Louis. He
pulls back one lid ot reveal a satin interior.
LESTAT
You must get into it. It's the only
safe place for you when the lig... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BASEMENT - POINTE DU LAC
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
INT. BASEMENT - POINTE DU LAC
A brick walled storage room. Two coffins stand o... | Horror | Interview with the Vampire | INT. BASEMENT - POINTE DU LAC |
Write a Horror screenplay scene.
Scene heading: EXT. DOORSTEP NIGHT
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible. | EXT. DOORSTEP NIGHT
KIRSTY still beats on the door.
KIRSTY
Please, answer me! Please -
The door is suddenly opened. JULIA is standing there.
JULIA
Kirsty? It's very late.
KIRSTY
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. DOORSTEP NIGHT
Story context: Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
### Screenplay:
EXT. DOORSTEP NIGHT
KIRSTY still beats o... | Horror | Hellraiser | EXT. DOORSTEP NIGHT |
Write a Horror screenplay scene.
Scene heading: EXT. THE GYM - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | EXT. THE GYM - SAME TIME
Buffy is defending herself in an astounding blur of gymnastics
and martial arts. Leaping, throwing kicks, punches, and the
odd stake, she manages to scatter them enough to make a run
for it.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. THE GYM - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
EXT. THE GYM - SAME TIME
Buffy is defen... | Horror | Buffy the Vampire Slayer | EXT. THE GYM - SAME TIME |
Write a Horror screenplay scene.
Scene heading: INT. BRIDGE CORRIDOR - NIGHT
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | INT. BRIDGE CORRIDOR - NIGHT
as Sean and Rennie walk up the corridor leading to the
bridge.
RENNIE
Can he really take us home?
SEAN
Not completing a voyage is against
everything he stands for. But I think
I can convince him to call a Coast
Guard cutter for you.
RENNIE
What about you?
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BRIDGE CORRIDOR - NIGHT
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
INT. BRIDGE CORRIDOR - NIGHT
as Sean and Rennie walk up the... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | INT. BRIDGE CORRIDOR - NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. INN - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | INT. INN - SAME TIME
The inn is dark and almost empty. A couple of patrons drink
silently at tables. Behind the bar stands a slovenly BARMAID,
dark-haired and lazy. She scratches at her shoulder, on which
we see a birthmark. The knight approaches the bar, throws
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. INN - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
INT. INN - SAME TIME
The inn is dark and al... | Horror | Buffy the Vampire Slayer | INT. INN - SAME TIME |
Write a Horror screenplay scene.
Scene heading: EXT. STREET (LATER)
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | EXT. STREET (LATER)
Pike is standing by the trees where Buffy stood before, looking
out into the street.
PIKE'S POV
The same angle as Buffy's, before. Now Lothos is gone. Buffy
is kneeling quietly by Merrick, holding his head in her lap.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. STREET (LATER)
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
EXT. STREET (LATER)
Pike is standing by th... | Horror | Buffy the Vampire Slayer | EXT. STREET (LATER) |
Write a Horror screenplay scene.
Scene heading: EXT. THE CITY - NIGHT
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | EXT. THE CITY - NIGHT
We see SHOTS of the deserted city at night. It's a small,
upscale town. Suburban streets, businesses, and a few more
depressed areas, boarded up houses. No one is out. TREES
RUSTLE, shadows flicker, but the curling mist is the only
visi... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. THE CITY - NIGHT
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
EXT. THE CITY - NIGHT
We see SHOTS of the ... | Horror | Buffy the Vampire Slayer | EXT. THE CITY - NIGHT |
Write a Horror screenplay scene.
Scene heading: INT. FLAT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter. | INT. FLAT
Striped wallpaper gives way to flowers in the bedrooms.
Huge four-poster beds in the bedrooms, and large
chests, as big as coffins standing against the wall.
Everywhere there are candles and pretty Louis XVI
furniture. Lestat gives instructions to the movers.
WE MOVE INTO A DIMLY LIT PARLOUR
We see C... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. FLAT
Story context: A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
### Screenplay:
INT. FLAT
Striped wallpaper gives way to flowers in the bedrooms.
Huge four-poster beds in the be... | Horror | Interview with the Vampire | INT. FLAT |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL BALLROOM CORRIDOR - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madnes... | INT. HOTEL BALLROOM CORRIDOR - M.L.S.
JACK enters cam.L in b.g. and walks forward. CAMERA TRACKS
BACK before him. He mutters and flings his arms about. He
stops and looks at notice on trestle - "THE GOLD ROOM." JACK
moves L-R into entrance of Ballroom. He reaches out cam.L
and switches on lights - then moves away ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL BALLROOM CORRIDOR - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepar... | Horror | Shining, The | INT. HOTEL BALLROOM CORRIDOR - M.L.S. |
Write a Horror screenplay scene.
Scene heading: EXT. SHIP/STORMY SEA (TANK)
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned. | EXT. SHIP/STORMY SEA (TANK)
...and the hoist cable falls limply over them. Jason's
too late. Sean looks up and sees:
JASON
standing by the hoist, hovering over the edge. Very
angry.
SEAN (TANK)
grabs an oar, turning back to McCulloch.
SEAN
Start rowing!!
McCulloch takes the oar as Miss Van Deusen ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. SHIP/STORMY SEA (TANK)
Story context: Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
### Screenplay:
EXT. SHIP/STORMY SEA (TANK)
...and the hoist cable falls lim... | Horror | Friday the 13th Part VIII: Jason Takes Manhattan | EXT. SHIP/STORMY SEA (TANK) |
Write a Horror screenplay scene.
Scene heading: INT. SULACCO ESCAPE POD #4 = DAY
Story context: After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelc... | INT. SULACCO ESCAPE POD #4 = DAY
Ripley places Mattias into the Hyper sleep tube.
Rubs under his chin. Is about to climb in with him when she
spots something on the floor --
JOHN'S PARCHMENT
Ripley picks it up and unrolls it.
She hears John's voice:
JOHN V.O.
I, Brother John Goldman of the orbiter
Arceon, M... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. SULACCO ESCAPE POD #4 = DAY
Story context: After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the cra... | Horror | Alien 3 | INT. SULACCO ESCAPE POD #4 = DAY |
Write a Horror screenplay scene.
Scene heading: INT. BRODY'S OFFICE - DAY
Story context: Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters. | INT. BRODY'S OFFICE - DAY
Brody, alone, is sitting at his desk, morosely studying a
little gold statuette of a pistol marksman. What's done is
done, and Brody is trying to figure out how to live with it.
The phone rings, is answered in the other room. The buzzer
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BRODY'S OFFICE - DAY
Story context: Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
### Screenplay:
INT. BRODY'S OFFICE - DAY
Brody, alone, is sitting at his desk, morosely studyin... | Horror | Jaws 2 | INT. BRODY'S OFFICE - DAY |
Write a Horror screenplay scene.
Scene heading: INT. BOILER ROOM
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town. | INT. BOILER ROOM
Billy gives one final hit to. the gas line. The connection
snaps. He stuffs the line with his and Gary's shirt. He
turns the gas back on and lights the end of the crumpled.
shirt with a match. The flame slowly creeps up the shirt,
to the line.
BILLY
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. BOILER ROOM
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
### Sc... | Horror | Gremlins | INT. BOILER ROOM |
Write a Horror screenplay scene.
Scene heading: INT. THEATER
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town. | INT. THEATER
The second reel of "Snow White" fills the screen.
The seven dwarfs are singing "Hi-Ho, Hi-Ho, it's off to
work we go..." The song echoes through the theater.
THE CREATURES
are frightened by the images on screen. The light hurts
their eyes. But gradually, ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. THEATER
Story context: When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
### Screen... | Horror | Gremlins | INT. THEATER |
Write a Horror screenplay scene.
Scene heading: EXT. THE MOTEL AND HOUSE - (NIGHT)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. | EXT. THE MOTEL AND HOUSE - (NIGHT)
All light are out, except the light in Norman's mother's
room. And her figure can be seen sitting in the window,
relaxed in a high-back chair, her face turned into the room.
After a second, we hear the SOUND OF A MOTOR, and then Sam's
small pick-up truck swings into the driv... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. THE MOTEL AND HOUSE - (NIGHT)
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebo... | Horror | Psycho | EXT. THE MOTEL AND HOUSE - (NIGHT) |
Write a Horror screenplay scene.
Scene heading: EXT. CASTLE 549
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead. | EXT. CASTLE 549
The battering rams rips through the doors and the army of
darkness pours into the courtyard.
550 A LEGLESS SKELETON 550
crawls in with a knife in its teeth.
ARTHUR
They're coming in. What now?!
551 ASH 551
looks terrified. He turns and runs fro... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. CASTLE 549
Story context: Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
### Screenplay:
EXT. CASTLE ... | Horror | Army of Darkness | EXT. CASTLE 549 |
Write a Horror screenplay scene.
Scene heading: INT. OBSESSION ROOM DAY
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves. | INT. OBSESSION ROOM DAY
and we see the 2nd. WORKMAN. He is crouching over the mattress
which is still in the middle of the floor of the otherwise empty
room.
2nd. WORKMAN
... Gimme a hand with this.
Almost faster than the eye can register it, a hand shoots out
from th... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. OBSESSION ROOM DAY
Story context: Julia Cotton, her step daughter Kirsty, and the sinister Dr. Channard are sent into the dominion of the Cenobites themselves.
### Screenplay:
INT. OBSESSION ROOM DAY
and we see the 2nd. WORKMAN. He is crouchi... | Horror | Hellbound: Hellraiser II | INT. OBSESSION ROOM DAY |
Write a Horror screenplay scene.
Scene heading: EXT. PERFECTION - TELEPHOTO - BURT'S P.O.V. - DAY 94
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ground. | EXT. PERFECTION - TELEPHOTO - BURT'S P.O.V. - DAY 94
The town is a very strange sight. It's as though an
invisible flood were in progress, driving people to high
ground. We see: Rhonda perched on the water tower; Val, Earl
and Miguel on the store roof; Nancy an... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. PERFECTION - TELEPHOTO - BURT'S P.O.V. - DAY 94
Story context: Val McKee and Earl Bassett are in a fight for their lives when they discover that their desolate town has been infested with gigantic, man-eating creatures that live below the ... | Horror | Tremors | EXT. PERFECTION - TELEPHOTO - BURT'S P.O.V. - DAY 94 |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL/COLORADO LOUNGE - DAY - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the ma... | INT. HOTEL/COLORADO LOUNGE - DAY - M.L.S.
ULLMAN, followed by WENDY, JACK & WATSON, moves out of lift
cam.R. They walk R-L across Lounge. CAMERA TRACKS with them.
ULLMAN
This is our Colorado Lounge.
WENDY
Oh, it's beautiful.
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL/COLORADO LOUNGE - DAY - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't pr... | Horror | Shining, The | INT. HOTEL/COLORADO LOUNGE - DAY - M.L.S. |
Write a Horror screenplay scene.
Scene heading: EXT. THE PORCH
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. | EXT. THE PORCH
As Norman stands in the doorway, he is suddenly and blindingly
lit by the bright headlights of a passing car. The flash of
the lights and the SOUND of the SPEEDING CAR are over in a
flicker of a moment, but it takes a few seconds for Norman
to regain his former tense composure. Then he goes to t... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. THE PORCH
Story context: When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
### Scr... | Horror | Psycho | EXT. THE PORCH |
Write a Horror screenplay scene.
Scene heading: INT. LOTHOS' CHAMBER - CLOSEUP ON LOTHOS - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires. | INT. LOTHOS' CHAMBER - CLOSEUP ON LOTHOS - SAME TIME
As he pulls himself out of the pool, we are treated to a good
look at his new head. It is charred and torn almost beyond
recognition. It is so inhuman looking, that we are almost
surprised when it screams!
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. LOTHOS' CHAMBER - CLOSEUP ON LOTHOS - SAME TIME
Story context: Blonde, bouncy Buffy is your typical high school cheerleader. But all that changes when a strange man informs her she's been chosen by fate to kill vampires.
### Screenplay:
INT. LOTHOS'... | Horror | Buffy the Vampire Slayer | INT. LOTHOS' CHAMBER - CLOSEUP ON LOTHOS - SAME TIME |
Write a Horror screenplay scene.
Scene heading: EXT. AMITY BEACH ROAD - DAY (DUSK)
Story context: Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters. | EXT. AMITY BEACH ROAD - DAY (DUSK)
Brody is alone in the jeep, headed for the safety of home
and family. He drives past the town's billboard: it's covered
with an architect's rendering of the Amity Holiday Inn. The
sign reads: "WHEN IN AMITY, ENJOY THE HOLIDAY INN."
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. AMITY BEACH ROAD - DAY (DUSK)
Story context: Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
### Screenplay:
EXT. AMITY BEACH ROAD - DAY (DUSK)
Brody is alone in the jeep, headed f... | Horror | Jaws 2 | EXT. AMITY BEACH ROAD - DAY (DUSK) |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL - KITCHEN - DAY - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness th... | INT. HOTEL - KITCHEN - DAY - M.S.
WENDY holding DANNY's hand walks forward into kitchen with
HALLORAN. CAMERA TRACKS BACK before them.
HALLORAN
Mrs. Torrance, your husband
introduced you as Winifred. Now
are you a Winnie or a Freddie?
... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL - KITCHEN - DAY - M.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared f... | Horror | Shining, The | INT. HOTEL - KITCHEN - DAY - M.S. |
Write a Horror screenplay scene.
Scene heading: INT. HOTEL - KITCHEN - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that l... | INT. HOTEL - KITCHEN - M.L.S.
JACK moves forward in kitchen. He sweeps coffee pot off
table onto floor. CAMERA TRACKS BACK before him. He kicks
coffee pots on floor, then sweeps rings off stove onto floor.
He kicks rings as he leaves kitchen, moving into corridor.
CAMERA TRACKS BACK before him. He stops and looks ... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: INT. HOTEL - KITCHEN - M.L.S.
Story context: Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for t... | Horror | Shining, The | INT. HOTEL - KITCHEN - M.L.S. |
Write a Horror screenplay scene.
Scene heading: EXT. HARBOR MOUTH - DAY
Story context: Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters. | EXT. HARBOR MOUTH - DAY
The Kids' boats, in a loose bunch, slipping out to sea.
REVERSE - LOOKING OUT TO SEA
The dive class boat, isolated near the channel, a group of
Kids in wet suits and tanks assembled with three adult
instructors: Tom Andrews, Crosby... | ### Instruction:
Write a Horror screenplay scene.
Scene heading: EXT. HARBOR MOUTH - DAY
Story context: Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
### Screenplay:
EXT. HARBOR MOUTH - DAY
The Kids' boats, in a loose bunch, slipping out to sea.
... | Horror | Jaws 2 | EXT. HARBOR MOUTH - DAY |
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