instruction string | response string | text string | genre string | title string | scene_heading string |
|---|---|---|---|---|---|
Write a Drama screenplay scene.
Scene heading: EXT. FLEET PRISON - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | EXT. FLEET PRISON - DAY
His mother, now very old and hobbled with arthritis,
enters the prison, carrying a basket on her arm.
NARRATOR
His faithful old mother joined him
in his lonely exile, and had a
bedroom in Fleet Market over the
way. She would come and stay the
whole day with him in prison
working. | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. FLEET PRISON - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
EXT. FLEET PRIS... | Drama | Barry Lyndon | EXT. FLEET PRISON - DAY |
Write a Drama screenplay scene.
Scene heading: INT. CAR. ABOUT A HALF HOUR LATER. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | INT. CAR. ABOUT A HALF HOUR LATER. DAY.
They have gotten away, but are still escaping. C.W. is
driving. He is bare-chested. CLYDE is beside him in front,
his arm bleeding. He falls in and out of consciousness.
BONNIE is stretched out in back.
Her shoulder has been bandaged with C.W.'s shirt. She is
unconscious... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CAR. ABOUT A HALF HOUR LATER. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Scr... | Drama | Bonnie and Clyde | INT. CAR. ABOUT A HALF HOUR LATER. DAY. |
Write a Drama screenplay scene.
Scene heading: INT. CHARLIE'S APARTMENT
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob. | INT. CHARLIE'S APARTMENT
CHARLIE is doubly frustrated by TERESA'S rejection of his
attempts at lovemaking because of his concern for JOHNNY BOY.
He becomes sarcastic and abrupt.
TERESA
Don't you realize what that
apartment me... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CHARLIE'S APARTMENT
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob.
### Screenplay:
INT. CHARLIE'S APARTMENT
CHARLIE is doubly frustrated by TERESA'S rejection of his
attempts... | Drama | Mean Streets | INT. CHARLIE'S APARTMENT |
Write a Drama screenplay scene.
Scene heading: INT. ELTON AND STONEY'S MOBILE HOME - NIGHT
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest. | INT. ELTON AND STONEY'S MOBILE HOME - NIGHT
Bobby, Elton and Stoney are seated on the couch,
all looking toward the TV, playing an old black-and
white.
Rayette is seated on an adjacent chair, holding an
infant in her lap, cooing and fawning over it
throughout the following.
ELTON
I swore to God I'd ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. ELTON AND STONEY'S MOBILE HOME - NIGHT
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.
### Screenplay:
INT. EL... | Drama | Five Easy Pieces | INT. ELTON AND STONEY'S MOBILE HOME - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. GERMAN PALACE - BALLROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. GERMAN PALACE - BALLROOM - NIGHT
Roderick, the Chevalier and the Duke of Wurttemberg.
RODERICK (V.O.)
The Chevalier de Belle Fast was in
particularly good order with the
Duke of Wurttemberg, whose court
was, at this period, the most
brilliant in all Europe.
The Duke of Wurttemberg chatting with ballet ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. GERMAN PALACE - BALLROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
IN... | Drama | Barry Lyndon | INT. GERMAN PALACE - BALLROOM - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. BAR AREA
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob. | INT. BAR AREA
TONY pushes him out the door and into the bar area. There
are a few people in the bar...mainly neighborhood guys like
TONY. A few "freaks" are in the BG.
TONY pushes him out the front door.
TONY
And keep the fuc... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. BAR AREA
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob.
### Screenplay:
INT. BAR AREA
TONY pushes him out the door and into the bar area. There
are a few people in the bar...... | Drama | Mean Streets | INT. BAR AREA |
Write a Drama screenplay scene.
Scene heading: INT. PLATTE CITY MOTEL BEDROOM. WITH BONNIE. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | INT. PLATTE CITY MOTEL BEDROOM. WITH BONNIE. DAY.
--as she tries, against heavy odds, to file and trim her
nails in a corner of the room. The odds are; CLYDE on a
uke, b.g., BUCK, and BLANCHE--gathered around C.W. who sits
in the only stuffed chair in the room. Their o.s.
raucousness is clearly shattering to BONNI... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. PLATTE CITY MOTEL BEDROOM. WITH BONNIE. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks... | Drama | Bonnie and Clyde | INT. PLATTE CITY MOTEL BEDROOM. WITH BONNIE. DAY. |
Write a Drama screenplay scene.
Scene heading: INT. DINING ROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. DINING ROOM - NIGHT
A candle-lit supper.
RODERICK (V.O.)
I knew the taste of chocolate as by
intuition almost, and could
distinguish between the right
Spanish and the French before I had
been a week in my new position.
INSERTS - JEWELRY
Action and cuts as voice over.
RODERICK (V.O.)
I had rings o... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. DINING ROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
INT. DINING RO... | Drama | Barry Lyndon | INT. DINING ROOM - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. X FLAT - NIGHT
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida. | INT. X FLAT - NIGHT
Ratso leans over the tub-sink, dry-heaving while he coughs,
wearing a sheepskin coat much too large for him. He controls
the cough with effort -- hearing the door open and close O.S.
-- wipes his mouth and turns to grin at...
... Joe, trying to light the empty Sterno can, deliberately
ignoring Rat... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. X FLAT - NIGHT
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florid... | Drama | Midnight Cowboy | INT. X FLAT - NIGHT |
Write a Drama screenplay scene.
Scene heading: EXT. EASTERN PACKING COMPANY - DAWN
Story context: An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion. | EXT. EASTERN PACKING COMPANY - DAWN
PAULIE
Yo, Rock. I made a few phone
calls an' thanks to me ya
goin' to be a big man --
Thatta dog?
ROCKY
Whatta these guys want?
PAULIE
To see ya train.
ROCKY
Yo, what's with you? -- It was
suppose to be private.
PAULIE
I thought I was doin' ya... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. EASTERN PACKING COMPANY - DAWN
Story context: An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion.
### Screenplay:
EXT. EASTERN PACKING COMPANY - DAWN
... | Drama | Rocky | EXT. EASTERN PACKING COMPANY - DAWN |
Write a Drama screenplay scene.
Scene heading: EXT. BOBBY'S CAR - HIGHWAY - DAY
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest. | EXT. BOBBY'S CAR - HIGHWAY - DAY
Bobby pulls off onto the right-hand shoulder, stops
the car and gets out. He moves out to the center
line, looking across the road, to:
A long-haired young woman (PALM) in Levi's and
parka, presently pushing her close-cropped, boyish
looking friend (TERRY) against the side o... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. BOBBY'S CAR - HIGHWAY - DAY
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.
### Screenplay:
EXT. BOBBY'S CAR -... | Drama | Five Easy Pieces | EXT. BOBBY'S CAR - HIGHWAY - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. ROAD - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | EXT. ROAD - DAY
The coach drives by and action as described.
RODERICK (V.O.)
Hearing the sound of the alarm
cannon, the common people came out
along the road, with fowling-pieces
and pitch-forks, in hopes to catch
the truant. The gendarmes looked
very anxious to be on the lookout
for him too. The price o... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. ROAD - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
EXT. ROAD - DAY
The co... | Drama | Barry Lyndon | EXT. ROAD - DAY |
Write a Drama screenplay scene.
Scene heading: INT. ARENA - NIGHT
Story context: An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion. | INT. ARENA - NIGHT
Adrian stands at the rear of the arena and watches the
battle. She is entranced by the power of it all.
Back in the ring, Rocky keeps grinding ahead. He plants a
thumping left over the Champion's heart and Creed winces...
Rocky is game but losing.
At ringside Paulie is frantic... He is living th... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. ARENA - NIGHT
Story context: An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion.
### Screenplay:
INT. ARENA - NIGHT
Adrian stands at the rear of the ... | Drama | Rocky | INT. ARENA - NIGHT |
Write a Drama screenplay scene.
Scene heading: EXT. GARAGE APARTMENT.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | EXT. GARAGE APARTMENT.
She opens the door. A young man is there with the two big
sacks of groceries.
BONNIE
How much?
YOUNG MAN
Six dollars and forty-three cents.
BONNIE pays him and goes to take the bags from him.
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. GARAGE APARTMENT.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Screenplay:
EXT. GARAG... | Drama | Bonnie and Clyde | EXT. GARAGE APARTMENT. |
Write a Drama screenplay scene.
Scene heading: INT. CHICAGO OPERA HOUSE - NIGHT - SET FOR "THAIS" -
Story context: Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest... | INT. CHICAGO OPERA HOUSE - NIGHT - SET FOR "THAIS" -
The camera is just inside the curtain, angling upstage. We
see the set for "Thais" - the principals in place - stage
managers, stage hands, etc., and in the center of all this, in
an elaborate costume, looking very small and very lo... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CHICAGO OPERA HOUSE - NIGHT - SET FOR "THAIS" -
Story context: Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he m... | Drama | Citizen Kane | INT. CHICAGO OPERA HOUSE - NIGHT - SET FOR "THAIS" - |
Write a Drama screenplay scene.
Scene heading: EXT. R & C CONSTRUCTION SUPPLIES - ON CHRIS - DAY
Story context: Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects ... | EXT. R & C CONSTRUCTION SUPPLIES - ON CHRIS - DAY
CHRIS SHIHERLIS crosses past stacks of gravel and cement
with a white-coated BLACK CLERK. Chris wears a hard hat
over a mongol cut, Levi's, black boots and a sleeveless
sweat shirt and carries on one shoulder a 150 lb., red,
Milwaukee Tool Company case. He looks like a... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. R & C CONSTRUCTION SUPPLIES - ON CHRIS - DAY
Story context: Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recogni... | Drama | Heat | EXT. R & C CONSTRUCTION SUPPLIES - ON CHRIS - DAY |
Write a Drama screenplay scene.
Scene heading: INT. EICHELBERGER'S OFFICE - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he oft... | INT. EICHELBERGER'S OFFICE - DAY
Also glass-enclosed, but slightly larger than the others. MR.
EICHELBERGER, a solid citizen of about fifty, is displaying
some mortgage graphs to three associates. A fourth one has
answered the phone.
ASSOCIATE
(holding out phone to Eichelbe... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. EICHELBERGER'S OFFICE - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses... | Drama | Apartment, The | INT. EICHELBERGER'S OFFICE - DAY |
Write a Drama screenplay scene.
Scene heading: INT. MOSS HOUSE.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | INT. MOSS HOUSE.
They go into the house. Camera goes with them. As soon as
they are out of earshot from BONNIE and CLYDE, MALCOLM turns
on C.W. displaying an entirely different demeanor from the
one he presented outside.
MALCOLM
(indicating tatto
which ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. MOSS HOUSE.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Screenplay:
INT. MOSS HOUSE.... | Drama | Bonnie and Clyde | INT. MOSS HOUSE. |
Write a Drama screenplay scene.
Scene heading: EXT. CAR. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | EXT. CAR. DAY.
A very wide shot. We see CLYDE's car driving along a wooded
road. For a moment that is all we see, then we should
become aware that far in the distance another car is
following CLYDE's.
Close. Rural mail box. On the opposite side of the road,
CLYDE's car swings across the road and CLYDE, who is dri... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. CAR. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Screenplay:
EXT. CAR. DAY.
... | Drama | Bonnie and Clyde | EXT. CAR. DAY. |
Write a Drama screenplay scene.
Scene heading: EXT. QUADRANGLE - DAY
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love. | EXT. QUADRANGLE - DAY
MEDIUM SHOT NEAR BUGLER'S POST
Friday Clark, blowing the Cavalry Charge madly, abandons the
megaphone as he sees the plane coming. He drops on his chest,
hugging the bugle. The plane passes. Clark jumps up
instantly, resumes blowing the Charge.
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. QUADRANGLE - DAY
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
### Screenplay:
EXT. QUADRANGLE - DAY
MEDIUM SHOT NEAR BUGLER'S POST... | Drama | From Here to Eternity | EXT. QUADRANGLE - DAY |
Write a Drama screenplay scene.
Scene heading: INT. REMEMBERED PARLOR - ANOTEER TIME
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Flori... | INT. REMEMBERED PARLOR - ANOTEER TIME
Little Joe stares unblinking at the TV screen as Sally Buck
kisses him on the forehead, dressed for the street.
SALLY BUCK
Expect me when you see me. Looks
like I got me a new beau, lover
boy, how's that for an old grammaw?
I'll leave you movie money...
Sally Buck tucks ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. REMEMBERED PARLOR - ANOTEER TIME
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of ... | Drama | Midnight Cowboy | INT. REMEMBERED PARLOR - ANOTEER TIME |
Write a Drama screenplay scene.
Scene heading: EXT. BARRACKS AREA - NIGHT
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love. | EXT. BARRACKS AREA - NIGHT
LONG SHOT
Framed beautifully in the moonlight, the Quadrangle and
Barracks area look like a college campus. Silence. No
movement.
LONG SHOT ANOTHER ANGLE
A figure can be seen far in b.g, at the Bugler's post beside
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. BARRACKS AREA - NIGHT
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
### Screenplay:
EXT. BARRACKS AREA - NIGHT
LONG SHOT
... | Drama | From Here to Eternity | EXT. BARRACKS AREA - NIGHT |
Write a Drama screenplay scene.
Scene heading: EXT. STREET - OUTSIDE O'REILLY HOUSE - DAWN
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | EXT. STREET - OUTSIDE O'REILLY HOUSE - DAWN
Roderick exits to the street. The sound of the gambling
can still be heard in the street. He is soon joined by
Councillor Mulligan.
COUNCILLOR MULLIGAN
Master Roderick, you appear a young
fellow of birth and fortune; let me
whisper in your ear that you have
fallen... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. STREET - OUTSIDE O'REILLY HOUSE - DAWN
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenpl... | Drama | Barry Lyndon | EXT. STREET - OUTSIDE O'REILLY HOUSE - DAWN |
Write a Drama screenplay scene.
Scene heading: INT. TIMES SQUARE PALACE LOBBY - NIGHT
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Flor... | INT. TIMES SQUARE PALACE LOBBY - NIGHT
Joe's image frozen -- as if another still photograph -
standing at the desk, waiting for his key.
JOE'S VOICE
Key to 1014...
Action continues as the DESK CLERK hands Joe a folded paper
instead of a key. Joe opens it, deeply perplexed.
DESK CLERK
Looks like you been l... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. TIMES SQUARE PALACE LOBBY - NIGHT
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of... | Drama | Midnight Cowboy | INT. TIMES SQUARE PALACE LOBBY - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. APARTMENT - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to de... | INT. APARTMENT - DAY
Kirkeby looks toward the door in response to Sylvia's
knocking.
KIRKEBY
Say, why don't we have ourselves a
party -- the four of us?
BUD
No!
He forces Kirkeby toward the hall door. Kirkeby, glancing
past him th... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. APARTMENT - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although h... | Drama | Apartment, The | INT. APARTMENT - DAY |
Write a Drama screenplay scene.
Scene heading: INT. SECOND FLOOR LANDING - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he ofte... | INT. SECOND FLOOR LANDING - DAY
Kirkeby comes backing out the door of Bud's apartment, minus
the champagne bucket.
KIRKEBY
Stay with it, Buddy-boy!
(Bud shuts the door
on him)
Come on, Sylvia.
SYLVIA
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. SECOND FLOOR LANDING - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses.... | Drama | Apartment, The | INT. SECOND FLOOR LANDING - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. REAR OF DINER - LATE NIGHT
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest. | EXT. REAR OF DINER - LATE NIGHT
Bobby leans against a pickup adjacent to Rayette's
car.
She comes out of the rear door of the diner,
hesitates as she sees him, then moves past him to
her car.
BOBBY
I was with Elton last night, Ray.
Maintaining her attitude of suffered injustice, she
reaches to t... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. REAR OF DINER - LATE NIGHT
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.
### Screenplay:
EXT. REAR OF DINER ... | Drama | Five Easy Pieces | EXT. REAR OF DINER - LATE NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. HOTEL LOBBY - NIGHT
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter. | INT. HOTEL LOBBY - NIGHT
Ben walks to the front desk and stands there.
ROOM CLERK
Yes sir?
BEN
A room. I'd like a room,
please.
ROOM CLERK
A single room or a double
room?
BEN
A single. Just for myself,
please.
ROOM CLERK
Will you sign the register,
please?
He pushes the c... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. HOTEL LOBBY - NIGHT
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.
### Screenplay:
INT. HOTEL LOBBY - NIGHT
Ben walks to the front desk and sta... | Drama | Graduate, The | INT. HOTEL LOBBY - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. BRADDOCK DEN - NIGHT - REVERSE
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter. | INT. BRADDOCK DEN - NIGHT - REVERSE
On Ben's back as he returns to the chair and sits. A
television set, facing the chair, is on. Ben picks up a
can of beer and drinks from it. An animated cartoon is
playing on the television set. Ben watches it.
71 REVERSE
Ben's face, watching. PUSH IN to CLOSEUP of his fa... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. BRADDOCK DEN - NIGHT - REVERSE
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.
### Screenplay:
INT. BRADDOCK DEN - NIGHT - REVERSE
On Ben's back... | Drama | Graduate, The | INT. BRADDOCK DEN - NIGHT - REVERSE |
Write a Drama screenplay scene.
Scene heading: EXT. CAMPSITE. FULL SHOT.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | EXT. CAMPSITE. FULL SHOT.
One man, the leader of the group, dips a cup of water and
approaches C.W. suspiciously. He comes close enough to make
C.W. reach out for the water, but withholds it from him.
MAN
Who are you, boy?
C.W.
Name's Moss.
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. CAMPSITE. FULL SHOT.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Screenplay:
EXT. C... | Drama | Bonnie and Clyde | EXT. CAMPSITE. FULL SHOT. |
Write a Drama screenplay scene.
Scene heading: INT. CORRIDOR - TAFT HOTEL - DAY
Story context: From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensatio... | INT. CORRIDOR - TAFT HOTEL - DAY
Addison accompanies Eve along the corridor to her door.
EVE
What time?
ADDISON
Almost four.
EVE
Plenty of time for a nice long nap -
we rehearsed most of last night...
ADDISON
You could sleep, too, couldn't you?
EVE
Why not?
They've arrived at her door.... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CORRIDOR - TAFT HOTEL - DAY
Story context: From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, b... | Drama | All About Eve | INT. CORRIDOR - TAFT HOTEL - DAY |
Write a Drama screenplay scene.
Scene heading: INT. CASTLE HACKTON - STUDY - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. CASTLE HACKTON - STUDY - DAY
Brookside tearing up the payment draft presented to him by
his accountant.
NARRATOR
When her ladyship died, her son
sternly cut off the annuity,
devoting the sum to charities,
which, he said, would make a nobler
use of it than the scoundrel who had
enjoyed it hitherto. | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CASTLE HACKTON - STUDY - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
INT. ... | Drama | Barry Lyndon | INT. CASTLE HACKTON - STUDY - DAY |
Write a Drama screenplay scene.
Scene heading: INT. STAIRCASE - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. STAIRCASE - DAY
Roderick and the Countess looking for the office.
RODERICK (V.O.)
I easily found out Mr. Tapewell's
apartment: a gloomy den it was, and
in an unlucky hour, I entered it.
They climb up dirty backstairs, lit by a feeble lamp, and
the dim sky of a dismal London afternoon.
The Countess seem... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. STAIRCASE - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
INT. STAIRCASE - D... | Drama | Barry Lyndon | INT. STAIRCASE - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter. | EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
OVERHEAD SHOT (HELICOPTER POV)
Looking down on the pool, on Ben's black suited body at
the bottom and the people standing around the pool, looking
down into it.
PULL UP AND UP AND UP
Until there are thirty houses below us, with its owners,
swimming, playing, eating, ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.
### Screenplay:
EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
... | Drama | Graduate, The | EXT. BRADDOCK BACKYARD AND POOL AREA - DAY |
Write a Drama screenplay scene.
Scene heading: INT. CHARLIE'S APARTMENT - DAY
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob. | INT. CHARLIE'S APARTMENT - DAY
CHARLIE lives in a typical lower east side tenement apartment.
Each room is painted a different pastel color. It is
furnished in miscellaneous styles and from the pictures on
the wall and various knick-knacks around the rooms it is
evident that thi... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CHARLIE'S APARTMENT - DAY
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob.
### Screenplay:
INT. CHARLIE'S APARTMENT - DAY
CHARLIE lives in a typical lower east side tenement apartment.
... | Drama | Mean Streets | INT. CHARLIE'S APARTMENT - DAY |
Write a Drama screenplay scene.
Scene heading: INT. O'REILLY HOUSE - BEDROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. O'REILLY HOUSE - BEDROOM - NIGHT
The couple wishing Roderick goodnight.
RODERICK (V.O.)
Had I been an English lad, the
appearance of the chamber I occupied
might, indeed, have aroused
instantly my suspicion and distrust.
But we are not particular in Ireland
on the score of neatness, hence the
disorder... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. O'REILLY HOUSE - BEDROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
IN... | Drama | Barry Lyndon | INT. O'REILLY HOUSE - BEDROOM - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. DUPEA LIVING ROOM - MORNING
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest. | INT. DUPEA LIVING ROOM - MORNING
ON BOBBY
still asleep in the chaise. He is suddenly jolted
awake by a loud thud and sits up, looking out the
window to:
POV OF SPICER
lifting a barbell with heavy weights attached to
it. He does a series of vigorous presses with it,
before he again lets the bar drop he... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. DUPEA LIVING ROOM - MORNING
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.
### Screenplay:
INT. DUPEA LIVING ... | Drama | Five Easy Pieces | INT. DUPEA LIVING ROOM - MORNING |
Write a Drama screenplay scene.
Scene heading: EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter. | EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
The midsummer sun beats down on the Braddock swimming pool
and on Ben who lies on a rubber raft in the middle of the
pool. Ben wears dark glasses, is deeply tanned, and holds
a beer can in one hand.
SOUNDS: teenagers YELLING and swimming in nearby pools;
a radio PLAYI... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.
### Screenplay:
EXT. BRADDOCK BACKYARD AND POOL AREA - DAY
... | Drama | Graduate, The | EXT. BRADDOCK BACKYARD AND POOL AREA - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. DESOLATE GERMAN INN - LATE AFTERNOON
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | EXT. DESOLATE GERMAN INN - LATE AFTERNOON
Roderick and Captain Galgenstein approach a very lonely-
looking place.
CAPTAIN GALGENSTEIN
This is a very good inn. Shall we
stop for dinner?
RODERICK
This may be a very good inn for
Germany, but it would not pass in
old Ireland. Corbach is only a
league off,... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. DESOLATE GERMAN INN - LATE AFTERNOON
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay... | Drama | Barry Lyndon | EXT. DESOLATE GERMAN INN - LATE AFTERNOON |
Write a Drama screenplay scene.
Scene heading: INT. COSGROVE HOUSE - LONDON - RODERICK'S STUDY - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. COSGROVE HOUSE - LONDON - RODERICK'S STUDY - DAY
Roderick, bored and distracted, sits before a stack of
bills and papers, with his accountant.
RODERICK (V.O.)
Humble people envy us great men, and
fancy that our lives are all
pleasure. But the troubles of
poverty, the rascality of agents,
the quibbles o... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. COSGROVE HOUSE - LONDON - RODERICK'S STUDY - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
##... | Drama | Barry Lyndon | INT. COSGROVE HOUSE - LONDON - RODERICK'S STUDY - DAY |
Write a Drama screenplay scene.
Scene heading: INT. PLANE - CLOSEUP - BEN - NIGHT
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter. | INT. PLANE - CLOSEUP - BEN - NIGHT
His eyes open suddenly.
CAPTAIN'S VOICE
The sound you have just heard is the
landing gear locking into place. The
Los Angeles weather is clear and the
temperature is a pleasant 72. We do
not expect any traffic delay and will
make our four hour and eighteen minute
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. PLANE - CLOSEUP - BEN - NIGHT
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.
### Screenplay:
INT. PLANE - CLOSEUP - BEN - NIGHT
His eyes open s... | Drama | Graduate, The | INT. PLANE - CLOSEUP - BEN - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. X FLAT - DAY
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida. | INT. X FLAT - DAY
Joe is seated in a straight-back chair near the X window, a
towel tucked around his neck as Ratso trims his hair, almost
as expert a barber as shoeshine boy.
RATSO
Stupid bastard coughed his lungs
out breathing that resin all day.
They buried him with gloves on.
Even the fag undertaker could... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. X FLAT - DAY
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.... | Drama | Midnight Cowboy | INT. X FLAT - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. BOBBY'S CAR - TWO-LANE HIGHWAY - LATE DAY
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest. | EXT. BOBBY'S CAR - TWO-LANE HIGHWAY - LATE DAY
(WYNETTE'S "WHEN THERE'S A FIRE" OVER:)
ON PALM AND TERRY
deposited at the side of the highway, with their
luggage, duffle bags and television set lying on
the road edge. Terry lifts a bored hand to wave
at...
... Bobby, behind the wheel. He waves back, pul... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. BOBBY'S CAR - TWO-LANE HIGHWAY - LATE DAY
Story context: A drop-out from upper-class America picks up work along the way on oil-rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.
### Screenplay:
EXT.... | Drama | Five Easy Pieces | EXT. BOBBY'S CAR - TWO-LANE HIGHWAY - LATE DAY |
Write a Drama screenplay scene.
Scene heading: int.
When they get to the door, she stops in front of it.
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | int.
When they get to the door, she stops in front of it.
COUNTESS
Roderick -- don't go in. I am sure
there is danger. There's time yet,
let us go back -- anywhere!
The Countess has put herself before the door in a
theatrical attitude and takes Roderick's hand.
He pushes her away to one side.
RODERICK
Lad... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: int.
When they get to the door, she stops in front of it.
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.... | Drama | Barry Lyndon | int.
When they get to the door, she stops in front of it. |
Write a Drama screenplay scene.
Scene heading: INT. MOVIE HOUSE. WIDE ACROSS AUDIENCE AT SCREEN.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | INT. MOVIE HOUSE. WIDE ACROSS AUDIENCE AT SCREEN.
The opening musical sequence of "Golddiggers" is on the
screen. Ginger Rogers sings "We're In The Money." Among
the audience we cannot make out our three people. It is a
small audience and thinly dispersed.
Tight shot at audience. Camera pans the audience while o... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. MOVIE HOUSE. WIDE ACROSS AUDIENCE AT SCREEN.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.... | Drama | Bonnie and Clyde | INT. MOVIE HOUSE. WIDE ACROSS AUDIENCE AT SCREEN. |
Write a Drama screenplay scene.
Scene heading: INT. GYMNASIUM - DAY
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter. | INT. GYMNASIUM - DAY
Elaine and twenty other girls are in basketball uniforms.
Two teams of girls are playing basketball. Elaine sits
on the bench, watching. Ben stands behind her. The girls
are shouting and clapping and jumping up and down.
BEN
Tomorrow then - can we get our
blood tests tomorrow mornin... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. GYMNASIUM - DAY
Story context: Benjamin, a recent college graduate very worried about his future, finds himself in a love triangle with an older woman and her daughter.
### Screenplay:
INT. GYMNASIUM - DAY
Elaine and twenty other girls are in basket... | Drama | Graduate, The | INT. GYMNASIUM - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. BEDROOM. BONNIE'S P.O.V. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | EXT. BEDROOM. BONNIE'S P.O.V. DAY.
Over her shoulder, we see the driveway leading to the garage
connected to the house. There is an old car parked in the
driveway, its windows open. We see a man walking up the
driveway, somewhat furtively. He is a rather dapper fellow,
dressed in a dark suit with a vest, a white ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. BEDROOM. BONNIE'S P.O.V. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Screenpl... | Drama | Bonnie and Clyde | EXT. BEDROOM. BONNIE'S P.O.V. DAY. |
Write a Drama screenplay scene.
Scene heading: INT. CHEAP BAR - COLUMBUS AVENUE - NIGHT
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Althoug... | INT. CHEAP BAR - COLUMBUS AVENUE - NIGHT
The joint is deserted now except for the Santa Claus, who is
leaning against the bar, quite loaded, and Bud and Margie
MacDougall, who are dancing to a slow blues coming from the
juke box. Bud is still in his overcoat and bowler, and
Margie is wearing her fur coat. The bartende... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CHEAP BAR - COLUMBUS AVENUE - NIGHT
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mi... | Drama | Apartment, The | INT. CHEAP BAR - COLUMBUS AVENUE - NIGHT |
Write a Drama screenplay scene.
Scene heading: EXT. JEWELRY STORE - DAY
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida. | EXT. JEWELRY STORE - DAY
... passing a window which features a single gem -- pausing
as horns blast O.S. and a mod blonde in a stalled sports car
motions to Joe -- she needs a push. Joe grins, glances at
himself in the window, runs a comb through his hair, then
turns back to see a cop helping the mod blonde. | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. JEWELRY STORE - DAY
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to F... | Drama | Midnight Cowboy | EXT. JEWELRY STORE - DAY |
Write a Drama screenplay scene.
Scene heading: INT. BANK #1. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | INT. BANK #1. DAY.
Something is very screwy here. The bank is dark, the TELLER
is half asleep over his books. CLYDE approaches, thrusts
the gun at him.
CLYDE
(with a swagger)
This is a stickup. Just take it
easy and nothin' will happen to you.
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. BANK #1. DAY.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Screenplay:
INT. BANK #1.... | Drama | Bonnie and Clyde | INT. BANK #1. DAY. |
Write a Drama screenplay scene.
Scene heading: EXT. NEW CONGRESS CLUB - NIGHT
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love. | EXT. NEW CONGRESS CLUB - NIGHT
MEDIUM SHOT AT ENTRANCE
Maggio and Prew, dressed in slacks and Aloha shirts, stand in
front of what looks like a renovated residence. They give
evidence of having already accomplished a little substantial
drinking. The sound of loud piano playing i... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. NEW CONGRESS CLUB - NIGHT
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
### Screenplay:
EXT. NEW CONGRESS CLUB - NIGHT
MEDIUM SHOT ... | Drama | From Here to Eternity | EXT. NEW CONGRESS CLUB - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. BUD'S OFFICE - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to... | INT. BUD'S OFFICE - DAY
Bud crosses directly to the phone, removes his glasses
revealing a swollen left eye. He dials a number.
BUD
(into phone)
Mr. Sheldrake's office? This is C.C.
Baxter. Would you please tell Mr.
Sheldrake I'd like to ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. BUD'S OFFICE - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Althoug... | Drama | Apartment, The | INT. BUD'S OFFICE - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. PARK - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | EXT. PARK - DAY
Roderick strolling arm-in-arm with his Countess.
RODERICK (V.O.)
Despite the utter distaste with
which I now regarded Lady Cosgrove,
and, although I took no particular
pains to disguise my feelings in
general, yet she was of such a mean
spirit that she pursued me with her
regard, and would ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. PARK - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
EXT. PARK - DAY
Roderi... | Drama | Barry Lyndon | EXT. PARK - DAY |
Write a Drama screenplay scene.
Scene heading: INT. STALL SHOWER - DAY
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida. | INT. STALL SHOWER - DAY
Joe sings as he soaps himself, "Whoopee ti yi yo, git along
little dogies, for you know New York will be your new home!"
Sound and image freeze on Joe's open mouth.
SUPERIMPOSED MAIN TITLE AND CREDITS
TITLES follow as indicated, sound and action continuing after
each credit. | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. STALL SHOWER - DAY
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Fl... | Drama | Midnight Cowboy | INT. STALL SHOWER - DAY |
Write a Drama screenplay scene.
Scene heading: INT. FLEET PRISON - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. FLEET PRISON - DAY
Roderick and his mother. Action as per voice over.
NARRATOR
His mother attained a prodigious old
age, and the inhabitants of the
place in her time can record, with
accuracy, the daily disputes which
used to take place between mother
and son, until the latter, from
habits of intoxic... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. FLEET PRISON - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
INT. FLEET PRIS... | Drama | Barry Lyndon | INT. FLEET PRISON - DAY |
Write a Drama screenplay scene.
Scene heading: INT. REMEMBERED BEAUTY SALON - ANOTHER TIME
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to... | INT. REMEMBERED BEAUTY SALON - ANOTHER TIME
Sally Buck, relaxing in the middle of a busy day, eyes closed
wearily, while little Joe massages her neck. Her song
continues over the noises of the busy beauty parlor "... if
that golden ring turns brass, Grammaw gonna buy you a looking
glass..."
SALLY BUCK
No, a littl... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. REMEMBERED BEAUTY SALON - ANOTHER TIME
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fanta... | Drama | Midnight Cowboy | INT. REMEMBERED BEAUTY SALON - ANOTHER TIME |
Write a Drama screenplay scene.
Scene heading: INT. ROOM OFF A BALLROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. ROOM OFF A BALLROOM - NIGHT
Roderick making love to the Countess von Trotha. Enter
the Count, in the uniform of a Colonel.
COUNT
I entered here, monsieur, at a bad
moment for you; it seems that you
love this lady.
RODERICK
Certainly, monseigneur, does not
Your Excellency consider her worthy
of lov... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. ROOM OFF A BALLROOM - NIGHT
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
INT. R... | Drama | Barry Lyndon | INT. ROOM OFF A BALLROOM - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. ANDY'S BAR - NIGHT
Story context: An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion. | INT. ANDY'S BAR - NIGHT
Rocky enters the bar. He sits the Drunk in a booth...
Several drinkers wave at him. OLD ANDY sets a mug of beer
in front of him... Rocky seems to be looking for someone.
ROCKY
Catch pneumonia out there --
Seen Paulie?
Andy casually nods towards the men's room.
Rocky traverses the r... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. ANDY'S BAR - NIGHT
Story context: An uneducated collector for a Philadelphia loan shark is given a once-in-a-lifetime opportunity to fight against the world heavyweight boxing champion.
### Screenplay:
INT. ANDY'S BAR - NIGHT
Rocky enters the bar. ... | Drama | Rocky | INT. ANDY'S BAR - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standi... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
##... | Drama | Bonnie and Clyde | INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY |
Write a Drama screenplay scene.
Scene heading: int. The bed has been slept in but is
Story context: New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relationship with aspirin... | int. The bed has been slept in but is
unoccupied. The room is empty.
On the seat at the foot of the bed is a drawer that has been
pulled out of the wardrobe; it contains a collection of
miscellaneous objects, a snapshot album, letters, souvenirs,
disarranged as if someone had been looking at them.
SIDNEY
He looks... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: int. The bed has been slept in but is
Story context: New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relation... | Drama | Sweet Smell of Success | int. The bed has been slept in but is |
Write a Drama screenplay scene.
Scene heading: INT. MENS ROOM - TONY'S PLACE - NIGHT
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob. | INT. MENS ROOM - TONY'S PLACE - NIGHT
The BOY slowly swings the door open and stares at the DRUNK
leaning over the urinal, half asleep. He takes out his
pistol and calmly shoots the DRUNK three times in the back.
To the BOY's surprise the DRUNK does not immediately fall
dead. In... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. MENS ROOM - TONY'S PLACE - NIGHT
Story context: A small-time hood must choose from among love, friendship and the chance to rise within the mob.
### Screenplay:
INT. MENS ROOM - TONY'S PLACE - NIGHT
The BOY slowly swings the door open and stares at ... | Drama | Mean Streets | INT. MENS ROOM - TONY'S PLACE - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. CORRIDOR OUTSIDE SUSAN'S BEDROOM - XANADU -
Story context: Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of ... | INT. CORRIDOR OUTSIDE SUSAN'S BEDROOM - XANADU -
Kane comes out of the door. Mrs. Tinsdall has been joined now
by a fairly sizable turnout of servants. They move back away
from Kane, staring at him. Raymond is in the doorway behind
Kane. Kane looks at the glass ball.
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. CORRIDOR OUTSIDE SUSAN'S BEDROOM - XANADU -
Story context: Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes... | Drama | Citizen Kane | INT. CORRIDOR OUTSIDE SUSAN'S BEDROOM - XANADU - |
Write a Drama screenplay scene.
Scene heading: INT. MOTHER'S HOUSE - PARLOR - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon. | INT. MOTHER'S HOUSE - PARLOR - DAY
Still much excitement and hustle and bustle.
HARRY
The boy must go into hiding, for a
short time anyway. Dublin is the
best place for him to go, and there
wait until matters are blown over.
MOTHER
Dublin? But the poor lad has never
been away from home. He will be as... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. MOTHER'S HOUSE - PARLOR - DAY
Story context: An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
### Screenplay:
INT. ... | Drama | Barry Lyndon | INT. MOTHER'S HOUSE - PARLOR - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. MAJESTIC THEATRE - EVENING
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he ofte... | EXT. MAJESTIC THEATRE - EVENING
It is 8:25, and there is the usual hectic to-do -- taxis
pulling up, people milling around the sidewalk and crowding
into the lobby. In the middle of this melee, buffeted by the
throng, stands Bud, in raincoat and hat, looking anxiously
for Fran.
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. MAJESTIC THEATRE - EVENING
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses.... | Drama | Apartment, The | EXT. MAJESTIC THEATRE - EVENING |
Write a Drama screenplay scene.
Scene heading: INT. PHONE BOOTH
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal w... | INT. PHONE BOOTH
DOBISCH
It's only eleven -- and I just want
the place for forty-five minutes.
The blonde opens the door of the phone booth, leans in.
BLONDE
I'm getting lonely. Who are you
talking to, anyway?
DOBISCH... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. PHONE BOOTH
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he of... | Drama | Apartment, The | INT. PHONE BOOTH |
Write a Drama screenplay scene.
Scene heading: INT. ELEVATOR - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to dea... | INT. ELEVATOR - DAY
Fran presses a button, and the elevator starts up.
FRAN
Twenty-seven.
BUD
You may not realize it, Miss
Kubelik, but I'm in the top ten --
efficiency-wise and this may be the
day -- promot... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. ELEVATOR - DAY
Story context: Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he... | Drama | Apartment, The | INT. ELEVATOR - DAY |
Write a Drama screenplay scene.
Scene heading: INT. SQUAD ROOM - NIGHT
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love. | INT. SQUAD ROOM - NIGHT
FULL SHOT
More men are propped on their elbows, their heads turned
toward the Bugler. The dim figure of Treadwell can be seen,
at a window now.
TREADWELL
(almost inaudible whisper)
... I told... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. SQUAD ROOM - NIGHT
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
### Screenplay:
INT. SQUAD ROOM - NIGHT
FULL SHOT
More m... | Drama | From Here to Eternity | INT. SQUAD ROOM - NIGHT |
Write a Drama screenplay scene.
Scene heading: INT. THE VAULT ROOM - THATCHER MEMORIAL LIBRARY - DAY
Story context: Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the res... | INT. THE VAULT ROOM - THATCHER MEMORIAL LIBRARY - DAY
Thompson - at the desk. With a gesture of annoyance, he is
closing the manuscript.
Camera arcs quickly around from over his shoulder to hold on
door behind him, missing his face as he rises and turns to
confront Miss And... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: INT. THE VAULT ROOM - THATCHER MEMORIAL LIBRARY - DAY
Story context: Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he ... | Drama | Citizen Kane | INT. THE VAULT ROOM - THATCHER MEMORIAL LIBRARY - DAY |
Write a Drama screenplay scene.
Scene heading: EXT. WOODS. MORNING.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks. | EXT. WOODS. MORNING.
Moving with CLYDE he tears through the brush, snagging his
clothes, calling BONNIE's name. CLYDE's search is so
desperate here that for a moment we might think he is
fleeing from something rather than looking for something.
In a moment he emerges onto the road. The car, with C.W.
driving, and ... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. WOODS. MORNING.
Story context: In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
### Screenplay:
EXT. WOODS.... | Drama | Bonnie and Clyde | EXT. WOODS. MORNING. |
Write a Drama screenplay scene.
Scene heading: int.
(she hold up the coat)
Story context: From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation ... | int.
(she hold up the coat)
It's only a fur coat...
KAREN
What did you expect - live sables?
BIRDIE
A diamond collar, gold sleeves -
you know, picture people...
They start out.
KAREN
Bill says actors out there eat just
as infrequently as here-
BIRDIE
They can always grab oranges off
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: int.
(she hold up the coat)
Story context: From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, bec... | Drama | All About Eve | int.
(she hold up the coat) |
Write a Drama screenplay scene.
Scene heading: EXT. SIDE STREET WEST OF BROADWAY - DUSK
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Fl... | EXT. SIDE STREET WEST OF BROADWAY - DUSK
Towny's face appears huge at Joe's shoulder.
TOWNY
This is my first night in town and
I'll consider it a ghastly omen
clouding my entire ten days, if you
don't consent to have dinner with
me. Anywhere you like...
Towny's mouth continues speaking at an incredible rate... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. SIDE STREET WEST OF BROADWAY - DUSK
Story context: Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy ... | Drama | Midnight Cowboy | EXT. SIDE STREET WEST OF BROADWAY - DUSK |
Write a Drama screenplay scene.
Scene heading: EXT. COMPANY STREET - DAY
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love. | EXT. COMPANY STREET - DAY
TRUCKING SHOT OUTSIDE SUPPLY ROOM
Maggio and Prew trudge wearily along the porch, rifles on
shoulders. Their sweaty uniforms are plastered to their
bodies.
MAGGIO
I use to think a shipping clerk was
... | ### Instruction:
Write a Drama screenplay scene.
Scene heading: EXT. COMPANY STREET - DAY
Story context: In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
### Screenplay:
EXT. COMPANY STREET - DAY
TRUCKING SHOT OUTSIDE ... | Drama | From Here to Eternity | EXT. COMPANY STREET - DAY |
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