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0 | archivos_extraidos/MCE-Corpus-main/Dataset/1786 | Florinda Chic | El buen pastor | 4 | 5 | muchocine | Political thriller which, like the dark events that relates, is very cumbersome and requires the attention of the viewer and a some background on recent American history. | The magic of the cinema takes us back to an era in which the polígrafos were used to save the world and not to determine if the descendant of a folk resorted to moral distracted Demoiselles services while its progenitor relieved the nasal cavities behind the scenes.De Niro, while that remind us of the first uses of this device, performed in the good Shepherd a tour of 30 years of intrigue, secrets and lies in a political thriller which, like the dark events which he relates, is very cumbersome and requires the attention of the viewer and a some background on recent American history, and that the film has many narrative ellipsis and a bunch of characters.The first thing that makes De Niro is demystify the romantic idea that Ian Fleming, or Le Carré have been spies. Just as in the lives of others, the Spy - is red or blue, red and white - is a lonely, being with the State as the only friend and lover.The film features the fictional biography of one of the founders of the CIA which is forced to secrecy since childhood and is recruited at the University to join the OSS - the forerunner of the CIA--during World War II. Do do just becoming a leading member of the Agency during the war cold and well learned the motto:? but that look like an accident? combats the KGB, the advance of communism and becomes a player of chess efficient, calculating and emotionally dead.Save the world takes its toll and Wilson is not able to reconcile work and family life: his wife does not want him, his son is afraid and his friends simply do not exist. So the good Shepherd is a history of resignation, which, given that Matt Damon unchanged expression in the 160 minutes of footage, we do not know if the sacrifice was worth or not, if it is happy or if it is a wretched.Apart from leaving the room with this debate, there is another question unanswered: where's Max Factor? Rarely I have seen in movies so bad old characters and if you want a story that takes place over 30 years to be credible you makeup well the protagonists or occur moments as the father and teenage son seem to colleagues in the AUL and the mother - Angelina Jolie-, a cheer leader with 50.Los actors are not saints of my devotion, to Damon that seems relative of Dorian Gray doesn't move a brow lift, because I can hardly believe it to me. Do angelina for its part, does not have much presence and is rather decorative and example that the? celebrity? the actress has eaten.The other side is a wonder: John Turturro that should have taken more court, William Hurt, De Niro himself, Alec Baldwin, Joe Pesci, Tammy Blanchard, and curiously Martina Gedeck passing of spy - the lives of others - spy.In short, highly recommended, the film keeps the interest during the long footage, has an excellent invoice and secondary are luxury, given American cinema recently, a delight.PS: As curiosity sign "Skulls and bones" secret society to which belongs the Matt Damon character actually exists and its members include the Bush, father and son, and democratic presidential candidate Senator John Kerry. |
1 | archivos_extraidos/MCE-Corpus-main/Dataset/1021 | Daniel Galindo | Mia Sarah | 2 | 5 | muchocine | Seeing it have the feeling of being before a fable of another time, a quite sweetened tape which seems out of a chest that will return soon. | A newcomer in the direction can choose to risk in the staging or relax and play with a cluster of related cultural and, above all, cinema. Gustavo Ron Madrid opts for the first.His fable about love and all its stages (the first contact, seduction, delivery) manages to draw a permanent smile, but lacks strength to tear away us any other grimace. It is not surprising that recounts nor does, and that in the times, can be more than reason enough for your tape passing on tiptoe through the Billboard.The touch magical, supernatural, is not able to sustain the footage of this work for dreaming minds who feel fondness for the small details. And the Viewer to lose by other worlds instead of being attentive to the amorous entanglements between the characters of Veronica Sanchez, his first protagonist of weight, and Daniel Guzmán, in a more friendly tone and less barriobajero can fall in that? said with affection - than in previous works.Agoraphobia to love there is a step and who see the film will know why I say this. Not going here to uncover the few surprises that treasures this production filmed in Galicia - the periphery also exists, fortunately - where appears a Fernando Fernán-Gómez, who increasingly are lavished less. Ron relies on the complicit relationship established the veteran performer with the teenager Manuel Lozano, who was a child in the tongue of the butterflies. Another of the charms it Yes can reveal, resides in see in action a Phyllida Law, mother of Emma Thompson, in the epilogue to this story.Under the designs of an illustrious parallel with the name Amélie and multiple desires as to inculcate the love for the books and the desire for improvement. So are two stories intertwined, passionate stories each with drama and comedy in its fair measure and separated by comic parentheses provided by the character of Diana Palazón (Central Hospital), an actress who should have more opportunities in the cinema. |
2 | archivos_extraidos/MCE-Corpus-main/Dataset/2910 | Francisco Bellón | Un Corazón Invencible | 2 | 5 | muchocine | An invincible heart is a film whose only reason being is the showcasing of Angelina Jolie, and not even reach that goal | Make a film based or inspired by a historical event always has its risk, mainly the controversy may cause if it is reliable or not. This applies especially to the films based on historical facts more important and longstanding. But Hollywood also leads to the big screen most recent real life stories, some of them recorded in the memory of the people, which must overcome a serious handicap: the public known in advance to the final.An invincible heart narrates the kidnapping of an American journalist in Pakistan in 2002, and does so through his wife (which by the way has provided its unconditional support to the film). It is a terrible indeed, but unfortunately in the world are kidnapped and murdered dozens of journalists per year, which is why the Daniel Pearl case isn't very remembered outside United States. Has then, why from the international distribution of the film was he stressed both emphasize the fateful outcome of the kidnapping? Leaving aside such digressions, it is difficult to recognize in A heart invincible so provocative as Michael Winterbottom film. It is not that it is Saint of our devotion, but it would have been very thank that this story would have addressed a very unconventional look like yours. Instead, the film is not more than a mere vulgar police investigation with the family drama as a backdrop. In the film is foreshadow the serious conflicts that led to the tragedy, but fails to deepen them. The reason that this story has come to the big screen is that it would provide a great opportunity for showcasing its protagonist, but not even that is achieved. Angelina Jolie does a good job, without fanfare, but neither is that his character has shades, depth, or emotional or dramatic development.An invincible heart is a film whose only reason being is the showcasing of Angelina Jolie, and even reaches that goal. The rest is simply a more disguised as historical complaint film police story |
3 | archivos_extraidos/MCE-Corpus-main/Dataset/1865 | Iñaki Bilbao | El buen pastor | 4 | 5 | muchocine | Very interesting film of political gender, although it seems that he speaks of things past, is no doubt it has connotations of cutting today. | Rober de Niro is telling us the life (apparently based on one of the bosses of the CIA) of a man off, solo, sad aspect of an honored official going to theirs, without messing with anyone.Nothing more distant to the reality in some aspects but also close in others.Nearby on the sad and lonely, having placed to their homeland, uses, to his personal life, his family and friends. And distant because his life is full of violent events from the suicide of his father until the attempted invasion of Cuba at the Bay of pigs, to overthrow the regime of Fidel Castro.De Niro achieves a good film, perhaps a bit long, but full of good times (very hard interrogation to the is false, true?) Valentin Mironov), with a clear narrative, great performances (Michel Gambon extraordinary and very well Anjelina Jolie, with only the look expressing all the pain and loneliness that dominates his empty life), and a use of lively Assembly that gets the Viewer to follow the story forward. Inter alia because de Niro gets good dose of intrigue, with this little clear recording that throughout the film they try unravel the members of the CIA."The technical aspect is impeccable, with a perfect ambientaciòn thanks to excellent work in the chapter of costumes and make-up and hairdressing.""The good Shepherd" requires that the viewer knows that it will be many minutes in the room watching this tape, but if you already know it, it will succeed in getting involved in a story that will no doubt fill you and leave satisfied. |
4 | archivos_extraidos/MCE-Corpus-main/Dataset/1336 | Emilio Calvo de Mora | Quo vadis, baby? | 2 | 5 | muchocine | The title does not deserve the repudiation all because (I insist) has ways of another film. Worthy Telefilm, small film, entertainment video store, in any case. | Do I saw this Quo vadis, baby? with some reluctance: it came the title, more debtor of the comedietas of crude humor and scurfy eroticism of an Ozores than of what the film intends to, a thriller or an intimate drama, there's both. Disappointment took to arrive, but attended your appointment: not can one hold good feelings, let go by the intuitions and suspect, between the marasmus of dish or heavy, European cinema film of interest to gain my (lately negative and extremely) opinion of Italian cinema, which once sought me so many good moments when one of watch movies with some regularity and lot of passion in this.Quo vadis, baby? It is a strange hybrid between the detective story, careful detail and predictable, but sobrellevable script, and the depth with pretensions of the drama of characters, where I let me carry by Cassavetes or Ivory and not by Salvatores, which wants to give much in much scope and is just few meters.It seems (that impression I had during the last half stretch of the film) that the director has pulled some solucionario problems and has tackled by the shortest route, which usually coincides with the worst and the most obvious. Saved the boot, which is twisted with threads more personal and where are reflected more earthly concerns of an overly moved by the telefilms director, valid school for some tiny demands and tours short film.The title does not deserve the repudiation all because (I insist) has ways of another film, which already we would like, but we do not see. The argument could have been stretched to round out a pure noir and ignore any dramatic intention: we already know that the detectives are harsh and tender at the same time and that, as said Ruben Blades in his immortal Pedro Navaja, "if were you born pa' Hammer of Heaven you fall nails".These nails leave the coffin to half close or half open, but the corpse not atufa too much: is left wanting, cares about desentumecer his devastated body and make the Viewer (with a healthy Samaritan spirit) leave the film confident that next time (her will) not give opportunities so nefarious titles. There is much film to see: tonight, go no further, shooting to see Babel, which everyone has opinion of the tape and I, two candles, can not enter the coffee talks with friends. |
5 | archivos_extraidos/MCE-Corpus-main/Dataset/1072 | Vsancha | Brick | 4 | 5 | muchocine | Brick is one of the most original products, bold and fresh from last year, everything failed Palm giving us with his Black Dahlia, has given it us Rian Johnson in Brick, a dark, clever, twisted, bizarre and hypnotic film. | Not lying if I said that one of the major problems, not to say the elder, of the current Hollywood industry, is the dearth of ideas original and daring. The most interesting products we get mostly through the small screen, TV is becoming a constant source of ideas to the world of cinema. All years leaving a pair or three of a series of high quality. One of the most interesting series of recent years is Veronica Mars, once I already read that writing on it. A series who got very well move the spirit that enjoyed the first seasons of Buffy the Vampire Slayer, adding touches of the best film noir, what has come to be called the teen-noir. And there is, in part, the success of Veronica Mars to learn together so brilliantly, two worlds, in completely different appearance such as the classic film noir and the movies and series on adolescents, adding the factor of serial television and the offer us every week a piece of that mystery. This year we have left behind, it brought us many disappointments, but also some surprises, films that a priori expected little or nothing, or that we even desconocíamos its existence, one of those gratas, wonderful surprise is "Brick", the movie of rookie and promising filmmaker Rian Johnson, the closest thing that can find Veronica Mars film, but in contrast to this, "Brick" away much more than the teen and gets to film noir, something that initially can remove you realism, but "Brick" makes a fun with a few touches of humor really made whole and occasionally product. All topics on film noir and each of his characters, the tormented detective, the femme fatale, confident partner, "mafioso", we are in "Brick" the bully? but this time it's simple adolescents. Brick not only demystifies the genre as their characters, if not also in their locations, here there is no dark alley of large cities like Chicago or Los Angeles, here we are in a small village in Southern California, and the action is set in long corridors of Institute, large open spaces, fields of football, long roads, etc? The atmosphere recalls occasionally to the movies of the Coen brothers and David Lynch (for larger example the House of The Pin) and it is that it resembles the sordidness of "TP: fire walk with me" and in general the visual elegance of David Lynch and his film. Brick is one of the most original products, bold and fresh from last year, everything failed Palm giving us with his Black Dahlia, has given it us Rian Johnson in Brick, a dark, clever, twisted, bizarre and hypnotic film. A film shot with a huge sense of elegance and the narrative pulse, with brilliant scenes as the fight of the protagonist with the leader of the football team or the chase through the corridors of the Institute. Two small samples of the virtues of Brick and what a future can offer us Rian Johnson. |
6 | archivos_extraidos/MCE-Corpus-main/Dataset/2992 | Rafa Ferrer | Hairspray | 5 | 5 | muchocine | It is not only recommended, it is necessary, to brighten the face in the times in which we are, with both disgust and roll in our lives. | This week that on a personal level what are not going too well, we wanted to go to the cinema to disconnect and perhaps the best way to leave the concerns for a while was a musical comedy, "Hairspray" had all the ballots for that, for letting us enjoy with its history, its music and its cast for 90 minutes.Honestly the tape get, and not just one happens throughout the film "half bailoteando" under the seat, but that also the great music, where any, so well accompanies the actors on screen, that does not understand a thing without the other, logical, clear, we have a musical, one of the most famous of Broadway.La history, all integration from beginning to endwhere a girl entradita in kilos (though beautiful in all the aspects, newcomer Nikki Blonsky) seeks to eliminate racial segregation, racist 1960s in Baltimore (USA), accompanied by Blonsky, John Travolta, as his mother, perhaps the least I liked, and is, unfortunately not I have been able to separate the idea every time you saw him appear on screen that was thatJohn Travolta in disguise, has its merit dancing in that suit, and move the way it moves, but I say, could not separate the idea and instead of seeing Edna saw Travolta regalia.The rest of the cast comprises it a staff of most amazing, from Michelle Pfeiffer, incredible as villain role, and that has not lost one iota of its beauty or charm sexy on screen, Amanda Bynes, one of the Queens of the romantic comedy today, Queen Latifah who already sang in Chicago's Rob MarshallChristopher Walken, parked his serious roles and giving a cool touch of comedy, his dancing with Travolta will be among the remembered scenes of the film for years, James Marsden "Código" of X-Men, which embarrasses me admit that he sings wonderfully and danced also excellently well and Zac Efron, already a famous face of the musicals through the television phenomenon "High School Musical".Adam Shankman manages to harness track, after a full career of romantic comedies and tapes without too much film interest with this friendly and at the same time amazing music, leaving the narrative weight of tape and in music the approach that a good feature of these features need in his actors.I think it shows very well that I loved, so I I do not alargaré more than enough properly, you're happy and cheerful, cinema in addition to humming the successes of the soundtrack, it is not only recommended, it is necessary, to brighten the face in the times in which we are, with both disgust and roll in our lives. |
7 | archivos_extraidos/MCE-Corpus-main/Dataset/933 | Emilio Calvo de Mora | El ilusionista | 3 | 5 | muchocine | She is a worthwhile term medium, in a limbo of dignity that all paledeemos, without fanfare, without the flourish of the goer gourmet that everything puts buts, tape (I insist) lovely. | The illusionist strokes of film in height a lot has and contains moments when that excellence is crisp and clear. On the other hand, the magician is a film's commercial spirit, equipped after a commercial argument calmly drawn mounted, and executed as a wholly commercial film. That the commercialism is a burden for the sublime makes us subtract epithets to this tape of Neil Burger, although well look, referred to with aftertaste of having spent two hours of pleasure in a movie theater, the illusionist is a product back, enjoyable in all their masks, which has some, and easily recommended for two types of public: one that does not lose any candy and going to the movies by ethical obligation (and éstetica)(, and moral, and vital) and one that is not never. For that last, is the magician and, maybe, he sneaks the bug of drop from time to time by a movie theater: they are dark, have magic, such as the scene in which Eisenheim (Edward Norton) work their wonders and inoculated in the viewer a more enduring, more slow, slow venom.Very intelligently completed, despite the fact that at some point it seems that everything is going to go to hell, the illusionist convinces with a playful, sentimental and human competent, credible proposal (despite the fantasy of butterflies, scarves disappear and the spectral emanations that populate the stage of the Wizard).The story is good, but Navy tricks, on screen, in the script, in the words that are said to be and in the gestures made: homage to the magic, in these times of sober minimalism or fire of infographic artifice in the film proposals calling the audience to the film. The illusionist is a worthwhile term medium in a limbo of dignity so that all paledeemos, without fanfare, without the flourish of the goer gourmet that everything puts buts, tape (I insist) charming, and the word has Fund and a dove flies the sky of the page and drops a Platypus.Ballast in their says, by a not overly clear political history (nor is its purpose: could not), the tape is left wanting for the absolute clarity of Exposition to reel off the history: gives equal to appreciate to inquire into the history a little Burger to lie a little. The film or literature manipulate reality to suit: they deform her amplify, arroban the legitimate right to speculate and here, that is abundantly clear, there is speculation, and much.I conclude with a final thought: Paul Giamanti, this step is going to be my favorite actor. Edward Norton is good (without more) as the magician in love and Jessica Biel, the beloved, is a nice vase in a Rococo table. In these times in which films are not made, it will make time. Slight. |
8 | archivos_extraidos/MCE-Corpus-main/Dataset/1319 | Raúl Rubio | Banderas de nuestros padres | 3 | 5 | muchocine | They can spare you as about ten minutes of footage. Are you to decide if the movie is good or not, to my I liked, and what also narrated. | It is clear that I am not going to enlighten anyone at this point in the film if I make a comment about if Clint Eastwood (Million Dollar Baby) is a good director or not, is why what I am not neither annoy me because I lose the time, but if I can say that you for this film it has decided to not having a particularly spectacular castDespite lead it Ryan Phillippe (chaos), actor who I have mediocre but that also excels, and accompany him Paul Walker (the proof of the crime) of which anything is can comment, because that just squeal a couple of words on the tape. It is clear that Eastwood does not need nothing but shake his wand so that what logic would be a chaos begins to take sense if only, and I think it is, not for history which has, if not as, and from that perspective the account, many consider in the resemblance of the staging of another known film dealing also with incombustible WWII, but here there is not bitter that may be a war that is already counted in the other, in save soldier Ryan, here delves more, and is trying to throw a little bit of that background that covers the track central great circus show, bands and Fireworks, is not more than simply the great savior of Nazi-occupied Europecommanded by their great generals as they did something more than one century with its 7th Cavalry.The history that tells us, is as simple and everyday, as some soldiers converted into heroes in order to get and manipulate the masses to be able continue to finance its war, and so have the control and power needed to reach where today they have arrived. Gives us to see that once things were not so different from current, soldiers turned into heroes of the time, what they were or not, they end up being forgotten both by his country by his Government, because the important thing is not the individual, is dead or not in compliance with its duty to defend the homeland, the important thing is the goal that is marked, and we must achieve this it any way whatsoever, even if we have to play the bass drum and tambourine marking the passage of the "Heroes" more cowards of the conflict. The aim is that people go to war mass and also her finance for the benefit of those who declare, already said the enlightened absolutists, "Everything for the people, but without the people".There is only one aspect more than I'm going to highlight of the film, and is that in my opinion to Eastwood can spare you as about ten minutes of footage, those that agglutinate sentimentaloides stories of those that he likes his friend Spielberg. Sean you to decide if the movie is good or not, to my I liked, and also what narrated, what if I believe that it is essential, is to see its media naranja to make a global computation of outcomes. |
9 | archivos_extraidos/MCE-Corpus-main/Dataset/1852 | Tito Chinchan | Doom | 2 | 5 | muchocine | I am not going to say that you expected me more, given that lying vilely, why I am not going to be cruel with the film. Can be seen but without many pretensions. | The game of the castle that the nazis that killing the ibas person I liked (I think it was exhaust from wolftein). Then came from Doom and hooked me a lot, but with loudspeakers began to acojonar. It was later released one was Duke Nuke (more or less) and already I didn't, given that I was more scared than seven old boards. Finally (for me) the second part of Doom came out and I spent directly already play, these sounds through the speakers I ended up twitching in making me be now you know. Neither the genetic experiments.The film is very direct. It's about a group of elite soldiers who enter on Mars (with two balls) given that some excavations we have there been problems. So the 10 minutes we are already task, without even introducing us to the protagonists. So they caught the pistolones and engaged to kill everything they can. Unlike in the game, but more slowly.Let's see, things that I liked. The protagonists are professional soldiers, we do not have any scientist who give him a gun and it seems Rambo. A point in its favour. The time in which the protagonist takes the vision of the game is the effect of the game between horny and stupid, but very accomplished. Another point in their favor. And the rest is hell. My girl says that it can be seen, meaning that the level of disgust is low and that little scary. I say that you from me a piece of Alien, a piece of Resident Evil and a shredded brain and we have a reef with this series. I am not going to say that you expected me more, given that lying vilely, why I am not going to be cruel with the film.In short, be seen but without many pretensions. |
10 | archivos_extraidos/MCE-Corpus-main/Dataset/2335 | Ramón Balcells | Shrek Tercero | 3 | 5 | muchocine | Shrek the third is, perhaps, the film most intelligent of the three, because life is not complicated and intended to be what it is: an animated film for the family so that is what happens in large during one hour and a half. | We are in summer and reach us all palomiteras blockbusters of the year. The people have no desire to see Russian documentaries nor Polish dramas. People have wanted to have fun, and in a way, I understand. But what happens is that this desire to have fun the producers of such surpluses used to get slice. Examples of this would be year Transformers, Harry Potter 5, Caribbean pirates 3 or Shrek the third. However, I must admit that I crave some of them see them, more than anything because they are very entertaining and very well done. That does not mean that you go to see wonders how history of a crime of which you speak very soon. The case is that the last of these palomiteras movies is a real delight, because it follows the fantastic line of their previous two deliveries.In Shrek the third, so called and not Shrek 3, her could be called as the jewel in the entertainment and fun. And it is that I was not going with the intention of finding me a complicated plot very well thought out, but with very good and hilarious, although not exactly original gags. And that I found. This is a fresh, entertaining and hilarious movie. I, at least, am not asking more. Luckily I found not a boring, pedantic and far-fetched film. Moreover, he preferred to see one thing nothing complicated, but it is very entretnida, which make me think every joke released. Here the jokes may not be more original and strange, but I came to tears of laughter (especially with Merlin, who ate organic things!). In Shrek and Shrek 2 the laughs were more contained, although, of course, movies, not only fun, but also very good. This third perhaps don't have as good script, but I assure you that if you want to pass you big, go to see her, you did not disappoint. Special mention, not only to Merlín, but also to el Gato con botas, which here makes a really fun role and not as tired in the second part.In this third adventure, there are three parallel stories: that of Shrek in search of Arthur with his two colleagues (donkey and the cat); waiting for the return of the OGRE Fiona and the Princesses (Disney?) and then, interrupted by the third story, Prince charming and his evil friends who want to seize of very, very distant. Not expect more complicity which there is. However, these stories are perfectly compinchadas and once they collide, the chaos and the entertainment cause the viewer a feeling of incredible satisfaction. Here the problems are well resolved, with a series of endless and hilarious gags by in the Middle, and once comes the end you're too satisfied of the show that has been to see this marvel of the entertainment and fun.New and hilarious characters appear in Shrek the third: the first to mention (for the second time already) is Merlin, who helps Shrek and his friends to solve a small problem that makes them arriving late to save Fiona. It is curious that I has laughed so much with this character, because he had never done both from the Dori in finding Nemo. I beg that you fijéis in blood teeth of Merlin, due to eating stones, or the sequence in which puts a half romantic half dramatic melody to help Shrek to Arturo console. The problem is that the absent-minded Wizard puts at full speed, which is why not let the OGRE talk with each other it. It's great! Another excellent incorporation is the princesses friendly Fiona, all them a few believed and posh Gothic. With them I had big, seeing as they prepare to fight the Prince charming or when they give Fiona the gifts by her pregnancy, where snow white looks with a phrase (a gift!) really delicious. Personally, the character of Arthur (the core of the journey of Shrek and company) I had not fallen as well as others, but I recognize that it is well done and there, at any time, any kind of creeps nor is pedantic in any of her scenes (do well, perhaps in the Crown a little?). As it is expected, the other characters remain in its most comical line, or are even more fun and not so heavy, as it is the case of the donkey and puss in boots.Another of the strong points are the incredible graphics presents. As well as the first two, the image quality was very good, here is still more, much more. Only start already you're speechless with magnificent resolution images and excellent expressions showing. The staging is also great, but this feature could already see in the other installments. Music, of course, could not be bad, so they have followed on the same line, the introduce songs from artists several and also a soundtrack performed by the always correct Harry Gregson-Williams.No know as the majority of people this film they found, or extremely tired either unnecessary, but I find that, in what could beIt is an entretenidísimo, fun film and nothing pretentious. It is perhaps not so good film quality as the two previous installments, but Shrek is and will remain a myth in the animated film. It has the appropriate duration and gags are introduced in an intelligent manner. Is Shrek the third, perhaps, the film most intelligent of the three, because life is not complicated and intended to be what it is: an animated film for the family so that is what happens in large during one hour and a half. No more. He has energy, it has rhythm, has fun and charming characters. And that is precisely what I wanted to see. |
11 | archivos_extraidos/MCE-Corpus-main/Dataset/2600 | Tito Chinchan | El pico | 4 | 5 | muchocine | Tough film must see if you want to know pieces of history Spain contemporanea. I note that people scenes leave by injecting into the vein that may be violent on the raw and natural appearing. | What more expressive, while sinister poster.The film is the life of two kids in the vicinity of the age of majority in Bilbao. These, one son of a guardia civil and the other a member of abertxale, get into the heroine a bad day and need to steal and smuggle to continue their addiction.That tougher film, my mother. From my point of view, what is notable about the tape is the way so crude to treat two very topical issues in the early 1980s in Spain. On the one hand, the heroine that ravaged this generation, doing away entire groups of friends. On the other hand, the problem of the independence of the Basque country, which reached its highest level of violence by those dates. The development can be done something heavy, especially the younger players are not too good (I was surprised very negative bad serving the young Henry San Francisco). But the overall vision of the film, seen more as that documentary as film itself, offset more than this little problem.In short, tough film must see if you want to know pieces of history Spain contemporanea. I note that people scenes leave by injecting into the vein that may be violent on the raw and natural appearing.ImprescindibleBesitos.P.D: The scene of the baby pacifier puts hairs as hooks.Pd2: The end I liked a lot, Tad cakes, but what the hell, is not going to be all pain and suffering, a bit of compassion with the Viewer.P.D.3: From the movie the Lord of the rings I guess that the name of Urko will have fallen into oblivion, is not it? I had to make a joke, this has been more sad than the day died Chanquete. |
12 | archivos_extraidos/MCE-Corpus-main/Dataset/555 | Oscar Cantero | Serpientes en el avión | 1 | 5 | muchocine | Full of vulgar jokes, incoherent dialogues and abrupt changes of plane, snakes on a plane is a film so grotesque and ridiculous causing curiously just the opposite of what he intended. | Sometimes David r. Ellis has directed films that have at least been entertaining, as they were the cases of Cellular and Final destination 2. This time he has been behind the camera for shooting snakes on the plane, a film whose only attraction lies in the presence of the Samuel l. Jackson always correct, and if I tightened the curiosity to see Elsa Pataky tried to prove that it is also an actress as well as beautiful. And I say this because we are before one of the films most absurd and ridiculous that they can imagine. The argument is surreal (giving surreal an extremely pejorative nuance), that narrates the adventures of a policeman who guards the witness of a murder during a flight. To avoid his statement, the criminal fills the plane of snakes to ensure that does not arrive alive at their destination. With this crazy approach dealt more than 100 minutes this nonsense does lose to that see. Full of vulgar jokes, incoherent dialogues and abrupt changes of plane, snakes on a plane is a film so grotesque and ridiculous causing curiously just the opposite of what he intended. And it is what gives is more than terror, laughter see vast quantities of snakes moving through the interior of an aircraft causing the hysteria of the passage; how hilarious is the improbability of the story. Full of clichés and a public-oriented teen, it fits in the genre known as Serie B, and while it may arouse some curiosity at the beginning, his interest is diluted as it progresses the footage, to the point that one has just asking for time. But of course, as they say, the book of tastes is blank. |
13 | archivos_extraidos/MCE-Corpus-main/Dataset/2725 | Emilio Calvo de Mora | White Noise 2 | 1 | 5 | muchocine | Painful sequel to a painful tape which becomes doubly painful experience. And there will be third punishment. Will we be masochists? | Into slaughter, conjurado to make something positive of this hodgepodge of acústico-imbécil inspiration - is the first time that marriage those two adjectives, perhaps not the last-, White noise 2: the light escapes from the trash of terrifying intent covering the expectations of many teenagers aborregados and eager for strong emotions which release them its insipid leisure of last generation consoles. There is no barbies of generous chest fleeing a spasmodic psycho-killer.There is no incipient acne heroes pivoting between the love to the presumed victim and the censorship of their venereal impulses. Why this summer film we install a higher stage: on the sparsely demanding adult who feels comfortable in the role of compulsive consumer of anything supernatural vocation. Gives equal come ghosts of middling, esoteric conspiracies or Merovingian secrets hidden in a basement for at least a thousand years. Literature amply supplied these frivolous exercise of historical foolish. I said literature and perhaps should have used another word less noble. Something similar happens with the film. I have no doubt that this film is film, of course, but is so brazenly invoiced for their consumption and so far from artistic parameters that would need to go looking for another word that accommodate her. Film, understood as something intelligent and beautiful, there is no or perhaps I had not taken the day more appropriate to appreciate it and, indeed, true cinema located by one of their frames and to me, what going you to do, I caught yawning, slightly closing the eyes, thinking in something else, friends I don't see long or the time that makes that not floor a Museumfor example.This history of premonitions and more or less achieved hearing scares has no heart or soul. Brain not to engage in an honest conversation. Everything gets carried away by this hobby already niponizar hartible terror and give height fantasmagoria packaging, when what they achieved is to surrender an infamous hodgepodge of mediocrity sold as Excellencies, pathetic scares and characters debilísimos, barely sustained by an invisible fabric that stretches to get bored and wish end of the footage and one can go into the blessed Street and breathe the urban realitythat is more prosaic than the string of lies told to us, but which excites infinitely more. The supernatural genre, that they are trounced by regardless, is likely to become telefilm desktop balance, although (ay) notes of production I've read after seeing the tape insist in the novelty of the special effects and the exquisite love professed by the entire team by this kind of argument. They have therefore blunder, and have a little more enfangado the summer Billboard, which shines neither in excess. But that already knew. |
14 | archivos_extraidos/MCE-Corpus-main/Dataset/879 | Plissken | El perfume | 5 | 5 | muchocine | A wonderful demonstration of power of the German film, which by the way gives us a Campion and teaches us that the secret of a good adaptation is, as good perfumes, in its essence: tells the story and respect for it. | In an end of year in which things I I've swallowed as 'Los Borgia', 'Alatriste' or 'The illusionist', he already played a film of time in which to look for something rather than the wardrobe or the picture. The German Tom Tykwer directs an afortunadísima adaptation of 'Perfume', the archifamosa novel by Patrick Suskind, than with Office of veteran has caught me off-guard or simply I loved. I think that the second rather than the first. Treatment of reasoning.For the two or three stragglers who have not read the book, 'perfume' has the life of Jean-Baptiste Grenouille, a kid who is given birth between heads of fish rotten in a suburb of the pre-revolutionary Paris. Hated by all without apparent reason and systematically beaten since the born, Grenouille has a wonderful olfactory gift, and an obsession: knowing all the smells, dissect the world in which they live through their aromas and odor. Grenouille is called to a mission beyond his own life (and that of others): find the perfect perfume, ideal fragrance.In one of the best (by faithful and cinematographic) adaptations that have been made in recent years, Tykwer establishes a strongly visual narrative code from the minute and leading to its logical conclusion, supported, that Yes, in a narrative voice-over in some moments (necessary, on the other part, and never abused). You will not find in this film cansinos explanatory dialogue, flashbacks offensive, nor spectacular script turns. the pace leisurely but firmly Tykwer, always counting, always showing, get the two and a half hours of footage to pass in a sigh, and keep you on the edge of the seat while you know the outcome in advance. Nothing mount videoclipero (well, a little bit at the beginning for rhythm), just a way of telling the story apropiadísima for the text narrates.Then there are the actors. Ben Wishaw is the perfect Grenouille, of nondescript appearance and andares simiescos, but a dramatic expressiveness. Help a lot this actor does not have to tell things with the voice-over, sometimes a simple smell him enough to understand the character. They wrapped him Dustin Hoffman at your leisure with the character of the decadent Baldini; Alan Rickman always Manor; and the young Rachel Hurd-Wood not at odds with the rest, which is already fairly. Special mention to the beautiful (further enhanced by the photo and makeup) and brief appearance of Karoline Herfurth.Todos the technical aspects of the film scratch at high altitude: photography and planning of Frank Griebe, at times, evoking the odors without words; music by Reinhold Heil, Johnny Klimek and the same Tom Tykwer supplementing the action perfectly; and the enormous artistic direction by Uli Hanisch (the art director of 'The experiment'), helped by 50 million of? budget, clear. All less Hanisch form the usual team of Tom Tykwer.Una wonderful demonstration of power of the German film, which by the way gives us a Campion and teaches us that the secret of a good adaptation is, as good perfumes, in its essence: tells the story and respect for it.9. By putting a but there is one key aspect on the personality of Grenouille which is not sufficiently well explained, in my opinion. My own things. |
15 | archivos_extraidos/MCE-Corpus-main/Dataset/2262 | Patri | Piratas del Caribe: En el Fin del Mundo | 3 | 5 | muchocine | You can enjoy quite seeing this film, although it is clear that it is not a great movie and that there is really absurd and pathetic, scenes such as the wedding on the boat. | The third part of Caribbean pirates is a cierre(¿?) worthy of the trilogy, it replied to questions that was left in the air in the second part. Entertainment and fun are guaranteed, thanks to the great performance by Johnny Depp, with his unique style makes the Pirate Jack Sparrow one of the funniest characters I've seen ever, is only for him worth seeing this film, although at times it may be a little child. Completely opposite is the performance of Orlando Bloom, as deadpan as always, is clear that his presence only serves to the delight of quinceañeras and fans.The film is quite long, and until he makes his surreal appearance (best film) Jack Sparrow becomes a little heavy, then the story takes place with a frenetic pace and the plot becomes confused and tangled, as happened in the second part, there comes a time when it is not known who is betraying who, or what characters are in a ship or another.You can enjoy quite seeing this film, although it is clear that it is not a great movie and that there is really absurd and pathetic, scenes such as the wedding on the boat. |
16 | archivos_extraidos/MCE-Corpus-main/Dataset/3142 | Francisco Bellón | Un plan brillante | 3 | 5 | muchocine | A brilliant Plan is first and foremost a divertimento directed by a filmmaker of great category and with the participation of one of the finest living actors on the planet, Michael Caine. | In the film classic entertainment, British films of thefts and robberies are prominently on their own merits. Some of them are more favored by the comedy by the drama, becoming real jewels as gold in bars or the quintet of death. Currently, this type of film has been relegated to the background until it appeared George Clooney and his charismatic bunch of crooks.A brilliant Plan is first and foremost a divertimento directed by a filmmaker of great category and with the participation of one of the finest living actors on the planet, Michael Caine. It was quite complicated with similar ingredients, the end result was bad, and the expectations for once met. The film manages to get hooked from the beginning, and what is more worthwhile, manages to keep attention until the end. Michael Radford guide the development of a convoluted and intriguing history without artifice or free and unnecessary effect blows with strong pulse. The scent of classic film that follows the film is very suggestive, and is part of the appeal of the narration. The only that I can put the tape is its outcome, a somewhat soft end that somehow lackluster been achieved previously. Demi Moore fulfils its role, and Michael Caine returns to offer a master class of interpretation.In Un Plan Brillante, Michael Radford recovers the spirit of those English movies of thefts and robberies of the 1950s and 1960s. Recover in addition a cinema of entertainment that does not insult or despises the Viewer, a type of unpretentious film making have fun to the audience. |
17 | archivos_extraidos/MCE-Corpus-main/Dataset/1963 | Jose Contreras | La maldición de la flor dorada | 1 | 5 | muchocine | The message is an ode to conformism and frustration, a hymn to the contempt of the rebellion, and the individual. The film, in short, is not more than a defence of the submission against the power, worse, against any power. | The Empress desperately weaves flowers of Chrysanthemum. The Chrysanthemum is a symbol of the rebellion. The soldiers of the Emperor wear all the same spotless red, the adversaries are golden, moving in unison in a dance and fill the immense courtyard of the forbidden city. Yimou film is littered with symbols, and I think this is the first time that scored it as a default. The idea of a plague defines the aesthetics of this Yimou, abuse of the colors of the myths of the armies. Each element is there to crush the viewer with the excess.It runs the 10th century c.e. in the Court of the Chinese imperial family. The Empress has to hurry the medicine to the bottom. The Emperor puts his honor at stake in enforcement of rules down to the last detail. The Viewer does not take to discover that the Empress is being poisoned. Three children have to choose between his ambition, his love for his mother, not always convinced, and blind obedience to a wicked father.The approach of Yimou bothers me deeply, and is not the first time. Behind the sumptuous sets until the Vertigo of the costumes Carnival of the indecent pageantry of the pneumatic courtesans of the warlike choreography of the macedonia of Greek myths and Venezuelan clamoring, Oedipus and a restored Macbeth, Palace intrigue and paternal tyranny, there is a monstrous message behind the veils. The message is suitable, only for viewers alienated, able to make pants for five euros and grow economically to eleven per cent per annum without making a Holy strike. The message is an ode to conformism and frustration, a hymn to the contempt of the rebellion, and the individual. The film, in short, is not more than a defence of the submission against the power, worse, against any power. |
18 | archivos_extraidos/MCE-Corpus-main/Dataset/4001 | Francisco Bellón | XXY | 2 | 5 | muchocine | Lucia Puenzo a decision that the honors, avoids completely the way the easy curiosity, limited to narrate the story of a teenager who feels different, marginalized by a cruel and intolerant society. | A few years ago the Argentine cinema lived a period of great splendour, in which all movies arriving we were interesting, intelligent and innovative proposals. However, this wave was losing strength, and now almost all arriving us are or comedies rather simplistic and vulgar or stories are not but mere cheap psychoanalysis.At this point in the decline of Argentine cinema, arrives XXY, the directorial debut of Lucia Puenzo, a proposal very risky, different and somewhat provocative. The story of parents who must flee to protect his hermaphrodite daughter could be an excellent bait for a filmmaker that focus the history from the sensational point. But a decision to honor Lucia Puenzo, avoids completely the easy morbid way, limited to telling the story of a teenager who feels different, marginalized by a cruel and intolerant society towards everything that is different and does not understand. Puenzo also falls in the melodrama or in the easy tear, but it is also true that the film does not acquire the dramatic and emotional strength that might assume you, the final result being something weak and disappointing. Best of the tape, and what sustains it, they are actors, and between them is impossible not highlight an extraordinary Ricardo Darín, is able to convey more with a look that all the dialogue of the script.XXY is a different proposal and risky that we hope will help revitalize an Argentine film found in low hours. It is also the opportunity to see the promising debut of Lucia Puenzo, and the privilege of attending another master class of interpretation of Ricardo Darín, that if he had been born a few thousand kilometers to the North, would be considered one of the best actors in the world without any discussion. |
19 | archivos_extraidos/MCE-Corpus-main/Dataset/2063 | Patri | El número 23 | 2 | 5 | muchocine | Aims to play the trump card of the surprise ending, but it senses too soon what is going to happen. | The number 23 is the story of the obsession of a man by the number 23, believed that it pursues and it is everywhere. Becomes rather tiresome obsession, all added 23 and if not, we multiply and divide the times make lack until you exit 23?Jim Carrey is not bad, but it is a pity that it does not end succeed as a serious actor, because it has talent, as demonstrated in the Truman Show and forget about me, but with such films as the number 23 will never take you seriously.The secondary characters are empty and poorly built, some do not contribute anything to the story.The screenplay is terrible, full of gaps everywhere. There are really absurd situations and a dog that is intended to cause concern, but what causes is laughter. Aims to play the trump card of the surprise ending, but it senses too soon what is going to happen. |
20 | archivos_extraidos/MCE-Corpus-main/Dataset/44 | Ivan Sainz-Pardo | Munich | 4 | 5 | muchocine | There are some sequences nailing in the hearts of those who shared the movie theater | To write about a movie like "Munich" it is recommended to send to sleep at least eight hours first to neurons, but I can not tell you everything. Tell you that the film has left me a bad too evident body. Is that eight hours will not be enough. Is that eight weeks will not be. There are some sequences, some images, some pieces broken nailing in the hearts of those who, by my side, shared the cinema today.There is a particular message before, and almost three hours of a consistent and fiercely tenacious spirit behind. The violence only trigger more violence. Violence is not spectacular. Violence is simply something terrifying. A nightmare that is hidden under the mattress for our bed, inside the TV or our phones. A dream become a terrifying reality, disguised as a religion, homeland, of courage, of heroism. A piece of rotten becoming ill the human heart. Spreading tirelessly. Destroying everything. There are no winners, there is no innocent, there is no hope in a conflict in which the different political and economic interests, they descarrían and they catapulted the answers, do jump through the air solutions to lethargic and prolong human suffering eternally. A grim, cold, cruel, bitter and brutal message emerged from the darkest part of a masterful director, which remains in its untiring search of the master, the genius that has inside.Narrated murders are not spectacular, the shootings are crude, chaotic, realistic. Terrorist acts saturate the footage. They saturate the mind of the Viewer. The narrative structure of the settling of accounts is reiterated. These are repetitive, pervasive, in a monstrous routine and desasogante. All this in a stretched and dense footage. Without concessions. No room or space for romanticism, or the epic, not even for the respite from the Viewer. In the tape no good. There is bad. There are only victims. The home is expensive. Peace has no price in a world in which life if you don't have it.Spielberg, of known Jewish origin, is the Israeli-Palestinian conflict, but it doesn't stop there, because you know that the war of which speaks is fronts opened in many other places. Wound is a sea of clone sores, open sores, and while it heals a new ones arise, and much worse at his side. The message is therefore a universal message. And in this way focuses on telling the Interior of one of the terrorist conflicts. Conflicts that all direct we understand, humanizing a drama that makes us all participate.Not all the technical aspects in the film are my taste, that damn difuminador filter that tarnished images of almost all their latest productions. Aesthetic taste that seems to share with his faithful director of photography Janusz Kaminski. Neither find nor necessary already commented excess footage. But we are, without a doubt, in front of one of the most important and brave of this outrageous director sentenced for merits to be remembered along with the masters of the seventh arte.¿Pero that fuck is the movie?Friends, go to see her. Suffer with the "beautiful" discovery of the terror of such violence as, unfortunately, the order of the day on the other side of our newscasts. Acongojar you with the true face of State terrorism. Discover the poignant sense of feel, for a few minutes, closely akin to those who really suffer from the reality of violence from all different aspects with your own eyes. Go to the cinema to also witness an eternal tragically topical. |
21 | archivos_extraidos/MCE-Corpus-main/Dataset/458 | Darthz | United 93 | 3 | 5 | muchocine | It is not a great film, but meets its objective, which is to gain many currencies at the expense of a "tribute to the victims" and expose what was the largest disaster that shook the world in a single day. | On September 11, 2001, the world suffered a great shock. United States was the largest terrorist attack victim and shocked virtually the entire planet. We all remember what we were doing on that fateful day, in which our eyes are posed on the TV, or our ears on the radio or people. And even after five years is still honoring victims, with films such as which we can now see in Billboard: United 93. It is not a good movie, or something that will happen to the story, what if he spent was the same event tells us, but it may be shocking view in a closer way it could have been anything. Still, the movie sins of charisma and repetitive in many moments and can get bored, they say that the ending is more entertaining, the last half-hour is fast-paced, well then, if we assume that we like blood and macabre, Yes. As I said, it is not a great film, but meets its objective, which is to gain many currencies at the expense of a "tribute to the victims" and expose what was the largest disaster that shook the world in a single day. Before we delete this image of our head, especially for those who really suffered and still suffer, are those still living tormented by the memory of that infamous event. Perhaps never be erased already history. And the distance of what happened has calmed the thirst for revenge of some, although they already left the trail of blood spread the world. But will always be on our memory the indifferent flight of an aircraft, and its subsequent explosion, marking an earlier and a later in the story. |
22 | archivos_extraidos/MCE-Corpus-main/Dataset/1527 | Elena Suárez | Más extraño que la ficción | 5 | 5 | muchocine | The essence of his mastery lies in an original argument transmitted through a good script, and something that makes it even more worthwhile, is not based on any novel. | I know that it was released more than one month ago but due to a series of job changes, already I can not go to press releases for which, as any mortal, I should put me in the conventional cinema, while I organize my time, so I saw this film a month after its premiere and, frankly, seemed so extraordinary to me it would be difficult not to mention him.The essence of his mastery lies in an original argument transmitted through a good script, and something that makes it even more worthwhile, is not based on any novel. It is why I am not going to reel off the magic of history and, moreover, I recommend not to see the trailer. Directly, arriesguensen and go to the movies.Not to Sin from selfish, let me give some clues, rattled with "The Truman show"?, they enjoyed with "forget me!"? If the answer is Yes, and they have not seen yet, "Stranger than fiction", run because, as it is often the case in many cinemas, good thing not always last long (in Madrid only a room that expose, the rest go you know). Anyway, we will always the legal vacuum when the bad distribution prevents us pay for what we buy (you will tell me, that after several weeks looking for the CD soundtrack without any result, I saw forced to type on my computer and voilà! morphed appeared?)I only stay to make one point, do you know what I liked the movie? Something very simple: the protagonist is realized that he was alive, and then became a hero. I would like to try to explain that feeling to different grey midgets that have passed my lifetime (companions of work, ex-boyfriend, acquaintances?) but it would be impossible, and you know why? Because most are zombies and want to remain so; they prefer to have a mediocre life but smoothly. That is why that give you the congratulations to all the Harold Crick who have the courage to say what they feel, goes for them. |
23 | archivos_extraidos/MCE-Corpus-main/Dataset/2353 | Oscar Cantero | Forajidos | 4 | 5 | muchocine | The film which saw the consecration of Ava Gardner and Burt Lancaster, as well as one of the peaks of film noir. Little more can ask for. | It is not the first time that I write a few lines on a film of those that fall in the so-called black film, who so brilliantly understood the fantastic Fritz Lang, undisputed master of the genre. Outlaws is headed by a monster of the screen, Robert Siodmak, makes a display of narrative resources, games with cameras, the handling of changes in level and the combination of drama and action in this film.The presence of two colossi, although by then not so recognized, as Burt Lancaster and Ava Gardner beautiful, help provide greater packaging a story already in itself is interesting and that manages to convey the sensations at each time experienced performers, which combine the anger, satisfaction, frustration, love, fear.The dense atmospheres, the contrasts in the characterizations and undeniable nostalgia that awaken some of its scenes make outlaws a film in which other elements such as music, M.Rozsa, are essential in the full Assembly of one of the works of film noir in general, and by Siodmak summits, in particular.The history of the gangster and Pimp, with a fatal woman is one of the recurring arguments of the genus, and undoubtedly one of those offered by larger game. And more if the script is based on a short story by Hemingway. For this reason, we can say that outlaws is a great movie; not a masterpiece, because it fails to do so. But it is a good movie. |
24 | archivos_extraidos/MCE-Corpus-main/Dataset/2057 | Oscar Cantero | Alta sociedad | 3 | 5 | muchocine | As often happens, the fact that script and direction appeals on the same person help that the viewer has the feeling of being before a circle closes without leaving fissures. | Directed by Martha Fiennes and performed by an impressive cast, headed by his brother Ralph Fiennes, Ben Chaplin and Kristin Scott Thomas, among others, comes to Spanish cinema screens high Sociedad.Este film is an Anglo-French co-production whose plot revolves around the life of a traditional family and high London rank who sees threatened its darkest secrets in a world in which the surname isn't important enough to get respect a society acting moved by economic interests and a modus vivendi imported from the Unidos.A States despite that its important duration (exceed more than two hours) they could make something heavy, the impeccable direction and agility in the development of his script get that at any moment the viewer experience feeling of boredom or boredom. In this aspect, it is necessary to stress the importance of the fact that direction and screenplay belong to the same person, which allows a perfect Assembly between the two fields of production. In the interpretative aspect, magnificent Fiennes, Ian Holm and Kristin Scott, rather than correct Ben Chaplin and acceptable (already is enough in it), Penelope Cruz. In any case, on this occasion we have a quality product, that performs a deep analysis of the prevailing social psyche and the existing interrelations between different levels of the apparently rigid and stiff British urban bourgeoisie. For all these reasons, high society is a good characteristically European on the Cadence in his developing film and that the perfect combination of entertainment and quality. |
25 | archivos_extraidos/MCE-Corpus-main/Dataset/4235 | Rafa Ferrer | Good luck Chuck | 3 | 5 | muchocine | Jessica Alba, penguins and a story midway between the cinema of the brothers Farrelly and compulsive liar... | Lions Gate not only make film of terror (Saw and all its damn sequels), but which in the USA has unmarked with this comedy starring Jessica Alba and Dane Cook unknown, one of those romantic comedy that at times recalls situations mad, absurd and eschatological film of the Farrelly and also something like what did Tom Shadyac in "Compulsive liar" together these 2 films and is obtained which today brings us.And is this tape has raised in the USA ($35,017,297) and it worked relatively well there, being 8 weeks at the box office, at full capacity, yet not premiered in our country, so we write a more to this endless list of releases that cross the pond when the distributor of shift want you (in this case the Lions Gate) and then protesting because results at box office, they are expected, nor are as rewarding as I thought initially, and is that the panacea of the cinema today, not only does harm in piracy and all that stuff, but in the release dates that are becoming increasingly blurred.After this allegation which, as always, will fall on deaf ears, and only serve to be a little thatched in criticism of the critical turn, continue with the film stars Jessica Alba, here, brilliant in the role of a clumsy and clueless beauty (for that has to work much, nor lack that makes.), also join in the film working with penguins, they are always my favorite animals, and you will know without work you as minimum that the tape, as well as entertain me a lot (the hour and a half short are happened to me flying) found it me very fun and rewarding.About Dane Cook (almost protagonist of the film, rather than Alba), we could be before an out, like Jim Carrey of the Saturday Night Live actor, which could, as Jim be these actors, histrionic, but not power, and with 4 gestures get, like the actor of Ontario, provoke laughter from the audience for my part, I loved his performance, and in some moments (of the Oronda girl) of the best comedy I've seen in a long time.And of course, the topics of boy meets girl, boy and girl fall in love, boy loses girl, and boy recovers (or not) girl.In short:!Which I has encantao, cojona! |
26 | archivos_extraidos/MCE-Corpus-main/Dataset/1543 | Jesus Lens | Cartas desde Iwo Jima | 5 | 5 | muchocine | Eastwood has specialized in the death of a masterfully touching, exciting, thoughtful way, so raw as poetically realistic and mature. Thanks, Clint, for continue giving birth masterpieces. | My brother asked me if, to see and enjoy "Letters from Iwo Jima", it is necessary to have previously seen "Flags of our fathers" given that, as it is known and notorious, Clint Eastwood has shot two different, both films inspired by the same facts.And the answer is that not. To enjoy that piece of masterpiece undisputed, lucid and exciting (to not sentimental) that is "Letters from Iwo Jima" is not necessary to have seen the previous, but is highly recommended to see the two as both are feedback one to the other, complement each other, they speak to each other, something of what discussed in another article.On this occasion, to tell the Japanese point of view on events in Iwo Jima, Eastwood Yes has filmed a strict and canonically war film with the particularity that, for once, the "good guys" are those Japanese who often were the bad guys. I entrecomillo about "good" because, as in every war movie self-respecting, the border between the hero and the villain must be tenuous enough as so things do not end in a pamphlet.And in that sense, the last film of Eastwood continues to be exemplary. Starring Ken Watanabe in State of grace, that manages to breathe your character all the grandeur, melancholy, decision and abatement that it requires, "Letters from Iwo Jima" shows, fears, hopes, fears, the flatulence, the cagaleras, laughter and tears that prevent a handful of young soldiers who, simplythey have done a bitch calling rows. Although it is by comparing with the already referential "Saving private Ryan", a film if foster kinship this "letters from Iwo Jima" is with the terrible "paths of glory" by Stanley Kubrick, with whom he has many points in common, above all, when it comes to denounce the injustice, the foolish and the mental closure of both military with the uploaded gallons of the bib to the blunt.Eastwood tells of a society, rigid and hierarchical, which faded shouting Banzai! to possibly not return to reappear anymore. Speaks of ideals of the samurai, of temperance, resignation to misfortune, of heroism, the Picardie cowardice. and through the characters of general Kuribayashi and his junior Olympic rider, speaks of the absurdity of a struggle facing people who were once friends, colleagues and supporters. Two sequences are especially foresight in this sense: that of the delivery to Kuribayashi a colt by some American servicemen that pay you homage before returning to Japan, told in flash back and, of course, of the Charter of the American soldier that is read aloud by one of the Japanese.With these cards, just like that with M$ B or without forgiveness, Eastwood has specialized in the death of a masterfully touching, exciting, thoughtful way, so raw as poetically realistic and mature. Thanks, Clint, for continue giving birth masterpieces. |
27 | archivos_extraidos/MCE-Corpus-main/Dataset/3737 | Jesus Lens | Deseo, Peligro | 4 | 5 | muchocine | A great movie that consolidates Ang Lee as one of the most interesting of the current global film scene and libérrimos directors. | Importantly, the comma in the title. If not, "Desire, danger" would otherwise. How important is seeing a movie in good condition! Just what viewers last Sunday we went to the Granada Center multiplex can not say. Film blurred, cut and rebobinada, lights and dialogues lost for the sake of a nefarious projection. And as the movie lasts about three hours, this type of accidents, as they fuck especially. So, if I say that the film seemed somewhat long and that for my taste sobrarían you 30 minutes, many staunch defenders of the last film by Ang Lee could tell me that no, that was the culprit of both Court and so much discomfort. Really, the film seemed excellent. An example of special classic film, film in the old style of cinema of spies in distant and exotic landscapes. And that "I would like to, danger" is another very serious risk: of that talk of the warm their sexual sequences and the censorship that has been mutilated in native China of the director, this enigmatic and surprising Ang Lee. Because while we have an exercise in classicism at old-fashioned, Lee has foregone the moral false that prevented to Cary Grant and Ingrid Bergman wallow as descosidos, giving free rein to his tormented love. And, thus, the protagonist of "Desire, danger" uses not only their seduction skills, but the benefits of his splendid body and the fogosidad of his youthful soul to achieve woo the Chinese collaborationist with aspect of hard, insensitive and undaunted. But each frame of this film distills the classic breath which, unfortunately, is no longer the style. We speak of a classicism in the best sense of the word, well managed and not this pantomime that starred George Clooney in "The good German". Classicism as aesthetic choice, with a Shanghai that, in comparison with the postmodern city today, seems a more distant antiquity people. And a story, at the same time, very simple and very complex. The story of an infiltrator and the risks that it entails, challenges, dangers, the anxieties and sorrows. Is funny, the amount of excellent recent films that have an infiltrator as protagonist, from the eponymous film from Scorsese to one of the great masterpieces of 2007: "Eastern promises". Perhaps because we live in an age of simulation, deception and double faces in which nothing is what it seems. I like the melancholy of the games play the Précieuses of their suits and dresses, women, throughout the film's production design and, above all, the interpretation of the two protagonists, searching, avoiding indulging, loving it, repelling. A great movie that consolidates Ang Lee as one of the most interesting of the current global film scene and libérrimos directors. |
28 | archivos_extraidos/MCE-Corpus-main/Dataset/4167 | Kiko de España | John Rambo | 4 | 5 | muchocine | Stallone has returned. Rambo has become. Who can not enjoy the news? Who can not enjoy before a movie of the old? So violent as amusing. Stallone is for awhile. | Against all odds, Sylvester Stallone will turn into a craftsman of those who no longer have. I say it's against all odds because from Copland, was not the perfect film, have spent more than ten years and Sly seemed in danger of extinction as their countrymen gener-action. And became Rocky Balboa, an emotional tribute to one of the most beloved characters of the film.With the return of the Boxer were many who took a surprise fat, but bigger still is the return of another classic but much darker character: John Rambo.En this fourth adventure, less than 90 minutes, return to the cinema to see one of those movies that are not already filmed and leaving in diapers for example, the disappointing and also fourth adventure of another old John: McClane. Now Rambo, which remains locked inside and outside all the shit that is found in the world, must rescue a group of volunteers who travel to Burma to cooperate on humanitarian mission. If the hallmarks of exceeding the Stallone classic saga is lost in the jungle 4.0, in Rambo its director and protagonist (and screenwriter) gives a punch on the table and scream so loudly a here I am, let's smear of blood that can be seen with taste.Because there is so much blood that he may be the most violent of the four, with violations, episode in the film torture and killings as not we saw from the frika of the Cannon, everything with an enviable narrative pulse in which no time for the Midlands in a colossal all or nothing that it leaves a huge climax to remember of the pre. An exercise of nostalgia and style that should not take a joke. Rambo has become. |
29 | archivos_extraidos/MCE-Corpus-main/Dataset/3354 | Kiko de España | The Lookout | 3 | 5 | muchocine | It is more enjoyable than First snow, which is clearly less dark and much less noir. | Pleasant surprise The Lookout, pure and simple thriller that I like much more than First snow, for example.Directs his first movie Scott Frank, who was from the scripts still die Out of sight or Minority report, three super great genre movies. My first dvd was the Soderbergh movie, do yours? "Brick" Joseph Gordon-Levitt is Chris Pratt, a kid that it had everything until an irresponsible accident cut off his wings who works washing (pasta store) Bank of the people. As a result of the accident almost so fucking go of memory as Leonard and their ability to be someone in life away to any host. Share floor and penalties with Lewis (Jeff Daniels), a man who is blind almost all life. A suspicious guy named Gary (Matthew "Watchmen" Goode) seduces him with girls, praise and money in exchange for a special collaboration. And already I do not more, although I do not think it is very difficult to know already what happens.Very entertaining and noticeably filmed is a thrill for everyone as Brick, which is trying to introduce the noir (without being especially Lookout noir despite sharing some element with the do subgenre?) in the muchachada. |
30 | archivos_extraidos/MCE-Corpus-main/Dataset/2311 | Tito Chinchan | Pequeños grandes héroes | 2 | 5 | muchocine | The film focused on a public very often. Of those who make the imagination of children and we jump the seams of the mouth to the elderly of yawning. Suitable only for children. | Is the girl on the cover not that was a gymnast in the movie that I saw a school of gymnasts, that she was a rebel girl that or went to school or had to go to jail? I leave the question in the air, that intrigues me more to know how put you the gas in the soda.The film is about a few super heroes that were treated with a radioactive move a few years ago, causing that two brothers battle between them as if it were the same good and evil. Over the years, which was evil returns for more and the good has to train a group of kids to be superheroes and to stop his brother. And this is, is have not tronchado meninges, no. what want tell you? I bored me a bit with the movie, the children seem repellent, especially small. The super power of el gordo is offensive and absurd. Do not leave pechis or anything you like (what else gives it a movie for children?, a few nipples always encourage and not offend). Total, that thought crucify her, but told me my medium Zucchini "has been well the movie, right?" And I I have less psychological strength that a celery, I said, "psssi". So now I can not enact, ja, ja, ja.In short, film focused on a public very often. Of those who make the imagination of children and we jump the seams of the mouth to the elderly of yawning. Suitable only for children.Child exclusive use.kisses. |
31 | archivos_extraidos/MCE-Corpus-main/Dataset/2604 | Bruji | Turistas | 1 | 5 | muchocine | Taking advantage of the good reception of shit I like?Do Hostel?, and with zero geographical and historical knowledge, the American writers, once more, insist on insulting the international intelligence. Disappointing, even for the most ardent lovers of the subgenre. | Kind of project of end of career which, inexplicably, obtained financing and subsequent distribution. Taking advantage of the good reception of shit like "Hostel", and with zero geographical and historical knowledge, the American writers, once again, they insist on insulting the international intelligence. Disappointing, even for the most ardent lovers of the subgenre. Based on the typical formula of "what seemed a paradise vacation, became a nightmare," in the paranoid obsession of Americans by found always in danger, especially in those places where the magic words "I am a citizen of the United States of America" mean nothing, and the exploitation of international fears; Tourists is not any horror film.In reality, it is not more than a crude collection of all kinds of situations and dialogues inherent in this kind of stories, based on the classic faces of "die" all that, by its improbability, lead, inevitably, to the tedious mock.Do so in quite a few passages, the tape of John Stockwell (the air in his youth Idol) does not reach the category of "movie", translating into a kind of project of end of career which, inexplicably, obtained financing and subsequent distribution, perhaps, to make use of the pull of clunkers as the saga of Hostel.Su script? from beginning to end - not only is the paradigm of unbelief, but that consistently, persistently in insult the intelligence and common sense of the Viewer. In this aspect, we accept the unlikely possibility that a group of mindless teenagers, after suffering an accident that puts them in the middle of nowhere, focus their energies and concerns in the way of enjoying the sexual and gastronomic delights of a place unknown (significant level of a used condom). "The occurrence" to be executed by eight cuarentones, however must be the lemon pear. By the same token, we accept the existence of a luxurious mansion which is located in the interior of poverty, although it belongs to the uncle of a humble young man found on the beach. Clear, that the cottage is equipped with security cameras of latest technology, rich delicacies, ron añejo and jeans of the exact one of the protagonists, size must be reasons more than enough to start suspecting its inhabitants. It gives the feeling of that USA children never read the House of Chocolate. As the Swedes did, these are them leads bound and muzzled, in the purest style of Apocalypto. On the other hand, would not be more Stockwell is devoted to explain at what exact point of Brazilian geography join the sea and the jungle, why in ten hours of hiking the intensity of sunlight remains unchanged and in what historical time the Swedes, Australians and Americans sack Brazilian rubber and sugar. (This last assumption, fear would have to give the Spanish summer in Latin America). Without the bad taste that situates the action somewhere in Brazil, as if the Bush Empire did not exist this type of practices, psychopathies and "altruistic" nationalists. For this reason, even convinced the alleged social criticism that proposed, nor the original twist seen in the mythical indent of Coma, the famous story of Robin Cook, which carried Michael Crichton screens.The development of the plot, for its part, fruit of an accurate and infuriating irregularity, crowned by the uncertain measurement of time, contributes to finish an ill-fated product, totally dispensable to the history of the cinema, that should never cross its borders. or see the light. Surprisingly, the simplicity with which is approached the outcome, as well as the brazenness with which truncates the factor surprise, the sickly natives rear recreation, painful events planning. Given the fact, moreover, of even the magnificent underwater scenes to lose his brilliance to be repetitive, incurring another error of script, which makes it possible that foreigners get poke fun at the locals in their own caves.A film, in short, that does not convince you to lovers of suspense, terror, or the followers of Peter Jackson, master of al gore. A history that not even the addicts and unconditional of some of these genres can be defended. |
32 | archivos_extraidos/MCE-Corpus-main/Dataset/3518 | Andrés Pons | Hospital Satán | 1 | 5 | muchocine | What they want to tell hospital Satán? Nonsense since the start that even going to worse especially when the devil makes an appearance noticing this echo of plasticine. | Sometimes we think that already be a dandruff of the 1970s or 1980s it has to be something at least endearing or contribution entertainment. Because this is not the case that after the cameras lies one of the biggest useless of the horror film that goes by the name of William girdler which among other holdings decided to assassinate the Exorcist to take it to the black market. "What is called blackxplotation with the film Abby" was so blatant copying that the director was even denounced by plagiarism "." After some other type Grizzly disaster where the adventures of a killer bear that looked like a fucking cat I have on that occasion. With all this what they want tell hospital Satán? Nonsense since the start that even going to worse especially when the devil makes an appearance noticing this echo of plasticine. Among the actors only charles kissinger would make more movies, i.e. all the director's "nobody else do I contract". It is not surprising that none of them would act seeing levels of interpretation offered.Music, photography as nonexistent as an address or script. In short one of the worst films I've seen lately. |
33 | archivos_extraidos/MCE-Corpus-main/Dataset/4264 | Rafa Delgado | Expiación: Más Alla de la Pasión | 3 | 5 | muchocine | Would we be talking about one of the best films year-round, if it were not because the viewer patiently paid weight of the pomposity of a director that has given an attack of egocentric inspiration. | Would we be talking about one of the best films year-round, if not because one of their actions (splits into three, highly visible) is absolute rubbish and a lack of respect for the patience of the spectator, who has to pay the grandiloquence of a director that has given an attack of egocentric inspiration. I'm talking about the endless Act that takes place during World War II (which includes, of course, that flat sequence that, Yes, Dear Joe, is a prodigy of the technique, the address and all what you want, but which is UNNECESSARY), and is tedious and boring to say enough is enough, breaking with the fabulous rhythm which until then was carrying the film. The pace again, but late. In addition, after the ordeal, the end that has known to joke. Mmmm, isn't me not like the end, on the contrary, I love: but if the film does not fail miserably in the second act the end would be less. "offensive".The cast is not bad, although there is a significant lack of chemistry between a flojita Keira Knightley (thank God that her have not nominated for an Oscar) and a correct James McAvoy. The best without a doubt is Saoirse Ronan, nominadísima best supporting actress, which is out of the screen and eats all veteran performers with potatoes and fried eggs. The soundtrack is certainly a gift from heaven, and a breath of fresh air in the film's weakest moments. |
34 | archivos_extraidos/MCE-Corpus-main/Dataset/2032 | JLO | Star Wars Episodio III | 2 | 5 | muchocine | If one is not a fan of the series, or not wallows with small details of continuity between films, it is difficult to be deliver the enjoyment of a film at times bland, impossible to stand on its own. | Star Wars was, and is, a phenomenon like few others in today's world of the film Trilogies (comparable only to Mr. of the rings). Returns the factory of George Lucas (filmmaker if not mediocre, the less uneven) industry go & Magic creator, with the famous sequels (or calls now prequels) of his saga rompe lockers, which generate a legion of fans mas grande at every step.He had to see ingeniaba them Lucas to surprise us, knowing that the storyline of his series was already defined in advance (the step of Anakin to the dark side), the birth of twins Skywalker, etc.. But it does not. Perhaps the achievement of Episode III is the be the mejorcita of prequels them. Too little.Visually stunning, scenes strung from the beginning as a kind of infinite necklace of fights, swath clean and everyone in a new arena ever more spectacular (simile video game), with much color but with little emotion. Hayden Christensen (Anakin) continues to do what they can (which is very little). The omnipresent music of John Williams flooded all of triviality, as well as dialogues (error already quite repeated in the series) and a story of a dramatic simplicity, spent and which taken as a whole, can never be told in six! films. The expected conversion of Anakin in Darth Vader (that Yes, one of the best characters in fiction in the history of the cinema) is resolved only by a fear of dubious taste and pulled their hair. Its presence is also reduced at last - and few - minutes of the film.If one is not a fan of the saga, or not wallows with small details of continuity between films, it is difficult to be deliver the enjoyment of a film at times bland, impossible to stand alone without this Galactic fable which in its first parts (the old), I had a certain poetry and idealism naif. And that in the latter - primarily Episode II - stained political issues, violence and a single value: the so famous "force" is the greed of power at all costs, both the "good" and "bad". Too similar to the real world. |
35 | archivos_extraidos/MCE-Corpus-main/Dataset/1312 | Puspus | Rocky Balboa | 3 | 5 | muchocine | Which clichés abound, then Yes. Given some side pity, then also. That everything follows true whiff to eighties movie, of course. But Stallone is very decent as protagonist and very intelligent as director. | Direct and sencillota as a punch in the jaw, "Rocky Balboa" means the return to the screens of the unparalleled Sylvester Stallone. Undisputed star in the 1980s, tramp without direction in the 1990s and mysterious unknown today, the "Italian Colt" bequeathed us with this film his film Testament. And it is that the sixth installment of Rocky could well be understood, not only as the end of a saga, but also as the farewell of the venerable fibriliation voice actor. Not by another thing the movie is loaded with nostalgia. Nostalgia for a time that never again, where the box office always responded and worldwide chanted his name; Nostalgia for a face that had not yet shown the ravages of botox and the scalpel. Nostalgia, finally, by those muscles that were betraying him with the passage of time, to become the unfortunate flap now looking. As the old Balboa customers of his restaurant, Stallone gets tired in that first hour full of crepuscular dialogues, platitudes and cheap fussiness, but it is a toll to be paid so that the feelings overflowing in his exciting second half. And it is ringing the "Gonna fly now" and llenár you the eyes of tears, Lene. Which clichés abound, then Yes. Given some side pity, then also. That everything follows true whiff to eighties movie, of course. But Stallone is very decent as protagonist and very intelligent as director. Recover that old film for all ages, truffles of good advice and best feelings, and get the applause of the public in this impossible final match where, to not miss, there is no shortage or logos the PayPerView and HBO. The script is insane, we know it, but the movie unsuspectedly works and is so easy to digest that nobody get angry. Children, believe in fairies and not fuméis crack, tells it your dear Uncle Rocky. |
36 | archivos_extraidos/MCE-Corpus-main/Dataset/88 | Tito Chinchan | La pantera rosa | 3 | 5 | muchocine | It has the necessary touch of sobriety and fair thanks | Always it has intrigued me much a matter. The original Pink Panther Film dates back to the 1960s, and it already was like a diamond to the Pink Panther. And I wonder, that relationship did the diamond with the cartoon? Since then, the name, and I have to give thanks to the creator of such series, as funny as the Panther after having gotten into the washer and look like a giant pink bubble Imaging. That's nice.The film is about a diamond known as "The Pink Panther", obviously because it is that color. During the celebration of the French football victory over China (World's great power of table tennis), coach and owner of such Boulder is killed and the same, stolen. For reasons which are not the case, the search for the murderer and the jewel is responsible for dumb and clumsy all researchers Paris, Inspector Clouseau.Tiene fair thanks and the necessary touch of sobriety so that a film not embarrassed. I was afraid I find myself with a retaila of facilones, without much grace jokes, that made me want to be anywhere else. But no, pleasant surprise took me to see that the jokes were more or less ingenious and everything was still a logical dash, dotted with the sympathetic inspector incompetences. And clear, if you have the Renó aside, the thing is likely to pretty good movie. And it is that this actor is incredible. It is a comedy which not smile in no time. And look that you have time to smile, but nothing. Notably, dancing sticking (terrific) upholstery and classes of accent of Clouseae, which are somewhat excessive, but they have their point.In short, for a laugh with a comedy of good level. Or if only to see the scandal of the Beyoncé body. |
37 | archivos_extraidos/MCE-Corpus-main/Dataset/890 | Elena Suárez | Ratónpolis | 3 | 5 | muchocine | Approaching the format of the goose that lays the golden eggs (animated films aimed at a child audience but with winks for adults), British not clear as much irony as others of its kind. | Are already here Christmas and the holidays of children, time that is tapped by the film producers to make films devoted to the children, something which seems absurd because not only in holiday children can go to the movies (another thing is that parents prefer to put them in front of the TV so that they can learn with educational series such as the Simpsons or Shin-chan)(, which comes on the other hand out them cheaper and also can feel proud when their monsters are almost so stupid like them).Approaching the format of the goose that lays the golden eggs (animated films aimed at a child audience but with winks for adults), British not clear as much irony as others of its genus (Shrek, monsters S.A, Ice Age or the latest and most fantastic incredible but true story of little Red Riding Hood). The fundamental reason is that, although situations and chistesdestinados to the older (terrific of the cockroach reading of Kafka's metamorphosis), the target audience for this story is more often.Following an infographic design very similar to the of Toy Story (simple textures and a repeated use of household objects that bring us closer to a contextual reality), the characters in this nice story will be almost in its entirety animal (humans only appear), and small (mice, frogs, slugs, etc.)The message is is the Association of individuals as the best vehicle to achieve a genuine personal development. Perhaps, the way in which it will not be very creative and missed some that another added value that implied the urgency to curiosity and research (our rodents are very courageous but barely make use of his imagination).Very important and interesting is the soundtrack of the film, played mostly by a cheerful slugs that will make us remember classics from the likes of Tina Turner. Not so interesting has been the idea of choosing players for dubbing (María Esteve shows us that not only does not know interpret but that either, is good in this double films).In short, look at the various options presented for this month (still enough to come) and choose the most appropriate (also may choose to place the baby in front of programs from the category of big brother or the search engine, total, if tomorrow is going to get beaten teachers and burn it on the mobile)(soon to be witless, much better). |
38 | archivos_extraidos/MCE-Corpus-main/Dataset/4354 | Andrés Pons | Pozos de ambición | 5 | 5 | muchocine | Nothing you is this huge work which draws one of the darkest and most terrible of the human condition canvases. | I suddenly thought that KUBRICK resucitaba to rescue the film with his usual bombast. Minutes after I realized that I have too much imagination because the director is none other than the idolized magnolia PAUL THOMAS ANDERSON author possessed by the spirit of the unforgettable Director of Clockwork Orange.Wells of ambition breathes classicism on all four sides with all the features that will make it a magnum opus with the passage of time an essential title which shows that from time to time the film if it is an art.A REMAKE of giant last of revolutions with the impressive DANIEL DAY LEWIS returning after one of its periods of silence after GANGS OF NEW YORK, occasionally seemed to me see on screen very MARLON BRANDO as the British shell composed one of these characters with the bowels that eats the camera with the force of a freight train.A work mastodontica from the portrait of characters driven by greed, corruption and lack of ethics where you walk into a destructive Dynamics where dementia takes over all the characters in a descent into hell that takes you to the end little Orthodox but truly terrifying.A somewhat austere photography although it reflects perfectly the arid landscapes, nothing you is this huge work which draws one of the darkest and most terrible of the human condition canvases.Obviously it is not film for all ages must recognize you a dense work but if you go on it you can not leave. |
39 | archivos_extraidos/MCE-Corpus-main/Dataset/2357 | Ramón Balcells | La vida de los otros | 5 | 5 | muchocine | I wish all films intended to explore human sensitivity were like this. And he explores not only her, but also her it conveys us. A masterpiece. | Within my ideals, I achieve perfection is impossible. Florian Henckel von Donnersmark fails with the lives of others, but yes reaches a level of absolute pulidez of contents feelings and of exceptional beauty that, no doubt, deserves a well deserved Oscar. Germany has always been a country where cinema that takes place is rather controversial. There are small wonders of blockbusters, more or less, such as Good bye Lenin!, but I think that if we had noted a European country with the highest level, cinematically speaking, end up opting for France or England. But with this powerful and sensational movie, I don't to think that the film of this country begins to like me more. It is true, too, that many of the most famous German films have tended to opt for political issues (not saying the lives of others to do so, because the espionage here is a pure and simple backdrop), most of them located in the fall of the Berlin wall or the time of Nazism (behold the)(, considerably recent sinking). Yet and so, I acknowledge that I have not seen enough movies belonging to Germany as to compare or judge if they are better than those of other countries.I do not think, or rather, do not agree with those who call cinema in its purest form, for example, the Lord of the rings. It will be visually speaking, but I believe that to reach the Summit of the best film you have to explore many more aspects. Donnersmark film, by ponero another example, yes would reach this totalism. And it is that it is really difficult to talk about the life of others focusing on a single point. The good thing about this film is that everything is perfectly done, everything is absolutely dazzling. And this is what they have the masterpieces. I, unlike some, who think that this is an overrated film (very few, that is also true), believe that this powerful mental exercise, this metaphor on human decisions and the distinction between good and bad, is honestly, masterful. In addition, not only it is directed by this, so far unknown, Florian Henckel von Donnersmark, but also written. Perhaps not coincidiis with me, but is that the cinema is always deeper, more creative and, above all, more staff. Yes, there will be directors who do not write their scripts and are authentic teachers, but I at least see Unlike them those who are authors. Author cinema is more risky, perhaps simpler and less spectacular and, finally, I've noticed that many times is the best thing that previously did not so clear. But I am not going to be child. I recognize that there are infindad of filmmakers who directed and not write his films that are, without doubt, overflowing creativity (I am not going to give examples, there are too many). What is clear, and let shift me, is that the lives of others belongs to this type of cinema, risky, difficult, concise, graph, apparent simplicity and very, very deep. And is that you one of these strong points (which are all, rather) of those who spoke about the film is Florian Henckel von Donnersmark, creator of a disturbing, atrapadora, realistic and together formidable atmosphere.The lives of others is a necessary film, a kind of the secret life of words without hope as the main theme, a relationship between two people, albeit here without touching, between two worlds, though here, one of them empty and another not so much. It is this envy, that fear of loneliness and that fear of losing more dear, rather than you hope. And not only necessary, it is also very intelligent. A film like this has to be addressed with awareness and knowledge, not only with regard to policy, also about the human feelings of deeper. Here presence that feeling be living what happens on the screen, are these two terrible and atrapadoras stories which keep you in tension during these 135 minutes, and not political frames (which are well easy to understand). The connection between parallel lives, behind that, already old, backdrop which are, in this case, these political intrigues, yes it is difficult to understand at all, and is not that the film presents a structure to the Arriaga, but maintains strong classical approach, knot and outcome composition, but this complexity of the personalities of each and their intentions that make the lives of others is a film so extremely deep. As I mentioned before, what predominates here are contendias emotions. You sometimes do not know if what is happening is as desired by the / actors. It is this containment, to no less pride, which makes you delve that perverse inner world of the protagonist and the private lives of the pair of artists, spied on at the same time for the professional spy and by us.It could be the end of this movie as a teacher. Belongs to that kind of late that are absolutely round, without being grandiose, above all. Those in which you have to stand to think in an instant, not because of the speed with which advances the matter, but with extreme difficulty to which the characters are subjected. I desvelaré any detail about what happens, but I assure you that you quedaréis people, especially that no physical contact with these emotions so contained and expressive at the same time, this discovery of the terrible facts occurred. And attentive, especially to the situation and final phrase, a little gem that rounds out this masterpiece.Also be considered brutal entregadísimas interpretations of the cast. It would be unfair to not start by Ulrich Mühe, the protagonist and spy for the work. His performance is indescribable, or rather, so superb that it seems to be real. It is certainly a terrifying character, without a penalty own life that manages to arouse their feelings watching the lives of others. And not only exemplified us with the aesthetics of your floor, also with the most chilling expressions shows to hear the couple's intimate scenes or the aforementioned end. It is not only the central character of the film, that referred to the goodness and the apparent naivety, but it also puts more difficult entregación, because with a few words penalties conveys what is transmitted, and, that certainly deserves a long applause. Although I will not mention also wonderful interpretations of Sebastian Koch and Martina Gedeck, two completely different characters, however, joined by the complexity of the feelings and pain. They simulate that apparent perfect, Bohemian couple where everything goes well and that in fact, both need outside help. He who really needs is support and does not wish to, in any way the solitude. She, on the other hand, wants to ending his terrifying (at least for her) life, wants to, once and for all, stop feeling that pressure inside (also present, in some way, therein) and you don't want more lies, but not lying. Without doubt, this trio of characters, to which more complex, is perfectly which develops the story, because without them it would not be anything. It is as I said, this is a movie where everything stands out and every aspect needs the support of others, since all of them which are brighter.A unforgettable movie in all its senses, exciting and at the same time contained. Sensitive and atrapadora, terrifying and human, contained and no grandstanding. Her final, absolutely masterful and emotional (not corny), reminds us that this is an absolute masterpiece of modern cinema. I wish all films intended to explore human sensitivity were like this. And he explores not only her, but also her it conveys us. A masterpiece. |
40 | archivos_extraidos/MCE-Corpus-main/Dataset/3689 | Calaf | Arma Fatal (Hot Fuzz) | 4 | 5 | muchocine | A comedy, a parody, which however is able to maintain tension, action, even drama. A little gem. | Strange mix of genres. A comedy, a parody, which however is able to maintain tension, action, even drama.The must of the parodic comedy has always been the history itself. Soon the gags or jokes just taking prominence, relegating that tells the background. Only rarely, when the comic intensity down a point, and with something to tell, of course, gets the balance just to interest the viewer more than making people laugh.This film succeeds, with very funny moments, but with a pace of action, based on the development of a detective intrigue, which also keeps us interested, and that certainly makes you leave the film in a good mood.I can only recommend it. |
41 | archivos_extraidos/MCE-Corpus-main/Dataset/4250 | Rafa Ferrer | Pelotas en Juego | 1 | 5 | muchocine | It is a bullshit movie, but at least you laugh. | Juntesé the film "Dead or Alive" with "The Quest" of Van Damme, aportese all the nonsense that can put in a tape based on ping pong and we already have the enesima tontuna arrival of the USA, we have tapes on "Balon prisoner" (Dodge Ball), and now on the table tennis, as well as with Dan Fogler, Christopher WalkenGeorge Lopez and Maggie Q.A Dan Fogler saw you yesterday with Jessica Alba in "Good Luck Chuck", as Christopher Walken begins to be worrisome, since it begins to appear in any film, perhaps believing that only their presence a project comes "palante", the funny of Latin origin George Lopez and the actress bellisma Eastern Maggie Q.El argument does not give much, the script either, and situations, do not give for more typical tape to get the brain out, should not ask more, frankly is of those movies that when they finish one reconnects with the real world and cares 3 noses that has seen on-screen.In short: It is a bullshit movie, but at least you laugh. |
42 | archivos_extraidos/MCE-Corpus-main/Dataset/2829 | Kiko de España | Tenacious D: Dando la nota | 4 | 5 | muchocine | To see in subtitled Original version. It produces Ben Stiller and is already on my bookshelf, and Hot Fuzz Blades of Glory. | It should have been released the same weekend as the movie of the Simpsons, but the criterion of the Spanish distributors will have certainly been "direct to dvd" in another brilliant demonstration that not only Spanish film also weakens the conditions in which is displayed the foreign.The film starred by the without par duo is a species of sunset on the day of the immortal The Blues Brothers adapted for the young rockers fumetas inhabiting on the globe.Perhaps the deeper can Jigsaw is the message, la moraleja, that my personally I have come to the soul SPOILER: by very brilliant to be what you do, if not the pauntas in a paper you are going to forget after you smoke a cachimba.Two losers (one more than another) join forces to make with the secret of the rock: a Satanic spike built from a comillo of the Beelzebub himself is responsible for the success of the largest in the history of the Rock.JB and KG put hands to work to reach the Rock Museum, warned of the danger for a brilliant cameo that not I deberiáis lose.The start of the movie includes a musical number which removes the hiccups: she gave Meat Loaf and a JB baby that was already in Super Nacho.Para see in subtitled ORIGINAL version. It produces Ben Stiller and is already on my bookshelf, and Hot Fuzz Blades of Glory. |
43 | archivos_extraidos/MCE-Corpus-main/Dataset/1755 | Ramón Besonias | El buen alemán | 2 | 5 | muchocine | Anyway, isn't that any last film is better, but at least leave them where are without cross-dressing under the thin veil of postmodern. We will always be the original. | It does not require much cunning or movie buff love recognize the good German as tribute to those films that beyond by the 1940s and 1950s (especially of the Warner), a rigorous black and white, with easily recognizable characters and music, they portrayed the difficult of its tormented protagonists loves under the backdrop of the second world warwithout diminishing among so much tragedy a melancholic and romantic look on the impossible love. Insurance Soderbergh enjoyed these films when young he was smiling in the darkness of a theater in his hometown Atlanta. It is not surprising that himself is the director of photography for many of his films.Since the beginning of the good German, when we see how the format of the huge screen is revealed as the unusual and square 1.33:1 (after the closing credits widens slightly, to a 1. 66: 1, approaching a little more our usual panoramic), and the color of the frames takes the documentary texture of a black and white lit the old-fashionedWe know that it is more than insurance Soderbergh aims to restore us to then, as if to this we recorriéramos with him that movie fan memory that one day (and today) was thrilled: the romanticism of Casablanca, the sewerage systems of the third man, the German capital destroyed by the bombings of Berlin West, the Dietrich shaming the Knights (when not to the ladies). All the frames in the good German are elected, framed and photographed for this purpose, as if an enthusiastic lover of the works of Velázquez had mixed (not without intelligence or passion) the surrender of Breda, the forge of Vulcan and the waterseller of Seville, paying this an intended homage to the master. As you can imagine, the resulting work as well as almost impossible a priori seems a collage without its own entity rather than a painting. This is the problem of the good German. His passionate formalism becomes cold the proposal, deleting the whole soul and depth Yes possessed their referents. In fact, could almost say that a yincana of moviegoers winks that us back to the beauty that do provide Tourneur, Wilder, Curtiz or Reed.En films is not substantially a film, but rather all scenes of the good German there is a rift that grates on the analytical rather than the creative. His characters are emerging acartonados, despite the strength of the character of Maguire or the always disturbing and magical presence of Blanchett. Clooney is not adapted to the sizing (both physical and psychological) of his character. Photography tries to emulate the expressionism of their original referents, but sometimes sobreimpresiona light, or flattens her without giving the scene of emotion. Note in excess will imitate, forgetting that a film is doing just that.Also happens with the narration, linked too much to the previous scripts. This hidden husband in the sewers recalls! to the Laszlo in Casablanca, but the Soderbergh Ilsa is less prim and more stormy (to the Dietrich) than the Curtiz. But the height of the emulator effort it is overflowing with the final scene. If at least Soderbergh had taken the Russian General Sikorsky as the endearing prefect of police Louis Renault in Casablanca, perhaps the tone affected the film had won in sense of humor and irony. But, all in the good German lacks the tyrannical rigidity of the geek.The good German marks the only mission to dust off our cinematographic memory, encouraging us to return to enjoy these delights of post-war which survives much of the current film, created mostly by European filmmakers who had fled from one of the two wars. In addition, another suggestion that feeds (although not many proteins) is the image of Berlin as a source of inspiration for many other films, distant in time (one, two, three, Germany, year zero) and not so much (Cabaret, Himmel über Berlin, Good bye Lenin!, the life of the other, Berlin blues, Berlin is in Germany).That said, the good German is more a document that pays homage to the film to a film about the gender of mimics. It is no good that Soderbergh used wireless giraffe instead of microphones, incandescent lights and fixed focal length lenses. This fact only underlines the impression of having more well attended Museum representation on the cinema of those times. But I fear that it is not enough to make us believe that she herself is a film. Fetish formalism of Soderbergh connects with other proposals of the current film, bent on repeating or recreate master formulas already shot and unnecessarily reproducible. In my memory is the monstrosity that tries to revive Gus Van Sant with his psychosis. Or the crematística fans of American cinema by the remake of successful European and Oriental films. Even the excellent Scorsese infiltrators rebuilds from its antecedent Hong Kong Infernal Affairs. However, rather than a nod or remake Soderbergh is a Faustian Frankenstein remendado filmic essences that isolated they exude beauty, but that malpegadas smell weird.Anyway, isn't that any last film is better, but at least leave them where are without cross-dressing under the thin veil of postmodern. |
44 | archivos_extraidos/MCE-Corpus-main/Dataset/2061 | Patri | 300 | 2 | 5 | muchocine | I have nothing against special effects, on the contrary, they are very useful in certain movies to achieve a more realistic effect, but it should not be forgotten that special effects should be at the service of the story told. | I read somewhere that someone believed that film of the 21st century will turn into this, and'm me afraid that this could be true because this is not cinema, are just a lot of special effects mixed with violence and video game aesthetics. I have nothing against special effects, on the contrary, they are very useful in certain movies to achieve a more realistic effect, but it should not be forgotten that special effects should be at the service of the story told, and the less they notice more good are, however, in 300 and some other current films, there is no storyWe only go to movies to see what well facts are the effects, and that's very sad, cinema must be something that excited, that makes you throb and stay glued to the Chair, that makes you feel emotions, and me 300 has left me completely indifferent, gave me like all the characters and what happens to them, and something fundamental in a film of truth is for the Viewer to get involved somehow in the historynow tell me someone if he has been implicated in the history of this film? 300 is a show empty and meaningless, with typical discourses on the honor, glory, and bla, bla, that anyone convinced already. A nice wrapper but with nothing more absolute in its interior.Many times I read the typical argument that "is pure entertainment and nothing else", and I wonder do people only you they entertain the bad movies?, I do not understand, me me entertains more see a good movie that makes me think and tell me something, rather than a simple and empty blockbuster season, will be that I am a bit rare. |
45 | archivos_extraidos/MCE-Corpus-main/Dataset/3025 | Hombre Lobo | Desmembrados | 4 | 5 | muchocine | It is no exaggeration to say that this movie (to some extent) does for the survival horror which in turn made Shaun of the Dead (2004) by the zombie genre. | Despite the fact that it has come to our charts with nearly a year of delay, dismembered (2006) landing at a very appropriate time, not only by the fact that in Spain has released in a double session seeking to capitalize on the failure of the Tarantino/Rodriguez Grindhouse phenomenon, but also because the recent proliferancia (with its consequent tired) of survival horror and torture-porn makes that we necessarily have to welcome a film which takes all a topicazos series and the parody in a way only we can qualify as brilliant. And best of all is that at no time feels that a contempt for the genus there is in particular, but just the opposite: humor is so well run and the conventions of this type of story are so well managed (and reverse) that it is no exaggeration to say, as he has already been said since its premiere, this film (to some extent) makes for the survival horror which in turn made Shaun of the Dead (2004) for the zombie genre.Also taking advantage of the recent rush to shoot low-budget productions in the countries of Eastern Europe, the story of Desmembrados part of a same premise of all these films: a group of people trapped in a strange land where one by one are massacred by a local threat. The difference is that this time the protagonists are not horny teenagers or an idyllic middle-class family, but a group of executives of a multinational of weapons which have begun to prove violence which can cause the industry of death which are engaged in their own flesh. Such social satire, in the hands of more "serious" had been laughable and adoctrinante, here is a field of laughs thanks to the use of the most hackneyed Office estreotipos brought to the field of horror: from the useless leader of team until the ball corporate, from the guardian of political correctness to the fingered in the joints and fungi, all must work as a team for the first time in their lives if they want to get unharmed from that experience. But clear, unlike other attempts at parody, dismembered never ceases to be a horror film (and in fact, there is a good piece of the film in which laughter conspicuous by their absence), offal and graphic violence levels are quite high, courtesy of the British Christopher Smith, who had already given a preview in when its least interesting Creep (2004). Perhaps the only downside that I can put to Desmembrados is that, in the end, its ambitions remained short, that history gave to much more. The disaster of the corporate spirit in a real survival situation could have reached epic instead of staying in a few specific references proportions (the Chief is a tough guy at work proves to be a real coward arrival time of the truth), which makes me think that Christopher Smith has not wanted or has not been able to give his film a greater thematic resonance. Even the original title, Severance, refers to Deliverance (1972), which although it is not a film of terror to the use, it is one predecessor to clear the survival horror. Instead, we have to make do with a very good cross between The Office and Hostel (2006), with including Hungarian macizorras.If something can be attributed to him is that, occasionally, his humor can be somewhat bufo and too basic (which does not get to the levels of mastery of Shaun of the Dead, for example), but despite its flaws is appreciated, it is a tape which I, in particular, did not expect much. In a year in which the really outstanding premieres of terror have not been many, a movie like Desmembrados comes to fill a void. I also believe that, with a little more promotion and separated from his partner of double session, sheep you asesinas (2006) could have been a very pleasant surprise. |
46 | archivos_extraidos/MCE-Corpus-main/Dataset/2043 | Emilio Calvo de Mora | Retrato de una obsesión | 2 | 5 | muchocine | Ambiguous, desvaido, sad and honest, at the time, portrait of an obsession, Yes, but filmed with icy breath documentalist, unattractive as film entertainment. | Gradually detached from the initial charm, portrait of an obsession is positioned in this very slippery limbo of unclassifiable movies that don't deserve applause, but not the neglect, disinterest. It is of a more than free photographer Diane Arbus biopic, there are licenses that do not conform to the linearity of the forms (the whole movie is an estomagante flashback) as well as disproportionate allegories on the freedom of expression, decision making and the will on changing the course of our lives for more than a supraterreno or invisible fate seem stubbornly strive give us. In this, the film is exemplary, in what is subversive of transgressive. We must understand this love strange between the beautiful Kidman and the ugly Robert Downey Jr. as the real subject of the film, although he then desbarre in occasional demonstrations of what not worked enough script can cause to the general impression that causes us a film. To Cocteau's beauty and the beast you should not be imported sign the relationship of these characters.The relevant label of fictionalized biography which opens the title of the film suggests to us that the director, Steven Shainberg, offender of the also eccentric Secretary, going to sneak us a sobrevitaminado story about human relationships. And indeed, this happens, but Shainberg prefers to dive into fantastic, in the Ethereal part of the soul, in that in which abnormal attracts and beauty, unsettled or not, as I said Breton, happens to occupy a necessarily secondary level.The progressive process of afeamiento of the diva Kidman in the role of photographer suddenly illuminated by the freak is worthy to be included in the private collection of any fan to the kitsch. Special mention to the neighbor disturbing, amoral, incorporated in his suit of solitude and compassion, which introduces the world of celebrity without make any circus of people props to this crucial transformation.Sadly burdened by their unequivocally unconscious title in Spanish, Fur (skin) is a curious work, a punto y aparte in the inventory of movies that we see on a daily basis. This is not going to swell our particular altar of jewels, it won't be highly recommended to our friends when we talk about film (Yes, still is great to talk about cinema around some reeds in a bar), but is not possible, in an act sincere, her crush, impose the dubious "capricious" epithet.This tale about the fascination of the rare evidence forced as the kind, gentle and always correct Diane Arbus matrimonia not with the indomitable spirit, an accomplice with deviant from the norm, the film wants to show us and already its actual photographs were commissioned to do. You can see some wonderful here. Copy this curious mind disturbed by the infinite beauty of ugliness is suicide in 1971 and the urban legend circulating in the gossip of the Guild of the culture cotillas is that he photographed while he was losing in the more beyond. We are not here to deny this rumor. |
47 | archivos_extraidos/MCE-Corpus-main/Dataset/803 | José Córdoba | El ilusionista | 2 | 5 | muchocine | The most topical and predictable movie I've seen in a long time, a complete disappointment, although ideal for a little loving and demanding public to reverse serials. | As it already happened previously two similar themed movies they premiere in a short space of time. After cases of Deep Impact and Armageddon, bugs and Antz or the dangerous liaisons and Valmont, arrive the illusionist and The Prestige, both set in the world of magic. The second, directed by Christopher Nolan (Memento director) and starring Scartlett Johansson, Hugh Jackman and Christian Bale, Michael Caine, will not arrive until January, but the first is already among us.As in the detailed examples above, when agree two similar films one usually being the younger sister of the other, the duckling ugly a priori, trying, in addition, advance in its premiere to his older sister. The illusionist falls into this category. With a limited budget (for American cinema) of $ 16 million and with a cast full of familiar faces (Edward Norton, Paul Giamatti, Rufus Sewell and Jessica Biel), solvent, the film is made by the unknown on these lares Neil Burger and tells the story of impossible love between the fiancée of the future emperor of Austria and a mysterious magician newcomer to Vienna. Hacía time had no feeling that I had nothing more start the film. On the quarter hour or so, already not me was liking. In those fifteen minutes the shortcomings of the film were already patent: clichés and platitudes everywhere and a realization flat, unable to provide rate or visual innovation to the flashback of the children of the wizard, which is all foreseeable that one can imagine. Unfortunately the film was not clear of that feeling during the footage.Already during the film also leaves out the lack of means which has been filmed. Filming took place in Prague, pretending to be Vienna, but, and this reminded me to Alatriste, just a couple of foreign enclaves, showing the budgetary shortcomings of the film. Something which is not negative per know, if the rest of the elements might make up for it, but this is not the case.By structure, the film refers to the usual suspects: two characters, one of them narrates the events that have taken place up to that point, to which we return at the end of the film, and from which continues the narrative with included final twist to flashback mode. In addition the film's story refers to Casablanca, including triangle and with a corrupt representative of the law but of good heart, as Captain Renault played by Claude Rains, and that in this film is played by Paul Giamatti.El script is riddled with clichés: young lovers separated by their difference of classes, their reunion years later still she promised and he under another identity which gives much success, the jealousy of the powerful and future husband, etc, etc. This series of elements would add the magical element of the matter, as an original element, to the nor is it takes party. It is a dispassionate script, there is no great tragedies, there are no edges, there is conflict, little everything is shades of gray. The characters are barely drawn, do not evolve, and you know little more of them apart from its generic description. And is also predictable, including final surprise.Neil Burger is flat, worthy of TV, unable to give some life to the subject, and clumsy directly at the trigger time of the entire fabric to be shot so typical and obvious, prevents that you enter in the game because you know what has happened and what will follow. Also the realization of the tricks of magic, something that should be surprising or disturbing, is artificial and incredible, then opt for a solution via computer, that it is entirely impossible already not for his time but for the current also, because if something makes clear in the film, is that the magician is a magician, not a be with special powers.The cast is correct, little more can be asked actors with papers that have, although maybe Giamatti is a little past thread on the final stretch.Photography, costumes, art direction are very appropriate, referring back to old cinema, even with tones and mounts solutions specific to the time of the film silent. Music on the other hand, composed by Philipp Glass, nor help, due to the style of the composer, perhaps not the most appropriate for a project as well. Glass a prestigious and innovative composer of the minimalist genre has a very distinctive style based on the repetition of patterns that achieved wonders in a movie like the hours, whose soundtrack is prodigious, but this pattern is here wrong due to the absence of the film life. So the music rather than enhance the images power weary rhythm, constant, gray throughout the film.In summary, the most topical and predictable movie I've seen in a long time, a complete disappointment, although ideal for a little loving and demanding public to reverse serials. |
48 | archivos_extraidos/MCE-Corpus-main/Dataset/577 | Txapulin | A scanner darkly | 2 | 5 | muchocine | It occurs as a plea against drugs originally written by Phillip k. Dick. Boring and quite unnecessary. | A priori this film draws attention by its, say, new animation system (although Ralph Bakshi would have much to say about it), based first in filming the movie with real actors normally and then pass a few photoshop filters to each frame to make it look as if they were a sort of cartoon. I personally understand that this technique, in the film, only serves to disguise a seemingly important special effect in the plot, which is the use of a suit that diffuses the external appearance of the characters who want to pass unnoticed. This effect would sing much if the movie was photographed normally and with this aesthetics of animation the movie is further with an air ohh-what-cool-what-different-we are.The movie is presented as a plea against drugs originally written by Phillip k. Dick, who at the end list us the names of their friends killed or seriously damaged by the abuse of narcotic drugs. A list incredibly long, by the way. Thus the movie somewhat widely understood, but that not is saved from being boring and quite unnecessary. |
49 | archivos_extraidos/MCE-Corpus-main/Dataset/4361 | Ivan Villamel | El Orfanato | 4 | 5 | muchocine | Exceptional, that is the adjective that should give this piece of jewellery, which works perfectly from the beginning of austere and manners, style to a poetical without why not be bleak ending. | Very appropriate choice of this film from the debutante at the long Juan Antonio Bayona (of Barcelona's origin) to inaugurate the new edition of the Sitges Festival, a clear statement of principles concerning the quality that promises a pageant, a priori occurs for the best, but the best, in terms of film proposals referred to. And once again, and not get tired of repeating myself, a new hit full in the diana of the tasteful film, again the debut of a Spanish director in the fantasy genre, and again one exceptional film. After attending the screening of a gem like this, one finds answers about the expectation that had created this new film of terror Spanish, so well received in Cannes and with distribution on a large scale in Usa for upcoming dates.History us situated in the skin of Laura (Belén Rueda), a woman of 37 years returns to inhabit the orphanage where he grew up, in this case to convert it, as well as your home, a home for disabled children. After a start where we see that it was adopted by some family sienda girl, Bayonne takes us without further ADO when Laura is living in the old orphanage alongside her husband and their son Simón, which we will shortly discover later that it was also adopted, and that he is ill, which forces him to take his medication every day. Advances the film and quite subtly, we are discovering as Simon speaks to parents of imaginary friends, something which does not pose the slightest concern to parents, considering it more a typical attitude of a lonely child than anything else. But everything changes from the moment in which Laura and Simón visit an ancient cave close to the beach, where the child tells his mother that has met a new invisible friend. This causes various confrontations between mother and child, thing that is twisted completely in the moment in which Simon disappears for months, without knowing their parents which remedy to that situation, but feeling that it isn't as far as may seem.Exceptional, that is the adjective that should give this piece of jewellery, which works perfectly from the beginning of austere and manners, style to a poetical without why not be bleak ending. The story is developed with an impeccable narrative pace, this narrated with a voltage increase, including a couple of scares that cause one adjournment of the armchair as a spring, and a capacity for the description simply impeccable.Bayonne creates a visual style that makes the economy of means a virtue, because always round a sense of hopelessness in the characters on the screen and that is due to put them in those gray and austere, environments where the contrast with large spaces, as this brilliant scene of the beach and la cueva, creates a sensation of constant oppression.It is not intended in this film a visual appearance very ornate or even with a beauty of the images that stands out above the history (which is partially in some other directorial debut of patriotic filmmakers). I.e., the virtue of Bayonne, if we are guided by his first film (already we will see how it evolves in the future), is to penetrate inside of their characters drama and terror, not so much a mise en scene especially bright, but rather a large counter of stories.Many layers has the film, as the special connection established by nature between a mother and her children, although in this case it is taken, and that is so hard seeing on screen display as effectively as in this film, or references to children's stories from the perspective of an adult, as his constant allusions to Peter Panwhere the final is particularly significant. The constant threat of madness pervades the images of the film, where even the end of the film could be much talk about whether we're seeing something real experienced by the characters or is an insane vision, with a suggestive ending that could not rule out in my opinion the second option.About actors, to say that all are especially prominent, with special consideration for Belén Rueda, her role as mother traumatized by the loss of the son, or of own Simon, which gives his child character certain nuances which are not usually watchword of the genus precisely that outboard. They both operate at a strictly physical level acting as in scenes of internal torment, impeccable.Some of the scenes of the film are a capacity of synthesis in if same of the horror genre insultingly bright and frightening, as the scene where a mysterious hooded child, then we will know who it is, is coming slowly to Laura emitting animal sounds that are frightening, shown with a voltage and an ability to shoot scenes of this amazing type in a newcomer. Or one of the best of the film, where almost at the end recalls the game which enjoyed as a child in the orphanage, and what appears on his back puts hairs tip anyone. Simply brilliant.Perhaps the only but that is you could put as bright debut, consists in the own plot of the film, reminiscent of films already treated many times previously and that subtract the virtue of originality (we could remember as recent "The boarding school", although with many worst results of final finish), since known as argument of a threat from the past which manifests itself in the present in a cursed placewhich it always tends to be an isolated House, an orphanage and a hospital, it is present the film consistently (I will not appoint some film based on the novel by Henry James to be already very repetitive).In short, a brilliant film, a demonstration that we are faced with a director with a bright future in the breeding ground to fantasy films, with a special ability in storytelling and a very direct style with no concessions in the form of topics, where despite the "but" mentioned in the previous paragraph looks to offer us one of the best films of terror in a long time. |
50 | archivos_extraidos/MCE-Corpus-main/Dataset/722 | Alvaro Oliva | Yo soy la juani | 2 | 5 | muchocine | The best of the film undoubtedly Verónica Echegui and Dani Martín, as well as the aesthetic that presents us, including scenes at discos, overprints of sms are sent the protagonists, tuning meetings, and the discovery of Madrid by the two friends. | Bigas Luna returned to the screen with "Yo soy la Juani". History of neighborhood in which the protagonist has craving for overcoming, there comes a time in your life that needs take a radical turn and change everything that surrounds. Their environment, marked by the marginalization, with a father who want to expropriate the House, which usually drunkard is and mount at Jamborees, as being a mother who decided to take care of her husband and start a family rather than luck as a singer, a boyfriend (Dani Martín) that despite desvivir by it, does not mean that it is a Gulf and put the horns have tried naturally contributes to this. To all this we must add that Juani (Verónica Echegui) works in a supermarket and that what he wants is really becoming an actress, and unless you do something with his life is going to become a reflection of his mother, wasting few opportunities he had, and with the consequent remorse for not having tried. After deciding together with his best friend and leave his neighborhood to move to the capital, Juani will realize that achieve their dreams will not be as easy as she believed. This is what presents has Bigas Luna, that Yes, supported in an aesthetic characteristic of the world of tuning, and the most junior, where often the protagonists can be confused with prostitutes, because of their outfits, and where the boys are having fun making races with their highly modified cars. Then it presents a world away from all this, where reality becomes harder, and show us the difficulties to achieve our goals.The best of the film undoubtedly Verónica Echegui and Dani Martín, as well as the aesthetic that presents us, including scenes at discos, overprints of sms are sent the protagonists, tuning meetings, and the discovery of Madrid by the two friends among other things. |
51 | archivos_extraidos/MCE-Corpus-main/Dataset/3434 | José A. Peig | El graduado | 3 | 5 | muchocine | The interpretation of Dustin Hoffman, as straitened monochord register, more repetition in a series of plans laying down excessive narration, make the same emotional core that holds the film is reduced to a stereotype, very suitable for the late 1960s countercultural sensibility, but that already shortly can provide a current perspective. | I want to be different. The silence as a single response while Simon and Garfunkel harmonize their music with the emotional state of the protagonist, a young man of 20 years with life by discovering and without a defined direction. His face is all a long plain first until that becomes broadly to define the man in society. Arrives at the House of his parents, congratulations, the camera does not lose or a detail of its expression apathetic to the reiteration of the social informality that overwhelm him, almost the image of a society reduced the gesture conventional, without capacity to understand what really is concerned about a young man who isn't yet prisoner that hypocrisy and that accommodating thought. When it seems that there is no way out and that the rite is going to follow the logic of social correction, an attractive woman (Anne Bancroft), friend of his family, will be the element that dinamite the situation to encourage violation of established schemes. I wanted to be different, and the challenge is presented under the figure of woman naked and irrational, point at which begins the adventure of being young: lack of preset plans and flow with the temptations.It seems that Mike Nichols (1967) is interested in both build a convincing and exemplary character of a generation as a caricature of the niño rico faced with gaps of the family system and the relationships between people money altogether. Dominate the flat long in order to emphasize the introspective impulse towards the central character, but the interpretation of Dustin Hoffman, as straitened in monotone registration, more repetition in a series of levels that set the narrative in excess, make the same emotional core that holds the film is reduced to a stereotype suitable for the late 1960s countercultural sensibility, but already little contribution from a current perspective.The final race in search of the forbidden bride and the violation of the space and the rictus sacred in a church, with the cry that breaks the tranquility of the normal course of events, is the final reaffirmation of that young man, wanting to be different, ending to love through wild impropriety, including the snatch cross of his sacred room that will serve as a tool to shake the pressure of a social majority. |
52 | archivos_extraidos/MCE-Corpus-main/Dataset/2578 | Plissken | Patinazo a la gloria | 3 | 5 | muchocine | 'Blunder to glory' is a very effective comedy of thick stroke, with moments of true embarrassment and delirious (some even improvised) dialogues conducted by the owner of the role, Will Ferrell. | Yes, I admit I liked 'Talladega Nights' (brilliantly translated here as 'Last lap'). It will not be a classic comedy, but I had enough funny gags, some excellent secondary scratching surrealism (Gary Cole, John C. Reilly, Sacha Baron-Cohen) and an acceptable recreation of paleto American NASCAR scene. It is not one of those unforgettable movies, but more than enough for a warm afternoon of summer.With those expectations started to see 'Blades of Glory' ('blunder to glory' in North Africa), the last product of the factory Ferrell. And once again not left disappointed experience: 'Blunder to glory' is a very effective comedy of thick stroke, with moments of true embarrassment (looking at the dress of Peacock of John Heder, for God's sake) and delirious (some even improvised) dialogues conducted by the owner of the role, Will Ferrell.La history, for the umpteenth time, responds to the cliché of the genuinely American genus of overcoming, sports subgenus (baptized correctly as "hero-to-zero-to hero"): mass idols fallen from grace must learn to work as a team to return to the top. Variations, two: the sport chosen this time is the ice rink (which already had been brought to the screen in the cutronga 'Passion for the triumph') and the number of heroes, two in the absence of one: the angelic novels Jimmy MacElroy (absurd and funny John Heder) and the rebel addicted to sex Chazz Michael Michaels (unstoppable and delusional Will Ferrell). Both, world figure skating champions coming unless, again to fight for the gold in the competition for couples, where await them their archrivals, Stranz and Fairchild Van Waldenberg siblings (brilliantly ridiculous 'Arrested Development' Will Arnett and Amy Poehler 'SNL'), to prevent his victory by the usual means in this beautiful sport.The truth is that the film does not stand a serious dramatic nor stylistic analysis. But the truth is that it matters little, in this case. In the hallucinogenic choreographies on ice of the protagonists, with its priceless pints and macarrónicas chosen songs ('Don´t wanna miss a thing' of Aerosmith, 'Flash' of Queen, or Marky Mark & The Funky Bunch!), the horterísimas comments from sports reporters, even by computer effects, all raya at high altitude during competitions, pity there is no more. It also has other really big moments like the surreal persecution on roller skates ice or the presentation of the technique of the "iron Lotus". Tremendo.Resumiendo, 'Blades of Glory' offers nothing more nor nothing less than fun at the expense of one of these sports naff in themselves and in charge of the number one of the time American comedy. Look no more cause to see if you'd or excuses to loathe it if you don't like (you know to what they were). |
53 | archivos_extraidos/MCE-Corpus-main/Dataset/4114 | Moebius | Perros de paja | 5 | 5 | muchocine | Civilization against ignorance, the city opposite to the field, roots that accompany us throughout life, fear of the unknown, the other "I" hidden after our typical face... Straw, a great work of Peckinpah dogs. | Neither Heaven nor Earth have feelings; they are the things of the world as if they were dogs of straw (Laozi).Civilization against ignorance, the city opposite to the field, roots that accompany us throughout life, fear of the unknown, the other "I" hidden after our typical face. Straw dogs, one of the films most violent of Sam Peckinpah (although most of this violence is not on-screen) revolves around these issues and their interpretations can be varied. Everything depends, obviously, eye with that look.A young American mathematician David Sumner (Hoffman), moved with his wife Amy (Susan George) to the home town in Britain to escape chaos and violence of the United States. However his life will not be as idyllic as they could have expected, and they will soon have to face the attacks and abuses of the townspeople.Peckinpah knows very well build the image of a young man sobered to whom his wife accused of cowardice, to then turn the character. David is the human citizen, is the civilization and the law, but wrapped in a dangerous and hostile environment and under an extreme situation is displayed as a predator that defends its territory. It is no accident that your home becomes a fortress, a position of strength from which to defend themselves.If David is the mind, Amy is the body, attached to life, and with a system of values that clash with her husband. When it is attacked by Charlie, it will use its own methods and their own weapons out of the trance. Also represents a sort of duality: he escaped from his people to seek other life, and married a man not handsome, intelligent, but on the other hand you can not escape their past, their own codes of honor and her own education. Asked David to fight for her, that faced with the killers.In the midst of all this gunpowder only need a trigger, and that will be Henry Niles (my dear David Warner), a sort of diminished psychic that he has had problems with the law by harassing some girls, and whose encounter with the daughter of Tom Hedden will end up causing the siege at the home of the Sumner.En those first moments again emerge the confrontation between two different worldsthe David and Amy's. He appeal to justice, what most of us would have in mind in this case. She, much more pragmatic, is like a harassed animal, and asks David to give what they want to the Hedden. "Really you do not mind, isn't it?", says David. But how far you can trust one act? Isolated from everything and everyone, it seems that the only law that can survive at that time is the primary law of retaliation. |
54 | archivos_extraidos/MCE-Corpus-main/Dataset/554 | Berto | La increíble historia de Caperucita Roja | 3 | 5 | muchocine | Very entertaining film that demonstrates two things: that neither animation is exclusively for children, and stories, by well known they are, might be counted in a totally fresh and surprising way. | The cinema of animation has always been considered for a child audience. Do since the advent of Shrek on our screens, many people changed the chip insofar that I publish this kind of films, is directed which knew well already fans of the anime?The case is arrives to our screens, and under the envelope of what would be a review of one of the children's classics more loved by all of us, little Red Riding Hood, or as her call in this film, Caperu, from now on, the incredible but true story of little Red Riding Hood, takes already with the title, that although it is animation, hides more than typical amusement for children.The film baby sources of great classics of all time in terms of narrative structure, now come to mind, Rashomon, captives of the evil or Citizen Kane, since the story this told from four different points of view, the lumberjack, the Granny, the Wolf and the own Caperu because as if in a chapter of CSI wereThis police in full investigation of an evil that is dedicated to stealing recipes cooking throughout the forest, and at full scene of the crime to try to discover that it hides each one of them and if anyone really is behind these terrifying thefts who are leaving to forest with nothing sweet to carry to the mouth.The film is not have an excessive bad milk, can be easily seen by the kids of the House, but if that can mislead them the history itself, because the relationship with the original story are the protagonists and little else? Tucked in the garlic have an actor of ads, an undercover journalist, an addict to the risk, and of course a bad malísimo that only in the last moments of the film revealed their Machiavellian plans James Bond style. In the movie there continuous winks to other titles more or less known, being one of the best dedicated to Triple xXx, although it may even be a game to discover details of other films that the filmmakers have left throughout the footage.In short, a very entertaining movie, which shows two things, that neither animation is exclusively for children, stories, by well known they are, might be counted in a totally fresh and surprising way. |
55 | archivos_extraidos/MCE-Corpus-main/Dataset/1885 | Enrique Colmena | Seduciendo a un extraño | 2 | 5 | muchocine | Correct thriller that plays with that unwritten rule of the intrigues of the past twenty years which requires a turnaround in the script in the last scenes, and the truth is here Gets the surprise total emphatically effect. But it is also true that this quest for the shocking surprise must generally pay the toll of the lack of verisimilitude. | James Foley is on its way of becoming the great white hope of American independent cinema; author of the magnificent "Glengarry Glen Ross", has also left his personal mark in most commercial products, such as "Men face to face" and "Sealed Chamber", and even out well of an envite so complicated as it was to address "Who is that girl?", vehicle for the greater glory of Madonna. But he has failed to break into the great filmmaker who had been inside, and lately already there are several commercial products without greater relevance in which has been immersed. "Seducing a stranger" is a correct thriller that plays with the unwritten rule of the intrigues of the past twenty years requiring a turnaround in the script in the last scenes, and the truth is here Gets the surprise emphatically total effect. But it is also true that this quest for the shocking surprise must generally pay the toll of the lack of verisimilitude and a solidly armed script, and in both cases here cannot reasonably: suspects of being the villain of the film are all profiles that could indict them (less that really ends so, of course, as usual), but these profiles are often caught by the hairs are unlikely and are provided exclusively to try to bring some coherence to a story that certainly suffers from it. Anyway, it is clear that to "Seducing a stranger" can not ask you more than you you entertained for a while, preferably without taking you too the hair not to insult your intelligence, and little else. Of course that is what you will be asked to Joel Schumacher and other filmmakers professional but impersonal, but James Foley you would have to be able to ask for much more. Maybe already is has happened the rice? As for the actors, Halle Berry get airy of his character, while arguably has more holes than a gruyere cheese; You can not say the same Bruce Willis, do not know if because the character is a very important type, or simply because it has become carajote, it is unpresentable. Giovanni Ribisi, usual secondary, skillfully composed his character, though, surely the more glassy terceto protagonist. |
56 | archivos_extraidos/MCE-Corpus-main/Dataset/3061 | Hombre Lobo | The messengers | 2 | 5 | muchocine | apparently the Pang brothers have decided to go for the easy way and emulate each and every one of the old tricks of Asian terror hoping to start an easy shock to the Western Viewer | Earlier this year The Messengers (2007) caught some attention being the entrance in the West of Danny and Oxide Pang, the twins hongkoneses that have risen to the chariot of the fashion of the Asian horror films as the (for me) ill-fated The Eye (2002) or the (new to me) much more interesting anomaly (2003). His arrival in Hollywood was marked by some hype to wonder more what they could do with such film machinery at its disposal. The result, however, is not the most desired; Although the film fails to be so disastrous to make your viewing torture, it is probably the largest cluster of common places of Eastern terror ever brought to the screen. Made almost as if they followed a formula at the foot of the letter, the English language and the American setting rural is the only thing that the direrencia of their counterparts from far Oriente.Parte of the error was coming from far behind. A pretty crappy advertising campaign, much highlighted the alleged thematic Center of The Messengers that children have the power to more easily contact the spirits who wander through the world of the living. This phenomenon is not the center of the film, which rather focuses on the experiences of a teenage girl who, after moving with his parents to a farm of sunflowers in the middle of North Dakota in search of a new life, begins to perceive the presence of a few ghosts in his new House, apart from making the impossible lifeThey seem to take it little by little to the resolution of a secret that comes from the past. If it sounds familiar, it is because this same plot has been reproduced endlessly virtually unchanged.Forms should be new, but apparently the Pang brothers have decided to go for the easy way and emulate each and every one of the old tricks of the Asian horror hoping to start an easy shock to the Western Viewer, mainly in what refers to the ghosts of white skin moving in staccato. The twins have even resorted to the auto-cita to include, at a certain point of the footage, a scene exactly equal to one that gave more fear in The Eye, without any change, and who had worked not having been used already five years earlier. Cheap scares nor help a lot, to tell the truth, and the final twist that takes the plot is coming to leagues.It is a pity that the start in Hollywood of these directors has resulted a film so vacuous and so expendable like this. Its zero originality and its plot half-hearted betray her as little more than the vehicle for showcasing for teenage actors, in this case Kristen Stewart, whom I always remember as the androgynous daughter of Jodie Foster in panic (2002) room. Any other consideration is incomprehensible. The Messengers is not a remake of any Eastern tape, but may well be. |
57 | archivos_extraidos/MCE-Corpus-main/Dataset/3752 | José A. Peig | 1408 | 2 | 5 | muchocine | Interesting and at times fascinating horror film, with a display of imaginative and absorbent, but unfortunately is check the terrible imbalance: so brilliant in its form, but as unfinished and indefinite in its background. | With 1408 return to the damn place to taste a supposedly Kafkaesque tale in the tradition of horror film based on the introspective look: or terror from within outward (i.e., on the basis of the psychology of the or of the central characters), alternative to the tradition of the terror induced by manifestly external phenomena. From this point we can realize the incongruity that throws rushing one of the best visual work that we have seen in recent months.Surprisingly, this is a film to discuss plans, framing and focus of the entire visual field. His mise en scène is imaginative and take advantage of every angle and the room object to create the atmosphere in which the central character defines his delirium. As a work of horror, goes beyond the feeling to entangle a paranoia of contours oniric and often sentimental (and often, also, childish). The first thirty minutes are a virguería narrative in which synthesizes and defines the time of the central character, writer descreído on Paranormal subjects that conceals a murky past and which is dominated by the family drama. John Cusak prepares a fresh and versatile performance with the accompaniment of Samuel l. Jackson, and the relationship established between both characters reaches a remarkable ease thanks to the good work of the writers. In fact, the best of this movie - what home looked like it was going to be the best - is its ability to address profiles and stereotypical situations of the clichés of the horror film without stagnate in clichés.The relationship described between the Manager of the hotel and the skeptical writer, for its credibility and versatile sketching, showed great promise in this story. And on the other hand, as the narration goes into terrifying dream that shapes their dream the psychological trauma of the protagonist, everything is confuses towards the ground of the dramatic, or a mere display of visual virtuosity without internal consistency, without specify the tone or the thematic thread that offers us a defining idea and, hence, a raison d ' être of the product. Worst of all is that, as regards the content, is limited to passing on two levels of meaning without reaching any port: when ends the first segment (with John Cusak unconscious after the crash on the beach) narration, explicitly noted the psychic nature of everything that has happened, something that, on the other hand, was already implicit - because of the Kafkaesque pulse that inspires - in the same exhibition of history (this bland redundancy that both) (us it bothers and that nothing brings to the set, but simplifies). And then takes longer, ends the movie in the worst way possible: recording on magnetic tape that shows that what we have seen - and that the character has lived - has a literal meaning, and not psychic or symbolic. This final contradiction - which aims to be a plot twist - is too free to be the defining range that must be the last image, so even is a turning point in the argument, but a resolution, to put it in some way, aborted.Ultimately, interesting and at times fascinating horror film, with a display of imaginative and absorbent, but unfortunately is check the terrible imbalance: so brilliant in its form, but as unfinished and indefinite in its background. And not angry you: If this were a tale of terror "to dry" the rating of this film could have uploaded a couple of points. The problem is that he wants to be too many things at the same time. |
58 | archivos_extraidos/MCE-Corpus-main/Dataset/229 | Pablo | Hard candy | 4 | 5 | muchocine | I fell in love with the way such a direct and raw be filmed this movie is the kind that not only impress with images but it also impacts with a dialog | With this movie I enjoyed by the time did it not. For time since I spent by a film and I wanted to see something fun that get me away from the real world if only for awhile. From seeing this movie even knowing that some of my colleagues not had liked at all. Immediately, I fell in love with, so direct and raw be filmed this movie is such that not only impress with images but it also impacts with a dialog added formidably realistic (at least before the first pivot point) that made me an accomplice of his Machiavellian and vengeful plot.The history is tour environment to "boy meets girl" (via internet) are to take an ice cream and spend a nice time together. The problem is that "chico" is a photographer of 32 years and "girl" is a young woman of 15. At first the viewer assumes what will happen when "kid" decided to take home "girl" to do a photo shoot. But as an as predictable script could do with Sitges award? very easy, because this story will not this stick, here the innocent "girl" it turns a vengeful soul that waited to be home of the photographer to make you suffer in ways unexpected to find out if this has any relationship with a case of paedophilia that been in the area recently.In my view is a quite original film both approach and approach to the public to which it is not stupid like the majority of American films of recent times. It is very radical in its approach, which reinforces that mystery that envelops the young protagonist in a mantle that it avoids to see if it is a righteous or a psychopath without scruples. In this film there is no good deeds, just some less evil than others. |
59 | archivos_extraidos/MCE-Corpus-main/Dataset/2095 | Jesus Lens | Piratas del Caribe: En el Fin del Mundo | 3 | 5 | muchocine | In this third, not I've heard almost nothing, what is certainly my problem. I do not deny. | Is it over? Hopefully Yes, because I do not think that I able to see me a quarter of the adventures of Sparrow & Co, mostly because I do not understand was anything. Already in the second, to the laughter of the respectable to me not me saying anything, it gave me account that was not in the garlic and I was losing jokes, winks and things.But it is that already, in this third not I've heard almost nothing, what is certainly my problem. I do not deny. If the film was full of kids less that of chest, and they held unabated two hours and average of film without leave, cry or get bored, it is clear that the film has something. But to me I had trouble finding it.I.e. Apart from the undeniable and undisputed power of many images and sequences. And that makes me remember a polemic armed in the Blog of Oti Rodríguez dealers, called precisely one of pirates, on account of a concept so confused as do revolutionary?: the Postcine.Si I I learned fairly well, that of the Postcine would be something as well as Vertigo of the images, the accumulation of sequences as spectacular as overpowering when a Cancel to the previous, without that there is time to store them in the retina. Why the postcine is starred by advertising and video clips, many of whose most famous filmmakers end up directing feature films, that, generally, the protagonists would most the sound and the fury unleashed. would the saga of Sparrow, or Spiderman, me and other franchises for the style, the representatives of this Postcine? Because it is so, they warn. I am under I. I recognize that the spectacle of some sequences of this Pirates of Caribbean is disarmingly beautiful and there are time that you alucinas in big screen movies. But history is heavy, the characters are boring and what have happen to everyone, the truth, I brought without care. I liked the Octopus man. Not be what Jones called. And I like the boats. The design and production. And some sequences of approaches. But do not ask me who are the good guys, who the bad guys, who betray who or why. Not knowing, I do not know who is living and who killed, or who are zombie or undead.I liked the sequence of the ship, the desert and the crabs by the same surreal. So monkey disneyano. The bad milk of some approaches. do but I do not think a round film, half of the jokes do not make me the slightest grace and there thanks sonrojantes, own Ozores movie like el mirón peering the crotch of heroin through some tablas.¿Merece, therefore, going to see the movie? Yes. It is worth because it is one of the pirates, because some sequences are memorable and because it is always worth going to the cinema. But, Hey, if someone was is lost, it would not be to have a trauma either. |
60 | archivos_extraidos/MCE-Corpus-main/Dataset/2991 | Ivan Sainz-Pardo | La Jungla 4.0 | 3 | 5 | muchocine | She is forgetful, of course, as the second, as the third, but well met claims and current expectations. The rest is generational nostalgia. | On the basis that "The jungle of glass" is one of my 10 favorite movies of all time and also my number one absolute in the action genre, is understandable to understand that the consequences of this saga only have managed to get me a smile an accomplice and little else. Someday I will speak of the first part of the original, the forerunner, the great and far better film of Mc Tiernan, but now it is the turn of the fourth installment of the saga that exalted Bruce Willis to the top.Many say that this quarter is a fairly cold film without charisma, conventional, that the script is predictable, schematic, this time the bad guy is very wobbly, it lacks more nasty than the rating for all ages has been a burden and that ultimately does not seem "the jungle". They are right. But I said that actually none of its previous sequels already resembled in its essence the master part.2 Jungle was a kind of commercial calcamonía and without the first talent, a chapter any James Bond nonsense that pulled by land the terrifying feeling of realism and authenticity of the original story. The jungle 3 was elite, again spectacular, vibrant, but of others and that it could have happened also perfectly as any part of the saga of "Lethal weapon". And we get this quarter and I really don't expect anything beyond a good action film, like its predecessors, and they actually offer us a light script, something so a bit like "Eraser", that it was like "Terminator 2", and they mix it with another bit of "Risky lies" and. Nothing surprising in this wave of plagiarism, sequels, remakes, you prequels, grindstones, caries and fillings Hollywood. Do even rumored out there that the script of this fourth installment was, not so long ago, a guioncillo sad action that took time collecting dust and stains of coffee by los Angeles Studios, while it is decided or not to action saga is could recycle, "Transporter 3"?, does "2 risky lies"? And at the end they thought that if they managed to put Willis in some way in the project could sell as "The jungle 4" and make sure the taquillazo. Not be whether it will or not true, but the result knows exactly the ingredients of this urban legend and the taquillazo this be ordago. Still, the truth is that this is a film that resists, entertains more than and powered by empathy and nostalgia for the character of John Mc Clane, its irony and this sentiment so witty, gross and close. The action is fast-paced and the show visually very attractive. She is forgetful, of course, as the second, as the third, but well met claims and current expectations. Else is generational nostalgia, because we see that Willis aging along with his saga and recedes in each attempt a little more and quite possibly already forever of the origin of the starting point, the first adventure of a good man caught in the wrong, the birth of a work place and the exact time of teacher action cinema. |
61 | archivos_extraidos/MCE-Corpus-main/Dataset/3275 | Plissken | Las 13 Rosas | 3 | 5 | muchocine | Correct adaptation of Emilio Martínez-Lázaro in which parties shine more than the whole, and that at least shakes almost pamphleteering tone of any similar production. | Emilio Martínez-Lázaro is one of my weaknesses. As director is probably not the most incendiary, but certainly has an innate talent for urban comedy. 'Amo tu cama rica', 'The worst years of our lives' or 'The other side of the bed' you are backed up in this field. Now just change log for returning to drama with 'Las 13 Rosas', which tells the tragic story of thirteen women shot in 1939 by the simple fact of being related to the Socialist Youth and the SGP.The sensation that leaves 'Las 13 Rosas' ends, is ambiguous: feel pity for the historical fact that counts, that goes far beyond any ideology: the execution of 56 persons (43 men were sentenced to die like them) as a response to the murder of three others is hardly justifiable today, but speaks clear of how were the spirits then, and how much that worked the grudge as the main engine of the civil war and post-war.But you also alegras that the point of view that has chosen Martínez-Lázaro is not the topic of "the heroic defenders of freedom crushed by Franco hordes": the Madrid director is concerned, more than militancias relations and human reactions. And Socialists or Communists or fascists who are the characters that run by the Madrid of the postwar, Martínez-Lázaro and Ignacio Martínez de Pisón, its screenwriter, have been able to speak to us about normal people in extreme circumstances, and no icons of resistance or personifications of evil. This is the great success of 'Las 13 Rosas'. Others call it warmth, I think it's balance.So much interest for having "normal" life of the young protagonists has its pros and cons. On the one hand, the manners and alien narration largely due to the drama that is its outcome allows a very meritorious reconstruction of a Madrid fresh out of a war, and José Luis Alcaine makes magic on the picture (sometimes too much), with a very good art direction and a few digital effects above our national average. The downside is that the events prior to the capture of the Roses end up being something already seen, with a feeling of watching an episode of luxury 'Amar en tiempos revueltos' which is not shaken until the last half hour, much more interesting. This point is precisely the weakest of the film, feeling that all this already have seen you before.Apart from the great work in the technical section, highlight the interpretive effort of the protagonists. Verónica Sánchez and Pilar López de Ayala maintain a good tone, without exaggeration, but for me that really shine are Marta Etura (somo always), Bárbara Lennie (idem), Nadia De Santiago and Gabriella Pession.En summary, correct adaptation of Emilio Martínez-Lázaro, in which parties shine more than all, and unless is shaken almost pamphleteering tone of any similar production. A 6. |
62 | archivos_extraidos/MCE-Corpus-main/Dataset/816 | Silvia Giner | El ilusionista | 2 | 5 | muchocine | A film that was expecting something more, ideal to watch on Saturday afternoon at home after stand food which fattened pigs. | Entertaining film, ideal to watch on Saturday afternoon at home after stand food which fattened pigs. Witty but predictable story that there is nothing special that stands out.Edward Norton (fight club) comes packed with magnetism and charisma, next to a Jessica Biel (3 Blade) which I love but I see that it has suffered the syndrome of the copy. And what is this? because that this actress is a triangles and has artistic personality to spare, made him the slaughter of characterizing it as Scarlett Johanson, if you look in the hair, the makeup, the expressions are a copy of the aforementioned actress. Even I would say that you there are approximately 4 CC of extra Hydrogel on his upper lip to accentuate even further the resemblance. And why is this? Does Scarlett refused this role?, or perhaps the culprit is the new film by Hugh Jackman (Wolverine, X-Men), which bears some similarities to "The magician", time will tell.In any case is a film that I expected something more? |
63 | archivos_extraidos/MCE-Corpus-main/Dataset/8 | Victor Trujillo | La llave del mal | 3 | 5 | muchocine | Afraid my phone bill | The key to evil is not a bad film, but disappointed if you're going to see a horror movie. Presentation of the House and the main characters becomes very long and boring and also the theme of witchcraft and Voodoo isn't very well represented. In the movie it shows some skewed vision of the phenomenon of witchcraft, with an American stench to the series "haunted" that pulls back, especially at the end of the film. Above are invented that roll of the judú which is like Voodoo but was born in New Orleans. What is the difference between Voodoo and the judú? Well no, it's clear.It is true that the film becomes heavy in many sections, but it must be acknowledged that in other history regains interest and some intensity. The character that leaves better standing in the key of evil is the old woman whose persecution by dragging down the aisle is most notable and "scary" movie. While the ending is totally predictable, in the end "evil triumphs", which thank lately with both script pastelón.There are many things that do not fit in this film and one of them is the young protagonist's relationship with the old man. The temporary madness of the protagonist at the end of the film that the blind explains nor very well to act as an energúmena. There is much difference between sanity that shows the girl at the beginning and the last scene of the mirror. The director, Iain Softley, incurs many clichés of the genre such as the haunted house, doors, locks and keys, noises, antesustos-scares to lead us to a final climax that can more action than terror.Ultimately, the key to evil is a good paranormal thriller but you cannot make shade to the glorious "The ring" of the same writer. |
64 | archivos_extraidos/MCE-Corpus-main/Dataset/248 | JohnTrent | Cuando un extraño llama | 2 | 5 | muchocine | ?When to call a stranger? It is, therefore, an elongated version of the scene telephone Scream but not as effective | I have a standard that I always try to meet, it's not to see a remake before seeing the original film that is based. I usually meet, although I must say that in this case I breached this rule. Anyway I do not think that he assess differently the original after seeing the remake that happened to comment on, and it is that "When a stranger calls", as I understand, just grab the original the first minutes to extend them for an hour and a quarter.In the 1990s, "Scream" had used for his spectacular opening scene the idea of that film of the 1970s which discussed. The scene in which saw Drew Barrymore be harassed by telephone by a psychopath until finally massacred, only lengthened one ten minutes but their effectiveness was absolute. "When called a strange" comes to be, therefore, an elongated that scene but not so effective version.Anyway, we are not in a movie so bad and expendable as they have committed to say many. The first thing that surprised me was the photography of Peter Menzies Jr, especially in the first fifteen minutes, where also highlights Simon West planning after the cameras, more solvent than expected. "After these first minutes the thing is divided into more or less disturbing moments, several scares and no surprise given that they already gut us everything in the trailer.""When called a stranger" is far from being a notable film, but does not damage your viewing. In fact, that it writes spent it well seeing this "slasher" without a punishment deaths not a drop of blood, and that already is something to take into account, because a "slasher" without those two aspects may have a fairly small interest. Simon West is a mediocre, but within what should be saved the ballot without excesses, without trying something more that see you a screen, i.e., a "teen movie" squishy and accessible to everyone, which is as fast as it is forgotten and where there is no seek nothing more than entertainment.Interpretations and the script does not have been mentioned over the criticism, as you already adored because there to give them the most minimal importance. Few performers coming out only are there to make gestures and, from time to time, drop a sentence that could be avoided and the script puts in the mouth of those performers these sentences that could be avoided and, incidentally, is a mere excuse to set up an approach and reach a "standard" length.I will try to get soon the "When called a strange" original and already I will give my opinion in this regard, but I doubt that it has great similarities with this remake. Anyway, "When called a strange", the remake, suffers greatly from that "air noventero" so clean and well checked makes no great favors to the film's genre, or at least to the "slasher" of series b that so many joys gave amateur beyond by the 1970s and 1980s. I.e. in this film is imposed at all times political correctness, being notoriously precast everything to get out of kitchen and serve without problems. The end result could be worse. |
65 | archivos_extraidos/MCE-Corpus-main/Dataset/3694 | Ana Belén Pacheco | Hitman | 2 | 5 | muchocine | Half naked beautiful girls, many truncheons and a scene of action every quarter of an hour. Meets basic standards of the genre at foot juntillas. | Agent 47 is a weapon kill trained since childhood to be the best assassin. In his last Commission, something seems to have gone wrong and his shot white reappears while he becomes the person more search Russia and average Europa.Hitman is a succession of scenes of action, gunfights and quite aburridillas persecutions that have above that whiff to wanting to be a good script which makes it even more despicable. But as the action is to consume it with popcorn not can throw overland addicted to the film adaptations viewers video games (Yes, another one). And the truth is within the bad even entertaining. Half naked beautiful girls, many truncheons and a scene of action every quarter of an hour. Meets basic standards of the genre at foot juntillas. Let's be honest, a person who buys a ticket to see a movie in which leaves a bald mazado guy with two trabucones does not expect to see a tape of nouvelle Jaja, and I guess that the intricate turns of script are not either their primary objectives so it is going to throw two hours demanding that people die of entertaining and violent ways without give him a shred of creativity. and who has not wanted to one time see a flat to entertain movie which cast the first stone against happy spectators who come to the Hall to see Hitman and potentials. They enjoy. |
66 | archivos_extraidos/MCE-Corpus-main/Dataset/109 | El mágico | Firewall | 2 | 5 | muchocine | Discreet thriller that promises a lot of boot and will languish | And one day returned Harrison Ford, which is not little. He returned to the film of suspense, which historically is that has produced more regular dividends throughout his extensive career. "Firewall" is a discreet thriller that promises a lot of boot and will languish as it progresses the tape, wasting many tips of a script that promised much and only manages to sustain the tension toward the final moments of the film. Little known here, "Firewall" is directed by Richard Loncraine ("My house in Umbria", very interesting - can be seen on HBO every both — "Wimbledon" - here released in DVD and other small TV in the U.S. jobs, so far don't know whether this man will take off or dark side of the industry) and has in its cast as respectable as Paul Bettany people (here for the first time as a villain seriously)Virginia Madsen and Robert Patrick (speaking returns!). The plot of Firewall is quite predictable. Jack Stanfield (Ford, good father and honest man, in its classical position already bored) is in charge of computer security of a prestigious Bank that is about to create a fusion with another company to increase its assets. Jack has a perfect family, and will be the target of a group of extortionists with skilled computer skills who will take his family hostage pressing him to commit a crime on a large scale. To my item in your home found me quite interesting, look at the world of computer security from the inside is very didactic and access a bit the back of all this great business, and their vulnerabilities. That point is strange, because the script by Joe Forte promises much and resolves certain issues complicated (in the end, for example, the Tracker GPS which has the family dog), relatively easy dodging turns and simplifying all the time, I guess that to get the viewer average who doesn't know fund the technical language of the speaker. "Firewall" is a predictable thriller that will only meet your expectations if you're a fan of Harrison Ford or you are interested in having a superficial and film idea of how the safety devices in the banking system. Very little to justify the price of a ticket. It remains to be seen whether Ford finally dares to bring the chest of memories to his Indiana, in the light of his last performances, as you should be writing himself the script for the quarter... |
67 | archivos_extraidos/MCE-Corpus-main/Dataset/4115 | Sara Rodriguez | Los Crímenes de Oxford | 3 | 5 | muchocine | Good atmosphere, good start, good performances... but in the end everything was deflated with a last intrascedente section and let the viewer cold. | Each time I am more and more convinced that going to the cinema with expectations is the worst there is. But what it does when you're with a promotion as the crimes of Oxford? It is not that I am a big fan of Alex de la Iglesia but I like enough to want to see any of his movies and much more if you leave my beloved Eleanor Watling.eso without Fro.digo to mention Elijah Wood and John Hurt.Basada in the book of Guillermo Martínez "Murders", the film tells the story of Martinan exchange student who travels to Oxford with the hope that the brilliant Professor Arthur Seldom help you with his thesis. When it already gave everything for lost, the mysterious assassination of his landlady - intimate friend of Seldom - becomes Martin and Professor fellow detectives in an attempt to solve a mystery that seems specifically designed to challenge them.The film begins with force with that plane sequence in which you presented the characters think: well, after a movie that is worth what I paid! It moves at a good pace, featuring John Hurt so sure of himself that seems that you'll reveal all the mysteries of the universe and Elijah Wood right, but with the same face of scare of Frodo. The character of Eleanor, much to my regret appears without coming to story and the rest of interventions in the film are stuck with shoehorn (that not to mention costumes.)Yes, Yes, it is set in 1993 but that does not mean that they will cease to view a color blind xD). The script is not bad, but this mathematical gibberish and the verbiage about series logical blablabla that initially are as well giving pace and they get scheming in the end become against distracting us from the crux of the matter.Basically you could say that I was a little disappointed. Generally is not bad: the actors are correct, despite better function separately; It has a couple of winks very to the Hitchcock, but even so at the end it is deflated and loses all interest that had been keeping from the beginning making even more evident the lack of originality. |
68 | archivos_extraidos/MCE-Corpus-main/Dataset/232 | Alvaro Oliva | La profecía | 3 | 5 | muchocine | An entertaining film that will delight all those fans to the genre who have not seen the original | The hour of the remakes long has begun, and which Apocalypse signals indicate that creativity has been terminated and that it is preferable to pulling titles yesteryear successful to try to stick something and repeat formula now. The "best" of this is that increasingly more remakes of films that do not have or twenty years old. On this occasion, with such significant date 6 of 6 2006, us it comes to screens "Prophecy" with the added title of ubiquitous evil number (666).First this new revision part with disadvantage, that the extraordinary 1976 film directed by Richard Donner, has become an icon and one of the best movies of fear in the history of the cinema. To this must be added the special cast which took the original, captained by Gregory Peck and Lee Remick and featuring Harvey Stephens as Damien. There was never a better chosen child, as anyone who has seen this film will recall the face of bastard who had the "sweet" creature.Another fundamental aspect of this classic is the score composed Jerry Goldsmith, with which he manages to get the willies. So John Moore is placed the habit and try this new version does not fall into hell. The truth is that comparisons are odious and in this case there would be no rival, but to all those viewers who have not seen the first and take "The omen 666" as a new and original film, you will find a worthy product and hook them in his armchair, due to history and some scares that introduces at certain times in history. Liev Schreiber and Julia Stiles are the marriage has to take care of the small Demian, portrayed by Seamus Davey-Fitzpatrick. This trio it must be added to Pete Postlethwaite (in the name of the father) and Mia Farrow as the nanny. The direction of actors is correct to achieving the main goal which is to us what we believe, although the child there are sometimes that just not convincing at all. Since I have spoken of Goldsmith, his "replacement" is Marco Beltrami, composer who became known for the Scream saga, and also meets creating interesting atmosphere, although he occasionally employs the shock, elevating music and giving a blow.I have to say that one aspect that stands out is the artistic direction, continuously emphasizing the colors red, both with insignificant elements and other more explicit as the wine (pours at the scene of the suicide), strawberries come Damien and that leave remains in the mouth before committing an act that we all know, is also used in the nightmares faced by the tormented parents, especially the mother. And finally a detail which although it passes unnoticed seems to me that it is too explicit are forms that have been used to wallpaper a room with Damien, leaving clearly see the silhouettes the sixes by way of ears of wheat.To sum up "The 666 prophecy" is an entertaining film that will delight all those fans to the genre who have not seen the original, (although really lovers of terror will be already viewing the masterpiece of Richard Donner), and for those who did: because one film more, with some interesting moments. |
69 | archivos_extraidos/MCE-Corpus-main/Dataset/739 | Elena Suárez | Los fantasmas de Goya | 3 | 5 | muchocine | I liked the end result of the work, and pretty, but would have to give a good slap to the director Milos Forman for not having documented correctly in various aspects on the life of Goya. | I heard the other day on the street, while waiting to enter the press pass of the documentary "The great silence", (which I, personally, would have entitled "The great pestiño") to a group of prestigious media film critics commenting on his impressions of the film "Goya's ghosts": "What horror! - read one - if Goya painted 'Saturno devouring his son' on a wall and not on a canvas." And how bad that war is represented. The worst, a pure garbage. "And Goya seems an artisan than a genius--said another - go film horror!, I think Bardem does not want nor do interviews with embarrassed that is."It is true that we should give a good slap to the director Milos Forman have not been properly documented in various aspects on the life of Francisco de Goya (is true that Goya was known as black paintings on the walls of the fifth of the deaf and later moved to the oil (producing deteriorations in the paintings).) Also, the vision that is done on the Spanish war of independence is very incomplete (seems we won thanks to the English and while it is true that, together with other countries, England helped US quite as not interested in France had more power, the real weapon that won was the so-called "war of guerrilas").Having said all that, the logical thing is that you think that I did not like the film, however, in contrast to what most of the criticism is saying, I have to tell you that the end result of the work I liked, and also pretty.This is not a biography of Goya, or it tries to be: the painter is a character rather than live a given historical time but agrees that he left us in his legacy the vision of what I thought. That is why, so Goya is important to the film. First of all, Francisco de Goya y Lucientes was a condemn champion of ignorance. And when this ignorance is exercised from power, also has another denominator in common: the abuse.The protagonist, Ines Bilbatua, is a fictional character that Goya is just an acquaintance. And the narrative lies in what happens to it and not in the life of Goya. This makes that the historical mistakes that has the movie can be forgiven, but not forgotten, (hope that the Magi you bring to the Lord are a book on the life and work of the great painter as well as one on the history of Spain in the 18th and 19th centuries).Bardem is impressive and Natalie Portman almost reaches him. The setting is quite correct and the end leaves a good impression. Worst, the errors of which we have spoken and the white actress Portillo that unconvincing in her role of María Luisa Parma.Como curiosity indicate you that the movie is based in her novar the eponymous written by the director himself and writer Jean-Claude Carrière and, curiously, it has gone on sale sharing with the movie premiere.Incidentally, for those critics who are connoisseurs of art created not just them say that Goya did his black works on the walls of his house (we already know all), if they want to be more pedants quibble I would recommend warn another error of the film, which by the way, not I heard nothing during the conversation of the Council of wise men: the greater plundering of pictorial works undertaken by the French army does not fall on Velázquez but Murillo. |
70 | archivos_extraidos/MCE-Corpus-main/Dataset/3879 | Andrés Pons | Viaje a Darjeeling | 2 | 5 | muchocine | I think it is a due the attempted suicide of Owen Wilson, none of drugs or traumatic fractures. I almost cut myself the veins and that I was not obliged to read me the work. | WES ANDERSON will surely go down in history as one of the most imaginative authors and acids of the recent film, where camouflaged in comedy authentic urban tragedies always under a same cast who understands their ideas by very Martian arising.OWEN WILSON, ANGELICA HUSTON, BILL MURRAY always present in his filmography as unorthodox titles of AQUATIC LIFE or the TENENBAUMS.Add other recognized faces in the pianist BRODY or the much vaunted naked of NATALIE PORTMAN apparently not requiring that they sever it to the delight of fans who stayed with honey on the lips in CLOSER. The husband of Maria Antonieta JASON SCHWARTZMAN also appears.Mr. ANDERSON maintains his imagination intact but completely loses the direction in his humour that shines here by their absence in a real brick where you you spend almost all footage trying to understand the hell wants to count.A few impossible dialogues do not help in an unclassifiable film which causes yawning in the room or that we agree in the mother of the director.I think it is to that was due the suicide attempt of OWEN WILSON, none of drugs or traumatic ruptures, the poor man try to understand the script of his friend being so foolish decision I can understand because I almost cut myself the veins and that I was not obliged to read me the work.Save the brick the magnificent landscapes of india. A 3. |
71 | archivos_extraidos/MCE-Corpus-main/Dataset/1500 | Jesus Lens | Ases calientes | 1 | 5 | muchocine | Do is that?Hot ACEs? It is not more than a Grand Guignol grace without any sense. A collection of bizarre characters that not hesitate to massacre each other without the slightest consideration or modesty. | You have to fuck, man. A few months ago I rented "Narc" and I was shocked by a film crushing, harsh and Spartan to the core. An empty film of any artifice in which Ray Liotta, pulling to obese, was superb. A film about friendship, love, loyalty and betrayal that, with a few doses of violence very tight to what it was, was at the fair, with the appropriate pace speed.That is why, when I saw that it was premiered this "Hot ACEs", written and directed by the same Joe Carnahan's "Narc", me Terry hands. And when I read that the thing was mafia and organized crime. because almost levité that one has weakness, confesa, and notorious for that genre.And yet, what a disappointment most brutal and tremendous! It is that "Hot Ases" is nothing more than a Grand Guignol grace without any sense. A collection of bizarre characters that did not hesitate to slaughter each other without the slightest consideration or modesty, without that at any time we come to understand the reasons and, what is worse, us irrespective of a damn. It is the shadow of too elongated Tarantino? Perhaps. But "Hot ACEs", rather, connects with lysergic dementia of the worst Oliver Stone, of monsters as "Alexander" or "Ex officio assassins". Aesthetics of violence seeking to overlook the graciosa and that is pathetic; he tries to impress and just bored.Shots here, tattoos there, gadgets by now. pseudo-místico-intellectuals parliaments delivered by characters supposedly rolled I and such regrettable cartoon pictures such as the three brothers psychopaths.Dear Joe: what happened in your head between the formal restraint and emotion without limits "Narc" and this "Hot ACEs" bobada? Suffered a stroke and still you do not recuperaste? You have a bad trip with an expired tripi? How you convenciste good Liotta, the less interesting Andy Garcia or the alternativillo of Ben Affleck so join this cluster of nonsense?Male, do you see because according to the magazines in the industry, you'll be that roll the next adaptation for the screen of a James Ellroy novel: "White Jazz". And look, if this "Hot ACEs" slapstick is you can apologize because we are all entitled to spend a cold streak or to get us drunk one night and ridicule; not playing with Ellroy. So, friend Joe, be very careful there outside. |
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Dataset Description
Paper: Sentiment polarity detection in Spanish reviews combining supervised and unsupervised approaches
Point of Contact: jmperea@ujaen.es, emcamara@ujaen.es
MuchoCine corpus in English (MCE) is the translated version of the MuchoCine corpus (Spanish Movies Reviews). The MuchoCine corpus was developed by the researcher Fermín Cruz Mata and presented in 2008 at number 41 of the journal Natural Language Processing in the paper titled Document Classification based on Opinion: experiments with a corpus of Spanish cinema reviews.
This paper Sentiment polarity detection in Spanish reviews combining supervised and unsupervised approaches checks the validity of a methodology for polarity classification in Spanish which consists of combining three classifiers, two of them supervised (on texts in English and another language) and an unsupervised classifier using some English language resource for sentiment analysis. This methodology was previously proposed for opinions in Arabic in the paper Improving Polarity Classification of Bilingual Parallel Corpora combining Machine Learning and Semantic Orientation approaches (in press).
The polarity of the documents of the corpus are measured on a scale of 1 to 5, with 1 being very bad and 5 very good.
Licensing Information
MCE is released under the Apache-2.0 License.
Citation Information
@article{MARTINVALDIVIA20133934,
title = {Sentiment polarity detection in Spanish reviews combining supervised and unsupervised approaches},
journal = {Expert Systems with Applications},
volume = {40},
number = {10},
pages = {3934-3942},
year = {2013},
issn = {0957-4174},
doi = {https://doi.org/10.1016/j.eswa.2012.12.084},
url = {https://www.sciencedirect.com/science/article/pii/S0957417412013267},
author = {María-Teresa Martín-Valdivia and Eugenio Martínez-Cámara and Jose-M. Perea-Ortega and L. Alfonso Ureña-López},
keywords = {Sentiment polarity detection, Multilingual opinion mining, Spanish review corpus, SentiWordNet, Metaclassifiers, Stacking algorithm, Voting system},
abstract = {Sentiment polarity detection is one of the most popular tasks related to Opinion Mining. Many papers have been presented describing one of the two main approaches used to solve this problem. On the one hand, a supervised methodology uses machine learning algorithms when training data exist. On the other hand, an unsupervised method based on a semantic orientation is applied when linguistic resources are available. However, few studies combine the two approaches. In this paper we propose the use of meta-classifiers that combine supervised and unsupervised learning in order to develop a polarity classification system. We have used a Spanish corpus of film reviews along with its parallel corpus translated into English. Firstly, we generate two individual models using these two corpora and applying machine learning algorithms. Secondly, we integrate SentiWordNet into the English corpus, generating a new unsupervised model. Finally, the three systems are combined using a meta-classifier that allows us to apply several combination algorithms such as voting system or stacking. The results obtained outperform those obtained using the systems individually and show that this approach could be considered a good strategy for polarity classification when we work with parallel corpora.}
}
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