input stringlengths 44 92 | output stringlengths 1 7.72k |
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FEN: rnbqkbnr/pppppppp/8/8/8/8/PPPPPPPP/RNBQKBNR w KQkq - 0 1
Move: e4 | La plus ancienne partie connue après la réforme du jeu des échecs date de 1485. jouée entre Francisco De CALTEVI et Narcisco VIGNOLES, cette partie qu'on trouve dans "the golden Treasury of chess", New-York de F.J WELLMUTH est assez faible. Rien d'étonnant, les échecs modernes venaient seulement de naître. Mais le même... |
FEN: r1bqkb1r/ppp2ppp/2n2n2/3Pp1N1/2B5/8/PPPP1PPP/RNBQK2R b KQkq - 0 5
Move: Nxd5 | Nous ne mettons pas de point d'interrogation usuel à ce coup car les analyses n'en donnent pas de réfutation pratique. Si on ne voit guère ce coup en pratique, c'est pour des raisons psychologiques. Les noirs craignent le désagréable exode du |
FEN: r1bqkb1r/ppp2ppp/2n5/3np1N1/2B5/8/PPPP1PPP/RNBQK2R w KQkq - 0 6
Move: Nxf7 | Ce point d'exclamation ne signifie pas non plus que le sacrifice est la continuation la plus forte des blancs mais nous tenons à saluer le génie de POLERIO, inventeur du Fegatello. |
FEN: rnbqkbnr/pppppppp/8/8/8/8/PPPPPPPP/RNBQKBNR w KQkq - 0 1
Move: e4 | While Greco liked to play with the pieces, Philidor preferred the pawns: "The pawns are the soul of the chess game." Während Greco das Schachvolk lehrte die Figuren richtig zu nutzten, erkannte Philidor, daß der richtige Umgang mit den Bauern die Grundlage des Positionsspiels ist. "Die Bauern sind die Seele des Schachs... |
FEN: rnbq1rk1/pppp1ppp/1b3n2/8/2BPP3/2N5/PP2NPPP/R1BQK2R b KQ - 4 7
Move: c6 | The question "How to win at chess?" is answered by Philidor in three steps: 1. Create pawn majorities 2. Create passed pawns. 3. Win by promoting and queening the passed pawns. In dem vorliegenden Übungsbeispiel erläutert Philidor, auf welche Weise man in drei Schritten einen Bauern zur Dame führen kann. 1.Schritt: S... |
FEN: rnbq1rk1/pp1p1ppp/1bp2n2/8/2BPP3/2N5/PP2NPPP/R1BQK2R w KQ - 0 8
Move: Bd3 | White prepares for the advance ...d7-d5 so that he will not have to exchange his e-pawn for Black's d-pawn. Weiß bereitet sich auf den Vorstoß d7-d5 vor, ohne seine e-Bauern gegen den schwarzen d-Bauerm tauschen zu müssen.. |
FEN: rnbq1rk1/pp3ppp/1bp2n2/3p4/3PP3/2NB4/PP2NPPP/R1BQK2R w KQ - 0 9
Move: e5 | [%csl Ge5,Yf2,Yf7,Yg2,Yg7,Yh2,Yh7] Step one: White has a pawn majority on the kingside (Black on the queenside). 1.Schritt: Weiß hat eine Bauernmehrheit am Königsflügel (4-3 Bauern). Schwarz hat eine Bauernmehrheit am Damenflügel. |
FEN: rnbqnrk1/pp4pp/1bp5/3pp3/3P4/2NBB3/PP1QNPPP/R3K2R w KQ - 0 12
Move: dxe5 | [%csl Ge5,Gf2,Yg2,Yg7,Yh2,Yh7] The pawn majority has become bigger, it is now 4-2. In dem Philidorschen Übungsbeispiel hat Schwarz das Thema der Bauernmehrheit nun noch radikaler thematisiert. Wir haben jetzt Mehrheiten von 4-2 auf dem Brett. 2.Schritt: Schwarz hat dem Weißen freiwillig einen Freibauern auf e5 geschaff... |
FEN: rnbqnrk1/pp4pp/1bp5/3pP3/8/2NBB3/PP1QNPPP/R3K2R b KQ - 0 12
Move: Be6 | blockading the passed pawn. As is well known, this theme was later developed by A. Nimzowitsch. Der Läufer blockiert den e-Bauern. Diese Thema wurde später bekanntlich von A.Nimzowitsch weiter bearbeitet. |
FEN: rn1qnrk1/pp4pp/1bp1b3/3pP3/8/2NBB3/PP1QNPPP/R3K2R w KQ - 1 13
Move: Nf4 | Fighting against the blocking piece e6. Der zur Blockade gut geeignete Läufer auf e6 soll abgetauscht werden. |
FEN: r3nrk1/1p1nq1pp/1pp1N3/3pP3/8/2NB4/PP1Q1PPP/R4RK1 b - - 0 16
Move: Qxe6 | [%csl Gf5][%cal Gf2f4] the queen is not the best blocking piece. Die Dame ist kein guter Bloqueur. |
FEN: r3nrk1/1p1n2pp/1pp1q3/3pP3/8/2NB4/PP1Q1PPP/R4RK1 w - - 0 17
Move: f4 | Promotion. Die weiße Bauernmehrheit rückt vor. |
FEN: r4rk1/1pnn2pp/1pp1q3/3pP3/5P2/2NB4/PP1Q2PP/R4RK1 w - - 1 18
Move: Rae1 | [%cal Gf4f5] White's plan is to play f4-f5 in order to promote the e-pawn. Weiß will f4-f5 spielen. |
FEN: r4rk1/1pnn2pp/1pp1q3/3pP3/5P2/2NB4/PP1Q2PP/4RRK1 b - - 2 18
Move: g6 | Aimed against f4-f5. Gegen f4-f5 gerichtet. |
FEN: r4rk1/1pnn3p/1pp1q1p1/3pP3/5P2/2NB4/PP1Q2PP/4RRK1 w - - 0 19
Move: h3 | [%cal Gg2g4,Gf4f5] Preparing g2-g4 and f4-f5 Bereitet g2-g4 nebst f4-f5 vor. |
FEN: r4rk1/1pnn3p/1pp1q1p1/3pP3/5P2/2NB3P/PP1Q2P1/4RRK1 b - - 0 19
Move: d4 | Creating a square for his knight on d5->e3; but giving up the e4-square. Schafft das Springer feld d5 (->e3). |
FEN: r4rk1/1pnn3p/1pp1q1p1/4P3/3pNP2/3B3P/PP1Q2P1/4RRK1 b - - 1 20
Move: h6 | Defending against e4-g5. White is much better. One reason is that his pawn majority is much more valuable than Black's. Verhindert e4-g5. |
FEN: r4rk1/1pnn4/1pp1q1pp/4P3/3pNP2/3B3P/PP1Q2P1/4RRK1 w - - 0 21
Move: b3 | [%cal Gd3c4,Gc4e6,Gf7g8] Protecting a2 and threatening d3-c4. |
FEN: r4rk1/1pnn4/2p1q1pp/1p2P3/3pNP2/1P1B3P/P2Q2P1/4RRK1 w - - 0 22
Move: g4 | Now he is coming! |
FEN: r4rk1/1p1n4/2p1q1pp/1p1nP3/3pNPP1/1P1B3P/P2Q4/4RRK1 w - - 1 23
Move: Ng3 | [%cal Gf4f5] Preparing f4-f5. |
FEN: r4rk1/1p1n4/2p1q1pp/1p1nP3/3p1PP1/1P1B2NP/P2Q4/4RRK1 b - - 2 23
Move: Ne3 | Doesn't help. |
FEN: r4rk1/1p1n4/2p1q1pp/1p2P3/3p1PP1/1P1Bn1NP/P2Q4/4RRK1 w - - 3 24
Move: Rxe3 | Good shot! |
FEN: 5rk1/1p1n4/2p1q1pp/1p2P3/5PP1/1P1BQ1NP/r7/5RK1 w - - 0 26
Move: Re1 | The final preparation. He protects e5 in order to achieve the deadly f4-f5. Deckt e5, um zum tödlichen f4-f5 zu kommen. |
FEN: 5rk1/1p1n4/2p3pp/1p2P3/5PP1/1q1BQ1NP/r7/4R1K1 w - - 0 27
Move: Qe4 | On g6 is more than a pawn. |
FEN: 5rk1/1p1n4/2p1q1pp/1p2P3/4QPP1/3B2NP/r7/4R1K1 w - - 2 28
Move: f5 | YES!! Well worth waiting for. 3.Schritt: Was lange währt, währt endlich gut. |
FEN: 5rk1/1p1n4/2p1q2p/1p2Pp2/4Q1P1/3B2NP/r7/4R1K1 w - - 0 29
Move: gxf5 | You can call this position "Philidor's dream". Two linked passed pawns which cannot be stopped. Philidor hat sein Ziel erreicht. Zwei verbundene Freibauern sind nicht aufzuhalten. |
FEN: 5rk1/1p1n4/7p/1p1pPP2/8/3B2NP/r7/4R1K1 w - - 0 31
Move: Bxb5 | Now White can start with step no.3: promotion of the passed pawns. Black is not able to block the white pawns. Die beiden weißen Freibauern laufen durch. |
FEN: 5rk1/1p6/1n5p/1B1pPP2/8/6NP/r7/4R1K1 w - - 1 32
Move: f6 | He will promote with both pawns. |
FEN: 5r2/1p3k2/5P1p/3pPB2/2n5/6NP/1r6/4R1K1 w - - 5 35
Move: Nh5 | Preparing e5-e6. |
FEN: 6r1/1p3k2/5P1p/3pP2N/6B1/7P/1r1n4/4R1K1 w - - 9 37
Move: e6+ | That's it. |
FEN: 5r2/1p3Pk1/4P2p/3p4/5NB1/7P/1r1n4/4R1K1 w - - 3 40
Move: Bh5 | There is no defence against e6-e7 at all. |
FEN: r3k2r/pp1nq1p1/2pb1n1p/3p1b2/3Pp3/1BP1B2P/PP1NQPP1/R3K1NR w KQkq - 2 13
Move: f4 | On e4 Black has a passed pawn. But the pawn on e4 is blocked. |
FEN: 8/6k1/5n2/3p1p1p/3PpP2/1r2B1PP/2R2K2/8 b - - 1 35
Move: h4 | Creating a second passed pawn. |
FEN: 8/3R4/6k1/3p1p1n/3PpP1P/1r2B2P/5K2/8 b - - 2 38
Move: Nxf4 | Nice Tactics. |
FEN: 8/3R4/6k1/3p1p2/3PpB1P/5r1P/6K1/8 b - - 2 40
Move: Rxf4 | Two passed pawns. |
FEN: 3R4/5k2/3P3P/8/5p2/4p2P/3r4/5K2 b - - 0 47
Move: f3 | Philidor has taught the power of passed pawns. |
FEN: rnbqkbnr/pppp1ppp/8/4p3/8/2N5/PPPPPPPP/R1BQKBNR w KQkq - 0 2
Move: Nf3 | Napoleon loves his cavalry. |
FEN: r1bqkbnr/ppp4p/2n3p1/3pp1NQ/4N3/7P/PPPP1PP1/R1B1KB1R w KQkq - 0 8
Move: Qf3 | Threatening 9.f7 |
FEN: r1bq1b1r/ppp4p/2n3pn/4p3/3kN3/1Q5P/PPPP1PP1/R1B1K2R w KQ - 2 14
Move: Qd3# | Win by Blitzkrieg. |
FEN: rnbqkbnr/pppppppp/8/8/4P3/8/PPPP1PPP/RNBQKBNR b KQkq - 0 1
Move: e5 | Black = Allgaier |
FEN: rnbqkbnr/pppppppp/8/8/8/8/PPPPPPPP/RNBQKBNR w KQkq - 0 1
Move: e4 | 1)Staunton CPC 1847, Vol.8, S200. s.a. 2)Harrwitz. Bei Sukhin, 1000 most famous combinations, (1832) |
FEN: r1bqk1nr/ppp2ppp/1bnp4/8/2BPP3/5N2/PP3PPP/RNBQK2R w KQkq - 1 7
Move: d5 | Closing the centre and particularly the diagonal occupied by his Bishop at c4. But he hopes, in return, to obtain free play for his remaining pieces. The most intensive continuation is 7. c3. 7.... |
FEN: r1bq1rk1/ppp2ppp/1b3n2/3Pp1B1/2B1P3/2N2Q2/PP3PPP/R3K2R b KQ - 5 11
Move: Qd6 | This unpins the knight or, alternatively, achieves simplification; |
FEN: r1b2rk1/ppp2ppp/1b3Q2/3Pp3/2B1P3/2N5/PP3PPP/R3K2R b KQ - 0 13
Move: gxf6 | [#] |
FEN: r1b2rk1/ppp2p1p/1b3p2/3Pp3/2B1P3/2N5/PP3PPP/R3K2R w KQ - 0 14
Move: g4 | White's 14th move is a fine conception, which combines defence (prevention of the liberating move 14....f5) with attack (breakthrough on the f-file. It is clear that Black cannot reply with 14....xg4 because of 15. g1 h5 16. h3! winning the bishop. 14.... |
FEN: r1b2rk1/ppp2p1p/1b3p2/3Pp3/2B1P1P1/2N5/PP3P1P/R3K2R b KQ - 0 14
Move: Kg7 | An impetuous player, McDonnell prepares an aggressive counter-action (18 .... h5), but 14 .... h8 would have been more level-headed. Other lines of defence would be 14 .... h6 or 14 .... a5, in order to eliminate a dangerous unit; but Black does not seem to fear his adversary's machinations. |
FEN: r1b2k1r/ppp2p1p/1b3p2/3Pp3/2B1P1P1/8/PP2NP1P/R3K1R1 w Q - 5 17
Move: Rg2 | With the double mission of rendering the king mobile (by guarding the pawn on f2) and of doubling rooks on the critical file. 17.... |
FEN: r1b4r/ppp1kp1p/1b3p2/3Pp3/2B1P1P1/8/PP2NPRP/2KR4 b - - 8 18
Move: h5 | See note to Black's 14th move. A sounder continuation would be 18....d7 to be followed by ....ag8. |
FEN: r1b4r/ppp1kp2/1b3p2/3Pp1Pp/2B1P3/8/PP2NPRP/2KR4 b - - 0 19
Move: f5 | A critical juncture. Again Black seems to underestimate his opponent's resources and to assess his own chances too highly. There was a complicated continuation as follows: |
FEN: r1b4r/ppp1kp2/1b6/3PppPp/2B1P3/2N5/PP3PRP/2KR4 b - - 1 20
Move: Bc5 | Providing against the threat which has suddenly arisen: 21.d6+ cxd6 22.d5+ |
FEN: r1b4r/ppp2k2/3b4/3Ppp1p/2B1P3/2N5/PP3PRP/2KR4 w - - 0 23
Move: f4 | If 23.dg1 at once, Black plays 23....f4 barring the way. 23.... |
FEN: r1b2k1r/ppp5/3b4/3P1p1p/2B1Pp2/2N5/PP4RP/2K3R1 w - - 2 25
Move: Rg6 | Preparing the final onslaught which White conducts with great ability. 25.... |
FEN: r1b2k1r/ppp5/6R1/3PbP1p/2B5/2N2p2/PP5P/2K3R1 w - - 1 27
Move: d6 | Reopening the diagonal, closed for the last 20 moves (7.d5), with overwhelming effect. 27.... |
FEN: rnbqkbnr/pppppppp/8/8/8/8/PPPPPPPP/RNBQKBNR w KQkq - 0 1
Move: e4 | 1) Über Land und Meer 1861, No.20, p.318 [Anderssen]. |
FEN: rnbqkbnr/pppppppp/8/8/4P3/8/PPPP1PPP/RNBQKBNR b KQkq - 0 1
Move: c5 | Dieser Zug, welcher die sogenannte Sizilianische Partie einleitet, kann nach den Erfahrungen der neueren Praxis nicht mehr für gut gehalten werden. nur wird ihm freilich anders begegnet, als es hier von Seiten des Weißen geschieht, dessen Spielart, obschon sie diesmal zum Siege führt, gerade diejenige ist, gegen welche... |
FEN: r1bqkbnr/pp3ppp/2n1p3/2ppP3/5P2/2P2N2/PP1P2PP/RNBQKB1R b KQkq - 0 5
Move: f6 | Durch diesen Zug soll dem schwarzen Turm ebenfalls die f-Linie geöffnet, hauptsächlich aber die Schwächung des weißen Zentrums erzielt werden. denn indem f6 nach e5 und später c5 nach d4 schlägt, erhält Weiß in der Mitte des Brettes ein vereinzeltes, sehr bloßgestelltes Bauernpaar, dessen Deckung Schwierigkeiten macht. |
FEN: r1bq1rk1/pp2b1pp/2n1pp1n/2ppP3/3P1P2/2PB1N2/PPN3PP/R1BQK2R b KQ - 2 9
Move: c4 | Durch diesen Zug wird zwar der feindliche Läufer von seiner gefährlichen Angriffslinie verdrängt, dennoch ist er nicht gut und der erste Keim zum Verlust der Partie, da durch ihn die Stellung des Weißen unangreifbar geworden ist. |
FEN: r2q1rk1/p2bb1pp/2n1pp1n/1p1pP3/2pP1P2/2P2N2/PPN1B1PP/R1BQ1RK1 w - - 0 12
Move: Ne3 | Weiß bereitet mit diesem und dem folgenden Zug einen Bauernangriff gegen die feindliche Rochade vor. |
FEN: r2qbrk1/4b1pp/2n1p3/pp1pP3/2pP2P1/2P1BN2/PP2B2P/R2Q1R1K w - - 1 17
Move: Qd2 | Da Schwarz die Absicht hat, seinen weißen Läufer über g6 nach e4 zu bringen, so will Weiß durch Sf3-g5 den Abtauusch des andern Läufers erzwingen und den eigenen schwarzen Läufer nach g5 und von da nach f6 bringen, nachdem nämlich der Bauer g7 durch den weißen h-Bauern zum Vorrücken genötigt worden wäre. |
FEN: r4rk1/3q2pp/2n1p1b1/pp1pP1B1/2pP2PP/2P5/PP1QB3/R4R1K b - - 0 20
Move: b4 | Schwarz beeilt sich, den Türmen die b-Linie zu öffnen, da sein weißer Läufer die Opposition eines feindlichen Turmes verhindert. |
FEN: 1r3rk1/3q2Bp/2n1p1pP/3pP3/p1pPb1P1/2P5/P2QB2K/R4R2 b - - 3 26
Move: Qe7 | Dieser Zug bedroht Weiß mit einem Matt in zwei Zügen. |
FEN: 1r3rk1/4q1Bp/2n1p1pP/3pP3/p1pPb1P1/2P3K1/P2QB3/R4R2 b - - 5 27
Move: Rxf1 | Durch diesen Abtausch wird das schwarze Spiel völlig gelähmt, da jetzt schon der Turm an die Randlinie gefesselt ist, und später, nachdem die weiße Dame zur Verstärkung des Turmangriffes gleichfalls die f-Linie eingenommen, auch die schwarze Dame nicht mehr ihr Feld verlassen kann. |
FEN: 1r4k1/4q1Bp/4pRpP/3pP3/2pPb1P1/p1P3K1/P4Q2/2nB4 w - - 6 32
Move: Ba4 | Um nach d7 zu gehen, da die feindliche Dame nicht schlagen kann. |
FEN: 1r4k1/4q1Bp/4pRpP/3pP3/B1pPb1P1/p1Pn2K1/P7/5Q2 b - - 9 33
Move: g5 | Um den Springer auf f4 zu stellen, falls der Läufer nach d7 gezogen wird. |
FEN: 1r4k1/4q1Bp/4pR1P/3pP1p1/2pPb1P1/p1Pn2K1/P1B5/5Q2 b - - 1 34
Move: Nc5 | [Houdini: ?? +-] |
FEN: rnbqkbnr/pppp1ppp/8/4p3/4P3/8/PPPP1PPP/RNBQKBNR w KQkq - 0 2
Move: Bc4 | The Bishop's Opening |
FEN: rnbqk1nr/pppp1ppp/8/2b1p3/2B1P3/8/PPPP1PPP/RNBQK1NR w KQkq - 2 3
Move: Qe2 | An unusual move preparing 0-0-0 in the long run |
FEN: r1bqk2r/pppp1ppp/2n2n2/2b1p3/2B1P3/2PP4/PP2QPPP/RNB1K1NR b KQkq - 0 5
Move: Ne7 | Heading for g6.But the move loses control of e5. |
FEN: r1bqk2r/ppppnppp/5n2/2b1p3/2B1P3/2PP4/PP2QPPP/RNB1K1NR w KQkq - 1 6
Move: f4 | An aggressive step |
FEN: r1bqk2r/ppppnppp/1b3n2/8/2BPPp2/2P5/PP2Q1PP/RNB1K1NR w KQkq - 1 8
Move: Bxf4 | There was no hurry to capture this pawn. |
FEN: r1bqk2r/ppp1nppp/1b1p1n2/8/2BPPB2/2P5/PP2Q1PP/RN2K1NR w KQkq - 0 9
Move: Bd3 | Now if Black plays ...d5 White plays e5. |
FEN: r1bq1rk1/ppp2ppp/1b1p1nn1/8/3PP3/2PBB3/PP2Q1PP/RN2K1NR w KQ - 4 11
Move: h3 | This move preventing...Bg4 amounts to a loss of tempo. |
FEN: r1bqr1k1/ppp2ppp/1b1p1nn1/8/3PP3/2PBB2P/PP1NQ1P1/R3K1NR b KQ - 2 12
Move: Qe7 | Exerting pressure on e-file |
FEN: r1b1r1k1/pp2qppp/1b1p1nn1/2p5/3PP3/2PBB2P/PP1NQ1P1/2KR2NR w - - 0 14
Move: Kb1 | A standard move evacuating the king to a safer position when White castles on the queenside. |
FEN: r3r1k1/1p1bqppp/1b1p1nn1/p7/3PP1P1/3BBN1P/PP1NQ3/1K1R3R b - - 0 17
Move: h6 | This move cannot prevent g5 and amounts to a loss of tempo. |
FEN: r3r1k1/1p1bqpp1/1b1p1nnp/p7/3PP1P1/3BBN1P/PP1NQ3/1K4RR b - - 1 18
Move: a4 | This advance could have waited. |
FEN: r3r1k1/1p1bqpp1/1b1p1nnp/8/p2PP1P1/3BBN1P/PP1NQ3/1K4RR w - - 0 19
Move: g5 | To all appearances White's attack should come first. |
FEN: r3r1k1/1p1bqpp1/1b1p1nn1/6B1/p2PP3/3B1N1P/PP1NQ3/1K4RR b - - 0 20
Move: a3 | A premature advance |
FEN: r3r1k1/1p1bqpp1/1b1p1nn1/6B1/3PP3/pP1B1N1P/P2NQ3/1K4RR b - - 0 21
Move: Bc6 | At last the bishop appears on the scene and together with other pieces exerts real pressure on White's vulnerable pawn centre. |
FEN: r3r1k1/1p2qpp1/1bbp1nn1/6B1/3PP3/pP1B1N1P/P2NQ3/1K4RR w - - 1 22
Move: Rg4 | Defending e4 with an imaginative move taking advantage of the pin on f6 |
FEN: r3r1k1/1p2qpp1/1bbp1nn1/6B1/3PP1R1/pP1B1N1P/P2NQ3/1K5R b - - 2 22
Move: Ba5 | This move releasing the pressure on d4 is an error. |
FEN: r3r1k1/1p2qpp1/2bp1nn1/6B1/3PP1RP/pP1B4/P2NQ3/1K5R b - - 0 24
Move: Ra5 | In this game both players make imaginative use of rooks. |
FEN: 4r1k1/1p2qpp1/2bp1nn1/r5B1/3PP1RP/pP1B4/P2NQ3/1K5R w - - 1 25
Move: h5 | But this is a careless advance that overlooks a tactical stroke by Black. |
FEN: 4r1k1/1p2qpp1/2bp1n2/6RP/3PP3/pP1n1Q2/P2N4/1K5R w - - 0 28
Move: d5 | Fighting back |
FEN: 4r2k/1p2qpR1/3p4/7P/4b3/pPnn2Q1/P2N4/K5R1 b - - 2 32
Move: Bg6 | This looks like the only saving move, it isn't. |
FEN: 5Q2/1p5k/3p4/8/8/pPn5/P2N4/K3n3 b - - 0 38
Move: Nc2# | Analysis based on annotations to the game from the book, "De la Bourdonnais versus McDonnell, 1834" by Cary Utterberg, McFarland.2005 |
FEN: r1bqk2r/ppp2ppp/1b3n2/3Pp1B1/2B1P3/2N5/PP3PPP/R2QK2R b KQkq - 1 10
Move: a6 | 11... d6 |
FEN: 6r1/8/2p1kp1b/pp2p3/4P1P1/7P/PPK1N3/3R4 b - - 0 27
Move: c5 | 28... e3, 29... d4 |
FEN: rnbqkbnr/pppppppp/8/8/8/8/PPPPPPPP/RNBQKBNR w KQkq - 0 1
Move: e4 | McDonnell 1860, p.376: "(The third match) was won by De la Bourdonnais, six to five; and this difference is so slight, that again is M'Donnell entitled to all honour for his energetic rallying after the primary severe defeat." p.378: "The fourth match was to consist of 11games, and of these De la Bourdonnais won 8 to 3... |
FEN: rnbqkbnr/pppppppp/8/8/8/8/PPPPPPPP/RNBQKBNR w KQkq - 0 1
Move: e4 | 1)Schachzeitung [1855], S.159. |
FEN: rnbqkbnr/pppppppp/8/8/8/8/PPPPPPPP/RNBQKBNR w KQkq - 0 1
Move: e4 | 1)Bilguer, Handbuch des Schachspiels [1843], S. 79 mit gekürzten Namen. (s.a.).2) Walker:Chess Studies [1844], S.161, game 958. |
FEN: rnq4r/ppp1n1pp/2k5/3PP3/8/5Q2/PP1N1PPP/R3K2R b KQ - 0 14
Move: Kb6 | Matt erfolgt jetzt zwingend in 7 Zügen. |
FEN: r2k3r/p1p3qp/2p4n/3p4/1QB5/2N4b/P4PPP/R3R1K1 w - - 4 16
Move: g3 | d5,cd,d5,ad1 |
FEN: r1bqk1nr/pppp1ppp/2n5/2b1p3/2B1P3/5N2/PPPP1PPP/RNBQK2R w KQkq - 4 4
Move: c3 | With the idea - known and appreciated ever since chess was played - of establishing a pawn centre by e4. |
FEN: r1bqk1nr/pppp1ppp/2n5/2b1p3/2B1P3/2P2N2/PP1P1PPP/RNBQK2R b KQkq - 0 4
Move: Qe7 | One of the earliest defences. |
FEN: r1b1k1nr/ppppqppp/2n5/2b1p3/2BPP3/2P2N2/PP3PPP/RNBQK2R b KQkq - 0 5
Move: Bb6 | A complement of his last move. Black evidently wishes to maintain a hold on e5. |
FEN: r1b1k1nr/ppp1qppp/1bnp4/4p3/2BPP3/2P2N2/PP3PPP/RNBQ1RK1 w kq - 0 7
Move: a4 | White's flank attack at a4 already threatens to win a piece by 8.a5 xa5 9.xa5? (9.d5+-) 9...xa5 10.a4+ c6 11.d5 a6 12.dxc6 b5 13.xb5! |
FEN: r4rk1/1p1bqppp/1p3n2/p3p3/P1B1P3/2P5/1P1NQPPP/R4RK1 w - - 4 14
Move: Rad1 | Disregarding the loss of a pawn, White speeds up his development. |
FEN: r4rk1/1p2qppp/1pb2n2/p3p3/2B1P3/1PP5/3NQPPP/3R1RK1 w - - 1 16
Move: f4 | The opening of the f-file is important. |
FEN: 5rk1/1p3ppp/1pb5/p1q1PR2/2B1N3/1PP5/6PP/3Q3K b - - 0 22
Move: Bxe4 | Hoping to drive away the bellicose rook. More interesting is the ensuing drama which unfolds round the sensitive point f7. |
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