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starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points
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the leaping story line , shaped by director peter kosminsky into sharp slivers and cutting impressions ,
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, manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches .
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fontaine masterfully creates a portrait of two strong men in conflict , inextricably entwined through family history , each seeing himself in the other , neither liking what he sees .
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... unspeakably , unbearably dull , featuring reams of flatly delivered dialogue and a heroine who comes across as both shallow and dim-witted .
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a terrific performance in this fascinating portrait of a modern lothario
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the film is also imbued with strong themes of familial ties and spirituality that are powerful and moving without stooping to base melodrama
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as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels ,
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piercingly affecting ... while clearly a manipulative film , emerges as powerful rather than cloying
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that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema
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a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category :
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director george hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place
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as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points
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creating an intriguing species of artifice
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surprising highs , sorrowful lows and hidden impulsive niches ... gorgeous , passionate , and at times uncommonly moving
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does too much meandering , norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced , hopkins looks like a drag queen
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wall-to-wall good time
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cliched and contrived that it makes your least favorite james bond movie seem as cleverly plotted as the usual suspects
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this deeply moving french drama develops a startling story that works both as a detailed personal portrait and as a rather frightening examination of modern times .
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the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness .
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is not really a film as much as it is a loose collection of not-so-funny gags , scattered moments of lazy humor
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the magnificent swooping aerial shots are breathtaking
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a piece of mildly entertaining , inoffensive fluff that drifts aimlessly for 90 minutes before lodging in the cracks of that ever-growing category : unembarrassing but unmemorable
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too predictable and far too cliched
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tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents
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an engrossing portrait of a man whose engaging manner and flamboyant style made him a truly larger-than-life character
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as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and exceptionally well-acted
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it 's also not smart or barbed enough for older viewers -- not everyone thinks poo-poo jokes are ` edgy
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observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism
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as deep as a petri dish
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next week , why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni ?
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good fun
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taken
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scott delivers a terrific performance in this fascinating portrait of a modern lothario .
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a satisfying kids flck becomes increasingly implausible as it races through contrived plot points
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this enthralling documentary ... is at once playful and haunting , an in-depth portrait of an iconoclastic artist who was fundamentally unknowable even to his closest friends .
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what saves it ... and makes it one of the better video-game-based flicks , is that the film acknowledges upfront that the plot makes no sense , such that the lack of linearity is the point of emotional and moral departure for protagonist alice .
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manipulative and as bland as wonder bread dipped in milk , but it also does the absolute last thing we need hollywood doing to us : it preaches .
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gets too cloying
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to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents
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sc2 is an autopilot hollywood concoction lacking in imagination and authentic christmas spirit , yet it 's geared toward an audience full of masters of both
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captures , in luminous interviews and amazingly evocative film from three decades ago
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the nicest thing that can be said about stealing harvard ( which might have been called freddy gets molested by a dog ) is that it 's not as obnoxious as tom green 's freddie got fingered .
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with spy kids 2 : the island of lost dreams , the spy kids franchise establishes itself as a durable part of the movie landscape : a james bond series for kids .
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starts off as a satisfying kids flck becomes increasingly implausible as it races through contrived plot points .
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shaped by director peter kosminsky into sharp slivers and cutting impressions
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and lurches between not-very-funny comedy , unconvincing dramatics
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as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness
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a soul-stirring documentary about the israeli/palestinian conflict as revealed through the eyes of some children who remain curious about each other against all odds .
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are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze
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those terrific documentaries
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too bad kramer could n't make a guest appearance to liven things up .
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complete lack
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's enough to watch huppert scheming , with her small , intelligent eyes as steady as any noir villain , and to enjoy the perfectly pitched web of tension that chabrol spins
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sensitive ensemble performances and good period reconstruction add up to a moving tragedy with some buoyant human moments .
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in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world 's democracie
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instead of contriving a climactic hero 's death for the beloved-major - character-who-shall - remain-nameless , why not invite some genuine spontaneity into the film by having the evil aliens ' laser guns actually hit something for once ?
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well-written as sexy beast
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's dull , spiritless , silly and monotonous : an ultra-loud blast of pointless mayhem , going nowhere fast
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figures prominently in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats
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as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and
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piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work
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this is popcorn movie fun with equal doses of action , cheese , ham and cheek ( as well as a serious debt to the road warrior )
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it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened
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has ever suspected hollywood of being overrun by corrupt and hedonistic weasels
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, not as gloriously flippant as lock , stock and two smoking barrels ,
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depressingly thin and exhaustingly contrived
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touching
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imagine kevin smith , the blasphemous bad boy of suburban jersey , if he were stripped of most of his budget and all of his sense of humor
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by kevin bray , whose crisp framing , edgy camera work , and wholesale ineptitude with acting , tone and pace very obviously mark him as a video helmer making his feature debut
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moving tragedy
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a sharp and quick documentary that is funny and pithy , while illuminating an era of theatrical comedy that , while past ,
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marvelously entertaining and deliriously
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would benigni 's italian pinocchio have been any easier to sit through than this hastily dubbed disaster ?
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as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but
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charitable
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too many tried-and-true shenanigans
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but it was n't horrible either
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human nature , in short , is n't nearly as funny as it thinks it is ; neither is it as smart
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add up to a moving tragedy with some buoyant human moments
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holm does his sly , intricate magic , and iben hjelje is entirely appealing as pumpkin
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wallace , who wrote gibson 's braveheart as well as the recent pearl harbor , has such an irrepressible passion for sappy situations and dialogue
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a man whose engaging manner and flamboyant style made him a truly larger-than-life character
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is meaningless , vapid and devoid of substance , in a movie that is definitely meaningless , vapid and devoid of substance
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good ear
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the pairing does sound promising in theory ... but their lack of chemistry makes eddie murphy and robert deniro in showtime look like old , familiar vaudeville partners .
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, the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness .
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zzzzzzzzz
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with an adequate reason why we should pay money for what we can get on television for free
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, norton has to recite bland police procedural details , fiennes wanders around in an attempt to seem weird and distanced ,
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this is a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity .
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assembles a fascinating profile of a deeply humanistic artist who , in spite of all that he 's witnessed , remains surprisingly idealistic
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feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful
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a not-so-divine secrets
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spreads itself too thin , leaving these actors , as well as the members of the commune , short of profound characterizations
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showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks
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an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller
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, and intermittently hilarious
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a temperamental child begging for attention , giving audiences no reason to truly care for its decrepit freaks beyond the promise of a reprieve from their incessant whining
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it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema
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