Patent Document

[0001]    This application claims benefit of co-pending provisional U.S. Patent application Serial No. 60/262,313 filed Jan. 17, 2001, entitled “Acoustic Guitar with Integral Pickup Mount” which is hereby incorporated by reference.  
         [0002]    Be it known that we, Michael D. McGuire, Jr., a citizen of United States, residing in Nashville, Tenn., and Matthew L. Klein, a citizen of the United States, residing in Nashville, Tenn., have invented a new and useful “ACOUSTIC GUITAR WITH INTEGRAL PICKUP MOUNT”. 
     
    
     
       BACKGROUND OF THE INVENTION  
         [0003]    1. Field of the Invention  
           [0004]    The present invention relates generally to the construction of guitars, and more particularly, but not by way of limitation, to a construction of an acoustic guitar having a size and shape similar to that of traditional solid body electric guitars.  
           [0005]    2. Description of the Prior Art  
           [0006]    In the traditional construction of acoustic guitars, there have been continuing efforts to add to the acoustic guitar an electrified pickup for sensing the motion or sound generated by the guitar string so that the same can be electronically amplified in a manner like that commonly done for solid body electric guitars.  
           [0007]    There is generally a defining difference between guitars referred to as acoustic guitars and those referred to as solid body electric guitars. Acoustic guitars generally have a hollow body, and a significant factor in the sound produced is the acoustic property of the hollow body which acts as a sound chamber to generate acoustical energy. An example of a typical acoustic guitar would be a Gibson J-200 guitar.  
           [0008]    One drawback of traditional acoustic guitars is the volume of sound produced from the guitar. Usually this volume is not significant enough to entertain large audiences, therefore a method by which to amplify this sound is required. This amplification has traditionally been accomplished through the use of an electronic pickup retrofitted onto traditional acoustic guitars. These electric pickups are retrofitted to electric guitars by adding electronic elements either over the sound hole in the acoustic guitars or attaching the elements to the bridge or sound board of the acoustic guitars. U.S. Pat. No. 4,501,186 issued to Ikuma shows a pickup device retrofitted onto an acoustic guitar by attaching an electromagnetic pickup over the sound hole of the acoustic guitar.  
           [0009]    In fact, one problem with retrofitting acoustic guitars with electronic pickups is the additional elements weaken the guitar. Any additional elements added to the sound board of an acoustic guitar have the tendency to weaken the structure of the guitar. This occurs due to the additional stress on the sound board caused by the modifications to the sound board.  
           [0010]    Another problem with retrofitting acoustic guitars with an electromagnetic pickup arises during the actual playing of the retrofitted acoustic guitar. Since the electromagnetic pickup is designed to receive, decipher, and amplify vibrations, a retrofitted acoustic guitar sends inconsistent signals to the electromagnetic pickup through the vibrations of not only the strings of the guitar, but also the resonance from the hollow body of the acoustic guitar. This causes an inconsistent amplification of the tones actually played from the instrument and the undesirable “feedback effect,” which is unpleasant to any listener of an acoustic guitar retrofitted with an electromagnetic pickup.  
           [0011]    The traditional hollow body acoustic guitar is a contrast to a solid body electric guitar, wherein the sound is primarily a function of the string vibration. This vibration is sensed by an electromagnetic pickup and then amplified to generate a sound of sufficient volume to be enjoyed by a large listening audience. An example of a traditional solid body electric guitar would be a Gibson Les Paul model guitar.  
           [0012]    Traditional solid body electric guitars, while greatly reducing the above mentioned feedback effect, fail to achieve the same sound quality as hollow bodied acoustic guitars due to the lack of a hollow cavity to resonate the sound. While the traditional solid body electric guitar contains electromagnetic pickups easily adapted to interpret and amplify the vibrations from the strings of a solid body electric guitar, the traditional solid body electric guitar still requires that the bridge and the electromagnetic pickup are attached to the body of the solid body electric guitar after formation of the solid body. Once again this weakens the structure and integrity of the solid body electric guitar, while failing to produce the same quality of musical tones as the acoustic guitar.  
           [0013]    Also, traditionally the electromagnetic pickup for an electric guitar comprises a plate shaped element attached to the top surface of the body of the traditional electric guitar. This plate shaped element lessens the visual appeal of the guitar.  
           [0014]    There is a third category of guitars, known as semi-hollow body guitars, which utilize conventional electric guitar pickups on a body that is typically thinner than a conventional acoustic guitar, but which still contains a marginally hollow core. An example of a semi-hollow body instrument would be the Gibson ES-335 guitar.  
           [0015]    One type of pickup that has previously been used with acoustic guitars is a piezoelectric pickup such as the model LB6 series pickup manufactured by the LR Baggs Co. These piezoelectric pickups are constructed to function as the bridge across which the guitar strings are supported. The guitar strings press down upon the pickup and as the strings vibrate the changing pressure on the pickup generates a changing electrical signal in a piezoelectric element that is a part of the pickup. Pickups of this type are typically mounted in a separate bridge support member that is glued onto or screwed onto the top surface of the guitar body. That separate bridge support has a slot milled therein for receipt of the piezoelectric transducer element.  
           [0016]    Thus, there is a continuing need for improvements in the construction of pickups and the mounting thereof for use with hollow body guitars.  
         SUMMARY OF THE INVENTION  
         [0017]    The present invention provides a stringed musical instrument comprising an instrument top that includes a sound board and an integral bridge extending from the sound board. The bridge is designed to space the strings of the musical instrument from the sound board. The instrument includes a slot within the bridge, which is designed to contain a piezoelectric pickup. The instrument also includes a hollow body.  
           [0018]    The present invention also teaches a stringed guitar comprising a hollow, completely enclosed sound box that is lacking a sound hole. This stringed guitar also includes a sound board and an integral bridge as part of the sound box. Also received within the integral bridge is a piezoelectric pickup.  
           [0019]    A method for constructing the body of a stringed musical instrument is also disclosed. The method comprises providing a solid block of material and shaping that solid block of material to form a sound board and an integral extension of the sound board. The extension is adapted to space the strings of the musical instrument from the sound board.  
           [0020]    This construction results in a guitar of unique appearance and improved function. The integral construction of the slot for receipt of the piezoelectric pickup eliminates the need for gluing or fastening a separate bridge support member onto the body of the guitar.  
           [0021]    Accordingly, it is a general object of the present invention to provide an improved construction for acoustic guitars.  
           [0022]    Also, it is an objective of the present invention to provide a stringed musical instrument with a sound board and integral bridge extending from the sound board.  
           [0023]    Another objective of the present invention is to provide an electric guitar is a substantially hollow body.  
           [0024]    Still another object of the present invention is to provide a hollow body guitar that is lacking a sound hole by which acoustic energy can emanate.  
           [0025]    Yet another object of the present invention is to provide a method for constructing the body of a stringed musical instrument wherein the method includes shaping a solid block of material into a sound board and an integral extension of the sound board, the extension designed to space the strings of the musical instrument from the sound board.  
           [0026]    Another object of the present invention is to provide an improved construction for the mounting of a piezoelectric pickup in a guitar.  
           [0027]    Still another object of the present invention is the provisional of novel appearance for a guitar.  
           [0028]    Other and further objects features and advantages of the present invention will be readily apparent to those skilled in the art upon a reading of the following disclosure when taken in conjunction with the accompanying drawings. 
       
    
    
     BRIEF DESCRIPTION OF THE DRAWINGS  
       [0029]    [0029]FIG. 1 is a top perspective view of a guitar constructed in accordance with the present invention.  
         [0030]    [0030]FIG. 2 is a top view of the body of a guitar constructed in accordance with the present invention.  
         [0031]    [0031]FIG. 3 is a perspective view of the body of guitar constructed in accordance with the present invention.  
         [0032]    [0032]FIG. 4 is a top view of the guitar back of the body of the guitar constructed in accordance with the present invention that has the instrument top or sound board removed from the guitar back. This shows the hollow cavity within the body of the guitar.  
         [0033]    [0033]FIG. 5 is a side view of the instrument top that comprises the sound board and the integral bridge.  
         [0034]    [0034]FIG. 6 is a detailed view of a cross sectional area of the integral bridge located on the instrument top.  
         [0035]    [0035]FIG. 7 is a side view of the guitar body.  
     
    
     DETAILED DESCRIPTION OF THE PREFERRED EMBODIMENTS  
       [0036]    Referring now to FIG. 1, the stringed musical instrument, such as an electric guitar, of the present invention is shown and is generally designated by the numeral  10 . The stringed musical instrument  10  comprises an instrument top  12 , which includes a sound board  14  and an integral bridge  16  extending from the sound board  14 . The integral bridge  16  is designed to space the strings  18  of the musical instrument  10  from the sound board  14 .  
         [0037]    As seen in FIGS. 5 and 6, the integral bridge  16  includes a slot  20  defined within the integral bridge  16 . Also, the musical instrument  10  further includes a piezoelectric pickup  22  positioned in the slot  20 , as seen in FIG. 8.  
         [0038]    The instrument top  12 , comprised of the sound board  14  and the integral bridge  16 , is constructed to form a seamless connection between the sound board  14  and the integral bridge  16 . It is this seamless connection between the sound board  14  and the integral bridge  16  that strengthens the structural integrity of the instrument top  12 .  
         [0039]    Instrument  10  further includes a guitar back  56 . The guitar back  56  and instrument top  12  together form a guitar body  24  which may also be referred to as a sound box  24 .  
         [0040]    [0040]FIG. 4 shows the hollow center  26  of the guitar back  56 . The perimeter  60  of the body  24  is shown. In FIG. 7, the depth of the hollow center  26  of guitar back  56  is indicated as  62 .  
         [0041]    In a preferred embodiment, the body  24  is made from two different elements. The first element, the guitar back  56 , composed of mahogany wood, is hollowed out. Then the second element, the instrument top  12 , which is a maple cap, is adhered onto the mahogany wood. The perimeter shape  60  is then cut. The outer dimensions of the guitar body  24  are substantially similar to that of a standard Gibson Les Paul model guitar. At the same time the perimeter shape  60  is cut, the battery pocket  30  and access pocket  32  are routed in the guitar back  56 .  
         [0042]    The second element, the instrument top  12  comprised of an integral bridge  16  and the sound board  14 , starts out as a single piece of maple wood. The integral bridge  16  is carved to a specific height in order to attain the correct saddle height. Then the sound board portion  14  is carved to the desired height. The seamless outer transitional surface  54  is then sanded and blended between the integral bridge  16  and the sound board  14  in order to create the seamless connection between the integral bridge  16  and the sound board  14 . This results in an integral bridge  16  that eliminates the problems encountered with a conventional mounting system for an electromagnetic pickup. Namely, this eliminates the need for a separate pickup support piece that is typically glued or screwed onto the top of the guitar  10 . In a preferred embodiment, the instrument top  12  is composed of carved maple wood, and the entire guitar is 3-¾″ thick.  
         [0043]    The instrument top  12  can be described as being part of the body  24  of the musical instrument  10 . The body  24  includes the hollow center  26 , as seen in FIG. 4. In a preferred embodiment, the hollow center  26  preferably comprises between 40 to 50% of the volume of the body  24  of the musical instrument  10 , and most preferably the hollow center  26  comprises about 45% of the volume of the body  24  of the musical instrument  10 .  
         [0044]    As seen in FIG. 4, the guitar back  56  includes a control opening  28  which houses the tone and volume controls for the electrical aspects of the musical instrument  10 . The guitar back  56  also includes battery pocket  30  and access pocket  32  located in the portion of the guitar back  56  opposite the instrument top  12 . Also seen in FIG. 4 is the output jack  34  that provides a conduit for the electrical signals from the piezoelectric pickup  22  to reach an amplifier (not shown). The guitar back  56  also includes two connection pins  24  used to attach a guitar strap (not shown) to the musical instrument  10  in order for a user (not shown) to carry and control the musical instrument  10 .  
         [0045]    In a preferred embodiment of the invention, the instrument top  12  is closed so that there is no sound hole communicated with the hollow center  26  of the body  24 . As seen in FIG. 2, the instrument top  12  lacks an opening of any significant area through which acoustical energy travels in order to transmit or amplify sound from the hollow center  26  of the body  24 . In the alternative, this feature of the current invention can also be described as comprising a hollow, completely enclosed sound box  24 , which lacks a sound hole.  
         [0046]    The musical instrument  10 , as seen in FIG. 1, includes a neck  36  engaging the body  24  and a headstock  38  engaging the neck  36 . The musical instrument  10  also includes strings  18  which engage the headstock  38  and the instrument top  12 . The strings  18  also span the entire length of the neck  36 . The integral bridge  16  is positioned on the sound board  14  proximate to the engagement of the strings  18  of the musical instrument  10  and the sound board  14 . As seen in FIG. 4, the guitar back  56  contains neck connection opening  40  that allows the neck  36  to engage the body  24  of the musical instrument  10 .  
         [0047]    The strings  18  of the musical instrument  10  engage the sound board  14  of the instrument top  12  through the use of six ebony bridge pins  42 . Each of the bridge pins  42  fix one of the six strings  18  to the sounding board  14 . The location of fixation of the strings  18  to the sounding board  14  is such that the piezoelectric pickup  22  located in the slot  20  of the integral bridge  16  is positioned between the neck  36  and the bridge pins  42 .  
         [0048]    The strings  18  of the musical instrument  10  specifically engage tuning heads  46  located on the headstock  38 . The tuning heads  46  allow adjustment of the tension on the strings  18  thereby affecting the tone of the musical instrument  10 . As seen in FIG. 6, access channel  48  connects slot  20  with the hollow center  26  of the body  24 . Access channel  48  allows the physical connection of the conduction card from the piezoelectric pickup  22  to the output jack  34  and tone and volume controls of the musical instrument  10 .  
         [0049]    The sound board  14  of the electric guitar  10  includes a top surface  50  and the seamless extension  16  includes an outer surface  52 . The electric guitar  10  is constructed so that the top surface  50  of the sound board  14  smoothly blends into the outer surface  52  of the seamless extension  16 .  
         [0050]    The current invention also teaches a method for constructing the body  24  of a stringed musical instrument  10 . The method comprises providing a solid block of material (not shown), wherein the solid block includes first and second wooden pieces (not shown) adhered together to form the solid block. The method further includes the shaping of the solid block of material to form the sound board  14 , and integral bridge  16 . The method also includes shaping the seamless outer transitional surface  54 . The seamless outer transitional surface  54  connects the soundboard  14  and the integral bridge  16  as seen in FIG. 6. The method also includes forming a slot  20  in the integral bridge  16 .  
         [0051]    Furthermore, this construction provides a very unique appearance for the guitar as illustrated in the drawings.  
         [0052]    In a preferred embodiment the piezoelectric pickup  22  is the LB6 series manufactured by LR Baggs Company. The LB6 series piezoelectric pickup is unique in several ways. First of all, the pickup itself is a saddle that has six individual sensors cast right into it. Maximum sensitivity and signal conductivity is obtained since the sensors are an integral part of the connection between the strings  18  and the guitar  10  body. Second, the sensors themselves are responsive to vibration as well as to pressure. This blends the natural warmth of the body vibrations with the presence and attack of the strings  10 . This increases the sound quality and functionality of the piezoelectric pickup  22 .  
         [0053]    The piezoelectric pickup  22  is further enhanced by its location within the integral bridge  16  that is part of the instrument top  12  that is part of the body  24  of the musical instrument  10 . The LB6 also contains a feedback inhibiting circuit that enhances the musical qualities and listening enjoyment of the tones emanating from the musical instrument  10 . The piezoelectric pickup  22  is powered by a 9-volt battery (not shown) that facilitates the transfer of acoustical energy into electromagnetic form.  
         [0054]    Thus, it is seen that the present invention readily achieves the ends and advantages mentioned as well as those inherent therein. While certain preferred embodiments of the invention have been illustrated and described for purposes of the present disclosure, numerous changes in the arrangement and construction of parts and steps may be made by those skilled in the art, which changes are encompassed within the scope and spirit of the present invention as defined by the appended claims.

Technology Category: g