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font_training

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	ABeeZee is a children's learning font. Open, friendly and simple, the definite shapes support the process of learning to read and write. The italic carefully reminds young readers of fluent writing movements and inspires them to create their own unique handwriting.
	Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.
	Abhaya Libre is the unicode compliant, complete libre version of the most widely used Sinhala typeface ‘FM Abhaya’ and includes Sinhala and Latin support. Designed in 1996, FM Abhaya is an interpretation of the Sinhala letterpress typefaces from 1960s. The name ‘Abhaya’ is derived from the King Abhaya (474 BCE to 454 BCE) who reigned Sri Lanka from the ancient kingdom of Upatissa Nuwara. ‘Abhaya Libre’ was completely redrawn from scratch based on FM Abhaya to comply with modern Unicode standards.
	Aboreto is a display typeface based on early renaissance majuscule alphabet done by Luca della Robbia, a 15th century Florentine sculptor. The typeface is not a straightforward digitalization (it even couldn’t be as the early Latin alphabet didn’t include all the letters we use today) but more of a revival which keeps current needs and technologies in mind. Aboreto has vertical stress, a feature more typical of later-century typefaces. Another uniqueness lies in the construction, because the typeface is built as a modular system, allowing for different weights, italics, and ligatures to be easily added.
	Abril Fatface is a typeface designed by TypeTogether. It is licensed under the Open Font License and is categorized as Display. It was added to Google Fonts on August 31, 2011.
	Abyssinica SIL is a Unicode font that supports Ethiopic and Latin languages. For more information please visit the Abyssinica SIL page on SIL International's Computers and Writing systems website.
	Acme is a condensed display typeface inspired by the visual language of classic cartoons and comics. Acme is designed to be used in headlines, and has a particular and groovy rhythm. The resulting texts are vivid but consistent, and its expressive characteristics work as well on screen as in print.
	Actor is a diploma thesis project from the Aachen University of Applied Sciences at Karl-Friedrich (Kai) Oetzbach. The font is designed to be legible at small sizes and has a strong x-height.
	Adamina is a typeface designed for text setting in small sizes. For this purpose the x-height is increased and contrast lowered. Proportions are transitional and compact. Refined design features like one-sided flaring and asymmetrical serifs are there to provide a pleasant reading experience.
	Advent Pro is a modern font designed for web and print. Advent Pro utilizes some of the universal characteristics of a sans-serif font with modern characteristics to give an edge to your typography.
	Semi-formal and eye-catching elegance is the name of the game, says Aguafina Script. Graceful, but not too casual. Knowledgeable and artistic, but not too imposing. The characters flow into each other, making a very saucy script with appetizing color. Aguafina is useful for product packaging, glossy magazine work, and book covers.
	Akatab is a Unicode font for rendering Tifinagh characters in the Tamahaq, Tamashek and Tawallamat languages. This font uses state-of-the-art OpenType font technology to provide accurate typography, including the formation of bi-consonant ligatures.
	Akaya is a single weight experimental display typeface in Kannada, Telugu and Latin scripts. Akaya Kanadaka and Akaya Telivigala are made as two separate font files which share a common Latin.
	Akaya is a single weight experimental display typeface in Kannada, Telugu and Latin scripts. Akaya Telivigala and Akaya Kanadaka are made as two separate font files which share a common Latin.
	Akronim is a brand-new, original, brush-like, stylish font with a Western and Central European (e.g. Polish, Croatian, Czech, Magyar etc.) Latin character set. Handmade in Poland, Europe, by Grzegorz Klimczewski.
	Akshar is a variable display sans-serif font family that supports Latin and Devanagari. It is designed for titles, statements, headlines, annoucements, intros, outros, and other display texts. Akshar (Hindi: अक्षर) literally means an alphabet or a letter in Hindi, Marathi, Gujarati and other Indic languages. Akshar is an OpenType Variable Font. It offers 2 axes: Weight (<code>wght</code>) and Contrast (<code>CNTR</code>). The Weight axis ranges from 300 to 700. The Contras
	Aladin is a calligraphic vintage font with a middle eastern touch. It is designed by Angel Koziupa and produced by Alejandro Paul. Aladin is perfect for packaging fonts for exotic coffees and teas, posters and book jackets, and for use in any situation where a friendly, casual, and airy feel is desired.
	Alata is a geometric low contrast sans design. It can feel monumental, serious and archaic, and occasionally eccentric. It draws inspiration from both Early 20th century poster lettering and epigraphic Greek mono line letters. Curiously, the capitals letters draw influence from UK Lettering while in contrast the lower case is more "continental" or European in character. Alata offers a wide range of figures, including oldstyle figures, small numbers including superiors and fractions.
	Alatsi is an original typeface designed by Spyros Zevelakis. It is a semicondensed geometric sans design which feels familiar, calm, trustable and contemporary. It is a little lighthearted or casual in feeling as well. The contemporary feeling comes from the treatment of the terminals and the cheekily pointed V A W. The calmness from the modest x height.
	Albert Sans is a modern geometric sans serif family, inspired by the type-characteristics of Scandinavian architects and designers in the early 20th century. The Albert Sans family includes ten weights from Thin to Black and supports over two hundred languages.
	Aldrich is a rounded yet squarely proportioned font that is reminiscent of early 20th Century gothic styles. With a solid stance and confident mono-weight strokes, Aldrich is a hardworking family with roots in Midwestern ethics.
	Alef is a Hebrew font designed for web design. It challenges the default, Arial, and supports both the Hebrew and Latin writing systems.
	Alegreya is a typeface originally intended for literature. Among its crowning characteristics, it conveys a dynamic and varied rhythm which facilitates the reading of long texts. It was also selected in the 2nd Bienal Iberoamericana de Diseño, competition held in Madrid in 2010.
	Alegreya Sans is a humanist sans serif family with a calligraphic feeling that conveys a dynamic and varied rhythm. This gives a pleasant feeling to readers of long texts. There is also a Small Caps companion family.
	Alegreya Sans SC is a Small Caps companion family to Alegreya Sans, a humanist sans serif family with a calligraphic feeling that conveys a dynamic and varied rhythm. This gives a pleasant feeling to readers of long texts.
	Alegreya SC is a typeface originally intended for literature. Among its crowning characteristics, it conveys a dynamic and varied rhythm which facilitates the reading of long texts. It was also selected in the 2nd Bienal Iberoamericana de Diseño, competition held in Madrid in 2010.
	Aleo is a contemporary typeface designed by Alessio Laiso as the slab serif companion to the Lato font by Łukasz Dziedzic. Aleo has semi-rounded details and a sleek structure, giving it a strong personality while still keeping readability high.
	Alexandria is a variable font ranging from Thin to Black, increasing the ability to use the font in various applications.
	Alex Brush is a beautiful brush script font. It has short ascenders and descenders, making it easy to read. Alex Brush comes with Latin character sets, including Western, Central, and Vietnamese language support.
	Alfa Slab One is a contemporary take on the Six-lines Pica Egyptian created by Robert Thorne for the Thorowgood Foundry in 1921. Although initially based on that model, Alfa Slab One was designed with an extreme stem weight, big serifs, more stem contrast and gradual terminals with a single serif. All this attributes give Alfa Slab One a contemporary look with extreme black density.
	Alice is a typeface designed by Ksenya Erulevich, Cyreal. Alice is licensed under the Open Font License. Alice is a serif typeface that is suitable for typesetting long meditative text and headlines.
	Alike is a text typeface with expressive and tense letterforms. Its design features are said to have Czech influence, but are softened for a friendlier feel. The proportions are regular and the contrast is low for a pleasant reading experience. It was initially designed by Sveta Sebyakina 2009-2011. Updated: January 2016 to Version 1.212.
	Alike Angular is a complementary titling style to Alike Regular. It shares the same proportions as its counterpart for compatibility, and is designed for larger display sizes. Designed by Sveta Sebyakina, Alexei Vanyashin from 2009 and first released in 2011 by Cyreal.
	Alkalami is a local word for the Arabic "qalam", a type of sharpened stick used for writing on wooden boards in the Kano region of Nigeria and in Niger. The baseline stroke is thick and solid. The ascenders and other vertical strokes including the teeth are narrow when compared to the baseline. A generous line height is necessary to allow for deep swashes and descenders, and the overall look of the page is a very black, solid recta.
	Alkatra is a display typeface family comprising of Bangla, Devanagari, Odia and Latin. Each typeface for each script has been designed keeping in mind the inspiration of drawing letters for wall graffiti in Bengal, India, by using a stick and tar.
	Allan is a typeface designed for display use. It has a modern style with hints of character.
	Allerta is an open source typeface designed for use in signage. Allerta was designed to be easily and quickly read from a distance. Each letter exploits the most unique aspects of that individual letter so that each character can be easily distinguished from any other.
	Allerta is an open source typeface designed for use in signage. Allerta was designed to be easily and quickly read from a distance. Each letter exploits the most unique aspects of that individual letter so that each character can be easily distinguished from any other.
	Allison is a casual handwriting script with a flat pen calligraphic influence and uppercase letters that are more brushy in style. Allison comes with Latin Character sets including Western, Central, and Vietnamese language support.
	Allura is a casual font designed for legibility. The script and formal sets offer a softer, more formal look. Allura was designed with advertising, display, and package design in mind. This OpenType Pro version of Allura combines all three styles along with extra alternate glyphs and flourished graphics to give designers maximum flexibility.
	Almarai is a modern Arabic and sans serif Latin typeface family in 4 weights. The font was created by Boutros™ for optimal readability and suitability for both online and offline applications.
	Almendra is a typeface designed based on calligraphy. Its style is related to the chancery and gothic hands. It is intended to be used in long texts, especially young children's literature. Almendra's black and white forms generate a nice texture in small sizes, while its many details appear when given the opportunity in huge sizes. The main challenge was to make compatible dialectic elements, especially balancing legibility and formal identity. Almendra was selected to be exhibited at the Bien
	Almendra is a typeface designed based on calligraphy. Its style is related to the chancery and gothic hands. It is intended to be used in long texts, especially young children's literature. Almendra's black and white forms generate a nice texture in small sizes, while its many details appear when given the opportunity in huge sizes. The main challenge was to make compatible dialectic elements, especially balancing legibility and formal identity. Almendra was selected to be exhibited at the Bien
	Almendra is a typeface design based on calligraphy. Its style is related to the chancery and gothic hands. It is intended to be used in long texts, especially young children's literature. Almendra's black and white forms generate a nice texture in small sizes, while its many details appear when given the opportunity in huge sizes. The main challenge was to make compatible dialectic elements, especially balancing legibility and formal identity. Almendra was selected to be exhibited at the Biennial of Graphic Design in São Paulo, Brazil.
	Alumni Sans is a modern font designed for web and print. It comes with numerous weights from the Black flavor of its progenitor to a super Thin weight.
	Alumni Sans Collegiate One is a stand alone font based on Alumni. While it is a variable font available in Roman and Italic versions of each weight, the Collegiate version offers a display option adding a decorative outline to the ExtraBold style. Use this variation for situations requiring a sporty look.
	Alumni Sans Inline One is a stand alone font from its base font, Alumni Sans (a variable font). Inline One is a black weight designed to be used as a display font above 32pt in print (assuming 300 dpi) and above 72px in digital media. It comes with Latin Character sets including Western, Central, and Vietnamese language support. To contribute, see https://github.com/googlefonts/alumni-sans-inline.
	Alumni Sans Pinstripe is a stand alone font from its base font, Alumni Sans. Pinstripe is a super-thin weight and designed to be used as a display font above 32pt in print (assuming 300 dpi) and above 72px in digital media.
	Amarante is a medium contrast condensed typeface designed by Karolina Lach and released by Sorkin Type Co in 2011. It is available as a free download under the Open Font License.
	Amaranth is a friendly upright italic design with a slight contrast and distinctive curves. With its three new styles Amaranth is healthy for all your texts too!
	Amatic SC is a simple but effective hand drawn webfont. It can be used for titling and small runs of text. It was initially designed by Vernon Adams, and concieved of to be used freely across the internet by web browsers on desktop computers, laptops and mobile devices. It features both Latin and Hebrew alphabets. The Latin was initially designed by Vernon Adams. The Hebrew was designed by Ben Nathan, who also revised the Latin design. Thomas Jockin respaced and ker
	Amethysta is a simple and strong text typeface designed for printing on low quality paper. It has minimalistic wedge serifs and terminals and is closely related to the transitional serif group.
	Amiko is a clean and utilitarian Devanagari and Latin typeface family, specifically designed for maximum legibility at the smallest possible text sizes. It was designed in a studio collaboration by Pablo Impallari, Rodrigo Fuenzalida and Andres Torresi.
	Amiri is a classical Arabic typeface in Naskh style for typesetting books and other running text. Its design is a revival of the beautiful typeface pioneered in early 20th century by Bulaq Press in Cairo, also known as Amiria Press, after which the font is named. Amiri is updated regularly with new versions available for download on their website.
	Amiri Quran is a classical Arabic typeface in Naskh style for typesetting books and other running text. The uniqueness of this typeface comes from its superb balance between the beauty of Naskh calligraphy on one hand, the constraints and requirements of elegant typography on the other.
	Amita is a Latin and Devanagari typeface derived from Redressed and Modular Infotech Devanagari 2310 and 1228. The Latin is a script type designed by Brian Bonislawsky which blends script and italic letterforms together in an upright non-connecting style. Open spacing and stylish letterforms lend themselves to titling, but also to clean legibility at smaller sizes as body copy.
	This text has a serif font, by David Berlow.
	The Anaheim font family is a free font family. The Anaheim Fonts are designed to be used freely across the internet by web browsers on desktop computers, laptops and mobile devices.
	Andada Pro is a typeface designed by Carolina Giovagnoli for Huerta Tipográfica. It is a hybrid style and medium contrast typeface for text.
	Andika is a sans serif, Unicode-compliant font designed especially for literacy use. Andika takes into account the needs of beginning readers, with a focus on clear, easy-to-perceive letterforms.
	Anek Bangla is a family of multiple scripts designed by multiple designers with multiple weights and widths. It offers a versatile system that can meet the demands of a wide range of applications.
	Anek Devanagari is a versatile font family with multiple scripts designed in multiple weights and widths by multiple designers. It offers a versatile system that can meet the demands of a wide range of applications.
	Anek Gujarati is a versatile font designed for multiple applications. It offers a versatile system that can meet the demands of a wide range of applications. Its expansive design space allows Anek to don multiple personalities.
	Anek Gurmukhi is a versatile font designed for multiple applications. It offers a versatile system that can meet the demands of a wide range of applications. Its expansive design space allows Anek to don multiple personalities.
	Anek is a versatile and multiple script font designed by Ek Type. It is licensed under the Open Font License and is categorized as a sans-serif font. It was added to Google Fonts on February 16, 2022.
	Anek Latin is a versatile family of fonts designed to be versatile and functional. It has multiple styles and weights to fit a variety of applications, and its expansive design space allows it to don multiple personalities.
	Anek Malayalam is a family of multiple scripts designed by Ek Type and licensed under the Open Font License. It offers a versatile system that can meet the demands of a wide range of applications.
	Anek Odia is a versatile font family with multiple styles and weights to meet the demands of a wide range of applications.
	Anek Tamil is a versatile font designed for multiple applications. It offers a versatile system that can meet the demands of a wide range of applications. Its expansive design space allows it to don multiple personalities.
	Anek Telugu is a versatile font designed for multiple applications. It has multiple styles and weights to meet the demands of a wide range of applications.
	Angkor is a Khmer font for headlines and even banner designs.
	This is a favorite of mine. A talented photography student I know was writing something down and I squealed and ran over to beg her for a sample of her writing. It was worth the effort, as I adore her style and feel it translated perfectly into a cute font. She named the font as a nod to one of her favorite bands, Jack’s Mannequin.
	Anonymous Pro is a family of four fixed-width fonts designed especially with coding in mind. Anonymous Pro is inspired by Anonymous 9, a freeware Macintosh bitmap font developed in the mid-'90s by Susan Lesch and David Lamkins.
	Antic is a typeface designed to be used for running text. It is the result of studying calligraphic forms, and has an eight degree stress.
	Antic Didone is a typeface designed for headlines in newspapers and magazines. It has a large x-height that makes it very readable, and each family has a slight stress derived from the Latin alphabet.
	Antic Slab was designed for use in the headlines of newspapers and magazines. The Antic Type System is a super family that is still evolving, and this first release of the Slab family. It complements the Sans and Didone versions, giving the designer freedom to create rhythmic and dynamic typography using all three families in the type system.
	Anton is a reworking of a traditional advertising sans serif typeface. The letter forms have been digitised and then reshaped for use as a webfont, the counters have been opened up a little and the stems optimised for use as bold display font in modern web browsers.
	Antonio is a 'refined' version of the Anton Font. Anton is a single weight web font, designed specifically for larger display, headline and 'banner' use (see Google's PR for the Chromebook notebooks that used Anton, big and bright). Antonio extends the Anton design to include more weights and introduces refinements to the design that makes it also suitable for use in smaller headings, menus and 'buttons' etc.
	Anuphan is a loopless version of IBM Plex Thai developed by Cadson Demak. This project is intended for self-improvement/educational purpose.
	Anybody is a big family that combines an affinity for Eurostile plus a heavy dose of 90s inspiration. It's flexible enough to adapt to a variety of situations. From UltraCondensed to ExtraExpanded, type set in Anybody can take up a tiny amount of horizontal space or so much space that you'll need several lines. Its high x-height and low cap height help exaggerate extreme widths and weights. The italic angle is 10 degrees, noticable but subtle. The inclusion of some popular OpenType features makes Anybody a great choice for typesetting.
	Aoboshi is a single-weight serif-style Japanese font inspired by Copperplate Gothic.
	Arapey is a contemporary modern typeface designed by Eduardo Tunni. It has soft lines and finishes that give it a calm and distinguished feeling. The italics are gentle, rhythmic, and bring a special glamour to both text use and titles.
	Arbutus is a sturdy, medium contrast, slab serif typeface with a faceted/spiked treatment inspired by American wood type. The generous spacing found in this design means that it can be used at fairly small sizes which makes it surprisingly versatile.
	Arbutus Slab is a sturdy, medium contrast, slab serif typeface inspired by 18th and 19th American jobbing type. The generous spacing found in this design means that it can be used at fairly small sizes which makes it surprisingly versatile.
	Architects Daughter is a font inspired by the writing of the daughter of an architect. The font incorporates the graphic, squared look of architectural writing, combined with the natural feel of daily handwriting.
	Archivo is a grotesque sans serif typeface family originally designed for highlights and headlines. This family is reminiscent of late nineteenth century American typefaces. The technical and aesthetic characteristics of the font are both crafted for high performance typography. It was designed to be used simultaneously in print and online platforms and supports over 200 world languages.
	Archivo Black is a grotesque sans serif typeface family designed for high performance typography. It was originally designed for highlights and headlines, but can be used in print and online platforms.
	Archivo Narrow is a grotesque sans serif typeface family designed for high performance typography. Archivo Narrow was designed to be used simultaneously in print and digital platforms.
	Aref Ruqaa is an Arabic typeface that aspires to capture the essence of the classical Ruqaa calligraphic style. The Latin part is based on AMS Euler, but spaced for regular text rather than mathematics. The Aref Ruqaa project is led by Khaled Hosny, a type designer based in Cairo, Egypt.
	Aref Ruqaa Ink is an Arabic typeface that aspires to capture the essence of the classical Ruqaa calligraphic style. The Aref Ruqaa project is led by Khaled Hosny, a type designer based in Cairo, Egypt.
	Are You Serious is a font with a very joyful spirit. It comes with Latin Character sets including Western, Central, and Vietnamese language support.
	Arima is a display font with soft edges and calligraphic feel. It has a low contrast to allow good rendering on screen, and legibility is always a central concern. The primary goal was to create a design that will prove popular because it resonates with both casual and professional designers.
	Arima Madurai is a display font with soft edges and calligraphic feel. It has a low contrast to allow good rendering on screen, and legibility is always a central concern. The primary goal was to create a design that will prove popular because it resonates with both casual and professional designers.
	Arizonia is a hand-lettered typeface designed for contemporary use. It has a sign-painterly appearance with thick and contrasting strokes that have been painted by a pointed brush. Arizonia can be used for situations that require a hand lettered, contemporary and sporty feel. As with any script, Arizonia should not be used in ALL CAPS. Arizonia comes with Latin character sets including Western, Central, and Vietnamese language support.
	Armata is a low contrast sans serif text face, with a mixture of familiar and unfamiliar shapes. The steadiness and strength is juxtaposed with some innovative and delicate gestures. Armata can be used in a wide range of sizes.
	Arsenal is a semi-grotesque typeface with traditional forms. It is primarily designed for body text and intended for various professional communication applications.
	Artifika is an amiable upright italic designed for fashionable display titling. Overall features are tender and crisp, descenders short. Settled curves are sculpted with calligraphic elegance, instrokes have a widening as a tribute to it's broad-nib origin. Nearly horizontal flat serifs support left-to-right direction, making the typeface pleasant for reading on screen. Designed by Yulya Zhdanova, Ivan Petrov in 2010-2011. To contribute, see https://github.com/cyrealtype/Artifika.
	Arvo is a geometric slab-serif typeface family suited for screen and print. The family includes 4 cuts: Roman, Italic, Roman Bold, Bold Italic. It is a libre font, first published in Google Fonts. The flavour of the font is rather mixed.
	Arya is a type family designed by Eduardo Tunni. It is a Devanagari and Latin typeface with an unusual high-contrast sans serif design.
	weights and italics. The family was upgraded to a variable font with additional styles in 2021.