rcugarte/font_training · Datasets at Hugging Face

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	Asap Condensed is a condensed version of the Asap family. Its a contemporary sans-serif family with subtle rounded corners. Designed by Pablo Cosgaya and Nicolás Silva, Asap ("as soon as possible") has 8 styles: Regular, Medium, Semibold, Bold and its italics. This family, specially developed for screen and desktop use, offers a standarised character width on all styles, which means lines of text remain the same length.
	This is a Sans Serif variable font by Pablo Cosgaya.
	Asar is an original Devanagari and Latin typeface that is based on an expanding brush stroke following a heart line. The design is meant to work well with long texts while maintaining a certain charm at large sizes.
	Asset is a bold, heavy, high contrast font designed for the web. It is legible at medium sizes, but shines most when used large. Asset was inspired by the engraved letters found on United States dollar bills.
	Assistant is a Hebrew and Latin type family, with a contemporary sans serif Hebrew design. Hebrew type family was designed by Ben Nathan, to complement the Latin Source Sans Pro that was designed by Paul Hunt at Adobe Type. The Assistant project is led by Ben Nathan, a type designer based in Tel Aviv, Israel.
	Astloch is a set of monolinear display faces - one delicate, one sturdy - based on the mix of sharp angles and florid curves found in fraktur lettering.
	Asul is a typeface that was designed to be humanist and baroque. It has semi-serifs and was created as a type revival project.
	Athiti is a Thai word for the Sun, and it is an informal sans Latin and loopless Thai typeface. Athiti is designed to reflect a trace of writing tools and convey its inspiration. The family consists of 6 weights that can be used in headlines or body text.
	Atkinson Hyperlegible is a typeface designed to increase legibility for readers with low vision. It is a traditional grotesque sans-serif with distinctive elements to increase character recognition.
	Atma is an original Bengali and Latin typeface family with a fun and informal feeling. The Bengali and Latin were developed in parallel as a studio collaboration by Jeremie Hornus, Gregori Vincens, Yoann Minet, and Roxane Gataud. Black Foundry is the lead developer of Atma.
	Atomic Age is a font designed for display. It is inspired by 1950s era connected scripts seen on nameplates of American cars and retains the spirit of these letters to make a highly legible font.
	Aubrey is a playful condensed decorative font with an art nouveau essence. Horizontal elements are unexpectedly cut and swapped with sloped curves creating off-beats in the overall rhythm. Spurs are added to twist and stress the movement. Aubrey can be a good choice for designing holiday decorations and greetings. Works best in medium and large sizes.
	Audiowide is a sans serif typeface composed of soft corner tubular forms. With vague nods to letter styles like that of Handel Gothic and the Converse logo, Audiowide veers off in a direction of its own for a slightly more techno-futuristic and yet cleanly readable typestyle.
	Autour One is a font inspired by handwritten letters on Ludwig Hohlwein posters. It has been changed and adapted from the originals in a variety of ways so that it will work in paragraphs of text and on the web. Autour One can be used in a wide range of sizes.
	Average is a typeface that emerged from a long process of research into text typeface families from various different historical periods, both classical and contemporary. The idea was to design an average font for use in text, through a lengthy process of shape measurement and data gathering in spreadsheets. This resulted in a series of parameters which could be used by a designer to determine the proportions, color, spacing and other attributes of a typeface. Once the parameters were defined, the designer could begin to create the Average font.
	Average Sans is a neutral sans-serif font designed to complement the serif family, Average. The neutrality of the forms create a nice texture, both for texts and short headlines.
	Averia Gruesa Libre is a font designed by Dan Sayers and licensed under the OFL. It is a variable font with additional Latin styles, and is available in the Regular style.
	Averia Libre is a modern font designed for web and print. Averia Libre is based on the average of 725 fonts in the Google Fonts collection, and both glyph outlines and metrics are the result of the averaging process described at iiotic.com/averia.
	Averia Sans Libre is a Unicode typeface superfamily created from the average of all fonts on the computer of the creator, Dan Sayers. The process is described at iiotic.com/averia. All metrics are the result of an averaging process. The included glyphs are those that existed in a majority of the source fonts.
	Avería is a Unicode typeface superfamily created from the average of all fonts on the computer of the creator, Dan Sayers. The process is described at iiotic.com/averia. All metrics are the result of an averaging process. The included glyphs are those that existed in a majority of the source fonts.
	Azeret Mono is a monospaced typeface with a mono-linear character. The story of the typeface began with a draft that was driven by an exploration of OCR fonts, past and futuristic operating systems, various interfaces and the nineties. The final result is more based on a desire to achieve an appearance of the typeface that could serve in operating systems. Thus the overall character is a conjunction of everything described with details that evoke a specific personality.
	B612 is an open source, highly legible font designed for aircraft cockpit screens. It was designed with the goal of reducing fatigue and cognitive load, and has been tested to be legible in degraded contexts.
	B612 is an open source, highly legible font designed for aircraft cockpit screens. It was designed with the aircraft cockpit in mind, and has a positive effect on reducing visual fatigue and cognitive load.
	Babylonica is a hand-written typeface with a brush-like style. It comes with Latin character sets, and is designed by Robert Leuschke.
	Bad Script is a font designed to resemble the designer's handwriting. It was completely made using a tablet to imitate casual and neat handwriting.
	Bahiana is a rustic, fresh and casual font designed for condensed titles and short texts. It has OpenType alternatives to make the texture more organic.
	Bahianita is an evolution of the Bahiana project, adding lowercase. It has a rustic, fresh and casual appearance, which has been influenced by wood carving. Its proportions are ideal for composing condensed titles and short texts.
	Bai Jamjuree is a Thai and Latin family which works well for headings and small passages of text. The design was inspired by Eurostyle and other square san serifs.
	Bakbak One is a custom brand typeface for All India Bakchod. Owing to its usage, it is a heavyweight display typeface for headings, video titles and posters. It consists of 1 weight and 692 glyphs and borrows from humanist ‘Johnston’ like arches. Bakbak is loud and present but also neutral enough to render anything from a warning to a mockery.
	Ballet is a reinterpretation of the classic Spencerian script style with a few whimsical twists in two different versions. Ballet is designed by Maximiliano Sproviero and developed by Eduardo Tunni.
	Baloo is a typeface designed by Ek Type. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart. It is Unicode compliant and libre licensed.
	Baloo Bhai 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.
	Baloo Bhaijaan 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.
	Baloo Bhaina 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.
	Baloo Chettan 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and has been extended to five weights.
	Baloo Da 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart.
	Baloo Paaji 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart. It is Unicode compliant and libre licensed.
	Baloo Tamma 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.
	Baloo Tammudu 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and has been extended to five weights.
	Baloo Thambi 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart. It is Unicode compliant and libre licensed.
	Balsamiq Sans is the handwritten font created for the Balsamiq Wireframes and has been in use since version 2.1. The font contains 942 glyphs in 2 weights with italics/obliques, and includes the basic and extended latin character set, Cyrillic, Basic Symbols and Dingbats, Math and Technical Symbols, and punctuation.
	Balthazar is a contemporary "Copperplate Gothic like" serif typeface inspired by the kind of typefaces used by many bistros and cafes in New York City and Paris. It has a high x-height and a soft variation in contrast to improve legibility.
	Bangers is a comicbook style font which packs a punch! It was designed in the style of mid-20th century superhero comics cover lettering in mind.
	Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. This is the Normal family, which is part of the superfamily along with Semi Condensed and Condensed, each with 9 weights in Roman and Italic.
	Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. Metadata: b'name: "Barlow Condensed"\ndesigner: "Jeremy Tribby"\nlicense: "OFL"\ncategory: "SANS_SERIF"\ndate_added: "2017-10-26"\nfonts {\n name: "Barlow Condensed"\n style: "normal"\n weight: 100\n filename: "BarlowCondensed-Thin.ttf"\n post_script_name: "BarlowCondensed-Thin"\n full_name: "Barlow Condensed Thin"\n copyright: "Copyright 2017 The Barlow Project Authors (https://github.com/jpt/barlow)"\n}\nfonts {\n name: "Barlow Condensed"\n style: "italic"\n weight: 100\n filename: "BarlowCon Description: <p> Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. </p> <p> This is the Condensed family, which is part of the superfamily along with <a href="http://fonts.google.com/specimen/Barlow">Normal</a> and <a href="http://fonts.google.com/specimen/Barlow+Semi+Condensed">Semi Cond
	Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. This is the Semi Condensed family, which is part of the superfamily along with Condensed, and Normal, each with 9 weights in Roman and Italic.
	Barriecito is an amateur font designed for handcrafted products and billboards. It also works well on screens at headline sizes.
	Barrio is a typeface designed for screens, billboards, magazines, and promotional material. Its particularly remarkable for its rhythmic contrast and its amateur appearance. These features make it ideal for warm, lively, and fun communication.
	Basic is a low contrast san serif text face. Basic mixes familiar forms with a hint of novelty. It is easy to read and is slightly elegant. Basic can be used from small sizes to larger display settings.
	Baskervville is a revival of Jacob's revival of Baskerville's typeface. It was distributed by the Berger-Levrault Foundry from 1815. The font Jacob produced was sold as a "Caractères dans le genre Baskerwille" i.e. "Baskerwille alike fonts" — with a w instead of a v.
	Battambang is a Khmer font designed for body text. The shape is similar to the Battambang legacy font released in the 1990s.
	Baumans is a geometric typeface for headlines. Its letterforms are inspired by Bauhaus typefaces and preconstructivist forms. Baumans is suitable for medium to large sizes and optimized for screen.
	Bayon is a Khmer font for headlines, titles and subtitles, and even banner designs.
	Beau Rivage is a classic calligraphic font with strong contrast between thick and thin strokes. Perfect for invitations and posh events. Beau Rivage comes with Latin Character sets including Western, Central, and Vietnamese language support.
	Bebas Neue is a display typeface designed by Ryoichi Tsunekawa. It is suitable for headlines, captions, and packaging, and has a extended character set and OpenType features.
	Belgrano is a slab serif type designed initially for printed newspapers. It has been adapted for use on the web, with coarse terminals and larger counterforms that mean it works well in very small sizes.
	Bellefair is a Latin and Hebrew typeface designed by Nick Shinn.
	Belleza is a humanist sans serif typeface inspired by the world of fashion. With classic proportions, high contrast in its strokes and special counters, it provides a fresh look that reminds readers of elegant models and feminine beauty. Belleza is a Unicode typeface family that supports languages that use the Latin script and its variants, and could be expanded to support other scripts. The last release in June 2022, offers an major language support update. To contribute, see https://github.com/etunni/belleza.
	Bellota is an ornamented, low contrast sans-serif font with text and swash alternates. It’s just cute enough! Bellota comes in two variations: Normal and Text. Each of these comes in three weights (Light/Regular/Bold) and Italics. There are stylistic alternates (for swash and non-ornamented characters) and ligatures available through OpenType features. Stylistic Set 1: Text, Stylistic Set 2: Swash caps.
	Bellota is an ornamented, low contrast sans-serif font with text and swash alternates. It’s just cute enough! Bellota comes in two variations: Normal and Text. Each of these comes in three weights (Light/Regular/Bold) and Italics. There are stylistic alternates (for swash and non-ornamented characters) and ligatures available through OpenType features. Stylistic Set 1: Text, Stylistic Set 2: Swash caps.
	BenchNine is a font loosely based on the look of ink spreads and bleeds characteristic of traditional or vernacular woodcut type. The design takes a mash-up of a number of old Stephenson Blake designs and rounds the corners a little.
	Benne is a Kannada text font developed by John Harrington. The style and weights are designed to harmonise with EB Garamond, originally designed by Georg Duffner.
	Bentham is a typeface inspired by nineteenth-century lettering. It is bulging and expressive, with curves that flow and express the letterforms. It is designed for modern use, and can be found in educational textbooks throughout the twentieth century.
	Berkshire Swash is an alluring semi-sweet typestyle with a bold yet feminine flair. Designed by Astigmatic (AOETI).
	Besley is a antique slab serif inspired by Robert Besley's Clarendon. Besley features a full range of weights and matching italics, making it subtle for a variety of uses. A slight rounding of the corners gives a subtle warmth, and OpenType features such as ligatures and contextual substitutions perfect the finer details. It was made with love and will continue to improve with your support.
	Beth Ellen is a simple, joyful handwritten font crafted after the penmanship of my mom, Beth Ellen Jelinski who passed away from cancer on March 5th, 2017. The purpose of this typeface is to give, so it is totally free to use for personal or commercial projects under the SIL Open Font License. My single request is that you help the legacy of Beth Ellen live on by sending a short note to someone you love each time the font is used. Tell them you love them, encourage them to be their best, or just say something nice.
	Bevan is a reworking of a traditional slab serif display typeface created by Heinrich Jost in the 1930s. In Bevan, Jost's earlier letter forms have been digitised and then reshaped for use as a webfont, the counters have been opened up a little and the stems optimised for use as bold display font in modern web browsers.
	Be Vietnam Pro is a Neo Grotesk font which is well suited to tech companies and startups. We have refined Vietnamese letterforms with diacritics adaptive forms and engineered them for the best readability.
	Bhavuka is a playful Latin and Devanagari typeface. It started life as Snippet, by Gesine Todt.
	BhuTuka Expanded One is a Gurmukhi companion to Aoife Mooney's BioRhyme Expanded Light typeface.
	The Bigelow Rules typeface is an odd hybrid from numerous inspirations. Imagine Times Roman feels the squeeze, marries a Didone, and gives birth to something with retro appeal and bounce with some eclectic glyph oddities thrown in for spunk.
	Bigshot One is a contemporary Didone font designed by Gesine Todt. The design plays within its systematic features and likes to be cheeky. Bigshot One also likes to show-off and prefers big display sizes.
	Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System. It is used in the Chicago Design System as the primary typeface to identify Chicago and its citizens.
	Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System, and the citizens of Chicago. The family's tall, sans-serif forms are based in Chicago's multiple histories in railway transport, public political action, and dance.
	Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System, and the citizens of Chicago. The family's tall, sans-serif forms are based in Chicago's multiple histories in railway transport, public political action, and dance.
	Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System, and the citizens of Chicago. The family's tall, sans-serif forms are based in Chicago's multiple histories in railway transport, public political action, and dance.
	Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System, and the citizens of Chicago. The family's tall, sans-serif forms are based in Chicago's multiple histories in railway transport, public political action, and dance.
	Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System, and the citizens of Chicago. The family's tall, sans-serif forms are based in Chicago's multiple histories in railway transport, public political action, and dance.
	Bilbo is a very legible calligraphic style that has a masculine feel. It can be used for more than just display. Use Bilbo in body copy that requires added warmth to a message.
	Bilbo Swash Caps is a sister family to the normal Bilbo. It is very legible calligraphic style that has a masculine feel. This family is ideal for headlines and other display uses, while the normal Bilbo can also be used in body copy that requires added warmth to a message.
	BioRhyme is a Latin typeface family comprised of two widths, a normal family and an expanded family. Each family has 5 weights, and both are intended for use in large and medium sizes.
	BioRhyme is a Latin typeface family comprised of two widths, a normal family and an expanded family. Each family has 5 weights, and both are intended for use in large and medium sizes.
	The Birthstone Family is a set of fonts that are not only diverse but perfectly compatible to interchange styles in a single block of text. There are 3 precious stylistic sets: Script, Casual, and Formal, plus a Titling set. Birthstone Bounce is a version that includes caps and ending swashed forms.
	Birthstone Bounce is a modern font designed for web and print. It comes with Latin Character sets including Western, Central, and Vietnamese language support.
	Biryani is a libre font development project. Its fonts are designed in a monolinear, geometric sans serif style. Like several early geometric sans typefaces from the last century, Biryani’s characters have a strong flavor to them; they are more wonky than sterile. Biryani’s fonts are indeed meant for text, just not necessarily for very long, immersive reading-length passages.
	Bitter is a "contemporary" slab serif typeface designed for text. It is specially designed for comfortably reading on any computer or device.
	BIZ UDGothic is a universal design typeface designed to be easy to read and ideal for education and business documentation. It is a highly legible and well-balanced design sans serif with a sleek uppercase lettering style. It was designed with a focus on balance and readability, as well as a sleek and modern look.
	BIZ UDMincho is a universal design typeface designed to be easy to read and ideal for education and business documentation. It combines high quality in readability and legibility while carrying on the tradition of the BIZ UDMincho typeface.
	BIZ UD Gothic is a universal design typeface designed to be easy to read and ideal for education and business documentation. It is a highly legible and well-balanced design sans serif that is perfect for short texts. The typeface has large letters that are slightly smaller than those of traditional kanji, which makes it easier to read and less jarring on the eyes.
	BIZ UDPMincho is a universal design typeface designed to be easy to read and ideal for education and business documentation. It combines high quality in readability and legibility while carrying on the tradition of the BIZ UDMincho typeface.
	Black And White Picture is a Korean and Latin font.
	Black Han Sans is a Korean and Latin font. The Latin is based on Chivo Black.
	Black Ops One is a low contrast, semi geometric typeface inspired by military stencil lettering. It is heavy, sturdy, punchy, and looks best when used at medium to large sizes because of the small cuts found in stencils. In the July 2022 update, Black Ops One has improved language support.
	Blaka is an experimental typeface, enriching the gothic feeling of Black Letters by enhancing the geometric features to create midgrounds with the Kufic style for the Arabic letterforms. The aesthetical matching process between the two scripts relies on the features of being hand-drawn with a reed pen.
	Blaka Hollow is an experimental typeface, enriching the gothic feeling of Black Letters by enhancing the geometric features to create midgrounds with the Kufic style for the Arabic letterforms.
	Blaka Ink is an experimental typeface, enriching the gothic feeling of Black Letters by enhancing the geometric features to create midgrounds with the Kufic style for the Arabic letterforms.
	Blinker is a low contrast sans serif typeface with a squircle as its basic shape, think squarish curves, or Eurostyle’s flamboyant cousin. It’s best used for medium to large text, rather than a long copy.
	Bodoni Moda is a no-compromises Bodoni family, built for the digital age. This font family includes a full range of weights, italics, an extended character set, OpenType features, and optical sizes, totalling 64 font files. It was made with love and will continue to improve with your support.
	Bokor is a display Khmer font, suitable for headlines, titles, subtitles, and even banner designs.
	Bona Nova is a digitisation of Bona, a cursive typeface designed in 1971 by Andrzej Heidrich — the creator of Polish banknotes. Besides giving it a digital form, this project was the opportunity to expand the character set, design the small caps, alternates and opentype functions for the typeface. Two new versions has been created together with the original author; a Regular and a Bold, to give the family a form of a classical triad.

Asap Condensed is a condensed version of the Asap family. Its a contemporary sans-serif family with subtle rounded corners. Designed by Pablo Cosgaya and Nicolás Silva, Asap ("as soon as possible") has 8 styles: Regular, Medium, Semibold, Bold and its italics. This family, specially developed for screen and desktop use, offers a standarised character width on all styles, which means lines of text remain the same length.

This is a Sans Serif variable font by Pablo Cosgaya.

Asar is an original Devanagari and Latin typeface that is based on an expanding brush stroke following a heart line. The design is meant to work well with long texts while maintaining a certain charm at large sizes.

Asset is a bold, heavy, high contrast font designed for the web. It is legible at medium sizes, but shines most when used large. Asset was inspired by the engraved letters found on United States dollar bills.

Assistant is a Hebrew and Latin type family, with a contemporary sans serif Hebrew design. Hebrew type family was designed by Ben Nathan, to complement the Latin Source Sans Pro that was designed by Paul Hunt at Adobe Type. The Assistant project is led by Ben Nathan, a type designer based in Tel Aviv, Israel.

Astloch is a set of monolinear display faces - one delicate, one sturdy - based on the mix of sharp angles and florid curves found in fraktur lettering.

Asul is a typeface that was designed to be humanist and baroque. It has semi-serifs and was created as a type revival project.

Athiti is a Thai word for the Sun, and it is an informal sans Latin and loopless Thai typeface. Athiti is designed to reflect a trace of writing tools and convey its inspiration. The family consists of 6 weights that can be used in headlines or body text.

Atkinson Hyperlegible is a typeface designed to increase legibility for readers with low vision. It is a traditional grotesque sans-serif with distinctive elements to increase character recognition.

Atma is an original Bengali and Latin typeface family with a fun and informal feeling. The Bengali and Latin were developed in parallel as a studio collaboration by Jeremie Hornus, Gregori Vincens, Yoann Minet, and Roxane Gataud. Black Foundry is the lead developer of Atma.

Atomic Age is a font designed for display. It is inspired by 1950s era connected scripts seen on nameplates of American cars and retains the spirit of these letters to make a highly legible font.

Aubrey is a playful condensed decorative font with an art nouveau essence. Horizontal elements are unexpectedly cut and swapped with sloped curves creating off-beats in the overall rhythm. Spurs are added to twist and stress the movement. Aubrey can be a good choice for designing holiday decorations and greetings. Works best in medium and large sizes.

Audiowide is a sans serif typeface composed of soft corner tubular forms. With vague nods to letter styles like that of Handel Gothic and the Converse logo, Audiowide veers off in a direction of its own for a slightly more techno-futuristic and yet cleanly readable typestyle.

Autour One is a font inspired by handwritten letters on Ludwig Hohlwein posters. It has been changed and adapted from the originals in a variety of ways so that it will work in paragraphs of text and on the web. Autour One can be used in a wide range of sizes.

Average is a typeface that emerged from a long process of research into text typeface families from various different historical periods, both classical and contemporary. The idea was to design an average font for use in text, through a lengthy process of shape measurement and data gathering in spreadsheets. This resulted in a series of parameters which could be used by a designer to determine the proportions, color, spacing and other attributes of a typeface. Once the parameters were defined, the designer could begin to create the Average font.

Average Sans is a neutral sans-serif font designed to complement the serif family, Average. The neutrality of the forms create a nice texture, both for texts and short headlines.

Averia Gruesa Libre is a font designed by Dan Sayers and licensed under the OFL. It is a variable font with additional Latin styles, and is available in the Regular style.

Averia Libre is a modern font designed for web and print. Averia Libre is based on the average of 725 fonts in the Google Fonts collection, and both glyph outlines and metrics are the result of the averaging process described at iiotic.com/averia.

Averia Sans Libre is a Unicode typeface superfamily created from the average of all fonts on the computer of the creator, Dan Sayers. The process is described at iiotic.com/averia. All metrics are the result of an averaging process. The included glyphs are those that existed in a majority of the source fonts.

Avería is a Unicode typeface superfamily created from the average of all fonts on the computer of the creator, Dan Sayers. The process is described at iiotic.com/averia. All metrics are the result of an averaging process. The included glyphs are those that existed in a majority of the source fonts.

Azeret Mono is a monospaced typeface with a mono-linear character. The story of the typeface began with a draft that was driven by an exploration of OCR fonts, past and futuristic operating systems, various interfaces and the nineties. The final result is more based on a desire to achieve an appearance of the typeface that could serve in operating systems. Thus the overall character is a conjunction of everything described with details that evoke a specific personality.

B612 is an open source, highly legible font designed for aircraft cockpit screens. It was designed with the goal of reducing fatigue and cognitive load, and has been tested to be legible in degraded contexts.

B612 is an open source, highly legible font designed for aircraft cockpit screens. It was designed with the aircraft cockpit in mind, and has a positive effect on reducing visual fatigue and cognitive load.

Babylonica is a hand-written typeface with a brush-like style. It comes with Latin character sets, and is designed by Robert Leuschke.

Bad Script is a font designed to resemble the designer's handwriting. It was completely made using a tablet to imitate casual and neat handwriting.

Bahiana is a rustic, fresh and casual font designed for condensed titles and short texts. It has OpenType alternatives to make the texture more organic.

Bahianita is an evolution of the Bahiana project, adding lowercase. It has a rustic, fresh and casual appearance, which has been influenced by wood carving. Its proportions are ideal for composing condensed titles and short texts.

Bai Jamjuree is a Thai and Latin family which works well for headings and small passages of text. The design was inspired by Eurostyle and other square san serifs.

Bakbak One is a custom brand typeface for All India Bakchod. Owing to its usage, it is a heavyweight display typeface for headings, video titles and posters. It consists of 1 weight and 692 glyphs and borrows from humanist ‘Johnston’ like arches. Bakbak is loud and present but also neutral enough to render anything from a warning to a mockery.

Ballet is a reinterpretation of the classic Spencerian script style with a few whimsical twists in two different versions. Ballet is designed by Maximiliano Sproviero and developed by Eduardo Tunni.

Baloo is a typeface designed by Ek Type. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart. It is Unicode compliant and libre licensed.

Baloo Bhai 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.

Baloo Bhaijaan 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.

Baloo Bhaina 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.

Baloo Chettan 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and has been extended to five weights.

Baloo Da 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart.

Baloo Paaji 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart. It is Unicode compliant and libre licensed.

Baloo Tamma 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and Latin, and has been extended to five weights.

Baloo Tammudu 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts and has been extended to five weights.

Baloo Thambi 2 is a typeface designed by Ek Type and licensed under the Open Font License. It is available in nine Indian scripts plus Arabic, and has a Latin counterpart. It is Unicode compliant and libre licensed.

Balsamiq Sans is the handwritten font created for the Balsamiq Wireframes and has been in use since version 2.1. The font contains 942 glyphs in 2 weights with italics/obliques, and includes the basic and extended latin character set, Cyrillic, Basic Symbols and Dingbats, Math and Technical Symbols, and punctuation.

Balthazar is a contemporary "Copperplate Gothic like" serif typeface inspired by the kind of typefaces used by many bistros and cafes in New York City and Paris. It has a high x-height and a soft variation in contrast to improve legibility.

Bangers is a comicbook style font which packs a punch! It was designed in the style of mid-20th century superhero comics cover lettering in mind.

Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. This is the Normal family, which is part of the superfamily along with Semi Condensed and Condensed, each with 9 weights in Roman and Italic.

Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. Metadata: b'name: "Barlow Condensed"\ndesigner: "Jeremy Tribby"\nlicense: "OFL"\ncategory: "SANS_SERIF"\ndate_added: "2017-10-26"\nfonts {\n name: "Barlow Condensed"\n style: "normal"\n weight: 100\n filename: "BarlowCondensed-Thin.ttf"\n post_script_name: "BarlowCondensed-Thin"\n full_name: "Barlow Condensed Thin"\n copyright: "Copyright 2017 The Barlow Project Authors (https://github.com/jpt/barlow)"\n}\nfonts {\n name: "Barlow Condensed"\n style: "italic"\n weight: 100\n filename: "BarlowCon Description: <p> Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. </p> <p> This is the Condensed family, which is part of the superfamily along with <a href="http://fonts.google.com/specimen/Barlow">Normal</a> and <a href="http://fonts.google.com/specimen/Barlow+Semi+Condensed">Semi Cond

Barlow is a slightly rounded, low-contrast, grotesk type family. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. This is the Semi Condensed family, which is part of the superfamily along with Condensed, and Normal, each with 9 weights in Roman and Italic.

Barriecito is an amateur font designed for handcrafted products and billboards. It also works well on screens at headline sizes.

Barrio is a typeface designed for screens, billboards, magazines, and promotional material. Its particularly remarkable for its rhythmic contrast and its amateur appearance. These features make it ideal for warm, lively, and fun communication.

Basic is a low contrast san serif text face. Basic mixes familiar forms with a hint of novelty. It is easy to read and is slightly elegant. Basic can be used from small sizes to larger display settings.

Baskervville is a revival of Jacob's revival of Baskerville's typeface. It was distributed by the Berger-Levrault Foundry from 1815. The font Jacob produced was sold as a "Caractères dans le genre Baskerwille" i.e. "Baskerwille alike fonts" — with a w instead of a v.

Battambang is a Khmer font designed for body text. The shape is similar to the Battambang legacy font released in the 1990s.

Baumans is a geometric typeface for headlines. Its letterforms are inspired by Bauhaus typefaces and preconstructivist forms. Baumans is suitable for medium to large sizes and optimized for screen.

Bayon is a Khmer font for headlines, titles and subtitles, and even banner designs.

Beau Rivage is a classic calligraphic font with strong contrast between thick and thin strokes. Perfect for invitations and posh events. Beau Rivage comes with Latin Character sets including Western, Central, and Vietnamese language support.

Bebas Neue is a display typeface designed by Ryoichi Tsunekawa. It is suitable for headlines, captions, and packaging, and has a extended character set and OpenType features.

Belgrano is a slab serif type designed initially for printed newspapers. It has been adapted for use on the web, with coarse terminals and larger counterforms that mean it works well in very small sizes.

Bellefair is a Latin and Hebrew typeface designed by Nick Shinn.

Belleza is a humanist sans serif typeface inspired by the world of fashion. With classic proportions, high contrast in its strokes and special counters, it provides a fresh look that reminds readers of elegant models and feminine beauty. Belleza is a Unicode typeface family that supports languages that use the Latin script and its variants, and could be expanded to support other scripts. The last release in June 2022, offers an major language support update. To contribute, see https://github.com/etunni/belleza.

Bellota is an ornamented, low contrast sans-serif font with text and swash alternates. It’s just cute enough! Bellota comes in two variations: Normal and Text. Each of these comes in three weights (Light/Regular/Bold) and Italics. There are stylistic alternates (for swash and non-ornamented characters) and ligatures available through OpenType features. Stylistic Set 1: Text, Stylistic Set 2: Swash caps.

BenchNine is a font loosely based on the look of ink spreads and bleeds characteristic of traditional or vernacular woodcut type. The design takes a mash-up of a number of old Stephenson Blake designs and rounds the corners a little.

Benne is a Kannada text font developed by John Harrington. The style and weights are designed to harmonise with EB Garamond, originally designed by Georg Duffner.

Bentham is a typeface inspired by nineteenth-century lettering. It is bulging and expressive, with curves that flow and express the letterforms. It is designed for modern use, and can be found in educational textbooks throughout the twentieth century.

Berkshire Swash is an alluring semi-sweet typestyle with a bold yet feminine flair. Designed by Astigmatic (AOETI).

Besley is a antique slab serif inspired by Robert Besley's Clarendon. Besley features a full range of weights and matching italics, making it subtle for a variety of uses. A slight rounding of the corners gives a subtle warmth, and OpenType features such as ligatures and contextual substitutions perfect the finer details. It was made with love and will continue to improve with your support.

Beth Ellen is a simple, joyful handwritten font crafted after the penmanship of my mom, Beth Ellen Jelinski who passed away from cancer on March 5th, 2017. The purpose of this typeface is to give, so it is totally free to use for personal or commercial projects under the SIL Open Font License. My single request is that you help the legacy of Beth Ellen live on by sending a short note to someone you love each time the font is used. Tell them you love them, encourage them to be their best, or just say something nice.

Bevan is a reworking of a traditional slab serif display typeface created by Heinrich Jost in the 1930s. In Bevan, Jost's earlier letter forms have been digitised and then reshaped for use as a webfont, the counters have been opened up a little and the stems optimised for use as bold display font in modern web browsers.

Be Vietnam Pro is a Neo Grotesk font which is well suited to tech companies and startups. We have refined Vietnamese letterforms with diacritics adaptive forms and engineered them for the best readability.

Bhavuka is a playful Latin and Devanagari typeface. It started life as Snippet, by Gesine Todt.

BhuTuka Expanded One is a Gurmukhi companion to Aoife Mooney's BioRhyme Expanded Light typeface.

The Bigelow Rules typeface is an odd hybrid from numerous inspirations. Imagine Times Roman feels the squeeze, marries a Didone, and gives birth to something with retro appeal and bounce with some eclectic glyph oddities thrown in for spunk.

Bigshot One is a contemporary Didone font designed by Gesine Todt. The design plays within its systematic features and likes to be cheeky. Bigshot One also likes to show-off and prefers big display sizes.

Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System. It is used in the Chicago Design System as the primary typeface to identify Chicago and its citizens.

Big Shoulders is a condensed American Gothic variable font, created for the Chicago Design System, and the citizens of Chicago. The family's tall, sans-serif forms are based in Chicago's multiple histories in railway transport, public political action, and dance.

Bilbo is a very legible calligraphic style that has a masculine feel. It can be used for more than just display. Use Bilbo in body copy that requires added warmth to a message.

Bilbo Swash Caps is a sister family to the normal Bilbo. It is very legible calligraphic style that has a masculine feel. This family is ideal for headlines and other display uses, while the normal Bilbo can also be used in body copy that requires added warmth to a message.

BioRhyme is a Latin typeface family comprised of two widths, a normal family and an expanded family. Each family has 5 weights, and both are intended for use in large and medium sizes.

The Birthstone Family is a set of fonts that are not only diverse but perfectly compatible to interchange styles in a single block of text. There are 3 precious stylistic sets: Script, Casual, and Formal, plus a Titling set. Birthstone Bounce is a version that includes caps and ending swashed forms.

Birthstone Bounce is a modern font designed for web and print. It comes with Latin Character sets including Western, Central, and Vietnamese language support.

Biryani is a libre font development project. Its fonts are designed in a monolinear, geometric sans serif style. Like several early geometric sans typefaces from the last century, Biryani’s characters have a strong flavor to them; they are more wonky than sterile. Biryani’s fonts are indeed meant for text, just not necessarily for very long, immersive reading-length passages.

Bitter is a "contemporary" slab serif typeface designed for text. It is specially designed for comfortably reading on any computer or device.

BIZ UDGothic is a universal design typeface designed to be easy to read and ideal for education and business documentation. It is a highly legible and well-balanced design sans serif with a sleek uppercase lettering style. It was designed with a focus on balance and readability, as well as a sleek and modern look.

BIZ UDMincho is a universal design typeface designed to be easy to read and ideal for education and business documentation. It combines high quality in readability and legibility while carrying on the tradition of the BIZ UDMincho typeface.

BIZ UD Gothic is a universal design typeface designed to be easy to read and ideal for education and business documentation. It is a highly legible and well-balanced design sans serif that is perfect for short texts. The typeface has large letters that are slightly smaller than those of traditional kanji, which makes it easier to read and less jarring on the eyes.

BIZ UDPMincho is a universal design typeface designed to be easy to read and ideal for education and business documentation. It combines high quality in readability and legibility while carrying on the tradition of the BIZ UDMincho typeface.

Black And White Picture is a Korean and Latin font.

Black Han Sans is a Korean and Latin font. The Latin is based on Chivo Black.

Black Ops One is a low contrast, semi geometric typeface inspired by military stencil lettering. It is heavy, sturdy, punchy, and looks best when used at medium to large sizes because of the small cuts found in stencils. In the July 2022 update, Black Ops One has improved language support.

Blaka is an experimental typeface, enriching the gothic feeling of Black Letters by enhancing the geometric features to create midgrounds with the Kufic style for the Arabic letterforms. The aesthetical matching process between the two scripts relies on the features of being hand-drawn with a reed pen.

Blaka Hollow is an experimental typeface, enriching the gothic feeling of Black Letters by enhancing the geometric features to create midgrounds with the Kufic style for the Arabic letterforms.

Blaka Ink is an experimental typeface, enriching the gothic feeling of Black Letters by enhancing the geometric features to create midgrounds with the Kufic style for the Arabic letterforms.

Blinker is a low contrast sans serif typeface with a squircle as its basic shape, think squarish curves, or Eurostyle’s flamboyant cousin. It’s best used for medium to large text, rather than a long copy.

Bodoni Moda is a no-compromises Bodoni family, built for the digital age. This font family includes a full range of weights, italics, an extended character set, OpenType features, and optical sizes, totalling 64 font files. It was made with love and will continue to improve with your support.

Bokor is a display Khmer font, suitable for headlines, titles, subtitles, and even banner designs.

Bona Nova is a digitisation of Bona, a cursive typeface designed in 1971 by Andrzej Heidrich — the creator of Polish banknotes. Besides giving it a digital form, this project was the opportunity to expand the character set, design the small caps, alternates and opentype functions for the typeface. Two new versions has been created together with the original author; a Regular and a Bold, to give the family a form of a classical triad.