With no explanation, label text_A→text_B with either "not_related" or "related".
text_A: Following was directed by director Christopher Nolan.
text_B: Mami Kataoka is an art curator and writer .. curator. curator. She received a BA from Aichi University of Education in 1988 .. Aichi University of Education. Aichi University of Education. Since 2003 , Kataoka has been the Chief Curator of the Mori Art Museum , Tokyo , Japan .. Mori Art Museum. Mori Art Museum. Tokyo. Tokyo. Japan. Japan. The Mori Art Museum is a contemporary art museum in Roppongi Hills in Tokyo .. Mori Art Museum. Mori Art Museum. Tokyo. Tokyo. Roppongi Hills. Roppongi Hills. During her tenure at the Mori Art Museum , Kataoka has curated a number of exhibitions , including  : `` Ai Weiwei  : According to What ? ''. Mori Art Museum. Mori Art Museum. -LRB- 2009 -RRB- , which is touring in the United States from 2012 onwards , and `` Lee Bul  : From Me , Belongs to You Only '' -LRB- 2012 -RRB- , the first large-scale solo exhibition of Asia 's leading female artist .. In addition to overseeing the activities of the curatorial department at the Mori , she has curated diverse exhibitions such as `` Roppongi Crossing  : New Visions in Contemporary Japanese Art 2004 '' , which provided an overview of the recent art scene in Japan ; `` Ozawa Tsuyoshi  : Answer with Yes and No ! ''. Japan. Japan. -LRB- 2004 -RRB- , which was the first in a series to introduce mid-career Asian artists with solo exhibitions ; co-curated `` Follow Me !. : Chinese Art at the Threshold of the New Millennium '' -LRB- 2005 -RRB- , which showed the museum 's strong focus on Asian contemporary art ; and `` MAM Projects '' , which sought to encourage young and upcoming artists internationally .. She curated the first three MAM Projects  : 001  : Santiago Cucullu -LRB- 2004 -RRB- , 002  : Jun Nguyen-Hatsushiba -LRB- 2004 -RRB- and 003  : R.O.R -LRB- Revolutions on Request -RRB- , a group from Finland .. She has also worked on `` Hiroshi Sugimoto  : End of Time '' -LRB- 2005 -RRB- in collaboration with the Hirshhorn Museum and Sculpture Garden in Washington D.C. and `` Tokyo-Berlin  /  Berlin-Tokyo '' -LRB- 2006 -RRB- in collaboration with the Neue Nationalgalerie in Berlin .. Tokyo. Tokyo. Hirshhorn Museum and Sculpture Garden. Hirshhorn Museum and Sculpture Garden. Neue Nationalgalerie. Neue Nationalgalerie. Prior to the Mori , Kataoka was chief curator of the Tokyo Opera City Art Gallery , where she worked from the start of the project to create the gallery , from 1992 until 2002 , three years after its opening in 1999 .. curator. curator. Tokyo. Tokyo. There she curated `` Releasing Senses '' -LRB- inaugural exhibition in 1999 -RRB- , `` Tatsuo Miyajima  : Mega Death '' -LRB- 2000 -RRB- , `` Encounter '' -LRB- 2001 -RRB- , `` Rirkrit Tiravanija '' -LRB- 2002 -RRB- and collaborated on projects including `` Territory  : Contemporary art from the Netherlands '' -LRB- 2000 -RRB- , `` My home is yours , your home is mine '' -LRB- 2001 -RRB- , `` JAM  : Tokyo-London '' -LRB- 2001 -RRB- , `` Under Construction  : New Dimensions in Asian Contemporary Art '' -LRB- 2002 -RRB- , among others .. Tokyo. Tokyo. From 2007-2009 , Kataoka joined the curatorial team at the Hayward Gallery , London as the esteemed gallery 's first international curator .. curator. curator. Hayward Gallery. Hayward Gallery. Here she curated `` Laughing in a Foreign Language '' -LRB- 2008 -RRB- an exhibition exploring a role of humour in diverse cultures .. Kataoka is a key figure in documenting and analyzing trends within contemporary Japanese art since 2000 , considering relevant social historical and generational themes evident in contemporary Japanese art .. She most recently guest curated `` Phantoms of Asia  : Contemporary Awakens the Past '' -LRB- 2012 -RRB- at the Asian Art Museum of San Francisco .. Asian Art Museum of San Francisco. Asian Art Museum of San Francisco. Kataoka was a Co-Artistic Director of ROUNDTABLE  : The 9th Gwangju Biennale -LRB- Korea , 2012 -RRB- .. Gwangju Biennale. Gwangju Biennale. Recognizing the temporary and circulatory nature of biennales , which by definition reflect shifting curatorial themes and structures in rotation , Kataoka 's work as part of the ROUNDTABLE curatorial team confronted the diverse inter-connectivities of different contexts within which we can find our own temporal positioning .
not_related.