Source: http://slideplayer.com/slide/2313291/
Timestamp: 2018-02-23 12:50:58
Document Index: 208763310

Matched Legal Cases: ['Art.10', 'Art.15', 'Art.15', 'Art.9', 'Art.10', 'Art.16', 'Art.10', 'Art.5', 'Art.5', 'Art.5', 'Art.10']

Study on Copyright Limitations and Exceptions for Educational Activities Prof. Raquel Xalabarder Universitat Oberta de Catalunya – UOC WIPO. 14 December. - ppt download
Study on Copyright Limitations and Exceptions for Educational Activities Prof. Raquel Xalabarder Universitat Oberta de Catalunya – UOC WIPO. 14 December.
Published byVincent Nickols Modified over 3 years ago
Presentation on theme: "Study on Copyright Limitations and Exceptions for Educational Activities Prof. Raquel Xalabarder Universitat Oberta de Catalunya – UOC WIPO. 14 December."— Presentation transcript:
1 Study on Copyright Limitations and Exceptions for Educational Activities Prof. Raquel Xalabarder Universitat Oberta de Catalunya – UOC WIPO. 14 December 2009
2 International instruments Art.10.2 BC: use by way of illustration in publications, broadcasts or …recordings for teaching Art.15.1(d) RC: use solely for the purposes of teaching // Art.15.2 RC: extend BC ones ‘Minor reservations’ (Brussels 1948) Art.9.2 BC: libraries, teaching, instruction, etc. Art.10 WCT, Art.16 WPPT  digital contexts Art.10.1 BC: quotations (mandatory nature)
3 International instruments Open: All works and subject matter All acts of exploitation (including translation) Neutral: Technologically neutral: also online uses Flexible: Educational purposes (instruction, making of compilations and recordings) To the extent justified by the purpose Compatible with fair practice Remuneration: not required, but allowed
4 National laws Yet, exempted educational uses remain a matter for domestic laws … and domestic laws are not so generous! 57 Countries covered  53 Acts located Europe, Caucasus, Central Asia, Israel, Canada, USA 27 EU members (+EEA)  Art.5.3(a) EUCD Different legal traditions. Different economic, social, cultural background Different needs and sensitivities for education
5 National laws Educational uses:  Instruction / Teaching (lectures, exams, debates, etc)  Compilations for teaching / educational use  School events Quotations  works used for commenting, debating, analyzing, etc Private Copy/Use  students’ copies? Fair Use/Dealing (Common law systems) Library uses  Loopholes among exempted uses: preservation, research… why not teaching purposes?  Online libraries “discriminated”
6 National laws: Instructional uses Heterogeneous solutions: Purposes: education, teaching, instruction, lessons, examinations (… multiple technological contexts) Exempted acts: photocopying, performance, reproduction, distribution, broadcast, making available online (intranet), translation, digitization? Works covered: all kind of works or some works Benefiting institutions: public, non-profit, all levels? Scope: flexible (extent necessary, fair practice) or limited (as to amount, number of copies) Remuneration: required, allowed, for free
7 National laws: Common Law Systems Specific teaching exceptions:  Narrowly defined: scope and rights (reproduction, performance)  A few cover online uses? USA (TEACH Act)  Non-profit institutions  Non-remunerated  Canada (dropped bill: similar to TEACH Act + free use for teaching purposes of publicly available material on Internet) Fair use/dealing remains fundamental  Teaching (USA)  Research, private study, criticism (CA, UK, Ireland)  … instruction and examination (Israel) Voluntary licensing schemes
8 National laws: Sec.110 USCA Face to face and distance teaching (also online –TEACH Act):  An integral part of a class session, directly related and of material assistance to the teaching  Limited to students officially enrolled in the course  Reasonably effective TPM to prevent retention after class session Benefiting institutions: Nonprofit (f2f) / Accredited nonprofit (distance) Exempted acts / Works covered:  f2f: Performance (nondramatic literary or musical w.), Display (any works)  Distance: Performance (nondramatic literary or musical w., reasonable and limited portions of other w.), Display (a w. in amount as in live session)  Provided that it is done by means of a lawfully acquired copy  Excluded: works primarily for online instructional activities For free Fair use doctrine Voluntary licensing schemes developed
9 National laws: UKCA Non-reprographic copying for instruction Anything done for purposes of examination Performance, playing, showing for instruction (not online) Making recordings of broadcasts and cable programs for later educational use (failing licensing scheme) Reprographic copying (of ‘passages’, percentages) for instruction (failing licensing scheme)  digitization allowed under license Making of teaching anthologies for use at educational establishments (very restricted) All of them: provided it is fair dealing, for free (remuneration only under licensing schemes) Voluntary licensing systems in place (cover online uses)
10 National laws: Other (Civil Law) Systems EU / EEA (including Switzerland): (29)  Art.5.3a EUCD Other countries (19): Caucasus, Central Asia Differences exist as to :  Scope of exempted acts  Beneficiaries  Nature, Extent of works  Remuneration  Other requirements
11 National laws: EU / EEA Any use (perhaps including online uses) Cyprus, Czechia, Estonia, Latvia, Liechtenstein, Poland, Switzerland Reproduction (distribution), public com., making available online  Art.5.3a EUCD Belgium, France, Germany, Italy, Luxembourg, Malta, Netherlands, Portugal, Romania, Slovakia, (Spain?)  Translation: Malta, Netherlands, Belgium? Lux.? Reproduction (distribution), performance  limited to F2F contexts Austria, Bulgaria, Greece, Hungary, Lithuania, Slovenia, Spain  Extended collective licensing (cover online uses) Finland, Denmark, Iceland, Norway, Sweden
12 National laws: Outside EU/EEA Performance & Reproduction: Armenia (only analog copies), Croatia, Macedonia Only performance: Bosnia & Herz., Turkey  copies exempted as compilations? Only reproduction (distribution) Analog: Andorra, Azerbaijan, Georgia, Kazakhstan, Kyrgyzstan Moldova, Tajikistan, Uzbekistan Any formats: Belarus, Montenegro, Russia, Serbia, Ukraine All of them allow the making of teaching compilations, recordings (language similar to Art.10.2 BC) Any use: Armenia, Azerbaijan, Belarus, Georgia, Kazakhstan, Kyrgyzstan, Russia, Tajikistan, Ukraine, Uzbekistan Reprod. & Com.Publ.: Bosnia & Herz., Macedonia Reprod.: Albania (only exception!), Andorra, Croatia, Turkey
13 National laws EU/EEA: Any use: 7 Specific acts, including online: 10 Perf. & Reprod.: 7 F2F + Ext. Col. Lic.: 5 Non-EU: Perf. & Reprod: 3 Only performance: 2 Only reproduction: 13
14 National laws Beneficiaries  educational establishments, schools, universities, etc.  non-commercial purposes v. non-commercial institutions?  elementary, secondary, university, official degrees, ‘adult’ education? Nature and extent of works  Specific restrictions (# copies, %, fragments, isolated, exclusions …)  Lawfully disclosed works (to extent justified by purpose) Remuneration  5 countries required: Belgium, France, Germany, Switzerland, Netherlands (statutory compulsory license)  3 silent: Luxembourg, Portugal, Italy  The rest non-remunerated (teaching uses allowed for free) Further requirements  fair practice, three-step-test, name and source indicated  limited recipients (for online uses: access control)
15 National laws: Teaching Compilations Common Law Countries 3 non-remunerated: Canada, UK, Ireland Not exempted in 2 countries: USA, Israel EU/EEA: 8 (10) non-remunerated: Bulgaria, Czechia, Cyprus, Greece, Hungary, Latvia, Lithuania, Romania (UK, Ireland) 9 remunerated: Austria, Estonia, Germany, Italy, Nether., Poland, Portugal, Slovenia, Belgium (upon author’s death) 5 with extended collective license: Denmark, Finland, Norway, Sweden, Iceland Not exempted in 7 countries: France, Liecht., Lux., Malta, Slovakia, Spain, Switzerland OTHERS (Non-EU/EEA): 13 non-remunerated: Albania (incl. translation), Andorra (only reprod.), Armenia, Azerbaijan, Belarus, Georgia, Kazakhstan, Kyrgyzstan, Russia, Tajikistan, Turkey?, Ukraine, Uzbekistan, 3 remunerated: Bosnia & Herz., Macedonia, Croatia (only reprod.) Not exempted in 3 countries: Moldova, Montenegro, Serbia
16 National laws: School Events Common Law Countries All 5 exempted: USA, Canada, UK, Ireland, Israel EU/EEA: 17 exempted: Belgium, Bulgaria, Czechia, Estonia, Germany, Greece, Hungary, Latvia, Poland, Romania, Slovakia, Slovenia. Denmark, Iceland, Finland, Norway, Sweden. Non EU/EEA: 4 exempted: Armenia, Bosnia & Herz., Croatia, Macedonia
17 National laws: Voluntary Licensing For all non-exempted uses  voluntary licensing Collective licensing:  voluntary (USA), “stirred” by legislator (UK), extended (Nordic countries)  Practical difficulties: CMO’s insufficient mandate of rights (ultimately voluntary) Difficult to enforce (users not willing to accept them) Individual licensing - Practical difficulties:  identifying & locating owner  timely responses, exorbitant prices (fear of downstream uses, insensitive to needs of education) Unbalanced interests?  Denial of license (right to prohibit use of a work for teaching purposes)  Should (to what extent) authors’ exclusive rights prevail over education?  DRMs and licensing terms further restricting educational uses?  We must be vigilant on how these practices evolve and ensure teaching exceptions remain effective
18 Conclusions Fragmented, insufficient, non-uniform national solutions Online teaching uses discriminated (not all national legislators are sensitive to needs of online education)  Exceptions should be technology-neutral (under different conditions) Voluntary licensing schemes (and DRMs) can hardly find the right “balance” between interests at stake Education is a strong public interest  Exceptions and limitations should be a matter of strict public policy (addressed by the law)
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