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UDC 667-633-12
BIS 1994 STANDARDS
Paints (Other than Industrial Paints) and Allied Products Sectional Committee, CHD 020
FORE'VORD
This Indian Standard (Fourth Revision) was adopted by the Bureau of Indian Standards, after the draft finalized by the Paints (Other than Industrial Paints) and Allied Products Sectional Committee had been approved by the Chemical Division Council. This standard was first published in 1949 and since then it has been revised three times in 1955, 1961 (and also reprinted in 1969), and 1978 (also printed in 1984). Through the use of the reprinted version of the standard for over five years colour fading was noticed in some shades. The concerned Sectional Committee, therefore, decided to prescribe 'Munsell' values in terms of hue, lightness value graduations (value) and chroma according to the calibrated scales of the 'Munsell' colour Atlas as records of the original colour values of individual shades for reference. Accordingly, approximate 'Munsell' references and Colourimetric values for all colours are given in Table 1. The Colourimetric values expressed in terms of Trichromatic System are also given in Table 1. An explanation of the 'Munsell' system of colour references and glossary of colour terms is given in Annex A. In the third revision an additional colour shade 'scamic', Indian Standard Colour (ISC) No. 294 in semi-gloss was included with the specific approval of the Ministry of Defence, Government of India. The title of the standard was modified to include the word 'enamels'. The name of the shade ISC No. 415 was changed from 'Imperial Brown' to 'India Brown' and ISC No. 633 from 'RAP Blue-Grey' to 'AP Blue-Grey'. In this revision, four new colours, namely, Phirozi (ISC No. 176) and Satin Blue (ISC No. 177), Bus Green (ISC No. 299) and Steel Grey (ISC No. 698) have been added in Blue, Green and Grey colour groups respectively. Tri chromatic values determined on spectra photometer have also been included in this revision for each colour shades. Consequently definition of relevant terms have also been added in Annex A. In the preparation of this revised standard substantial assistance has been made available in measurement and checking of colour values by Indian Institute of Chemical Technology, Hyderabad and active collaboration of the Panel of referees comprising experts from National Test House, Calcutta; Indian Institute of Chemical Technology, Hyderabad; Ministry of Defence (DGQA), Kanpur; Indian Paints Association, Calcutta; Shalimar Paints, Calcutta; Berger Paints, Calcutta; and Jenson and Nicholson, Calcutta in matchings of colour shades, which are thankfully acknowledged. Assistance has also been derived from BS 381 C : 1988 'Colours for identification, coding and special purposes' and BS 1611 : 1953 'Glossary of colour terms used in science and industry' issued by the British Standards Institution.
these will be assigned numbers which de net overlap the existing numbers. Cream and Buff .. Brown and Pink.. Yellow.1 For the purpose of this standard. of which the first digit indicates the group of colours according to the seven broad colour divisions mentioned in 1. and Violet. each group having a range of numbers allotted. Cream and Buff.1 This standard covers 104 colours for ready mixed paints and enamels grouped under Blue. namely: Blue Green Yellow.1.IS 5: 1994
1 SCOPE 1.1.
. Brown and Pink Red and Orange Grey Vielet
100-199 200-299 300-399 400-499 500-. Grey.599 600-699 700-799
3.1 Whenever new colours are required ro be added in the above ranges. 3 NUMBERING SYSTEM 3. 2 TERMINOLOGY 2. Green. Red and Orange.1 Three digit numbers have been given to the colours. the definitions of colour terms given in Annex A of this standard shall apply.
Visual sensations devoid of the attribute of hue. a decrease in which is associated with the residual degradation which would result from the addition of a small quantity of neutral grey to the colouring material when the strength of the mixture has been readjusted to the original strength (comparison brighter). but applied to a secondary source which is completely absorbing at all visible wavelengths.
(Foreword.That colour quality.1 Approximate 'Munsell' references for each colour are given in Table 1 quoted by the respective reference number.IS 5: 1994 4 'MUNSELL' REFERENCES AND COLOURIMETRIC VALUES 4.The subjectively estimated amount of blackness seen in the visual sensation arising from a Surfacecolour. A-I. A-I.
. and 'Munsell' references are given for guidance and as an aid in comparing individual properties in terms of hue. value and chroma.3. A-I. or enter in the form of a mosaic which the eye cannot resolve.
A-l.2 As defined in A-I. The 'Munsell' system of colours is briefly explained in Annex A.The mixture of light stimuli in such a manner that they enter the eye simultaneously or in rapid succession and are incident on the same area of the retina.S Brightness .1 and 4. It is usual to apply them to greys and neutrals. the luminance factor of which is nearly unity or nearly zero respectively.3. A-I.l Achromatic Sensations . The Indian Standard Colour (ISC) number shall always be used for identifying a colour. .2 Additive Mixture .1 A visual sensation arising from some portion of a luminous field of extremely low luminosity.
NOTE ~ The terms 'white' and 'black' are not always used in the strict sense defined above.3.4 Black Content .1. which constitute a permanent record of the standard colours obtained from spectrophotometric measurements are also given in Table 1 for guidance.
Clauses 2.3 Black A-I. The colourimetric values (chromaticity co-ordinates and luminance factor) expressed in terms of the trichromatic system for colourimetry.1 )
GLOSSARY OF COLOUR TERMS AND THE 'MUNSELL' SYSTEM A-I DEFINITIONS A-I.
2 That characteristic of the light stimulus. A-I. by additive mixture.Green or blue.7 Complementary Colours A.6. greyness or blackness. A-I. can be made to match a specified achromatic colour. that is. (b) change in concentration of an-absorbing material. A-I. light source or object.13 Dullness .1 Additive .14 Deeper .IS 5: 1994
A-I.A phenomenon in which a secondary source shows a marked change in hue with change in the observing conditions. etc. (c) change in thickness of an absorbing layer.7. as distinct from whiteness. which gives rise to the visual sensation in a red light. A-I.2.6. or colours which exhibit a predominance of these.1 or A-1.9 Cleaner . A-I.6 Colour A-1.6.7. a red face. a white light.Visual sensations possessing the attribute of hue.A difference apparently due to the presence of less black than in the original sample. greenness.S Colour Content -The subjectively estimated amount of colourfulness seen in the visual sensation arising from a surface colour.6. A-1.A difference apparently due to the presence of less white than in the original sample. A-I. can be made to match specified achromatic colour. A-I. an increase in which is associated with the residual degradation which would result from the addition of a small quantity of neutral grey to the colouring material when the strength of the mixture has been readjusted to the original strength (comparison duller). chromatic colour in contra-distinction to achromatic colour.3 As defined in A-1. Similar to chroma.ll Chromatic Sensations . etc.2 Subtractive -Any two absorbing media which.That colour quality. (d) change in direction of illumination or viewing. by subtractive mixture. but restricted to the appearance of redness. and (e) change in condition of polarization.Any two colours which.IO Cool Colours .12 Dichroism .
. Instances are : (a) change in colour temperature of the illuminant. A-I.I.6.1 That characteristic of visual sensation which enables the observer to distinguish differences in the quality of the sensation of the kind which can be caused by differences in the spectral composition of the light A-I. A-1.
.20 Minus Colours s-.Surface colours which are produced with the maximum colourfulness obtainable.24 Masstone -The colour by reflected light of a bulk of undiluted pigment.as specified objectively for values from 1 to 9 in the 'Munsell'Atlas (see Note under A-L21).21).Applied to a secondary source which is equally absorbing at all visible wavelengths. yellow.Radiant power ( energy flux) capable of stimulating the eye to produce visual sensation. green. A-LI6 Full Colour . red and purple. A-LI7 Grey A-I. but applied to a secondary source which is partially absorbing at some or all visible wavelengths but from which the reflected or transmitted light has the same colour as that of the incident light. A-1. such as blue. which are chroma.
. for example. . lightness ( called value) and hue.1. minus red. A-LI9 Light .IS 5: 1994 A-I.Attribute of visual sensation which has given rise to colour names. a specified objectively by the' samples of the 'Munsell' Atlas ( see Note underA-I.22 'Munsell' Value .17. A-I.2 As defined in A-LI7.The estimated pure chromatic colour content of a surface COIDur a scale of equal sensation intervals on extending from grey (Chroma = 0 ). A-I.2S Neutral Grey . . A-I. idealwhite (value 10 }.1 Any achromatic sensation of luminosity intermediate between black and white.21 'Munsell' Chroma .The estimated lightness of any surface colour on a scale of 10 equal sensation intervals extending from ideal black { value =0) to.IS Dirtier/Duller . spaced at equal sensation intervals and.17. the closest correlation with the SUbjectivevariables.18 Hue .
A-I.The hue of a surface colour on a scale of 100 equal sensation intervals round a colour circle of constant chroma. therefore. as specified objectively by the sample of the 'Munsell' Atlas ( see Note ). A-1. CDIDurs in which only the spectral components associated with the colour named are not present to any substantial extent. A-L23 'Munsell' Hue .A difference apparently due to the presence of more black than in the original sample.
NOTE-The 'Munsell' System presents the closest attempt at representing the colour solid of surface colours by samples. A-1.
26 Primary Light Source .That colour quality. A-1. A-1.39 White A-l.1.IS 5: 1994 A-l. but applied to a secondary which is non-absorbing at all visible wavelengths. A-l.31 Subtractive Mixture -The mixture of absorbing media or the superposition of filters so that the composition of the light stimulus passing through the combination is determined by the simultaneous or successive absorption of parts of the spectrum by each medium present.39.1 Subjective .33 Tint ~ The weak colour resulting from the addition to white of a small amount of colouring matter. A-1.A body or object transmitting or reflecting light falling on it from any other source. all other conditions (viewing. A-1.38 Weaker .28.39. A slight variant of a colour. orange or yellow.A difference apparently due to the presence of less colour than in the original sample.2 As defined in A-1.35 Tone A trace of added colour. A-l.39. A-l. etc) remaining the same ( comparisons stronger.The colour of a pigment when it is used in very thin layers or greatly extended with white.28 Shadow A colour of the same hue and saturation but lower Series
A-l. due to the presence of
A-1.1 An achromatic sensation of relatively high luminosity. A series of colours of varying luminance but
A-1.34 Tings A-1.30 Stronger .
A-1. A-l. weaker ). A-1.Red.36 Undertone .A difference apparently more colour than in the original sample. the hue of which may often differ from that of the mass tone.A body or object emitting light by virtue of transformation of energy into radiant energy within itself. or colours which exhibit a predominance of these.A series of colours of varying luminosity but constant hue and saturation.37 Warm Colour .27 Shade luminosity. source
. A-1.2 Objective constant chromaticity. whether primary or secondary. an increase in which is associated with an increase in the concentration of the colouring material present.29 Strength .28.32 Secondary Light Source . A·1.
It is related to lightness or darkness of a colour and is quoted as ranging from 0 to 10. or 10. colours of similar values have similar reflectance. BG for blue-green) with prefix numbers. to the yellow-red (YR ). It indicates the colour quality of the sample and recommended symbols are x.It distinguishes red from blue.4 Chromaticity Coordinates -
Ratio of each of the three tristimulus values to their sum.
It is strength of colour and is based on a scale from neutral grey (-/0) towards full strength at any given 'value' level.l In the 'Munsell' system.
X X +Y Y X +Y Z X +Y +Z +Z +Z
XlO XlO+YlO+ZlO YIO XlO+YlO+ZlO ZlO XlO+YlO+ZlO
y1O=
zlO=
.A difference apparently due to the presence of more white than in the original sample. the R (red) number is greater than 5. irrespective of the amount of a chromatic colour. where V is the 'value'.l Hue .Attribute of a visual sensation which permits a judgement to be made in the amount of pure chromatic colour present.
A-l.y and z in the CIE 1931 standard colourmetric system and xto. and so on round the hue circle. green from yellow. for example.4l Whiter . R for red. 2.. A rough estimate of the reflectance as a percentage is given by the formula V (V-I).3 Chroma .1.2.IS 5: 1994 A-lAO White
Content . Steps are denoted numerically at even intervals.5. the low figures represent the darker colours and finally black ( 0 ).The subjectively estimated amount of whiteness seen in the visual sensation arising from a surface colour.
value and chroma.1. namely. and if the R number is less than 5. the colour inclines.1.
A-2. A-2 THE 'MUNSELL'SYSTEM A. the colours are specified in terms of hue. etc.
and is denoted by letter ( for example.2. 7. If. the colour inclines to redpurple ( RP ). yro and zio in the CrE 1964 Supplementary colourmetric system. the high figures represent the light colours and finally white ( 10).
A.1. Thus.5.2 Value -
1.6 Luminance Value .IS 5: 1994
x Y and Z are the tristimulus values in the CIE 1931 Standard C~lourimetric System and X10. N6'or'N8'. be 'pale-pink'. Y and Z in the CIE 1931 standard colormetric system and XlO .
. a) the hue of 7.4 In the design of the colour range. b) the value 9 denoting a very light colour.1.1.2 A complete 'Munsell' reference for a colour.
A broad description of the colour would. A-2.7 Method oj Determination oj Chromaticity Coordinates The value of reflectance is measured for the sample over a circular area of 20 mm in dia over a wavelength range of400 to 700 mm at 20 mm interval. The ratio of the luminance of a body while illuminated and observed under certain conditions to that of perfect defuser under the same conditions. YI0 and ZlO in the CIE 1964 standard colourimetric system.The emission by matter of electromagnetic radiation which for certain wavelengths or restricted regions of the spectrum is in excess of that due to the thermal radiation from the material at the same temperature is defined as Luminance. The Macbeth "Uptimatch" colour matching system is used for determining the reflectance values.3 It should be noted. and c) the chroma 2 indicating that the strength of the colour is low. are denoted by the value figure prefixed by N'.5 R. however. in a given trichromatic system.Y10 and ZlO in the CIE 1964 Supplementary Colourimetric System. 7.
A-2. for example.
x + y + z = 1 and x 10+ Y
+zlO
The symbols recommended for the tristimulus values are X. A-2.S Tristimulus Value .Amounts of the three reference or matching stimuli required to give a match with the colour stimulus considered. A-2.
9/2 means:
A-2. having no hue or chroma. therefore.5 R denoting a red inclined towards yellow-red. that neutral greys. for example. 'Munsell' references provide the means of defining the various categories of colour required. A-2.
2447 0.3525 0.0
2.0 6.50n.2917 0.0 10.2308 0.5G 2.50/8.99 9.0
16. 2.0 GY 4.3360 0.75 25.0 3.3409 0.00/6.14 6.0G 2.50/4.5 GY 4.0
5.5G 3.2949 0.50/5.5 B 7.5 GY 7.5
6.53 17.3848 0. 9. (2) 101 102 103 104 105 106 108 166 169 174 176 177 216 217 218 219 220 221 222 223 Name of colour Shade Chromaticity Coordinates Luminance Value Approximate Munsell Value
(1) 1.0 2.0 2.2189 0.0 2.50/8.0 GY 3.2242 0.5/5.OY 5.00/4.2641 0.3875 0. 27.1)
SI No.0 7.3068 0.0 5. 28.0PB 7.0 9.57 7.4149 0.0
13.0 3.4059 0.
224 225 226 227 267 275 276 277 278 279
0.0B 2.
(3) Sky Blue Turquoise Blue Peacock Blue Azure Blue Oxford Blue Navy Blue Aircraft Blue French Blue Traffic Blue Oriental Blue Phirozi Satin Blue Eau-de-Nil Sea Green Grass Green Sage Green Olive Green Brilliant Green Light Bronze Green Middle Bronze Green Deep Bronze Green Light Brunswick Green Middle Brunwsick Green Deep Brunswick Green Traffic Green Opaline Green Lincoln Green Cypress Green Light Olive Green Steel Furniture Green
X (4) 0.00/6.2514 0. 11.05 8. 14.50n. 30.5 GY 2.0 5. 22.3277 0.3383 0. 20.50/3.3651 0.3802 0.3089 0.3243 0.00/12.62 8.2666 0.IS 5: 1994 Table 1 Approximate 'Munsell' References and Colourimetric Values
(Foreword and Clause 4.2515 0. 19.3558 0.3512 0.24 7.2371 0. 3.80 10.2845 0.87 10.
5.75/8.3327 0.0 2.3191 0.07 8.11 13.0 2.
21.88 11.00/4.56 12.0 3.83 17.0
10.5/10.06
Value/Chroma (8) 6.76 36.3314
0.5PB 7. 8.3105 0. 23.3855 0.23 12.2990 0.4008 0.00/6.0GY 1O.1953 0.5 PB 5.2605 0. Indian Standard Colour (ISC) No.00/6. 17.3134 0. 18.0GY 4.5GY
7.0 1.3961 0.0 GY2.3989 0.88
10. 4.5GY 2.5/3.00/13.4326 0.5G 3.0 2.OGY 3.2474 0.81 43.47 23.0GY 3.25 8.00/6.0 3.00/4.50/8.07 31. 25.3368 0.3189 0.50/2.00/4.0 4.5 B 10. 12.4338 0. 29.2548 0.0PB 10.0/5.50/4.00/4.5BG 7.96 56.00/5.3706 0.18 5.55 14.3537 0.2961 0.2985 0.5 PB 7.50n.30 20.0
.47 9.3212
Y (5) 0. 24.4255 0.0 5.00/5.3510
(6) 34. 15. 10.2335 0.2365 0.36 6.3518 0.4041 0. 26.0 2.0 1O.17 23.5 BG 5. 5.3145 0.3723 0.0B 5.0B 7.0 2.5GY 7.
2626 0.32 49.3467 0.0 9.81 63.0Y 7. 66. 45.2918 0.0 3.3752 0.17 7.5YR 5.4017 0.50/3. 56.0G 5.0Y 2.5 7.4193 0.3896 0.50/6.50/5.00/5. 34.0 5.3918 0.0 3.0 10.4505 0.0 GY 2.0 2.3861 0.50/6.0 2.91 63. 36.75/5.5R 7.0 5.0 7. 42.4379 0.5 Y 10.5 Y 5.
X (4) 0.00 7.0YR 5.3807 0.3596
(6) 25.0 5.3895 0.32 27.3396 0. 60.00/8.4855 0.0 9.31 11. 32.50/2. 41.0 3.0YR 7.4991 0.08 53.5 Y 5.3865 0.4253 D.0YR 5.0Y 2.5 G 2.3777 0.50/12.46 11.3922 0.86 6.75/6. 49.3083 0.3639 0. (3) (2) 280 281 282 283 284 294 298 299 309 352 353 354 355 356 358 359 360 361 362 363 364 365 368 384 385 386 387 388 397 410 411 412 413 414 415 439 442 443 Verdigris Green Apple Green Forest Green Aircraft Grey Green India Green Scamic Olive Drab Bus Green Canary Yellow Pale Cream Deep Cream Primrose Lemon Golden Yellow Light Buff Middle Buff Deep Buff Light Stone Middle Stone Dark Stone Portland Stone Vellum Traffic Yellow Light Straw Light Biscuit Champagne Sunshine Beige Jasmine Yellow Light Brown Middle Brown Dark Brown Nut Brown Golden Brown India Brown Orange Brown Light Salmon Pink Salmon Pink Chromaticity Coordinates
Luminance Value Approximate Munsell Value
(1) 31.5 GY 10.50/10. 59.00/10.3719 0.0 8. 53.74 64. 64.3258 0.50/7.0 4.5Y 2.4506 0.3563 0.5YR 2. Indian Name of colour StanShades dard Colour (lSC) No.94 11.4544 0.00/3.0 8.5YR 5.4192 0.4643 0.0 8.48 10.93 16.46 45.0Y 5.3886 0.3596 0.00/4. 37.00/4. 51.33 51. 43.5 YR 10. 65.00[7.3960
Y (5) 0.0 2.3764 0.0YR 5.0 4.0 6.07 47.0Y 7.00[7.50/5. 39.56 55. 35.0Y 2.0 6. 40.4170 0.5 6.0 YR 10.3477 0.53 51.0 8.3828 0.64 9.71 21.0 8.46 59.3827 0.IS 5: 1993 TABLE1SI No.3939 0.3665 0.3983 0.3984 0.0 YR 10.0 4.3902 0. 38.00/8.3712 0.50/5.50/7.3578 0.0 8.4265 0.50/4. 58.0
.43 30.0 8.0 YR 10.0 YR 5.3709 0.46 34.4263 0.OY 10.4133 0. 48.4306 0. 62.50/2.22 62.3693 0. 67.12 54.0 10.0 YR 7.4062 0.0 6.4078 0.3820 0.3849 0.0 2.3663 0.3217 0.2908 0.36 35. 68. 63.0 9.63 9.16 21.48
Value/Chroma (8)
5.00/9.0 10. 54.00/5.3964 0.50/3.0 9.25/4.2994 0.3555 0.3825 0.5Y 2.0 GY 5.4735 0.0 Y 5. 47. 33.4307 0.4287 0. 57. 61.50/13.0YR 5.72 8.25/9.4199 0. 46.50/6.5YR 7.39 38.3928 0.3788 0.77 34.0 8.50/6.0 8.0 GY 2.0 8.4116 0. 52.4140 0.3364 0.3404 0.50/2.00/7.75(3.0 YR 10. 50.3725 0.12 18.00/8.38 57.5 Y 2. 44.76 60. 55.31 47.00/14.14 11.3944 0.5 Y 5.75/14.3865 0.3279 0.53 25.
5 2.5R 7.3429 0.0R 7.13 8.4054 0.24 10.0
4. 693 100.3246 0.00/8. 449 74. 84.5
3.4973 0.2963 0.69 14.0 BG 5. 671 98.00/1.3259 0.0 2.5R 5.69 31.3089 0.00/1.0GY 5.23 10.13 23.2579
Hue Value/Chroma (J) (8) 7.5YR 10.5 4. 446 72.95 7.10 8. 631 93.69 8.3483 0.3242 0.5R 7.00/3.88 7.5R 7. 489 490 499 536 537 538 540 541 557 570 Terra Cotta Venetian Red Red Oxide Deep Indian Red Light Purple Brown Chocolate Gulf Red Leaf Brown Beech Brown Service Brown Fire Red Signal Red Post Office Red Crimson Maroon Light Orange Traffic Red Indian Saffron Deep Orange International Orange Silver Grey Quaker Grey French Grey Light Grey Dark Admiralty Grey AF Blue-Grey Slate Lead Middle Graphite SrnokeGrey Aircraft Grey Dove Grey Dark Blue-Grey Light Admiralty Grey Steel Grey Dark Violet
(Concluded) Luminance Chromaticity Value Coordinates
Approximate Munsell Value
X (4) 0.3719 0.00/4.0
86.5R 7. 630 92.0B 1D.2981
Y (5) 0.3531 0.5R 7. 698 104.00/1.75/1.08 25.5096 0.4219 0.0 10. 82.OB 10.72 19.50/2.4877 0.0 6. 448 73.95 25. 80.0R 7.3269 0.3625 0.4067 0.60 26.74 7.3379 0.50/4.95 10.3664 0.5R 2.5385 0.3413 0.5092 0.3400 0.51 32.3128 0.67 9.oon.3232 0.3343 0.0 YR 7.5P
.0 3.3104 0.0Y 5.50/4.5 5.3415 0.06 15.3539 0.0B 10. 692 99.61 6.0 7.5 5.oon.colour dard Shades Colour (ISC) No.14 23. 83.10 17.0 6.2994 0. Stan.0 5.0BG 10. 633 634
97.50/1.3351 0.28 15. 592 89. 95.0R 5.2987 0.50/1.3457 0.5 4.3252 0.3464 0.19 15.3622 0.50/1.3224 0. (1) (2) (3) 69.0 5. 574 87.0 BG 2.3450 0.0GY 2.01 21.00/16.5G 10.3085 0.50/6. 632 94.50/3.3786 0.796
%.00/6.00 2.3263 0.0 2.0 4.0YR 2.0 3.3538 0.3315 0.3377 0.3340 0. 635
10.50/10.0R 7.2756 0.00/14. 81.3088 0.0 3.5 3.3098 0.5 2.5R 7.3389 0. 79.5R 2. 445 71.75/6.3292 0.3060 0.3513 0.5 3.5 5.0 BG 7.00/12. 85.17 47.50/1.5308 0. 451 75.00/12.50/1.00/2.0B 5.0
14.0 3.00 10.00/13.3549 0.50/2. 695 102.IS 5: 1993
Indian Name of No.3292 0. 694 101.5R 7. 591 88.3547 0.00/1.0 4.50/4.5R 5. 444 70.3036 0.21 13.69 31.00/6.3644 0.0 5.32 5.88 6.77 9.3640 0.5029 0.5R 2.0 3.50/13.4089 0.75/3.85 27.90
1.0 6.0 6.0 2.82 6. 697 103.0 1. 77. 629 91. 628 90.3317 0.5GY 10.3191 0.75 8.50/14.3520 0.0B 4.0 5.3405 0. 78. 473 76.4020 0.0G 10.3352 0.5252 0.5 250/1.5R 10.4360 0.3860 0.
102 Turquoise
No. 176 Phuozt
No. 177 Satin Blue
. 166 French
No. 174 Oriental
No. 169 Traffic Blue
No. 108 Aircraft
No. 106 Navy Blue
No. 105 Oxford Blue
No.BLUE
NO. 104 Azure Blue
No. 103 Peacock
294 Scamlc
Mid. 282
No.GREEN
200No.
No. 279 Steel Furniture Green
No. 29Q Bus Green
No. 224 Deep Bronze Green No. 216
Eau·de-N·il
No. 280 Verdigris
No. 281 Apple Green
No. 397 Jasmine Yellow
. 386 Champagne
No. 368 Traffic Yellow
No. 387 Sunshine
No. 361 Light Stone
No. 384 Light Straw
No. 363. 354 Prlrrrose
No. 365 Vellum
No.YELLOW. Dark Stone
No. 365 Light Biscuft
No. 309 Canary Yellow
No. 359 Middle Buff
No. 364 Portland Stone
No. 353 Deep Cream
No. 358 Light Buff
No. 356 Golden Yellow
No. 352 Pale Cream
No. 388 Beige
No. 360 Deep Buff
No. 355 Lemon
No. CREAM AND BUFF
473 Gu~Red
No. 499 Service Brown
No. 446 Red Oxide
No. 490 Beech Brown
No. 489 Leaf Brown
No. 443 Salmon Pink
No.415 India Brown
No.BROWN AND PINK
No. 413 Nut Brown
No. 412 Dark Brown
No.411 Middle Brown
No.445 Venetian Red
No. 439 Orange Brown
No.448 Deep Indian Rad
No. 414 Golden Brown
No. 451 Chocolate
No. 442 Light Salmon Pink
No. 444 Terra Cotta
No.41Q Light Brown
No.449 Light Purple Brown
No. 541 Maroon
No. 557 Light Orange
No.591 Deep Orange
No. 536 Fire Red
No.-637 Signal Red
No.RED AND ORANGE
No.574 India Saffron
No. 592 International Orange
. 538 Post Office Red
No.Grey
AF Blue. 671 Middle
No. 695 Dark Blue'Grey
No..631
No. 635 Lead
.GREY 600-·
VIOLET 700-
No. 629 Quaker Grey
Smoke G .. 632
Paint Industries. OIAUDHARI Snnt C. SINGH.
Research. G. MURTHY (Alternate) DR R. SAHA SllRI A. Pune Calcutta New Delhi Plant (HEC) Ranchi
Tata Engg & Locomotive Indian Paints Association. M. Bombay Central Public Works Deptt. New Delhi Oil Technologists Association of India. Director (Chemicals) Addisons Representing Paint & Chemicals Ltd. BEllL DR P. MUKIIOPADIIAYA (Alternate) SllRl M. Bombay ICI India Ltd.PAINTS (OTHER THAN INDUSTRIAL PAINT) AND ALLIED PRODUCTS SECTIONAL COMMITTEE. S. MAZUNDAR (Alternate) SilRI ALOK MATHUR SIlRI M. Bombay Development Commissioner New Delhi (SS!). N. AGARWAL SllRl SllRI JASBIR SINGH (Alternate) SHRI S. LOYALKA (Alternate) SIlRI RAMEsH CHAND DR GAUTAM RAy SilRI R. ANAKAIKAR SHRI JAMEEL AHMAD (Alternate) SURI S. YASEEN DR B. Kanpur The Punjab Paint Colour & Varnish Works Ltd. K. TIWARI SHRI B. The U. GHOSH DRS GHOSH SllRl K. L. GOEL (Alternate) SURJ D. K.
Technology. SAIIA DR M. Calcutta Engineers India Ltd. TEWARI SIIRI P. K. N. PAREKH SilRI G. New Delhi Jenson & Nicholson (India) Ltd. K. NIRMAL KUMAR(Alternate) Joint Director (eM) SR (CMT) (Alternate) SliRl JUNG BAHADUR SilRI A.. AGARWAL (Alternate) DR M.P. P. Calcutta Railway Board. D.. UNNII SUR! N. Heavy Machine Building
Indian Small Scale Paint Assc. MUKHERJEE SI·lRI A. GOI. SHIRSALKAR (Alternate) SHRI G. SINHA (Alternate) SHRl MIL A. M. B. SHEJ"YE (Alternate) SIlRIR. VERMA SIIRI A. BANERJEE (Alternate) SIIRI R. Calcutta Garware Paints Ltd. KHANNA (Alternate) SIIRI M. BAsu(Alteranate) SIIRI V. K. K.
NARtJLA
Joint Director (Chern). BIS
. MEflROTRA (Alternate) SIIRI V. New Delhi
Asian Paints (India) Ltd. New Delhi Co.
BIS (Ex-officio Member)
R. K. GUPTA (Alternate) SIIRI A. K. G. M. P. G. Madras
Directorate General of Technical Development. N. S. CHD 020
Chairman T. SAXENA DR M. K. Kanpur Bharat Heavy Electricals Ltd. S. Calcutta Berger Paints India Ltd. S. Bombay (DGQA). N. GHOSII (Alternate) SHRI ALOK MUKHERJEE SIIRI S. CHAKRAWARTY (t)/ternate) DR G. K. BAVDEKAR SIlRl S. New Delhi
Shriram Institute New Delhi Indian Institute Hyderabad Director General. M. TiIUSE (Alternate) Director (Chemicals) SIiRI R. R. New Delhi National Test House. ASTHANA SIlRl K. NARULA (Alternate) REPRESENTATIVE SIlRI S.. Calcutta Ministry of Defence (R & D) New Delhi
Ministry of Environment & Forests. New Delhi Goodlass Ministry Nerolac Paints Ltd. K. MAN! Members Snar S.
New Delhi and Printed at The Ganges Printing Company Limited. Calcutta
.Published by Bureau of Indian Standards.
More From This UserSkip carouselIS-12188IS-13085IS-13102IS-13920.pdfScanned Indian Standards List.pdfTarpaulins - Is 7903 - 2011is.636.1988IS-02002IS-01730IS-02002IS-03524-Part02150116828-EN10222-4-1999IS-03406-Part01IS-03403D3492.20048-1 - Vol. 09.02D3393.19989-1 - Vol. 09.02D2527.19141-1 - Vol. 09.02D2433.19093-1 - Vol. 09.02D1869.18949-1 - Vol. 09.02D1330.17885-1 - Vol. 09.02D622.17751-1 - Vol. 09.02D380.17681-1 Vol. 09.02IS-01024IS-00613IS-00513
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