Source: https://www.law.cornell.edu/cfr/text/37/380.2
Timestamp: 2015-07-02 06:13:49
Document Index: 536883607

Matched Legal Cases: ['art 380', 'art 380', '§ 383', '§ 380', '§ 380', 'art 380']

37 CFR 380.2 - Definitions. | US Law | LII / Legal Information Institute
CFR › Title 37 › Chapter III › Subchapter E › Part 380 › Subpart A › Section 380.2 37 CFR 380.2 - Definitions.
There is 1 rule appearing in the Federal Register for 37 CFR Part 380. View below or at eCFR (GPOAccess)
Aggregate Tuning Hours (ATH) means the total hours of programming that the Licensee has transmitted during the relevant period to all listeners within the United States from all channels and stations that provide audio programming consisting, in whole or in part, of eligible nonsubscription transmissions or noninteractive digital audio transmissions as part of a new subscription service, less the actual running time of any sound recordings for which the Licensee has obtained direct licenses apart from 17 U.S.C. 114(d)(2) or which do not require a license under United States copyright law. By way of example, if a service transmitted one hour of programming to 10 simultaneous listeners, the service's Aggregate Tuning Hours would equal 10. If 3 minutes of that hour consisted of transmission of a directly licensed recording, the service's Aggregate Tuning Hours would equal 9 hours and 30 minutes. As an additional example, if one listener listened to a service for 10 hours (and none of the recordings transmitted during that time was directly licensed), the service's Aggregate Tuning Hours would equal 10.
Broadcaster is a type of Licensee that owns and operates a terrestrial AM or FM radio station that is licensed by the Federal Communications Commission.
Collective is the collection and distribution organization that is designated by the Copyright Royalty Judges. For the 2011-2015 license period, the Collective is SoundExchange, Inc.
Commercial Webcaster is a Licensee, other than a Noncommercial Webcaster, that makes eligible digital audio transmissions.
Copyright Owners are sound recording copyright owners who are entitled to royalty payments made under this subpart pursuant to the statutory licenses under 17 U.S.C. 112(e) and 114.
Ephemeral Recording is a phonorecord created for the purpose of facilitating a transmission of a public performance of a sound recording under a statutory license in accordance with 17 U.S.C. 114, and subject to the limitations specified in 17 U.S.C. 112(e).
Licensee is a person that has obtained a statutory license under 17 U.S.C. 114, and the implementing regulations, to make eligible nonsubscription transmissions, or noninteractive digital audio transmissions as part of a new subscription service (as defined in 17 U.S.C. 114(j)(8)) other than a Service as defined in § 383.2(h) of this chapter, or that has obtained a statutory license under 17 U.S.C. 112(e), and the implementing regulations, to make Ephemeral Recordings for use in facilitating such transmissions, but that is not—
A Broadcaster as defined in § 380.11; or
A Noncommercial Educational Webcaster as defined in § 380.21.
Noncommercial Webcaster is a Licensee that makes eligible digital audio transmissions and
Is exempt from taxation under section 501 of the Internal Revenue Code of 1986 (26 U.S.C. 501),
Has applied in good faith to the Internal Revenue Service for exemption from taxation under section 501 of the Internal Revenue Code and has a commercially reasonable expectation that such exemption shall be granted, or
Is operated by a State or possession or any governmental entity or subordinate thereof, or by the United States or District of Columbia, for exclusively public purposes.
A performance of a sound recording that does not require a license (e.g., a sound recording that is not copyrighted);
A performance of a sound recording for which the service has previously obtained a license from the Copyright Owner of such sound recording; and
An incidental performance that both:
Makes no more than incidental use of sound recordings including, but not limited to, brief musical transitions in and out of commercials or program segments, brief performances during news, talk and sports programming, brief background performances during disk jockey announcements, brief performances during commercials of sixty seconds or less in duration, or brief performances during sporting or other public events and
Other than ambient music that is background at a public event, does not contain an entire sound recording and does not feature a particular sound recording of more than thirty seconds (as in the case of a sound recording used as a theme song).
Side Channel is a channel on the Web site of a Broadcaster which channel transmits eligible transmissions that are not simultaneously transmitted over the air by the Broadcaster.
Title 37 published on 2014-07-01.The following are only the Rules published in the Federal Register after the published date of Title 37.For a complete list of all Rules, Proposed Rules, and Notices view the Rulemaking tab.2014-10-31; vol. 79 # 211 - Friday, October 31, 201479 FR 64669 - Digital Performance Right in Sound Recordings and Ephemeral Recordings
Title 37 published on 2014-07-01The following are ALL rules, proposed rules, and notices (chronologically) published in the Federal Register relating to 37 CFR Part 380 after this date.2015-03-26; vol. 80 # 58 - Thursday, March 26, 201580 FR 15958 - Digital Performance Right in Sound Recordings and Ephemeral Recordings