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The Economic Impact of Copyright: A Presentation to TPP Negotiators | Public Knowledge
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This presentation was given to negotiators of the Trans-Pacific Partnership Agreement (TPP) during the July 2012 round of negotiations in San Diego, CA. A PDF of this presentation is available here. Copyright law is often enacted and implemented with
the purpose of incentivizing creation of new works for public use. In exchange
for the creation of new works, the government gives the author a limited
monopoly over that work for a finite period of time, after which point it can
be used and enjoyed by the public. Since this debate is ultimately a debate
over incentives, copyright policy discussions that address how to strike the
appropriate balance between copyright protection and limitations and exceptions
to copyright must in part look to economic analysis. Copyright should only be
as strong as is actually necessary to incentivize the creation of works, and
during the term of copyright limitations and exceptions to copyright should be
used to serve the public interest.
paper is a review of the literature examining the economic effects of copyright
protection and copyright limitations and exceptions. In response to calls for
ever-increasing copyright protection and term, this paper examines the costs of
copyright protection to society and the benefits of limitations and exceptions.
Increasing Copyright Protection and Enforcement Does Not Always Lead to
The Economic Importance of New Market Entrants
Copyright protection imposes economic and social costs
on society. In return for the promise of new works, copyright protection
prevents individuals and businesses from making new uses of existing works. In
today’s economy, this burden falls particularly on technology companies. Innovative new technologies provide enormous social
and economic benefits to society, but can meet resistance from incumbent
intermediaries that control access to content. Technology that is seen by the
dominant firms as “disruptive” is especially vulnerable to attempts to thwart
or control its progress through copyright. For example, publishers initially
fought the Xerox 914 photocopier in the 1950s and 1960s by bringing lawsuits
against Xerox and other photocopier manufacturers.[1]
The advent of cassette tapes in the 1970s similarly provoked cries that
“hometaping is killing the music industry.” And today, peer-to-peer file
sharing technology is often thought of as an illegal technology altogether,
despite its crucial role in many legal initiatives. For example, the LionShare
project at Penn State in the U.S. is a peer-to-peer file sharing system that enables
university users to find academic content housed at other universities and
The history of technological innovation and efforts to
stifle or control that innovation through copyright demonstrate that policymakers
must strike a balance between the interests of rights holders and the interests
of consumers and companies that rely on legitimate uses of copyright-protected
content.[3]
To that end, it is crucial that policymakers rely on evidence-based decision making.
As Professor Ian Hargreaves explained, “[p]olicy should balance measurable
economic objectives against social goals and potential benefits for rights
holders against impacts on consumers and other interests. These concerns will
be of particular importance in assessing future claims to extend rights or in
determining desirable limits to rights.”[4]
As the Gowers Report—a study commissioned by the U.K. government to determine
whether U.K. intellectual property laws struck the appropriate balance between
incentivizing creation without limiting follow-on innovators—noted: “future
increases, or decreases, to the length of copyright should certainly be
dependent on economic evidence that such a change would be positive.”[5]
The necessity for evidence-based decision making is no less strong in the
international setting as in the domestic setting.[6]
Copyright can become a barrier to innovation because
rights holders are given a monopolistic right, and as a result third parties
are unable to use that content for future innovation without permission of the
original rights holder. Thus,
copyright “can constrain third parties wishing to access or innovate on top of
this protected knowledge or content, with potentially serious economic and
social costs.”[7] Recent
studies suggest “technology spreads faster, and has bigger positive effects on
productivity, in industries where there is more open competition and so more
contestable markets—i.e. markets to
which new entrants can gain ready access.” [8]
Recent evidence compiled by OECD shows “that in countries where there is more
dynamism and contestability in markets, measured by the presence of more fast
growing and shrinking firms, productivity growth is significantly higher. In
countries where there are more static firms—neither growing nor shrinking—rates
of productivity growth are lower.”[9]
Decreased Investment in New Businesses
The costs that copyright laws impose on new businesses
can influence the decisions of those who invest in these businesses. A major
factor in the growth of the internet has been the new companies that fuel
innovation—and which typically require startup capital to launch.[10]
This capital often comes from early-stage investors—“the angel investors and
venture capital firms with the skills to support the growth of new businesses
and the willingness to risk the money needed to help them grow.”[11]
Venture capitalists in particular “have historically
invested heavily in startups in various technology sectors, including software,
electronics, and computers. A large percentage of the jobs created in these
sectors can be attributed to these startups.”[12]
It is worth noting here that angel investors and venture capitalists were early
investors in some of today’s most successful businesses, including Apple,
Cisco, Dell, eBay, Facebook, Google, Intel, and Microsoft.[13]
However, one recent study found that a majority of
venture capitalists reported that the current regulatory environment in the
U.S. has had a negative impact on innovation.[14]
The study concluded that “[t]he regulatory environment is just as important a
driver of early-stage investment decisions as is the state of the economy, the
degree of competition in the space, or even the expected return on investments.”[15]
Accordingly, when determining the extent of exclusive intellectual property
rights or limitations and exceptions to those rights, governments should be
sure to investigate the actual costs that those rights will impose on the
On this point, the Hargreaves Report from the U.K.
may be blocked and growth hampered when unduly rigid applications of copyright
law enables rights holders to block potentially important new technologies. We
have experienced this when the interests of rights owners have put them in
conflict with developers of video recorders and web search engines. Research
scientists, including medical researchers, are today being hampered from using
computerised search and analysis techniques on data and text because copyright
law can forbid or restrict such usage. As data farming becomes routine in
systems across the economy, from the management of transport to the
administration of public services, copyright issues become ever more important
as potential obstacles. In these circumstances, copyright in its current form
represents a barrier to innovation and economic opportunity.[16]
The Costs of Extended Copyright Terms
Overly long copyright terms can thwart future investment
and innovation without creating a corresponding incentive to invest on the part
of copyright owners. For example, when the U.S. extended its copyright term
by 20 years, from the life of the author plus 50 years to the life of the
author plus 70 years, economic evidence gathered after the law was enacted
revealed that the term extension had a negligible effect on investment decisions.[17]
This result is unsurprising; after all, from the perspective of investors “the
term of protection in the USA had nearly the same present value as perpetual
copyright term. As such, many economists suggest that increasing copyright term
beyond 50 years does not provide additional incentives to invest, as monies
earned so far in the future fail to impact on current spending decisions.”[18]
In comparison, before becoming a signatory to the
Berne Convention, the U.S. required copyright owners to apply for and renew
their copyright registrations. The costs of doing so were intended to be low
enough to merely cover administrative costs and not deter copyright
registration or renewal. Between 1923 and 1942, approximately 3,350,000
copyright registrations were filed.[19]
Approximately 13% of these copyrights were renewed.[20]
Thus, if current U.S. law had applied between 1923 and 1942, 3.35 million works
would have removed from public use in order to protect only 77,000 commercially
viable works.[21]
For the music industry, evidence suggests “most sound
recordings sell in the ten years after release.” [22]
Very few recordings continue to generate income, both from sales and royalty
payments, for the entire copyright term in the U.S. or U.K. Thus extending the
term of copyright “would only raise revenue for a small minority of sound
recordings, keeping the vast majority locked up,”[23]
because a copyright term extension would impact all recordings, not just the
ones that continue to generate income for their owners. [24]
these reasons, a recent study in the U.K. concluded that the “[e]conomic
evidence is clear that the likely deadweight loss to the economy exceeds any
additional incentivising effect which might result from the extension of
copyright term beyond its present levels.”[25]
This is particularly true for retroactive copyright extensions, since it is
impossible to use economic incentives to change past conduct. Recently, a U.K.
government assessment found copyright term extension to be economically detrimental,[26]
and a study with an international scope found copyright term extension to have
no impact on the output of creative works.[27]
The Harms of High Statutory Damages
High statutory damages for copyright infringement can deter
investors from investing funds into businesses that rely upon
copyright-protected content. At least one proposal for the TPP’s intellectual
property chapter proposes requiring signatory countries to implement a deterrence-level
statutory damages regime. It is exactly these damages that increase the costs
of regulatory uncertainty for technology and start-up investors.[28]
One study by Booz & Company focused on the effect
of copyright law on digital content intermediaries—namely, “websites, desktop
or cloud software, digital forums, peer-to-peer software programs, and some
internet-based physical distributors.”[29]
These intermediaries, it must be pointed out, help content creators by allowing
them to make, promote, and distribute their works to audiences more easily, and
offering them several new options to reaching the marketplace without selling
their copyrights to the traditional dominant distributors like publishers,
record labels, or movie studios. An artist may still opt to partner with an
incumbent intermediary, but these new services give the artist a choice and
offer most efficient ways for content owners of all kind to distribute works.
study found that 89% of venture capitalists interviewed said that “uncertain
and potentially large damages made them uncomfortable with investing in DCIs
[digital content intermediaries].”[30]
72% of investors surveyed said that “increased antipiracy regulations would
deter them from investing specifically in DCIs that offer user-uploaded music
or videos.”[31]
Costs of Licensing to Innovative New Services
As the scope and term of copyright are expanded and
copyright grants more exclusive rights to copyright owners, the costs imposed
on services that rely upon licensing will increase accordingly. Any addition to
copyright protection and enforcement must consider the costs that those
policies impose upon the companies that innovate at the edges of the
traditional copyright industries.
costs include the more obvious costs of royalty rates, monetary advances,
equity stakes, exclusivity requirements, and alterations to the service
offered, but they also include the time and resources expended by the service
to obtain licenses at all. For example, one very recent study conducted by
Professor David Touve at Washington and Lee University found that interactive
music services—which must negotiate directly with copyright owners under U.S.
law—spend a median time of 18 months negotiating for a license.[32]
Approximately 15 of those months are spent negotiating with the major record
labels and music publishers.[33]
Costs for Libraries, Archives, and Cultural Preservation and Access
Current copyright provisions in U.S. law often prevent
libraries and archives from preserving the copies of works, particularly when
the copyright owner is not know or cannot be found. This ultimately weakens the
ability of libraries and other cultural institutions to preserve the cultural
heritage of our society and make that heritage accessible for future generation.
One study commissioned by the National Recording
Preservation Board found that 10% or less of sound recordings from periods
prior to World War II have been made available by rights holders.[34]
For periods before 1920, the percentage is nearly zero.[35]
Interestingly, this study also found that while only 14% of historical U.S.
recordings dating from 1890 through 1964 have been made available in the U.S.
by rights holders, an additional 22% of those recordings were made available on
European releases.[36] The
additional recordings available in Europe (often by non-rights holders) skew
toward those older recordings that are no longer protected under copyright in Europe.[37]
This indicates that even when rights holders have determined that there is not
sufficient market interest in their works to incentivize them to release the
titles, those works may still spark enough consumer demand that non-rights
holders would be willing to release the works themselves.
Another report issued by the U.S. National Recording
Preservation Bound emphasized that “[l]ibraries, archives, and other public and
privately funded institutions are finding it virtually impossible to reconcile
their responsibility for preserving and making accessible culturally important
sound recordings with their obligation to adhere to copyright laws.”[38]
[E]lements of current
copyright law are incompatible with best practices for digital preservation;
copyright law and regulation do not provide libraries, archives, and museums
with sufficient latitude to preserve and furnish copies of recordings for
research and educational use; the lack of clarity in the law creates a threat
of litigation that imposes a self-limiting atmosphere and prevents legitimate
uses of sound recordings by cultural institutions to further their educational
and research missions; the ability to provide wide access encourages the
preservation of historically, culturally, and aesthetically significant audio
materials; copyright considerations limiting access discourage private
collectors from donating major collections to public institutions because of
the perception that recordings held by institutions are less accessible than
those in private hands; and the study of the nation’s social and cultural
history is adversely affected by the terms of protection provided sound
recordings under current copyright law.[39]
this perception that preserved recordings will never be accessible to the
public discourages owners of collections from donating to libraries and
archives, and decreases the funding that those institutions receive.[40]
Costs on Educational Uses
Digital education initiatives hold particular promises
for lower costs and increased accessibility to education, both inside and
outside of the traditional school walls. Digital education projects could
include an online network of teachers, allowing them to share advice and
classroom resources; incorporating new media into classroom teaching; extending
educational dialogue through technologies like email, class blogs, or wikis;
student authorship that incorporate video, audio, and web pages; and replacing
physical textbooks with laptops and multimedia source material.[41]
development of these new educational uses highlights both the importance of
limitations and exceptions to copyright for education and the importance of
flexibility in those limitations and exceptions. For example, the most
straightforward educational use exception in U.S. copyright law[42]
could likely accommodate uses like using a powerpoint presentation
incorporating third-party content in a classroom, but might not apply to a
class web page, blog, or wiki, even if online use was restricted to teachers
and students.[43] This
provision also could not accommodate less traditional educational initiatives,
including extracurricular activities, web-based or open source educational
projects, or scholarship.[44]
In more traditional scholarship, digital technology also enables more
convenient access to materials; faster production of time-sensitive work; links
to enable discussion with varying levels of detail; incorporation of digital
media into academic products; and easier collaborative discussion.[45]
Although some of this activity may still be protected under the fair use doctrine,[46]
there may be ambiguity about whether fair use extends to all of these
activities and this uncertainty may discourage risk-adverse nonprofit
educational organizations or institutions.
The U.K. Hargreaves report noted that “for low income
countries with a weak scientific and technological infrastructure, stronger IP
protection has little effect on their own economic growth and may even hinder
it – while having no significant effect on the likelihood of developed country
industry seeking to sell goods there.”[47],Infrastructure,
finance, and skills developments can be “much more important to investment
decisions in low income countries than the effectiveness of the IP regime.”[48]
The Commission on Intellectual Property Rights,
commissioned by the Department for International Development, contended that
‘weak’ intellectual property is in the best interests of developing countries.[49]
The economist Keith Maksus explains: “enforceable IP rights are neither
necessary nor sufficient to establish robust inflows of technology.”[50]
Indeed, the very history of development in some of
today’s dominant economies “suggests that ‘weaker’ IP may be more suited to
countries in development.”[51]
In its formative stages of
development the USA sought to develop by appropriating technology from Europe.
George Washington suggested legislation to encourage “the introduction of new
and useful inventions from abroad”. Between 1790 and 1836 the USA restricted
patents to residents, hardly an approach to incentivise foreign capital inflows
and ensure free markets. When Switzerland industrialised in the 1880s it did so
without a patent system, allowing it to benefit from innovations developed
elsewhere. Ultimately patents were only introduced under pressure from trading
partners. Similarly, between 1960 and 1980 Asian economies emphasised the
importance of reverse engineering and imitation. When South Korea adopted
patents in 1961 their term was limited to only 12 years and they were not
available for foodstuffs, pharmaceuticals or chemicals. Perhaps most
strikingly, Italy only introduced a patent system in 1978.[52]
studies demonstrate that a one-size-fits-all approach to copyright policy will
not benefit all countries. “The factor common to successful low-cost models,
our work suggests, is neither strong enforcement against pirates nor the
creative use of digital distribution, but rather the presence of firms that
actively compete on price and services for local customers.”[53]
This evidence emphasizes how important it is that each country determine the
appropriate level of intellectual property protection for itself at this
particular stage in its economic development.
The Economic Benefits of Limitations and Exceptions to Copyright
Even in the U.S., companies benefiting from
limitations and exceptions to copyright law “generate substantial revenue,
employ millions of workers, and represent one-sixth of total U.S. GDP.”[54]
Examples of these companies include: “manufacturers of consumer devices that
allow individual copying of copyrighted programming; educational institutions;
software developers; and Internet search and web hosting providers.”[55]
In the U.S. courts have relied upon fair use and other copyright limitations in
upholding the legality of internet search engines and temporary copies that
that facilitate interoperability between computer programs[56]
and the development of web hosting services.[57]
For example, the industry subsection “Internet
Publishing and Broadcasting and Web Search Portals,” relies upon the
non-copyrightability of facts,[58]
the non-protection of ideas,[59]
fair use,[60]
exceptions for library uses,[61]
the first-sale doctrine,[62]
online service provider safe harbors,[63]
limitations in copyright term,[64]
and non-protection for U.S. government works[65]
in the course of their business.[66]
Decreasing the scope of these limitations and exceptions would therefore
increase the burdens on the internet publishing, broadcasting, and search
During the recent economic downturn in the U.S., technology
companies relying upon fair use and other copyright limitations and exceptions
remained relatively stable when measured by value added, while the remainder of
the U.S. economy contracted. In the U.S. in 2008 and 2009, “fair use industries
generated total revenue averaging $4.6 trillion, a 35% increase over 2002
revenue of $3.4 trillion. In percentage terms, the most significant growth over
this seven year period occurred in Internet publishing and broadcasting and web
search portals, electronic shopping and electronic auctions, and other
financial investment activity.”[67]
Additionally, in 2008 and 2009, the value added from fair
use-related industries averaged $2.4 trillion, approximately 17% of total U.S.
current dollar GDP.[68] “Fair use
industries also grew at a faster pace than the overall economy. The core fair
use activities, which accounted for 9.2% of the [U.S.] economy in 2002,
accounted for 19.7% of U.S. real economic growth from 2002 to 2009.”[69]
“Employment in industries benefiting from fair use and
related limitations and exceptions increased from 16.9 million in 2002 to 17.7
million in 2008.” This number decreased to 17 million during the U.S. economic
recession. Nevertheless, “[a]bout one out of every eight workers in the United
States is employed in an industry that benefits from these protections.”[70]
Total payrolls for fair use industries rose from $895 billion in 2002 to an
average of more than $1.2 trillion during 2008 and 2009.[71]
Companies dependent upon limitations and exceptions
like fair use also promise significant productivity gains for a given economy. A
country’s economic growth depends heavily on increased levels of productive
inputs, such as labor and capital, and the productivity with which those inputs
are used.[72]
Several reports have attributed the increase in productivity in the U.S. in the
late 1990s to the information technology companies, and more recently, studies
suggest that industries that rely on information technology companies are also
increasing productivity.[73]
Between 2002 and 2007, the productivity of U.S. fair use industries increased
38% to nearly $137,000 per employee.[74]
Productivity continued to rise to $141,000 per employee in 2009, greatly
exceeding the U.S. economy-wide average of $108,000 per employee.[75]
Finally, the ability of the fair use industries to
create new innovative services by relying on limitations and exceptions to
copyright in turn helps end users make new productive uses of technology. For
example, when Internet search engines can rely upon fair use,[76]
the search engine’s technology benefits consumers and other companies by
lowering information costs, because consumers can use those search engines to
locate useful information and find other services to patronize. Without fair
use and other limitations, search engines would face regulatory uncertainty and
be less likely to enter the market or expand, which would stifle the education
and commercial benefits of search engines.
Limitations and exceptions to copyright can also
promote economically and socially valuable uses of orphan works when the
copyright owner cannot be found. For orphan works, the cost of clearing rights
is high, which burdens cultural institutions that work to provide access to
abandoned works. For example, one Carnegie Mellon study estimated that
obtaining permission to digitize and provide web-based access to one book cost
about $200.[77]
But uses of orphan works do create concrete economic
For example, the film It’s a Wonderful Life lost money in its
millions in prime time advertising revenue. The book The Secret Garden, since
copyright has expired, has been made into a movie, a musical, a cookbook, a
CD-ROM version, and two sequels.[78] Conclusion
studies confirm the economic importance of limitations and exceptions to
copyright law, in addition to cautioning against overly burdensome copyright
protection. Policymakers should consider this evidence when crafting their
particular nation’s copyright laws.
Bob Bamberger and Sam Brylawski, The State of Recorded Sound
Preservation in the United States: A National Legacy at Risk in the Digital Age,
National Recording Preservation Board (2010).
report explains the obstacles to sound recording preservation imposed by U.S.
federal and state copyright law.
Bart Cammaerts and Bingchun Meng, Creative Destruction and
Copyright Protection: Regulatory Responses to File-Sharing, London School of Economics and Political Science
(Mar. 2011),
http://blogs.lse.ac.uk/mediapolicyproject/2011/03/21/media-policy-project-policy-brief-1-creative-destruction-and-copyright-protection/.
report recommends that the government encourage the use of peer-to-peer
technology to promote innovation, and warns that using intellectual property
laws to suppress technological advances and protect incumbent business models
will stifle innovation. The report notes that market offerings that allow
consumers to access music legally and at a reasonable price is much more
effective at decreasing infringement than implementing stronger copyright laws.
William W. Fisher and William McGeveran, The
Digital Learning Challenge: Obstacles to Educational Uses of Copyrighted
Material in the Digital Age, Berkman Center for Internet & Society
(2006), http://cyber.law.harvard.edu/publications.
This report details case studies evaluating the
progress of digital education initiatives, and discusses the challenges to
those initiatives posed by current U.S. copyright law.
Gowers Review of Intellectual Property, HM Treasury (2006).
Commissioned by U.K. government to
determine whether the U.K. intellectual property system was fit for the purpose
of providing incentives for innovation, without unduly limiting access for
consumers and follow-on innovators, in an era of globalization, digitization
and increasing economic specialization.
Ian Hargeaves, Digital Opportunity: A Review of
Intellectual Property and Growth (2011)
U.K. report reviews the current literature, both for and against stronger
intellectual property protection, and makes recommendations to the U.K.
government urging evidence-based decision making and specific solutions to
several copyright debates.
Joe Karaganis et
al., Media Piracy in Emerging Economies, Social Science Research
Council (2011), http://piracy.ssrc.org.
report explains in detail the state of several emerging economies, and evaluate
the role of intellectual property infringement in the development of each economy.
Matthew le Merle et
al., The Impact of U.S. Internet Copyright Regulations on Early-Stage
Investment: A Quantitative Study, Booz & Co. (2011).
This study surveyed 200 angel investors to
better understand how potential regulatory changes might affect investment
behavior and interviewed more than 20 prominent venture capitalists to gain a
more qualitative perspective on their views. It studied the impact of the
current regulatory environment, with a focus on digital copyright laws and
regulations, on early stage investment in digital content intermediaries. It
notes that copyright is “particularly relevant to technology companies—an
important area of focus for early-stage investors.” The report concludes that
current U.S. regulations should not be changed to increase the liability
exposure of end users or intermediaries. However, it does not address whether
the current regulatory balance is ideal. The study was financed by Google Inc.
and independently researched and written by Booz & Co.
Felix Oberholzer-Gee, Harvard University, and Koleman
Strumpf, University of Kansas, File Sharing and Copyright (2010).
study examines the sales of various products and services in the music
industry, and concludes that copyright infringement has not undermined
incentives to create new works.
Thomas Rogers and Andrew Szamosszegi, Fair
Use in the U.S. Economy: Economic Contributions of Industries Relying on Fair
Use, Capital Trade, Inc. (2011).
study, commissioned by the Computer & Communications Industry Association,
identifies and evaluates the economic impact of technology companies whose
business models rely upon limitations and exceptions to copyright, most notably
David Touve, Innovation at the Edge: Making Sense of
Opportunity at the Boundary of Technology and Copyright (June 2012), http://davidtouve.files.wordpress.com/2012/06/david-touve-brief-innovation-at-the-edge.pdf.
study is based on the results of interviews with actors in online music
distribution, to determine the average time and effort required for digital
music services to obtain licenses for copyrighted works. [1]
Cammaerts 10-11.
[2] See Fisher
and McGeveran 13.
[3] See Cammaerts 12.
[4] Hargreaves 8.
Gowers 39.
[6] See Hargreaves
[7] Hargreaves 11.
[8] Hargreaves 17-18.
[9] Hargreaves 17-18.
Matthew le Merle et al., The Impact of U.S. Internet Copyright
Regulations on Early-Stage Investment: A Quantitative Study, Booz &
Co., 8 (2011).
Merle 10.
Merle 9.
Merle 16.
[16] Hargreaves 43.
Gowers 52 (citing economists brief filed in Eldred
v. Ashcroft).
Gowers 52.
Gowers 54.
[25] Handke C, The
Economics of Copyright and Digitisation: A Report on the Literature and the
Need for Further Research, Report for the UK Strategic Advisory Board for
Intellectual Property Policy (2010),
http://www.ipo.gov.uk/ipresearcheconomics-201005.pdf.
[26] IPO, Impact
Assessment of: Proposed Directive to extend the term of copyright protection
for performers and sound recordings (2010).
[27] Png I P L and Qiu-hong W, Copyright Law and the Supply of Creative Work: Evidence from the
Movies, Review of Economic Research on Copyright Issues (2009).
[28] Le
Merle 14.
Merle 18.
Merle 22.
David Touve, Innovation at the Edge:
Making Sense of Opportunity at the Boundary of Technology and Copyright
(June 2012),
http://davidtouve.files.wordpress.com/2012/06/david-touve-brief-innovation-at-the-edge.pdf.
[34] See Tim
Brooks, Survey of Reissues of U.S. Recordings, Washington, DC: Council on
Library and Information Resources and Library of Congress, 11-14 (2005),
http://www.clir.org/pubs/reports/pub133/.
[36] Bamberger and Brylawski 116.
[38] Bamberger and Brylawski 7.
[39] Bamberger and Brylawski 111.
[40] Bamberger and Brylawski 119.
[41] Fisher and McGeveran 11-12.
[42] See 17
U.S.C. § 110(1).
[43] See Fisher
and McGeveran 44.
[44] See Fisher
[45] Fisher and McGeveran 12-13.
[47] Hargreaves 24.
[48] Hargreaves 24.
[49] See Fisher
and McGeveran 12-13.
Gowers 59.
[53] Karaganis et
Rogers and Szamosszegi 5.
Rogers and Szamosszegi 6.
[56] See Sony v. Connectix, 203 F.3d 596 (9th
Cir. 2000); Sega v. Accolade, 977
F.2d 1510 (9th Cir. 1992); Atari v.
Nintendo, 975 F.2d 832 (Fed. Cir. 1992).
[57] See 17 U.S.C. § 512(c) (providing safe
harbors for entities that host third party content).
[58] 17 U.S.C. § 102(a).
[59] 17 U.S.C. § 102(b).
[60] 17 U.S.C. § 107.
[61] 17 U.S.C. § 108.
[62] 17 U.S.C. § 109.
[63] 17 U.S.C. § 512.
[64] 17 U.S.C. § 302-304.
[65] 17 U.S.C. § 105.
[66] See Rogers
and Szamosszegi 13.
Rogers and Szamosszegi 6 (“Value added equals a firm’s total output minus its
purchases of intermediate inputs and is the best measurement of an industry’s
economic contribution to national GDP.”).
Rogers and Szamosszegi 7.
Rogers and Szamosszegi 7, 21-22.
[72] Rogers and Szamosszegi 23.
[73] See Tarek
M. Harchaoui, Faouzi Tarkhani & Bilkis Khanam, Information Technology and Economic Growth in the Canadian and U.S.
Private Economies, Economic Growth in Canada and the United States in the
Information Age (2004); Erik Brynjolfsson and Lorin M. Hitt, Computing Productivity: Firm-Level Evidence,
MIT Sloan Working Paper No. 4210-01 (2003); Economic
Report of the President: 2002, GPO, 58-60 (2002); J. Steven Landenfled and
Barabara M. Fraumeni, Measuring the New
Economy, Survey of Current Business, 23-39 (2001); Dale W. Jorgenson and
Kevin J. Stiroh, Raising the Speed Limit:
U.S. Economic Growth in the Informatio Age (2000).
Rogers and Szamosszegi 7 (Productivity here in defined as “the amount of goods
and services that can be produced with a given number of inputs.” Productivity
is thus crucial to the rise of living standards in an economy.)
[76] See Perfect 10, Inc. v. Amazon.com, Inc.,
487 F.3d 701 (9th Cir. 2007); Kelly v.
Arriba Soft, 336 F.3d 811 (9th Cir. 2003); Field v. Google, 412 F. Supp. 2d 1106 (D. Nev. 2006).
Gowers 70.
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