Source: http://cric.or.jp/english/csj/csj4.html
Timestamp: 2017-09-25 04:11:39
Document Index: 655032572

Matched Legal Cases: ['Art.10', 'Art.6', 'Art.9', 'Art.14', 'Art.16', 'Art.7', 'Art.8', 'Art.9', 'Art.9', 'Art.9', 'Art.51', 'Art.101', 'Art.30', 'Art.31', 'Art.32', 'Art.35', 'Art.33', 'Art.34', 'Art.35', 'Art.36', 'Art.37', 'Art.37', 'Art.38', 'Art.39', 'Art.40', 'Art.41', 'Art. 42', 'Art. 42', 'Art.43', 'Art.44', 'Art.45', 'Art.46', 'Art.47', 'Art.47', 'Art.47', 'Art.47', 'Art.49', 'Art.47', 'Art.47', 'Art.47']

IV. AUTHOR'S RIGHT AND NEIGHBORING RIGHTS IN THE JAPANESE COPYRIGHT LAW
The following diagram shows the structure of rights in the Japanese Copyright Law, which are explained in this Chapter.
1. Author's Right
(1) Definition/Classification of "Works" (Art.10 (1))
Works of authorship which enjoy protection under the Japanese Copyright Law are defined in the Law as "production in which thoughts or sentiments are expressed in a creative way and which falls within the literary, scientific, artistic or musical domain".
The Copyright Law exemplifies works to be protected as follows.
1) The Copyright law excludes the following from the scope of works of authorship :
(a) news having the character of simple communication of facts; and
(b) programming language, rule (a special rule on how to use a programming language in a particular program) and algorithm.
2) The protection of "derivative works" does not prejudice the rights of authors of the original works. As the authors of the original works continue to have all rights (except for the moral right to control "modification" ) also for the derivative works, those who wish to exploit a derivative work should obtain an authorization from both the author of the original work and the author of the derivative work.
3) "Compilations" of works and/or data which constitute intellectual creations by reason of the selection and/or arrangement of the contents are protected as independent works. This protection does not prejudice the rights of authors of works incorporated in the compilations. Those who wish to exploit a compilation as a whole or a substantial part of it should obtain an authorization from both all the authors of the works incorporated in the compilation and the editor (author) of the compilation.
4) "Databases" of works and/or data which constitute intellectual creations by reason of the selection and/or systematic construction of the contents are protected as independent works. This protection does not prejudice the rights of authors of works incorporated in the databases. The demarcation between compilations and databases in the Japanese Copyright Law is "computer readability".
5) Works created by two or more authors the contribution of each author in which cannot be separately exploited are called "joint works".
6) The following are works which do not form the subject matter of copyright because of their nature to be widely and freely used by the public :
(a) constitution and other laws/regulations ;
(b) notifications, instructions, circular notices, etc. issued by the national or local authorities ;
(c) judgements, decisions, orders and decrees of law courts, as well as rulings and decisions made by administrative organs in proceedings similar to judicial ones ; and
(d) translations and compilations of the preceding three groups of items made by the national or local authorities.
(2) Protected Works (Art.6 - Art.9bis)
The following works are granted protection under the Copyright Law:
(a) works of Japanese nationals (including legal persons established under Japanese laws and those which have their principal offices in Japan);
(b) works first published in Japan (including those first published abroad and published in Japan within thirty days of the first publication);
(c) foreigners' works to which Japan has the obligation to grant protection under international treaties.
(3) "Author" and "Copyright Owner" (Art.14 - Art.16)
"Author" means the person who has created a work. As works are created as expressions of people's thoughts or sentiments, an author is, in principle, a natural person.
However, the Copyright Law gives the authorship to the employers such as body cooperates which employ the actual creators of works under the following four conditions:
(a) the work is created based on the initiative of the employer;
(b) the work is created by an employee as a part of his duties;
(c) the work has been or would be made open to the public under the name of the employer (except for computer programs);
(d) there is no stipulation in the contract of employment, work regulation, etc.
As all "author's rights", viz. moral rights and economic rights, are granted automatically (without any formality) to the author when a work is created, the author is, at the same time, the copyright owner (the owner of economic rights). However, while moral rights are not transferable, economic rights can be transferred from the author to other parties. Therefore, the author of a work may be different from the owner(s) of the economic rights.
An exception to this general rule under the Copyright Law is the case of cinematographic works: economic rights in a cinematographic work automatically belong to the maker of it (rather than the author) under some conditions.
(4) Rights of Authors
The Copyright Law provides for the following rights without any formality.
(a) Moral rights
The Copyright Law provides for the following three moral rights of authors.
1) Moral rights of authors are of exclusively personal nature, and they can never be transferred.
2) Acts which would infringe moral rights are prohibited even after the death of the author.
(b) Economic rights
The Copyright Law provides for the following economic rights of authors.
(1) Neighboring Rights Owners and the Scope of Protection
The Copyright Law grants neighboring rights to the following four categories of right owners.
(a) Protected performances (Art.7)
(1) performances which take place in Japan
(2) performances fixed in "phonograms" under protection
(3) performances transmitted by "broadcasting" or "wire diffusion" under protection
(4) performances to which Japan has the obligation to grant protection under the Rome Convention or the TRIPS Agreement
(5) performances which take place in a Contracting Party to the WIPO Performances and Phonograms Treaty
(b) Protected phonograms (Art.8)
(1) phonograms the producers of which are Japanese nationals
(2) phonograms composed of the sounds which are first fixed in Japan
(3) phonograms to which Japan has the obligation to grant protection under the Rome Convention, the Phonogram Convention or the TRIPS Agreement
(4) phonograms the producers of which are nationals of any of the Contracting Parties to the WPPT ("nationals" includes legal persons established under the law of such Contracting Party and those who have their principal offices in such Contracting Party)
(5) phonograms composed of the sounds which were first fixed in any of the Contracting Parties to the WPPT
(c) Protected broadcasts (Art.9)
(1) broadcasts transmitted by broadcasting organizations of Japanese nationality
(2) broadcasts transmitted from transmitters situated in Japan
(3) broadcasts to which Japan has the obligation to grant protection under the Rome Convention or the TRIPS Agreement
(d) Protected wire diffusions (Art.9bis)
(1) wire diffusions transmitted by wire diffusion organizations of Japanese nationality
(2) wire diffusions transmitted from transmitters situated in Japan
(2) Neighboring Rights Granted by the Copyright Law
The Copyright Law provides for the following neighboring rights without any formality. The rights granted to foreign phonogram producers, etc. may differ among the countries of origin because of different levels of protection among neighboring rights treaties as well as the different accessions to such treaties among relevant countries of origin.
(Art.9 (ii))
determining the indication of the performer's name
reproduction of fixations
(re)broadcasting
("live" only) - o o
wire (re)diffusion
("making transmittable (available)")
("live" and commercial phonogram) o o o
rental by commercial phonograms
(the first one year only)
public display by enlarging TV
broadcasting or cablecasting of commercial phonograms
(including simultaneous retransmission)
rental of commercial phonograms
(the remaining 49 years)
simultaneous retransmission of the programs which includes live performance by cablecasting organizations
simultaneous retransmission of regular broadcast programs by IP multi-cast operators
(1) Author's Right (Art.51)
The protection of economic rights of authors begins at the creation of the work automatically without any formality, and continues until the end of a period of fifty years following his/her death.
However, in the cases where the above rule cannot be applied, the term of protection is for fifty years following the "making public" (the first publication, performance to the public, transmission to the public, etc.) of the work. (If the work is not made public within fifty years following its creation, the term of protection will be fifty years following its creation.)
Economic rights in the following cases continue to subsist until the end of fifty years following the making public of the works :
(a) anonymous and pseudonymous works ;
(b) works bearing the name of a body corporate.
Economic rights of cinematographic works continue to subsist until the end of seventy years following the making public of the works.
The calculation of the fifty years starts from the beginning of the year following the author's death, the making public or the creation of the work.
In the case of periodical publications such as newspapers and magazines, the term of protection is calculated from the making public of each volume or issue. However, in the case of works which are made public in parts continually such as serial novels in a magazine, the term of protection is calculated from the making public of the last part.
Some special rules are stipulated on the term of protection, e.g. for works created by foreign nationals. Although they are rather complicated in practice, due attention should be paid when exploiting foreign works. The term of protection of moral rights theoretically expires when the author dies, however, acts which would infringe moral rights are prohibited even after the death of the author.
(2) Neighboring Rights (Art.101)
The term of the protection of neighboring rights starts on the following date, and expires at the end of a period of fifty years from the beginning of the year following the date (except phonograms).
Performances: when the performance takes place
Phonograms: when the first fixation of sounds is made
Broadcasts: when the broadcast takes place (for broadcasts)
Wire Diffusions: when the wire diffusion takes place
*The term of protection of neighboring rights shall expire at the end of a period of fifty years from the year when the publishing was made or when the first fixation of sounds was made if the publishing has not been made within a period of fifty years following the first fixation of sounds, for phonograms.
4. Limitation on Rights
The purpose of the copyright protection system in Japan is to pursue the development of culture through ensuring the protection of rights of authors and other rightholders. However, one can find other rights/values in the society such as the development of education, art and culture, social welfare, democratic systems, etc., which are deeply related to public interests. Therefore, with a view to ensuring the "balance" between copyright and other rights/values, the Copyright Law provides for limitations on rights for limited and exceptional cases. These provisions are carefully established with strict and detailed conditions so that they may not unreasonably prejudice the interests of right owners. The following are the major examples of such limitations, and it should also be noted that when the author's right is limited, relevant neighboring rights are usually limited, too.
(a) Reproduction for personal use (Art.30)
It is permissible to reproduce a work for the purpose of the user's personal use. Even if it is done personally, the following cases are not permissible.
 reproduction for business (profit-making or non-profit-making)
 reproduction by means of automatic reproducing machines for public use
 reproduction which is made by the circumvention of technological protection measures
 reproduction of music and motion pictures has been downloaded illegal through the internet being aware of infringement
Also, those who make digital sound or visual recordings for the purpose of personal use should pay compensation to the copyright owners, the performers and the phonogram producers concerned, which is in advance added to the prices of digital recording equipments/media.
(b) Reproduction in and by libraries (Art.31)
It is permissible for libraries to reproduce a work for limited cases and purposes under some strict conditions.
In addition, digitization of the materials housed in National Diet Library for the purpose of avoiding damages will be permissible.
(c) Quotations (Art.32)
It is permissible to make quotations from a work as long as it is compatible with fair practices.
(d) Reproduction in school textbooks authorized by the Government (Art.35)
It is permissible to reproduce a work in school textbooks authorized by the national educational authorities, however, the person who carries out such reproduction is to announce it to the author as well as to pay compensation to the copyright owner.
(e) Reproduction for preparing of textbook in large print (Art.33bis)
It is permissible to reproduce textbooks in large print or by other means for visually, developmentally pupils who has difficulties in using copyrighted works on textbooks, however, the person who carries out such reproduction is to announce it to the author as well as to pay compensation to the copyright owner.
(f) Broadcasting or wire diffusion in school education programs complying with the National Curriculum Standard (Art.34)
It is permissible to broadcast or diffuse by wire a work in programs for school education consistent with the National Curriculum Standard. However, the person who carries out such transmission is to announce it to the author as well as to pay compensation to the copyright owner.
(g) Reproduction in educational institutions (Art.35)
It is permissible for a person who is in charge of teaching and those who are taught in a school or other educational institutions in formal or informal educational institutions for non-profit-making purpose to reproduce a work to use it in the course of teaching, provided that such reproduction does not unreasonably prejudice the interests of the copyright owners.
It is permissible to make the public transmission of such work intended for reception by those who take lessons at the same time at a place other than that where such lessons are given in the course of such lessons, provided that such transmission does not unreasonably prejudice the interests of the copyright owners.
(h) Reproduction in examination questions (Art.36)
It is permissible to reproduce, or make the public transmission of a work in examination questions, however, if such examination is done for profit-making purposes, provided that such reproduction does not unreasonably prejudice the interests of the copyright owners. The person who carries out such reproduction or transmission is to pay compensation to the copyright owner.
(i) Reproduction for the disabled people (Art.37)
It is permissible to reproduce a work in Braille and transmit Braille data of a work publicly through a personal computer network. For Braille libraries and other establishments (designated by Cabinet Order) for the promotion of the welfare of the visually disabled, it is permissible, solely for the purpose of renting or making automatic public transmission (including making transmittable; the same shall apply in this paragraph hereinafter) to the visually disabled, to make sound recordings of a work already made public or make automatic public transmissions exploiting such sound recordings solely for the visually disabled.
Those persons, designated by Cabinet Order, who are engaged in activities relating to the welfare of the visually disabled way, to the extent deemed necessary in order to provide works exclusively for the use of the visually disabled, reproduce works that have been provided to the public via means whereby the expression of the work is recognized visually, by concerting written words into sound or any other means necessary for the works to be used by the visually disabled, and way also make such reproductions.
This provision shall not apply in cases where either the copyright owner or someone authorized by the Copyright Owner has provided the work to the public via the means necessary for use by visually disabled.
(j) Interactive transmission of captions for the hearing disabled (Art.37bis)
It is permissible for social welfare establishment for the hearing impaired designated by the Cabinet Order to make an interactive transmission of caption of voice on TV.
Those persons, designated by Cabinet Order, who are engaged in activities relating to the welfare of the nearing disabled way, to the extent deemed necessary in order to provide works exclusively for the use of the hearing disabled, reproduce works that have been provided to the public via means whereby the expression of the work is recognized aurally, by concerting sound into written words or by any other means necessary for the works to be used by the hearing disabled, and may also make such reproductions together with reproductions of the sound if this is done exclusively for the purpose of lending the reproduction to the hearing disabled.
This provision shall not apply in cases where either the copyright owner or someone authorized by the copyright owner has provided the work to the public via the means necessary for use by the hearing disabled.
(k) Specific acts for non-profit-making purposes (Art.38)
It is permissible to perform, recite and cinematographically present a work for non-profit-making purposes and without charging any fees to the audience or spectators, provided that the performers or reciters concerned are not paid for such acts.
It is permissible to lend copies of a work to the public for non-profit-making purpose and without charging any fees to borrowers of such copies. However, in the case of cinematographic works the above lending (public lending) is permissible only for the facilities designated by the Cabinet Order, and the facilities which carries out such lending is to pay a reasonable amount of compensation to the copyright owner.
(l) Reproduction, broadcasting, wire diffusion and public communication of articles on current topics (Art.39)
It is permissible to make use of articles published in newspapers or periodicals on current political, economic or social topics, not having a scientific character, by means of reproduction in the press, broadcasting, wire diffusion, and public communication provided that such use is not prohibited by the copyright owner.
(m) Exploitation of political speeches (Art.40)
It is permissible to exploit political speeches delivered in public and speeches delivered in the course of judicial proceedings by any means.
(n) Reporting of current events (Art.41)
For the purpose of reporting current events, it is permissible to reproduce and exploit a work involved in the event or a work seen or heard in the course of the event.
(o) Reproduction for judicial, legislative and administrative proceedings (Art. 42)
It is permissible to reproduce a work for the purpose of judicial proceedings and of internal use by legislative or administrative organs. It is be permissible to reproduce works for submitting documents in patent examination procedure, pharmaceutical approval procedure and so on, when it is deemed to be necessary for the procedures.
(p) Exploitation for Disclosure by the Government Organizations Information Disclosure Law etc. (Art. 42bis)
For the purpose of offering to or making available to the purpose of a work in accordance with the provisions of the government Organizations Information Disclosure Law, it is permissible to exploit for the head of government, organizations, independent administrative organizations, etc.
(q) Exploitation by means of translation, adaptation, etc. (Art.43)
In cases the above exploitations, except for (l) and (m), are permitted, adaptations such as translation are also permitted to a limited extent.
(r) Technically necessary recordings by broadcasting organizations, etc. (Art.44)
Broadcasting organizations may make ephemental sound or visual recordings of a work for the purpose of their own broadcasts and by the means of their own facilities or facilities of other broadcasting organizations.
(s) Exhibition of originals of artistic or photographic works by the owners (Art.45)
The original of an artistic work or a photographic work may be publicly exhibited by its owners or with his authorization.
(t) Exploitation of artistic works located in open places (Art.46)
It is permissible to exploit artistic works permanently located in some open places by any means with some exceptions.
(u) Reproduction in pamphlets for exhibitions of artistic or photographic works (Art.47)
A person who lawfully exhibits publicly the originals of artistic works or photographic works may reproduce such works in pamphlets for the purpose of explaining or introducing them to spectators.
(v) Reproduction of artistic work etc. for offering transfer of ownership etc. (Art.47bis)
It is permissible to reproduce originals or copies of artistic or phonographic works, or make public transmissions for the purpose of offering transfer of ownership or lending.
(w) Reproduction and adaptation by the owner of a copy of a computer program (Art.47ter)
The owner of a copy of a computer program may make copies or adaptations of it to the extent deemed necessary for the purpose of exploiting that work on a computer by himself.
(x) Temporary reproduction for repair or maintenance of machines (Art.47quater)
Temporal reproduction of the data recorded in internal media for the purpose of repair or maintenance of machines is permissible, on condition that the reproduction will be discarded after the repair or maintenance.
(y) Reproduction for preventing transmission faults due to errors. (Art.49quinquies)
Reproduction by the persons who engaged in server maintenance for ISP is permissible for the purpose of as follows;
(1) preventing the delayed transmission by a lot of access (mirroring)
(2) restoration in case of the server error (back up)
(3) making transmissions more efficient (caching)
(z) Reproduction to implement Internet search services (Art.47sexies)
Reproduction or making public transmission by the persons who engaged in service for searching information on the Internet is partly permissible without being aware of making it transmission illegal.
(A) Reproduction etc. for analyzing information (Art.47septies)
It is permissible to reproduce or adapt for analyzing information by use of computer.
(B) Reproduction required in using a computer (Art.47octies)
It is permissible to reproduce work which is used on a computer when it is required in the information processing.