Patent Publication Number: US-2019174184-A1

Title: Method and apparatus for content replacement in live production

Description:
This application claims priority under 35 U.S.C. 119(e) to U.S. Provisional Patent Application Ser. No. 61/123,673 filed 10 Apr. 2008, the teachings of which are incorporated herein. 
    
    
     TECHNICAL FIELD 
     This invention relates a technique for altering content in live production. 
     BACKGROUND ART 
     In many instances, television broadcasters undertake live production of a program. such as live production of a news program, for over-the-air broadcasting. Television stations undertaking such live production often insert advertisements and/or public service announcements (hereinafter collectively referred to as “advertisements”) between the content segments. The advent of alternative modes of distribution, such as satellite and cable, afford the opportunity to distribute programs over a much greater geographic area than the reach of traditional over-the-air television broadcast signals. Indeed, the growing popularity and virtually unlimited reach of the Internet as a mode for distribution of television programs affords ever greater opportunities than are available by cable or satellite distribution. 
     The opportunity to distribute content over a much wider area than previously available gives rise the ability to tailor advertisements for different communities. For example an advertisement for a restaurant or other local establishment will likely not interest distant television viewers. Moreover, the ability to insert different advertisements in a given “time slot” in different geographic areas maximizes revenue because the program producer can sell the same time slot multiple times. 
     The ability to manipulate previously recorded television content generally poses few difficulties, especially with the advent of sophisticated non-linear editing technology that has become widely available. However, the ability to manipulate content during live production remains problematic. While replacing existing content during live production with content of the same length can occur with little difficulty, problems arise when the replacement content has a different length. Replacement content of a shorter length generally gets padded with filler content, which can alienate a viewer. 
     Presently, no good method exists for decreasing the overall duration of a live production. For example, imagine that a content segment contains two stories that cannot under live transmission to a web site for what ever reason. The content subscriber viewing such content from the web site would endure minutes of dead air (during the live stream). Attempting to switch to alternate content might not prove feasible if the content is not readily available. 
     Thus, a need exists for inserting new content into a live stream which overcomes the aforementioned difficulties. 
     BRIEF SUMMARY OF THE INVENTION 
     Briefly, in accordance with a preferred embodiment of the present principles, there is provided a method for inserting a new content segment into a time slot between successive content segments played out during live production. The method commences by initially selecting a new content segment for insertion into the time slot whereupon the content segments undergo encoding. Play out of a successive content segment occurs for distribution over at least one of a first set of channels and at least one second channel until the occurrence of the time slot whereupon the new content segment undergoes play out for distribution over the at least one second channel. If the new content segment has a duration longer than the time slot, the length of at least one content segment gets reduced to provide substantially seamless play out. 
    
    
     
       BRIEF SUMMARY OF THE DRAWINGS 
         FIG. 1  depicts a block schematic diagram of a system for practicing the content insertion method of the present principles; and 
         FIG. 2  depicts in flow chart form the steps of a process executed by the system of  FIG. 1  ready advertisements and/or new content for insertion into a time slot; and 
         FIG. 3  depicts in flow chart form the steps executed by the system  1  to insert the advertisements and new content readied during the process of  FIG. 2  into a time slot. 
     
    
    
     DETAILED DESCRIPTION 
       FIG. 1  depicts a block schematic diagram of a live show production system  10  in accordance with an illustrative embodiment of the present principles for inserting new content segment (e.g., an advertisement) into a time slot in a stream between successive content segments during live production of a show, typically although not necessarily a television news program. Live production of a show typically has the following phases: 
     1. Pre-production; 
     2. Production; 
     3. Post-Production; and 
     4. Publication 
     To facilitate understanding of the live show production system  10 , the elements of the system will be described with respect to their roles in connection with (1) pre-production; (2) production; (3) Post-production; and (4) publication. Steps 2 and 4 can interact both with advertising traffic and billing activities. 
     Pre-Production 
     The pre-production phase of live content production for a show such as a television new program usually entails the gathering of content segments (e.g., news stories) and associated metadata. To facilitate pre-production of a live show, the live show production system  10  includes at least one and preferably a plurality of data entry and display apparatus, each enabling an operator to enter data and receive displayed information with respect to at least the following activities: 
     (1) Web production and editing; 
     (2) Newsroom production; and 
     (3) Digital news production and asset management. 
     An operator could make use of a single data entry and display apparatus to enter data and receive information with respect to all three activities (as well as other functions). In practice, different operators often handle (1) web production and editing; (2) newsroom production; and (3) digital news production and asset management, via a corresponding one of data entry and display apparatus  12   1 ,  12   2  and  12   3 , respectively. Each of the data entry and display apparatus  12   E ,  12   2  and  12   3  typically takes the form of a conventional video display terminal having an associated keyboard. Alternatively, the data entry and display apparatus  12   1 ,  12   2  and  12   3  could take different forms, such as desk top or lap top computers, Personal Data Assistants (PDAs) or the like. To the extent that that one or more of (1) web production and editing; (2) newsroom production, and (3) digital news production and asset management activities, requires more than one operator, the live show production system  10  could include additional data entry and display apparatus associated with that activity. 
     The data entry and display apparatus  12   1 - 12   3  each link to a new room computer system (NRCS)  14 . The NRCS  14  typically includes one or more processors (not shown) and one or more servers (not shown), as well as other devices, all operating under one or more control programs that serve to automate various activities associated with news gathering. For example, the NRCS  14  typically manages and tracks story assignments as among various individuals such as reporters, camera operators and the like. Additionally, the NRCS  14  serves as the point of entry (e.g., the ingest point) for news stories, transcripts and metadata to drive both the automated broadcast system  22  and the encoder  24 . Further, the NRCS  14  affords news room personnel, including reporters and editors, the ability to perform at least some editing operations, including the addition of graphics triggered by the automated broadcast system  22  or by the workflow manager  34 , thereby allowing such personnel to create content segments stored by the NRCS  14 . 
     As discussed earlier, a live show typically includes one or more advertisements for play out between content segments. Most television stations employ one or more systems, best exemplified by the traffic management system  16 , for managing the scheduling of advertisements in terms of the time at which they appear as well as billing of the costs to the parties who contracted for the play-out of such advertisements. Typically, a television station will charge different amounts for advertisements depending on the program in which such advertisements appear. Thus, programs that have many viewers typically command higher advertising rates than less popular programs. By the same token, programs that appear during certain times also can command higher advertising rates than programs that appear during other times. Further, certain segments of the newscast, i.e., weather, top stories, sports, might draw higher revenue than other portions of the newscast. 
     The traffic management system  16  enjoys a link to a browser  18 , typically taking the form of a video display terminal or a personal computer and associated display for providing reports as well as for providing an interface between the traffic system and other elements (described hereinafter) within the system  10 . The browser  18  also links to a firewall  19  to enable users with appropriate permission to remotely access the traffic and billing information. 
     Production 
     The production phase of live show production generally entails the creation and subsequent execution of a script to assemble and play out a succession of content segments. As an example, production of a live television news program typically entails the play out of previously recorded content segments interspersed with live shots and accompanying audio of on-air talent, live shots of reporters in the field, and or live network feeds. To facilitate the “production” phase, the system  10  includes a broadcast production system  22  that provides either via a standard manual workflow or an automated work flow, such provided in the Ignite Automated. Production System available from Thomson Grass Valley. Jacksonville, Fla. The broadcast production system  22  receives content segments from the NRCS  14  which pass typically via the Media Object Server Protocol. The automated broadcast production system  22  typically comprises the combination of one or more computers and associated peripherals such as storage devices, as well one or more broadcast production devices (not shown), such as cameras, video switchers, audio mixers, to name but a few, all under the control of such computer(s). The automated broadcast production system  22  controls the creation and assembly of content segments into a script for automated rundown (e.g., execution of that script) to create a television program for distribution (i.e., publication). To facilitate the live show “production” phase, the live show production system  10  of  FIG. 1  also includes a first encoder  24  capable of encoding live audio visual content generated by the automated broadcast system  16  using a particular coding format, such as Windows® Media Video (WMV), to facilitate the transmission of such content to a first firewall  26  for subsequent distribution to subscribers across the Internet or one or more other networks, such as LANs and WANs. The transcoding system  28  transcodes the encoded content from the encoder  24  into other formats such as MPEG 2, H.264 and Apple® Quick Time, to name but a few, to facilitate the transmission of content encoded in such formats to the firewall  26  for subsequent distribution via one or more channels, such as terrestrial over-the-air broadcast and/or distribution over satellite and or cable television systems. The transcoding system  28  also has the ability to specify pre-roll or post-roll content which will be stitched directly into the output file. The Pre-roll or Post-Roll content can either be advertisements or promotional clips which have been stored in the workflow manager  34 . 
     The live show production system  10  of  FIG. 1  can include a second encoder  30  for encoding advertisements and alternative source material in uncompressed form into a given format, such as the Windows® Media Video format for distribution to the fire wall  26  for subsequent distribution over the Internet. Additional transcoders (not shown) can be added to the transcoding system to allow asynchronous processing of multiple transcodes. 
     Post-Production 
     The “post-production” phase of live, show production typically involves the manipulation of content to perform certain tasks, such as editing for example. In the illustrated embodiment of the live show production system  10  of the present principles, such content manipulation can include the insertion of an advertisement, or even new content into a time slot between successive content segments. 
     To facilitate the “post-production” phase of live television program creation, the system  10  of  FIG. 1  includes a work flow manager  34 , typically in the form of programmed computer or the like linked to the data entity and display apparatus  12   1 ,  12   2  and  12   3  as well as to the encoders  24  and  30  and the transcoding system  28 . The work flow manager  34  performs various tasks including the management and storage of advertisements, as well as manipulation of content segments to facilitate insertion of an advertisements into a given time slot between content segments. The work flow manager  34  also serves as an interface to digital news production systems (not shown); content streaming systems (not shown) and administration systems (not shown). The work flow manager  34  enjoys a link to a firewall  35  which enables users having appropriate permissions to gain remote access to information generated by the work flow manger. 
     At least one administration browsing apparatus  36 , typically in the form of a video terminal and associated keyboard, links to the work flow manager  34  to enable an operator to access the work flow manager to perform various tasks including controlling content management and distribution. At least one approval work station  38  also possesses a link to the work flow manager  34  to enable an operator to review both live and non-linear edited content and grant approvals for publication. 
     Publication 
     The “publication” phase of live show production typically entails the distribution of content to viewers. Traditionally, distribution of a television program produced live entailed terrestrial transmission over the air or transmission to one or more satellite or cable systems. As discussed above, the live show production system  10  advantageously can distribute content over one or more networks, such as the Internet. To facilitate publication (i.e., distribution), over the Internet, the system  10  includes the firewall  19  which, as described previously, serves as a portal to pass television programs to interested subscribers. As discussed, the firewalls  26  and  35  enable users with appropriate permissions to access the live show production system  10  to obtain certain information related to system operation. 
       FIG. 2  depicts in flow chart form the general process executed by the live show production system  10  to ready advertisements and/or new content for insertion into a time slot during live production of a show, such as a news program. The process of  FIG. 2  commences upon execution of step  200  during which show preparation commences. Typically, a user initiates preparation of a show by entering the appropriate command to the automated broadcast production system  22  of  FIG. 1 . As discussed previously, preparing a show entails the creation and subsequent execution of a script to assemble and play out a succession of content segments. Such content segments can originate from the NRCS  14 . 
     Following step  200  in  FIG. 2 , step  202  undergoes execution at which time; the automated broadcast production system  22  of  FIG. 1  makes a request to the NRCS  14  of  FIG. 1  for list of time slots, between content segments. The list typically identifies each time slot as to its occurrence (in terms of time) as well as its duration. As depicted in  FIG. 2 , the NRCS  14  provides that information using the Media Object Server protocol. Knowledge of the duration of the time slots is important because an advertisement, when inserted, should fill its associated slot as closely as possible. In some instances, a sequence of advertisements will occupy a time slot. Preferably, the advertisement played out last should possess the ability to be padded in the event an Over-the-Air time slot lasts longer than expected. Station advertisements constitute one example of advertisements that can be padded. 
     Following step  202 , a check occurs during step  204  to determine whether any “open slots exist, that is time slots for which no advertisements have been selected. In practice, time slots undergo processing one at a time. If no open time slots exist, then process execution branches to step  206 . Otherwise, process execution branches to step  208  during which each slot gets processed iteratively. For each slot, the work flow manager  34  generates a new “advertisement play list” based on the duration of the time slot. Knowing the duration of the time slot enables selection of an advertisement or a sequence of advertisements for play out by choosing not-yet-shown advertisements whose duration will closely fill the available time. 
     Following step  208 , step  210  undergoes execution at which time, advertisement files get copied from the work flow manager  34  to the encoder  24  to appear at predefined advertising publishing point. The advertising files bear sequential identifiers to enable the encoder  24  to access the advertisements in order. 
       FIG. 3  depicts in flow chart form the steps of the process executed to insert advertisements. The process commences upon execution of step  300  when a user enters an appropriate commend, typically by way of a computer mouse or the like, to select (i.e., actuate) a particular break (i.e., a time slot) appearing on a time line displayed by the automated broadcast production system  22  of  FIG. 1  during publication (i.e., distribution) of a live television program over the Internet. The selection of a particular break triggers the encoder  24  to take account of the time slot destined to receive the inserted advertisement. Following execution of step  300 , step  302  undergoes execution, whereupon the encoder  24  of  FIG. 1  switches switch from delivering the Over-the-Air Content to the “Over-the-Internet” advertisements, that is, the advertisements copied during step  210  of  FIG. 2 . The encoder  34  then delivers the advertising content during step  204 . The subscriber should receive the “Over-the-Internet” advertisements in a seamless manner. To that end, the encoder  24 , if necessary will shorten the length of one or more content segments if the new content segment (e.g., the inserted advertisement) has a length greater than the time slot. The foregoing describes a technique for replacing content during live production.