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This hip-hop track features a lead male rap vocal complemented by a synth melody and a bass guitar in the background, creating a trippy atmosphere. The rhythmic foundation is driven by a simple electronic drum beat. The piece conveys passion and emotion, making it suitable for the soundtrack of a sci-fi video game. Additionally, it includes elements of dubstep with echoing female vocals layered over mellow synth pad chords, punchy beats, and shimmering hi-hats, enhancing its calming and relaxing vibe.

im a silent cocommended nigger i dont talk gps navigate into that money boy they got to keep that semionme boy boy pulling up on that bag and i keep a fully loaded strap in case i hate to try the jack im going to blow them off the mat putting up on that bag i keep a fully loaded strap in case i hate to try to jack im going to blow them off the mat putting up on that bag i keep a fully loaded strap in case i need to try to jack

This energetic hip hop track features a passionate male vocal complemented by harmonizing background vocals, including echoing female vocals. The song is driven by punchy kick and snare hits, shimmering hi-hats, and a groovy synth bass. The layered instrumentals also include wooden percussion and a synth pad, creating an exciting and vibrant sound. This track would be perfect for a lively urban event or a dance party, captivating listeners with its infectious rhythm and dynamic energy.

new wave lights a beat somewhere and popping on pomp no lets raise a toast to all the haters living in their mama home b bitch im rushing on the block you paying handle at the auto zone im making plays cutting the glistick that bitch too tall see im a big dog like clifford you just qbow if youre in solid state for my soldier pull up with that too long talking about it smoke dont make my soldier at the fool on fuck it at the fool on hit them up put something new on don

This energetic hip-hop track features a flat male vocal rapping over a captivating digital synth melody, punchy kick and snare hits, shimmering hi-hats, and a groovy bassline. The rhythmic backbone is supported by an electronic drum beat, creating a danceable and urban atmosphere, enhanced by crowd cheering noises in the background. This addictive piece would be perfect for the soundtrack of a crime movie set in the ghettos of a big city, adding depth and excitement to the scenes.

time i brought the bottles to gentleman jackson what you gonna do i think its time that we take a better shot or two oppression babe ill leave it all on you you asked me i think we earn this day a relaxing i think we earn that work all day like remack im tired and i need good kicking my feedback i know it aint no rassler with here i get it but if you shitting me you shitting me daw this aint life no it shouldnt me so i reclaim my time

This captivating R&B and hip hop track showcases a passionate male vocal complemented by harmonizing background vocals. The arrangement features a blend of tinny bells, mellow piano chords, and synth pad chords alongside groovy bass, wooden percussion, and punchy snare hits. The emotional and soulful vibes create a heartfelt listening experience, making it perfect for a cozy lounge or intimate gathering where smooth melodies and heartfelt lyrics can be appreciated.

out here in these streets its killer we killed in these streets and these streets it gets so real and these streets it gets so real and these streets it gets so real

This energetic hip hop track features a flat male vocal rapping with female vocalists adding background vocables. The rhythm is driven by punchy kicks, boomy 808 bass, claps, quiet snare hits, and shimmering hi-hats, creating an addictive sound perfect for clubs. A groovy bassline slides between notes, while a synth provides a repetitive melody throughout the song. This track would make an excellent addition to a gangster movie, enhancing the atmosphere with its exciting vibe.

viviest diamonds my chain my chain i get the drill like a drain like a faucet i drip like a saint if i say bullets you know i got aim little nigga better stay in your place keepin one hundred no i never change yeah like a picture crop you out the frame bring my dog locked down in the chain gang trigger finesse and charge you to the gang triggering shit like a vase gang tricky shit like a bitch and charge her to the gang gang some of russ in the flow need a gang gork

This engaging medium-tempo track features a male singer complemented by backup vocal harmonies, creating a rich melodic experience. The song is driven by a steady drumming rhythm, a percussive bass line, and vibrant piano and keyboard accompaniments. Perfect for a relaxed café atmosphere or a cozy gathering, this track invites listeners to enjoy its rhythmic flow and harmonious vocals, making it an excellent choice for moments of connection and enjoyment.

kill it with my lyric incision its a bitsy spider when up the water spouse

This energetic hip-hop track features a captivating blend of male and female vocals, with a passionate female lead and harmonizing background voices. The melodic elements include an electric guitar, synth strings, and wooden percussion, creating a rich layered sound. A mild tempo electronic drum beat drives the rhythm, enhancing the urban atmosphere. The playful chuckle of a woman adds a unique touch. This piece would be perfect for the soundtrack of a crime movie involving married men, setting an engagin

hey jules this you brother i dont fuck with you because you disrespect me you disrespect my hood by telling me take off my flag i saw how gangster i was nigga you lets be on that day i was acting cool because i told me glad i got time for that but nigga today i got time cuz today i got time cuz hey jose let me know sir nigger tricks up for kids no time for play nigger running up on me i got time today weve been rips into

This energetic hip hop track features a vibrant male vocal rapping over punchy kick and snare hits, accompanied by shimmering hi-hats, claps, a groovy bassline, and a repetitive synth lead melody. The mixed choir harmonizes beautifully, enhancing the overall sound. This addictive composition is perfect for an upbeat club atmosphere, ensuring an exciting experience for listeners. The track concludes with a catchy snippet of male vocals followed by vocables, adding a dynamic finish.

always remember im first oh my god if you aint first your last im fucking your bitch in the plug on the way that money be calling that pussy can wait probably gonna drown if you ride in my way 400 block take that to the gray right on my wrist away look like a babe pitchy little chick ever calling me bay rubbing the city in my dna smoking on cushion im up in the way

This hip-hop track features a male vocal rapping at the forefront, complemented by background repetitions and ad-libs. An eerie melodic pad sets a haunting tone, while a powerful electronic drum beat provides a rhythmic foundation. The atmosphere is unnerving, making it suitable for scenes depicting criminal activities or high-stakes action in a sci-fi movie. Additionally, elements like piano and electric guitar contribute to a trippy feel, ideal for a crime movie set in a bustling city.

and i thats no lie ive seen them your hair fix with piranha ive been with batter holes and jalo and madonna i can smell when its about to be some funk like a match like a damn la who got to fight i need to smoke right now right here ive been having some problems just dont know how to get rid of how to deal with it i guess these demons im just gonna chill away on

This hip hop track features a wide reverberant male vocal layered over punchy kick and snare hits, shimmering hi-hats, and claps, complemented by a groovy bassline and a captivating synth lead melody. The overall sound is energetic and engaging, making it perfect for a lively atmosphere such as a dance party or a workout session. The dynamic instrumentation and vibrant vocals create an exciting listening experience that is sure to energize any setting.

i said thats all you know i said thats all

This hip-hop track features a young male rapper delivering lyrics in Hungarian over a minimalist yet captivating beat, characterized by percussion elements such as cowbell, kick drum, shaker, and triangle. The melody is driven by a synth bass, complemented by piano in the background, while a simple electronic drum beat provides a rhythmic foundation. The overall atmosphere is danceable, making it an ideal fit for the soundtrack of a crime movie or a TV series set in Hungary.

i always say im screaming a night pussy and cullone pedge ghosts on that bitch cause im too wavy cardiards are my friends case see a damn thing chase a bitch no im too lazy poor a good drink im on coldy cat in blue faces christian rossby and my watch many niggas aint got motion all they do is watch all these hoes playing games they just cap a lot made a friend give me brain had to change the plot like what had to change it my

This hip-hop piece features a prominent male vocal rapping at the forefront, enhanced by repetitions and ad-libs in the background. An eerie melodic pad weaves through the mix, while a basic electronic drum beat drives the rhythm, creating an unnerving urban atmosphere. The punchy kicks and snares, along with shimmering hi-hats and groovy bass, add depth and energy. This track would be ideal for the soundtrack of a crime movie set in a bustling city in the United Kingdom.

i keep it so high feeling like the snow top and you can hate if you want but that dont bother me im really feeling great like i went poverty to lottery im so blessed i used to be so wrecks dont fret you gonna make it thats a known fact just dont think this comes easy with no stress you gonna get tired and you wont get no rest if you want to reach your goals you better take the steps that you need if you want to succeed you better roll up your sleeves because youre going to sweat and bleed you

This track features a male voice rapping in both mid and higher registers, layered over a hip-hop beat that incorporates programmed percussion with a simple groove. A synth bass and an electric bass deliver a repeating melody, while an electric guitar contributes to the harmonic texture. The hi-hat punctuates the rhythm on alternate counts, creating an engaging backdrop. With a romantic mood, this song is perfect for cruising in your car or energizing a club atmosphere, and it also suits an active sports

nigger where my nigger you way out of bound you niggas think im cap come and see we got your mama tied up in the sheets curbside trash running in the week old bitch had her begging on her knees or your son i want his head that nigga dead hes scared i know he pled that nigga fled to the fed dont with the bed my nigga im the ground ripper in his head bitch im the trigger nigger whats the issue your niggas really bitch and were a fish

This hip-hop track features a male vocalist delivering rap lyrics in Spanish, complemented by a melodic string sample and a strong theremin bass line. The urban atmosphere is enhanced by an electronic drum beat and percussive hits, creating a groovy, medium-tempo dance tune. Backup singers provide vocal harmony, while steady rhythms and keyboard accompaniment add depth. This piece would fit perfectly in the soundtrack of a crime movie set in the ghettos of a big city, capturing the essence of street life.

came and i just heard the line on so i was in now here i was really scared didnt know what the fuck had happened to me on my ass girl about it and she said if you ever get like that ever again come and talk to me no matter what the situation is then i thought about it and man i dont care anymore so ima keep it to myself never again well i open my heart to another girl yes i will never let my fuck love him fur and im gonna have to go ahead and kill my

This Hip-Hop track features a male vocalist delivering punchy rap over a medium-fast tempo infused with synthesizer articulation, digital drumming, and turntable effects. The upbeat, funky, and energetic soundscape includes a boomy 808 bass, claps, and a mellow synth lead complemented by shimmering hi-hats. With its groovy and passionate essence, the piece creates an urban atmosphere, making it perfect for a crime movie soundtrack set in the ghettos of a big city. The ad-libs and eerie melodic pad enhance

didnt finish school im a dropout but maybe i had to show you what this glock bout i know these niggas hain what theyre talking about im gonna go crazy every song making a statement and im so far from the basics still in the basement i got this hunger thats killing me but i am destined to make it fendago im nuts when i pop out then i finish school im a dropout let me have to show you with this glock bout i know these niggas hanging what theyre

This energetic hip-hop track features a flat male vocal rapping prominently, supported by punchy kicks, booming 808 bass, claps, quiet snare hits, and shimmering hi-hats. The eerie melodic pad adds an unsettling layer to the sound, while the rhythmic electronic drum beat drives the piece forward. With its aggressive and addictive vibe, this track is perfect for club settings or as part of a crime movie soundtrack set in a bustling city, creating an unnerving atmosphere throughout.

my neck froze ac on me floodgates open ap on me i cant hate i keep it g100 like a benjamin frank if you aint got money dont talk to me i bawled so hard all i do is hit three swish i ball a lebron i dont hit the rim a nigga getting tired like a new set of rims i take control of the whip i drop the top transformers run up on me you get nick cannon yeah i go ape ill spin the block yes ap

This hip-hop track features a strong male vocal rapping at the forefront, accompanied by echoing harmonizing vocals, ad-libs, and a rhythmic minimalist electronic drum beat. The atmosphere is unnerving, perfect for a crime movie soundtrack, while also being groovy and addictive, suitable for a DJ party. Layered with punchy kick and snare hits, shimmering hi-hats, reversed crash cymbals, and a groovy bassline, the repetitive synth melody enhances the overall vibe, making it a captivating listen.

why she bugging i got a pee on my rationa and a million for my dumb i bought a first truck first come just tell me where were raising i got teddy bangs of me all my niggins will be going to fish like we go right out to the internet maybe again is so bad hey im kind of glad you didnt pick up i kind of just called to hear your voice so your voice recording was enough

This song features a male voice rapping alongside female vocals singing vocables in the background. It is driven by a trap beat with programmed percussion, while the bass delivers a groovy, sliding bassline. A synth plays a repetitive melody throughout. The track combines echoing whispers, claps, punchy kicks, snare hits, shimmering hi-hats, and reversed crash cymbals, creating a mellow and passionate atmosphere. Perfect for a gangster movie, it evokes suspense and intensity, making it an addictive listen

so when i get our word bitch i gotta take a lil and matt got to glock but your ass cant tell and we smoke its all you can tell about a smil you cant smoke with us three five in a dutch why you smoke so much and hell feel the rush got nowhere to go we might as well blow we might as well blow

This hip-hop track features a captivating blend of a flat male vocal speaking and a groovy piano melody, creating an engaging tutorial atmosphere. A male vocalist raps in the lead, complemented by a lively electronic drum beat and a repeating hollering sample. The medium tempo, groovy bass line, keyboard accompaniment, steady drumming rhythm, and various percussion hits contribute to an exciting and enthusiastic vibe. This piece is perfect for beat-making sessions, inspiring creativity in urban music prod

yeah just keep it stiff and make it real for me yeah you already know what theyre fucking mean to be alive im a dog honey yeah yeah yeah im from the jungle like animals life forgets but i know how to handle them time to eat but i aint no cannibal talking about it ill meet out down the few like a bad habit i get rid of you hey youre too close they dont mean they dont kill you too little baby ive been got the real eating hey

This energetic and addictive hip hop track features a young male rapper delivering passionate vocals, complemented by harmonizing male vocals. The song is driven by punchy kick and snare hits, shimmering hi-hats, and claps, creating a vibrant rhythm. The mellow synth lead melody and groovy bass add depth, while minimalist percussion elements like cowbell, shaker, and triangle enhance the overall groove. This track would be perfect for lively club settings or upbeat gatherings, setting an engaging atmosphe

parties do with my leave fa la la la la la la la la la la la la la la ta feel like can cause i be with the barbies fa la la la la la la la la la la la la la la la la la la la la la take the take off take off take off take off take off take off take off take off take off take off take off like a little bit up when i do i dont want to ever hear you call bad bitch pull up to the crib trying to stick me like egg knock told her take his shoes up uh hopperseller on the interstate shorty like i

This dynamic hip hop track features a passionate male vocal accompanied by harmonizing female vocals, creating a rich and soulful atmosphere. The song is driven by a blend of wooden percussion, punchy kick and snare hits, groovy bass, and shimmering hi-hats, complemented by a laser synth bass and a groovy piano melody. Its energetic and exciting sound makes it perfect for lively events or dance parties, captivating listeners with its infectious rhythm and vibrant production.

i tell them bitch you shut them up before i drop them draws you know how this gonna go huh yeah stop and pause i got a fat sad bitch call them set a claws how i do this shit bitch im the truest bitch you should knew this shit you knew this shit im about to blue this shit huh breath of lies that from the cap huh i knew that i fucking shouldnt stop huh im drinking drinking like im steady drinking you know im smoking on that stinky stinky hell of stinky

This track features a flat male vocal delivering spoken content, followed by a captivating synth melody that adds depth and intrigue. The combination of the spoken word and synth creates a unique soundscape, perfect for background music in a cozy café or a relaxed lounge setting. The seamless transition between the vocal and the melody enhances the listening experience, making it suitable for moments of reflection or casual conversation.

me on the top me on top yeah me on the top

This energetic hip hop track features punchy kick and snare hits, complemented by flat male vocals and echoing whispers. The groovy bass and shimmering hi-hats create an exciting atmosphere, while reversed crash cymbals add a unique twist. With its addictive synth lead melody and vibrant rhythm, this song is perfect for lively club settings, ensuring everyone stays on the dance floor. The overall sound is captivating, making it a memorable addition to any party playlist.

works to make this boy fucking cool you already know its la yellow i got my heart broken so im like fuck love what a blick at i heard its a stick up fuck it send my youngest at you i dont got to move dont speak to me i aint with a conversation you aint talking money thats time you wasting this sound like a debate im just trying to get to the cake call me tony because with this money is great spend it all in the day then i stack it like cake cant compare

This exciting instrumental track features a medium tempo with a hip hop drumming rhythm complemented by a dynamic keyboard accompaniment and a steady bass line. Various percussion hits enhance the groove, creating an energetic and engaging atmosphere. Perfect for a lively gathering or a creative workspace, this song sets an upbeat tone that encourages movement and inspiration.

thank you

This track embodies serious gangster rap, featuring a strong male rapper with doubled vocals over a classic 90's hip hop beat. The deep bass drives the rhythm, complemented by hand percussion, claps, electric piano, synth flute, and tambourine. A male voice delivers the lyrics, while female vocals provide background harmonies. Programmed percussion maintains a trap beat, and the groovy bassline slides between notes, creating a fluid sound. A synth reinforces this with a repetitive melody, making this song

maybe im too raw no one at night to call maybe i might pull up maybe i pull up baby my life too raw maybe im too raw all that i want is talk baby we not booed up i just want the brain dont be thinking we engaged never been afraid and ive been a renegade inche when its late and i clean a nigger plate never been a fake and im winning in the race foreign wood i drive so i keep my look alive hit his moving silence i gotta move my eyes standing on top and i

This hip-hop music piece features a male vocalist delivering rap-like verses, accompanied by a melodic blend of piano and electric guitar, with a strong bass backdrop. The rhythm is driven by an electronic drum beat, creating a vibrant urban atmosphere. The track's energetic sound makes it suitable for a crime movie soundtrack set in Great Britain, while also resonating with the themes of a teenage drama film. An immersive synth pad adds depth, complementing punchy kick and snare hits, shimmering hi-hats,

pull up on the block trying to go and catch me son hey this bitch is hell of pussy bet they wont pull up for none no need to fucking argue hole i keep my shit on mute the last thing i need is an uphold thats really not that cute look she came around and got beat up then leave i had to shoot theres a couple holes around me trying to see what theyre going to do bitch i started at the bottom now im naming for the talk if anybody want to prod them then them bitches going to get dropped want

This hip-hop track features a commanding male vocal rapping at the forefront, complemented by engaging repetitions and ad-libs in the background. An eerie melodic pad creates a haunting atmosphere, while a strong bass drives the piece forward. The rhythmic foundation is enhanced by an electronic drum beat, contributing to the urban vibe. This composition is ideal for the soundtrack of a crime movie set in a bustling city, perfectly capturing the essence of its gritty narrative.

drop it in the bag yeah drop drop drop it in the bag yeah drop drop it in the bag yeah drop drop it in the bag yeah drop drop drop it in the bag

This captivating track features a male voice singing the main melody, accompanied by programmed percussion with a simple beat and hi-hat in eighth notes. The bass outlines the root notes, while a synth and electric organ contribute enchanting mid-range melodies. A backing track includes a flute melody, synth pads, shaker, and bass guitar. The digital drums establish a groovy rhythm before transitioning. With its rich layers and diverse instrumentation, this track is perfect for a dream sequence in a movie

im trying to go to the ball yeah yeah

This track features a male singer delivering a cool hip hop melody, enhanced by backup singers creating rich vocal harmonies. With a medium tempo, it boasts a groovy drumming rhythm, vibrant keyboard accompaniment, and a percussive bass line that drives the energy. Various percussion hits add texture, making the piece fresh and exciting. This lively song would be perfect for a lively gathering or a dance party, providing an engaging atmosphere for all attendees.

hes going to a better place up above in the clouds that man lived a long happy life but like the clock he just went ticktock years rowed by the clock ticktocked but now it has stopped but the old mans heart still beats on yeah the old mans heart still beats on keep on striving old man take that last breath

This hip hop track features a young male rapper delivering smooth verses over a minimalist beat composed of percussion elements like cowbell, kick drum, shaker, and triangle. The song showcases a flat male vocal paired with harmonizing background vocals, complemented by shimmering hi-hats, boomy 808 bass, and a mellow synth lead melody. With punchy kick and snare hits, reversed crash cymbals, and claps, the addictive groove makes it perfect for lively social gatherings or dance events, ensuring an engagin

in my family trying to give my mama out as d put her in a big old crib so she can live comfortably whoa yeah pull up on your skin and you know im not playing same oh yeah i just need my green i just spit that flame i just need a bag im just trying to go if i got to run for it you know i will bro im for sure on the hustle on the ground for mine hustle on the ground for mine you know i got that muscle