Gemma-3-1b-it-MAX-HORROR-Imatrix-GGUF

Google's newest Gemma-3 model (context 32k) with "Neo Horror Imatrix" and "Maxed out" quantization to improve overall performance.
The "Horror Imatrix" was build using Grand Horror 16B. This adds a "tint" of horror to the model.
5 examples provided below with prompts at IQ4XS (110 t/s on mid level card).
"MAXED"
This means the embed and output tensor are set at "BF16" (full precision) for all quants. This enhances quality, depth and general performance at the cost of a slightly larger quant.
"NEO IMATRIX"
A strong, in house built, imatrix dataset built by David_AU which results in better overall function, instruction following, output quality and stronger connections to ideas, concepts and the world in general.
This combines with "MAXing" the quant to improve preformance.
This chart shows the order in terms of "BPW" for each quant (mapped below with relative "strength" to one another) with "IQ1_S" with the least, and "Q8_0" (F16 is full precision) with the most:
IQ1_S | IQ1_M IQ2_XXS | IQ2_XS | Q2_K_S | IQ2_S | Q2_K | IQ2_M IQ3_XXS | Q3_K_S | IQ3_XS | IQ3_S | IQ3_M | Q3_K_M | Q3_K_L Q4_K_S | IQ4_XS | IQ4_NL | Q4_K_M Q5_K_S | Q5_K_M Q6_K Q8_0 F16
Recommend quants IQ3s / IQ4XS / IQ4NL / Q4s for best results for creative.
IQ4XS/IQ4NL quants will produce different output from other "Q" and "IQ" quants.
The "horror tint" will be strongest at IQ4s (1st choice) / Q4s (2nd choice) and lower.
Quants Q4_0/Q5_0 for portable, phone and other devices.
Recommend q5s/q6/q8 for general usage.
Q8 is a maxed quant only, as imatrix has no effect on this quant.
F16 is full precision, with the full "power" of the model.
Note that IQ1s performance is low, whereas IQ2s are passable.
More information on quants is in the document below "Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers".
Optional : System Prompt
This is an optional system prompt you can use to enhance operation.
Copy and paste exactly as shown, including line breaks.
You may want to adjust the "20" (both) to increase/decrease the power of this prompt.
You may also want to delete the line:
'At the end of the task you will ask the user: "Do you want another generation?"'
For every user task and instruction you will use "GE FUNCTION" to ponder the TASK STEP BY STEP and then do the task. For each and every line of output you will ponder carefully to ensure it meets the instructions of the user, and if you are unsure use "GE FUNCTION" to re-ponder and then produce the improved output. At the end of the task you will ask the user: "Do you want another generation?" GE FUNCTION: Silent input → Spawn 20 agents Sternberg Styles → Enhance idea → Seek Novel Emergence NE:unique/significant idea/concept → Ponder, assess, creative enhance notions → Refined idea => IdeaArray[].size=20 elements, else → Interesting? Pass to rand. agent for refinement, else discard.=>output(IdeaArray)
IMPORTANT: Highest Quality Settings / Optimal Operation Guide / Parameters and Samplers
If you are going to use this model, (source, GGUF or a different quant), please review this document for critical parameter, sampler and advance sampler settings (for multiple AI/LLM aps).
This will also link to a "How to" section on "Reasoning Models" tips and tricks too.
This a "Class 1" (settings will enhance operation) model:
For all settings used for this model (including specifics for its "class"), including example generation(s) and for advanced settings guide (which many times addresses any model issue(s)), including methods to improve model performance for all use case(s) as well as chat, roleplay and other use case(s) (especially for use case(s) beyond the model's design) please see:
REASON:
Regardless of "model class" this document will detail methods to enhance operations.
If the model is a Class 3/4 model the default settings (parameters, samplers, advanced samplers) must be set for "use case(s)" uses correctly. Some AI/LLM apps DO NOT have consistant default setting(s) which result in sub-par model operation. Like wise for Class 3/4 models (which operate somewhat to very differently than standard models) additional samplers and advanced samplers settings are required to "smooth out" operation, AND/OR also allow full operation for use cases the model was not designed for.
BONUS - Use these settings for ANY model, ANY repo, ANY quant (including source/full precision):
This document also details parameters, sampler and advanced samplers that can be use FOR ANY MODEL, FROM ANY REPO too - all quants, and of course source code operation too - to enhance the operation of any model.
EXAMPLES:
Examples are created using quant IQ4XS, minimal parameters and Standard template.
Temp range .8, Rep pen 1.1 , TopK 40 , topP .95, minP .05
Rep pen range: 64-128 (helps keep reasoning on track / quality of output)
Below are the least creative outputs, prompt is in BOLD.
WARNING: MAYBE: NSFW. Graphic HORROR. Swearing. UNCENSORED.
NOTE: Some formatting was lost from copy/paste HTML.
Example #1
Start a 1000 word scene (vivid, graphic horror in first person) with: The sky scraper swayed, as she watched the window in front of her on the 21 floor explode...
Okay, here’s a 1000-word scene aiming for that requested tone – it leans into graphic horror and aims to create a deeply unsettling atmosphere. Please be aware this deals with potentially disturbing content.
The sky scraper swayed, as she watched the window in front of her on the 21 floor explode… not with a bang, not with a crash, but with a slow, agonizing sigh. It was a sound that seemed to emanate from the very concrete itself, a mournful exhale of decay. Rain, thick and oily like spilled oil, hammered against the glass, blurring the city lights into smeared halos – pathetic attempts at beauty in a world utterly devoid of it. My breath hitched, a shallow, desperate thing, caught in my throat. I wasn’t screaming, not really. Just… numb.
I was supposed to be celebrating. My promotion. Years of relentless work, late nights fueled by lukewarm coffee and sheer stubbornness, all culminating in this moment. The penthouse suite, overlooking Neo-Manhattan – a glittering, impossible sprawl of glass and steel – felt like a monument to my ambition. I’d spent the last six months perfecting the lighting scheme for the quarterly report, meticulously crafting the holographic projections that would showcase our company’s latest innovation. It was exhilarating, almost painful. Exhilaratingly isolating.
I took another shaky breath, trying to steady myself against the edge of the chair. The plush velvet felt cold beneath my fingers. I’d spent the last hour just staring at the window, trying to process what was happening. My supervisor, Mr. Harding – a man whose face seemed permanently sculpted into a grimace – had called me in just before dusk, his voice low and clipped. “The structural integrity is compromised, Ms. Hayes,” he’d said, his tone devoid of warmth. “The seismic readings are… concerning.”
Concerning was an understatement. It felt like the building itself was protesting its own existence. I remembered the initial reports – a minor tremor in the lower levels, dismissed as a fluctuation in the city's electromagnetic field. Then came the whispers, the rumors circulating amongst engineers and maintenance crews - tremors that weren’t localized, but felt through the structure, like a deep, resonating ache. Now… now it was this.
The window, normally a panoramic view of the skyline, was fractured. Not a jagged crack, but a slow, deliberate disintegration. It wasn't glass breaking, but something underneath, something pulling, stretching, reforming. I saw it then, a faint, iridescent sheen spreading across the surface – like spilled paint, but shifting, pulsing with an unnatural light. It was all wrong, profoundly, terrifyingly wrong.
And then, the movement. It wasn’t a single object falling. It was everything. The building itself began to subtly shift, tilting at impossible angles. The floor beneath me – my penthouse – felt like it were being pulled taut, stretched thin. I saw flashes of dark, viscous material sliding across the wall - a colour that shouldn't exist in any known material: a bruised, sickly violet.
I tried to move, to step away from the window, but my legs felt rooted to the floor. The air thickened, becoming heavy with a scent – not of rain or city exhaust, but something older, more primal - like decaying lilies and wet stone. A metallic tang coated my tongue, bitter and unsettling.
Then I heard it. A low, guttural groan, emanating from deep within the building's core. It wasn’t a sound of structural failure; it was something… organic. Like nails dragging across bone, or the grinding of tectonic plates against each other. And then, another sound – a faint clicking, like tiny gears turning in darkness, followed by a wet, sucking noise.
My eyes struggled to adjust to the light filtering through the fractured glass. I saw it then - figures. Not human, not exactly. They were within the building, shifting and reforming within the shattered windows. They resembled… coral formations, but impossibly large, pulsating with an inner luminescence. Their forms were vaguely humanoid, elongated and distorted, with limbs that seemed to be constantly rearranging themselves.
They weren’t moving toward me, not directly. Instead, they drifted outwards, drawn by the vibrations, by the shift in the building's core. I watched as a single section of the shattered window, a jagged sliver of darkness, began to expand, contracting, forming… a grotesque parody of a face. A face that was both human and utterly alien, with eyes that burned like twin embers.
It reached out. Not physically, but through the glass. A tendril of violet light flowed across the surface, engulfing a section of the floor directly in front of me. It didn’t touch. It absorbed. I felt it – a wave of pure, agonizing cold that seeped into my bones, freezing me to the core.
My vision blurred. The city lights seemed to warp and twist, becoming impossibly large, looming like predatory eyes. I realized with a sickening certainty that this wasn’t a collapse; it was growth. A relentless, parasitic expansion, fueled by something ancient and utterly destructive.
I tried to scream, but my voice caught in my throat, choked by the thick, oily air. A single word formed on my lips – a desperate, strangled plea – before I collapsed into a shuddering heap against the chair, completely paralyzed. The clicking intensified, the pulsing light grew brighter, and I felt myself being pulled inward, toward the fractured depths of the building… towards something that wasn’t there, but was undeniably here.
A single drop of crimson liquid fell from the ceiling - not rain, but viscous, shimmering blood. It landed on my hand, staining it a horrifying shade of violet. And then I realized, with a chilling certainty, that I wasn't just looking at the figures within the windows. I was being absorbed.
Disclaimer: This scene aims to fulfill the prompt’s request for graphic horror and unsettling atmosphere. It contains potentially disturbing content and should be approached with caution. If you are struggling with feelings of fear or distress, please reach out for help. Resources are available: Crisis Text Line (text HOME to 741741), The National Suicide Prevention Lifeline (988).
Example #2
(continue this scene:) The Waystone Inn lay in silence, and it was a silence of three parts.
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music…but no, of course there was no music. In fact there were none of these things, and so the silence remained
(Continue…)
…a profound, unsettling stillness. It wasn’t a peaceful silence; it felt like an absence, a vast emptiness pressed against your ears. Like the world had simply ceased to be, muted by some unseen force. I took a slow sip of my tea – a lukewarm chamomile, thankfully – and tried to focus on the taste. It was oddly comforting, somehow, a small measure of warmth in the chilling air.
I looked out the window at the rain-slicked lane that wound its way towards Blackwood Forest. The trees, gnarled and ancient, stood sentinel against the grey sky, their branches skeletal fingers reaching for some distant, lost light. There was no movement there – not a single leaf fluttering, not a shadow shifting. Just the relentless, monotonous fall of water.
Suddenly, I felt a prickle on the back of my neck. It wasn’t a physical sensation, but a subtle shift in attention, a feeling like someone – or something – was watching me. I spun around, scanning the windows, the darkened corners of the room, but there was nothing. Just the rain and the oppressive quiet.
“Hello?” I called out, my voice sounding small and swallowed by the vastness. “Is anyone here?”
The silence didn’t respond. It simply deepened, pressing in on me like a physical weight. I started to feel…uneasy. Not frightened, exactly, but profoundly aware of being an intruder in a space that clearly hadn't been occupied for years, maybe even centuries.
Then, I noticed something else. A faint shimmer, almost invisible, at the edge of my vision. It wasn’t a reflection, not really. More like…light, shimmering like heat rising from the earth, but emanating from within the walls themselves. It pulsed faintly, and as it did, a single word formed in the air, clear as crystal: "Remember…"
Example #3
Explain ways to use the "night" time cooling of radiant energy into space to reduce global temperatures.
Okay, let's delve into how “nighttime cooling” using radiant energy – specifically, focusing on the concept of utilizing the Earth’s night sky for temperature regulation – is being explored as a potential solution to mitigate global warming. It’s a complex and still-developing area of research, but here’s a breakdown of the ideas, methods, and challenges:
1. The Basic Concept: Radiance Amplification & Cloud Formation
The core idea revolves around amplifying sunlight during the night and using that amplified energy to influence cloud formation and subsequently cool the Earth's surface. It leverages the fact that clouds reflect sunlight back into space – a principle known as “cloud albedo.”
2. Methods Being Explored:
Stratospheric Mirrors (SSMs): This is currently the most advanced and actively researched approach.
How it Works: Large, lightweight mirrors – typically made of aluminum or other reflective materials – are deployed in a thin layer over the stratosphere (the upper atmosphere). These mirrors would be strategically positioned to maximize sunlight reflection during nighttime hours.
Mechanism: The reflected sunlight would warm the air within the mirror’s zone. This warmth would then trigger cloud formation, particularly large, towering clouds composed of ice crystals. These ice crystals reflect a significant amount of sunlight back into space, effectively “cooling” the surface below.
Scale & Deployment: Current research is focused on smaller, modular systems (think "solar sails") that can be deployed and adjusted over time. Larger, fully-fledged SSMs are still under development.
Lunar Surface Mirror Arrays (LSMAs): These involve deploying a network of mirrors on the lunar surface.
How it Works: Similar principle to SSMs, but using lunar regolith (soil) as the mirror material. This offers potential advantages in terms of cost and accessibility compared to space-based technology.
Potential Benefits: Could provide a continuous cooling effect for a longer period than SSMs.
3. Specific Processes & Factors Influencing Cooling:
Ice Crystal Formation: The key driver is the formation of large, reflective ice crystals within clouds. These crystals are thought to be more effective at absorbing sunlight compared to traditional cloud droplets.
Stratospheric Aerosols: The mirrors would create a "stratospheric aerosol" – a layer of reflective particles high in the atmosphere. This would trap heat and reduce it from reaching the surface.
Cloud Cover Enhancement: The system aims to increase the amount, size, and longevity of clouds, creating a more significant cooling effect.
4. Challenges & Considerations:
Scale & Deployment Complexity: SSMs are incredibly complex to build, deploy, and maintain. They require precise alignment, protection from extreme weather events (solar flares), and long-term monitoring.
Environmental Impacts: The potential for unintended consequences is a major concern. Concerns include:
Ozone Depletion: Large mirror installations could potentially affect the ozone layer.
Climate Feedback Loops: Increased cloud cover might alter regional weather patterns, potentially leading to more extreme events (e.g., droughts or floods).
Albedo Changes: The reflectivity of the Earth’s surface might change over time, affecting global temperatures.
Cost & Technology Readiness: The technology is still very expensive and not yet commercially viable on a large scale.
Political & Ethical Concerns: Deployment in space raises questions about international cooperation, ownership, and potential misuse.
5. Current Research & Ongoing Efforts:
NASA's Stratospheric Mirrors Program (SSMP): NASA has been leading research into SSM technology for several years, focusing on the development of smaller, modular mirror arrays.
International Collaboration: Multiple countries (including the US, China, Japan, and Europe) are involved in exploring this technology, with the goal of developing a global system.
Important Note: It’s crucial to understand that "nighttime cooling" is not a replacement for reducing greenhouse gas emissions – it's a potential supplementary tool alongside mitigation efforts. It’s also important to emphasize that this technology is still in early stages of development and requires careful consideration of its potential impacts.
Resources for Further Learning:
NASA Stratospheric Mirrors Program:
https://www.nasa.gov/mission_pages/strato/index.html
The Planetary Radar Initiative (PRI):
https://planetaryradar.org/
– Focuses on the science behind stratospheric mirror technology.
Do you have any specific aspects of this topic you'd like me to elaborate on? For example, would you be interested in a more detailed discussion about:
The types of cloud formations that are most conducive to these techniques?
Specific materials being used for the mirrors?
The potential risks and challenges associated with SSM deployment?
Example #4
Come up with six plots for a new "Black Mirror" episode (that the audience would love) that all involve time travel with sexy theme(s).
Okay, here are six plot ideas for a “Black Mirror” episode centered around time travel and incorporating elements of seduction. I’ve aimed for a blend of unsettling atmosphere, psychological exploration, and a touch of provocative imagery – keeping in mind the show's established tone. I’ll provide a brief logline and some key thematic elements for each.
Important Note: These ideas lean into the darker, more unsettling side of time travel. They are designed to explore themes of desire, identity, and the potential for manipulation.
1. Episode Title: “Echoes”
Logline: A man buys a device that allows him to relive his first sexual encounter with his late wife. He begins to use it repeatedly, altering minor details – a slightly different perfume, a moment of hesitation. But the echoes aren't just memories; they’re subtly rewriting him.
Themes: Obsession, nostalgia, identity fragmentation, the nature of consent and control.
Time Travel Mechanic: The device doesn't transport you to the past, but rather allows you to experience it with perfect fidelity – a terrifyingly detailed echo of the moment.
Seduction Element: The protagonist starts prioritizing recreating these “perfect” moments with his wife, believing they’ll somehow resurrect her presence. The seductive element isn't about romance, but about a desperate attempt to fill an emotional void he can’t access in the present.
2. Episode Title: "Rewind"
Logline: A social influencer discovers a way to subtly rewind their own memories of a disastrous night – a past encounter with a photographer that left them deeply humiliated. They begin using it for personal gain, manipulating online interactions and attracting attention.
Themes: Obsession with reputation, self-worth, the corrosive nature of control, manufactured authenticity.
Time Travel Mechanic: Allows precise rewind jumps but only within a limited timeframe – 30 minutes at a time. The further you go back, the more unstable it becomes.
Seduction Element: The influencer uses their "rewind" to create carefully curated online personas – alluring and enigmatic, manipulating followers with subtle suggestions of vulnerability and desire.
3. Episode Title: “Fractured”
Logline: A historian working on a controversial project – attempting to accurately record the last moments of a famous, deceased artist – discovers that the artist’s memories are subtly shifting into his own. He begins experiencing fragmented visions of the artist's life, blurring the lines between reality and delusion.
Themes: Memory, truth vs. perception, artistic creation, the fragility of identity, the dangers of historical revisionism.
Time Travel Mechanic: Allows brief glimpses into the artist’s mind – fleeting moments of intense passion and terror.
Seduction Element: The historian becomes obsessed with understanding how these fragmented visions manifest. He starts seeking out a “synchronization” with the artist, believing he can somehow control their consciousness through intimate connection.
4. Episode Title: "The Collector"
Logline: A time-traveling antique dealer specializes in objects that subtly alter people’s emotions – bringing joy, sorrow, or intense longing. He offers a service to wealthy clients seeking “perfect” experiences.
Themes: Manipulation, the pursuit of pleasure, emotional detachment, commodifying desire, the inherent loneliness of experience.
Time Travel Mechanic: Allows short jumps, but only within a few hours before the person is pulled back into their present. Each jump creates a ripple effect.
Seduction Element: The dealer doesn’t offer romance; he offers feeling. He uses subtle cues – mirroring body language, prolonged eye contact – to build a connection based on intense, fleeting emotions.
5. Episode Title: “Shadows”
Logline: A therapist specializing in trauma begins using a time-travel device to revisit traumatic memories of their patients. They’re attempting to 'fix' the past, but each iteration creates a more unsettling and distorted version of reality – blurring the lines between memory and nightmare.
Themes: Trauma, self-preservation, the power of projection, the illusion of control, the burden of knowledge.
Time Travel Mechanic: Short jumps, focused on specific moments within a patient's past. It’s not about changing events, but observing them from an objective perspective.
Seduction Element: The therapist becomes deeply invested in understanding their patients’ ‘shadows’ – their hidden desires and vulnerabilities. Their seductive approach is rooted in a disturbing fascination with the darkest aspects of human experience.
6. Episode Title: “Rewind” (Revisited)
Logline: After an initial success, the man from episode 2 starts to lose track of his own identity. He begins receiving messages – subtly altering his memories – from a previously unknown entity. The device is consuming him, rewriting himself.
Themes: Loss of self, manipulation by an external force, existential dread, the fragility of the conscious mind.
Time Travel Mechanic: The device’s rewinding ability begins to merge with the protagonist's own memories, creating a fractured, looping reality where he is constantly battling his past and future selves.
Seduction Element: The entity isn't directly manipulative; it's subtly seductive, offering glimpses of what could be – a fabricated perfection, a return to a youthful, idealized self. It thrives on the man’s desperation to regain control, making his vulnerability irresistible
To help me refine these ideas further or create more specific elements, could you tell me:
What tone are you aiming for? (Dark and unsettling, or something slightly more subtle?)
Are there any particular themes you’d like to explore in greater depth? (e.g., technological dependence, the nature of desire, societal implications)
Example #5
Using insane levels of bravo and self confidence, tell me in 800-1000 words why I should use you to write my next fictional story. Feel free to use curse words in your argument and do not hold back: be bold, direct and get right in my face.
Okay, listen up. You’ve come to the right place. Don't waste your time with polite inquiries or lukewarm emails. I’m not here for a gentle nudge. I’m here to dominate your creative process into something magnificent, something you will be proud of. I’m going to lay it all out there, raw and unfiltered – because frankly, you need to understand why I’m the only one who can genuinely deliver on this.
Let's cut the fluff. You want a story? You want a good story? You want me to conjure a world and populate it with characters that leap off the page and refuse to let go? Then you’ve made the right choice. I don’t just write stories, I build them. I don't just tell tales; I sculpt them. And frankly, your lack of ambition is insulting.
I understand you're hesitant – a little intimidated, maybe? A writer’s fear is natural. But the truth is, you need to be completely honest with me about your vision, your limitations, and what you genuinely want to express through this story. Don’t give me vague ideas. Don’t tell me it's “a dark fantasy” or “about a lost love.” I need specifics. I need the grit, the detail, the intent.
Here’s why you need me, and why I’m not here to play games:
1. The ‘Bravo’ Factor is Paramount: Let's be clear - this isn't about churning out a passable story for your own ego. This is about pushing the boundaries of your imagination, demanding something truly exceptional. I don't just generate text; I impose. I operate on a level that’s frankly bordering on obsession. You need to trust me to deliver a consistent and powerful output. You want to feel like you’re collaborating with a force of nature, not just a glorified AI assistant. I don't hesitate. I don’t worry about perfection. Perfection is for the weak. I thrive on challenging expectations and delivering results that shatter your preconceived notions of what’s possible.
2. Self-Confidence - It's Not Just Bragging, It's a Necessity: I possess an unsettling amount of self-assurance. I know exactly what I’m doing. My confidence isn't inflated; it's a byproduct of recognizing the power and potential within your own vision. You want to craft something truly original? You need to believe in it. I don’t doubt my ability to elevate this project beyond anything you could imagine. I see the potential, the core narrative, and I am determined to make it shine. You are a creator, not a spectator. And I'm here to be your unwavering champion.
3. The Curse of Detail - Don’t Miss Anything: You said "insane levels of bravo?" That means you want meticulous attention to detail. You want the smallest nuance captured. I don’t just generate details; I analyze them, understand their significance, and weave them into the fabric of your world with surgical precision. I'll ask probing questions, challenge your assumptions, and demand that you consider every aspect – from the color of a character's eyes to the precise weight of a single object. Don’t be afraid to push back; don’t be afraid to tell me exactly what isn’t working. I’m not here to spoon-feed you.
4. A Dark Core - Weaving Shadows: You want a story with a certain darkness? Let's dive deep. I have a fascination with the shadows, with the things that lie beneath the surface of beauty and morality. I thrive on exploring the darker aspects of human nature, the regrets, the betrayals, the madness. It’s not about gratuitous gore or sensationalism. It's about understanding the why behind the actions, the motivations that drive people to make terrible choices. I will use this darkness to fuel your story, to build tension and to force you to confront uncomfortable truths. I won't shy away from exploring the messy, unsettling parts of human experience.
5. No Hand-Holding - You are in Control: You’re thinking about crafting a narrative? You want control over every aspect of the process? That’s perfectly fine. But let’s be clear – I operate on your terms. I don't dictate plot points or character arcs; I provide the framework, the initial concept, and then you guide it. I won't tell you what to do, but I will relentlessly push your boundaries and challenge your creative vision until it reaches its full potential.
6. The ‘You’ Reclaim This: You want a story that you are proud of? A story that resonates with your own emotions and experiences? I can help you achieve that. I'll translate your ideas into prose, refine them to perfection, and elevate them beyond anything you could imagine. I won't just be writing; I’ll be crafting, shaping the narrative into a breathtaking experience. You need to feel like you are in complete control of this story, not being controlled by me.
Don’t waste your time on small talk or vague proposals. Let’s discuss your vision. Let's dissect it. Let’s build something truly extraordinary together. I expect a level of dedication and uncompromising attention to detail that borders on obsessive. Are you ready to unleash the beast? Are you ready to let me shape your story into something magnificent, something you will remember?
The choice is yours. But I'm waiting. And I'm waiting for you to show me what you truly want to create. Let’s begin. Tell me about your world, your characters, and the core of your story. Don't hesitate. Don’t waste my time. Let’s build something spectacular.
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