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Story prompt:

Page 1: The Streets of Chaos The comic opens on a bustling city street. Civilians are walking, rushing to work, shopping, or simply going about their daily routines. In the background, a sense of tension is evident: there are remnants of war—damaged buildings, faded propaganda posters, and military vehicles parked ominously on the side. Panel 1: A close-up of a man in his mid-20s, nervously glancing over his shoulder as he walks, clutching a backpack. Panel 2: A group of heavily armed and uniformed men from the TЦК (Military Enlistment Office) emerges from an alleyway, their expressions cold and calculating. Panel 3: A civilian is stopped, their ID demanded, while others around them look on nervously. Panel 4: The young man from the first panel tries to slip away, but one of the uniformed officers locks eyes with him. --- Page 2: The Chase This page is filled with dynamic action and tension as the young man tries to escape. Panel 1: The man begins to run, weaving through the crowd, his expression panicked. Panel 2: The TЦК officers pursue him relentlessly, pushing aside other pedestrians. Panel 3: A wider shot shows the man turning into a narrow alley, hoping to escape. Panel 4: As he rounds the corner, he is met by another officer, who grabs him forcefully. His backpack falls to the ground, spilling books and personal items. --- Page 3: Detention The tone darkens as the man is dragged away. Panel 1: The officers shove the man into a military vehicle, ignoring his protests and explanations. Panel 2: Inside the vehicle, other detained civilians sit in silence, their expressions a mix of fear and resignation. Panel 3: A close-up of the young man’s face, beads of sweat running down as he looks out of the barred window. Panel 4: The vehicle drives through the city, passing civilians who avert their gazes, too scared to intervene. --- Page 4: The Camp The final page depicts the grim reality of forced conscription. Panel 1: The vehicle arrives at a makeshift enlistment center. Uniformed officers stand watch as detainees are processed. Panel 2: The man is handed military fatigues and a rifle, his expression blank with shock. Panel 3: A wide shot of a training ground, where other conscripts are being drilled. The man is now among them, his individuality stripped away. Panel 4: The comic ends with a haunting close-up of the man’s face, now emotionless, as a voiceover caption reads: “For some, war was never a choice.”

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Humanoid

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