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it never bothers to questions why somebody might devote time to see it | 0 |
freelance movies | 1 |
authentic snooze . | 0 |
small crossover appeal to those without much interest in the elizabethans ( as well as rank frustration from those in the know about rubbo 's dumbed-down tactics ) | 0 |
adopting a sort of inter-species comedy of a vh1 behind the music episode | 0 |
it succeeded as a forceful glance at a failure of our justice system . | 1 |
seems suited either to kids or adults . | 0 |
match their own creations for sheer venality -- that 's give it the old campus try | 0 |
the usual movie rah-rah , cheerfully and predictably gave in low-key style by headmaster michael apted and writer tom stoppard . | 1 |
more equilibrium or fair portrayal | 1 |
is yet worth | 1 |
` unfaithful ' swindlers on itself and retreat to comfortable territory . | 0 |
the lifetime out of whatever idealism america moviemaking ever had | 0 |
about an uncaring nature and everybody who would not likely be so daft as to get | 0 |
a sulphurous little movie | 0 |
lack of spontaneity in its execution and a rarity of real poignancy | 0 |
drafted , participating cinema that should attract upscale audiences hungry for quality and a nostalgic , distorted yarn that will keep them guess . | 1 |
its disquieting force | 1 |
never sees derived | 1 |
offers us principally fool 's gold | 0 |
the kind of quirkily appeals minor movie she might not make for a while | 1 |
reworking to purpose the film at young males in the throes of their first full flush of estrogen | 0 |
devise her own film terminology with conspicuous accomplishments | 1 |
with the kind of social texture and realism that would be alien in american teen sitcom | 1 |
it possibly paid off and is effectively if you stick with it | 1 |
stephen rea , aidan reine , and alan bates gaming desmond 's legal broncos , and when joined by brosnan , the conception of this grandiloquent quartet lolling in rather irish setups is a pleasant enough thing , ` tis . | 1 |
, lan toa never catch whopping fire . | 0 |
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