Court Opinion

ID: 5403350
Source: CourtListenerOpinion
Date Created: 2022-01-08 15:56:33.927675+00
Date Added: 2024-06-11T08:30:29.584364
License: Public Domain

Daly, P. J.
In the month of June, 1890, the plaintiff was engaged by the defendant’s agent as actor and stage manager, and they signed the following memorandum:
“ This memorandum certifies that I have engaged, this 12th day of June, 1890, Mr. Henry E. "Walton, for the Margaret Mather Dramatic Company Season of' 1890-1, and at a salary of seventy-five ($75) dollars per week, subject to the conditions and' regulations of a contract which is to be substituted for this memorandum.
(Signed) D. C. Willoughby,
'H. E. Walton.”
This writing afforded no ground of action by either party against the other, as neither was under any obligation to subsequently agree to conditions and stipulations, and a refusal to do so would be a sufficient answer, to a demand for a substituted contract. Mayer v. McCreery, 119 N. Y. 434. Where conditions are left indefinite, to be fixed by a further agreement, there is no contract binding upon the parties. Law v. Pemberton, 10 Misc. Rep. 362; Chinnock v. Marchioness of Ely, 4 DeG., J. & S. 638; Bertel v. Neveux, 39 L. T. Rep. (N. S.), 257.
But it appears from the evidence that after the signing of the memorandum and before the commencement of the season mentioned in it, the plaintiff was introduced by the agent, Willoughby, to the defendant, Miss Mather, and a conversation ensued between them on the subject of the employment, which originally contemplated the production of one play “Joan d’Arc.” According to the plaintiff’s testimony they discussed, among other things, his receiving,- if she played her repertoire, that is to say, other plays, *548another contract guaranteeing him an additional $50 a week, thus bringing him $125 a week; but she said the times were hard and she could not afford to pay him, as she was not going to produce “ Joan d’Arc ” but -she would fall back upon her repertoire,, and he had to play these five or six plays, and had to do it at the salary she signed for; and that he “ would have to stay on the original con-, tract of $75 a week.”
The plaintiff’s version of this interview was disputed by the defendant and by Willoughby; but it clearly appeared that there was a conversation between them on business, and the testimony not. only of plaintiff, but of the defendant and' of Willoughby, was such that the jury might, reasonably find that the defendant and the plaintiff adopted the written memorandum of July 12, and the arrangement which it evidenced, as the final agreement between them.
It was entirely competent for the plaintiff and defendant, within the terms of the memorandum, to make a verbal agreement' as the substitute contemplated by it, or, by verbal, agreement, to adopt such memorandum, or the engagement entered into by the agent, as a final contract; for the memorandum did not specify that the engagement -was to be subject to the execution of a writing; and no writing was necessary, as the agreement was not within the statute of frauds. The parties might by verbal agreement waive the provisions for a substitute contract and for further conditions and stipulations. And this they did, in effect, by the defendant requiring the plaintiff.to stay on the original■ contract, and his assent thereto by rendering the service for which he was engaged. The ' fair inference from the language used was that he was to go on and serve as actor and stage manager in the Margaret Mather Dramatic Company for the season of 1890-1, at the specified salary. .
Before the season was terminated the plaintiff was discharged. He claimed damages amounting to his salary for the balance of the season, but the jury awarded him only: two weeks’ salary. This was upon' the defendant’s .evidence of a usage that theatrical engagements were understood to include a proviso for a discharge upon two weeks’ notice. No question .arises upon this evidence, since the plaintiff does not appeal.
The last contention of the appellant is that the memorandum, if. an agreement, was unilateral and that plaintiff agreed to nothing on his part; but the signature of the plaintiff to the memorandum-*549was an assent to the engagement therein specified; and the evidence apart from the memorandum shows that the plaintiff was engaged as actor and stage manager and his signature was an assent to that engagement. The judgment and order should be affirmed, with costs.
McAdam and Bischoff, JJ., concur.
Judgment and order affirmed, with costs.