Court Opinion

ID: 9459491
Source: CourtListenerOpinion
Date Created: 2023-08-04 21:21:58.869557+00
Date Added: 2024-06-11T17:36:11.091267
License: Public Domain

WILKEY, Circuit Judge:
The source of this controversy is a Notice issued by the Federal Communications Commission regarding “drug oriented” music allegedly played by some radio stations.1 This Notice and a subsequent Order, the stated purposes of which were to remind broadcasters of a pre-existing duty, required licensees to have knowledge of the content of their programming and on the basis of this knowledge to evaluate the desirability of broadcasting music dealing with drug use. Appellant, a radio station licensee, argues first that the Notice and the Order are an unconstitutional infringement of its First Amendment right to free speech. In the alternative, appellant contends that they impose new duties on licensees and must, therefore, be the subject of rulemaking procedures. Finally it is argued that the statements’ requirements are impermissibly vague and that the FCC has abused its discretion in refusing to clarify its position. Finding none of these arguments of the licensee valid, we affirm the action of the FCC.
1. Substance of the First and Second Notices
In the late 1960’s and early 1970’s the FCC began receiving complaints from the public regarding alleged “drug oriented” songs played by certain radio broadcasters. In response to these complaints the Commission issued a Notice, the stated purpose of which was to remind broadcasters of their duty to broadcast in the public interest.2 To fulfill this obligation licensees were told that they must make “reasonable efforts” to determine before broadcast the meaning of music containing drug oriented lyrics. The Notice specified that this knowledge must be in the possession of a management level executive of the *596station, who must then make a judgment regarding the wisdom of playing music containing references to drugs or the drug culture.
This initial Notice led to substantial confusion within the broadcast industry and among the public. Confusion centered around the meaning of phrases such as “knowing the content of the lyrics,” “ascertain before broadcast,” and “reasonable efforts.”
In order to clarify these ambiguities, the FCC issued a second Memorandum and Order clarifying and modifying certain parts of the original Notice.3
4The thrust of this Order was that (1) the Commission was not prohibiting the playing of “drug oriented” records, (2) no reprisals would be taken against stations that played “drug oriented” music, but (3) it was still necessary for a station to “know” the content of records played and make a “judgment” regarding the wisdom of playing such records.
II. Interpretation of the Definitive Order
Many of appellant’s fears and arguments stem from the apparent inconsistencies between the Notice and the subsequent Order. It is quite clear, however, that the Order “constitutes the Commission’s definitive statement” regarding broadcaster responsibility.^.To the ex-' tent that the two are inconsistent or confused, we treat the Notice, as we believe the Commission intends, as superseded by the Order. Reference to the Commission’s requirements is to those established by the Order.
Once the Order is taken as definitive, it becomes fairly simple to understand what the FCC asks of its licensees. The Order recognizes the gravity of the drug abuse problem in our society. From this basis, the Order proceeds to remind broadcasters that they may not remain indifferent to this severe problem and must consider the impact that drug oriented music may have on the audience.5
The Commission then makes the common sense observation that in order to make this considered judgment a broadcaster must “know” what it is broadcasting.6
The Commission went to great lengths' to illustrate what it meant by saying that a broadcaster must “know” what is being broadcast. The Order emphasizes that it is not requiring the unreasonable and that the Commission was “not calling for an extensive investigation of each. . . . record”7 that dealt with drugs. It also made clear that there *597was no general requirement to pre-screen records.8
The Commission in its Order was obviously not asking broadcasters to decipher every syllable, settle every ambiguity, or satisfy every conceivable objection prior to airing a composition. A broadcaster must know what he can reasonably be expected to know 9 in light of the nature of the music being broadcast. It may, for example, be quite simple for a broadcaster to determine that an instrumental piece has little relevance to drugs. Conversely, it may be extremely difficult to determine what thought, if any, some popular lyrics are attempting to convey. In either case, only what can reasonably be understood is demanded of the broadcaster.
Despite all its attempts to assuage broadcasters’ fears, the Commission realized that if an Order can be misunderstood, it will be misunderstood — at least by some licensees. To remove any excuse for misunderstanding, the Commission specified examples of how a broadcaster could obtain the requisite knowledge. A licensee could fulfill its obligation through (1) pre-screeing by a responsible station employee, (2) monitoring selections while they were being played, or (3) considering and responding to complaints made by members of the public.10 The Order made clear that these procedures were merely suggestions, and were not to be regarded as either absolute requirements or the exclusive means for fulfilling a station’s public interest obligation.11
Having made clear our understanding of what the Commission has done, we now take up appellant’s arguments seri-atim.
III. An Unconstitutional Burden on Freedom of Speech
Appellant’s first argument is that the Commission’s action imposes an unconstitutional burden on a broadcaster’s freedom of speech. This contention rests primarily on the Supreme Court’s opinion in Smith v. California,12 in *598which a bookseller was convicted of possessing and selling obscene literature. The Supreme Court reversed the conviction. Although the State had a legitimate purpose in seeking to ban the distribution of obscene materials, it could not accomplish this goal by placing on the bookseller the procedural burden of examining every book in his store. To make a bookseller criminally liable for all the books sold would necessarily “tend to restrict the books he sells to those he has inspected; and thus the State will have imposed a restriction upon the distribution of constitutionally protected as well as obscene literature . ”13
Appellant compares its own situation to that of the bookseller in Smith and argues that the Order imposes an unconstitutional burden on a broadcaster’s freedom of speech. The two situations are easily distinguishable.
Most obviously, a radio station can only broadcast for a finite period of twenty-four hours each day; at any one time a bookstore may contain thousands of hours’ worth of readable material. Even if the Commission had ordered that stations pre-screen all materials broadcast, the burden would not be nearly so great as the burden imposed on the bookseller in Smith. As it is, broadcasters are not even required to pre-screen their maximum of twenty-four hours of daily programming. Broadcasters have specifically been told that they may gain “knowledge” of what they broadcast in other ways.14
A more subtle but no less compelling answer to appellant’s argument rests upon why knowledge of drug oriented music is required by the Commission. In Smith, knowledge was imputed to the purveyor in order that a criminal sanction might be imposed and the dissemination halted. Here the goal is to assure the broadcaster has adequate knowledge. Knowledge is required in order that the broadcaster can make a judgment about the wisdom of its programming. It is beyond dispute that the Commission requires stations to broadcast in the public interest. In order for a broadcaster to determine whether it is acting in the public interest, knowledge of its own programming is required. The Order issued by the Commission has merely reminded the industry of this fundamental metaphysical observation — in order to make a judgment about the value of programming one must have knowledge of that programming.
We say that the licensee must have knowledge of what it is broadcasting; the precise understanding which may be required of the licensee is only that which is reasonable. No radio licensee faces any realistic possibility of a penalty for misinterpreting the lyrics it has chosen or permitted to be broadcast. If the lyrics are completely obscure, the station is not put on notice that it is in fact broadcasting material which would encourage drug abuse. If the lyrics are meaningless, incoherent, the same conclusion follows. The argument of the appellant licensee, that so many of these lyrics are obscure and ambiguous, really is a circumstance available to some degree in his defense for permitting their broadcast, at least until their meaning is clarified. Some lyrics or sounds are virtually unintelligible. To the extent they are completely meaningless gibberish and approach the equivalent of machinery operating or the din of traffic, they, of course, do not communicate with respect to drugs or anything else, and are not within the ambit of the Commission’s order. Speech is an expression of *599sound or visual symbols which is intelligible to some other human beings. At some point along the scale of human intelligibility the sounds produced may slide over from characteristics of free speech, which should be protected, to those of noise pollution, which the Commission has ample authority to abate.15
We not only think appellant’s argument invalid, we express our astonishment that the licensee would argue that before the broadcast it has no knowledge, and cannot be required to have any knowledge, of material it puts out over the airwaves. (We can understand that' the individual radio licensees would not be expected to know in advance the content or the quality of a network program, or a free flowing panel discussion of public issues, or other audience participation program, and certainly not a political broadcast. But with reference, to the broadcast of that which is frequently termed “canned music,” we think the Commission may require that the purveyors of this to the public make a reasonable effort to know what is in the “can.” No producer of pork and beans is allowed to put out on a grocery shelf a can without knowing what is in it and standing back of both its content and quality. The Commission is not required to allow radio licensees, being freely granted the use of limited air channels, to spew out to the listening public canned music, whose content and quality before broadcast is totally unknown.
Supposedly a radio licensee is performing a public service — that is the raison d’etre of the license. If the licensee does not have specific knowledge of what it is broadcasting, how can it claim to be operating in the public interest? Far from constituting any threat to freedom of speech of the licensee, we conclude that for the Commission to have been less insistent on licensees discharging their obligations would have verged on an evasion of the Commission’s own responsibilities.
By the expression of the above views we have no desire whatsoever to express a value judgment on different types of music, poetry, sound, instrumentation, etc., which may appeal to different classes of our most diverse public. “De gus-tibus non est disputandum.” But what we are saying is that whatever the style, whatever the expression put out over the air by the radio station, for the licensee to claim that it has no responsibility to evaluate its product is for the radio station to abnegate completely what we had always considered its responsibility as a licensee. All in .all, and quite unintentionally, the appellant-licensee in its free speech argument here has told us a great deal about quality in this particular medium of our culture.
IV. The Requirement of Rulemaking
We turn next to appellant’s contention that the Commission in its Order has imposed a new duty on the broadcasting industry. If the FCC were indeed imposing a new duty on its licensees, its action should be subject to the public debate and scrutiny of rulemaking proceedings.16 If the Commission is simply reminding broadcasters of an already existing duty, rulemaking is not required. We conclude that the stated purpose and the actual result of the Commission’s Notice and Order was to remind the industry of a pre-existing duty.
The basis for this pre-existing duty has existed since the early days of government regulation of the airways.17 The most thorough articulation of this duty was given in the Commission’s *6001960 Program Policy Statement wherein it said:
Broadcast licensees must assume responsibility for .alb-material which is broadcast through Their facilities. This includes all programs and advertising material which they present to the public. . . . This duty is' personal to the licensee and may not] be delegated. He is obligated to bring his positive responsibility affirmatively to bear upon all who have a hand in providing broadcast material for transmission through his facilities so as to assure the discharge of his duty to provide acceptable program schedule consonant with operating in the public interest in his community.18
This 1960 Statement and the Order challenged here are remarkably similar. Both require the broadcaster to assume responsibility for what is broadcast, that the broadcaster actively exercise his judgment in pursuit of this responsibility, and that this exercise of judgment result in programming that is in the public interest. The only real difference between the 1960 Statement and the Order under attack is that the Order (1) deals with programming as it relates to drugs rather than programming generally, and (2) specifically states that a broadcaster must have “knowledge” of what he is programming.
There is a long-standing Commission policy of reminding licensees of their responsibility in a particular area whenever there appears to be licensee indifference. A notice quite similar to the one challenged here was issued with respect to foreign language broadcasting.19 There, a Commission inquiry had revealed that many licensees were carrying foreign language broadcasts without having any familiarity with the foreign language. Broadcasters were accordingly advised:
Licensee responsibility requires that internal procedures be established and maintained to insure sufficient familiarity with the foreign language to know what is being broadcast and whether it conforms to the station’s policies and to the requirements of the Commission’s rules. Failure of licensees to establish and maintain such control over foreign language programming will raise serious questions as to whether the station’s operation serves the public interest.20
In addition to this example, the Commission has reminded broadcasters of their obligations in a number of other specific situations 21
It is entirely reasonable for the Commission to issue “reminders” referring to specific areas when such problems exist. The Commission need not content itself with repeating general policy statements when the general policy is being violated in a very specific way. It is much more logical for the Commission to point out the specific problem and then illustrate how the general policy applies in the particular situation.
It is likewise irrelevant that the current Order requires broadcasters to “know” what they are programming. Such a requirement imposes no new burden upon the broadcasting industry. Indeed, the requirement that the licensees broadcast in the public interest necessi*601tates some sort of knowledge on their part. Undoubtedly, the only reason the Commission stressed the point in the Order was because of certain broadcasters’ absurd contention that they either did not or could not know what they were broadcasting. As we noted in Part III, it cannot be argued that no knowledge has ever been required of broadcasters.
In its less extreme form appellant’s contention seems to be that, although some form of knowledge has always been required, the Notice and Order impose a much greater burden of knowledge on the broadcasting industry than has previously existed. This argument is baseless. The requisite degree of knowledge is not absolute but, rather, is quite liberal. Indeed, a licensee could not do less than is asked and still fulfill its obligation to broadcast in the public interest. In sum, the main thrust of the Commission’s earlier Notice and of its later Order is that whether a song presents the banal observations of a moon-struck adolescent, resembles two enraged alley cats fighting in a garbage can, or contains the subtle reflections of a master poet, a licensee may not broadcast ignorant of the content of his programming.22
V. Asserted Vagueness
Perhaps the most strenuously urged and least meritorious of appellant’s arguments are based upon the contention that the Commission’s Order is imper-missibly vague. From this common starting point, appellant argues (1) that the Order is unconstitutionally vague, or (2) that the Order is so vague that the Commission abused its discretion in refusing to clarify it.
A.
It is indisputable that generally the Government may not draw a line between permissible and impermissible speech in such an unclear and imprecise manner that “men of common intelligence must necessarily guess at its meaning and differ as to its application.” 23 We shall assume for the moment that this standard applies with full force to the broadcast industry. Even under this standard the Commission’s Order is not unconstitutionally vague. In fact, the Commission has done an admirable job of explaining the nature and degree of knowledge expected of broadcasters. As illustrated in Part II of this opinion, this court has no difficulty understanding what the Commission expects of its licensees.
Removed from appellant’s obfuscation, the structure, purpose and requirements of the Order are quite clear. First, the Order defines what it is attempting to achieve. Secondly, it provides three examples of ways a broadcaster may attain this goal. Thirdly, the Order does not forbid a broadcaster from attaining the goal by another means.24 Thus the Or-~A der avoids the constitutional infirmity of vagueness by providing explicit ways for a broadcaster to meet its requirements while simultaneously avoiding ov-erbreadth by not limiting compliance to l the methods specified.
B.
A second argument based on the alleged vagueness of the Order is that the Commission has abused its discretion in failing to clarify the nature of its requirements. Specifically, appel*602lant charges that the Commission abused its discretion in declining to issue a declaratory judgment on the acceptability of its proposed plan for complying with the Notice.
It is clearly within the discretion of the Commission to issue a Declaratory Order on a licensee’s proposal.25 It is equally clear, however, that the Commission is not required to issue such a declaratory statement merely because a broadcaster asks for one.26 There are over 7,500 radio stations in this country. If the Commission were required to pass upon, approve or disapprove, the methods of operations of each of these stations, the administrative task would be enormous. This disinclination to rule here is in accord with the Commission’s long standing policy of refusing to issue interpretative rulings or advisory opinions whenever the critical facts are not explicitly stated or there is a possibility that subsequent events will alter them.27
An administrative agency should not be compelled to issue a clarifying statement unless its failure to do so can be shown to be a clear abuse of discretion. Here the Commission could reasonably conclude that it had said enough and that the rest was up to the “licensee’s individual responsibility for programming.” 28 We will not, therefore, compel the Commission to issue a ruling on appellant’s proposed plan for compliance.
VI. Conclusion
In spite of the horrendous forebodings which brought appellant into court the fact is that appellant has recently had its license renewed. Likewise, there has been no showing or suggestion that the standard enunciated in the Order has been employed to deny any license to a broadcaster. If such a denial does occur and can be shown to be unfair or due to a misapplication of the Commission’s own guidelines (as described in Part II of our opinion), then redress may be sought in the courts. Until that time, appellant might commit its energies to the simple task of understanding what the Commission has already clearly said, rather than instituting more colorful but far less fruitful actions before already heavily burdened federal courts.
For the reasons given above, the action of the Federal Communications Commission is
Affirmed.

. There are actually two major Federal Communications Commission actions involved in this dispute. The first is a Public Notice, 28 F.C.C.2d 409 (1971). The second is a Memorandum Opinion and Order, 31 F.C.C.2d 377 (1971). The sole purpose of the second item mentioned above was to clarify and modify the Public Notice.

. Public Notice, 28 F.C.C.2d 409 (1971).

. Memorandum Opinion and Order, 31 F.C.C.2d 377 (1971).

. In its Memorandum and Order, the FCC noted that its initial Notice had been widely misconstrued. The Commission then said:
[I]t follows that where a notice is so erroneously depicted, we should appropriately call attention to the error. We do so in this Memorandum and Order. While it adheres fully to the above noted established policy of licensee responsibility, this opinion treats the matter in greater detail and this constitutes the Commission’s definitive statement in this respect.
31 F.C.C.2d at 378.

. “Clearly, in a time when there is an epidemic of illegal drug use — when thousands of young lives are being destroyed by use of drugs like heroin, methedrin (“speed”), cocaine — the licensee should not be indifferent to the question of whether his facilities are being used to promote the illegal use of harmful drugs.” IUd.

. “The Commission did make clear in the Notice that the broadcaster could jeopardize his license by failing to exercise license responsibility in this area. Except as to broadcasts by political candidates, the licensee is responsible for the material broadcast over his facilities. The thrust of the Notice is simply that this concept of licensee responsibility extends to the question of records which may promote or glorify the use of illegal drugs. The licensee should know whether his facilities are being used to present again and again a record which urges youth to take heroin or cocaine— that it is a wonderful, joyous experience.” Id. at 379.

. Id. at 380.

. As noted below, the Commission made reference to methods of compliance other than pre-screening in the Memorandum and Order. In a subsequent Order the Commission explicitly disclaimed any intention of requiring pre-screening:
We think it appropriate to point out, however, that petitioners’ repeated reference to a pre-screening requirement for each record is an erroneous interpretation of our April 16, 1971 order.
Memorandum Opinion and Order, 81 F.C.C.2d 385, 386 n. 1 (1971).

. “We recognized in the ADL case, supra, that imposition of any undue verification process ‘could significantly inhibit the presentation of controversial issue programming’ (6 F.C.C.2d at p. 386) ; cf. Washington Post v. Keogh, 125 U.S.App.D.C. 32, 365 F.2d 965 (1966). That is equally so here. Therefore, what is required is simply reasonable and good faith attention to the problem. We wóuld conclude this aspect as we did in the prior Notice.
Thus, here as in so many other areas, it is a question of responsible, good faith action by the public trustee to whom the frequency has been licensed. No more, but certainly no less is called for.”
31 F.C.C.2d 377, 380.

. “Again, it may be desirable to proceed by analogy. Licensees instruct their employees that before presenting taped material containing questionable language (i. e., of an indecent or obscene nature), the matter should be brought to the attention of a responsible management official. . . . Further, while such material might be presented once in a series part of which has been screened and approved, its presentation is then picked up, either by complaint or station personnel, and a judgment made as to further presentation. So also here, disc jockeys could be instructed that where there is a question as to whether a record promotes the illegal drug usage, a responsible management official should be notified so he can exercise his judgment. It may be that a record which raises an issue in this respect is played once, but then the station personnel who have heard it will be in a position to bring it to the attention of the appropriate management official for his judgment.” Ibid.

. See note 9, supra.

. 361 U.S. 147, 80 S.Ct. 215, 4 L.Ed.2d 205 (1959).

. Id. at 153-154, 80 S.Ct. at 218.

. See footnote 10, supra, and accompanying text. Appellant attempts to buttress its argument based on Smith by pointing to a number of cases that reject the contention that purveyors of public information are required to verify the truth of controversial statements. See Appellant’s Brief at 41-42. Those cases are even less relevant than Smith. They all involve fact situations in which obtaining the needed information would be most difficult or even impossible.

. Cf. Noise Control Act of 1972, Pub.L. No. 92-574, 86 Stat. 1234 (1972).

. Citizens Communications Center v. FCC, 145 U.S.App.D.C. 32, 35, 447 F.2d 1201, 1204 n. 5 (1971).

. See, e. g., KFKB Broadcast Association v. Federal Radio Commission, 60 U.S.App.D.C. 79, 81, 47 F.2d 670, 672 (1931).

. Report and Statement of Policy re: Commission En Banc Programming Inquiry, 25 Fed.Reg. 7291, 7295, 30 R.R. 1902, 1912-1913 (1960).

. Public Notice Concerning Foreign Language Programs, 9 P. & F. Radio Regs. 2d 1901 (1967).

. Ibid.

. See, e. g., Licensee Responsibility With Respect to the Broadcast of False, Misleading or Deceptive Advertising, FCC 61-1316 (November 7,1961).
Appellant, in its reply brief, attempts to distinguish these examples by pointing out that they deal with unique facts and are based upon different legal theories than those involved in this case. This is true. We make use of these examples here, however, for the very limited purpose of illustrating that the Commission often draws attention to and makes statements regarding specific areas of licensee activity.

. Appellant attempts to buttress its argument that the Order imposes a new duty by pointing to the widespread use of live and network programming. The argument is that since it is impossible to know prior to broadcast what is in those types of programs, the Notice must, if it requires any knowledge at all, impose a new duty. This argument ignores the fact that the Notice imposes no absolute requirement to pre-screen or know what a reCord says prior to broadcast. See footnote 8, supra. Pre-screening is merely one way that a broadcaster may fulfill its obligation.

. Connally v. General Const. Co., 269 U.S. 385, 391, 46 S.Ct. 126, 127, 70 L.Ed. 322 (1926).

. See generally the discussion in Part II of the opinion.

. “The agency, with like effect as in the case of other orders, and in its sound discretion, may issue a declaratory order to terminate a controversy or remove uncertainty.” 5 U.S.C. § 554(e) (1970) (emphasis added).

. “[I]n applying the public interest standard to programming, the Commission walks a tightrope between saying too much and saying too little. In most areas it has rbsolved this dilemma by imposing only general affirmative duties — e. g., to strike a balance between the various interests of the community, or to provide a reasonable amount of time for the presentation of programs devoted to the discussion of public issues. . . . Given [the Commission’s] long-established authority to consider program content, this general approach probably minimizes the dangers of censorship or pervasive supervision.” Banzhaf v. FCC, 132 U.S.App.D.C. 14, 27, 405 F.2d 1082, 1095 (1968).

. See, e. g., Use of Broadcast Facilities by Candidates for Public Office, 24 F.C.C.2d 832, 885 (1970).

. Banzhaf v. FCC, 132 U.S.App.D.C. 14, 27, 405 F.2d 1082,1095 (1968).