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Malayali, Geographic distribution and population: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages. Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London. World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. | Where is Malayali located? | 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, |
Malayali, Geographic distribution and population: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages. Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London. World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. | What other languages are spoken there? | 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. |
Malayali, Geographic distribution and population: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages. Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London. World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. | What else is this place known for? | World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. |
Malayali, Geographic distribution and population: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages. Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London. World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. | Is this population still growing? | In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. |
Malayali, Language and literature: Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script. Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature. Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition. Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. | what language do they speak? | Malayalam is the language spoken by the Malayalis. |
Malayali, Language and literature: Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script. Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature. Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition. Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. | Do they speak any other languages? | Malayalam is derived from old Tamil and Sanskrit in the 6th century. |
Malayali, Language and literature: Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script. Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature. Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition. Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. | any literary items of interest? | Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, |
Malayali, Language and literature: Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script. Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature. Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition. Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. | How old is their literature? | The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets ( |
Malayali, Language and literature: Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script. Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature. Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition. Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. | were any of the poets listed by name? | Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. |
Malayali, Language and literature: Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script. Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature. Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition. Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. | anything else of interest? | All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), |
Malayali, Language and literature: Malayalam is the language spoken by the Malayalis. Malayalam is derived from old Tamil and Sanskrit in the 6th century. For cultural purposes Malayalam and Sanskrit formed a language known as Manipravalam, where both languages were used in an alternating style. Malayalam is the only among the major Dravidian languages without diglossia. This means, that the Malayalam which is spoken does not differ from the written variant. Malayalam is written using the Malayalam script. Malayalam literature is ancient in origin. The oldest literature works in Malayalam, distinct from the Tamil tradition, is dated between the 9th century and 11th century. Malayalam literature includes the 14th century Niranam poets (Madhava Panikkar, Sankara Panikkar and Rama Panikkar), whose works mark the dawn of both modern Malayalam language and indigenous Keralite poetry. The Triumvirate of poets (Kavithrayam: Kumaran Asan, Vallathol Narayana Menon and Ulloor S. Parameswara Iyer) are recognized for moving Keralite poetry away from archaic sophistry and metaphysics and towards a more lyrical mode. In 19th century Chavara Kuriakose Elias, the founder of Carmelites of Mary Immaculate and Congregation of Mother of Carmel congregations, contribute different streams in the Malayalam Literature. All his works are written between 1829 and 1870. Chavara's contribution to Malayalam literature includes, Chronicles, Poems - athmanuthapam (compunction of the soul), Maranaveettil Paduvanulla Pana (Poem to sing in the bereaved house) and Anasthasiayude Rakthasakshyam - and other Literary works . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith awardees like Vaikom Muhammad Basheer have made valuable contributions to the Malayalam literature. Later, such Keralite writers as O. V. Vijayan, Kamaladas, M. Mukundan, and Booker Prize winner Arundhati Roy, whose 1996 semi-autobiographical bestseller The God of Small Things is set in the Kottayam town of Ayemenem, have gained international recognition. Kerala remains a fascinating riddle for the Indian diaspora, especially the younger generations - World Malayali Council with its sister organisation, International Institute for Scientific and Academic Collaboration (IISAC) has come out with a comprehensive book on Kerala titled 'Introduction to Kerala Studies,' specially intended for the Malayali diaspora across the globe. J.V. Vilanilam, former Vice-Chancellor of the University of Kerala; Sunny Luke, medical scientist and former professor of Medical Biotechnology at Adelphi University, New York; and Antony Palackal, professor of Sociology at the Loyola College of Social Sciences in Thiruvananthapuram, have edited the book, besides making other contributions to it. | any more recent literary works from them? | . In the second half of the 20th century, Jnanpith awardees like G. Sankara Kurup, S. K. Pottekkatt, Thakazhi Sivasankara Pillai and M. T. Vasudevan Nair and non Jnanpith |
Saosin, Arrival of Cove Reber and Saosin EP (2004-2006): After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with "Mookie's Last Christmas". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded. In an interview with PlayPro.com, Reber commented that "everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music." Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole. Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single "Bury Your Head" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. | What do we know about Cove Reber? | 19-year-old Cove Reber was announced as their new permanent lead singer. |
Saosin, Arrival of Cove Reber and Saosin EP (2004-2006): After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with "Mookie's Last Christmas". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded. In an interview with PlayPro.com, Reber commented that "everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music." Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole. Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single "Bury Your Head" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. | How did he get in? | Reber had sent in his demo tape, |
Saosin, Arrival of Cove Reber and Saosin EP (2004-2006): After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with "Mookie's Last Christmas". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded. In an interview with PlayPro.com, Reber commented that "everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music." Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole. Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single "Bury Your Head" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. | What was the first thing they did together with him in band? | Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour |
Saosin, Arrival of Cove Reber and Saosin EP (2004-2006): After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with "Mookie's Last Christmas". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded. In an interview with PlayPro.com, Reber commented that "everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music." Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole. Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single "Bury Your Head" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. | What happened after that? | That summer, they released the Saosin EP. |
Saosin, Arrival of Cove Reber and Saosin EP (2004-2006): After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with "Mookie's Last Christmas". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded. In an interview with PlayPro.com, Reber commented that "everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music." Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole. Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single "Bury Your Head" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. | What was a single they released? | "Bury Your Head" |
Saosin, Arrival of Cove Reber and Saosin EP (2004-2006): After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with "Mookie's Last Christmas". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded. In an interview with PlayPro.com, Reber commented that "everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music." Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole. Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single "Bury Your Head" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. | Did they tour again? | The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. |
Saosin, Arrival of Cove Reber and Saosin EP (2004-2006): After the audition process and several guest vocalists on demos, the then 19-year-old Cove Reber was announced as their new permanent lead singer. Reber had sent in his demo tape, which was an acoustic demo with "Mookie's Last Christmas". The demo has since leaked onto the internet. It is widely speculated to have included a few songs from Translating the Name. When Beau Burchell first heard the demo, he thought it was Anthony playing a trick on them, as Reber's vocal stylings were very similar to those of Green's when the demo was originally recorded. In an interview with PlayPro.com, Reber commented that "everyone I've played with wants to make music their lives...Saosin is a band on a completely different level. All these dudes are freaks about music." Reber's addition to the band was difficult, for the more experienced Green was the center piece of the band in the eyes of Saosin's fans. Many fans consider the time with Green to be something entirely different from the time with Reber. There are still distinct fans of both eras (Green Era/Reber Era) debating on which is a better fit for the band as a whole. Saosin played the Taste of Chaos tour the following winter. Saosin was signed to Capitol Records in March and toured the United States with the Warped Tour for the second time. That summer, they released the Saosin EP. At first it was intended to be a free sampler, but Capitol Records would not allow this and released it as an EP. It contained demo versions of songs later recorded on their first full-length album. A video to their new single "Bury Your Head" was filmed during the tour. The band continued touring for the rest of 2005, opening for Avenged Sevenfold and Coheed and Cambria. | What record label were they signed to? | Capitol Records |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | Who formed Saosin? | original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | When was the band founded? | formed in the summer of 2003. |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | What was their first album? | first commercial production, the EP Translating the Name. |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | Where was the album released? | on online forums and music sites. |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | How did the album do? | It was an immediate success and was immensely popular on online forums and music sites. |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | Did anyone leave the band? | Bassist Zach Kennedy left the band early on, |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | Why did he leave? | he wanted to pursue a career in art. |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | Did anyone else leave? | In February 2004, the band's vocalist Anthony Green left Saosin |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | Did anyone join them during this time? | Chris Sorenson. |
Saosin, Formation and Translating the Name (2003-2004): The original lineup for Saosin, consisting of Burchell, Shekoski, Kennedy and Green, was formed in the summer of 2003. On June 17, the band released their first commercial production, the EP Translating the Name. It was an immediate success and was immensely popular on online forums and music sites. Saosin first became popular through promotion and exposure through the Internet. They became known for their distinct musical styles long before their first studio-length album was released, and were popularized on social networking and music sites such as MySpace. The E.P. has sold an estimated 62,000 copies. Bassist Zach Kennedy left the band early on, as he wanted to pursue a career in art. He was later replaced by Chris Sorenson. A local Southern Califonian drummer by the name of Pat Magrath, was hired only for the recording for the EP, according to Burchell. The band was impressed with his drumming skills however, and he later appeared as a guest performing Lost Symphonies live with the band. Alex Rodriguez was unable to record Translating the Name as he had promised his band at the time Open Hand he would finish recording with them. Danny King filled in for live drums with the band before Rodriguez completed his responsibilities with Open Hand and joined Saosin full-time after the EP release. Saosin went on a U.S. tour with bands Boys Night Out and Anatomy of a Ghost shortly after the release of Translating the Name. In February 2004, the band's vocalist Anthony Green left Saosin and later formed the band Circa Survive. Green was homesick, depressed and said he was missing his family. Green was also disenchanted with the direction of Saosin and disliked that the band excluded him from the writing process. The band finished their Warped Tour obligations with Story of the Year's Philip Sneed taking the mic. A public, nationwide audition then took place. | Did anyone else join? | local Southern Califonian drummer by the name of Pat Magrath, was hired |
Coolio, Red Hot Organization and Tommy Boy Records dismissal: In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons. After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit "C U When U Get There" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with "Gangsta Walk" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart. While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading "Jugalo Cool" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos. Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. | How was he associated to Tommy Boy? | Coolio was dropped from Tommy Boy Records |
Coolio, Red Hot Organization and Tommy Boy Records dismissal: In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons. After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit "C U When U Get There" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with "Gangsta Walk" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart. While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading "Jugalo Cool" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos. Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. | Why was he dropped from Tommy Boy Records? | it failed to reach the success of his previous two albums. |
Coolio, Red Hot Organization and Tommy Boy Records dismissal: In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons. After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit "C U When U Get There" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with "Gangsta Walk" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart. While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading "Jugalo Cool" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos. Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. | How was he associated with Red Hot Organization? | Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, |
Coolio, Red Hot Organization and Tommy Boy Records dismissal: In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons. After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit "C U When U Get There" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with "Gangsta Walk" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart. While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading "Jugalo Cool" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos. Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. | What year did he appear on Red Hot Organization? | In 1996, |
Coolio, Red Hot Organization and Tommy Boy Records dismissal: In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons. After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit "C U When U Get There" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with "Gangsta Walk" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart. While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading "Jugalo Cool" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos. Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. | Why did he join Red Hot Organization ? | The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. |
Coolio, Red Hot Organization and Tommy Boy Records dismissal: In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons. After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit "C U When U Get There" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with "Gangsta Walk" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart. While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading "Jugalo Cool" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos. Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. | Who did he join after leaving Red Hot Organization and Tommy Boy Record? | since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. |
Coolio, Red Hot Organization and Tommy Boy Records dismissal: In 1996, Coolio appeared on the Red Hot Organization's compilation CD America is Dying Slowly, alongside Biz Markie, Wu-Tang Clan, and Fat Joe, among many other prominent hip-hop artists. The CD, meant to raise awareness of the AIDS epidemic among African American men, was heralded as "a masterpiece" by The Source magazine. That same year, he recorded the theme song and appeared in the opening sequence of the Nickelodeon TV series Kenan & Kel which ran for four seasons. After the success of Gangsta's Paradise, Coolio's next album was expected to be another hit. His third solo album titled My Soul, came out in 1997. Although it contained the major hit "C U When U Get There" and the album went platinum, it failed to reach the success of his previous two albums. Coolio was dropped from Tommy Boy Records and his albums since then, 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, have not charted on any Billboard chart. He did have a minor hit in the UK in 2006 with "Gangsta Walk" (featuring Snoop Dogg), which peaked at #67 on the UK pop chart. While touring with hip hop duo Insane Clown Posse, Coolio received a tattoo as a homage to the group's fanbase, reading "Jugalo Cool" [sic]. He stated that the misspelling was intentional. Coolio has performed at the Gathering of the Juggalos. Coolio was featured on an international collaboration track called 'Fuck the DJ' by UK rapper Blacklisted MC also featuring Bizarre of D12, Adil Omar (from Pakistan) and Uzimon (from Bermuda) the song was premiered on music website Noisey from Vice in October 2014. | Did he make any other sound tracks? | 2001's Coolio.com, 2003's El Cool Magnifico, 2006's The Return of the Gangsta, and 2008's Steal Hear, |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | What was the relationship between Coolio and Gangsta's parapdise? | Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | WHen was the song released? | In 1995, |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | Which record label release the song? | RIAA. |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | Did the song have a high sales? | It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | Did he wind any award? | At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | Which other names were mention n the song? | Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | What was their contribution to the song? | J.T. Taylor of Kool & the Gang doing the chorus. |
Coolio, Gangsta's Paradise: In 1995, Coolio made a song featuring R&B singer LV for the movie Dangerous Minds, titled "Gangsta's Paradise". It would become one of the most successful rap songs of all time, reaching #1 on the Billboard Hot 100 for 3 weeks. It was the #1 single of 1995 for all genres, and was a global hit, as it reached #1 in the United States, United Kingdom, Ireland, France, Germany, Italy, Sweden, Austria, Netherlands, Norway, Switzerland, Australia, and New Zealand. The song also created a controversy when Coolio claimed that parody artist "Weird Al" Yankovic had not asked for permission to make his parody of "Gangsta's Paradise", titled "Amish Paradise". At the 1996 Grammy Awards, the song won Coolio a Grammy for Best Rap Solo Performance. Originally "Gangsta's Paradise" was not meant to be included on one of Coolio's studio albums, but its success led to Coolio not only putting it on his next album but also making it the title track. The title track sampled the chorus and music of the song "Pastime Paradise" by Stevie Wonder, which was recorded nearly 20 years earlier on Stevie Wonder's album Songs in the Key of Life. The album Gangsta's Paradise was released in 1995 and was certified 2X Platinum by the RIAA. The album contained two other major hits in "1, 2, 3, 4 (Sumpin' New)" and "Too Hot" with J.T. Taylor of Kool & the Gang doing the chorus. Despite no longer being an official member of the group, Coolio made an appearance on the second WC and the Maad Circle album Curb Servin', on the song "In a Twist". In 1996, Coolio had another top 40 hit with the song "It's All the Way Live (Now)" from the soundtrack to the movie Eddie. He was also featured on the song "Hit 'em High" from the soundtrack to the movie Space Jam with B-Real, Method Man, LL Cool J, and Busta Rhymes. In 2014, the band Falling in Reverse did a cover of "Gangster's Paradise" for "Punk Goes 90's", with Coolio making a cameo in the music video. | Which other song did he make? | Sumpin' New |
Dick Grayson, Teen Titans: 1964's The Brave and the Bold #54 introduces a junior version of the Justice League of America; an all-star superhero team of which Batman was a part. This team is led by the modern-day Robin, residing on Earth-One, and was joined by two other teenage sidekicks, Aqualad (sidekick of Aquaman) and Kid Flash (sidekick of the Flash), to stop the menace of Mr. Twister. Later, the three sidekicks join forces with Speedy and Wonder Girl in order to free their mentors in the JLA from mind-controlled thrall. They decide to become a real team: the Teen Titans. By virtue of the tactical skills gleaned from Batman, Robin is swiftly recognized as leader before the Titans disband some years later. In 1969, still in the Pre-Crisis continuity, writer Dennis O'Neil and artist Neal Adams return Batman to his darker roots. One part of this effort is writing Robin out of the series by sending Dick Grayson to Hudson University and into a separate strip in the back of Detective Comics. The by-now Teen Wonder appears only sporadically in Batman stories of the 1970s as well as a short lived revival of The Teen Titans. In 1980, Grayson once again takes up the role of leader of the Teen Titans, now featured in the monthly series The New Teen Titans, which became one of DC Comics's most beloved series of the era. During his leadership of the Titans, however, he had a falling out with Batman, leading to an estrangement that would last for many years. | What role did he play in Teen Titans? | In 1980, Grayson once again takes up the role of leader of the Teen Titans, |
Bernie Leadon, Early life and musical beginnings: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar. As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963. His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon). A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. | Where was Bernie born? | Leadon was born in Minneapolis, |
Bernie Leadon, Early life and musical beginnings: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar. As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963. His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon). A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. | Who were his parents? | Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, |
Bernie Leadon, Early life and musical beginnings: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar. As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963. His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon). A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. | Did he have siblings? | one of ten siblings, |
Bernie Leadon, Early life and musical beginnings: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar. As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963. His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon). A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. | How was his childhood? | As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, |
Bernie Leadon, Early life and musical beginnings: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar. As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963. His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon). A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. | Did he start music at this point? | The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. |
Bernie Leadon, Early life and musical beginnings: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar. As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963. His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon). A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. | What instruments did he play? | 5-string banjo, mandolin and acoustic guitar. |
Bernie Leadon, Early life and musical beginnings: Leadon was born in Minneapolis, one of ten siblings, to Dr. Bernard Leadon Jr. and Ann Teresa (nee Sweetser) Leadon, devout Roman Catholics. His father was an aerospace engineer and nuclear physicist whose career moved the family around the U.S. The family enjoyed music and, at an early age, Bernie developed an interest in folk and bluegrass music. He eventually mastered the 5-string banjo, mandolin and acoustic guitar. As a young teen he moved with his family to San Diego, where he met fellow musicians Ed Douglas and Larry Murray of the local bluegrass outfit, the Scottsville Squirrel Barkers. The Barkers proved a breeding ground for future California country rock talent, including shy, 18-year-old mandolin player Chris Hillman, with whom Leadon maintained a lifelong friendship. Augmented by banjo player (and future Flying Burrito Brother) Kenny Wertz, the Squirrel Barkers eventually asked Leadon to join the group, upon Wertz's joining the Air Force in 1963. His stint in the Scottsville Squirrel Barkers did not last long. In late 1963, his family once again relocated to Gainesville, Florida, when his father accepted a position as Professor of Aerospace Engineering at the University of Florida. Leadon attended Gainesville High School, where he met classmate and future Eagles lead guitarist Don Felder, whose band, the Continentals, had just lost guitarist Stephen Stills. Upon Leadon's joining the group, rechristened Maundy Quintet, they gigged locally, even sharing the bill with future Gainesville legend Tom Petty and his early band the Epics (a band that also included Bernie's brother, musician Tom Leadon). A call from ex-Squirrel Barker Larry Murray in 1967, to join his fledgling psychedelic country-folk group, Hearts & Flowers, was enticing enough for Leadon to return to California, where he soon became involved with the burgeoning L.A. folk/country rock scene. Leadon recorded one album with the band, their second release Of Horses, Kids, and Forgotten Women for Capitol Records. The record was a local hit but failed to make much of a dent on the national album charts. Discouraged, the group disbanded the following year. | What gigs did he do? | His stint in the Scottsville Squirrel Barkers did not last long. |
Bernie Leadon, Eagles: Leadon was the last original member to join the Eagles, a band initially formed by guitarist/singer Glenn Frey, drummer/singer Don Henley, and former Poco bassist/singer Randy Meisner. Leadon is often credited with helping shape the band's early country-rock sound, bringing his strong sense of harmony as well as his country, bluegrass and acoustic sensibilities to the group. Instruments he played during his tenure in the band were electric guitar, B-Bender, acoustic guitar, banjo, mandolin, dobro and pedal steel guitar. Upon the release of their debut album, Eagles, the group met with near instantaneous success, due largely to the strength of their hit singles, "Take It Easy", "Peaceful Easy Feeling" and "Witchy Woman" (co-written by Leadon and Henley), all of which highlighted Leadon's multi-instrumental talent on electric guitar, B-Bender, banjo, and harmony vocals. Their follow-up, Desperado, was another strong country-rock venture highlighted by the classics "Tequila Sunrise" and the title track. Leadon had a prominent role on the album, but it was met by surprisingly lukewarm reviews and lackluster sales. As a result, the band attempted to distance itself from the "country rock" label for their third album On the Border. In doing so, Leadon encouraged the group to recruit his old friend, guitarist Don Felder, to the band. The result was the guitar-heavy top ten hit "Already Gone". The album also included "My Man", Leadon's touching tribute to his old bandmate and friend, Gram Parsons, who had died of a drug overdose the year prior at Joshua Tree National Monument in southeastern California. With the wild success of On the Border and its follow-up smash, One of These Nights, tension within the band grew, as Leadon grew increasingly frustrated by the band's direction away from his beloved country and bluegrass and toward album-oriented stadium rock. He famously quit the band in 1975 by pouring a beer over Glenn Frey's head. He later cited a need to get healthy and break the vicious cycle of touring, recording and heavy drug use that was rampant within the band. Upon his departure, Asylum Records released Their Greatest Hits (1971-1975), which highlighted the band's Leadon years and went on to become the biggest-selling album of all time for sales in excess of 42 million units, awarded to the band members by the RIAA. He was replaced by former James Gang guitarist/singer, Joe Walsh. Although it has long been believed that he left because he was dissatisfied with the band moving into rock and roll, Leadon denies it and said in 2013: "That's an oversimplification; it implies that I had no interest in rock or blues or anything but country rock. That's just not the case. I didn't just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That's evident from the early albums." | When did he join the Eagles? | Leadon was the last original member to join the Eagles, |
Bernie Leadon, Eagles: Leadon was the last original member to join the Eagles, a band initially formed by guitarist/singer Glenn Frey, drummer/singer Don Henley, and former Poco bassist/singer Randy Meisner. Leadon is often credited with helping shape the band's early country-rock sound, bringing his strong sense of harmony as well as his country, bluegrass and acoustic sensibilities to the group. Instruments he played during his tenure in the band were electric guitar, B-Bender, acoustic guitar, banjo, mandolin, dobro and pedal steel guitar. Upon the release of their debut album, Eagles, the group met with near instantaneous success, due largely to the strength of their hit singles, "Take It Easy", "Peaceful Easy Feeling" and "Witchy Woman" (co-written by Leadon and Henley), all of which highlighted Leadon's multi-instrumental talent on electric guitar, B-Bender, banjo, and harmony vocals. Their follow-up, Desperado, was another strong country-rock venture highlighted by the classics "Tequila Sunrise" and the title track. Leadon had a prominent role on the album, but it was met by surprisingly lukewarm reviews and lackluster sales. As a result, the band attempted to distance itself from the "country rock" label for their third album On the Border. In doing so, Leadon encouraged the group to recruit his old friend, guitarist Don Felder, to the band. The result was the guitar-heavy top ten hit "Already Gone". The album also included "My Man", Leadon's touching tribute to his old bandmate and friend, Gram Parsons, who had died of a drug overdose the year prior at Joshua Tree National Monument in southeastern California. With the wild success of On the Border and its follow-up smash, One of These Nights, tension within the band grew, as Leadon grew increasingly frustrated by the band's direction away from his beloved country and bluegrass and toward album-oriented stadium rock. He famously quit the band in 1975 by pouring a beer over Glenn Frey's head. He later cited a need to get healthy and break the vicious cycle of touring, recording and heavy drug use that was rampant within the band. Upon his departure, Asylum Records released Their Greatest Hits (1971-1975), which highlighted the band's Leadon years and went on to become the biggest-selling album of all time for sales in excess of 42 million units, awarded to the band members by the RIAA. He was replaced by former James Gang guitarist/singer, Joe Walsh. Although it has long been believed that he left because he was dissatisfied with the band moving into rock and roll, Leadon denies it and said in 2013: "That's an oversimplification; it implies that I had no interest in rock or blues or anything but country rock. That's just not the case. I didn't just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That's evident from the early albums." | Did you learn anything else interesting in the article? | Leadon is often credited with helping shape the band's early country-rock sound, |
Bernie Leadon, Eagles: Leadon was the last original member to join the Eagles, a band initially formed by guitarist/singer Glenn Frey, drummer/singer Don Henley, and former Poco bassist/singer Randy Meisner. Leadon is often credited with helping shape the band's early country-rock sound, bringing his strong sense of harmony as well as his country, bluegrass and acoustic sensibilities to the group. Instruments he played during his tenure in the band were electric guitar, B-Bender, acoustic guitar, banjo, mandolin, dobro and pedal steel guitar. Upon the release of their debut album, Eagles, the group met with near instantaneous success, due largely to the strength of their hit singles, "Take It Easy", "Peaceful Easy Feeling" and "Witchy Woman" (co-written by Leadon and Henley), all of which highlighted Leadon's multi-instrumental talent on electric guitar, B-Bender, banjo, and harmony vocals. Their follow-up, Desperado, was another strong country-rock venture highlighted by the classics "Tequila Sunrise" and the title track. Leadon had a prominent role on the album, but it was met by surprisingly lukewarm reviews and lackluster sales. As a result, the band attempted to distance itself from the "country rock" label for their third album On the Border. In doing so, Leadon encouraged the group to recruit his old friend, guitarist Don Felder, to the band. The result was the guitar-heavy top ten hit "Already Gone". The album also included "My Man", Leadon's touching tribute to his old bandmate and friend, Gram Parsons, who had died of a drug overdose the year prior at Joshua Tree National Monument in southeastern California. With the wild success of On the Border and its follow-up smash, One of These Nights, tension within the band grew, as Leadon grew increasingly frustrated by the band's direction away from his beloved country and bluegrass and toward album-oriented stadium rock. He famously quit the band in 1975 by pouring a beer over Glenn Frey's head. He later cited a need to get healthy and break the vicious cycle of touring, recording and heavy drug use that was rampant within the band. Upon his departure, Asylum Records released Their Greatest Hits (1971-1975), which highlighted the band's Leadon years and went on to become the biggest-selling album of all time for sales in excess of 42 million units, awarded to the band members by the RIAA. He was replaced by former James Gang guitarist/singer, Joe Walsh. Although it has long been believed that he left because he was dissatisfied with the band moving into rock and roll, Leadon denies it and said in 2013: "That's an oversimplification; it implies that I had no interest in rock or blues or anything but country rock. That's just not the case. I didn't just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That's evident from the early albums." | What albums did they produce? | their debut album, Eagles, |
Bernie Leadon, Eagles: Leadon was the last original member to join the Eagles, a band initially formed by guitarist/singer Glenn Frey, drummer/singer Don Henley, and former Poco bassist/singer Randy Meisner. Leadon is often credited with helping shape the band's early country-rock sound, bringing his strong sense of harmony as well as his country, bluegrass and acoustic sensibilities to the group. Instruments he played during his tenure in the band were electric guitar, B-Bender, acoustic guitar, banjo, mandolin, dobro and pedal steel guitar. Upon the release of their debut album, Eagles, the group met with near instantaneous success, due largely to the strength of their hit singles, "Take It Easy", "Peaceful Easy Feeling" and "Witchy Woman" (co-written by Leadon and Henley), all of which highlighted Leadon's multi-instrumental talent on electric guitar, B-Bender, banjo, and harmony vocals. Their follow-up, Desperado, was another strong country-rock venture highlighted by the classics "Tequila Sunrise" and the title track. Leadon had a prominent role on the album, but it was met by surprisingly lukewarm reviews and lackluster sales. As a result, the band attempted to distance itself from the "country rock" label for their third album On the Border. In doing so, Leadon encouraged the group to recruit his old friend, guitarist Don Felder, to the band. The result was the guitar-heavy top ten hit "Already Gone". The album also included "My Man", Leadon's touching tribute to his old bandmate and friend, Gram Parsons, who had died of a drug overdose the year prior at Joshua Tree National Monument in southeastern California. With the wild success of On the Border and its follow-up smash, One of These Nights, tension within the band grew, as Leadon grew increasingly frustrated by the band's direction away from his beloved country and bluegrass and toward album-oriented stadium rock. He famously quit the band in 1975 by pouring a beer over Glenn Frey's head. He later cited a need to get healthy and break the vicious cycle of touring, recording and heavy drug use that was rampant within the band. Upon his departure, Asylum Records released Their Greatest Hits (1971-1975), which highlighted the band's Leadon years and went on to become the biggest-selling album of all time for sales in excess of 42 million units, awarded to the band members by the RIAA. He was replaced by former James Gang guitarist/singer, Joe Walsh. Although it has long been believed that he left because he was dissatisfied with the band moving into rock and roll, Leadon denies it and said in 2013: "That's an oversimplification; it implies that I had no interest in rock or blues or anything but country rock. That's just not the case. I didn't just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That's evident from the early albums." | Did they have any hit songs? | hit singles, "Take It Easy", "Peaceful Easy Feeling" and "Witchy Woman" ( |
Bernie Leadon, Eagles: Leadon was the last original member to join the Eagles, a band initially formed by guitarist/singer Glenn Frey, drummer/singer Don Henley, and former Poco bassist/singer Randy Meisner. Leadon is often credited with helping shape the band's early country-rock sound, bringing his strong sense of harmony as well as his country, bluegrass and acoustic sensibilities to the group. Instruments he played during his tenure in the band were electric guitar, B-Bender, acoustic guitar, banjo, mandolin, dobro and pedal steel guitar. Upon the release of their debut album, Eagles, the group met with near instantaneous success, due largely to the strength of their hit singles, "Take It Easy", "Peaceful Easy Feeling" and "Witchy Woman" (co-written by Leadon and Henley), all of which highlighted Leadon's multi-instrumental talent on electric guitar, B-Bender, banjo, and harmony vocals. Their follow-up, Desperado, was another strong country-rock venture highlighted by the classics "Tequila Sunrise" and the title track. Leadon had a prominent role on the album, but it was met by surprisingly lukewarm reviews and lackluster sales. As a result, the band attempted to distance itself from the "country rock" label for their third album On the Border. In doing so, Leadon encouraged the group to recruit his old friend, guitarist Don Felder, to the band. The result was the guitar-heavy top ten hit "Already Gone". The album also included "My Man", Leadon's touching tribute to his old bandmate and friend, Gram Parsons, who had died of a drug overdose the year prior at Joshua Tree National Monument in southeastern California. With the wild success of On the Border and its follow-up smash, One of These Nights, tension within the band grew, as Leadon grew increasingly frustrated by the band's direction away from his beloved country and bluegrass and toward album-oriented stadium rock. He famously quit the band in 1975 by pouring a beer over Glenn Frey's head. He later cited a need to get healthy and break the vicious cycle of touring, recording and heavy drug use that was rampant within the band. Upon his departure, Asylum Records released Their Greatest Hits (1971-1975), which highlighted the band's Leadon years and went on to become the biggest-selling album of all time for sales in excess of 42 million units, awarded to the band members by the RIAA. He was replaced by former James Gang guitarist/singer, Joe Walsh. Although it has long been believed that he left because he was dissatisfied with the band moving into rock and roll, Leadon denies it and said in 2013: "That's an oversimplification; it implies that I had no interest in rock or blues or anything but country rock. That's just not the case. I didn't just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That's evident from the early albums." | Did they have any more hit songs? | "Tequila Sunrise" |
Bernie Leadon, Eagles: Leadon was the last original member to join the Eagles, a band initially formed by guitarist/singer Glenn Frey, drummer/singer Don Henley, and former Poco bassist/singer Randy Meisner. Leadon is often credited with helping shape the band's early country-rock sound, bringing his strong sense of harmony as well as his country, bluegrass and acoustic sensibilities to the group. Instruments he played during his tenure in the band were electric guitar, B-Bender, acoustic guitar, banjo, mandolin, dobro and pedal steel guitar. Upon the release of their debut album, Eagles, the group met with near instantaneous success, due largely to the strength of their hit singles, "Take It Easy", "Peaceful Easy Feeling" and "Witchy Woman" (co-written by Leadon and Henley), all of which highlighted Leadon's multi-instrumental talent on electric guitar, B-Bender, banjo, and harmony vocals. Their follow-up, Desperado, was another strong country-rock venture highlighted by the classics "Tequila Sunrise" and the title track. Leadon had a prominent role on the album, but it was met by surprisingly lukewarm reviews and lackluster sales. As a result, the band attempted to distance itself from the "country rock" label for their third album On the Border. In doing so, Leadon encouraged the group to recruit his old friend, guitarist Don Felder, to the band. The result was the guitar-heavy top ten hit "Already Gone". The album also included "My Man", Leadon's touching tribute to his old bandmate and friend, Gram Parsons, who had died of a drug overdose the year prior at Joshua Tree National Monument in southeastern California. With the wild success of On the Border and its follow-up smash, One of These Nights, tension within the band grew, as Leadon grew increasingly frustrated by the band's direction away from his beloved country and bluegrass and toward album-oriented stadium rock. He famously quit the band in 1975 by pouring a beer over Glenn Frey's head. He later cited a need to get healthy and break the vicious cycle of touring, recording and heavy drug use that was rampant within the band. Upon his departure, Asylum Records released Their Greatest Hits (1971-1975), which highlighted the band's Leadon years and went on to become the biggest-selling album of all time for sales in excess of 42 million units, awarded to the band members by the RIAA. He was replaced by former James Gang guitarist/singer, Joe Walsh. Although it has long been believed that he left because he was dissatisfied with the band moving into rock and roll, Leadon denies it and said in 2013: "That's an oversimplification; it implies that I had no interest in rock or blues or anything but country rock. That's just not the case. I didn't just play Fender Telecaster. I played a Gibson Les Paul and I enjoyed rock & roll. That's evident from the early albums." | Was there any more hit songs? | guitar-heavy top ten hit "Already Gone |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | What is Fear and Loathing in Las Vegas? | The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | Did it do well? | the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | who published the book? | the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | Did anyone reject it? | Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected. |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | what is the book about? | It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | Did it get good reviews? | Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | Who gave it good reviews? | book was greeted with considerable critical acclaim, including being heralded by The New York Times |
Hunter S. Thompson, Fear and Loathing in Las Vegas: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public. | What did the New York Times say? | The New York Times as "by far the best book yet written on the decade of dope". |
Hunter S. Thompson, Late 1960s: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles. By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound." In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. | when did his career take off? | Thompson was able to publish articles in a number of well-known magazines during the late 1960s, |
Hunter S. Thompson, Late 1960s: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles. By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound." In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. | did he have any children? | Thompson and his family |
Hunter S. Thompson, Late 1960s: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles. By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound." In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. | did he retire from his career? | Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. |
Hunter S. Thompson, Late 1960s: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles. By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound." In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. | was he involved in politics? | travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. |
Hunter S. Thompson, Late 1960s: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles. By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound." In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. | Are there any other interesting aspects about this article? | Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. |
Hunter S. Thompson, Late 1960s: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles. By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound." In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. | where there any conflicts in his career? | The book was never finished, and the theme of the death of the American dream would be carried over into his later work. |
Hunter S. Thompson, Late 1960s: Following the success of Hell's Angels, Thompson was able to publish articles in a number of well-known magazines during the late 1960s, including The New York Times Magazine, Esquire, Pageant, and Harper's. In the Times Magazine article, published in 1967, shortly before the "Summer of Love", and titled "The Hashbury is the Capital of the Hippies", Thompson wrote in-depth about the Hippies of San Francisco, deriding a culture that began to lack the political convictions of the New Left and the artistic core of the Beats, instead becoming overrun with newcomers lacking any purpose other than obtaining drugs. It was an observation on the 1960s' counterculture that Thompson would further examine in Fear and Loathing in Las Vegas and other articles. By late 1967, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson finally received a $15,000 royalty check for the paperback sales of Hell's Angels and used two-thirds of the money for a down payment on a modest home and property where he would live for the rest of his life. He named the house Owl Farm and often described it as his "fortified compound." In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War. According to Thompson's letters and his later writings, at this time he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel on the 1968 Presidential campaign trail and attend the 1968 Democratic Convention in Chicago for research purposes. From his hotel room in Chicago, Thompson watched the clashes between police and protesters, which he wrote had a great effect on his political views. The book was never finished, and the theme of the death of the American dream would be carried over into his later work. The contract with Random House was eventually fulfilled with the 1972 book Fear and Loathing in Las Vegas. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about Lyndon B. Johnson. A few weeks after the contract was signed, however, Johnson announced that he would not run for re-election, and the deal was cancelled. | did he ever switch careers or leave any unfinished work? | The book was never finished, |
Augusto Pinochet, Accusations of fascism: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist. However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity. World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists." Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic: It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". | What were the accusations? | Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. |
Augusto Pinochet, Accusations of fascism: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist. However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity. World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists." Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic: It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". | What he accused of being a fascist? | Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. |
Augusto Pinochet, Accusations of fascism: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist. However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity. World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists." Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic: It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". | Was there conflict because of his views? | Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism |
Augusto Pinochet, Accusations of fascism: Pinochet and his government have been characterised as fascist. For example, journalist and author Samuel Chavkin, in his book Storm Over Chile: The Junta Under Siege, repeatedly characterizes both Pinochet himself and the military dictatorship as fascist. However, he and his government are generally excluded from academic typologies of fascism. Roger Griffin included Pinochet in a group of pseudo-populist despots distinct from fascism and including the likes of Saddam Hussein, Suharto, and Ferdinand Marcos. He argues that such regimes may be considered populist ultra-nationalism but lack the rhetoric of national rebirth, or palingenesis, necessary to make them conform to the model of palingenetic ultranationalism. Robert Paxton meanwhile compared Pinochet's regime to that of Mobutu Sese Seko in the former Zaire (now Democratic Republic of the Congo), arguing that both were merely client states that lacked popular acclaim and the ability to expand. He further argued that had Pinochet attempted to build true fascism, the regime would likely have been toppled or at least been forced to alter its relationship to the United States. Anna Cento Bull also excluded Pinochet from fascism, although she has argued that his regime belongs to a strand of Cold War anti-communism that was happy to accommodate neo-fascist elements within its activity. World Fascism: a Historical Encyclopedia notes that "Although he was authoritarian and ruled dictatorially, Pinochet's support of neoliberal economic policies and his unwillingness to support national businesses distinguished him from classical fascists." Historian Gabriel Salazar stated that Pinochet's establishment cult of personality around him was a fascist tactic: It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, I haven't heard anybody mention Jaime Guzman, Carlos Caceres, Hernan Buchi, Sergio de Castro. There is no mention of the true brains, or that the whole of the armed forces were involved in this, in dirty and symbolic tasks. Everything is embodied in Pinochet, it's very curious that figures of the stature of Buchi are immolated before the figure of Pinochet, in what is to me a fascist rite, give everything to the Fuhrer, "I did it, but ultimately it was him". | Is there something else interesting to know? | It is notable that in all the declarations of Pinochet's men, nobody has mentioned the creators of the new Chilean society and state, |
Ralph Waldo Emerson, Early life, family, and education: Emerson was born in Boston, Massachusetts, on May 25, 1803, a son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. He was named after his mother's brother Ralph and his father's great-grandmother Rebecca Waldo. Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles. Three other children--Phebe, John Clarke, and Mary Caroline--died in childhood. Emerson was entirely of English ancestry, and his family had been in New England since the early colonial period. Emerson's father died from stomach cancer on May 12, 1811, less than two weeks before Emerson's eighth birthday. Emerson was raised by his mother, with the help of the other women in the family; his aunt Mary Moody Emerson in particular had a profound effect on him. She lived with the family off and on and maintained a constant correspondence with Emerson until her death in 1863. Emerson's formal schooling began at the Boston Latin School in 1812, when he was nine. In October 1817, at 14, Emerson went to Harvard College and was appointed freshman messenger for the president, requiring Emerson to fetch delinquent students and send messages to faculty. Midway through his junior year, Emerson began keeping a list of books he had read and started a journal in a series of notebooks that would be called "Wide World". He took outside jobs to cover his school expenses, including as a waiter for the Junior Commons and as an occasional teacher working with his uncle Samuel and aunt Sarah Ripley in Waltham, Massachusetts. By his senior year, Emerson decided to go by his middle name, Waldo. Emerson served as Class Poet; as was custom, he presented an original poem on Harvard's Class Day, a month before his official graduation on August 29, 1821, when he was 18. He did not stand out as a student and graduated in the exact middle of his class of 59 people. In 1826, faced with poor health, Emerson went to seek a warmer climate. He first went to Charleston, South Carolina, but found the weather was still too cold. He then went further south, to St. Augustine, Florida, where he took long walks on the beach and began writing poetry. While in St. Augustine he made the acquaintance of Prince Achille Murat, the nephew of Napoleon Bonaparte. Murat was two years his senior; they became good friends and enjoyed one another's company. The two engaged in enlightening discussions of religion, society, philosophy, and government. Emerson considered Murat an important figure in his intellectual education. While in St. Augustine, Emerson had his first encounter with slavery. At one point, he attended a meeting of the Bible Society while a slave auction was taking place in the yard outside. He wrote, "One ear therefore heard the glad tidings of great joy, whilst the other was regaled with 'Going, gentlemen, going!'" | What year was he born ? | May 25, 1803, |
Ralph Waldo Emerson, Early life, family, and education: Emerson was born in Boston, Massachusetts, on May 25, 1803, a son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. He was named after his mother's brother Ralph and his father's great-grandmother Rebecca Waldo. Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles. Three other children--Phebe, John Clarke, and Mary Caroline--died in childhood. Emerson was entirely of English ancestry, and his family had been in New England since the early colonial period. Emerson's father died from stomach cancer on May 12, 1811, less than two weeks before Emerson's eighth birthday. Emerson was raised by his mother, with the help of the other women in the family; his aunt Mary Moody Emerson in particular had a profound effect on him. She lived with the family off and on and maintained a constant correspondence with Emerson until her death in 1863. Emerson's formal schooling began at the Boston Latin School in 1812, when he was nine. In October 1817, at 14, Emerson went to Harvard College and was appointed freshman messenger for the president, requiring Emerson to fetch delinquent students and send messages to faculty. Midway through his junior year, Emerson began keeping a list of books he had read and started a journal in a series of notebooks that would be called "Wide World". He took outside jobs to cover his school expenses, including as a waiter for the Junior Commons and as an occasional teacher working with his uncle Samuel and aunt Sarah Ripley in Waltham, Massachusetts. By his senior year, Emerson decided to go by his middle name, Waldo. Emerson served as Class Poet; as was custom, he presented an original poem on Harvard's Class Day, a month before his official graduation on August 29, 1821, when he was 18. He did not stand out as a student and graduated in the exact middle of his class of 59 people. In 1826, faced with poor health, Emerson went to seek a warmer climate. He first went to Charleston, South Carolina, but found the weather was still too cold. He then went further south, to St. Augustine, Florida, where he took long walks on the beach and began writing poetry. While in St. Augustine he made the acquaintance of Prince Achille Murat, the nephew of Napoleon Bonaparte. Murat was two years his senior; they became good friends and enjoyed one another's company. The two engaged in enlightening discussions of religion, society, philosophy, and government. Emerson considered Murat an important figure in his intellectual education. While in St. Augustine, Emerson had his first encounter with slavery. At one point, he attended a meeting of the Bible Society while a slave auction was taking place in the yard outside. He wrote, "One ear therefore heard the glad tidings of great joy, whilst the other was regaled with 'Going, gentlemen, going!'" | Who was his father ? | John Clarke, |
Buddy Hackett, Stanley: Hackett starred as the title character on NBC-TV's Stanley, a 1956-57 situation comedy which ran for 19 weeks on Monday evenings at 8:30 pm EST. The half-hour series also featured a young Carol Burnett and the voice of Paul Lynde. The Max Liebman produced program aired live before a studio audience and was one of the last sitcoms from New York to do so. Stanley revolved around the adventures of the titular character (Hackett) as the operator of a newsstand in a posh New York City hotel. On September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood. After starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man (1962). In It's a Mad, Mad, Mad, Mad World (1963), Hackett was paired with Mickey Rooney, with whom he had also recently made Everything's Ducky (1961), in which they played two sailors who smuggle a talking duck aboard a Navy ship. Children became familiar with him as lovable hippie auto mechanic Tennessee Steinmetz in Disney's The Love Bug (1969). He appeared many times on the game show Hollywood Squares in the late 1960s. In one episode, Hackett was asked which was the country with the highest ratio of doctors to populace; he answered Israel, or in his words, "The country with the most Jews." Despite the audience roaring with laughter (and Hackett's own belief that the actual answer was Sweden), the answer turned out to be correct. Hackett's regular guest shots on Jack Paar's Tonight Show in the early 1960s were rewarded with a coveted appearance on Paar's final Tonight program on March 29, 1962. | Was Stanley a character he played? | Hackett starred as the title character on NBC-TV's Stanley, a 1956-57 |
Buddy Hackett, Stanley: Hackett starred as the title character on NBC-TV's Stanley, a 1956-57 situation comedy which ran for 19 weeks on Monday evenings at 8:30 pm EST. The half-hour series also featured a young Carol Burnett and the voice of Paul Lynde. The Max Liebman produced program aired live before a studio audience and was one of the last sitcoms from New York to do so. Stanley revolved around the adventures of the titular character (Hackett) as the operator of a newsstand in a posh New York City hotel. On September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood. After starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man (1962). In It's a Mad, Mad, Mad, Mad World (1963), Hackett was paired with Mickey Rooney, with whom he had also recently made Everything's Ducky (1961), in which they played two sailors who smuggle a talking duck aboard a Navy ship. Children became familiar with him as lovable hippie auto mechanic Tennessee Steinmetz in Disney's The Love Bug (1969). He appeared many times on the game show Hollywood Squares in the late 1960s. In one episode, Hackett was asked which was the country with the highest ratio of doctors to populace; he answered Israel, or in his words, "The country with the most Jews." Despite the audience roaring with laughter (and Hackett's own belief that the actual answer was Sweden), the answer turned out to be correct. Hackett's regular guest shots on Jack Paar's Tonight Show in the early 1960s were rewarded with a coveted appearance on Paar's final Tonight program on March 29, 1962. | What was the show about? | The half-hour series also featured a young Carol Burnett and the voice of Paul Lynde. |
Buddy Hackett, Stanley: Hackett starred as the title character on NBC-TV's Stanley, a 1956-57 situation comedy which ran for 19 weeks on Monday evenings at 8:30 pm EST. The half-hour series also featured a young Carol Burnett and the voice of Paul Lynde. The Max Liebman produced program aired live before a studio audience and was one of the last sitcoms from New York to do so. Stanley revolved around the adventures of the titular character (Hackett) as the operator of a newsstand in a posh New York City hotel. On September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood. After starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man (1962). In It's a Mad, Mad, Mad, Mad World (1963), Hackett was paired with Mickey Rooney, with whom he had also recently made Everything's Ducky (1961), in which they played two sailors who smuggle a talking duck aboard a Navy ship. Children became familiar with him as lovable hippie auto mechanic Tennessee Steinmetz in Disney's The Love Bug (1969). He appeared many times on the game show Hollywood Squares in the late 1960s. In one episode, Hackett was asked which was the country with the highest ratio of doctors to populace; he answered Israel, or in his words, "The country with the most Jews." Despite the audience roaring with laughter (and Hackett's own belief that the actual answer was Sweden), the answer turned out to be correct. Hackett's regular guest shots on Jack Paar's Tonight Show in the early 1960s were rewarded with a coveted appearance on Paar's final Tonight program on March 29, 1962. | Are there any other interesting aspects about this article? | On September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood. |
Buddy Hackett, Stanley: Hackett starred as the title character on NBC-TV's Stanley, a 1956-57 situation comedy which ran for 19 weeks on Monday evenings at 8:30 pm EST. The half-hour series also featured a young Carol Burnett and the voice of Paul Lynde. The Max Liebman produced program aired live before a studio audience and was one of the last sitcoms from New York to do so. Stanley revolved around the adventures of the titular character (Hackett) as the operator of a newsstand in a posh New York City hotel. On September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood. After starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man (1962). In It's a Mad, Mad, Mad, Mad World (1963), Hackett was paired with Mickey Rooney, with whom he had also recently made Everything's Ducky (1961), in which they played two sailors who smuggle a talking duck aboard a Navy ship. Children became familiar with him as lovable hippie auto mechanic Tennessee Steinmetz in Disney's The Love Bug (1969). He appeared many times on the game show Hollywood Squares in the late 1960s. In one episode, Hackett was asked which was the country with the highest ratio of doctors to populace; he answered Israel, or in his words, "The country with the most Jews." Despite the audience roaring with laughter (and Hackett's own belief that the actual answer was Sweden), the answer turned out to be correct. Hackett's regular guest shots on Jack Paar's Tonight Show in the early 1960s were rewarded with a coveted appearance on Paar's final Tonight program on March 29, 1962. | Does the article mention anything else he starred in? | After starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man |
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