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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1732 | 1825 | Gavinies published three books of sonatas, and several concertos, which are very highly esteemed by connoisseurs. | [
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TheHarmonicon__1832-012.txt_996 | 1832 | , I believe Have you ever remonstrated or. petitioned the Lord Chamberlain upon the subject ? | [
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TheMusicalTimes__1875-388.txt_2262 | 1875 | Mr. Liddle officiated as leader of the band, Mr. C. Hancock presided at the harmonium, and Sir George Elvey conducted. | [
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TheHarmonicon__1824-016.txt_50 | 1824 | Mr. Viotti had some share in the management of the King’s Theatre. | [
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TheMusicalWorld__1843-038.txt_147 | 1843 | of Rameau was represented in 1735, it was a balletopera Les Indes galantes. | [
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TheHarmonicon__1832-012.txt_4 | 1832 | Benzamin Rogenrs, son of Peter Rogers of St. George's Chapel, Windsor, was born in that town, and after being a chorister, became a lay-clerk, or singing-man, of the choir of which his father was a member. | [
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] | Benzamin Rogenrs | Q18546476 |
TheHarmonicon__1832-012.txt_4 | 1832 | Benzamin Rogenrs, son of Peter Rogers of St. George's Chapel, Windsor, was born in that town, and after being a chorister, became a lay-clerk, or singing-man, of the choir of which his father was a member. | [
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] | Peter Rogers | NIL |
TheHarmonicon__1832-012.txt_4 | 1832 | Benzamin Rogenrs, son of Peter Rogers of St. George's Chapel, Windsor, was born in that town, and after being a chorister, became a lay-clerk, or singing-man, of the choir of which his father was a member. | [
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] | St. George 's Chapel | Q2449634 |
TheHarmonicon__1832-012.txt_4 | 1832 | Benzamin Rogenrs, son of Peter Rogers of St. George's Chapel, Windsor, was born in that town, and after being a chorister, became a lay-clerk, or singing-man, of the choir of which his father was a member. | [
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"bio": "O",
"disambiguated_token": "-",
"pos": "PUNCT",
"qid": "_",
"token": "-"
},
{
"bio": "O",
"disambiguated_token": "clerk",
"pos": "NOUN",
"qid": "_",
"token": "clerk"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "O",
"disambiguated_token": "or",
"pos": "CCONJ",
"qid": "_",
"token": "or"
},
{
"bio": "O",
"disambiguated_token": "singing",
"pos": "NOUN",
"qid": "_",
"token": "singing"
},
{
"bio": "O",
"disambiguated_token": "-",
"pos": "PUNCT",
"qid": "_",
"token": "-"
},
{
"bio": "O",
"disambiguated_token": "man",
"pos": "NOUN",
"qid": "_",
"token": "man"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "O",
"disambiguated_token": "of",
"pos": "ADP",
"qid": "_",
"token": "of"
},
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "the"
},
{
"bio": "O",
"disambiguated_token": "choir",
"pos": "NOUN",
"qid": "_",
"token": "choir"
},
{
"bio": "O",
"disambiguated_token": "of",
"pos": "ADP",
"qid": "_",
"token": "of"
},
{
"bio": "O",
"disambiguated_token": "which",
"pos": "PRON",
"qid": "_",
"token": "which"
},
{
"bio": "O",
"disambiguated_token": "his",
"pos": "PRON",
"qid": "_",
"token": "his"
},
{
"bio": "O",
"disambiguated_token": "father",
"pos": "NOUN",
"qid": "_",
"token": "father"
},
{
"bio": "O",
"disambiguated_token": "be",
"pos": "AUX",
"qid": "_",
"token": "was"
},
{
"bio": "O",
"disambiguated_token": "a",
"pos": "DET",
"qid": "_",
"token": "a"
},
{
"bio": "O",
"disambiguated_token": "member",
"pos": "NOUN",
"qid": "_",
"token": "member"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Windsor | Q464955 |
TheMusicalTimes__1876-402.txt_2227 | 1876 | The programme contained selections from the works of Bach, Handel, Mendelssohn, Cherubini, and Lefébure-Wély. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "programme",
"pos": "NOUN",
"qid": "_",
"token": "programme"
},
{
"bio": "O",
"disambiguated_token": "contain",
"pos": "VERB",
"qid": "_",
"token": "contained"
},
{
"bio": "O",
"disambiguated_token": "selection",
"pos": "NOUN",
"qid": "_",
"token": "selections"
},
{
"bio": "O",
"disambiguated_token": "from",
"pos": "ADP",
"qid": "_",
"token": "from"
},
{
"bio": "O",
"disambiguated_token": "the",
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"qid": "_",
"token": "the"
},
{
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"token": "works"
},
{
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"token": "of"
},
{
"bio": "B-person",
"disambiguated_token": "Bach",
"pos": "PROPN",
"qid": "Q1339",
"token": "Bach"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
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"token": ","
},
{
"bio": "B-person",
"disambiguated_token": "Handel",
"pos": "PROPN",
"qid": "Q7302",
"token": "Handel"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "B-person",
"disambiguated_token": "Mendelssohn",
"pos": "PROPN",
"qid": "Q46096",
"token": "Mendelssohn"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "B-person",
"disambiguated_token": "Cherubini",
"pos": "PROPN",
"qid": "Q20721",
"token": "Cherubini"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "O",
"disambiguated_token": "and",
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},
{
"bio": "I-person",
"disambiguated_token": "Lefébure - Wély",
"pos": "PROPN",
"qid": "Q546919",
"token": "Lefébure - Wély"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Bach | Q1339 |
TheMusicalTimes__1876-402.txt_2227 | 1876 | The programme contained selections from the works of Bach, Handel, Mendelssohn, Cherubini, and Lefébure-Wély. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "programme",
"pos": "NOUN",
"qid": "_",
"token": "programme"
},
{
"bio": "O",
"disambiguated_token": "contain",
"pos": "VERB",
"qid": "_",
"token": "contained"
},
{
"bio": "O",
"disambiguated_token": "selection",
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"token": "selections"
},
{
"bio": "O",
"disambiguated_token": "from",
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"qid": "_",
"token": "from"
},
{
"bio": "O",
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"token": "the"
},
{
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{
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{
"bio": "B-person",
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"token": "Bach"
},
{
"bio": "O",
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{
"bio": "B-person",
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"token": "Handel"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
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"token": ","
},
{
"bio": "B-person",
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"token": "Mendelssohn"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "B-person",
"disambiguated_token": "Cherubini",
"pos": "PROPN",
"qid": "Q20721",
"token": "Cherubini"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "O",
"disambiguated_token": "and",
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"token": "and"
},
{
"bio": "I-person",
"disambiguated_token": "Lefébure - Wély",
"pos": "PROPN",
"qid": "Q546919",
"token": "Lefébure - Wély"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Handel | Q7302 |
TheMusicalTimes__1876-402.txt_2227 | 1876 | The programme contained selections from the works of Bach, Handel, Mendelssohn, Cherubini, and Lefébure-Wély. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "programme",
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"qid": "_",
"token": "programme"
},
{
"bio": "O",
"disambiguated_token": "contain",
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"qid": "_",
"token": "contained"
},
{
"bio": "O",
"disambiguated_token": "selection",
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"token": "selections"
},
{
"bio": "O",
"disambiguated_token": "from",
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"token": "from"
},
{
"bio": "O",
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"token": "the"
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{
"bio": "O",
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{
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{
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"token": "Bach"
},
{
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{
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"token": ","
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{
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"token": "Mendelssohn"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
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"token": ","
},
{
"bio": "B-person",
"disambiguated_token": "Cherubini",
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"token": "Cherubini"
},
{
"bio": "O",
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"pos": "PUNCT",
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"token": ","
},
{
"bio": "O",
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{
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"pos": "PROPN",
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"token": "Lefébure - Wély"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Mendelssohn | Q46096 |
TheMusicalTimes__1876-402.txt_2227 | 1876 | The programme contained selections from the works of Bach, Handel, Mendelssohn, Cherubini, and Lefébure-Wély. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "programme",
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"qid": "_",
"token": "programme"
},
{
"bio": "O",
"disambiguated_token": "contain",
"pos": "VERB",
"qid": "_",
"token": "contained"
},
{
"bio": "O",
"disambiguated_token": "selection",
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"qid": "_",
"token": "selections"
},
{
"bio": "O",
"disambiguated_token": "from",
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"qid": "_",
"token": "from"
},
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "the"
},
{
"bio": "O",
"disambiguated_token": "work",
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"token": "works"
},
{
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"token": "of"
},
{
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"token": "Bach"
},
{
"bio": "O",
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"token": ","
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{
"bio": "B-person",
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"token": "Handel"
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{
"bio": "B-person",
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"token": "Mendelssohn"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "B-person",
"disambiguated_token": "Cherubini",
"pos": "PROPN",
"qid": "Q20721",
"token": "Cherubini"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "O",
"disambiguated_token": "and",
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"token": "and"
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{
"bio": "I-person",
"disambiguated_token": "Lefébure - Wély",
"pos": "PROPN",
"qid": "Q546919",
"token": "Lefébure - Wély"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Cherubini | Q20721 |
TheMusicalTimes__1876-402.txt_2227 | 1876 | The programme contained selections from the works of Bach, Handel, Mendelssohn, Cherubini, and Lefébure-Wély. | [
{
"bio": "O",
"disambiguated_token": "the",
"pos": "DET",
"qid": "_",
"token": "The"
},
{
"bio": "O",
"disambiguated_token": "programme",
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"qid": "_",
"token": "programme"
},
{
"bio": "O",
"disambiguated_token": "contain",
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"token": "contained"
},
{
"bio": "O",
"disambiguated_token": "selection",
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"token": "selections"
},
{
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"disambiguated_token": "from",
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"token": "from"
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{
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"token": "the"
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{
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"token": "works"
},
{
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"token": "of"
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{
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"token": "Bach"
},
{
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{
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{
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{
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{
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"token": ","
},
{
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{
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"pos": "PROPN",
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"token": "Lefébure - Wély"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Lefébure - Wély | Q546919 |
TheHarmonicon__1828-001.txt_966 | 1828 | He now places himself on a level with a M. Beckers, who announces that he has pianos which will serve as objects of curiosity ! | [
{
"bio": "O",
"disambiguated_token": "he",
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},
{
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},
{
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{
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{
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{
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},
{
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{
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{
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},
{
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{
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},
{
"bio": "O",
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"token": "objects"
},
{
"bio": "O",
"disambiguated_token": "of",
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{
"bio": "O",
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"token": "curiosity"
},
{
"bio": "O",
"disambiguated_token": "!",
"pos": "PUNCT",
"qid": "_",
"token": "!"
}
] | M. Beckers | NIL |
TheHarmonicon__1824-016.txt_112 | 1824 | This gentleman is well known as the joint author of the Dictionnaire des Musiciens. | [
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"token": "This"
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{
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_3660 | 1825 | He failed, likewise, on the first day of the Birmingham meeting, soon afterwards 3. | [
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TheMusicalTimes__1876-397.txt_2275 | 1876 | the solo parts being sung by Miss Orton, Miss Wale, and Mr. Horniblow. | [
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TheMusicalTimes__1876-397.txt_2275 | 1876 | the solo parts being sung by Miss Orton, Miss Wale, and Mr. Horniblow. | [
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TheMusicalTimes__1876-397.txt_2275 | 1876 | the solo parts being sung by Miss Orton, Miss Wale, and Mr. Horniblow. | [
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TheQuarterlyMusicalMagazineAndReview__1824-022.txt_3748 | 1824 | Mr. Mocre is the adaptor of words to this composition, which is a tirana, arranged by Mr. Bishop. | [
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TheQuarterlyMusicalMagazineAndReview__1824-022.txt_3748 | 1824 | Mr. Mocre is the adaptor of words to this composition, which is a tirana, arranged by Mr. Bishop. | [
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TheMusicalTimes__1876-397.txt_2568 | 1876 | , Bow, E.—E. Carper is prepared to send Specifications for building Organs of very superior materials and workmanship. | [
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TheMusicalTimes__1876-397.txt_2568 | 1876 | , Bow, E.—E. Carper is prepared to send Specifications for building Organs of very superior materials and workmanship. | [
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TheHarmonicon__1828-001.txt_1966 | 1828 | The Concerts of the Royal Academy of Music are discontinued, . | [
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TheMusicalWorld__1843-038.txt_134 | 1843 | Rameau was in despair, and thought to renounce the theatre. | [
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TheMusicalWorld__1843-036.txt_114 | 1843 | Can the Irish members, moreover, assert that it has played St. Patrick's day”? | [
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] | St. Patrick 's day | Q181817 |
TheMusicalTimes__1876-402.txt_1237 | 1876 | F. J. Amor, H. Lazarus, Walter Pettit, F. Ralph, P. Sainton, J. Thomas, A. White, and the Principal. | [
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TheMusicalTimes__1876-402.txt_1237 | 1876 | F. J. Amor, H. Lazarus, Walter Pettit, F. Ralph, P. Sainton, J. Thomas, A. White, and the Principal. | [
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] | H. Lazarus | Q5724751 |
TheMusicalTimes__1876-402.txt_1237 | 1876 | F. J. Amor, H. Lazarus, Walter Pettit, F. Ralph, P. Sainton, J. Thomas, A. White, and the Principal. | [
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] | Walter Pettit | NIL |
TheMusicalTimes__1876-402.txt_1237 | 1876 | F. J. Amor, H. Lazarus, Walter Pettit, F. Ralph, P. Sainton, J. Thomas, A. White, and the Principal. | [
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] | F. Ralph | NIL |
TheMusicalTimes__1876-402.txt_1237 | 1876 | F. J. Amor, H. Lazarus, Walter Pettit, F. Ralph, P. Sainton, J. Thomas, A. White, and the Principal. | [
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] | P. Sainton | NIL |
TheMusicalTimes__1876-402.txt_1237 | 1876 | F. J. Amor, H. Lazarus, Walter Pettit, F. Ralph, P. Sainton, J. Thomas, A. White, and the Principal. | [
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] | J. Thomas | Q1701921 |
TheMusicalTimes__1876-402.txt_1237 | 1876 | F. J. Amor, H. Lazarus, Walter Pettit, F. Ralph, P. Sainton, J. Thomas, A. White, and the Principal. | [
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] | A. White | NIL |
TheMusicalTimes__1876-402.txt_2212 | 1876 | Batiste’s Andante in G, an Offertoire by Lefébure-Wély, 2 Fugue by Mendelssohn, and Gounod’s | [
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] | Batiste | Q274231 |
TheMusicalTimes__1876-402.txt_2212 | 1876 | Batiste’s Andante in G, an Offertoire by Lefébure-Wély, 2 Fugue by Mendelssohn, and Gounod’s | [
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] | Andante in G | NIL |
TheMusicalTimes__1876-402.txt_2212 | 1876 | Batiste’s Andante in G, an Offertoire by Lefébure-Wély, 2 Fugue by Mendelssohn, and Gounod’s | [
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] | Lefébure - Wély | Q546919 |
TheMusicalTimes__1876-402.txt_2212 | 1876 | Batiste’s Andante in G, an Offertoire by Lefébure-Wély, 2 Fugue by Mendelssohn, and Gounod’s | [
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] | Mendelssohn | Q46096 |
TheMusicalTimes__1876-402.txt_2212 | 1876 | Batiste’s Andante in G, an Offertoire by Lefébure-Wély, 2 Fugue by Mendelssohn, and Gounod’s | [
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] | Gounod | Q180278 |
DwightSJournalOfMusic__1875-006.txt_1216 | 1875 | There were aymptoms of weariness, to be sute, in some of the high tenors in the last piece, that noble double chorus from Mendelssohn's ‘“ Oedipus,’ and | [
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] | Mendelssohn | Q46096 |
DwightSJournalOfMusic__1875-006.txt_1216 | 1875 | There were aymptoms of weariness, to be sute, in some of the high tenors in the last piece, that noble double chorus from Mendelssohn's ‘“ Oedipus,’ and | [
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TheQuarterlyMusicalMagazineAndReview__1824-022.txt_609 | 1824 | Sung during the Lent Season, at San-Carlo.. 27, “ Odoardo | [
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TheMusicalTimes__1873-366.txt_2800 | 1873 | A new Edition of the Musicat Timzs, No. 3, price r4d. | [
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TheHarmonicon__1833-005.txt_1306 | 1833 | Under the Direction of the Earl of Cawdor, Wednesday, April 24, 1833. | [
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TheHarmonicon__1833-005.txt_274 | 1833 | Of the publication of Volume II. of Dr. Burney’s great work we have the following account : | [
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TheHarmonicon__1824-016.txt_1702 | 1824 | On the same occasion, a quintett and chorus from Jerusalem delivered, an oratorio by M. Eberwein, which is still in MS. was received with much applause. | [
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TheHarmonicon__1824-016.txt_1702 | 1824 | On the same occasion, a quintett and chorus from Jerusalem delivered, an oratorio by M. Eberwein, which is still in MS. was received with much applause. | [
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{
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"token": "in"
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{
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},
{
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"token": "."
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{
"bio": "O",
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"token": "was"
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{
"bio": "O",
"disambiguated_token": "receive",
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"token": "received"
},
{
"bio": "O",
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"token": "with"
},
{
"bio": "O",
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"token": "much"
},
{
"bio": "O",
"disambiguated_token": "applause",
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"token": "applause"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | M. Eberwein | Q215521 |
TheMusicalTimes__1876-397.txt_2175 | 1876 | The programme consisted of selections from the Messiah and Mendelssohn’s Hymn of Praise. | [
{
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{
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{
"bio": "O",
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] | Messiah | Q207732 |
TheMusicalTimes__1876-397.txt_2175 | 1876 | The programme consisted of selections from the Messiah and Mendelssohn’s Hymn of Praise. | [
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] | Mendelssohn | Q46096 |
TheMusicalTimes__1876-397.txt_2175 | 1876 | The programme consisted of selections from the Messiah and Mendelssohn’s Hymn of Praise. | [
{
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] | Hymn of Praise | Q210536 |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_337 | 1826 | Lane, and Professor of Harmony and Composition at the ; Royal Academy of Music | [
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"token": "Royal Academy of Music"
}
] | Royal Academy of Music | Q1144673 |
TheMusicalTimes__1875-388.txt_580 | 1875 | The Music adapted from SPINDLER’s HUSARENRITT by Louis Dien1. | [
{
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{
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"token": "."
}
] | SPINDLER | NIL |
TheMusicalTimes__1875-388.txt_580 | 1875 | The Music adapted from SPINDLER’s HUSARENRITT by Louis Dien1. | [
{
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] | HUSARENRITT | NIL |
TheMusicalTimes__1875-388.txt_580 | 1875 | The Music adapted from SPINDLER’s HUSARENRITT by Louis Dien1. | [
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{
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"qid": "_",
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}
] | Louis Dien1 | Q19900926 |
DwightSJournalOfMusic__1873-016.txt_337 | 1873 | Some think they detect already in Weber's “Preciosa” and | [
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{
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"disambiguated_token": "and",
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}
] | Weber | Q154812 |
DwightSJournalOfMusic__1873-016.txt_337 | 1873 | Some think they detect already in Weber's “Preciosa” and | [
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{
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] | Preciosa | NIL |
TheHarmonicon__1824-016.txt_2329 | 1824 | We know nothing of the composer of “ Fall'n is thy Throne. | [
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},
{
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"qid": "_",
"token": "."
}
] | Fall'n is thy Throne | NIL |
TheMusicalTimes__1875-388.txt_2053 | 1875 | The first fart of the programme consisted of selections from the works of Mendelssohn. | [
{
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"disambiguated_token": "the",
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"token": "The"
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{
"bio": "O",
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"token": "."
}
] | Mendelssohn | Q46096 |
TheMusicalTimes__1873-366.txt_126 | 1873 | To be seen at A. Hunter; Organ Factory, 379, Kennington-road. | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_1289 | 1828 | that many composers who lose themselves in the clouds of mannerism and affectation, would imitate thewisdom of Sirletti, Asioli, and Pollini— | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_1289 | 1828 | that many composers who lose themselves in the clouds of mannerism and affectation, would imitate thewisdom of Sirletti, Asioli, and Pollini— | [
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TheQuarterlyMusicalMagazineAndReview__1826-029.txt_43 | 1826 | Second Concerto and Di Tanti, 294 Kiallmark, his Le pas de Polichinelle, 1145, Are ye'angry, 238 ; | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_556 | 1825 | Original Instructions for the Violin, illustrated by Precepts and Examples, composed expressly for this Work, by T. Howell.. 507 XVI. | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_4204 | 1828 | Mr. G.’s ideas of tuition are however very correct, and his book will prove useful to masters. | [
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] | Bartolomeo Felici | Q20757883 |
TheMusicalTimes__1875-388.txt_2060 | 1875 | a concert was given at Brooke House by the choir of that establishment, assisted by members of the choir of St. Matthew’s Church, under the direction of Mr. Batchelor, the singing master at Brooke House. | [
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] | Brooke House | NIL |
TheMusicalTimes__1875-388.txt_2060 | 1875 | a concert was given at Brooke House by the choir of that establishment, assisted by members of the choir of St. Matthew’s Church, under the direction of Mr. Batchelor, the singing master at Brooke House. | [
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] | St. Matthew ’s Church | NIL |
TheMusicalTimes__1875-388.txt_2060 | 1875 | a concert was given at Brooke House by the choir of that establishment, assisted by members of the choir of St. Matthew’s Church, under the direction of Mr. Batchelor, the singing master at Brooke House. | [
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] | Mr. Batchelor | NIL |
TheMusicalTimes__1875-388.txt_2060 | 1875 | a concert was given at Brooke House by the choir of that establishment, assisted by members of the choir of St. Matthew’s Church, under the direction of Mr. Batchelor, the singing master at Brooke House. | [
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] | Brooke House | NIL |
TheQuarterlyMusicalMagazineAndReview__1828-037.txt_255 | 1828 | Piano Forte ed Arpa da L. Cherubini, » Almen se non possio, Canzonetta; Poetry by Metastasio ; Music by | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_255 | 1828 | Piano Forte ed Arpa da L. Cherubini, » Almen se non possio, Canzonetta; Poetry by Metastasio ; Music by | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_255 | 1828 | Piano Forte ed Arpa da L. Cherubini, » Almen se non possio, Canzonetta; Poetry by Metastasio ; Music by | [
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TheMusicalWorld__1843-038.txt_630 | 1843 | She studied three years in the Royal Academy of Music, where she ranks high in the estimation both of masters and students. | [
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TheMusicalTimes__1876-402.txt_2065 | 1876 | I presume this is the same man who composed “ Sally in our Alley.”—I am, | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_2042 | 1828 | Here examples are given of the psalms of Marot and some of the earliest psalmists, whose compositions were even then considered as impudent innovations. | [
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TheHarmonicon__1833-005.txt_103 | 1833 | Between the years 1740 and 1745, we find but two complete dramas written by Metastasio, Antigono and Ipermestra, the former of these written expressly for the court of Dresden. | [
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TheHarmonicon__1833-005.txt_103 | 1833 | Between the years 1740 and 1745, we find but two complete dramas written by Metastasio, Antigono and Ipermestra, the former of these written expressly for the court of Dresden. | [
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},
{
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},
{
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{
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{
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{
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{
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"token": "these"
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{
"bio": "O",
"disambiguated_token": "write",
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"token": "written"
},
{
"bio": "O",
"disambiguated_token": "expressly",
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{
"bio": "O",
"disambiguated_token": "the",
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{
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{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
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] | Antigono | NIL |
TheHarmonicon__1833-005.txt_103 | 1833 | Between the years 1740 and 1745, we find but two complete dramas written by Metastasio, Antigono and Ipermestra, the former of these written expressly for the court of Dresden. | [
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{
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{
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{
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{
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{
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{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
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] | Ipermestra | Q18600820 |
TheHarmonicon__1833-005.txt_103 | 1833 | Between the years 1740 and 1745, we find but two complete dramas written by Metastasio, Antigono and Ipermestra, the former of these written expressly for the court of Dresden. | [
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{
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] | court of Dresden | NIL |
TheHarmonicon__1833-005.txt_1930 | 1833 | This charming melody has very recently been published in a collection (see Harmonicon for March last, page 60,) as a ‘ Bohemian air,’ and marked allegretto ! | [
{
"bio": "O",
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{
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{
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{
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}
] | Harmonicon | Q7738918 |
TheMusicalTimes__1876-397.txt_1810 | 1876 | Mr. Duncan Finvay gave an evening concert at the Shaftesbury Park Lecture Hall, on Tuesday, the 15th ult. | [
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{
"bio": "O",
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{
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{
"bio": "O",
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},
{
"bio": "O",
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"token": "."
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] | Mr. Duncan Finvay | NIL |
TheMusicalTimes__1876-397.txt_1810 | 1876 | Mr. Duncan Finvay gave an evening concert at the Shaftesbury Park Lecture Hall, on Tuesday, the 15th ult. | [
{
"bio": "I-person",
"disambiguated_token": "Mr. Duncan Finvay",
"pos": "PROPN",
"qid": "NIL",
"token": "Mr. Duncan Finvay"
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{
"bio": "O",
"disambiguated_token": "give",
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{
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{
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{
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{
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{
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{
"bio": "O",
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{
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{
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] | Shaftesbury Park Lecture Hall | NIL |
TheQuarterlyMusicalMagazineAndReview__1826-029.txt_1274 | 1826 | This will serve to give some idea of the extensive field entered upon by Martini, and the diffuseness of that part which is completed. | [
{
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{
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{
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{
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{
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{
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{
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{
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{
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{
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},
{
"bio": "O",
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"pos": "PUNCT",
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"token": "."
}
] | Martini | Q283651 |
TheHarmonicon__1828-001.txt_1842 | 1828 | the Bacchanalian Song from Spontini’s Danaides, and several other pieces too numerous to particularize. | [
{
"bio": "O",
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},
{
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{
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},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Bacchanalian Song | NIL |
TheHarmonicon__1828-001.txt_1842 | 1828 | the Bacchanalian Song from Spontini’s Danaides, and several other pieces too numerous to particularize. | [
{
"bio": "O",
"disambiguated_token": "the",
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"qid": "_",
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},
{
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{
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{
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{
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},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Spontini | Q168485 |
TheHarmonicon__1828-001.txt_1842 | 1828 | the Bacchanalian Song from Spontini’s Danaides, and several other pieces too numerous to particularize. | [
{
"bio": "O",
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},
{
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{
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},
{
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},
{
"bio": "O",
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"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Danaides | Q1751750 |
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