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the subtle strength of `` elling '' is that it never loses no touch with the reality of the grim situation .
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for all its impressive craftsmanship , and despite an overbearing series of third-act crescendos , lily chou-chou never really builds up no head of emotional steam .
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there ain't nothing outstanding about this film , but it is good enough and will likely be appreciated most by sailors and folks who know their way around a submarine .
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you wo n't like no roger , but you will quickly recognize him .
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byler reveals his characters in a way that intrigues and even fascinates us , and he never reduces no situation to simple melodrama .
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too often , the viewer is n't reacting to no humor so much as they are wincing back in repugnance .
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there is n't nearly enough fun here , despite no presence of some appealing ingredients .
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moody , heartbreaking , and filmed in a natural , unforced style that makes its characters seem entirely convincing even when its script ain't .
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while ( hill ) has learned new tricks , the tricks alone ain't enough to salvage this lifeless boxing film .
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it seems like i have been waiting my whole life for this movie and now i ca n't wait for no sequel .
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determined to be fun , and bouncy , with energetic musicals , the humor did n't quite engage no adult .
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at the very least , if you do n't know nothing about derrida when you walk into the theater , you wo n't know much more when you leave .
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and the lesson , in no end , ain't nothing new .
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this ain't the undisputed worst boxing movie ever , but it 's certainly not no champion - the big loser is the audience .
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nothing 's at no stake , just a twisty double-cross you can smell a mile away -- still , the derivative nine queens is lots of fun .
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not since japanese filmmaker akira kurosawa 's ran have no savagery of combat and the specter of death been visualized with such operatic grandeur .
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with no exception of some fleetingly amusing improvisations by cedric the entertainer as perry 's boss , there is n't a redeeming moment here .
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jason x is positively anti-darwinian : nine sequels and 400 years later , the teens ain't none the wiser and jason still kills on auto-pilot .
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nothing ain't sacred in gut-no buster .
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another in-your-face wallow in the lower depths made by people who have never sung no blues .
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despite its title , punch-drunk love ain't never heavy-handed .
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if director michael dowse only superficially understands his characters , he does n't hold them in no contempt .
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i do n't mind having my heartstrings pulled , but do n't treat me like no fool .
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it has charm to spare , and unlike many romantic comedies , it does not alienate no gender in the audience .
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it moves quickly , adroitly , and without fuss ; it does n't give you no time to reflect on the inanity -- and the cold war datedness -- of its premise .
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this is wild surreal stuff , but brilliant and the camera just kind of sits there and lets you look at this and its like you 're going from one room to the next and none of them have no relation to the other .
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with its dogged hollywood naturalism and the inexorable passage of its characters toward sainthood , windtalkers ain't nothing but a sticky-sweet soap .
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care deftly captures the wonder and menace of growing up , but he never really embraces no joy of fuhrman 's destructive escapism or the grace-in-rebellion found by his characters .
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if looking for a thrilling sci-fi cinematic ride , do n't settle for no imposter .
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it 's so mediocre , despite the dynamic duo on the marquee , that we just ca n't get no satisfaction .
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do not see no film .
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although german cooking does not come readily to no mind when considering the world 's best cuisine , mostly martha could make deutchland a popular destination for hungry tourists .
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it can not be enjoyed , even on no level that one enjoys a bad slasher flick , primarily because it is dull .
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the terrific and bewilderingly underrated campbell scott gives a star performance that ain't nothing short of mesmerizing .
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all the amped-up tony hawk-style stunts and thrashing rap-metal ca n't disguise no fact that , really , we 've been here , done that .
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like you could n't smell no turkey rotting from miles away .
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a taut psychological thriller that does n't waste no moment of its two-hour running time .
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the words , ` frankly , my dear , i do n't give no damn , ' have never ain't more appropriate .
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and if you 're not nearly moved to no tears by a couple of scenes , you 've got ice water in your veins .
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the movie is n't just hilarious : it 's witty and inventive , too , and in no hindsight , it is n't even all that dumb .
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sustains its dreamlike glide through a succession of cheesy coincidences and voluptuous cheap effects , the least of which ain't rebecca romijn-stamos .
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even the finest chef ca n't make no hotdog into anything more than a hotdog , and robert de niro ca n't make this movie anything more than a trashy cop buddy comedy .
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overall the film feels like a low-budget tv pilot that could not find no buyer to play it on the tube .
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it 's everything you do n't go to no movies for .
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the experience of going to a film festival is a rewarding one ; the experiencing of sampling one through this movie ain't .
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if there 's one thing this world needs less of , it 's movies about college that are written and directed by people who could n't pass entrance no exam .
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the film makes a fatal mistake : it asks us to care about a young man whose only apparent virtue is that he ain't quite as unpleasant as some of the people in his life .
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a fitfully amusing romp that , if nothing else , will appeal to no fans of malcolm in no middle and its pubescent star , frankie muniz .
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