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instead of letting the laughs come as they may, lawrence unleashes his trademark misogyny -- er, comedy -- like a human volcano or an overflowing septic tank, take your pick. | 0 | negative |
a remake ) do anything as stomach-turning as the way adam sandler's new movie rapes, pillages and incinerates frank capra's classic | 0 | negative |
without ( de niro ), city by the sea would slip under the waves. | 0 | negative |
, the film, directed by joel zwick, is heartfelt and hilarious in ways you ca n't fake. | 1 | positive |
which will please eastwood's loyal fans -- and suits the story, wherein our hero must ride roughshod over incompetent cops to get his man | 1 | positive |
a young robert deniro | 1 | positive |
the gifts of all involved, starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together. | 1 | positive |
arliss howard's ambitious, moving, and adventurous directorial debut, big bad love, | 1 | positive |
a muddle splashed with bloody beauty as vivid as any scorsese has ever given us. | 1 | positive |
, it makes me wonder if lawrence hates criticism so much that he refuses to evaluate his own work. | 0 | negative |
the movie is as padded as allen's jelly belly. | 0 | negative |
no, it's not as single-minded as john carpenter's original, but it's sure a lot smarter and more unnerving than the sequels. | 1 | positive |
this woefully hackneyed movie, directed by scott kalvert, | 0 | negative |
even jason x ... look positively shakesperean by comparison | 0 | negative |
what bubbles up out of john c. walsh's pipe dream is the distinct and very welcome sense of watching intelligent people making a movie they might actually want to watch. | 1 | positive |
hoffman's powerful acting clinic | 1 | positive |
as a director, eastwood is off his game -- | 0 | negative |
so much like a young robert deniro | 1 | positive |
, has stopped challenging himself | 0 | negative |
sandler is losing his touch | 0 | negative |
might as well have been titled generic jennifer lopez romantic comedy | 0 | negative |
the tuxedo was n't just bad ; it was, as my friend david cross would call it, ` hungry-man portions of bad '. | 0 | negative |
does n't get the job done, running off the limited chemistry created by ralph fiennes and jennifer lopez | 0 | negative |
, martin is a masterfully conducted work. | 1 | positive |
so many of the challenges it poses for itself that one can forgive the film its flaws | 1 | positive |
as david letterman and the onion have proven, the worst of tragedies can be fertile sources of humor, | 1 | positive |
we do n't get williams ' usual tear and a smile, just sneers and bile, | 0 | negative |
is the most disappointing woody allen movie ever | 0 | negative |
plummer steals the show without resorting to camp as nicholas ' wounded and wounding uncle ralph. | 1 | positive |
clint eastwood's efficiently minimalist style | 1 | positive |
well, jason's gone to manhattan and hell, i guess a space station in the year 2455 can be crossed off the list of ideas for the inevitable future sequels ( hey, do n't shoot the messenger ). | 0 | negative |
loves a david and goliath story | 1 | positive |
fiji diver rusi vulakoro and the married couple howard and michelle hall ) | 1 | positive |
actually seem to understand what made allen's romantic comedies so pertinent and enduring | 1 | positive |
the biggest problem with roger avary's uproar against the mpaa | 0 | negative |
writer-director walter hill and co-writer david giler try to create characters out of the obvious cliches, but wind up using them as punching bags. | 0 | negative |
director david fincher and writer david koepp ca n't sustain it. | 0 | negative |
a high-end john hughes comedy, | 1 | positive |
the woodman seems to have directly influenced this girl-meets-girl love story, but even more reassuring is how its makers actually seem to understand what made allen's romantic comedies so pertinent and enduring. | 1 | positive |
have emerged as hilarious lunacy in the hands of woody allen | 1 | positive |
it puts washington, as honest working man john q. archibald, on a pedestal, then keeps lifting the pedestal higher. | 1 | positive |
said to squander jennifer love hewitt | 0 | negative |
a wild comedy that could only spring from the demented mind of the writer of being john malkovich. | 1 | positive |
scorsese's bold images and generally smart casting ensure that `` gangs '' is never lethargic | 1 | positive |
there will be plenty of female audience members drooling over michael idemoto as michael | 1 | positive |
even steven spielberg has dreamed up such blatant and sickening product placement in a movie. | 0 | negative |
david letterman and the onion | 1 | positive |
george's haplessness and | 0 | negative |
unlike ( scorsese's mean streets ), ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot. | 0 | negative |
adams just copies from various sources -- good sources, bad mixture | 0 | negative |
the lousy john q | 0 | negative |
has a lot to do with the casting of juliette binoche as sand, who brings to the role her pale, dark beauty and characteristic warmth. | 1 | positive |
's the kind of movie that, aside from robert altman, spike lee, the coen brothers and a few others, our moviemakers do n't make often enough. | 1 | positive |
was produced by jerry bruckheimer and directed by joel schumacher, and reflects the worst of their shallow styles : wildly overproduced, inadequately motivated every step of the way and demographically targeted to please every one ( and no one ) | 0 | negative |
graham greene's novel of colonialism and empire is elevated by michael caine's performance as a weary journalist in a changing world. | 1 | positive |
two guys who desperately want to be quentin tarantino when they grow up | 0 | negative |
i could have used my two hours better watching being john malkovich again. | 0 | negative |
proof of that on the cinematic front, look no further than this 20th anniversary edition of the film that spielberg calls | 1 | positive |
acted by diane lane and richard gere. | 1 | positive |
the rock's fighting skills are more in line with steven seagal | 1 | positive |
're often undone by howard's self-conscious attempts to find a ` literary ' filmmaking style to match his subject | 0 | negative |
one as brave and challenging as you could possibly expect these days from american cinema | 1 | positive |
schticky chris rock and stolid anthony hopkins | 1 | positive |
thanks largely to williams, all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film | 0 | negative |
admit it's semi-amusing to watch robert deniro belt out `` when you 're a jet | 1 | positive |
twenty-three movies into a mostly magnificent directorial career, clint eastwood's efficiently minimalist style | 1 | positive |
to see how far herzog has fallen | 0 | negative |
passionate enthusiasms like martin scorsese | 1 | positive |
think the lion king redone for horses, with fewer deliberate laughs, more inadvertent ones and stunningly trite songs by bryan adams, the world's most generic rock star. | 0 | negative |
the cast is top-notch and i predict there will be plenty of female audience members drooling over michael idemoto as michael. | 1 | positive |
arliss howard's ambitious, moving, and adventurous directorial debut, big bad love, meets so many of the challenges it poses for itself that one can forgive the film its flaws. | 1 | positive |
arliss howard's ambitious, moving, and adventurous directorial debut, big bad love | 1 | positive |
is sandler running on empty, repeating what he's already done way too often | 0 | negative |
in addition to hoffman's powerful acting clinic | 1 | positive |
like mike is a slight and uninventive movie : like the exalted michael jordan referred to in the title, many can aspire but none can equal | 0 | negative |
on humor that is not even as daring as john ritter's glory days on three's company | 0 | negative |
of elizabeth berkley's flopping dolphin-gasm | 0 | negative |
if the title is a jeopardy question, then the answer might be `` how does steven seagal come across these days?'' | 0 | negative |
one problem with the movie, directed by joel schumacher | 0 | negative |
scott baio is turning in some delightful work on indie projects. | 1 | positive |
a mechanical action-comedy whose seeming purpose is to market the charismatic jackie chan to even younger audiences | 0 | negative |
will please eastwood's loyal fans -- and | 1 | positive |
next week, why bother with a contemptible imitator starring a `` snl '' has-been acting like an 8-year-old channeling roberto benigni? | 0 | negative |
which director michael cacoyannis displays with somber earnestness in the new adaptation of the cherry orchard | 1 | positive |
much like robin williams, death to smoochy has already reached its expiration date. | 0 | negative |
his flick-knife diction in the role of roger swanson | 1 | positive |
treads heavily into romeo and juliet/west side story territory, where it plainly has no business going | 0 | negative |
, you can do no wrong with jason x. | 1 | positive |
for those for whom the name woody allen was once a guarantee of something fresh, sometimes funny, and usually genuinely worthwhile, hollywood ending is a depressing experience | 0 | negative |
left to work with, sort of like michael jackson's nose | 0 | negative |
by top-billed star bruce willis | 1 | positive |
an appalling ` ace ventura ' rip-off that somehow manages to bring together kevin pollak, former wrestler chyna and dolly parton | 0 | negative |
michael moore gives us the perfect starting point for a national conversation about guns, violence, and fear. | 1 | positive |
wasted minutes of sandler | 0 | negative |
has fallen | 0 | negative |
why would anyone cast the magnificent jackie chan in a movie full of stunt doubles and special effects? | 0 | negative |
directed with purpose and finesse by england's roger mitchell, who handily makes the move from pleasing, relatively lightweight commercial fare such as notting hill to commercial fare with real thematic heft. | 1 | positive |
the film exudes the urbane sweetness that woody allen seems to have bitterly forsaken. | 1 | positive |
is delicately narrated by martin landau and directed with sensitivity and skill by dana janklowicz-mann. | 1 | positive |
imagine kevin smith, the blasphemous bad boy of suburban jersey, if he were stripped of most of his budget and all of his sense of humor | 0 | negative |
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