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734 | this is n't even madonna 's swept away . | 0 |
126 | confirms the nagging suspicion that ethan hawke would be even worse behind the camera than he is in front of it . | 0 |
27 | it 's an offbeat treat that pokes fun at the democratic exercise while also examining its significance for those who take part . | 1 |
858 | the film 's welcome breeziness and some unbelievably hilarious moments -- most portraying the idiocy of the film industry -- make it mostly worth the trip . | 1 |
316 | awesome creatures , breathtaking scenery , and epic battle scenes add up to another ` spectacular spectacle . ' | 1 |
283 | a rewarding work of art for only the most patient and challenge-hungry moviegoers . | 1 |
255 | no one but a convict guilty of some truly heinous crime should have to sit through the master of disguise . | 0 |
158 | by getting myself wrapped up in the visuals and eccentricities of many of the characters , i found myself confused when it came time to get to the heart of the movie . | 0 |
853 | ( serry ) wants to blend politics and drama , an admirable ambition . | 1 |
115 | sam mendes has become valedictorian at the school for soft landings and easy ways out . | 0 |
782 | the structure the film takes may find matt damon and ben affleck once again looking for residuals as this officially completes a good will hunting trilogy that was never planned . | 1 |
857 | visually imaginative , thematically instructive and thoroughly delightful , it takes us on a roller-coaster ride from innocence to experience without even a hint of that typical kiddie-flick sentimentality . | 1 |
627 | nervous breakdowns are not entertaining . | 0 |
97 | no sophomore slump for director sam mendes , who segues from oscar winner to oscar-winning potential with a smooth sleight of hand . | 1 |
680 | the vitality of the actors keeps the intensity of the film high , even as the strafings blend together . | 1 |
485 | a literate presentation that wonderfully weaves a murderous event in 1873 with murderous rage in 2002 . | 1 |
35 | a sequence of ridiculous shoot - 'em - up scenes . | 0 |
33 | if the movie succeeds in instilling a wary sense of ` there but for the grace of god , ' it is far too self-conscious to draw you deeply into its world . | 0 |
103 | a gripping movie , played with performances that are all understated and touching . | 1 |
248 | a full world has been presented onscreen , not some series of carefully structured plot points building to a pat resolution . | 1 |
266 | a coda in every sense , the pinochet case splits time between a minute-by-minute account of the british court 's extradition chess game and the regime 's talking-head survivors . | 1 |
583 | it 's just filler . | 0 |
692 | sustains its dreamlike glide through a succession of cheesy coincidences and voluptuous cheap effects , not the least of which is rebecca romijn-stamos . | 0 |
29 | i had to look away - this was god awful . | 0 |
645 | the words , ` frankly , my dear , i do n't give a damn , ' have never been more appropriate . | 0 |
227 | as the two leads , lathan and diggs are charming and have chemistry both as friends and lovers . | 1 |
831 | it 's made with deftly unsettling genre flair . | 1 |
750 | nelson 's brutally unsentimental approach ... sucks the humanity from the film , leaving behind an horrific but weirdly unemotional spectacle . | 0 |
814 | this piece of channel 5 grade trash is , quite frankly , an insult to the intelligence of the true genre enthusiast . | 0 |
868 | a movie with a real anarchic flair . | 1 |
482 | cq 's reflection of artists and the love of cinema-and-self suggests nothing less than a new voice that deserves to be considered as a possible successor to the best european directors . | 1 |
251 | the film tries too hard to be funny and tries too hard to be hip . | 0 |
515 | if looking for a thrilling sci-fi cinematic ride , do n't settle for this imposter . | 0 |
679 | filmmakers who can deftly change moods are treasures and even marvels . | 1 |
319 | too much of it feels unfocused and underdeveloped . | 0 |
7 | or doing last year 's taxes with your ex-wife . | 0 |
184 | though perry and hurley make inspiring efforts to breathe life into the disjointed , haphazard script by jay scherick and david ronn , neither the actors nor director reginald hudlin can make it more than fitfully entertaining . | 0 |
807 | just as moving , uplifting and funny as ever . | 1 |
855 | it 's fascinating to see how bettany and mcdowell play off each other . | 1 |
389 | thekids will probably stay amused at the kaleidoscope of big , colorful characters . | 1 |
835 | a giggle-inducing comedy with snappy dialogue and winning performances by an unlikely team of oscar-winners : susan sarandon and goldie hawn . | 1 |
179 | the film 's performances are thrilling . | 1 |
245 | it 's a work by an artist so in control of both his medium and his message that he can improvise like a jazzman . | 1 |
384 | at times , the suspense is palpable , but by the end there 's a sense that the crux of the mystery hinges on a technicality that strains credulity and leaves the viewer haunted by the waste of potential . | 0 |
862 | it 's inoffensive , cheerful , built to inspire the young people , set to an unending soundtrack of beach party pop numbers and aside from its remarkable camerawork and awesome scenery , it 's about as exciting as a sunburn . | 0 |
102 | does paint some memorable images ... , but makhmalbaf keeps her distance from the characters | 1 |
436 | trite , banal , cliched , mostly inoffensive . | 0 |
107 | what the director ca n't do is make either of val kilmer 's two personas interesting or worth caring about . | 0 |
413 | at least one scene is so disgusting that viewers may be hard pressed to retain their lunch . | 0 |
395 | another in-your-face wallow in the lower depths made by people who have never sung those blues . | 0 |
694 | no aspirations to social import inform the movie version . | 0 |
304 | a densely constructed , highly referential film , and an audacious return to form that can comfortably sit among jean-luc godard 's finest work . | 1 |
47 | a subtle and well-crafted ( for the most part ) chiller . | 1 |
528 | it haunts , horrifies , startles and fascinates ; it is impossible to look away . | 1 |
618 | without non-stop techno or the existential overtones of a kieslowski morality tale , maelström is just another winter sleepers . | 0 |
139 | it 's not the ultimate depression-era gangster movie . | 0 |
434 | almost gags on its own gore . | 0 |
87 | jaglom ... put ( s ) the audience in the privileged position of eavesdropping on his characters | 1 |
634 | harris commands the screen , using his frailty to suggest the ravages of a life of corruption and ruthlessness . | 1 |
338 | it 's of the quality of a lesser harrison ford movie - six days , seven nights , maybe , or that dreadful sabrina remake . | 0 |
723 | vera 's three actors -- mollà , gil and bardem -- excel in insightful , empathetic performances . | 1 |
713 | corpus collosum -- while undeniably interesting -- wore out its welcome well before the end credits rolled about 45 minutes in . | 0 |
416 | a giggle a minute . | 1 |
666 | richard gere and diane lane put in fine performances as does french actor oliver martinez . | 1 |
219 | what the film lacks in general focus it makes up for in compassion , as corcuera manages to find the seeds of hope in the form of collective action . | 1 |
78 | there is nothing outstanding about this film , but it is good enough and will likely be appreciated most by sailors and folks who know their way around a submarine . | 1 |
50 | it feels like an after-school special gussied up with some fancy special effects , and watching its rote plot points connect is about as exciting as gazing at an egg timer for 93 minutes . | 0 |
763 | there 's something auspicious , and daring , too , about the artistic instinct that pushes a majority-oriented director like steven spielberg to follow a.i. with this challenging report so liable to unnerve the majority . | 1 |
261 | the very definition of the ` small ' movie , but it is a good stepping stone for director sprecher . | 1 |
334 | what really makes it special is that it pulls us into its world , gives us a hero whose suffering and triumphs we can share , surrounds him with interesting characters and sends us out of the theater feeling we 've shared a great adventure . | 1 |
88 | fresnadillo 's dark and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that wo n't go away . | 1 |
850 | miller is playing so free with emotions , and the fact that children are hostages to fortune , that he makes the audience hostage to his swaggering affectation of seriousness . | 1 |
113 | this movie is maddening . | 0 |
821 | exciting and direct , with ghost imagery that shows just enough to keep us on our toes . | 1 |
828 | this is the sort of burly action flick where one coincidence pummels another , narrative necessity is a drunken roundhouse , and whatever passes for logic is a factor of the last plot device left standing . | 0 |
522 | it has its moments of swaggering camaraderie , but more often just feels generic , derivative and done to death . | 0 |
730 | suffocated by its fussy script and uptight characters , this musty adaptation is all the more annoying since it 's been packaged and sold back to us by hollywood . | 0 |
419 | i 'm just too bored to care . | 0 |
187 | ` de niro ... is a veritable source of sincere passion that this hollywood contrivance orbits around . ' | 1 |
425 | while the ideas about techno-saturation are far from novel , they 're presented with a wry dark humor . | 1 |
407 | more whiny downer than corruscating commentary . | 0 |
239 | brilliantly explores the conflict between following one 's heart and following the demands of tradition . | 1 |
775 | not really bad so much as distasteful : we need kidnapping suspense dramas right now like we need doomsday thrillers . | 0 |
308 | an intriguing cinematic omnibus and round-robin that occasionally is more interesting in concept than in execution . | 1 |
748 | and when you 're talking about a slapstick comedy , that 's a pretty big problem . | 0 |
80 | the draw ( for `` big bad love '' ) is a solid performance by arliss howard . | 1 |
702 | the reality of the new live-action pinocchio he directed , cowrote and starred in borders on the grotesque . | 0 |
785 | aside from minor tinkering , this is the same movie you probably loved in 1994 , except that it looks even better . | 1 |
196 | so , too , is this comedy about mild culture clashing in today 's new delhi . | 1 |
615 | as the latest bid in the tv-to-movie franchise game , i spy makes its big-screen entry with little of the nervy originality of its groundbreaking small-screen progenitor . | 0 |
866 | the far future may be awesome to consider , but from period detail to matters of the heart , this film is most transporting when it stays put in the past . | 1 |
188 | a misogynistic piece of filth that attempts to pass itself off as hip , young adult entertainment . | 0 |
531 | ( t ) here 's only so much anyone can do with a florid , overplotted , anne rice rock 'n' roll vampire novel before the built-in silliness of the whole affair defeats them . | 0 |
435 | a marvel like none you 've seen . | 1 |
311 | a warm , funny , engaging film . | 1 |
737 | my big fat greek wedding uses stereotypes in a delightful blend of sweet romance and lovingly dished out humor . | 1 |
639 | indifferently implausible popcorn programmer of a movie . | 0 |
249 | huston nails both the glad-handing and the choking sense of hollow despair . | 1 |
372 | the special effects and many scenes of weightlessness look as good or better than in the original , while the oscar-winning sound and james horner 's rousing score make good use of the hefty audio system . | 1 |
62 | the primitive force of this film seems to bubble up from the vast collective memory of the combatants . | 1 |
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