Source: https://www.vialibri.net/years/1518?page=3
Timestamp: 2019-10-23 16:52:59+00:00

Document:
De Sermone Latino & modis latine loqu(e)ndi.
Ioannem Frobenium,, Basel, 1518. In 4° (20 x 15). Pp. 422. Magnifica illustrazione xilografica al titolo, altra superba bordura in principio al testo. Alcune firme ms coeve di appartenenza al titolo. Margini contenuti ma buon esemplare solido e fresco in legatura germanica antica mezza pergamena, titolo oro al dorso. Bella edizione (1.a Roma 1515) di una delle opere più significative della storia grammaticale e della locuzione latina, compilata dal discusso cardinale, che fu molto vicino ad Alessandro VI, in particolare nel sostegno delle politiche in chiave antifrancese. Oltre che unapprezzabile produzione poetica, è lopera più importante di Castellesi, tentativo di catalogare la letteratura latina in periodi antiquissimum, antiquum, perfectum e infine imperfectum per letà successiva a Cicerone, del quale il C. era un convinto sostenitore. ADAMS, C-898. VD16, C-1454. IA: 133.460.
2017-12-30 16:37:26
Marsilii Ficini Florentini (...) De christiana religione: aureum opusculum : post omnes impressiones ubique locorum excussas : a bene docto theologo ad amussim recognitum : cunctisque mendis expurgatum.
[Au colophon]: Venetiis, Caesarem Arrivabenum [Venise, Cesare Arrivabene], mars 1518. Petit in-8, plein vélin rigide de l'époque, dos lisse titré à la plume, XCV (95) f. Précoce édition vénitienne publiée par l'humaniste, philologue et juriste Lucas Panetius, imprimée sur les presses du typographe vénitien Cesare Arrivabene, dont la grande marque figure en colophon. L'oeuvre capitale de Marsile Ficin dans l'élaboration de la synthèse, alors proprement révolutionnaire, entre révélation chrétienne et "théologie platonicienne". L'auteur aboutit à une nouvelle apologétique fondée sur une "docta religio" et une "pia philosophia". Alors que les proches maîtres padouans prônent Aristote, Ficin stigmatise son matérialisme et son panthéisme pour déclarer qu' "avec quelques changements, les platoniciens seraient chrétiens". (EDIT 16 CNCE 18935. Manque à STC et à Adams). Petite réparation de papier en pied de la page de titre sans perte de texte. Ex-libris manuscrit de l'époque avec blason au titre : "Fides Perpetua unio Heterna" et cachet de bibliothèque. Bon exemplaire, relié à l'époque.
2017-12-30 05:34:12
1- MORE (Thomas). [Utopia]. De optimo reip[ublicae] statu, deque nova insula Utopia, libellus vere aureus, nec minus salutaris quàm festivus (...). [Suivi de:] Epigrammata clarissimi disertissimique viri Thomae Mori britanni pleraque e Graecis versa. Basileae, Apud Io. Frobenium [Bâle, Frobenius], 1518. In-4, 162 p., f. 163-164, [3] p., p. 166-271 (1) p., caractères romains et grecs, alphabet des Utopiens dessiné par Pieter Gillis (Petrus Aegidius) gravé sur bois en b3 r°, large encadrement sur bois de titre par Hans Holbein (répété en C1), carte de l'Utopie à pleine page gravée par Ambrosius Holbein en b2 v°, bandeau gravé sur bois à mi-page montrant John Clement, Raphael Hythloday, Thomas More et Pieter Gillis par Ambrosius Holbein en ouverture du texte d1 r°, 2 grandes marques de l'imprimeur en fin de chaque partie, grandes lettrines historiées par Urs Graf ainsi que par Ambrosius et Hans Holbein. 2- FROBENIUS, ERASME (éditeurs), CATON, etc. [Disticha moralia] Frobenius studiosae juventutis, accipite nunc opuscula quaedam moralia adulescentes studiosi: partim locupletiora castigatioraque partim nova, quorum vobis catalogum sequens exhibebit pagella Valete. Basileae, Ioannem Frobenium [Bâle, Frobenius], mense Octobri an 1520. In-4, 171, (1) p. [sign. A-V4, X6], encadrements aux deux premiers ff. par Holbein, marque d'imprimeur en fin.
1518. Ensemble de deux ouvrages reliés en un volume in-4 (203x152 mm), vélin rigide de l'époque, dos lisse titré à la plume. Quatrième édition de 'l'Utopie' de Thomas More, la dernière parue du vivant de l'auteur et corrigée par ses soins. "La perfection du texte, le souci apporté aussi bien au contenu qu'à la présentation graphique et esthétique faite par Hans Holbein font de cette édition de l'Utopie l'un des plus beaux documents et des plus hauts monuments de la littérature et de la pensée moderne" ('5e centenaire de la naissance de Thomas More. L'Utopie', Catalogue de l'exposition bibliographique au Centre Culturel Portugais, Paris, Fondation Calouste Gulbenkian, 1977, n°4). La deuxième partie de l'ouvrage contient les 'Épigrammes' en seconde édition. L'illustration, entièrement gravée sur bois, se compose d'un bel encadrement d'Hans Holbein sur le titre, répété en tête de la préface, d'une carte à pleine page de l'île d'Utopie gravée par Ambrosius Holbein, d'une vignette à mi-page du même artiste représentant John Clement, Raphael Hythloday, Thomas More et Peter Gillis au début du texte, de grandes lettrines historiées par Urs Graf, Hans et Ambrosius Holbein, d'un second encadrement sur le titre intermédiaire des Épigrammes et de deux marques typographiques de Froben. On trouve aussi, en regard de la carte d'Utopie, une savoureuse représentation de l'alphabet utopien conçu par Pieter Gillis. La troisième partie de l'édition, contenant une réimpression des Épigrammes d'Érasme, n'a pas été reliée dans cet exemplaire. On a relié à la suite, en revanche, un intéressant rec … [Click Below for Full Description]
2017-12-25 00:15:57
(München, H. Schobser, 1518). Kl.-Folio. 35 (o.d.l.w.) nn., CLXIX num. (davon CLIII/IV gefaltet), 1 weißes Bl. Mit großem Titelholzschnitt von Caspar Clofigl u. doppelblattgroßem Stammbaumholzschnitt. Alter Interims-Pappband (berieben u. bestoßen). Erste Ausgabe der 1518 beschlossenen Reformation, "welche Privatrecht, Malefiz und Process zum Inhalte hat, hält an dem alten Landrecht und den einheimischen Grundsätzen fest" (Stobbe). Das Werk wurde um 1535 und nochmals um 1545 (in 2 Satzvarianten) von Schobsers Sohn Andreas nachgedruckt, undatiert, kollationsgleich u. mit gleichem Titeltext. Als Titelillustration hier der auch für die beiden Drucke von 1545, nicht jedoch für die Ausgabe 1535 verwendete Originalholzschnitt des Münchener Hofmalers Clofigl, die beiden Herzöge Wilhelm IV. u. Ludwig v. Bayern mit dem Landeswappen zeigend. Sicheres Unterscheidungsmerkmal der verschiedenen Drucke bilden nach Schottenloher die in den Ausgaben von 1535 u. 1545 zunehmend eingesetzten Frakturtypen Andreas Schobsers. - Leicht gebräunt u. durchgehend wasserrandig. Titel u. wenige Lagen mit kl. Wurmspuren, Titel seitlich verstärkt, Titel- u. Stammbaumholzschnitt angeschnitten. [Attributes: First Edition; Hard Cover]
2017-12-17 00:36:50
Marsilii Ficini Florentini (.) De christiana religione: aureum opusculum : post omnes impressiones ubique locorum excussas : a bene docto theologo ad amussim recognitum : cunctisque mendis expurgatum.
[Au colophon]: Venetiis, Caesarem Arrivabenum [Venise, Cesare Arrivabene], mars 1518. Petit in-8, plein vélin rigide de l'époque, dos lisse titré à la plume, XCV (95) f. Précoce édition vénitienne publiée par lhumaniste, philologue et juriste Lucas Panetius, imprimée sur les presses du typographe vénitien Cesare Arrivabene, dont la grande marque figure en colophon. Loeuvre capitale de Marsile Ficin dans lélaboration de la synthèse, alors proprement révolutionnaire, entre révélation chrétienne et "théologie platonicienne". Lauteur aboutit à une nouvelle apologétique fondée sur une "docta religio" et une "pia philosophia". Alors que les proches maîtres padouans prônent Aristote, Ficin stigmatise son matérialisme et son panthéisme pour déclarer qu "avec quelques changements, les platoniciens seraient chrétiens". (EDIT 16 CNCE 18935. Manque à STC et à Adams). Petite réparation de papier en pied de la page de titre sans perte de texte. Ex-libris manuscrit de lépoque avec blason au titre : "Fides Perpetua unio Heterna" et cachet de bibliothèque. Bon exemplaire, relié à lépoque. [Attributes: Hard Cover]
Ausslegung des hundret und neundte[n] psalme[n] Dixit d[omin]us domio meo.
Leipzig, Melchior Lotter, 1518. 1 vol. in-4°, cartonnage bradel moderne recouvert d'un feuillet imprimé rubriqué du Xve siècle. (18) ff. Signatures : [A-C]4 D6. Nombreuses annotations marginales du XVIe siècle, en partie coupées à la reliure, petit raccommodage au feuillet de titre, qq. rousseurs. Seconde édition parue la même année que l'édition originale d'Augsbourg. Il s'agit d'une interprétation très enthousiaste de Luther sur le psaume 110, Dixit dominus, qui annonce l'arrivée du Messie. Luther l'écrivit en allemand de manière à diffuser ses idées au plus grand nombre. Cette seconde édition est introduite par une dédicace de l'humaniste et ami de Luther Georg Spalatim à Hieronymus Ebner, bourgeois de Nurenberg. Benzing & Claus, 229; Graesse IV, 301; Panzer, 896g; USTC, 614458.
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 18 x 25; - description : Map shows the Caucasus in trapezoid projection with the the sea of Azov and patly the black sea with the peninsula Krim; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: colored; - condition: Perfect condition; - size (in cm): 18 x 24,5; - description : Map depicts trapezoid , complete Germany, showing ; wild; animals in the countrie.; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
2017-12-10 19:47:43
Columna, Guido de)
Mit Holzschnitt-Titel und 113 tls. wiederholten Textholzschnitten. 95 nummerierte Bll., 1 w. Bl. Holzdeckelband im Stil d. Zt. mit Lederrücken. 32,5 x 23 cm. VD16 H 5680 (4 Standorte) Goed. I, 372, 6,6 Gotzkowsky 245, 11 Heitz/Ritter 680 Muller 123, 88 Muther 1518. - 13. deutsche Ausgabe, die zweite, die im 16. Jahrhundert gedruckt worden ist und die erste bei Knobloch, noch mit den Holzschnitten Kistlers von 1499 illustriert. Von der Übersetzung Hans Mairs sind drei Varianten bekannt, diese stammt ursprünglich aus dem Jahr 1391 und erschien 1494 erstmals in gedruckter Form. Der große Titelholzschnitt mit der Erstürmung und der Zerstörung der Stadt Troja ist vermutlich für den Druck der vorliegenden Ausgabe hergestellt worden. Die Textholzschnitte stammen aus Kistlers Troja - Ausgabe und seinem Straßburger Druck "Montevilla" (dazu Hain Copinger 10651 und Schramm Straßburger Drucker, Teil 2 (Bilderschmuck 20), Tafel 1931), sie wurden zumeist seitlich beschnitten, bzw. durch zusätzliche ornamentale Leisten an den Seiten dem Satzspiegel angepasst. Sie messen ca. 75 x 130 mm (einer 200 x 135 mm). - Tls. etwas gebräunt und fleckig. Einige alte Unterstreichungen, wenigen Anmerkungen und Notizen. Tls. etwas feuchtfleckig. einige wenige kleine Wurmlöcher. Insgesamt recht gutes Exemplar der seltenen Ausgabe!
1518. J.S. Bach used Spengler's hymns in his cantatas 18 and 109.. 150 x 214 mm., incorporating a separate armorial-style engraving identifying the subject, his age, and date of the engraving's execution. Foxed; trimmed; laid down to mount, with early 19th century manuscript notes to lower portion. Together with another engraving of Spengler kneeling in prayer, 161 x 93 mm. Trimmed; laid down to mount.
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 18 x 25; - description : Map shows in trapezoid representation, eastern Europe with the coasts of total Italy and the Adriatic sea. Kroatia, Dalmatia, Slowenia and Serbia.; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 18 x 24; - description : Map shows eastern Europe with the coasts of total Italy and the Adriatic sea. Kroatia, Dalmatia, Slowenia and Serbia.; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
Artist: Ruscelli Girolamo ( - 1566 ) Venedig; issued in: Venice; date: ca 1564. - technic: Copper print; colorit: original colored; - condition: Very good; - size (in cm): 18 x 24; - description : Map shows Rumania, Bulgaria, Mazzedonia, Dalmatia, Serbia; - vita of the artist: Girolamo Ruscelli (1518-1566) was an Italian polymath, humanist, editor, and cartographer active in Venice during the early 16th century. Ruscelli is best known for his important revision of Ptolemy's Geographia, which was published post humously in 1574. It is generally assumed that Alexius Pedemontanus was a pseudonym of Girolamo Ruscelli. In a later work, Ruscelli reported that the Secreti contained the experimental results of an ëAcademy of Secretsí that he and a group of humanists and noblemen founded in Naples in the 1540s. Ruscelliís academy is the first recorded example of an experimental scientific society. The academy was later imitated by Giambattista Della Porta, who founded an ëAccademia dei Secretií in Naples in the 1560s.
de Lavicea Gulielmus (San Bonaventura da Bagnoregio)
Dieta salutis Sancti bonauenture doctoris eminentissimi: aureus libellus: qui dieta salutis communiter nuncupatur: omnibus diuini eloquii buccinatoribus maxime necessarius. Vna cum eiusdem authoris de Christi natiuitate, de resurrectione hominis a peccato, et preparatione ad gratiam deuotissimis tractatibus. Necnon eleganti tabula totius operis materiam perstringente, nunc primum in legitimum ordinem redacta. Nouissime post omnes impressiones ubique locorum excussas, astatim recognitus, cunctisque mendis, et erroribus expurgatus
per Cesarem Arriuabenum venetum, Venetiis 1518 - Privo di difetti evidenti, buono stato generale di conservazione. Dorso in pergamena rinforzato nel XVII secolo (32) + c.c. CXLIII + (1) p. 155x105 mm
2017-12-05 08:56:02
ORDENANZAS REALES DE CASTILLA.- Por las quales primeramente ha de librar todos los pleitos civiles y criminales: y los que por ellas no se fallaren determinados se han de librar por las otras leyes y fueros y derechos. Seguido de CUADERNO DE LAS LEYES Y NUEVAS DECISIONES HECHAS Y ORDENADAS EN LA CIUDAD DE TORO.- sobre las dudas de derecho que contínuamente solían y suelen ocurrir en estoy reynos: en que avía diversidad de opiniones entre los letrados destos reynos. Con la glosa de Miguel de Cifuentes. 2 obras encuadernadas en un solo volumen.
Burgos, 1518 y 1546. 29x21. Pergamino. 120 hojas y 49 hojas. Firma y anotaciones de época. Apostillas marginales. Letra capitular decorada. Texto a doble columna. Segunda obra: muy subrayada y con anotaciones marginales de época. Algunas partes en latín. Restaurada la mitad inferior del Folio 48 afectando al texto y algunas partes del reverso del folio 49 . (WA2110)
2017-12-04 03:02:19
Basel: Froben, 1518. The first Basel edition (the third overall), the first with these illustrations, and the first edition of More's Epigrams. Two parts (of three issued; the final part issued contained the Epigrams of Erasmus). Octavo, bound in full calf, gilt titles and tooling to the spine, all edges sprinkled red. Woodcut architectural title border by Hans Holbein on title, woodcut map and headpiece by Ambrosius Holbein, woodcut title border to More's epigrams by Urs Graf. Henry Edward Bunbury's copy with his bookplate, ownership inscription of John Burns, 1916. In excellent condition with only light toning and wear. An important early edition of More's Utopia. Written while Thomas More was a London lawyer, Utopia "inveighs against the new statesmanship of all-powerful autocracy and the new economics of large enclosures and the destruction of the old common-field agriculture, just as it pleads for religious tolerance and universal education... More had been born and brought up in the law, the most traditional and the most English of all professions: to him, human institutes were not a matter for radical, theoretical reform, but were organic things to which change came slowly. In Utopia More is concerned to show that the old, medieval institutes, if freed from abuse, are the best; not the new theoretic reforms, which he justly feared... Utopia is not, as often imagined, More's ideal state: it exemplifies only the virtues of wisdom, fortitude, temperance and justice. It reflects the moral poverty of the states which More knew, whose Christian rulers should possess also … [Click Below for Full Description]
Rare Antique Master Print-RELIGION-DEATH-ANANIAS-ACTS 5-Raphael-Carpi-1518
1518 - Antique Master Print, untitled. The death of Ananias. Ananias, after having sold his land, following Barnabas' example, secretly kept a part of the proceeds instead of donating it to the apostles. For this (i.e. lying to the Holy Spirit) he falls dead instantly. Description: Despite the damage a very good example of a 16th. century chiaroscuro printing. State: Second state of 2. Ref: Bartsch XII.46.27. IconClass 73F154.Artists and Engravers: Made by 'Ugo da Carpi' after 'Raphael'. Ugo da Carpi (Italian; 1480-1532) specialized in color woodcuts. Raffaello Sanzio da Urbino (1483 - 1520) known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human g Chiaroscuro woodcut on hand laid paper. Anonymous. Fair, given age. No margins, laid down with many tears and traces of use, but still making a good impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 10.8 x 15.9 cm. The image size is ca. 10.8 x 15.9 cm. The overall size is ca. 4.3 x 6.3 inch. The image size is ca. 4.3 x 6.3 inch. Storage location: LA-A2-18
2017-11-25 08:25:23
Castellesi, Adriano.
De sermone latino, & modis latine loque[n]di. Eiusde[m] Venatio, ad Ascaniu[m] Card. Item iter Julij. II. Pont. Ro.
Basel, Johann Froben, Juni 1518. Mit zwei schönen Holzschn.-Bordüren geschmückte Ausgabe der seinerzeit beliebten lateinischen Sprach- und Stillehre. Mit dem Gedicht über die Jagd, das hier erstmals im deutschen Sprachraum gedruckt vorliegt. - Einband berieben u. bestoßen. Rücken restauriert. Hintere Rückenkante gebrochen. Vereinzelte zeitgen. Anmerkungen. Etw. gebräunt u. nur vereinzelt etw. finger- bzw. tintenfleckig. - VD16, C 1454; IA 133.460; Adams C 898; Souhart 3; vgl. Schwerdt I, 5 u. Holbein-Kat. 344. la Gewicht in Gramm: 1000 4°. Mit einer figürl. Holzschn.-Titelbordüre von Hans Holbein (in der Mitte mit einem Wappenholzschnitt; dieser auf Bl. 8 wiederholt), einer Holzschn.-Bordüre auf Seite 1, einigen tlw. figürl. Holzschn.-Initialen u. einer großen Holzschn.-Druckermarke am Ende. 8 Bll., 422 S., 1 Bl., Späterer Ldr.-Bd. a. 5 Bünden m. goldgepr. Deckelfileten, Rückenverg., goldgepr. Rückenschild u. dreiseitig gespränkeltem Rotschnitt.
Valerius Maximus noviter recognitus cum commentario historico videlicet ac litterato Oliverij Arzignanensis: & familiari admodum ac succincto Iodoci Badij Ascensij: qui quattuor & viginti exempla aldino auspicio nuper inventa simili commentatione declaravit: & totum opus gemina tabella: altera titulorum: altera litteraum ordine illustravit. Additis Theophili lucubrationibus. Nec non pene vius imaginibus: quae priscorum gesta referre videntur.
1518. (In fine: Impressum Venetiis, per Augustinum de Zannis de Portesio, Anno Dni. MDXVIII [1518] die XX Mensis Maii), in-folio, leg. coeva in piena pergamena, carte [10], CCLXXI, [1], l'ultima carta bianca. Con marca xilografica sul front. (San Bartolomeo con coltello in mano, sullo sfondo una città ed un albero, 9 xilografie n.t (una all'inizio di ciascun libro) e centinaia di iniziali xilografiche. Bella edizione corredata dai commenti di Josse Bade, Oliviero d'Arzignano e Theophylus Chalcondyles. Piccolo restauro reintegrativo all'angolo sup. esterno delle prime 10 carte, macchia d'inchiostro marginale ad una cinquantina di carte, qualche piccolo foro di tarlo al margine superiore di molte carte, qualche lieve gora. Alcune glosse marginali manoscritte in antico. [Attributes: Hard Cover]
SALLUSTIO HISTORICO ELOQUENTISSIMO CON ALCUNE ALTRE BELLE COSE, DI LATINO NELLA VOLGAR LINGUA PER AGOSTINO ORTICA DELLA PORTA GENOVESE TRADOTTO. VENEZIA, ZORZI DI RUSCONI MILANESE, 23 APRILE 1518.
SALLUSTIO, Caio Crispo. -
(Opere). Salustio con alcune altre belle cose: volgareggiato per Agostino Ortica della Porta Genovese. - (Colophon:)
Venezia, Bernardin Vinitiano di Vitali, XXIII di Aprile 1518. In - 8 gr. Legatura del '700 in mezza pelle; cuffia un po' usata. 155 ff.; senza l'ultimo foglio bianco; lievi aloni d'umidità al principio. Prima edizione della prima traduzione italiana di Sallustio, lodata da vari bibliografi per la bellezza dei caratteri e l'eleganza della veste tipografica (la tiratura del Rusconi impressa lo stesso anno, mese e giorno, è considerata meno bella e più comune). BL, STC, e Adams hanno l'edizione di Rusconi ma non questa. Brunet V, 91. Paitoni, Autori antichi volgarizzati, IV, 8. Haym, Libri rari italiani, 22 - 5: «ediz. bellissima di carattere tondo, e veramente rara».
2017-11-19 23:15:08
OVIDIUS, PUBLIUS NASONIS (93A.C - 17 D.C.)
AMORUM LIBRI TRES - DE MEDICAMINE FACIEI LIBELLUS: ET NUX. VENETIIS, IN AEDIBUS IOHANNIS TACUINI DE TRIDINO 1518 1518
INFINITI PENE ERRORIBUS E MANUSCRIPTIS EXEMPLARIBUS EMACULATI. UNA CUM DOMINICI MARRI NIGRI VENETI LUCULENTISSIMIS ENARRATIONIBUS... ACCENDUT PULEX PHILOMELA...(COLOPHON:) VENETIIS, IN AEDIBUS IOHANNIS TACUINI DE TRIDINO, ANNO 1518. IN - FOLIO, PERGAMENA COEVA LOGORA AGLI ANGOLI CON QUALCHE STRAPPO, DORSO ALLENTATO (6), 89 FF., MARCA TIPOGRAFICA IN FINE SU FONDO NERO. FRONTESPIZIO INQUADRATO ENTRO UNA BELLISSIMA CORNICE ORNATA CON FOGLIAME E FIORI E TRE VIGNETTE N.T., OLTRE ALCUNE GRANDI INIZIALI INCISE IN LEGNO. MANCA L' ULTIMO FOGLIO BIANCO. ESEMPLARE CON UNO STRAPPO NEL F. 61 E RELATIVA PERDITA DI UNA VENTINA DI PAROLE DI TESTO, PARECCHIE TARLATURE MARGINALI CHE TALVOLTA INVADONO LA STAMPA, UN RINFORZO AL FRONTESPIZIO MA, IN COMPLESSO, A PARTE L' USURA DEL TEMPO, ABBASTANZA BEN CONSERVATO. EDIZIONE DI GRANDE RARITÀ SCONOSCIUTA ALLO SCHWEIGER E AL BRUNET. GRAESSE, V, P. 74. ESSLING, 2017. SANDER, 5250.
1518 Seiten 24,9 x 16,0 x 7,1 cm, Gebundene Ausgabe Neuwertiges Exemplar mit Widmung des Autors.
1518]. 1518 - Title with woodcut coat of arms. Small 4to. Bound in old flexible vellum, overall a very good copy. 4ff. [NÜrenberg, Jobst Gutknecht, The expansion of the Ottoman Empire during the reign of Sultan Selim I. (1465-1520) was closely watched throughout Europe. The present work calls for the formation of an army to be sent against the Turks (and all others opposed to Christianity). In the first half of the 16th century over 900 pamphlets relating to the Turks were issued, documenting the widespread fear of a Turkish domination. The present call to arms was issued in vaious cities throughout central Europe including Augsburg, Breslau, and Basel. Two other Nuremberg imprints are known to have been printed in the same year (Georg Stuchs & Friedrich Peypus). GÖllner: Turcica I, 107. VD16, D-160. KÖhler 664. Weller 1088. Only two copies in OCLC.
2017-11-03 11:51:43
Der heilige Maximilian I. Blatt aus dem Werk Weißkunig.
ca. 1518 - Druck des 18. Jahrhunderts, ca. 1775. Holzschnitt auf dünnem Bütten. Inet / Wikipedia // TB // Hollstein 11 // 1475/80 -Augsburg- 1542. -Das breitrandige Blatt gebräunt. Der Druck kräftig! -Unter einfachem PP montiert. Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). 0 Gewicht in Gramm: 2001 22x19,2 cm (Stock/ Abb.). Blatt-Nr. 124 unter der Abb. rechts. [Attributes: Soft Cover]
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/2016 1518 - 18 x 24 cm, 34 x 42 cm, gerahmt, Tadell. Auf Rückseite vom Kopistenkünstler Joachim Wittke (Künstler und Restaurator (www.atelierwittke.com) signiert - Sebald Beham (1500-1500)war der ältere Bruder Barthel Behams. Sein erster Vorname Hans, der nach der Form seines Monogramms angenommen wird, ist in den zeitgenössischen Quellen nicht nachweisbar. Über die Ausbildung der beiden Maler und Kupferstecher sind ebenfalls keine zeitgenössischen Quellen erhalten. Durch die künstlerische Nähe zu Albrecht Dürer wird in der Sekundärliteratur vermutet, dass die Brüder Beham ihre Ausbildung in der Werkstatt Dürers erhielten.1524, nach einem Aufenthalt Thomas Müntzers in Nürnberg, sympathisierten er, sein Bruder Barthel und Georg Pencz, ein weiterer Geselle Dürers, mit dem religiös und politisch radikalen Flügel der Reformation. Ob sie sich tatsächlich der sozialrevolutionären Bewegung der Täufer anschlossen, ist unklar. Die drei ?gottlosen Maler? wurden zusammen mit anderen Angeklagten, unter ihnen der Schulmeister Hans Denck (1495?1527) festgenommen und im Januar 1525 vor Gericht gestellt. Der Rat ließ relative Milde walten und verbannte die Künstler im Einvernehmen mit der Geistlichkeit lediglich aus der Stadt Nürnberg.Sebald Beham kehrte schon 1528 nach Nürnberg zurück, wurde 1529 der Verbreitung von Pornographie verdächtigt und abermals ausgewiesen und begab sich nach München. In den Jahren 1530 und 1531 arbeitete er unter anderem für Kardinal Albrecht von Mainz. Um 1532 siedelte er nach Frankfurt am Main über, wo er 1540 das volle Bürgerrecht erhielt. In Frankfurt schuf … [Click Below for Full Description]
2017-10-28 00:51:56
1518. in-4, ff. 344 (segn.354), 4 n.n. bella leg. ottocentesca ad imitazione antica, elaborata decorazione a secco ai piatti, tit. in oro e fregi a secco al dorso a nervi (piccoli restauri alle estremità delle cerniere, qualche abrasione). Testo impresso su due colonne, car. tondo in rosso e nero; titolo in grande car. gotico e istruzioni per la consultazione dell'opera impressi in rosso entro 5 tondi inseriti in bordura a grotteschi; al verso grande ''crisma'' con croce in negativo entro grande arabesco su fondo rosso; colophon in grande car. gotico entro bordura e, al verso, silogr. tonda con 2 angeli che reggono uno scudo vuoto. La stupenda illustrazione del volume comprende inoltre: 15 bordure di 4 legni con ritratti in tondo, e grande capolettera istoriato all'interno; 12 elaborate bordure con vasi e grotteschi, che comprende 5 tondi con calendario di ogni mese e sue peculiarità impressi in rosso; 56 tondi di diametro 15 cm con scene della vita dei Santi e Martiri, inscritti in quadrato con fregi agli ang.; un Giudizio Universale (colorato all'epoca) entro bordura di 4 legni con versi in rosso entro tondi; 5 silogr. di grandi formati diversi (Assunzione e Natività della Vergine, Adorazione dell'Eucarestia, Crocefisso della Scuola di S.Giovanni a Venezia, S.Adriano) e un foglio con 6 legni relativi a S.Apollonia; 124 vignette a larghezza di una colonna, raffig. scene della Bibbia, gran numero di grandi iniziali ornate. Questa edizione, come già quella del 1505, venne diffusa con due frontespizi differenti: in caratteri xilo-tipografici (di cui si conoscono il presente e … [Click Below for Full Description]
Rare Antique Print-TOLL-GOLKONDA-INDIA-JESUIT-de Hooghe-1682
Plate: 'Tolrecht en gevalle.' (Toll right and cases.) In this scene: 1. Jesuit being shaved. 2. Toll house for the Kalif. 3. Toll master. 4. Dutch. 5. King of Golkonda. 6. King's court. 7. Carriers of presents. 8. nobles. 9. His wives. 10. Elephant parade. Golkonda also known as Golla konda (shepherd's hill) a ruined city of south India and capital of ancient Kingdom of Golkonda (c.1518ï¿½1687), is situated 11 km west of Hyderabad. It is also a mandal of Hyderabad District. The region is universally famous for the mines that have produced the world's most famous and coveted gems, including The Hope Diamond, Idol's Eye, The Koh-i-Noor and Darya-i-Noor. Rare item. Original etching on a verge type hand laid watermarked paper. Description: This scarse etching originates from: 'Curieuse aenmerckingen der bysonderste Oost en West-Indische verwonderens-waerdige dingen; nevens die van China, Africa, en andere gewesten des werelds.', by S. de Vries, published in Utrecht by J. Ribbius, 1682. This splendid work on the curiosities encountered during the ages of exploration abroad contains maps by Sanson d'Abbeville and many etched plates by Romeyn de Hooghe, which are considered some of the most interesting of his oeuvre. Ref: Sabin, 19854; Tiele, 260; Cat. NHSM, 240; Muller, 1565.Artists and Engravers: Author: Simon de Vries (Dutch 1524-1708): Poet, writer and translator, publisher, active in Utrecht. Etcher of plates (not maps) in this work: Romeyn de Hooghe (1645-1708) was an important and prolific late Dutch Baroque engraver and caricaturist. De Hooghe was skilled as an etcher, dra … [Click Below for Full Description]
Venedig, Aldus Manutius, Juni 1518. 8°. Mit 2 Holzschn.-Druckermarken. 525 S., 27 Bll. (davon 2 weiße u. das letzte mit der Druckermarke), Goldgepr. Pgmt. des 19. Jhds. auf 5 Bünden. Zweite Ausgabe bei Aldus, welche gegenüber der ersten Ausgabe von 1508 um einen Indexapparat erweitert wurde, darunter ein Index rerum memorabilium und eine Interpretation der griechischen Wörter und Passagen. Deux éditions presque également rares (Brunet IV, 721). - Einband leicht berieben bzw. fleckig. Titel m. gelöschtem Besitzvermerk. Vereinzelt etw. fleckig bzw. mit handschriftl. Marginalien. Das letzte Blatt mit Randfehlstelle (ohne Bildverlust), sonst gutes Exemplar. - Adams P 1538; BM STC, Italian Books 525; Renouard 82, 1; Aldinenslg. SB Berlin 292f. Versand D: 9,80 EUR Plinius Caecilius Secundus, Epistolarum libri X. Eiusdem Panegyricus Traiano principi dictus. Eiusdem de viris illustrib. in re militari & in administranda rep., Postinkunabel, Postinkunabeln
2017-10-16 14:14:11
Torrentinus, Hermannus.
Elucidarius vel vocabularius poeticus ... co[n]tine[n]s fabulas, historias, prouincias, vrbes, insulas, fluuios, et montes illustres; Item vocabula et interpretationes Grecoru[m] & Hebraicoru[m], una cu[m] vocabulis co[m]munibus Saracenoru[m], in latinu[m] translatis et alijs in fine adiunctis.
[colophon: Hagenaw: per ... Henricu[s] Gran, impe[n]sis ... Joanis Rynman, 1518]. 4to (20 cm; 8"). [57] ff. (without final blank). Torrentinus' Elucidarius vel vocabularius poeticus, also published under the title Parvum dictionary poeticum, is the earliest known historical, mythological, and geographical dictionary. First published in 1498 in Deventer where Torrentinus (a.k.a. Herman van Beek, Herman van der Beeke), a Netherlandish grammarian, taught in Hegius' school, it had by 1540 had more than 30 editions. Primarily given over to literature  especially poetry, which caused Renouard to call it the "first . . . attempt at a poetic dictionary"  it contains literary references to numerous provinces, cities, islands, mountains, and rivers, with this edition being enlarged over earlier ones by inclusion of a supplement on Latin numbers and weights, and lists of trees, bushes, herbs, and stones. There are two states of the colophon of this edition, one as above, the other reading "Impressus Argentine per Joannem Knoblugh"; but the states are otherwise identical, page for page, line for line, including use on both title-pages of an architectural woodcut border incorporating Heinrich Gran's device! => The text is printed in black letter with large, handsome running heads, attractive initials, and usefully large-lettered captions in the supplement. Searches of WorldCat and NUC locate no copies in North America of the Hagenau issue and only one (at Harvard) of this one. => Because this was designed for students, few copies of the early editions survive. Provenance: Fro … [Click Below for Full Description]
MELA, POMPONIUS (c. 43AD)  SOLINUS, Julius -- et al
[Venice]: [House of Aldus and Andrea of Asola], [October 1518]. First Aldine Edition. Hardcover. Very Good. 8vo (150 x 95mm). 233, [3] leaves, including blank q8, and final leaf with Aldine woodcut device on verso. Later three quarter 18th century marbled boards, edges stained red (title extensively remargined, lacking colophon leaf and blank b8 (divisional title to Publius Victor) and the penultimate blank; hinges splitting; contents clean). First and only Aldine edition of a compilation of ancient Roman writings on geography and cosmography. The only edition ever printed of this classic work of ancient geography and cosmography. Mela was an early Roman geographer and author of the only ancient treatise on geography in classical Latin titled De Situ orbis (A Description of the World), referred to in the title here. Also included are Solinuss description of the classical world that was based on Plinys Natural History and Melas geography. The Itinerarium compiled by Antoninus provides a concise survey of the whole of the Roman Empire. Vibius Sequester lists the names of the principal rivers and notable landforms known to the Romans. Victors work on the topography of ancient Rome, which appears here for the first time, is an important source for the identification of Roman ruins. The last text is Dionysius Afers treatise on cosmography. Renouard I, p. 83, no. 6
Pontano, Giovanni Gioviano. lat. Ioannes Iovianus Pontanus, hrsg. von Franciscus Asulanus (d.i. Gian Francesco Torresano):]
Ioannis Ioviani Pontani opera omnia soluta oratione composita. Libri primae partis.]
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(Seuse, Heinrich)
Der ewigen Wiszheit betbüchlin.
Basel, Jacob von Pforzheim für Marx Werdemüller (Zürich), 1518. 8vo. Mit Titelholzschnitt u. Bordüren, 2 astrolog. Holzschn. im Kalender sowie 58 teils mehrf. wiederh. Textholzschnitten. Titel u. Kalendarium in Rot u. Schwarz. 20 nn., CCVIII Bl. Ldr. d. Zeit auf 3 Bünden m. blindgeprägt. Deckeln u. 2 Messingschließen. VD16 S 6101. - Sehr seltene Ausgabe des ab dem 14. Jahrhundert weitverbreiteten deutschen Andachtsbuches des Konstanzer Mystikers Heinrich Seuse (1295/97-1366), entstanden 1330/31. Dem Gespräch zwischen Jünger und Ewiger Weisheit folgen zahlreiche Gebete, die hier um einige deutsche Lieder u.a von Sebastian Brant ergänzt wurden. Nach dem Kalender Holzschnitte zum Bestimmen der Sonntagsbuchstaben und der Goldenen Zahl. - Am Rücken d. Einbandes größere Fehlstellen. Titel m. mehreren Zahlen u. Name, verso u. auf letztem Bl. kl. Stempel. Im Rande vereinzelt gering fleckig, die lezten Lagen m. leicht bräunendem Wasserand an oberer Ecke. Zu Beginn u. Ende kl. Wurmgänge im Gelenk. 3 doppelseitig v. alter Hand mit Gebeten beschriebene Bl. vorgebunden, 1 einseitig beschr. Bl. nachgebunden. [4 Warenabbildungen bei antiquariat.de]
BRUSONI Lucius Domitius
Facetiarum Exemplorunque, libri VII. (In fine, colophon:) Impressum Romae, per Iacobum Mazochium Romanae Academia bibliopoli XV, Cal Septem, (1518)
Mazzocchi Giacomo, 1518. in-folio, ff. (1), CCXXI, (2), (con vari errori di numeraz.), magnifico carattere tondo romano. Attraente solida legatura 700.sca in p. marocchino granata a grana larga con bordura a filetti oro sui piatti, dorso a nervi con tit. e ricchi fregi oro, tagli dor., dentelle int. (Come avverte Quaritch al n. 36513 del cat. 1888, ''the date which is printed in small Arabic numerals, in the margin, was evidently added after the publication of the book'' ). Titolo racchiuso in bordura silogr. ornamentale su fondo nero, che nella parte inferiore raffigurauna caccia al cinghiale; Numerose belle iniziali alte sei righe figurate o ornate su fondo nero; Precedono epigrammi latini di Pietro Gravina, Tamira e M.A. Casanova in lode dell'autore, che dedica l'opera al cardinale Pompeo Colonna. Prima edizione di quest'opera, ''una congerie di aneddoti, riuniti in capitoli per argomenti (De avaritia, De amore, De amicitia, De adulterio, De aulicorum officiis, etc.) in ordine prossimo a quello alfabetico..raccolti come exempla morali..Le fonti sono le più svariate; non mancano gli scrittori cristiani, ma predominano i classici latini e fra questi Cicerone, Seneca, Marziale, Plinio..'' (DBIt., vol. 14, p. 720-1). Per la sua caratteristica di agevole repertorio l'opera ebbe notevole successo, ma ''le edizioni posteriori che apparvero sotto il titolo di Speculum Mundi sono più ristrette'' (Ascarelli). Il Brusoni, nato a Contursi in provincia di Salerno verso la fine del XV sec., fu dotto umanista, filosofo, teologo e giureconsulto. Ottimo esempl. con illustri provenienze ( … [Click Below for Full Description]
Rosa gallica ... omnibus sanitate[m] affecta[n]tibus utilis & necessaria. Que in se co[n]tinet precepta, auctoritates, atq[ue] sente[n]tias memoratu dignas, ex Hippocratis, Galeni, Erasistrati, Asclepiadis, Diascoridis, Rasis, Haliabatis, Isaac, Avicen[n]ae, multoru[m]q[ue] alioru[m] clarorum virorum libris in unum collectas: quae ad medicam artem recta[mque] vivendi forma[m] plurimu[m] conducu[n]t. Una cu[m] sua pretiosa Margarita: de medici atq[ue] egri officio.
Venundatur ab Iodoco Badio [Ascensio]. Florilegium of ancient and medieval thought on medicine, hygiene, diet, and general health, compiled by a prominent Lyonnese physician (1471-1539). Following that Rosa Gallica is an additional treatise on procedures for doctors, entitled Margarita in tribute to the author's wife, Marguerite Terrail. This is the 1518 reimpression of the 1514 first edition, both Renouard and Vicaire saying with certainty that it faithfully reproduces that original. Its title-page bears an attractive woodcut of the author holding an oversized rose and pointing to a book, while Marguerite (with a daisy in hand) sits nearby in an enclosed garden with a book of her own. Binding: 19th-century divinity-style calf, spine with raised bands, blind tooling, and gilt lettering; covers framed and panelled in blind fillets, each cover => preserving an on-laid original 16th-century Flemish stamped-panel stamp at center. The front cover panel shows St. Roche (patron saint of plague victims) in pilgrim guise, displaying a plague sore on his thigh to an angel on his right, with a dog on his left; the scene bears the legend "St. Roche libera nos a p[este]." The back panel is presents two columns of facing animals (dogs, geese, wyverns, and monkeys) with the surrounding legend, "deus dedit / deus abstulit, [signed] pe X c / sit nomen / domini benedictum." Goldschmidt tentatively sources the St. Roche panel in Cologne, and more confidently attributes the animal panel to Pieter de Keysere (Petrus Caesaris), active in Ghent ca. 1511-59. All edges gilt. Provenance: … [Click Below for Full Description]

References: In fine
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