Source: http://avbees.com/timeline/
Timestamp: 2019-04-26 14:03:06+00:00

Document:
Here follows a list of my audio research and sound art activities… Please feel free to contact me with any queries and/or project proposals.
H. E. Romero, N. Ma, G. J. Brown, A. V. Beeston, and M. Hasan, “Deep learning features for robust detection of acoustic events in sleep-disordered breathing,” in 44th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Brighton, UK, 12-17 May, 2019, pp. 1-5.
A. Beeston and M. Summers, “Daybreak broadcast,” in Reveil 2019, Flaws’ Pier, Stromness, Orkney. Live broadcast. 4-5 May, 2019.
“Bag the Bruck,” in Outdoor Orkney, Stromness, UK. Community beach cleanup and shoreline recordings. 30 Mar – 7 Apr, 2019.
“Fauré’s Requiem, Winter choir and friends,” in Malawi Music Fundraiser, King Street Halls, Kirkwall, UK. Performance. 24 Mar, 2019.
C. Hassall, A. Beeston, T. Dally, B. Kunin, H. Khalil, and D. Chesmore, “Bioacoustics for pollinator monitoring,” in ENSEMBLE workshop (Biodiversity Sprint), Brockholes nature reserve, UK. 18-19 Mar, 2019.
L. Cheesman, A. Beeston, and D. Egan, “SONA presents Unpeeled: AGF (Antye Greie) and Otherworld (Kay Logan),” in Sound and Music’s Composer-Curator 2018/19 programme, DINA, Sheffield, UK. Performances, talk and interactive audio installation. 8 Feb, 2019.
“WiMIR mentoring round 2019,” in Women in Music Information Retrieval, Online. Mentor. 30 Jan, 2019.
“Composer-Curator 2018,” in Sound and Music’s Podcast, Online, UK. Interview. 16 Jan, 2019.
L. Cheesman, A. Beeston, and D. Egan, “SONA presents Unpeeled: Sarah Watts,” in Sound and Music’s Composer-Curator 2018/19 programme, DINA, Sheffield, UK. Performance, talk and installation. 30 Nov, 2018.
K. R. Miguda and A. V. Beeston, “Collaborating with carers and musicians to develop a survey of sound awareness and listening habits,” in SEMPRE Conference: Collaborative approaches to music and wellbeing research, Leeds, UK. Oral presentation. 9-10 Nov, 2018.
A. Greasley, H. Crook, and A. V. Beeston, “Hearing Aids for Music: Reflections on a three-year collaboration between University of Leeds and Sheffield Teaching Hospitals NHS Foundation Trust,” in SEMPRE Conference: Collaborative approaches to music and wellbeing research, Leeds, UK. Oral presentation. 9-10 Nov, 2018.
A. V. Beeston, “Audio-sensing in participatory sound art: Perceptually-informed methods for room-robust sound information retrieval,” in Department of Music Research Seminar, University of York, York, UK. Invited talk. 7 Nov, 2018.
L. Cheesman, A. Beeston, and D. Egan, “SONA presents Unpeeled: Vicky Clarke,” in Sound and Music’s Composer-Curator 2018/19 programme, DINA, Sheffield, UK. Performance, talk and installation. 2 Nov, 2018.
L. Cheesman, A. Beeston, and D. Egan, “SONA presents Unpeeled: Amble Skuse,” in Sound and Music’s Composer-Curator 2018/19 programme, Access Space, Sheffield, UK. Performance, talk and installation. 13 Oct, 2018.
A. Beeston, “Yorkshire Sound Women Network,” in SynthFest UK 2018, Octagon Centre, Sheffield, UK. Exhibition stall. 6 Oct, 2018.
A. E. Greasley, H. Crook, and A. V. Beeston, “Hearing Aids for Music: Findings and recommendations for hearing aid users, audiologists, manufacturers and researchers,” in Hearing aids for music project resources, Final report. 30 Sep, 2018.
H. Crook, A. E. Greasley, and A. V. Beeston, “Music counselling and fitting: A guide for audiologists,” in Hearing aids for music project resources, Leaflet for audiologists, version 1.0, published 24 Sep, 2018.
L. Cheesman, A. Beeston, and D. Egan, “SONA presents Unpeeled: Ryoko Akama,” in Sound and Music’s Composer-Curator 2018/19 programme, DINA, Sheffield, UK. Performance, talk and installation. 21 Sep, 2018.
D. Egan, L. Cheesman, and A. Beeston, “SONA: Open studio,” in Yorkshire Sound Women Network CIC: Launch gig, DINA, Sheffield, UK. Unpeeled project introduction and installation development. 14 Sep, 2018.
A. V. Beeston, “Unmaking acoustics: Bio-inspired sound information retrieval for an audio-driven artwork,” in 4th Workshop on Intelligent Music Production (WIMP2018), Huddersfield, UK. Invited talk. 14 Sep, 2018.
M. Chasin, A. E. Greasley, H. Crook, A. V. Beeston, and B. C. J. Moore, “A glossary of terms for music listening with hearing aids,” in Hearing aids for music project resources, Online document for audiologists and hearing aid users, version 1.0, published 4 Sep, 2018.
“Introduction to Forensic Audio. Instructor: Lawrence Abu Hamdan,” in The New Centre for Research & Practice, Michigan, USA. Scholarship. Jul-Aug, 2018.
A. Greasley, H. Crook, A. V. Beeston, J. Salter, and R. Fulford, “Outcomes of an online survey examining challenges and strategies for music listening with hearing aids,” in 15th International Conference on Music Perception and Cognition (ICMPC) and 10th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Graz, Austria. Oral Presentation. 23-28 July, 2018, p. 160.
A. V. Beeston, A. Greasley, and H. Crook, “Implicit timbral assessments of recorded and live music with hearing aids,” in Timbre is a Many-Splendored Thing, Montreal, Canada. Extended abstract. 4-7 July, 2018, pp. 174-175.
H. Crook, A. E. Greasley, and A. V. Beeston, “Starting out with a music program: Quickstart clinic guide,” in Hearing aids for music project resources, Leaflet for audiologists, version 1.0, published 6 June, 2018.
A. E. Greasley, H. Crook, and A. V. Beeston, “Listening to music with hearing aids: benefits, challenges and strategies,” in The Listening Experience Database (LED) Project Conference, Milton Keynes, UK. Oral presentation. 6-7 Mar, 2018.
A. V. Beeston, “Considering room calibration in hearing systems,” in EPSRC and MRC workshop on Changing perceptions: Hearing, Psychoacoustics and ICT, Bristol, UK. Poster. 6-7 Feb, 2018.
G. J. Brown, N. Ma, A. V. Beeston, M. Hasan, and H. Romero, “Acoustic analysis of sleep-disordered breathing,” in EPSRC and MRC workshop on Changing perceptions: Hearing, Psychoacoustics and ICT, Bristol, UK. Poster. 6-7 Feb, 2018.
A. V. Beeston, “Affordances, constraints and conventions in developing technologies to assist human listening,” in Institute of Acoustics, Yorkshire and North East Branch Meeting, Sheffield, UK. Invited talk. 25 Jan, 2018.
C. Pike and A. V. Beeston, “Applications of perceptual psychology and neuroscience to audio engineering problems,” in Audio Engineering Society, North of England Group Meeting, York, UK. Invited talk, 29 Jan, 2018.
R. Butler, A. Whitley, M. Gunning, M. Jarvis, R. Bolam, K. Kyprianou, M. Summers, and A. Beeston, “Come and Go,” in Surveillance Studies Network Arts Fund Prize, Honourable mention. Jan, 2018.
A. Beeston, L. Cheesman, and D. Egan, “SONA: Unmaking acoustics,” in AlgoMech Festival of Algorithmic and Mechanical Music+Art, Sheffield, UK. Sound-responsive audio-visual installation. 11-12 Nov, 2017.
A. V. Beeston, “Machine-mediated listening in sound art and music,” in Field Studies 2017: Listening After Pauline Oliveros, Leeds, UK. Invited talk. 13 Oct, 2017.
D. Egan, L. Clough, D. Gusejnova, and A. Beeston, “SONA: Making Sense!,” in British Science Association Fun Palace, Sheffield, UK. Makey-makey fruit orchestra (family workshop). 7 Oct, 2017.
L. Dobson and A. Beeston, “Yorkshire Sound Women Network,” in SynthFest UK 2017, Octagon Centre, Sheffield, UK. Exhibition stall and hardware demonstration. 7 Oct, 2017.
A. V. Beeston, “Forming SONA: Sound natives in Sheffield,” in Culture and the City Symposium, Sheffield, UK. Invited talk. 30 Sep, 2017.
M. Summers, A. Beeston, D. Egan, G. Brown, and M. Camp, “Improvised Photographs,” in Exhibition at DINA, Sheffield, UK. Pinhole camera digital simulation. 29 Sep – 2 Dec, 2017.
A. V. Beeston, “Imagining My Future Self: Using Software Carpentry Skills to Ease the Return to Work,” in Software Sustainability Institute website, Invited blogpost. 27 Sep, 2017.
A. E. Greasley, H. Crook, and A. V. Beeston, “Music listening with hearing aids,” in Hearing aids for music project resources, Leaflet for hearing aid users, version 1.0, published 12 Sep, 2017.
A. V. Beeston and M. A. C. Summers, “Machine listening: the expressive potential of human+computer systems in real rooms,” in European Society for the Cognitive Sciences of Music (ESCOM), Ghent, Belgium. Poster. 1-4 Aug, 2017, pp. 202-203.
R. Butler, A. Whitley, M. Gunning, M. Jarvis, R. Bolam, K. Kyprianou, M. Summers, and A. Beeston, “Come and Go,” in Everything Flows, Millennium Galleries, Sheffield, UK. Sound design for dual-screen installation. 6 Jun – 6 Aug, 2017.
A. V. Beeston, “Machine listening in artistic contexts,” in Music Mind Machine Lab, Sheffield, UK. Oral presentation. 19 May, 2017.
A. V. Beeston and E. D. Dobson, “Fostering ‘the gift of confidence’ for women in the electronic music scene,” in Centre for Digital Scholarship, University of Oxford, Oxford, UK. Invited talk. 12 May, 2017.
A. V. Beeston, “Machine listening – for live sound control,” in Music Collaboratory Project, Department of Music, University of Sheffield, Sheffield, UK. Guest lecturing (2 hours). 9 Mar, 2017.
A. V. Beeston, “Using sound as a controller,” in International Women’s Day at Heritage Quay, Huddersfield, UK. Software demonstration. 4 Mar, 2017.
A. V. Beeston, “Understanding sound – for better sound control,” in Music Collaboratory Project, Department of Music, University of Sheffield, Sheffield, UK. Guest lecturing (2 hours). 23 Feb, 2017.
A. V. Beeston, “Finding courage in encouragement,” in Women in Music Information Retrieval (WiMIR) website, Invited blogpost. 7 Feb, 2017.
A. Beeston, G. Dolcetti, and M. Nicolao, “Acoustics Exchange: a community to span all areas of sound,” Institute of Acoustics: Acoustics Bulletin (Jan/Feb edition). Review, vol. 42, iss. 1, 2017.
A. V. Beeston, L. Cheesman, and E. D. Dobson, “Community-building to support and encourage women and girls in music technology,” in Digital Music Research Network One-day Workshop (DMRN+11), London, UK. Oral presentation. 20 Dec, 2016.
E. D. Dobson and A. V. Beeston, “Starting a sound network from scratch: the story, impact and developments of the Yorkshire Sound Women Network,” in Cross Government Design Meeting, Electric Works, Sheffield, UK. Invited talk. 6 Dec, 2016.
C. Pike and A. V. Beeston, “The Algorithmic Ear,” in Radio TechCon, The UK radio industry’s engineering and technology conference, Arts Theatre, London, UK. Invited talk. 28 Nov, 2016.
A. V. Beeston, B. Wells, H. Crook, E. Bradley, G. J. Brown, and E. Kurtić, “Talking in Time,” in T4i, technology for independence conference, Sheffield, UK. Software demonstration. 28 Nov, 2016.
L. Cheesman and A. Beeston, “SONA: Peer learning taster workshop,” in Catalyst: Festival of Creativity, DINA, Sheffield, UK. Makerspace. 19 Nov, 2016.
L. Cheesman and A. Beeston, “SONA: Seafarers,” in The Sea Around Us, Connect the Dots fourth annual festival, DINA, Sheffield, UK. Makerspace and performance; Curation of cummunity-created audio collage. 13 and 20 Nov, 2016.
A. Beeston, S. Brannan, L. Cheesman, L. Clough, and D. Egan, “SONA: cross.damp.noise,” in New Work by Women Performers, Access Space, Sheffield, UK. Site-specific multi-media performance. 3 Nov, 2016.
A. Beeston, “Science while you sleep,” in Researchers’ Night, University of Sheffield, Sheffield, UK. Exhibition stall and software demonstration. 30 Sep, 2016.
A. V. Beeston, “Environmental robustness and healthcare-related sound technologies,” in Acoustics Exchange Day, Sheffield, UK. Oral presentation. 13 Sep, 2016.
A. V. Beeston, “Machine listening in music: A beginner’s guide,” in Catalyst: Festival of Creativity, DINA, Sheffield, UK. Workshop leader. 21 Jul, 2016.
A. V. Beeston, “Assessing snore sounds in the bedroom,” in Human Communications Technology (HCT) Research Morning, Centre for Assistive Technology and Connected Healthcare, Sheffield, UK. Oral presentation. 24 Jun, 2016.
C. Pike and A. V. Beeston, “Human perception and listening by machines,” in 140th Audio Engineering Society Convention, Paris, France. Panelist (Workshop W17). 7 Jun, 2016.
H. Ford, J. Duckles, A. Maidment, M. Callaghan, T. Nurmikko-Fuller, and A. Beeston, “The inevitable abyss: find mentors who will help you get out,” in Software Sustainability Institute website, Speedblog. 6 Apr, 2016.
A. V. Beeston, “Machine listening in music: A beginner’s guide,” in Yorkshire Sound Women Network, School of Music, University of Leeds (4 April) and School of Music, Humanities and Media, University of Huddersfield (5 April). Workshop leader. 4-5 Apr, 2016.
A. V. Beeston, “Applications of machine listening to support health-monitoring and rehabilitation in the home,” in Clinical Audiology, Speech and Language Research Centre, Queen Margaret University, Edinburgh, UK. Invited talk. 24 Mar, 2016.
A. V. Beeston, “Sound tools for real-time audio tasks,” in Software Sustainability Institute’s Collaborations Workshop 2016 (CW16), Edinburgh, UK. Lightening talk. 21 Mar, 2016.
J. Armitage, L. Cheesman, and A. Beeston, “Coding Music,” in Make some Noise! Family weekend at the National Media Museum, Bradford, UK. Workshop facilitator. 19 Mar, 2016.
L. Cheesman, A. Beeston, and E. Dobson, “Yorkshire Sound Women Network,” in Well-behaved women seldom make history, LIVE LATE at Museums Sheffield, UK. Guest speakers. 26 Feb, 2016.
C. Pike, A. V. Beeston, T. Brookes, G. J. Brown, and R. Mason, “Compensation for spectral and temporal envelope distortion caused by transmission channel acoustics,” in Workshop on auditory neuroscience, cognition and modelling, London, UK. Poster. 17 Feb, 2016.
A. V. Beeston, “Machine listening for healthcare applications used in domestic audio environments,” in Quick Fire Research Carousel, Centre for Assistive Technology and Connected Healthcare, Sheffield, UK. Lightening talk. 26 Jan, 2016.
R. Butler, A. Whitley, M. Gunning, M. Jarvis, R. Bolam, K. Kyprianou, M. Summers, and A. Beeston, “Come and Go,” in The Lowry, Salford Quays, Salford, UK. Sound design for dual-screen movement-sensing installation. First showing, 16 Jan, 2016.
A. V. Beeston and G. J. Brown, “Auditory models for robust analysis of snoring in domestic recordings,” in Newcastle Sleep 2015, The British Sleep Society Scientific conference, Newcastle, UK. Poster. 22-24 Oct, 2015.
A. V. Beeston, G. J. Brown, and X. Wang, “Assessing snore sounds recorded in the home via smartphone,” in Listening in the Wild, London, UK. Poster. 28 Aug, 2015.
Y. Arthurs, R. Timmers, and A. V. Beeston, “Chord perception and frequency of occurrence: samples from works by j. s. bach and the beatles,” in 9th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Manchester, UK. Extended abstract. 17-22 Aug, 2015.
R. K. Moore and A. V. Beeston, “MakeSpeech,” in Headstart summer school, Department of Computer Science, University of Sheffield, Sheffield, UK. Guest tutor. 13 Jul, 2015.
M. A. C. Summers, A. V. Beeston, and A. J. Stansbie, “A mixed approach to analysing works that use extensive improvisation,” in Keele Music Analysis Conference (KeeleMAC), Keele, UK. Oral presentation. 8-10 Jul, 2015.
R. Timmers and A. V. Beeston, “Music and science demo,” in Department of Music, University of Sheffield, Sheffield, UK. Software demonstration. 6 Jul, 2015.
A. V. Beeston, “Do we need robust audio interfacing based on psychoacoustic principles of hearing?,” in 2nd Royal Musical Association Music Philosophy Study Group Workshop, Sheffield, UK. Oral presentation. 27 May, 2015.
M. Nicolao, A. V. Beeston, and T. Hain, “Automatic assessment of English learner pronunciation using discriminative classifiers,” in 40th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Brisbane, Australia, 19-24 Apr, 2015, pp. 5351-5355.
B. Wells, G. J. Brown, H. Crook, E. Bradley, A. V. Beeston, and E. Kurtić, “Meeting the challenge of simultaneous talk for cochlear implant users,” in Human Communication Sciences Research Seminar, University of Sheffield, Sheffield, UK. Oral presentation. 16 Apr, 2015.
A. V. Beeston, “Compensation for reverberation using auditory models,” in Department of Medical Physics and Acoustics, Carl von Ossietzky Universität, Oldenburg, Germany. Invited talk. 27 Jan, 2015.
A. V. Beeston, “Perceptual compensation for reverberation in human listeners and machines,” PhD Thesis, University of Sheffield, Sheffield, UK, 2015.
M. A. C. Summers, A. V. Beeston, and A. J. Stansbie, “Audio comparison of repeat performances of an improvisational work of human+computer music,” in Digital Music Research Network One-day Workshop 2014 (DMRN+9), London, UK. Poster. 16 Dec, 2014.
A. V. Beeston, “Developing rehabilitative software: conversation training for cochlear implant users,” in Researchers’ Symposium 2014, Department of Computer Science, University of Sheffield, Sheffield, UK. Oral presentation. 26 Nov, 2014.
H. Crook, E. Bradley, B. Wells, G. J. Brown, A. V. Beeston, and E. Kurtić, “Rehabilitative software to improve participation in multi-speaker talk for cochlear implant users.,” in 11th Annual Conference of the British Academy of Audiology, Bournemouth, UK. Abstract. 20-21 Nov, 2014.
A. V. Beeston and G. J. Brown, “Consonant confusions provide further evidence that time-reversed rooms disturb compensation for reverberation,” in 7th Forum Acusticum, Krakow, Poland, 7-12 Sep, 2014, pp. 1-6.
R. Timmers and A. V. Beeston, “Tap with jazzy swing and romantic rubato: An interactive demonstration of expressive timing in music,” in Digital Humanities Congress, Sheffield, UK. Oral presentation. 4-6 Sep, 2014.
H. Crook, E. Bradley, G. J. Brown, B. Wells, A. V. Beeston, and E. Kurtić, “A framework for multidisciplinary project work with cochlear implant users: Involving CI users in developing rehabilitation tools to improve performance in multi-speaker conversation,” in 51st Inner Ear Biology Workshop (IEB 2014), Sheffield, UK. Poster. 31 Aug-2 Sep, 2014.
R. Timmers and A. V. Beeston, “Music and science taster session,” in Open day, Department of Music, University of Sheffield, Sheffield, UK. Software demonstration. 7 Jul, 2014.
Y. Arthurs and A. V. Beeston, “Comparing human and machine listening for consonance/dissonance rating of isolated chords,” in Royal Musical Association Music Philosophy Study Group Workshop, Sheffield, UK. Poster. 7 Jul, 2014.
A. V. Beeston, E. Kurtić, E. Bradley, H. Crook, G. J. Brown, and B. Wells, “A multi-modal training approach to improve cochlear implant users’ ability to handle simultaneous talk,” in Conference on Multimodality in language research, University of Leeds, Leeds, UK. Oral presentation. 26 Jun, 2014.
B. Wells, G. J. Brown, H. Crook, A. V. Beeston, E. Kurtić, and E. Bradley, “Meeting the challenge of simultaneous talk for cochlear implant users,” in 15th International Clinical Phonetics and Linguistics Association Conference (ICPLA), Stockholm, Sweden. Poster. 11-13 Jun, 2014.
A. V. Beeston, G. J. Brown, E. Kurtić, B. Wells, E. Bradley, and H. Crook, “Conversational skill development strategies for cochlear implant users,” in UK Speech Conference, Edinburgh, UK. Poster. 9-10 Jun, 2014.
H. Kallasjoki, J. F. Gemmeke, K. J. Palomäki, A. V. Beeston, and G. J. Brown, “Recognition of reverberant speech by missing data imputation and NMF feature enhancement,” in REVERB challenge workshop in conjunction with ICASSP 2014 and HSCMA 2014, Florence, Italy, 10 May, 2014, pp. 1-8.
A. V. Beeston and M. A. C. Summers, “Using machine listening to analyse timbre in performance,” in Music Mind Machine Research Centre ‘Open House’, Sheffield, UK. Demonstration. 26 Nov, 2013.
A. V. Beeston and M. A. C. Summers, “Groundwork for a resource in computational hearing for extended string techniques,” in 10th International Symposium on Computer Music Multidisciplinary Research (CMMR), Marseille, France, 2013, pp. 662-669.
R. K. Moore and A. V. Beeston, “MakeSpeech,” in Cutlers’ Ambassador Scheme, Department of Computer Science, University of Sheffield, Sheffield, UK. Guest tutor. 3 Oct, 2013.
A. V. Beeston and M. Nicolao, “Pronunciation errors by language learners,” in MINI workshop (Machine Intelligence for Natural Interfaces), University of Sheffield, Sheffield, UK. Oral presentation. 24 Sep, 2013.
A. V. Beeston, M. Nicolao, and T. Hain, “Pairwise audio comparison for visualisation of mispronunciation,” in UK Speech Conference, Cambridge, UK. Poster. 17-18 Sep, 2013.
A. V. Beeston and G. J. Brown, “Modelling reverberation compensation effects in time-forward and time-reversed rooms,” in UK Speech Conference, Cambridge, UK. Poster. 17-18 Sep, 2013.
G. J. Brown, A. V. Beeston, and K. J. Palomäki, “Perceptual compensation for the effects of reverberation on consonant identification: a comparison of human and machine performance,” in INTERSPEECH 2012, Portland, Oregon, USA, 9-13 Sep, 2012, pp. 1716-1719.
A. V. Beeston, “Perceptual compensation for reverberation by human and machine listeners with synthetic and naturalistic speech material,” in Department of Information and Computer Science, Aalto University, Espoo, Finland. Invited talk. 17 Apr, 2012.
G. J. Brown, K. J. Palomäki, and A. V. Beeston, “Compensation for the effects of reverberation on automatic speech recognition: a perceptually-inspired approach based on weighting of parallel acoustic models,” International Journal of Audiology, vol. 51, iss. 3, pp. 235-236, 2012.
A. V. Beeston, G. J. Brown, A. J. Watkins, and S. J. Makin, “Perceptual compensation for reverberation: human identification of stop consonants in reverberated speech contexts,” International Journal of Audiology, vol. 50, iss. 10, p. 771, 2011.
G. J. Brown and A. V. Beeston, “A computer model of perceptual compensation for reverberation: evaluation on a consonant identification task,” International Journal of Audiology, vol. 50, iss. 10, pp. 771-772, 2011.
A. V. Beeston and G. J. Brown, “Low-level and high-level models of perceptual compensation for reverberation,” in Workshop: Computational Audition, Delmenhorst, Germany. Poster. 24-26 Oct, 2011.
A. V. Beeston, G. J. Brown, and K. J. Palomäki, “Perceptual compensation for effects of reverberation in speech identification: a computer model based on auditory efferent processing,” in INTERSPEECH 2010, Makuhari, Chiba, Japan, 26-30 Sep, 2010, pp. 2462-2465.
A. V. Beeston and G. J. Brown, “A computer model of perceptual compensation for reverberation based on auditory efferent suppression,” International Journal of Audiology, vol. 49, iss. 9, p. 713, 2010.
A. V. Beeston, “Compensation for reverberation,” in Speech and Hearing Research Group, Department of Computer Science, University of Sheffield, Sheffield, UK. Research seminar. 16 Sep, 2010.
A. V. Beeston and G. J. Brown, “Perceptual compensation for adverse effects of room reverberation on speech recognition: a model based on auditory efferent processing.,” in Workshop: Psycholinguistic approaches to speech recognition in adverse conditions, Bristol, UK. Poster. 8-10 Mar, 2010.
R. K. Moore, G. Aimetti, and A. V. Beeston, “Computers that talk and listen,” in Open day, Department of Computer Science, University of Sheffield, Sheffield, UK. Oral presentation. 17 Feb, 2010.
R. K. Moore, T. Kempton, and A. V. Beeston, “Computers that talk and listen,” in Open day, Department of Computer Science, University of Sheffield, Sheffield, UK. Oral presentation. 3 Feb, 2010.
A. V. Beeston, “Perceptual compensation for reverberation: computer modelling,” in Reverberant Circle Meeting, School of Psychology and Clinical Language Sciences, University of Reading, Reading, UK. Invited talk. 16 Sep, 2009.
A. V. Beeston and G. J. Brown, “A computer model of perceptual compensation for reverberation,” in PhD workshop: Professional opportunities for hearing scientists, Nottingham, UK. Poster. 2-3 Apr, 2009.
A. V. Beeston, “Sonic control in interactive audio installations,” Master Thesis, Institute of Sonology, Royal Conservatoire, The Hague, NL, 2005.
A. Beeston, “hush hush,” in Koninklijk Conservatorium, Den Haag, The Netherlands. Audio-controlled interactive sound installation. 23 Sep, 2005.
A. Beeston and M. Wilkens, “so they say,” in Come To Ur Senses festival, Cremers Grand Cafe, Den Haag, The Netherlands. Audio-controlled interactive sound installation. 23 Sep, 2005.
M. I. Villasmil, I. Bol, and A. Beeston, “RECOG,” in STEIM Residency, Amersterdam, The Netherlands. Audio control for interactive dance performance. 19-24 Jul, 2005.
C. Kapp, A. Beeston, B. Colic, A. Jant, and K. Grummich, “Triggering Daily,” in Thealit Frauen.Kultur.Labor (Kooky: spin doctoring, politics, media), Bremen, Germany. Performance project. 29 Apr, 2005.
SONO Ensemble, “Sine Nomine,” in Korzo Theatre, Den Haag, The Netherlands. Performance (laptop). 7 Apr, 2005.
M. Ostrovski, A. Welmer, I. Goldsneiden, A. Harvey, and A. Beeston, “Kraakgeluiden,” in Overtoom, Amsterdam, The Netherlands. Improvisation (laptop). 7 Mar, 2005.
G. Bachtsevanidis and A. Beeston, “64s,” in Willem de Kooning Academie, Rotterdam, The Netherlands. Audio-visual installation. 24-26 Jan and 11-14 Apr, 2005.
M. I. Villasmil, K. Marac, I. Bol, I. Micek, R. Dias, A. Beeston, K. Woolford, S. Doruff, and A. Shaub, “Ecce Space,” in Amsterdamse Hogeschool voor de Kunsten, Amsterdam, The Netherlands. Voice analysis for interactive dance space. 13-14 May, 2004.
A. Power and A. Beeston, “Interruption,” in Andriessen’s Sweet for recorder, Amsterdam (lunchtime) and Den Haag (evening), The Netherlands. Fixed-media. 8 Apr, 2004.
Ensemble Klang, “Workers Union (Andriessen),” in Haagse Cultuurnacht, Het Paard van Troje, Den Haag, The Netherlands. Digital interface and plucked string algorithm. 20 Sep, 2003.
F. Sims and A. Beeston, “From Dark to Light,” in Edinburgh College of Art, Edinburgh, UK. Composition and sound design for audio-visual installation. 14-18 Jun, 2002.
“Cybersonica: International Festival of Music and Sound,” in The Institute of Contemporary Arts (ICA), London, UK. Festival assistant. Supervising installation and daily running of sound art exhibition. 5-7 Jun, 2002.
A. Beeston, “(im)mediate landscape,” in Dialogues III, Matthew Gallery, Edinburgh, UK. Video-controlled sound installation. 28 May, 2001.

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