Source: https://www.leonardo.info/isast/leobib275.html
Timestamp: 2019-04-26 04:38:49+00:00

Document:
Bowlt, John E., Report on Two Constructivism Exhibitions and Two Symposia on Constructivist Art and Design, Dallas, Texas, U.S.A., 13, No. 4, 303--306 (1980).
---Report on the Exhibition and Symposium on Ilya Chasnik and the Soviet Geometric Tradition 1920--1930 at Austin, Texas, U.S.A., 16, No. 1, 31--33 (1983).
Carleton, David L., A Comparison of the Aesthetic Theories of Leonardo da Vinci and of Wassily Kandinsky, 7, No. 1, 33--35 (1974).
Corrada, Manuel, On Some Vistas Disclosed by Mathematics to the Russian Avant-Garde: Geometry, El Lissitzky and Gabo, 25, No. 3/4, 377--384 (1992).
Denisyuk, Yu. N., My Way in Holography, 25, No. 5, 425--430 (1992).
Drobyshev, Mikhail, Sociology of the Tension between Culture and Science, 6, No. 3, 247--255 (1973).
Galeyev, Bulat, The All-Union School Festival: "Light and Music" (Kazan, 20--30 September 1987), 23, No. 1, 134--136 (1990).
---Ars Electronica in the International and Soviet Versions, 24, No. 4, 475--482 (1991).
---Computer Animation: Problems and Perspectives, Moscow, 22--23 February 1992, 26, No. 1, 6--8 (1993).
---Conference on Scriabin, Moscow, 6--7 January 1992, 26, No. 1, 5--6 (1993).
---The Fire of Prometheus : Music-Kinetic Art Experiments in the USSR, 21, No. 4, 383--396 (1988).
---In Memoriam: Leon Sergeyevich Theremin (1896--1993), 27, No. 2, 91--93 (1994).
---Modern Laokoön: Esthetic Problems of Synesthesia Conference, Moscow, USSR, 21--22 January 1991, 24, No. 5, 505--507 (1991).
---Music-Kinetic Art Medium: On the Work of the Group "Prometei" (SKB), Kazan, USSR, 9, No. 3, 177--182 (1976).
---Musical-Kinetic Art in the USSR, 24, No. 1, 41--47 (1991).
---The New Laokoön: A Periodic System of the Arts, 24, No. 4, 453--456 (1991).
---Schoenberg/Kandinsky Symposium and the Academy of Light, 27, No. 1, 3--5 (1994).
---Synesthesia and Musical Space: On Yavorsky's Forgotten Hypothesis and a Proposal for an Experiment in Zero Gravity, 26, No. 1, 76--78 (1993).
---L. S. Termen: Faustus of the Twentieth Century, 24, No. 5, 573--579 (1991).
Goncharenko, N., Notes on Soviet Aesthetics, 6, No. 3, 257--260 (1973).
Infante, Francisco, Projects for the Reconstruction of the Firmament, 25>, No. 1 (1992) p. 11.
Kauffman, George B., and Bumpass, Kathryn, An Apparent Conflict between Art and Science: The Case of Aleksandr Porfir'evich Borodin (1833--1887), 21, No. 4, 429--436 (1988).
Lazarev, M., The Organization of Artists' Work in the USSR, 12, No. 2, 107--109 (1979).
Levinger, Esther, Art and Mathematics in the Thought of El Lissitzky: His Relationship to Suprematism and Constructivism, 22, No. 2, 227--236 (1989).
Milner, John, and Sokolov, Kirill, Constructivist Graphic Design in the USSR between 1917 and the Present, 12, No. 4, 275--282 (1979).
Milner-Gulland, Robin, "Masters of Analytic Art": Filonov, His School and the Kalevala, 16, No. 1, 21--27 (1983).
Norden, Martin F., "The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism and Suprematism," 17, 108 (1984).
Nusberg, Lev, Cybertheater, 2, No. 1, 61--62 (1969).
Parton, Anthony, Russian "Rayism," the Work and Theory of Mikhail Larionov and Natalya Goncharova 1912--1914: Ouspensky's Four-Dimensional Super Race?, 16, No. 4, 298--305 (1983).
Petrov, Vladimir, and Dorfman, Leonid, Art and Emotions: International Symposium, Perm, Russia, 17--21 September 1991, 26, No. 3 (1993) p. 249.
Rais, Mark, Computer Music Association of the USSR, 24, No. 4, 379--380 (1991).
---Jaan Soonvald and His Musical System, Leonardo Music Journal 2, No. 1, 45--47 (1992).
---Some Notes about Soviet Computer Music, 24, No. 5, 535--539 (1991).
Rankin, Elizabeth, A Betrayal of Material: Problems of Conservation in the Constructivist Sculpture of Naum Gabo and Antoine Pevsner, 21, No. 3, 285--290 (1988).
Rauschenbach, Boris V., On My Concept of Perceptual Perspective That Accounts for Parallel and Inverted Perspective in Pictorial Art, 16, No. 1, 28--30 (1983).
---Perceptual Perspective and Cézanne's Landscapes, 15, No. 1, 28--33 (1982).
---Perspective Pictures and Visual Perception, 18, No. 1, 45--49 (1985).
Salakhov, Takhir T., with Osmolovsky, Yu., On My Work as a Painter: A Memoir, 14, No. 1, 13--16 (1981).
Shibanov, Yuri, The Universe in a Drop: My Graphics, 22, No. 1, 49--54 (1989).
Sokolov, Kirill, An Analysis of My Work as a Painter of Pictures: Thoughts on Artistic Interpretations of What Is Perceived, 9, No. 1, 11--17 (1976).
---P. P. Konchalovsky (1876--1956) (On His Methods as a Painter of Pictures), 11, 321 (1978).
Sokolov, Kirill, and Pyman, Avril, Father Pavel Florensky and Vladimir Favorsky: Mutual Insights into the Perception of Space, 22, No. 2, 237--244 (1989).
Favorsky, Vladimir, On Artistic Integrity, 9, No. 2 (1976) p. 142.
Filonov, Pavel, The Ideology of Analytic Art and the Principle of Craftedness, 10, No. 3, 227--232 (1977).
Golitsyn, Illarion, and Sokolov, Kirill, Discussion by Two Artists of the Background to Their Drawings, 14, No. 3, 224--229 (1981).
Goncharova, Natalia, The Metamorphoses of the Ballet "Les Noces," 12, No. 2, 137--143 (1979).
Henderson, Linda Dalrymple, The Fourth Dimension and Non-Euclidean Geometry in Modern Art: Conclusion, 17, No. 3, 205--210 (1984).
Kinetic Art: Third Conference on "Light and Music," Kazan, USSR, 27 June-4 July 1975, 8, No. 3, 238--267 (1976).
Nekrasova, E. A., Extracts from the Published Views of the Painter Pavel Kuznetsov, 14, No. 2, 140--143 (1981).
---The Life, Writings and Art of Vasiliy Chekrygin, 17, No. 2, 119--123 (1984).
Pevsner, Antoine, Science Foils Poetry, 10, No. 10, 324--325 (1977).
Prokofiev, Oleg, Robert Falk (1886--1958) as a Teacher of Painting, 9, No. 4, 320--324 (1976).
Pyman, Avril, Aleksey Remizov on Drawings by Writers, with Particular Reference to the Interrelationship between Drawings and Calligraphy in His Own Work, 13, No. 3, 234--240 (1980).
Russian "Movement" Group, 1, No. 3 (1968) p. 319. Sokolov, Kirill, Discussions by Four Soviet Monumentalists of Their Mosaics, Wall-Paintings and Bas-Reliefs, 15, No. 1, 59--64 (1982).
---Extracts from Euclidean Space, the Book by K. S. Petrov-Vodkin (1878--1939), 11, No. 2, 140--144 (1978).
---P. P. Konchalovsky (1876--1956) (On His Methods as a Painter of Pictures), 11, No. 4, 321--325 (1978).
The full texts of the special issue Prometheus: Art, Science and Technology in the Former Soviet Union can be found in Leonardo 27, No. 5 (1994), which is available through the MIT Press.
New articles and reviews (by Russian authors), published post-1994 in Leonardo, LMJ, LEA, and LDR.
Compiled by Galeyev B. M., September 2003.
Abramyan A. A. "Color-Music Fountains and Installations of the Erebuni Group". Leonardo 28, No. 4, 281-284 (1995).
Baskakova M. "What is CREATE?". Leonardo 27, No. 5, 371-372 (1994).
Bazov V. V. Review: "Prometheus-2000: International Conference on the Destiny of Light-Music at the Border of the New Century" (held by Institute 'Prometheus', Kazan, Russia, 2-6 October 2000). Leonardo 35, No. 2, 221 (2002).
Bazov V. V. Review: "The Birth of Artistic Integrity: The Artist's Self-Analysis of Dynamic Thought Potential" (by Sintzov Ye. V. -- 'FAN' Publ., Kazan, 1995, 228 pp.). Leonardo 29, No. 2, 162 (1996).
Bazov V. V. Review: "The Book of Surprises, or Natural Science from the Humanitarian Point of View, or Images of Science" (by Gatchev G. D. -- Pedagogika Publ., Moscow, 1991, 272 pp.). Leonardo 27 No. 5, 451-452 (1994).
Belodubrovsky M. E. "The Annual Bryansk Nicolai Roslavets and Naum Gabo Festival". Leonardo 29, No. 4, 326-327 (1996).
Belonenko A. S. "The Electronic Music School Studio at the Rimsky-Korsakov State Conservatory of St. Petersburg". LMJ 6, p.61 (1996).
Belonenko A. S., Zalivadny M. S. "St.Petersburg: Theremin Days Art Festival". Leonardo 31, No. 4, 323 (1998).
Berzina D. "Daina". Leonardo 27, No. 5, 443-444 (1994).
Celms V. "The Dialectic of Motion and Stasis in Kinetic Art". Leonardo 27, No. 5, 387-390 (1994).
Chudnovsky V. Review: "The Architecture of Weightlessness: An Invitation to Reflect" (by Golovanov Ya. -- Mashinostroyeniye Publ., Moscow, 1985, 143 pp.). Leonardo 27, No. 5, 446 (1994).
Fedotov V. M. "Polyphony in the Paintings of M.K. Tchiurlionis". LMJ 28, No. 1, 53-56 (1995).
Galeyev B. M. "'Prometei' in the Stalin Catacombs...". Leonardo 27, No. 5, 440-441 (1994).
Galeyev B. M. "'Prometheus': Art, Science and Technology in the Former Soviet Union". Leonardo 27, No. 5, 367-370 (1994).
Galeyev B. M. "Bright Heads of Bright People". Leonardo 27, No. 1, 78-79 (1994).
Galeyev B. M. "Computers and Art -- Myths and Reality". LEA 9, No. 7-8 (2000).
Galeyev B. M. "Evolution of Gravitational Synaesthesia in Music: To Color and Light!". Leonardo 36, No. 2, 129-134 (2003).
Galeyev B. M. "Farewell Prometheus Readings: Light-Music in the Former Soviet Union". Leonardo 27, No. 4, 351-352 (1994).
Galeyev B. M. "Grigory Gidoni: Another Renascent Name". Leonardo 33, No. 3, 207-213 (2000).
Galeyev B. M. "Laser Experiments of SKB 'Prometei'". Leonardo 27, No. 5, 405-408 (1994).
Galeyev B. M. "Light and Shadows of a Great Life: In Commemoration of the One-Hundredth Anniversary of the Birth of Leon Theremin, Pioneer of Electronic Art". LMJ 6, pp.45-48 (1996).
Galeyev B. M. "Light from Extinct Star: Music and Technology in the Former Soviet Union". Leonardo 28, No. 1, 51-52 (1995).
Galeyev B. M. "Melody-Drawing Transformation". LMJ 6, 61-62 (1996).
Galeyev B. M. "Open Letter on Synesthesia". Leonardo 34, No. 4, 362-363 (2001).
Galeyev B. M. "Open Letter to Ray Bradbury". Leonardo 34, No. 1, 25-26 (2001).
Galeyev B. M. "Russian Bibliography". LMJ 28, No. 1, 67 (1995).
Galeyev B. M. "Russian Conference on Computer Art". Leonardo 27, No. 1, 74 (1994).
Galeyev B. M. "Russians Leave Europe". Leonardo 31, No. 2, 142-143 (1998).
Galeyev B. M. "Soviet Bibliography: books on the theme: 'Art, Science and Technology' ( 1917-1991)". Leonardo 27, No. 5, 453-460 (1994).
Galeyev B. M. "The First Experiments of SKB 'Prometei' in Videoart". Leonardo 27, No. 5, 399-402 (1994).
Galeyev B. M. "The International 'Ost-Ranenie' Festival". LEA 2, No. 7b (1994).
Galeyev B. M. "The International 'Ost-ranenie' Festival". Leonardo 28, No. 1, 78-79 (1995).
Galeyev B. M. "The Modern Technology of Communication (The Humanitarian Aspects of Telecommunication)". Leonardo 28, No. 1, 79 (1995).
Galeyev B. M. "What Is Synesthesia: Myths and Reality". Leonardo 33, No. 1, 63 (2000).
Galeyev B. M. Review: "Children Draw Music" (by Vanechkina I., Trofimova I. -- FAN Publ., Kazan, Russia, 2000, 87 pp.). LDR August (2000).
Galeyev B. M. Review: "Creative Interpretation of the Cosmos" (by Magnitskaya. -- Moscow, 1996). Leonardo 33, No. 4, 331-332 (2000).
Galeyev B. M. Review: "Kineticism" (by Koleychuk V. F. -- Galart Publ., Moscow, Russia, 1994, 160 pp.). Leonardo 29, No. 2, 163 (1996).
Galeyev B. M. Review: "Light-Music in Theatre and Variety" (conference book). LMJ 2, No. 1, 119-120, (1992).
Galeyev B. M. Review: "Mathematics and Art" (by Voloshinov A. -- Prosveshenie Publ., Moscow, 1992, 336 pp.). Leonardo 27, No. 5, 448-449 (1994).
Galeyev B. M. Review: "Psychology of Color" (Collection of papers. -Refl-book Publ., Moscow, 1996). Leonardo 33, No. 4, 334-335 (2000).
Galeyev B. M. Review: "Road to Pleiades: Russian Artists-Cosmists" (by Linnik Yu. -- Svyatoi Ostrov Publ., Petrozavodsk, Russia, 1995, 286 pp.); "Crystal of Aquarius: Book about the Artist B.A.Smirnov-Rusetsky" (by Linnik Yu. -- Petrozavodsk, Russia, 1995, 231 pp.). Leonardo 31, No. 4, 329 (1998); LDR 6, No. 3, (1998).
Galeyev B. M. Review: "Russian Artists in Exile. Reference book (1917-1939)" (by Leikind O. L., Makhrov K. W., Severjukhin D. Y. -- Nota Bene Publ., St.Petersburg, 1999). LDR February (2001).
Galeyev B. M. Review: "Russian Cosmism and the Russian Avant-Garde" (by Yu. Linnik. -- Petrozavodsk, 1995). Leonardo 34, No. 1, 80-81 (2001).
Galeyev B. M. Review: "The Blue Rider" (Editors: Kandinsky W. and Mark F. -- Izobrazitelnoe Iskusstvo Publ., Moscow, 1996). LDR 5, No. 9 (1997).
Galeyev B. M. Review: "The Modern Technology of Communication (The Humanitarian Aspects of Telecommunication)". LEA 2, No. 7b (1994).
Galeyev B. M., Chudnovsky V. G. "Recent Russia Books on Art, Science and Technology ( 1994-1996)". Leonardo 31, No. 2, 156-157 (1998).
Galeyev B. M., Vanechkina I. L. "Was Scriabin a Synesthete?". Leonardo 34, No. 4, 357-361 (2001).
Gymazutdinov K., Saifullin R. "Magical Kaleidophony". Leonardo 27, No. 5, 443 (1994).
Ilinski R., Iskander M. "Interactive Graphics: The Quazi-Infernal Aspect of Creation and Perception". Leonardo 27, No. 5, 403-404 (1994).
Infante F. "An Artifact for the Rhein-Main-Dounan Canal". Leonardo 27, No. 5, 442-443 (1994).
Ivanov P. B. "A Hierarchical Theory of Aesthetic Perception: Musical Scales". Leonardo 27, No. 5, 417-421 (1994).
Ivanov P. B. "A Hierarchical Theory of Aesthetic Perception: Scales in the Visual Arts". LMJ 5, pp. 49-55 (1995).
Kagan M. "Art, Science and Technology in the Past, Present and Future". Leonardo 27, No. 5, 409-411 (1994).
Kalinin G. A. "Virtual Lyrics". Leonardo 32, No. 1, 60-62 (1999).
Kavina L. "My Experience with the Theremin". LMJ 6, pp. 51-55 (1996).
Kavina L. "Theremin Days Conference". Leonardo 31, No. 4, 322-323 (1998).
Kavina L., Naumov N. "The Graphovox System of Musical Transformation". LMJ 6, 64-65 (1996).
Khakimov E. Review: "Divine Section: Three Views on the Nature of Harmony" (by Shevelev I. Sh., Marutayev M. A., Shmelev P. I. -- Strojizdat Publ., Moscow, 1990, 343 pp.). Leonardo 27, No. 5, 450-451 (1994).
Kisselev A. "The Association for Electroacoustic Music". Leonardo 27, No. 5, 376-377 (1994).
Kluchevskaya E. Review: "International Conference: 'Russian Avangard' (Ufa, 1992)". LEA 2, No. 7b (1994).
Koleychuk V. "The 'Dvizheniye' Group: Toward a Synthetic Kinetic Art". Leonardo 27, No. 5, 433-436 (1994).
Koleychuk V., Polyakoff V. "The Evolution of My Kinetic Work". Leonardo 27, No. 5, 395-398 (1994).
Komarova T. "The Electroacoustic Music Studio of Yekaterinburg". LMJ 6, 64 (1996).
Kreichi S. "The ANS Synthesizer: Composing on Photoelectronic Instrument". LMJ 28, No. 1, 59-62 (1995).
Kurlenya K. Review: "Music, Electronics, Intonation" (by Mentyukov A. P., Ustinov A. A., Cheldiyev S. A. -- Novosibirsk State Conservatory Publ., Novosibirsk, 1993, 314 pp.). LMJ 6, 70 (1996).
Lavrentiev A. "Inventions from Photography: Light, Shadow and Optical Transformations". Leonardo 27, No. 5, 383-386 (1994).
Lavrentiev A. "Recent Events". Leonardo 27, No. 5, 377-378 (1994).
Lavrentieva E. Review: "Constructivism Laboratory" (by Lavrentiev A. -- GRANT Publ., Moscow, Russia, 2000, 256 pp.). LDR September (2001).
Lazarev Ye. N. "The Art of Metadesign". Leonardo 27, No. 5, 423-425 (1994).
Linnik Yu. V. "Rerikh Space Art Museum". Leonardo 27, No. 5, 377-378 (1994).
Linnik Yu. V. Review: "Soviet Faust: Lev Termen, Pioneer of Electronic Art" (by Galeyev B. M. -- Supplement to 'Kazan' magazine,, Kazan, 1995, 96 pp.). LMJ 6, 70-71 (1996).
Mentyukov A. Review: "Aesthetics from Below and Aesthetics from Above -Quantitative Way of Reapproachment" (by Rags Yu. N. -- The Scientific World Publ., Moscow, Russia, 1999). LDR August (2000).
Mikheyev V. Review: "Drawing, Drafting, Painting with Computer" (by Alexandrov V. V., Shneyderov V. S. -- Mashinostroyeniye Publ., Leningrad, 1988, 128 pp.); "How the Machine Draws" (by Kotov Yu. V. -Nauka Publ., Moscow, 1988, 224 pp.). Leonardo 27, No. 5, 447-448 (1994).
Nazarov Yu. Review: "Can Man Live without Wonder" (by Stepanova V. -- 'Sphera' Publ. House of the Russian Theosophical Society, Moscow, 1994, 304 pp.). Leonardo 29, No. 1, 79 (1996).
Nazarov Yu. Review: "Experiments for the Future" (by Rodchenko A. -- Grant Publ., Moscow, Russia, 1996, 415 pp.). Leonardo 31, No. 2, 154-155 (1998).
Nesturkh N. "The Theremin and Its Inventor in Twentieth-Century Russia". LMJ 6, 57-60 (1996).
Nesturkh N., Galeyev B., Zorin S., Vanechkina I., Sintzova S. "Theremin Studies: Russian Bibliography". LMJ 6, 76-77 (1996).
Pertseva T. "Conference on A. G. Gabritchevsky's Work at the State Academy of Artistic Sciences, 1921-1929". Leonardo 27, No. 5, 372-373 (1994).
Petrov V. M. "Art and Science Serve Each Other: The Russian Branch of the International Association of Empirical Aesthetics". Leonardo 29, No. 4, 329-331 (1996).
Petrov V. M. "Entropy and Stability in Painting: An Information Approach to the Mechanisms of Artistic Creativity". Leonardo 35, No. 2, 197-202 (2002).
Petrov V. M. "Quantitative Estimates of Left- and Right-Hemispherical Dominance in Art". Leonardo 29, No. 3, 201-205 (1996).
Petrov V. M. "The Evolution of Art: An Investigation of Cycles of Leftand Right-Hemispherical Creativity in Art". Leonardo 31, No. 3, 219-224 (1998).
Pravdyuk Yu. A. "Musical Light-Painting and the Phenomenon of Form-Movement". Leonardo 27, No. 5, 379-381 (1994).
Presnetsova I. "Light Performance (Moscow, January 1997)". Leonardo 31, No. 2, 156 (1998).
Presnetsova I. "Whirling and Twirling: A Moscow Exhibition of Kinetic Art (Moscow Cinema Center, 28 December 1994 - 15 January 1995)". Leonardo 29, No. 2, 163-165 (1996).
Rais M. "Music in Estonian Life: 1991-1992". Leonardo 27, No. 5, 372-373 (1994).
Rais M. "The Estonian Music Council". Leonardo 27, No. 5, 371-372 (1994).
Rais M. "The NYYD'92 International Festival of New Music". Leonardo 27, No. 5, 375-377 (1994).
Rais M. "The Third Congress of the CMMJA". Leonardo 27, No. 5, 374-375 (1994).
Rinkis A. "Kinetic Experiments". Leonardo 27, No. 5, 391-393 (1994).
Shelestova E. "Linking Image and Idea: The Artwork of Oleg Sokolov". Leonardo 27, No. 5, 427-432 (1994).
Shulga T. Review: "The Spirit of Computer Animation: The World of Electronic Images and Levels of Consciousness" (by Orlov A. M. -- Mint Publ., Moscow, 1993, 105 pp.). Leonardo 29, No. 3, 236 (1996).
Shumilov A. E. "Artificial Audiovisual Enviroment for Developing Creative Abilities of Children". Leonardo 30, No. 2, 154-155 (1997).
Sintzov Ye. V. Review: "Mirror Symmetry in Music" (by Goncharenko S. -Novosibirsk, 1993); "Order and Symmetry in Musical Art: Logical and Historical Aspects" (by Goncharenko S). LMJ 8, 78-79 (1998); LDR 5, No. 9 (1997).
Sintzov Ye. V. Review: "Morphes by Vyacheslav Koleychuk" (by Linnik Yu. -Petrozavodsk, Russia, 1998). LDR May (2001).
Sintzov Ye. V. Review: "Music in Unsounding Realms" (Conference book, Nauka Publ., Moscow, 2000). LDR March (2001).
Sintzov Ye. V. Review: "The Mystery of Theatre Space. Lectures on Scenography" (by Svoboda J. -- GITIS Publ., Moscow, Russia, 1999, 152 pp.). LDR May (2001).
Sintzov Ye. V. Review: "The Russian Avant-Garde in the Bryansk Region (by Belodubrovsky M. -- Bryansk, 1998). Leonardo 34, No. 1, 76-77 (2001).
Sintzov Ye. V. Review: "The Versatile World of Kandinsky" (Collection of papers. -- Moscow, 1998). Leonardo 33, No. 3, 231-232 (2000).
Sintzova S. V. Review: "Methods of Predicting the Development of Art Perspectives" (by Petrov V. and Boyagyeva L. -- Russky Mir Publ., Moscow, 1996). LDR 5, No. 9 (1997).
Sintzova S. V. Review: "Semiotics of Culture and Art. A Trial of Encyclopaedia. Parts 1, 2" (by Machlina S. T. -- University of Culture Publ., St.Petersburg, Russia, 2000, 552 pp.). LDR May (2001).
Sintzova S. V., Saifullin R. F. Review: "Is C Actually Red?" (by J.Jewansky. -- Berliner musik studien, Bd.17, 1999). Leonardo 33, No. 3, 233-234 (2000).
Smirnov A. "The Theremin Center for Electroacoustic Music". LMJ 6, 65-66 (1996).
Stuchebrjukov B. "Razor Fabric: The Concept of a Flexible Razor-Blade Sculpture". Leonardo 27, No. 5, 444-445 (1994).
Theremin L. S. "The Design of a Musical Instrument, Based on Cathode Relays". LMJ 6, 49-50 (1996).
Tukhvatullin R. G., Hadi Taktash. "The Laser Beam as an Artist's Tool" Leonardo 32, No. 2, 88-89 (1999).
Tzvetkov M. "Light-Musical ALLILUJA" Leonardo 34, No. 4, 353-354 (2001).
Ulianich V. "Project FORMUS: Sonoric Space-Time and the Artistic Synthesis of Sound". LMJ 28, No. 1, 63-66 (1995).
Vanechkina I. L. Review: "Ether Music and the Man Who Lived 20th Century Russia" (by Masami Takeuchi -- Gakeyosha Publ., Tokyo, 2000, 183 pp.); "Theremin: Ether Music and Espionage" (by Glinsky A. -- Umiversity of Illinois Press: Urbana and Chicago, 2000, 403 pp.). LDR March (2001).
Vanechkina I. L. "'Musical Graphics' as an Instrument for Musicologists and Educators". Leonardo 27, No. 5, 437-439 (1994).
Vanechkina I. L. "Applications of New Technologies in Culture and Art". Leonardo 29, No. 2, 159 (1996).
Vanechkina I. L. "Computer and Videoart Seminar". Leonardo 28, No. 2, 82-83 (1995).
Vanechkina I. L. "In Commemoration of R. Zaripov". Leonardo 30, No. 3, 237-238 (1997).
Vanechkina I. L. "Kazan: 'Electronics, Music, Light' Conference". Leonardo 31, No. 4, 323-324 (1998).
Vanechkina I. L. "On K.Saragev's 'Color Hearing'". Leonardo 34, No. 4, 355-356 (2001).
Vanechkina I. L. "Scriabin Celebrations in Moscow". LMJ 8, 76 (1998).
Vanechkina I. L. "The SKB 'Prometheus' Joins the Academy of Science". Leonardo 27, No. 4, 264-265 (1994).
Vanechkina I. L. Review: "Music in the Family of the Muses" (by Tarasov L. -- Detskaya Literatura Publ., Leningrad, 1985, 159 pp.); "Golden Strings" (by Vladimirov A. -- In: Detskaya Literatura Publ., Moscow, 1991, 191 pp.); "Entertaining Music Theory" (by Vinogradov G., Krasovskaya E. -- In: Detskaya Literatura Publ., Moscow, 1991, 191 pp.). Leonardo 27, No. 5, 446-447 (1994).
Vanechkina I. L. Review: "Music in the World of the Arts" (by Kagan M. -Press House 'Ut', St.Petersburg, 1996, 232 pp.). LMJ 8, 76-77 (1998); LDR 6, No. 2 (1998).
Vanechkina I. L., Galeyev B. M. Review: "Reminescences on Scriabin" (by Sabaneyev L. L. -- Klassika-XXI Publ., Moscow, 2000, 400 pp.). LDR March (2001).
Vanechkina I. L., Galeyev B. M. "'Prometheus': Scriabin + Kandinsky". Leonardo 31, No. 3, 183-185 (1998).
Voloshinov A. V. "Symmetry as a Superprinciple of Science and Art". Leonardo 29, No. 2, 109-113 (1996).
Voloshinov A. V. "The Old Testament Trinity of Andrey Rublyov: Geometry and Philosophy". Leonardo 32, No. 2, 103-112 (1999).
Voloshinov A. V. Review: "The Gem of Copernicus: The World of Science in painting" (by Glazichev V. -- Sovetsky Khudozhnik Publ., Moscow, 1989, 416 pp.). Leonardo 27, No. 5, 449 (1994).
Voronin S. Review: "Man-Art-Technology: The Problem of Synesthesia in Art" (by Galeyev B. M. -- Kazan University Press, Kazan, Russia, 1991, 264 pp.); "Light-Music in the System of the Arts" (by Galeyev B. M. -- Kazan Conservatory, Kazan, Russia, 1991, 88 pp.). Leonardo 27, No. 5, 449-450 (1994).
Yevin I. "The Synergetic Approach to Art Theory: Recent Investigations". Leonardo 27, No. 5, 413-415 (1994).
Zalivadny M. Review: "2-nd Biannual Festival of Experimental Arts". LDR 7, No. 4 (1999).
Zalivadny M. Review: "Artist and Philosopher of Color" (Conference book). LDR 6, No. 1 (1998).
Zalivadny M. S. "Art, Science, Technology: A New Step in St. Petersburg". Leonardo 35, No. 4, 454-455 (2002).
Zalivadny M. S. "In Memoriam: Rudolf Zaripov". Leonardo 27, No. 5, 373-375 (1994).
Zorin S. M. "Optical Theater". LMJ 6, 66-67 (1996).
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