Source: https://www.lbi.org/collections/george-salter-1897-1967-library-book-designs/
Timestamp: 2019-04-20 16:41:52+00:00

Document:
Alfred Döblin, Berlin Alexanderplatz : Die Geschichte vom Franz Biberkopf / Einband und Schutzumschlag nach Entwürfen von Georg Salter, Berlin : S. Fischer Verlag, 1930. LBI Library, r 901 Salter v. 42 copy 2.
Thomas Mann, Death in Venice, typography, decorations, and binding design by George Salter, New York : Knopf, 1965, translation of Der Tod in Venedig , first published in 1912. LBI Library, st 4610 Salter v. 121.
Ayn Rand, Atlas Shrugged , jacket design by George Salter, New York : Random House, 1957. LBI Library, st 4610 Salter v. 172.
Alfred Bertram Guthrie, The Big Sky , cover design by George Salter, Alexandria, VA : Time-Life Books, 1980. LBI Library, st 4610 Salter v. 73.
Thomas Mann Confessions of Felix Krull, Confidence Man , translated by Denver Lindley ; jacket design by George Salter, New York : Knopf, 1955. Knopf, 1955. LBI Library, st 4610 Salter v. 124.
Oswald Spengler, The Decline of the West, typography, binding, and jacket design by George Salter, New York : Knopf, 1962, Translation of Der Untergang des Abendlandes. first published in 1918. LBI Library, st 4610 Salter v. 198.
Forrest Rosaire, East of Midnight, jacket design by George Salter, New York : Knopf, 1946. LBI Library, st 4610 Salter v. 183.
Ilya Ehrenburg, The Fall of Paris, jacket design by George Salter, New York : Knopf, 1943. LBI Library, st 4610 Salter v. 49.
Julio Cortázar, Hopscotch, jacket design by George Salter, New York : Pantheon Books, 1966. LBI Library, st 4610 Salter v. 3.
Julio Cortázar, Hopscotch, cover design by George Salter, New York : Pantheon Books, 1966. LBI Library, st 4610 Salter v. 31.
Lion Feuchtwanger, Die Hässliche Herzogin Margarete Maultasch, Berlin: Kiepenheuer, 1930. LBI Library, st 4610 Salter v. 50a.
Robert Nathan, Journey of Tapiola, cover design by George Salter, New York : Knopf, 1946. LBI Library, st 4610 Salter v. 152.
Book Cover: Robert Nathan, Journey of Tapiola, cover design by George Salter, New York : Knopf, 1946. LBI Library, st 4610 Salter v. 152.
William Golding, Lord of the Flies, cover design by George Salter, New York : Coward-McCann, 1962. LBI Library, st 4610 Salter v.64.
Spine of: William Golding, Lord of the Flies, design by George Salter, New York : Coward-McCann, 1962. LBI Library, st 4610 Salter v.64.
John Dos Passos, Manhattan Transfer, cover design by George Salter, Boston : Houghton Mifflin Co, [1953?]. LBI Library, st 4610 Salter v.278.
Mildred Jordan , Miracle in Brittany, jacket design by George Salter, New York: Knopf, 1950. LBI Library, st 4610 Salter v. 94.
Mildred Jordan , Miracle in Brittany, design by George Salter, New York: Knopf, 1950. LBI Library, st 4610 Salter v. 94.
Erich Maria Remarque, The Night in Lisbon, jacket design by George Salter, New York: Harcourt, Brace, and World, 1964. LBI Library, st 4610 Salter v. 178.
Edwin Silberstang, Nightmare of the Dark, jacket design by George Salter, New York: Knopf, 1967. LBI Library, st 4610 Salter v. 275.
Evelyn Waugh, The Ordeal of Gilbert Pinfold, jacket design by George Salter, Boston: Little, Brown, 1957. LBI Library, st 4610 Salter v. 226A.
Jan Valtin, Out of the Night, jacket design by George Salter, New York Alliance Book Corp, 1941. LBI Library, st 4610 Salter v. 218.
Jan Valtin, Out of the Night, design by George Salter, New York Alliance Book Corp, 1941. LBI Library, st 4610 Salter v. 218.
Harry Brown, A Quiet Place to Work, jacket design by George Salte, New York : Knopf, 1968. LBI Library, st 4610 Salter v. 22.
Robert Bloch, The Scarf, cover design by George Salter, New York : The Dial Press, 1947. LBI Library, st 4610 Salter v. 14.
Egon Erwin Kisch, Schreib das auf, Kisch! Das Kriegstagebuch , Berlin : Reiss, 1930. LBI Library, st 4610 Salter v. 277.
This collection of almost books, book covers, and individual graphic designs shows the scope and development of the eclectic design talent of George Salter. George Salter is recognized as one of the most creative forces in modern book design. His innovative work, done for publishers during the Weimar Republic, produced signature pieces for some of the important literary works of the 20th century. So great was Salter’s international reputation that when he immigrated to New York in 1934, he was immediately able to begin work for American publishers and change the face of American book design.

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