Source: http://www.hawaii.edu/korea/biblio/art_general.html
Timestamp: 2019-04-21 10:27:24+00:00

Document:
Adams, Edward B. Palaces of Seoul: Yi Dynasty Palaces in Korea's Capital City. Seoul: Taewon Publishing Company, 1972.
Adams, Edward B. "Silla Buddhist Reliefs of a Mirok Grotto." Korea Journal 15:7 (July 1975): 59-64.
Ahn, Hwi-Joon. "The Arts under King Sejong." In King Sejong the Great: The Light of 15th Century Korea, ed. Young-key Kim-Renaud. Washington, D.C.: International Circle of Korean Linguistics, 1992.
Ahn, Hwi-Joon. "The Arts under King Sejong." In Sejong taewang: 15 segi Hanguk ui pich, ed. Kim Yonggi. Seoul: Shingu munhwasa, 1998.
Ahn, Sang-Soo. Bird Patterns: Asian Art Motifs from Korea. New York: Weatherhill, 2002.
Amos, Anne Godden. "Korean Embroidery, Techniques and Conservation." Orientations 25:2 (February 1994): 43-46.
Baik, Young-Ja. “Traditional Korean Costumes, up to the Present and into the Future: Focusing on the Internationalization of the Traditional Korean Costume by Accentuating Its Aesthetic Characteristics.” International Journal of Costume 4 (June 2004): 101-111.
Bean, Susan S. “The Arts of Life in Late Choson Dynasty Korea.” Arts of Asia 36:3 (May-June 2006): 94-104.
Berthier, Franeois. "The Meditative Bodhisattva Image in China, Korea and Japan." In International Symposium on the Conservation and Restoration of Cultural Property: Interregional Influences in East Asian Art History. Tokyo: Tokyo National Research Institute of Cultural Properties, 1982.
Best, Jonathan W. "5,000 Years of Korean Art: History and History, A Review Article." The Journal of Asian Studies 40:3 (May 1981): 559-566.
Best, Jonathan W. "The Study of Korean Art in America." In Ronald A. Morse, ed. Korean Studies in America: Options for the Future. Lanham, Md.: University Press of America, 1983.
Best, Jonathan W. "Early Korean Buddhist Bronzes and Sui Regional Substyles: A Contextual Study of Stylistic Influence in the Early Seventh Century." In Sambul Kim Wol-lyong kyosu chongnyon t'oeim kinyom nonch'ong II: Misul sahak - yoksahak - illyu-minsok p'yon, ed. Sambul Kim Wollyong kyosu chongnyon t'oeim kinyom nonch'ong kanhaeng wiwonhoe, ed. Seoul: Ilchisa, 1987.
Best, Jonathan W. "Unified Silla Period Cast Iron Buddha Head in the Detroit Institute of Arts." Orientations 19:9 (September 1988): 54-55.
Best, Jonathan W. "An Early Korean Cast-iron Head of Buddha." Bulletin of the Detroit Institute of Arts 65:4 (1990): 12-25.
Best, Jonathan W. "The Miruk-sa of Paekche and Some Contextual Implications of Its Architectural Iconography." Mahan-Paekche munhwa 12 (1990): 185-190.
Boulter, Sarah. "Back from the Grave: The Conservation of a Slate Burial Chest." Orientations 23:12 (December 1992): 43-45.
Bush, Susan. "Some Parallels between Chinese and Korean Ornamental Motifs of the Late Fifth and Sixth Centuries A.D." Archives of Asian Art 37 (1984): 60-78.
Cambon, Pierre, and Joseph P. Carroll. The Poetry of Ink: The Korean Literati Tradition, 1392-1910. Paris: Editions de la Reunion des Musees Nationaux, 2005.
Cho, Hyo Sook. “An Examination of the Fabrics Included in Koryo Buddhist Statues.” Kokusai fukushoku gakkaishi 11 (1994): 72-85.
Cho, Hyo Soon. “The Luxury in Women’s Costume during the Yi Dynasty Period and Its Influence.” Kokusai fukushoku gakkaishi 1 (1984): 106-112.
Cho, Kyu-Hwa. “Beauty Consciousness of the Korean People as Viewed through White Clothes.” Kokusai fukushoku gakkaishi 2 (1985): 106-112.
Ch’oe, Su-bin; Kim Mun-yong; and Cho U-hyon. “Comparisons of Wedding Traditions & Woman’s Wedding Costumes among Korean, Mongolian & Eastern Slav in the 19th & the Early 20th Centuries.” Monggolhak 13 (2002:8): 129-151.
Ch'oe, Sun-u. "Artifacts of Kyongju." In Kyongju: City of Millenial History, ed. Korean National Commission for UNESCO. Elizabeth, N.J.: Hollym International Corp., 1998.
Ch'oe, Wan-su. "Kim Chong-hui, Calligrapher." Korea Journal 19:4 (April 1979): 43-45.
Ch'oe, Wan-su. "A Study of Kim Chong-hui." Korea Journal 26:11 (November 1986): 4-20.
Chin, Hong-sop. "Lotus Flower Patterns Used in the Three Kingdoms." Korea Journal 13:1 (January 1973): 4-11.
Chin, Hong-sop. "Development of Handicraft Art in Korea." Korea Journal 14:11 (November 1974): 12-19.
Chin, Hong-sop. "Pak Han-mi, A Silla Bell Maker." Korea Journal 19:4 (April 1979): 53-55.
Chin, Hong-sop. "The Stone Cave Temples in Silla Era." In International Symposium on the Conservation and Restoration of Cultural Property: Interregional Influences in East Asian Art History. Tokyo: Tokyo National Research Institute of Cultural Properties, 1982.
Chin, Hong-sop. "Art Objects from Ancient Tombs." Korea Journal 17:4 (April 1977): 18-22.
Chin, Hong-sop. "Art Objects from Ancient Tombs." In Traditional Korean Art, ed. Korean National Commission for UNESCO. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983; Arch Cape, Ore.: Pace International Research, 1983.
Chin, Hong Sup; Choi Sun U; and Chung Yang Mo, eds. The Arts of Korea V: Handicrafts. Seoul: Dong Hwa Publishing Co., 1979.
Chin, Hong-sop, and Su-yong Hwang. "Stone Pagodas of Old Korea." Korea Journal 9:2 (February 1969): 4-15.
Chin, Hong-Sop, et al. Cultural Treasures of Korea, 8 volumes. Elizabeth, N.J.: Hollym International Corporation, 1994.
Cho, Kah Kyung. "Aspects of Korean Aesthetics." Journal of Asian Affairs 3:1 (Spring 1978): 84-90.
Cho, Oh Soon. "A Comparative Study on the Costumes of Korean-Mongolian Stone Statues (II)." Monggolhak 1 (1993): 86-115.
Cho, Yu-jon. "Excavation of the Ruined Hwangnyong-sa Temple Site and the Unearthing of a Ch'imi." Korea Journal 23:9 (September 1983): 56-62.
Choi, Eung-Chon. "Korean Buddhist Metal Art." Orientations 19:9 (September 1988): 34-43.
Choi, Eung-chon. “Early Korean and Japanese Reliquaries in Relation to Pagoda Architecture.” In Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan, ed. Washizuka Hiromitsu, Park Youngbok, and Kang Woo-bang. New York: Japan Society, 2003.
Choi, Eung-chon. “Laquer and Metalwork.” In Kumja Paik Kim, ed. Goryeo Dynasty: Korea’s Age of Enlightenment, 918 to 1392 . San Francisco: Asian Art Museum, 2003.
Choi, Ok-ja. "Royal Costumes of Yi Dynasty: Their Color and Patterns." In Aspects of Korean Culture, ed. Suh Cheong-Soo and Pak Chun-kun. Seoul: Soodo Women's Teachers College Press, 1974.
Choi, Seon-Eun, and Song-Ok Kim. “A Comparative Study on Formative Characters of Korean and Japanese Traditional Costumes: Focusing on the Late Joseon Period of Korea and the Edo Period of Japan.” International Journal of Costume 2 (December 2002): 41-52.
Choi, Sun-u. "Handicrafts: Simplicity and Naivety [sic]." Korea Journal 4:3 (March 1963): 18-21.
Choi, Sun-u. "Koryo Ceramic Art and Woodwork." Korea Journal 4:10 (October 1964): 4-13.
Choi. Sun-u. 5,000 Years of Korean Art. Seoul: Hyonam Publishing Company, 1979.
Choi, Sun-u. "Furniture." In Roderick Whitfield and Pak Young-sook, eds. Korean Art Treasures. Seoul: Yekyong Publications Co., Ltd., 1986.
Chun, Byung-Ok. Decorative Designs in the Houses of the Chosun Dynasty Period. Seoul: Po Chin Chai, Inc., 1988.
Chung, Jae-hoon. "The Gilt-Bronze Buddha Triad: The Four Devas, The Stone Animal at the Royal Tomb of King Muryong; The Golden Crown of the Tomb of the Heavenly Horse." Korea Journal 19:4 (April 1979): 55-61.
Chung, Yang Mo. "The Art of Everyday Life." In Hongnam Kim, ed. Korean Arts of the Eighteenth Century: Splendor and Simplicity. New York: The Asia Society Galleries, 1993.
Chung, Young-ho. "Pagodas and Other Monuments." In Kyongju: City of Millenial History, ed. Korean National Commission for UNESCO. Elizabeth, N.J.: Hollym International Corp., 1998.
Covell, Jon Carter. "Korea's Huge Wave which Brought Buddhist Art to Japan." Korea Journal 19:3 (March 1979): 33-41.
Covell, Jon Carter. "Taoism's Fairies and Fairyland in Korean Art." Asian and Pacific Quarterly of Cultural and Social Affairs 11:3 (Autumn 1979): 41-51.
Covell, Jon Carter. "Maitreya is Special in Korea." Korea Journal 20:4 (April 1980): 14-19.
Covell, Jon Carter. "Dawn in the East: Sokkuram." Asian and Pacific Quarterly of Cultural and Social Affairs 16:1 (Spring 1984): 28-38.
“The Dyes for Choson Colors.” Surface Design Journal 25:4 (Summer 2001): 34-35.
Fontein, Jan. "Sarira Reliquary from Pagoda of Powon-sa Temple Site." Misul charyo 47 (1991:6): 104-108.
Fragrance of Korea: The Ancient Gilt-Bronze Incense Burner of Baekje. Seoul: The Korea Foundation, 2006.
Gompertz, G. St. G.M. "The Importance of Korean Art." Oriental Art 26:2 (Summer 1980): 209-218.
Gothel, Ingeborg. "The Kumgang Mountains: Their Landscape, Monasteries, and Reflection in Art." Korean Culture 11:4 (Winter 1990): 10-17.
Hammer, Elizabeth, and Judith G. Smith, eds. The Arts of Korea: A Resource for Educators. New Haven, Conn.: Yale University Press, 2002.
Han, Byong-sam. "Metalwork." In Korean Art Treasures, ed. Roderick Whitfield and Pak Young-sook. Seoul: Yekyong Publications Co., Ltd., 1986.
Han, Christina Hee-Yeon. “The Korean Collection of the Royal Ontario Museum.” Orientations 37:3 (April 2006): 70-76.
Han, Man-yŏng. "Korean Dance Repertories." In Korean Dance, Theater and Cinema. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.
Henderson, Gregory. "The Question of Korean Aesthetics: Reflections of a Korean Ceramics Collector." Bochumer Jahrbuch zur Ostasienforschung 14 (1990): 101-115.
Henthorn, William E. "Yu Ch'i-jin and the Theatre of Korea." In Korean Dance, Theater and Cinema. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.
Ho, Tong-hwa. Crafts of the Inner Court: The Artistry of Korean Women. Seoul: Museum of Korean Embroidery, 1988.
Ho, Tong-hwa. Traditional Korean Wrapping Cloths (Pojagi). Seoul: Museum of Korean Embroidery, 1990.
Hong, Na Young. “Korean Traditional Costume According to the Season: Centering the Women’s Wear.” Kokusai fukushoku gakkaishi 2 (1985): 95-98.
Hong, Seon-Pyo. “ Seoul, the Center of Art and Culture in the Late Joseon.” In Seoul Museum of History. Seoul: Seoul Museum of History, 2002.
Horlyck, Charlotte. “Colour in Korean Textiles.” Arts of Asia 33:2 (March-April 2003): 110-117.
Horlyck, Charlotte. “Looking at the Overlooked: Art by Women and for Women in Pre-Modern Korea.” In The Offering Table: Women Activist Artists from Korea, ed. Lori Chinn. Oakland, Calif.: Mills College Art Museum, 2008.
Horlyck, Charlotte. “Goryeo Metalwork in the British Museum.” Orientations 41:8 (November-December 2010): 69-72.
Hwang, Su-yong. "Koryo Metalwork." Korea Journal 4:10 (October 1964): 18-20.
Hwang, Su-yong. "Metal Handicrafts." Korea Journal 5:5 (May 1965): 44-47.
Hwang, Su-yong. "The Pagoda as an Art Form and Object of Faith in the Three Kingdoms Period." Korea Journal 6:4 (April 1966): 16-20.
Hwang, Su-yong. "Gilt-Bronze Images of Buddha in Korea with Stress on Personal Collections." Korea Journal 10:7 (July 1970): 7-10.
Hwang, Su-yong. "Ancient Korean Art and Buddhism." Korea Journal 13:11 (November 1973): 10-14.
Hwang, Su-yong. "Trends in the Studies and Research on Buddhist Arts in Korea 1960-1969." East Asian Cultural Studies 14:1-4 (March 1975): 1-7.
Hwang, Su-yong. "Buddhist Art." Korea Journal 17:4 (April 1977): 23-26.
Hwang, Su-yong, ed. The Arts of Korea III: Buddhist Art. Seoul: Dong Hwa Publishing Co., 1979.
Hwang, Su-yong. "Buddhist Metalwork." Korea Journal 19:4 (April 1979): 30-33.
Hwang, Su-yong. "Ancient Art and Buddhism." In Traditional Korean Art, ed. Korean National Commission for UNESCO. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983; Arch Cape, Ore.: Pace International Research, 1983.
Hwang, Su-yong. "The Pagoda as an Art Form and Object of Faith in the Three Kingdoms Period." In Traditional Korean Art, ed. Korean National Commission for UNESCO. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983; Arch Cape, Ore.: Pace International Research, 1983.
Im, Sung-Kyun, and Myung-Sook Han. “History and Design of Nineteenth-Century Minpos, Korean Commoner’s Wrapping Cloths: Focused on Supo.” The International Journal of Costume Culture 5:2 (2002): 120-130.
Jang, Won-Jae. Irish Influences on Korean Theatre during the 1920s and 1930s. London: Colin Smith Ltd., 2003.
Jang, Wonjae. "History of the Korean Theatre: Transitional Period Leading to the Modern Theatre 1902-1919." International Journal of Korean History 4 (August 2003): 217-237.
Kang, Woo-bang. "Ritual and Art During the Eighteenth Century." In Korean Arts of the Eighteenth Century: Splendor and Simplicity, ed. Hongnam Kim. New York: The Asia Society Galleries, 1993.
Kang, Woobong. "Bulguksa Temple and Seokbulsa Temple." Korea Journal 41:2 (Summer 2001): 320-344.
Kang, Woo-bang. “The Art of Avatamsaka Sutra in the Unified Silla Period: The Sanctuary of Sokkuram and Hwaom-kyong Pyonsangdo (Narrative Portrayal in the Avatamsaka Sutra).” In Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan, ed. Washizuka Hiromitsu, Park Youngbok, and Kang Woo-bang. New York: Japan Society, 2003.
Karetzky, Patricia E. Early Buddhist Narrative Art: Illustrations of the Life of the Buddha from Central Asia to China, Korea and Japan. Lanham, Md.: University Press of America, 2000.
Kawada, Susumu. “Korean Najeonchilgi of the Goryeo and Early Joseon Periods.” The International Journal of Korean Art and Archaeology 2 (2008): 66-88.
Kim, Che-won. "Ancient Arts." In Sung-nyong Lee, ed. Korean Studies Today: Development and State of the Field. Seoul: Institute of Asian Studies, Seoul National University, 1970.
Kim, Ch'on-hung, and Alan C. Heyman. "Korean Traditional Dance." In Korean Dance, Theater and Cinema. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.
Kim, Hee-jin. Maedeup: The Art of Traditional Korean Knots. Seoul: Hollym, 2006.
Kim, Hongnam. "China's Earliest Datable White Stonewares from the Tomb of King Muryong (d. A.D. 513), Paekche, Korea." In Chinese Ceramics and Their Cultural Context. Baltimore: University of Maryland, 1987.
Kim, Hongnam. "China's Earliest Datable White Stonewares from the Tomb of King Muryong (d. A.D. 513), Paekche, Korea." Oriental Art 37:1 (Spring 1991): 17-34.
Kim, Hongnam. The Story of a Painting: A Korean Buddhist Treasury from The Mary and Jackson Burke Foundation. New York: The Asia Society Galleries, 1991.
Kim, Hongnam. "Exploring Eighteenth-Century Court Arts." In Korean Arts of the Eighteenth Century: Splendor and Simplicity, ed. Hongnam Kim. New York: The Asia Society Galleries, 1993.
Kim, Hongnam, ed. Korean Arts of the Eighteenth Century: Splendor and Simplicity. New York: The Asia Society Galleries, 1993.
Kim, Jae Sook. “Reading Traditional Korean Artistic Sensibilities through the Concept of Jin-gyeong.” Korea Journal 42:4 (Winter 2002): 187-217.
Kim, Jeong-Ja. “A Study on Traditional Honor Armor for Korean Military Guard.” The International Journal of Costume Culture 1:1 (December 1998): 73-81.
Kim, Ji-Hee, and Young-Lan Kim. “A Study for Natural Dyeing Colors of the Dyeing Antiquities of China Silk Road and the Korean Traditional Dyeing Antiquities.” Hanguk saekch’ae hakhoe nonmunjip 14:3 (2000:12): 172-175.
Kim, Ji-Sun. “Formative Characteristics in Shapes and Colors of Korean Traditional Flower Motifs Seen in Embroidery.” International Journal of Costume 7:1 (June 2007): 32-48.
Kim, Jin, and Sohn Hee-Soon. “The Study of Children’s Historical Costumes in Enlightenment Period of Korea.” P’aeshon pijunesu 10:6 (2006): 1-8.
Kim, Jong-man. “The Site of the Buddhist Temple at Neungsan-ri, Buyeo.” In Fragrance of Korea: The Ancient Gilt-Bronze Incense Burner of Baekje. Seoul: The Korea Foundation, 2006.
Kim, John K., ed. Korean Art Seen Through Museums. Seoul: Eastern Media, 1979.
Kim, Joo-hyon. "The Tudor Masque in Comparison with the Yi Dynasty Masque of Korea." (Sungjon taehakkyo nonjip) Inmun-sahoe kwahak 5 (1974): 395-404.
Kim, Joo-hyon. "The Tudor Mask in Comparison with the Yi Dynasty Mask." Korea Journal 15:8 (August 1975): 25-31.
Kim, Ki-seung. "Yi Calligraphy: Oriental Arts of Self-Expression." Korea Journal 4:3 (March 1964): 13-17, 33.
Kim, Kumja Paik. “Introduction.” In Goryeo Dynasty: Korea’s Age of Enlightenment, 918 to 1392, ed. Kumja Paik Kim. San Francisco: Asian Art Museum, 2003.
Kim, Kumja Paik. “A Celebration of Life: Patchwork and Embroidered Pojagi by Unknown Korean Women.” In Creative Women of Korea: The Fifteenth Through the Twentieth Centuries, ed. Young-Key Kim-Renaud. Armonk, N.Y.: M.E. Sharpe, 2004.
Kim, Lena. "Bodhisattva Images of Cintamani from the Three Kingdoms Period." Misul charyo 37 (1985:12): 1-41.
Kim, Myong-bae. "Teaism of Korea." Korea Journal 25:10 (October 1985): 33-43.
Kim, Soh-Hyeon. “A Costume Study on the Basis of Descriptions in the Novel Im Kkeok Jeong.” International Journal of Costume 8:1 (June 2008): 36-52.
Kim, Song-gu. “Roof Tiles of Korea’s Three Kingdoms and Unified Silla Periods.” In Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan, ed. Washizuka Hiromitsu, Park Youngbok, and Kang Woo-bang. New York: Japan Society, 2003.
Kim, Won-yong. "Visual Arts of Korea." In Art and Archaeology of Ancient Korea, ed. Kim Won-yong. Seoul: The Taekwang Publishing Co., 1986.
Kim, Won-yong. "Philosophies and Styles in Korean Art: A Prelude to the History of Korean Art." In Traditional Korean Art, ed. Korean National Commission for UNESCO. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983; Arch Cape, Ore.: Pace International Research, 1983.
Kim, Won-yong. "Some Aspects of the Interrelation of Korean, Chinese and Japanese Arts." In Traditional Korean Art, ed. Korean National Commission for UNESCO. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983; Arch Cape, Ore.: Pace International Research, 1983.
Kim, Won-yong; Han Byong-sam; and Chin Hong Sup, eds. The Arts of Korea I: Ancient Art. Seoul: Dong Hwa Publishing Co., 1979.
Kim, Woobang. “A True Picture of Korean Buddhist Art and Its Status in the Asian Art World.” Orientations 34:3 (March 2003): 60-68.
Kim, Yong-suk, and Kyong-ja Son, ed. An Illustrated History of Korean Costume, two volumes. Seoul: Yekyong Publications Co., 1984.
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Kim, Youngna. “The Achievements and Limitations of Ko Yu-seop, a Luminary in Korean Art History.” Archives of Asian Art 60 (2010): 79-87.
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Lee, Jee Hyun. “A Study on the Colors and Coloration of Jeogori of Chosun Dynasty and the Modern Period of Korea.” International Journal of Costume 7:1 (June 2007): 49-61.
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Roberts, Claire, and Huh Dong-hwa, eds. Rapt in Colour: Korean Textiles and Costumes of the Choson Dynasty. Brookfield, VT: Ashgate, 2000.
Roberts, Claire, and Michael Brand, eds. Earth, Spirit, Fire: Korean Masterpieces of the Choson Dynasty (1392-1910). Sydney: Powerhouse Museum/Queensland Art Gallery, 2000.
Roberts, Claire, and Michael Brand, eds. Earth, Spirit, Fire: Korean Masterpieces of the Choson Dynasty. Brookfield, VT: Ashgate, 2001.
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