Source: https://www.osbar.org/publications/bulletin/02augsep/practice.html
Timestamp: 2019-04-21 00:29:33+00:00

Document:
The Copyright Revision Act of 1976 made significant changes in copyright fundamentals. The law affected everything from the method of creating copyright and the rights covered, to the method of enforcing and protecting the copyright.
The pre-existing statute, known as the 1909 Act, had strict and technical requirements for creating federal copyright protection. Under that body of law, a copyrightable work was protected by a so-called common-law copyright until the work was published. In fact, copyrightable works were actually protected by state laws, and those laws were not uniform. Publication was defined as an unrestricted public display, sale or the like. The statute provided that once a publication occurred, the proprietor would enjoy the protection of the federal law if the work was published with the proper copyright notice affixed to it. A publication without the proper copyright notice caused the work to become part of the public domain, though there was a limited exception for certain technical problems, such as having the notice omitted by a publisher who had contractually agreed to include the notice.
3) If the omission of notice was 'in violation of an express requirement in writing' that the copies or phonorecords bear the prescribed notice. 17 U.S.C. § 405(a).
Since March 1, 1989, no notice has been required due to legislation enacted in connection with the United States becoming a party to the Berne Convention. See 17 U.S.C. §§ 401(a), 405(b). It is, however, advantageous to use the notice since use of the copyright notice will prevent copiers from alleging that they relied in good faith on the fact that no notice was given and were thus innocent infringers. 17 U.S.C. §§ 401(d), 405(b).
The 1976 Act essentially abolished the common-law copyright for all unpublished works created on or after Jan. 1, 1978, the effective date of the new law, but the statute provided that copyrightable works which were unpublished on that date would remain protected until Dec. 31, 2002, unless such works were published before that date. 17 U.S.C. § 303(a). If the works were published by Dec. 31, 2002, the published works would be entitled to protection until Dec. 31, 2027, later extended by the Sonny Bono Copyright Term Extension Act to Dec. 31, 2047. Id.
It is, therefore, important to bear in mind the fact that as of this coming New Year’s Day, all unpublished copyrightable works which were created before Jan. 1, 1978, will become part of the public domain unless a publication occurs before that date. Publication is defined by the current statute as a distribution of copies to the public by a sale or other transfer of ownership, or by rental, lease or lending. 17 U.S.C. § 101. The Copyright Office has taken the position that the word 'copies' includes the original work. In other words, individuals who have unpublished works, such as family photographs, home movies, poems, essays, letters or the like, must either publish these works by this coming New Year’s Eve, or no future protection from unauthorized reproduction will be available.
Under both the old and the present copyright laws, registering a work was not prerequisite to the creation of copyright. The 1909 Act provided that the copyright proprietor should promptly register the copyright in the work once it is published with the proper notice affixed. Cases held that promptly meant that the registration could occur anytime within the first 28 years after publication. Indeed, many copyright proprietors did not file the original registration until the required renewal after the 27th year and before the end of the 28th year was due. The Copyright Revision Act of 1976 provided an incentive for early registration by stating that copyright owners would not be entitled to recover statutory damages or attorneys’ fees unless the copyright in the work was registered before an infringement occurred, 17 U.S.C. § 412. Congress provided copyright proprietors with a three-month safe harbor by stating that any work registered within three months of the first date of publication would be entitled to claim retroactive registration as of the date the work was first published. Id.
If the creator is a hypothetical person, such as a corporation, or if the work was created under a pseudonym or published anonymously, then the period of protection is either 100 years from creation or 75 years from the date of first publication, whichever period expires first.
The Sonny Bono Copyright Term Extension Act extended the period of copyright protection for an additional 20 years, and as a result, reinstated federal copyright protection for many works which were thought to be in the public domain. The reason given for the Sonny Bono Extension was that the period of protection for copyright in much of the rest of the world is comparable to that granted by the extended term. As of this date, the period of protection for works created on or after Jan. 1, 1978, is life plus 70 years for human beings and 120 years from creation or 95 years from the date of first publication, whichever period expires first, for all other creators. 17 U.S.C. § 302.
Those who had copied works believing that protection had lapsed found themselves in trouble, and many complained. In fact, the extension was challenged in Eldred v. Reno, 239 F3d 372 (D.C. Cir. 2001), which is currently being considered by the United States Supreme Court. It is argued that the Congressional act of extending copyright protection is unconstitutional since, it is claimed, it violates the First Amendment of the U.S. Constitution. The argument is that extending copyright protection impairs a potential copier’s right of free speech by legally inhibiting it through the threat of an infringement suit. If the Supreme Court declares the extension unconstitutional, then the period of protection under the federal copyright law will be reduced to life plus 50 years for individuals; and 100 years from creation or 75 years from first publication, whichever period expires first, for corporations, works published under pseudonyms or anonymously.
Only time will tell which way the U.S. Supreme Court will decide. If the court declares the Sonny Bono Copyright Extension Act unconstitutional, this may raise questions about the validity of earlier extensions of the period of protection as well.
Regardless of the outcome of the Eldred case, copyright owners should evaluate their portfolios and determine whether they have any unpublished work created before Jan. 1, 1978, which they feel they would like to continue to protect. If they do, they should take steps to publish those works in order to extend the period of protection beyond this New Year’s Eve. Whether that extended period of protection will be for an additional 25 years or 45 years will depend on the Supreme Court’s position on the Sonny Bono Copyright Extension Act, but in either case, an additional period of protection is available to those who are diligent.
As a practical matter, what can be done to expedite publication within the time remaining? Merely distributing a limited number of works to one’s immediate family or friends is deemed to be a 'limited publication' and will not suffice to continue copyright protection beyond Dec.31, 2002. One of the most effective and inexpensive modern means of communication is the World Wide Web. As the Supreme Court held in New York Times Co., Inc. v. Tasini, displaying a work in cyberspace is a publication for purposes of the copyright law. 533 U.S. 483, 121 S.Ct. 2381 U.S. (2001). Thus, the simplest method by which unpublished works can be protected for the extended period is to have those works displayed on the Web.
For some works, such a display might not be desirable since the creator may not wish to air personal letters, pictures and the like. As an alternative, the ability to use desktop publishing as a means of preparing a work for distribution may be a more acceptable vehicle, though the work must still be distributed to the public in order to satisfy the statutory requirement for publication.
Oregon lawyers, even those who do not practice intellectual property, should be aware of the law regarding unpublished works created before Jan. 1, 1978, and determine whether they have any items which need continued copyright protection. In making this determination, an attorney must bear in mind the rules regarding client confidentiality, and a prudent lawyer will also consider the law regarding privacy and publicity. Every living person has a right of privacy in his/her image, and it is for this reason that prudent photographers obtain model releases before publicly displaying a person’s photograph. Many states have laws protecting a famous person’s right of publicity. The period of protection of the publicity right varies from state to state, and most provide for posthumous protection. Publication also affects the laws of defamation. Remember that the copyright in unpublished letters belongs to the author of the letters and not to the recipient, Meeropol v. Nizer, 560 F2d 1061 (2d Cir. 1977). It is prudent for an attorney to balance the ability to extend the period of copyright protection with the potential risks which may result from a publication of the item in question.
It is also important for lawyers to advise their clients about the copyright law’s rules regarding unpublished work created before 1978. Indeed, most business clients would expect this type of notification from their business lawyers.
Intellectual property has become one of the more dynamic practice areas. While not all attorneys have embraced this practice area, they should, nevertheless, have some familiarity with the fundamentals and at least be proactive when it comes to irrevocable decisions regarding protection. Preserving copyright protection for unpublished works created before the Copyright Revision Act of 1976 became effective, when possible, is prudent and may prove to be lucrative as well.
Leonard DuBoff, of The DuBoff Law Group, LLC, Portland, is the author of more than 20 books on business and intelletual property law. DuBoff was a law professor for more than 24 years, teaching copyright and related courses, and in 1994 founded in his own law firm, which represents clients in the United States, Canada and other countries.

References: § 405
 § 303
 § 101
 § 412
 § 302
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