Source: https://glenn.zucman.com/i2va/spring17-syllabus/
Timestamp: 2019-04-20 12:19:37+00:00

Document:
“0”, Did I really get a “0”?
• No tests, quizzes or term papers.
Each week we’ll have an Art Talk Discussion, and 2 of the other 3. So 3 things / week.
B: Make a free WordPress.com website & “turn in” your URL, something like “http://glennzucman.wordpress.com” as a comment on the class roster page. After that you’ll post your work to your website / ePortfolio by Sunday night at 11:59pm, and I’ll go find your work on Monday and give you points. I’ll do my best to have your weekly points posted before F2F class time on Wednesdays.
Physical Office Hours: Wednesdays 11:00-12:30 @USU Tables just inside or outside from Coffee Bean / Robeks @University Student Union.
The purpose of this course is to introduce students to Art and Ideas as practiced in the 21st century. Students will try a wide range of art media from traditional tools like Drawing & Painting, to new media like Snapchat & Video. Student discussions will compare and contrast contemporary artists. Students will visit the CSULB School of Art Galleries, see the work of 4-5 different student artists, have conversations with the artists, and write blog posts about the work.
Describe some of the styles, ideas, and issues found in the Western canon.
Articulate their understanding of the relationship between art and: culture, speech, creativity, expression.
Describe the role of the artist in culture / society.
Each week you’ll discuss the The Art Talk video on Slack. Each student should make 3 analytic posts. Most weeks you’ll watch an 8-15 minute video from me. A few times there will be a longer, maybe 90 minute, documentary to watch. After watching my intro video, do some research online, and then formulate what you’ll post. The few times we’ll have longer documentaries you won’t need to do any additional research.
Your analytic post should not only state the ideas as presented, but you should draw upon your research and life experience to reach new conclusions. Each week you should make 3 (or more) posts. 1 “original” post of your own insights. Your other 2 posts should be responses classmate posts. You can amplify or modify their ideas, again, being substantive and analytic in your paragraph. If someone responds to you, you can also respond back.
Each week you’ll write 2 blog posts documenting the Art Activity and/or conversations you had that week.
• Discussion Comments & Activity Blog Posts due by 11:59pm Sunday night.
Work is due by 11:59pm on Sunday nights. No late work will be accepted. When I say no late work will be accepted, I actually mean no late work will be accepted. Please do not ask me if you can submit late work a day, a week, or a month after you missed the deadline. Most students find this class relatively easy and they enjoy not having exams, quizzes, etc. But please understand that there are several things due each week. If you aren’t able to make deadlines, you will do poorly in this class. If you know that turning work in on time will be difficult this semester, or if turning work in on time is not in your nature, this may not be the class for you.
Your work should be yours. If you plagiarize in this course I will report you to the Chair of your Department, and the Dean of your CSULB College. It is very easy for you to not do an activity and just Google for images. It is also very easy for me to Google for those same images and show where you plagiarized from. Take this course, and your CSULB education seriously, do honest, and great, work.
Please review the Cheating & Plagiarism section of the CSULB Catalog. Pay careful attention to my responsibilities when you plagiarize, and the academic actions that may be taken against you.
In some cases you might be able to think of a Photo, Video, Fiber Art Project, etc, that you’ve done in the past and that seems to fit the activity description for a given week. This is not a course in turning in work you did before. This is a series of activities to do now in the context of this class and in resonance with your classmates. Please do not turn in old work.
Your Internet Device / Camera (Phone, Tablet, or Laptop) is your textbook.
For the F2F Wednesday portion of the course, attendance is mandatory. The online & outside of class portions may be done at the time and location of your convenience. Each Wednesday, except for Week 1, you’ll turn in a 4×6″ drawing of your CSULB ID Card for attendance.
Course Total Possible = 1,000 points.
The Final will be: Art Games!
Do not book an airline ticket for May 14!
You can check the final schedule for Art110, or any other class here. Note that there are no finals overlaps at CSULB. If you think the Art110 final is at the same time as the final for another class, you are reading the final schedule wrong. Take another careful look at the finals schedule.
For some reason BeachBoard will show you your points, but not add them up for you. There are some fancy switches inside BeachBoard that Instructional Technology has to flip to get it to show you what all your individual points add up to. If someone reminds me to set this near the beginning of the semester, then you can see totals all semester instead of waiting till the end.
The University now allows you to set your “preferred” name. So if the name on your birth certificate is “Andrew,” but you go by “Drew”, now the university can refer to you as Drew. This makes it easier for me to find you on the roster, and better for your classmates who can refer to you by the name you choose.
Please set your University “Preferred Name” to be the same name that you’d like to use on our Roster, Email, Your Website, etc.
You can set your name on MyCSULB. Here’s How!
The “real” reason we make websites / blogs in Art110 is not so there’s an easy way to “turn your homework in”. It is because I hope you will use this ability to create an ePortfolio that can showcase your work and abilities. You might convert your Art110 site to your ePortfolio, or you might make a new site from scratch, but I hope you’ll have an ePortfolio before you leave CSULB. I’m convinced that most of you are far better served by having a strong website online that can showcase your strengths and accomplishments. However, on occasion, you might not want to associate your classwork with your name. For example, one semester I had an actor in class who had been on several television shows. She didn’t want people searching for her as an actor to find her student work. So she posted under a pseudonym that we agreed on. If you need to not be identifiable online, LMK and we can set something up. Remember also that your website is yours. Once final grades are turned in, you can maintain, modify, or delete some or all of your website as you choose.
Many weeks I will feature a few of your activities from the week before in my weekly blog posts. I will never show your work and say this is what not to do. I will only show your work and say Look at what a beautiful job Maddy did last week. I hope you feel good about this. But even if you do, it’s possible that you don’t want your photo or name on this website. If I ever post a photo of you, or your work, or list your name, or a link to your website, and you’d rather not have that here, just LMK. You can ask me to take something down today, tomorrow, next week, next year, or next decade. You never have to give me a reason. You only have to give me the URL where the item you’d like taken down is. It’s always up to you.
As you might know, I’m a big advocate of the Open Web and Free Culture. I believe that most students are best served by having a lot of great work online. I believe that most of you are best served by having links to and from each other’s websites. This is why I encourage you to create and maintain ePortfolios of your work. For most peeps most of the time I think putting up more content is more important than taking content down. Nonetheless, I want to be clear that I don’t want to post anything that you’d rather not have online. So please send me an email: glenn.zucman@csulb.edu if you’d ever like anything taken down.
Remember that you are posting to the live web. You’ve surfed the web, right? So you know that every day you’ll find the most sublime acts of kindness and generosity right next to crazy, unwarranted rage. The good news about your website is that it’s yours. You always have the ability to modify or delete content as you see fit. But remember also that when you write about a Student Artist or one of your Classmates, that you are publicly posting about a real person. You don’t have to gush that they’re wonderful or a genius. You can be honest. But you can also be kind. If the golden rule is do unto others as you would have them do unto you, then perhaps the golden rule of blogging should be blog about others as you would have them blog about you. If the classmate you talk to today seems a little aloof or inaccessible, who knows, maybe they’re having a bad day. Maybe they’re shy. You don’t need to write, “they acted like they were better than me.” Try to be kind in your writing. Or remember that you’ve got 60+ classmates! Just say thank you, go talk to someone else, and write up that conversation instead. The point of these is for you to meet your classmates. You should always be open to talking to one more person. Find someone cool that you can write something cool about. That you can write something kind about.
Each Conversation starts off with a perfect score of 20. Points are deducted from that if necessary. Because Art110 is a large class with about 130 students in the 2 sections, it is difficult to provide detailed feedback on your writing. I’m happy to discuss your writing at any time and to help you develop better ideas and better form. To help with a quick understanding of your work, we will grade with “Coded Points”. I hope you have no mistakes in your work and receive a full 20 points for each Artist Conversation Essay. If there are mistakes your points will quickly show what your mistake was. If you’d like further details, just send me an email and we can discuss it more fully.
Did I really get a 0?
Somewhere around Week 15 a few peeps will message me that they don’t think their score on Week 2 was correct. Past points will not be adjusted. You should check your points every week. If you have a question or dispute about your points, you should ask in the next week. The time to ask about Week 2 points ends when the Week 3 work is due. Please do not ask about points from weeks ago.
Photos of what? For your Art Experiences, document your process! For Classmate Interviews, a photo with your classmate would be great. For Artist Interviews, a photo of the artist, or their work would be ok. Photos of both would be great.
Your Art Experience and Classmate Conversation posts can be casual.
Your Artist Conversation writing must be college level.
The Artists you will meet in the SOA Galleries are mostly young artists just beginning their careers. They’ve typically worked for many months to put up the work we see in the galleries, and you are very likely the 1st person ever to write about them and their work! That’s awesome! But it also gives us the responsibility to be accurate and informed about the work.
In this paragraph you can provide a little background information on the artist. Are they a Graduate or Undergraduate student? Which Program from the CSULB School of Art are they in? What are their interests? What ideas does their work explore?
If a student is studying Ceramics, then you might correctly say that Andrea L. Williams is a student in the School of Art’s Ceramics Program. Or you could also say something like CSULB undergraduate Andrea L. Williams is working toward her BFA degree in the School of Art’s Ceramics Program.
You are probably familiar with the degrees BA or BS, MA or MS, and PhD. In The Arts, like Theatre, or Dance, or Art, the standard degrees are BA, BFA, MA, MFA. (Bachelor of Arts, Bachelor of Fine Arts, Master of Arts, Master of Fine Arts) The BA & MA are sometimes thought of as academic degrees and the BFA & MFA as professional degrees. The BFA & MFA tend to involve more units than the BA or MA degree. You can debate whether the MFA is or is not equal to the PhD, but either way the MFA is a terminal degree, as in you’ve obtained the highest degree in your field. With an MFA you can teach at a university and participate in other professional and academic activities.
What is it? Describe the work. The “formal” qualities. The media or materials. The nature of the line, shape, color, rhythm, scale, texture, cadence, and so on. Is it straight? Jagged? Undulating? Sinuous? Staccato? Is it black-and-white? Muted pastel colors? Vivid primary colors? Is it so tiny that you must come in really close to see it? Is is so massive and so much larger than you that you get a visceral, gut reaction when standing near it?
What is it about? Relate the ideas you get from your conversation with the artist here. What’s on their mind? What are they thinking about? What ideas are they trying to explore?
Do try to make your conversation with the artist an actual conversation! Often there are a number of us crowded around an artist, but try to slow down, listen to them, and ask real questions. Yes you’re gathering information for your post, and yes it’s about their work, but you can interject ideas from your own life experience that you feel connect to the work you’re looking at.
If the artist is sitting in a chair, try not to stand and talk down to them, try to find another chair and talk at their level. If there’s too many of us and the artist is sitting in a chair, try inviting them into their own gallery so you can look at the work as you discuss it. This way the artist, and all of us, will be standing at about the same level.
Please do not combine your Formal Analysis and Content Analysis into a single “Formal Analysis / Content Analysis” section. Each of these areas is worthy of one thoughtful paragraph from you. Please take the time to write an honest and compelling piece.
What does it mean? In this last section it’s about you! Synthesize the gestalt of this exhibition and how it resonates for you. How do the formal nature of the work and the artist’s ideas resonate with your own ideas, perceptions, and perspectives? Do things from your life experience, your academic experience, and other sources resonate here?
IT IS ESSENTIAL THAT YOU READ WHAT YOU’VE WRITTEN BEFORE YOU CLICK PUBLISH! Almost everyone makes small typos, awkward phrases, and other simple but distracting mistakes. Proofread! Proofread!! Proofread!!!
Each week when we visit the SOA Galleries, you’ll pick 1 of the shows for your Artist Conversation & Blog Post. This will almost always be in 1 of the 5 Galleries: Gatov West, Gatov East, Merlino Gallery, Werby Gallery or Dutzi Gallery. There may also be work installed or performed in the SOA Courtyard on occasion.
When you’re editing your post, Expand “Categories & Tags” to access the TAG BOX. Then just type your tag, like werby-gallery, in the tag box. Be careful to spell your tag correctly.
Another nice way to respect these artists is to try to have a real conversation with them about their work and their ideas first, and then ask to take a photo of them or their work. When 65 of us rush in with cell phones snapping all at once, the artists can start to feel like victims of paparazzi rather than appreciated artists.
Art Galleries and Art Museums have some things in common with places like Libraries, but also a lot that is different. They’re all great cultural resources where you can enrich your life. In a library, except for a few rare items like Special Collections, you can mostly touch everything. And usually you’re supposed to be quiet or talk in a whisper.
Art Galleries are the opposite. Sometimes people feel like they’re supposed to be quiet, but actually there’s no such “rule”. Talk! Discuss! Interact! Make the space and the experience yours! On the other hand, in Art Galleries and Museums, PLEASE DO NOT TOUCH! The vast majority of work you will see should not be touched. Art is often fragile. Popular art can be seen by many millions of people. Many artists go through great effort and expense to create archival artworks that can endure over many centuries. All of this fragile art and human culture can be damaged by acid from your hands, by accidental mechanical damage from touching, by being bumped into by your backpack when you walk around or take a step back to take a photo.
Occasionally you might see a sign that says something like “Please Touch” and in that case you can touch. If you ever think the artist might intend for you to touch something, it is best to ask. Occasionally artists do intend for you to touch, but we must presume that everything is no touch! Just because a work of art might look like a chair or a couch or a floor tapestry, that doesn’t necessarily mean you can sit on it or walk on it. Unless you see a sign giving you permission, always presume everything is no touch.
At a large Art Museum the security guards won’t breathe down your neck so much if you don’t look like you might damage the art. At a smaller exhibition like the SOA Galleries, an individual artist might give you permission to touch their work if you talk with them for a while and ask their permission. Just don’t presume you can. The default is no touch!
By contrast to the serious, academic writing of your Artist Conversations, your Classmate Conversations can be shorter and informal. Try to have a real conversation with them. Try to meet someone new and learn something about them. Be sure to ask them the Question of the Week. Be sure to include a photo of you and your classmate!
Art Activities are mostly about experience. But you should still analyze your experience. How did it go technically? Aesthetically and creatively, what possibilities do you see? How would you like to do it differently in the future? Be sure to include photos of your process! Be sure YOU are in at least 1 photo!
Pretty much, if you participate in the Art Talk Discussions & put up 2 blog posts a week with Pix, Good Titles, nice Analysis, and a TAG for the artist, you should totally ace this class.
The School of Art grants “incompletes” rarely and only for the most extreme conditions.
At the end of every semester I receive long emails in florid prose explaining to me how important a student’s grade in Art110 is. That for [ insert excuse here ] reason, they are worried they won’t be getting the “A” or “C” or other grade they desired, and that considering how important the grade is to this student, is there any way I can help or anything they can do?
Please do not send me this email.
CSULB will make reasonable accommodations for any student who has a disability. It is the student’s responsibility to notify me in advance of the need for special accommodations. This course utilizes many activities and many tools. Most of you should have no trouble with any of this, however if anyone has challenges with any course aspect for any reason, please be in touch ASAP and we can work to find suitable alternatives. A sincere effort should result in real learning and a good grade, so never be afraid to ask for any accommodations you need, but do make a sincere effort.
I’ve worked hard, refining over the years, to find a set of activities that will introduce you to a wide range of art media, ideas, and practices, and also to challenge you to think about art and life. So I’d encourage to give the activities a real try if you can, even if a given activity doesn’t sound that fun or seems like a hassle. However there may be cases where you just aren’t comfortable with an activity. If an activity is problematic for you, let me know and we’ll come up with an alternative activity for you.
I made an Art110 FB “Alumni” group if you’d like to stay in touch with me or each other. You can post updates there or whatever you’d like.
If you want to find me on other platforms like LinkedIn, Instagram, etc, you’re welcome to Friend/Follow me. I don’t initiate friend/follow requests to students, since that feels invasive of your privacy, but I’m happy to accept them, or follow back, if you choose to initiate contact. If you follow me on a platform like Instagram, Twitter, etc, and your account is “private,” then I won’t follow you back, again, because it feels like I might be invading your private space.
I hope Art110 will be a fun, relevant, and useful class for you. Most of you won’t go on to be artists per se, but I believe you will find creative thinking useful in any career. I also hope that art can make your life more enjoyable.
BA, Psychology, University of Hawaii, MFA, Intermedia Art, Long Beach State. Host of American Public Media's "Border Patrol." Host of KBeach Radio's "Strange Angels." Interested in Identity Art that explores our Oracle-at-Delphi-like straddling of corporeal and virtual realms in our new media century. Civil rights in online space. 10 years of radio conversations with art & culture creators.

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