Source: https://www.vialibri.net/years/2002/300
Timestamp: 2019-04-19 19:17:53+00:00

Document:
Chuck Close. Daguerreotypes. Foreword by Philip Glass. With conversation between C. Close, T. Greenfield-Sanders and J. Spagnoli.
W. W. Norton & Company, 2002, Hardcover, Book Condition: Very Good Condition, Dust Jacket Condition: Very Good, First Edition. Owner inscription to front free-endpaper. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Animals & Birds; Pictures of this item not already displayed here available upon request. Inventory No: 48994.
New York: Harry N. Abrams, Inc., 2002. First edition. Hardcovers. Seven volumes. A revised and a then newly compiled edition. Text in English, French and German. Includes 619 images. Volume I is "The Farmer" and has 271 pages and in is in fine condition in a fine dust jacket. Volume II is "The Skilled Tradesman" and has 151 pages and is in fine condition in a very near fine dust jacket. Volume III is "The Woman" and has 169 pages in fine condition in a fine dust jacket. Volume IV is "Classes and Professions" and has 279 pages and is in fine condition in a fine dust jacket. Volume V is "The Artists" and has 203 pages and is in fine condition and a fine dust jacket. Volume VI is "The City" and has 297 pages and is in fine condition in a fine dust jacket. Volume VII is "The Last People" and has 54 pages and is in fine condition in a fine dust jacket. The illustrated cardstock slipcase is in close to near fine condition with some minor bumping to the corners and a small split to the bottom near the opening. A lovely set.
Bertelsmann Lexikon in 15 Bänden. Limitierte Künstleredition in Echtleder (Ganzleder), gestaltet von dem Maler und Bildhauer Falko Hamm - mit zwei von Falko Hamm gestalteten, als Buchstützen konzipierten Skulpturen (nummeriertes und signiertes Exemplar).
Bertelsmann Lexikon in 15 Bänden komplett ! Limitierte Künstleredition in Echtleder (Ganzleder - nummeriert und signiert), gestaltet von dem Maler und Bildhauer Falko Hamm. OHNE DIE 2 BUCHSTÜTZEN !
West Chester, PA: Aralia Press, 2002. 32mo. cloth, top edge cut, other edges uncut. unpaginated (20) pages. Limited to 26 lettered copies. Signed by the authors on colophon. Deluxe edition. Introduction by the authors. Frontispiece. Romanée type on Umbria paper. A poetic work.
[Knight Library Press] Pattiann Rogers.
Raceform, 2002. Paperback. Used; Acceptable. Paperback; English language; a fair reading copy. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.
London: Folio Society. 2002. F First Edition Thus. H Leather Binding. As New. A complete set of the most beautiful edition of Tolkien ever issued. 5 volume set of the deluxe leather bound Folio Society limited edition. Copy #732 (all matching #'s) of only 1750 numbered copies, bound in dark brown Wassa goatskin over a golden brown raw silk, spines decorated in gilt, top edges gilt. The volumes are housed in three matching full leather slipcase, elaborately decorated in gilt. This set is stunning and 'as new'.
Cologne: Taschen,, 2002. Large folio. Original light pink cloth, titles to spine and front board white, pink floral endpapers. Housed in the original pink clamshell box. With the original cardboard packing box, publisher's promotional leaflet and publisher's subscriber's card. Photographs, some folding out, throughout. An excellent copy. First edition, first impression. Number 829 of 2,500 numbered copies signed by Araki on the limitation page. With an interview by Jérôme Sans, a short biography of Araki and an extensive bibliography. Araki's impressive oeuvre condenses decade of his work into around 1000 photographs.
The Elements. A Poem by Susan Stewart, with Lithographs by Enid Mark.
Wallingford, 2002. 15 x 11. 17 leaves, most presented as double spreads. Grey cloth & matching tray case by Sarah Creighton. Fine. Air, Earth, Fire, and Water provide the theme for the poems, the illustrations, the colors, and the typography, which is shaped to reflect the poem's meaning. "Working with a wide and textured page provided a frame for exploring new versions of the poetic line and spacing of stanzas. The poem unfolds in time as a meditation on time and mortality. Each of the sections is defined by an image introduced as a horizontal band that has its own rhythm, fading and increasing in dimension and intensity as the pages turn." Of 61 copies printed by Daniel Keleher at Wild Carrot Letterpress, this is A/P Binder's Copy.
South Polar Times 1902 -1911.
London: OrskeyBonhamNiner; & Cambridge: Scott Polar Research Institute - Bonham,, 2002 & 2010. Centenary Edition. [together with;] Volume IV. 4 volumes quarto. Original blue cloth, title gilt to spines and front boards, front boards with mounted colour illustrations within gilt panel, blue silk page-markers. Numerous illustrations in colour and black and white. Very good. The first three volumes were originally published 1907-14, this facsimile offered in a numbered edition of 350. The fourth volume was never previously published, this is copy 153 of an edition of 500 in which a facsimile of the text held by the Scott Polar Institute is accompanied by an extensive introduction by Ann Savours which details the production of the South Polar Times; a comprehensive biography of the explorers who contributed to the South Polar Times; and a short section on "the tradition of polar publishing." The South Polar Times was originally produced to relieve the boredom of the cold, dark winter nights and raise the spirits of the men on board. So as well as essays on seals, whales and penguins, there were comic poems, puzzles, stories and cartoons. Scott's comments in the preface to the first published edition, written in 1907, seems to indicate that the journal achieved its goal; "I can see again a row of heads bent over a fresh monthly number to scan the latest efforts of our artists, and I can hear the hearty laughter at the sallies of our humorists and the general chaff when some sly allusion found its way home." A very handsome edition.
[Feb 24, 2002] abgebildete ausgabe,..,mit gebrauchspuren,buchschnitt etwas angeschmutzt..
Medling - möten med möjligheter. En analys av en nygammal reaktion på brott.
Akademitryck, 2002. Inbunden bok. Akademisk Doktorsavhandling Stockholms Universitet inbunden med hårda pärmar. Finns endast i ett (1) exemplar. Unik också då efternamnet är felstavat på försättsbladet inne i boken pga tryckfel. Skyddsomslaget i hårdband dock rätt stavat efternamn. (Övriga upplagor finns både med rätt stavat efternamn och felstavat efternamn. ) På bilden visas titelomslaget /försättsbladet dvs ej huvudomslaget med flestavat efternamn. Nåt för KB? ;-) Fler bilder kan mailas. Presentupplaga från kollegor. Säljs av författaren till boken. Ej dedicerad utan helt ren.
Alphabet arabe, turk et persan, à l'usage de l'imprimerie orientale et française.Alexandria, Imprimerie orientale et française, an VI . Small 4to. Modern brown half calf, gold-tooled spine.
Geiss, Imprimerie en Égypte, p. 146, no. 1; Glass & Roper, The Printing of Arabic Books in the Arab World, in: Middle Eastern Languages and the Print Revolution (2002), p. 177-225, at 182; Querard V, 506; Schnurrer 140 note. The first book ever printed in Egypt, unquestionably the rarest and most important of the early books printed in the Middle East, published in the very year when modern printing was introduced to the Arab world. Only in October 1798 did J. J. Marcel arrive in Cairo with his employees and types to organize the Imprimerie Orientale. "The expedition of Napoleon Bonaparte to Egypt from 1798 until 1801 was a prelude to modernity. It was to change permanently the traditional Arab world [...] The French brought Arabic typography to Egypt, where it was practised under the supervision [...] of Jean Joseph Marcel [...]. Only a few days after the French troops landed [...] they set up the Imprimerie Orientale et Française there. It was an extraordinarily important turning point. For, leaving aside the Hebrew printing presses in Egypt of the 16th to the 18th centuries, until this date announcements and news adressed to Arabs there, as well as in other parts of the Arab-Islamic world, had been spread only in hand-writing or orally, by criers, preachers or storytellers" (Glass/Roper). Slightly spotty in places, but well preserved. No copy in auction records or in libraries within the Arab world.
Paris: Editions Massin, 2002. Hardcover. New/New. This is the complete 18 volume set on French regional furniture. The regions covered are: Alsace; Lower Auvergne; Upper Auvergne; Belgium and French Flanders; Bresse Franche-Comté; Lower Brittany; Upper Brittany; Burgundy; Charentes Poitou; Ile-de-France; Lorraine; Lyon; Picard & Artésien; Provence; Lower Normany; Upper Normandy; Savoy & Dauphiné; and the South-West. Each volume is profusely illustrated in color. Text in French.
ZERUNIAN, Sergio - DE RUOSI, Titti.
Iconografia dei pesci delle acque interne d'Italia - Iconography of Italian inland water fishes. Ministero dell'ambiente e della tutela del territorio, Direzione conservazione natura. Tavole a colori di Titti De Ruosi.
Istituto nazionale per la fauna selvatica "Alessandro Ghigi", [Ozzano dell'Emilia], 2002. 1 volume di 259 p. + XXXIII,  c. di tav., 50 cm, contenitore editoriale in tela con titoli oro. Molto buono. Edizione in 499 copie numerate. L'opera si compone di 33 tavole a colori di Umberto Catalano e impresse su cartoncino, di misure 34x49 cm in apposita cartella custodia assieme al volume di testo bilingue (italiano - inglese). L'eccezionale qualità sia dei disegni che del testo e la scarsissima tiratura la rendono un'opera rara e ricercata.
2002. Ed. Ed. Liber Millennium. 2002 - . . . 1 Vol. . Sin paginar pp. Octavo. Plena Piel. . Facsímil cuyo original se conserva en la Fundación Lázaro Galdiano. Ejemplar nº 348 de una tirada limitada de 995 ejemplares numerados, firmados y sellados ante notario. Incluye libro de estudio, el cual presenta algunas manchas de humedad, el facsímil en cambio está en excelente estado. Se presenta en urna para exposición. .
Knight Library Press / University of Oregon, 2002. Flexible covers. Fine in fine box. Margot Voorhies Thompson. Margot Voorhies Thompson. Flexible covers. Number 36 of 100 copies. There were 10 additional lettered copies for participants. Signed by the artist and author. A haunting essay by Pattiann Rogers about the relationship between animals and people. She describes both our love and adoration of animals but also our exploitation and cruelty: "Some of us like to sculpt them and make statues and carvings of them ... Some of us like to go out and catch them and kill them and eat them." Pattiann has won numerous awards for her poetry including a Guggenheim Fellowship and the Lannan Award for Poetry. Bound in flexible boards with black morocco spine and red paste paper covered boards. Features four etchings by Margot Voorhies Thompson printed on Mulberry paper. Includes a CD of the author reading her work. Printed on Heinemule Heine in handset Bembo for the body text. Housed in a red cloth clamshell box. Flexible covers. Fine in fine box. PRI/033011.
Vancouver, British Columbia: Vancouver, BC: Heavenly Monkey, 2002, 1st Edition, First Printing, 2002. -----------limp binding (not quite a hardcover and not quite a softcover) with "slipcase" (black cloth ), about 7w x 8.5h inches, a Fine copy, one of 10 copies -this is # 7, this is part of the Heavenly Monkey Studio Editions which preceded the Heavenly Monkey edition by three years, this is essentially a trial edition, this contains all 6 Minegishi illustrations on proof pages with each chapter illustration proof ( 5 in total ) plus the title page proof all signed and dated '02 by the artist, these 6 illustrations were later collected in the 2003 HM edition of The Innsmouth Look and used in the 2005 editions although the frontispiece here was used as the rear colophon in the 2005 issues ---issued under the publisher’s “Studio Editions” (and preceding the HM editions by 3 years ) imprint in an edition of only ten (10) copies, all of which were sold, essentially, prior to publication. A combination of letterpress and offset production, the text has been set in a ‘generic’ Venetian roman, and each sheet was output directly from a high resolution laser jet printer on 100% Krypton Parchment paper. The letterpress embellishments were printed from hand-set Centaur, Arrighi and Shadow typefaces. The illustrations were engraved on Resingrave and printed directly from the blocks. The interleaved proofs were printed on handmade gampi paper from the studio of Reg Lissel, and each signed by the artist. The binding was designed and executed in collaboration with Simone Mynen, and the cover paper, a mixture of hosho and cotton pulps, was made by Ann Vicente at the Papermaker’s Press ---included with this copy is what looks like a prospectus or advertisement for this book, it is a single sheet folded to make 4 pages with the top leaf reproducing the title page, this is folded right to left so the open side is on the left edge, the other three sides of this folded sheet are blank, tipped onto that open edge is what appears to be another proof for the Minegishi title page illustration, that "proof" is not signed by the artist, I do not know if this separate sheet was issued with the book or sent pre-publication of this 10 copy edition to select potential buyers, this sheet with proof leaf is Fine although there is some slight creasing to the fragile tissue illustration proof page along the right edge, ---obviously a rare HM and HPL item, ---any image directly beside this listing is the actual book and not a generic photo. Signed. First Edition. Hard Cover. Fine (see description)/No Jacket as issued. Illus. by Shinesuke Minegishi.
Bibliotheque de L'Image, 2002-01-01. Paperback. New. 40 volume set. 32 cm. 4to. New, in shrink wrap. Softcover. Good binding and cover. Clean, unmarked pages. Facsimile reprint. Originally published under title: Recueil de planches sur les sciences, les arts liberaux, et les arts mechaniques, avec leur explications. Paris, 1762-1772. Contents: [v.1] Agriculture --[v.2] Anatomie --[v.3] Architecture --[v.4] Art de la ceramique --[v.5] Art de la charpente --[v.6] Art de la soie --[v.7] Art de l'ecriture --[v.8] Art de l'escrime --[v.9] Art de l'habillement --[v.10] Art des mines --[v.11] Art des textiles --[v.12] Art du cheval --[v.13]Art du cuir --[v.14] Art du tourneur. (cont.) [v.15] Art du verre/ Fabrication des glaces --[v.16] Art heraldique --[v.17] Artisanat au 18eme siecile --[v.18] Arts militaires --[v.19] Astronomie --[v.20] Casses/ Peâ€šches --[v.21] Chirurgie --[v.22] Dessin/ Peinture --[v.23] Ebeniste/ Menuisier --[v.24] Fabrication des canons --[v.25] Frogs --[v.26] Gravure/ Sculpture --[v.27] Horlogerie. --(cont.) [v.28] Imprimerie/ Reliure --[v.29] Lutherie --[v.30] Marine --[v.31] Menuisier en voiture sellier/ Carrossier --[v.32] Monnayage/ Travail de l'or --[v.33] Musique --[v.34] Orfevre/ Bijoutier --[v.35] Petits metiers du bois --[v.36] Sciences --[v.37] Serrurier/ Ferronnier --[v.38] Tapissier/ Tapisserie des gobelins --[v.39] Theaâ€štres/ Machines de theatre --[v.40] Travail du fer. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.
New York: Index Books, 2002. Paperback. SIGNED. First edition, first printing. Very Good+ paperback with a touch of shelf wear, a small scuff to the front, a tiny crease to one tip and a sliver of laminate starting. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Unpaginated; color plates throughout; 6 x 8.75 inches. SIGNED BY MCGINLEY in full on the title page under his crossed out name and inscribed on the first blank page and dated in February 22 of the year of publication: "For ___, Be gay all the way in the U.S.A. and have a happy day. Love always, Ryan." An artist's book; the photographer's first published book. The first printing is distinguished by "First edition, 2002" on the colophon page, no "Index Books" on the front, and a height slightly larger than 8.75 inches.
n.p., n.d.. XL. "Jersey Signed "Magic Johnson". Signed on his number "32" on this Los Angeles Lakers XL replica jersey. Fine condition.Earvin "Magic" Johnson was enshrined in the Basketball Hall of Fame in 2002: "Few players in history have exhibited as much enthusiasm for basketball or displayed such an engaging personality both on-and-off the court as Earvin 'Magic' Johnson. It was Johnson's incredible passion, coupled with his amazing skills that dazzled generations of fans and turned basketball into 'Showtime.' At 6-foot-9, Johnson was a point guard in a power forward's body. No player Johnson's size had ever done what he could do with a basketball and his incredible talents resulted in a national championship at Michigan State (1979) and five with the Los Angeles Lakers (1980, 1982, 1985, 1987, 1988)."Throughout the 1980s, he turned the triple double - double figures in three statistical categories - into an art form. The all-time assist (10,141) and steals (1,724) leader in Laker history, Johnson was the NBA's all-time leader in assists when he retired. Johnson redefined the sphere of traditional position play because he could excel at every phase of the game. As a rookie in the 1980 NBA Finals, Johnson played all five positions - scored 42 points - and was named NBA Finals MVP. Following his star-studded scholastic career at Lansing Everett High School and All-America career at MSU, Johnson became an immediate NBA superstar, becoming a 12-time All-Star, a two-time All-Star Game MVP (1990, 1992) and nine-time NBA First-Team selection."PSA/DNA COA"
Guildford, Genesis Publications Limited,, 2002. Forewords by Paul McCartney and Ringo Starr. Quarto. Original black leather backed grey cloth, titles to chromium plate to front cover black, titles to spine silver., all edges silver. Housed in a solander box with speaker illustration inlaid to the cover and titles to chromium plate, titles to spine silver, the inside is fashioned to resemble part of a mixing desk and a record player. Numerous photographs and illustrations. An excellent copy. First edition, first impression. Number 418 of 2000 copies, signed by George Martin. Together with the original promotional folder and two pieces of sheet music by Martin.
Oldham: Incline Press, 2002. 10 poems by Seamus Heaney. No. 27 of 230 copies. Illustration by Catherine Heaney, Seamus Heaney's daughter, lino-cut decorations by Bert Eastman, title page calligraphy by Diana Wilson. Printed in Garamond on variously coloured Zerkall paper, designed, printed and bound by Graham Moss & Kathy Whalen. 8vo., original maroon cloth backed, Ann Muir marbled paper with printed paper labels on spine and upper cover. An extremely good copy with the original prospectus inserted loose. An illustrious literary family, this book is to celebrate the meeting of the Devlins of Ardboe. Polly Devlin drew together this collection of poetry and prose by and about the family, spouses, children and grandchildren. The collection includes 10 poems by Seamus Heaney, who married Marie Devlin, plus a short extract from his translation of Beowulf, as well as work by Polly Devlin, her brother, the musician Barry, and Daisy Garnett.
Zurich: Scalo, 2002. Bill Henson, born in 1955, is one of Australia's leading contemporary photographers. Lux et Nox is the largest and most sumptuous of Henson's publications. First edition, large oblong monograph, original navy cloth, 285 x 430 mm, 176 pages, illustrated with full page photographs throughout, a fine copy in a fine dust-jacket.
West New York: Mark Batty, 2002. 8 x 11. 221 pages (including 150 color plates). Red cloth gilt. A separate portfolio contains six type and printing specimens created especially for this edition by Gudrun Zapf. Both in slipcase. Fine. One of 80 special copies, signed by Zapf. First major retrospective of this German book bookbinder, calligrapher, and designer of the Diotima typeface. A handsome book, designed by Gudrun"s husband Hermann Zapf, reproducing numerous fine bindings, (and photographs of the artist in her bindery) and calligraphed books & broadsides. Introduction by Hans A. Halbey. Bound by Judi Conant.
Totentänze. 6 Bände in Kassette.
Newtown: Bird & Bull Press, 2002. Edition limited to 150 copies, this the bookbinder Greg Campbell's copy, Campbell-Logan Bindery, and out-of-series; folio, pp. 99, ; numerous tip-ins and sample pages; original quarter brown Niger over green cloth, green morocco label on spine; accompanied by a separate portfolio containing two score of other samples of text and illustration, ephemera, etc. emanating from the Bird & Bull Press (including a number of multiple-page gatherings, and an entire separate folder containing material from the Bird & Bull Dard Hunter book); together in a green cloth clamshell box, brown morocco label on spine; fine. The separate portfolio here is unique: all the material is in a manila file folder on which Henry Morris has scrawled a long letter to Greg Campbell: "Greg - This is a sample set of material that will go in a cloth-covered folder...I think the overall size will be the same (or close) to the bound book. If so, no problem..,.This outside wrapper won't be included. It's is only to keep the set intact...There was a lot of great stuff left over from the Dard Hunter book - much of it saleable..." There are also three or four other notes from Morris to Greg Campbell laid in, mostly regarding specifications, sewing, and labeling.
Long Beach, CA: Safari Press. Fine. 2002. First Edition. Hardcover. Limited SIGNED Edition. This is copy number 440 of 1250 printed copies. With color photographs and black & white animal drawings. Fine in fine closed slipcase. Signed by author on Limitation page. Signed by former owner on title page. Ships same or next business day. ; 8vo 8" - 9" tall; 357 pages; Signed by Author .

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