Source: https://www.vialibri.net/years/1980/800
Timestamp: 2019-04-21 23:11:13+00:00

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Providence, RI: Matrix, 1980. Hardcover. SIGNED. First, limited edition of 60 copies with different reproductions. Very Good+ hardcover with fading to the spine and front in a Very Good matching slipcase with a mounted plate to the front with fading along the sides and to the front, a one-inch scratch to the cloth, indents/scratches to the plate, and a three-inch black mark to the fore edge of one board; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The first monograph dealing exclusively with Callahan's color work. There is a plate mounted to the ffep that reads: "This special book, bound from the press proof sheets, and containing plates that were not in the regular edition, is limited to sixty copies. This is copy number 30." The plate is SIGNED BY TOW, the editor. Other differences between this and the regular edition: there are 2 additional images and a total of 7 different images; the titles on the half-title and title page are in black rather than black and color; the endpapers are a much heavier weight and a different color; and the spine titling is handled differently. Photographs and texts by Harry Callahan; essays by Jonathan Williams and A.D. Coleman; edited by Robert Tow and Ricker Winsor; portrait of the photographer by Winsor. Unpaginated [144 pages]; 104 color reproductions and one duotone; 14 x 14.25 inches. Chronology, bibliography. Due to size and weight, international and expedited shipping will be more than quoted.
[London], 1980. Carbon typescript with holograph corrections, 411pp., 4to, a thorough revision of the draft manuscript apparently prepared at the final stages of pre-publication. Gardner has annotated some 215 pages, including the changing or removal of text, insertion or changing of words. Of these, 62 pages contain more extensive revisions, ranging from the insertion of a single sentence to an entire paragraph, in one of two pens (blue and black). Other minor editorial marks are found throughout the typescript. Some occasional handling wear. An extensive working draft for Gardner's third novel in his series about Big Herbie Kruger, the anti-hero British spy. Published in 1984, 'The Quiet Dogs' finds Kruger washed up and regarded with suspicion by his MI6 director and colleagues. He is given the Quixotic mission of extracting a long-term asset in Moscow without leaving London, and finds the opportunity to vanquish the KGB officer who almost destroyed him four years earlier in 'The Garden of Weapons.' Several sections are heavily excised, reworked and written in manuscript, and the typescript contains at end 52 sheets separately typed for insertions at various places. An additional 15 pages of xeroxed typed notes are found, in which Gardner includes editorial issues that need addressing. His header on these sheets perhaps implies that the irregular pagination of the present typescript does not mean that it is incomplete, but rather that it is a final submission to the publisher for collation with a previous draft: "Please note. All page number [sic] - other than those marked 'new pages' - are in original page numbering. The 'new page' numbers follow directly on to the original numbering. It will be most important to renumber 'all' pages by hand when the ms is finally put together after following the instructions below.'.
Die Vorlagen der Redaktoren für die erste Kommission zur Ausarbeitung des Entwurfs eines Bürgerlichen Gesetzbuches.
92 pp. Paris, les Éditions de Minuit, 1980, in-8, 92 pp, broché, couverture à rabats de l'éditeur, Édition originale : Compagnie fut rédigé en anglais, traduit par l'auteur et publié en français avant d'être édité dans sa langue originale. Exemplaire du tirage courant. Envoi de l'auteur au titre.
Orbis Books-New York, U. S. A. 1980 - INGLESE Stato discreto, coperta illustrata in cartoncino patinato, piega su piatto anteriore, grafica di Catherine Figart, bordo e punte consumati, abrasioni, su dorso talloncino in carta, incollato con scotch, con catalogazione bibliotecaria, tracce di sporco su piatto inferiore, taglio di testa con macchiette, pagine in ottimo stato. Su occhiello scritta a matita. Traduzione dallo spagnolo di John Drury. II ristampa. La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,00 euro.
AH & AW Reed Pty. Ltd., Terrey Hills, NSW, Australia, 1980 - First edition: folio; hardcover; full white faux-leather with gilt spine and upper board titling, plain lime endpapers; 144pp., with many full-colour and monochrome illustrations in orange slipcase. Signed by both artist and author on half-title page. Minor wear; foxing to half-title and title pages with some random spots to pp. 11. A few scratches on rear panel of illustrated dustwrapper. Some spots and scrapes on slipcase. Very good to near fine. Charles Blackman's works have been described as 'the raw authenticity of feeling' and 'images for grief and guilt, loss, persecution and tenderness in their naked forms, without softening or distraction'; and he himself as 'a creative spirit'. Whatever medium he is using - paint, charcoal, engraving and print-making, tapestries, stained glass - or whatever image he is calling up - his extraordinary schoolgirls, his magical Alice and White Rabbit, his gardens and his flowers, his mother-and-childs, his enchanted children, his fateful literary greats - he never fails to evoke a response, both from within the image and from the onlooker's outside.
Gesang des Abgeschiedenen. Traum und Umnachtung aus Sebastian im Traum.
Hamburg, Raamin-Presse, 1980. 49 S. 1 bl. Mit 14 mehrfarb. Kunstharzstichen von Roswitha Quadflieg. 4°, OPappband mit blindgeprägtem Rückentitel und geometrischer Deckelblindprägung in OPappschuber. Spindler 71, 11. Tiessen V, 17. 11. Druck der Raamin-Presse. eins von 120 (GA 125) Ex. Druckvermerk von Roswitha quadflieg eh. sig. Satz aus der Nicolas Cochin der Schriftgießerei Deberny et Peignot. Die Illustrationen wurden in sechs bis zehn Farben von den Originalplatten aus Kunstharz gedruckt. Gestaltung, Handsatz und Druck auf Fabriano Büttenpapier. Den Einband in Handbütten von Richard de Bas besorgte Christian Zwang, Hamburg.
London: Heinemann. (1980). First. First edition. Fine in fine dustwrapper with slightest soiling. Signed by the author: "Patricia Highsmith, 6 June 1985. Amsterdam." The scarce fourth Ripley novel. .
Baton Rouge: Louisiana State University Press, 1980. First Edition. Hardcover. Very Good. First edition, first printing. About Fine, in a Near Fine dust jacket with faint touches of rubbing at the tips. A striking copy.
Culver City, CA: Culver City Studio / United Artists, 1980. Revised draft script for the 1980 film. Vincent (Calhoun) is the proprietor of a hotel, where he and his family bring kidnapped victims and bury them alive in a garden. The victims are kept alive and fattened up for the meal they are to become: Farmer Vincent's Fritters.
A low-budget but often witty parody of more serious horror films, like Hitchcock's "Psycho" (1960) and Tobe Hooper's "The Texas Chain Saw Massacre" (1974).
Shot on location in California at the Sable Ranch. Blue untitled wrappers, with a die-cut title window. Title page present, dated 3/1/80, with credits for screenwriters-producers Jaffe and director Connor. 116 leaves, with last leaf of text numbered 110. Photographically reproduced, with blue and pink revision pages throughout, dated variously between 3/9/80 and 3/30/80. Pages and wrapper Near Fine, bound with two gold brads.
Lentz, p. 1342. Weldon (1983), p. 486.
New York : Harper and Row, 1980. Book. Very Good. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. THIS BOOK IS NOT FOR SALE; WILL OT DELISTHalf blue cloth to blue boards with gilt spine titles. Bindings square and tight; Previous owner's book plate on front free endpaper. some hand soiling to boards with a spot center near spine front. Light wear to now Mylar protected Dust jacket. Full number line..
Loughborough, Leicestershire: The Plough Press. Fine. 1980. First Edition. Hardcover. Limited Edition # 51 of 102. Original clean marble boards over blue morocco leather spine with gilt title. Illustrated with b/w photographs, drawings, maps and water marks. Rear pocket contains samples. Jointly formed by Wakeman & Roderick Cave in 1967. The Mills: Carshalton; Chafford; Darenth; Downton; Eynsford; Ford; Hayle; Hurcott; King's Alton; Laverstoke; Shoreham; Springfield; Tuckenhay and Wookey Hole. Books on Books, Hand made paper ; Photographs, Maps, Water Marks; 8vo 8" - 9" tall; 123 pages .
GARTENGESTALTUNG- - (LA-COURT VAN DER VOORT, Pieter de).
4. Titelbl., XXIV, 412 S., mit 15 großt.. gef., gest. Tafeln, 20 nn. Bll. (Indices), Titelblatt in rot u. schwarz, mit e. kleinen Titelblattvignette, Initialen mit Blattmotiven, Zierleisten u. e. gestochenen Illustration auf S. 305. Ohne Einband, Buchblock auf 4 Bünde geheftet, mit Resten d. ehemaligen Papierumschlags am Rücken, erste Lage locker. Titelblatt angeschmutzt, Blattkanten staubrandig, Seiten teilw. leicht gebräunt, anfangs wasserrandig. BL Integr. Cat. SysNr. 003816420 (elektronische Quelle). Jöcher/Adelung 2,497. Vgl. Muijzenberg, A history of greenhouses. Wageningen 1980, S. 103. Französische Übersetzung dieses grundlegenden Werkes zu Gartengestaltung u. Treibhausbau Byzondere Aenmerkingen over het aenleggen van pragtige en gemeene Landhuizen, Lusthoven, Plantagien (etc.) Leiden 1737 d. Rechtsgelehrten, Kunstsammlers u. wohlhabenden Textilhändlers L. (1664-1739). Der Autor schuf sich durch die erfolgreiche Kultivierung exotischer Pflanzen, z.B. erstmalig d. Ananas u. durch d. Publikation seiner Erfahrungen, e. d. bedeutendsten Werke d. 18. Jh. zu diesem, damals großes Interesse erweckendes, Thema, ein bleibendes Denkmal. 15 Tafeln mit anschaulichen Darstellungen v. Treibhausobst wie Ananas u. Zitrusfrüchten, sow. Entwürfen zu Glashäusern liegen lose bei und zwar d. gezählten Tafeln A-H u. 8 Tafeln mit d. Figuren 1-10. Gestochen wurden d. Tafeln, die denen d. Originalausgabe v. 1737 entsprechen dürften, v. Amsterdamer Künstler Jan Wandelaar (1690-1759), e. d. besten Kupferstecher für botanische Darstellungen seiner Zeit, v. Francois van Bleyswyck (erw. 1706), Leidener Kupferstecher d. viel f. d. Buchproduktion arbeitete, seinem Schüler Johannes van der Spijk (auch Spyck erw. 7736-1761) u. v. Jan Caspar Philips (um 1700-um1773). Vgl. dazu Thieme-B. 35,141. 4,116. 31,419. u. 26,554. So komplett mit allen Tafeln selten.
La Acumulacion de Adjetivos Calificativos en la Frase Nominal del Frances Contemporaneo. Verba, Anuario Galego de Filoloxia Anexo 26.
Levantado do chão, romance. O Campo da Palavra, 9.
Hellas II. Texte von Margarete Hannsmann und Iannis Negrepondis.
München, Bruckmann, 1980. Mappenwerk mit 3 num. OFarbholzschnitten auf Velin, Blattmass 40,7 x 53 cm, von HAP Grieshaber sign., im Büttenumschlag, 1 Buch "HAP Grieshaber Hellas" mit 1 eingebundenen gefalteten OFarbholzschnitt, 62 S. Kassette Fol. u. Buch 4°, Illustr. OLeinenkassette mit Büttenumschlag mit den 3 OFarbholzschnitten und dem beiliegenden Buch mit dem gefalteten OHolzschnitt (illustr. OPpbd.). Eins von 290 Ex. der Vorzugsausgabe, für die Grieshaber drei neue Farbholzschnitte geschaffen hat: Athene Parthenos / Poseidon / Zeus. - Fürst 80/4 bis 80/6.
London: Faber and Faber,, 1980. Octavo. Original blue boards, titles to spine gilt. With the dust jacket. Small rust marks to gutter at front, perhaps offset from some stapled leaf once laid in but now absent, otherwise a superb copy in fine condition. First edition, first impression, inscribed on the front free endpaper in the year of publication, "For Hazel, Seamus Heaney, October 20 1980".
Milano: Bompiani, 1980. First Edition. Hardcover. The author's first novel. 503pp. Red cloth stamped in gilt on the spine. Signed by Umberto Eco on the half-title page. A mystery set in an Italian monastery in the middle ages. 1981 winner of the Premio Strega; 1982 winner of the Prix MÃ©dicis Ã©tranger. #14 in Le Monde's 100 Books of the Century. Basis for the 1986 Jean-Jacques Annaud movie featuring Sean Connery, Christian Slater and Ron Perlman. A bright, fine copy in fine, price-clipped dustjacket. A superior copy, the best we have seen, and particularly scarce signed. Contursi A021a. In the Italian language. ; Octavo; Signed by Author.
Autobiography Sol Lewitt 1980. VERY FINE COPY.
New York & Boston, Multiples Inc & Lois and Michael K. Torf, 1980. Stiff pictorial wrappers (softcover), 26,2 x 26,2 cms., p.p., 1,116 black & white illustrations. Artist's Book.
Geschlechter-Reihen St. Laurentii-Föhr: Teil I- Ia - II. Zusammen 3 Bände.
Plain Wrapper Press,, Press Book, 1980. Un racconto in italiano di Luigi Santucci, con traduzione in inglese degli stampatori Richard-Gabriel Rummonds ed Alessandro Zanella. Una serigrafia originale a colori su tre pagine di Emilio Tadini (cm 30,5x63). Edizione numerata e firmata dall'Artista e dall'Autore. 4to (cm 33x24). pp. 48. Perfetto (Mint). Edizione originale di 110 es. numerati e firmati. Affascinato dal romanzo "Orfeo in Paradiso", Rummonds chiese a Luigi Santucci (1918-1999) un racconto per la sua tipografia. Non poteva certo immaginare che il racconto gli sarebbe stato consegnato dopo sette anni! Il tempo trascorso aveva comunque contribuito al perfezionamento della lingua italiana, così Rummonds, che aveva molto apprezzato la storia di Santucci che ha per protagonista Geneviève, dalla cui bocca esce la voce del bambino, non ancora nato, che essa porta in grembo, maturò l'idea di compiere egli stesso la versione del testo in inglese.
André Kertész - photographed due to his own wish next to the Henry Moore sculpture in London's Hyde Park in 1980.
Extra Large Original Photograph on archival paper. 45 cm high x 55 cm wide. From the private library of irish photographer John Minihan. Titled and signed by John Minihan below the image.
One of the richest and most ancient of symbols, the ram - symbol of Aries in the Zodiac - represented power and authority, as well as fertility, creativity and rebirth. The ram that Abraham found trapped in a thicket on Mount Moriah and that he sacrificed in place of his son Isaac later came to symbolize Jesus Christ, and remains perhaps the most famous ram in literature; and the ram's horn, the shofar, was an important part of Jewish history and ritual. Leonard Baskin was preoccupied with the Old Testament story of Abraham and his son Isaac during the mid-1970s and created three major sculptural works based on the story, including "Isaacangel", "Abraham" and "Ram", which were associated with a group of "divinator and prophet figures" that Baskin created at the time. - Irma B. Jaffe, The Sculpture of Leonard Baskin (NY.: Viking Press, 1980), p. 192 A beautiful bronze, in fine condition.
Insel Verlag, Frankfurt a. M. 1980 - gr 8 °, Halblwd. m. Lesebändchen im OSchuber, je Band etwa 350 S. - Schuber an der linken Aussenseite angestaubt, Buchrücken teilw. leicht angestaubt, ein Rücken mit kleiner Wachsspur, sonst sehr gute Exemplare. Enthält: Schriften in Auswahl von Franz v. Baader (Hrsg. Max Pulver), Hildegard von Bingen (Hrsg. Johannes Bühler), Jakob Böhme (Hans Kayser), Meister Eckhart (Fr. Schulze-Maizier), J. G. Hamann (Karl Widmaier), Johannes Kepler (W. Harburger), Paracelsus (Hans Kayser), Jan van Ruisbroeck (Fr. Markus Huebner), Heinrich Seuse (Anton Gabele), Johann Tauler (Leopold Naumann) sowie G. Th. Fechners Zend-Avesta (Max Fischer), Der Frankfurter. Eine deutsche Theologie (Joseph Bernhart) sowie "Mystische Dichtung aus sieben Jahrhunderten"
Random House, 1980 Book Fine in a Near Fine Dust Jacket. INSCRIBED by Capote on the the front free endpage along with a personal inscription from the previous owner, stating the place and date the signature was obtained. First Edition stated on the copyright page with the number line 2 4 6 8 9 7 5 3. Dust jacket is in near fine condition with minor wear along the edges. Price clipped.. Inscribed by Author(s). 1st Edition. Hardcover. Fine/Near Fine.

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