Source: http://www.abstract-art.com/landfield/la5_bio_info_fldr/11rl_bio-jn.html
Timestamp: 2019-04-25 02:16:59+00:00

Document:
Richard Nadeau Gallery, Philadelphia, Pa.
1986 B.R. Kornblatt Gallery, Washington, D.C.
B. R. Kornblatt Gallery, Washington, D. C.
B. R. Kornblatt Gallery, Washington, D.C.
Bank of America, World Headquarters, San Francisco, Ca.
B.R. Kornblatt Gallery, Washington D.C.
B. R. Kornblatt Gallery, Baltimore, Md.
1976 B. R. Kornblatt Gallery, Baltimore, Md.
1970 Joseph Helman Gallery, St. Louis, Mo.
Art in Embassies, U.S. State Department, Havana, Cuba.
Gallery Group Exhibition, Robert Kidd Gallery, Birmingham, Michigan.
Gallery Group Exhibition, Jaffe/Baker Gallery, Boca Raton, Florida.
Gallery Artists, C.S. Schulte Gallery, Milburn, New Jersey.
1992 FOUR ABSTRACT PAINTERS Galerie Simonne Stern, New Orleans, Louisiana.
1991 THE LANDSCAPE IN TWENTIETH-CENTURY AMERICAN ART, (traveling exhibition organized by the American Federation of Arts, con't).
1984 NEW AMERICAN PAINTING, A tribute to James and Mari Michener, University of Texas, Austin Texas.
SUMMER SHOW, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
RONNIE LANDFIELD and JOHN FERGUSEN, Salisbury State College, Maryland.
1975 THE LEWIS COLLECTION, Delaware Art Museum, Wilmington, Delaware.
ART FOR YOUR COLLECTION, Pilavin Collection, Twentieth Century American Art, Part 2, Rhode Island School of Design.
1971 BEAUX ARTS 25TH ANNUAL EXHIBITION, Columbus Gallery of Fine Arts, Columbus, Ohio.
NEW YORK PAINTING, Reese Paley Gallery, San Francisco, Ca.
Museum of South Texas, Corpus Christi, Texas.
New Orleans Museum of Art, New Orleans, Louisiana.
Norton Simon Museum of Art, Pasadena, California.
Palm Springs Desert Museum, Palm Springs, California.
Ringling Museum of Art, Sarasota, Florida.
Seattle Museum of Art, Seattle, Washington.
Sheldon Memorial Museum of Art, University of Nebraska, Lincoln, Nebraska.
Smith College Museum of Art, Northhampton, Massachussetts.
Stanford Museum and Art Gallery, Stanford University, Stanford, California.
Walker Art Center, Minneapolis, Minnesota.
Atlantic Richfield Corporation, Los Angeles, California.
Central Bank, Jefferson City, Missouri.
Federal Reserve Board, Washington D.C.
Mondrian Hotel, Los Angeles, California.
New York University, New York City.
Sloan Kettering Cancer Institute, New York City.
1968 The William and Noma Copley (Cassandra) Foundation Award for Art.
1989-90 Designed and painted costumes for ballet piece choreographed by Young Soon Kim, performed in New York City and Seoul , South Korea.
1970 10 Degrees Above Zero, 11' x 20' Mural-Lobby, Westinghouse Corporation, Pittsburgh, Pennsylvania.
1969 NEW YORK 10, Print Portfolio, published by Rosa Esman.
1968 SMS Portfolio, publ. Letter Edged in Black Press, Vol. 3, N.Y.
1975-89 Teacher, School of Visual Arts, New York.
1968 Guest instructor, Bennington College, Bennington, Vermont.
1997 Forum Series Abstraction/Imagery, Art Student's League, New York City, A panel discussion including William Agee, Mira Berkowitz-Goldfarb, John Griefen, James Monte, Bill Pettet, Larry Salander, and Ronnie Landfield as Panelist and Moderator. Video on file at The Art Student's League, New York.
"Colorfield Painting and Lyrical Abstraction," slide lecture, Hokkaido Womens College, Sapporo, Japan. "My Paintings," slide lecture, Hokkaido Womens College, Sapporo, Japan.
"Cool and Collected or Too Hot To Handle. A Modernist Response to Post-Modernism," Panel Discussion, text on file, New York Studio School, New York Panelists included: Ellen Handy, William Pettet, John Griefen, Peter Reginato, and Ronnie Landfield as moderator.
"Cool and Collected orToo Hot to Handle" Panel Discussion, Tenri Cultural Institute. New York Panelists included: Ronnie Landfield, Klaus Kertess, Ellen Handy, Joan Snyder, and Karen Wilken as moderator. Sponsored by Triangle Artists Workshop.
1993 St. Margaret's House Slide Lecture Series, New York.
1996 "Abstract Expressionism," "Colorfield Painting and Lyrical Abstraction," "On my Work," Japanese and English lectures - video on file Hokkaido Womens College, Sapporo, Japan.
1988 "For the Whales", Filmed for television by the Canadian Broadcasting System. Ronnie Landfield, John Cage, and other artists discussing art and environmental issues.
1986 "Let Chaos Reign", video by Rose Hansen. A video documentation of Ronnie Landfield painting in his studio.
1964 "711 Tehama St." Animated film by Ronnie Landfield and Peter Reginato, San Francisco, California.
Landfield, Ronnie, Seven Painters. Exhibition announcement essay, October 1995.
Landfield, Ronnie, "Interviewed by 5 Arizona Painters, " text on file at Guggenheim Foundation, New York . Bisbee Daily Review, Wed., Aug. 30, 1978, p.5, Culture Section.
Landfield, Ronnie,"A Brief Narrative Account of My Career", unpublished text on file at Museum of Art, Rhode Island School of Design, Providence ,Rhode Island, Oct. 1971.
Ostrow, Steve, "A Brief Biographical Essay, " THE ALBERT PILAVIN COLLECTION: TWENTIETH CENTURY AMERICAN ART,Catalogue, vol. 2, pp. 38-40. Published by Rhode Island School of Design Museum of Art, Providence, Rhode Island, Oct. 1971.
Sharp, Willoughby, "Points of View: A Taped Conversation with Four Painters, " Arts Magazine, Vol. 45, No.3, Dec. 1970- Jan. 1971.
Anonymous, Exhibition review, Hokkai Times, June 8, 1996.
Monte, Jim. "Seven Painters at Nicholas Alexander," Exhibition review, Art in America, May, 1996, p. 113.
Wilkin, Karen. "At the Galleries", Seven Painters, Exhibition review, Partisan Review, 1996 #1, pp. 91-93.
Karmel, Pepe. "Seven Painters", Exhibition review, New York Times, November 17th, 1995. p. C30.
Negroponte, Diana V. "Contemporary American Artists," Catalogue, U.S. Embassy, Manila, The Philipines. December, 1994 pp.
Wei, Lily. Exhibition review, Art In America, December, 1994, p.106.
Messinger, Lisa. The Landscape in Twentieth-Century American Art: Selections from the Metropolitan Museum of Art, Rizzoli, New York, 1991, p.165.
Hurlburt, Roger. Exhibition review, "Abstract Panorama", Miami Herald, April 21, 1991.
Hackett, Regina. Exhibition review, Seatlle Post-Intelligencer, February 1, 1990, p. C9.
Berger, David. Exhibition Review, Seattle Post- Intelligencer, April 9, 1989, section L.
Wilder, Nicholas. "Thoughts on Ronnie Landfield", Catalogue, Linda Farris Gallery, Seattle, Washington, April, 1989.
Anonymous. "Visions and Versions", Art and Antiques, January 1989, p. 30.
Ahlander, Leslie Judd. Exhibition review, The Miami News, April 15, 1988, p.3C.
Bass, Ruth. Exhibition review, Art News, April, 1988, p. 158.
Henry, Gerrit. Exhibition review, Art in America, July, 1987, p. 131.
Hacket, Regina. Exhibition review, Seattle Post-Intelligencer, April 16, 1987, pp. 81-83.
Towle, Tony. "Ronnie Landfield, Twenty years of Abstract Landscapes". Arts, March, 1987, pp. 81-83.
Towle, Tony. "Ronnie Landfield," Exhibition Catalogue, Stephen Haller Fine Art, February 1987.
Gatenby, Gregg. Whales a Celebration, 1983, Little, Brown and Co., p. 198.
Messinger, Lisa. "Dialogues in Art", Exhibition Catalogue, Palazzo Ducale di Gubbio, Italy, Sept. 30, 1984.
Junker, Howard. "Black and White Metaphor", Architectural Digest, June 1984.
Messinger, Lisa. "Notable Acquisitions," Catalogue. The Metropolitan Museum of Art, 1982-83.
Kohen, Helen, Exhibition review, Miami Herald, March 6, 1981.
Yau, John. Exhibition review, Art In America, Jan. 1981.
Raynor, Vivian. Exhibition review, New York Times, November, 14, 1980.
Cotter, Holland. Exhibition review, New York ArtsJournal, v. 13, March-April, 1979, p. 31.
Ulen, Sarah. "Two Decades, American Art from the Collection of Smith College," Exhibition Catalogue, Montclair Art Museum, November 1978-January 1979, Introduction.
Gold, Barbara. Exhibition review, Baltimore Sun, February 12, 1978.
Cotter, Holland. Exhibition review, New York Arts Journal, v.8, Feb.- March 1978, p. 37.
Frackman, Noel . Exhibition review, Arts, v.50, n.1, Sept. 1975, pp.8-9.
Various Authors. The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, New York: Harry N. Abrams, Inc. 1974.
Kim, Whee. "A Personal Definition of Pictorial Space," Arts, v.49, n. 3, November 1974, pp. 74-78.
Borden, Lizzie. Exhibition review, Art International, v. 17, n.5, May 1973.
Kingsley, April. Exhibition review, Art International, v. 17, n.5, May 1973, p. 59.
Siegel, Jeanne. Exhibition review, Art News, v. 17, n.5, May 1973.
Bell, Jane. Exhibition review, Arts, v.47, n. 6, April, 1973.
Carmean, E.A. "Toward Color and Field", Exhibition Catalogue, Houston Museum of Fine Arts, 1971.
Domingo, Willis. Exhibition review, Arts, v. 45, n. 8, Summer 1971.
Channin, Richard. Exhibition review, Art News, v. 70, n. 4, June 1971.
Ratcliff, Carter. "Painterly vs. Painted", Art News Annual XXXVII, Thomas B. Hess, and John Ashberry, eds. 1971, pp/ 129-147.
Lyrical Abstraction, Exhibition Catalogue, New York, Whitney Museum of American Art, May 18, - June 1971.
Domingo, Willis. "Color Abstractionism: A Survey of Recent American Painting," Arts, v. 45.n.3, December 1970, pp. 34-40.
Sharp, Willoughby. "Points of View: A taped conversation with four painters," Arts, v. 45, n.3. December 1970, pp.41-.
Glenn, Connie W. Exhibition review, Arts, v. 44, n. 8, Summer 1970, p. 23.
Findlay, Michael. "Young American Artists", The Contemporary Art Center , Cincinnati, Ohio, Exhibition Catalogue, Introductory Remarks, April, 1970.
Ashton, Dore. "Young Abstract Painters: Right On!" Arts v. 44, n. 4, February, 1970, pp. 31-35.
Anonymous. "Highlights of the 1969-70 Art Season.", Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, Exhibition Catalogue, Summer 1970.
Radcliff, Carter. "The New Informalists," Art News, v. 68, n. 8, December 1969, p.72.
Bourgeois, Jean Louis. Exhibition review, Artforum, v. 8, n. 4, December,1969, p. 72.
Aldrich, Larry. "Young Lyrical Painters," Art In America, v. 57, n. 6, November-December, 1969, pp. 104-113.
Johnson, William. Exhibition review, Art News, v. 68, n. 8, December 1969, p 16.
Junker, Howard. "The New Art: It's Way, Way Out", Newsweek, July 29, 1968, pp. 3, 56-63.
Anonymous, "Avant the Avant-Garde", Esquire Magazine, Sept. 1967, p. 134.

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