Source: https://www.museumofrussianicons.org/british-museum-bibliography/
Timestamp: 2019-04-20 15:19:56+00:00

Document:
U.Abel and V. Moore, Icons, Nationalmuseum, Stockholm, 2002.
M. Acheimastou-Potamianou (ed.), Byzantine and Post-Byzantine Art (exh. cat., Byzantine and Christian Museum), Athens, 1986.
M. Acheimastou-Potamianou (ed.), From Byzantium to El Greco. Greek Frescoes and Icons (exh. cat., Royal Academy of Arts, London), Athens, 1987.
M. Acheimastou-Potamianou (ed.), Holy Image, Holy Space. Icons and Frescoes from Greece (exh. cat., The Walters Art Gallery, Baltimore), Athens, 1988.
M. Acheimastou-Potamianou, ‘Δύο εικόνες του ζωγράφου Αγγέλου και του Ανδρέα Ρίτζου στο Βυζαντινό Μουσείο’, Δελτίον της Χριστιανικής Αρχαιολογικὴς Εταιρείας 15 (1989–90), 105–118.
M. Acheimastou-Potamianou, Icons of the Byzantine Museum of Athens, Athens, 1998.
M. Acheimastou-Potamianou, Icons of Zakynthos, Athens, 1998.
M. Adey, ‘An Icon Illustrating a Greek Hymn’, Burlington Magazine 34 (1919), 45–55.
D. Ainalov, Vizantiiskaia zhivopis’ XIV stoletiia, Petrograd, 1917.
P. Angiolini-Martinelli, Le icone della collezione classense di Ravenna, Bologna, 1982.
M. Aspra-Vardavaki and M. Emmanuel, The Monastery of Pantanassa at Mistra: The Wall Paintings of the 15th Century, Athens, 2005.
E. Bakalova and A. Lazarova, ‘The Relics of St Spyridon and the Making of Sacred Space on Corfu: between Constantinople and Venice’, in A. Lidov (ed.), Hierotopy. The Creation of Sacred Spaces in Byzantium and Medieval Russia, Moscow, 2006, 434–65.
C. Baltoyanni, Icons. Demetrios Ekonomopoulos Collection, Athens, 1986.
C. Baltoyanni, Icons. The Mother of God in the Incarnation and the Passion, Athens, 1994.
C. Baltoyanni, Conversation with God. Icons from the Byzantine Museum of Athens. 9th – 15th Centuries (exh. cat., The Hellenic Centre, London), Athens, 1998.
Ch. Baltoyanni, Icons. Christ in the Incarnation and the Passion, Athens, 2003.
M.C. Bandera Viani, Venezia: Museo delle icone bizantine e post bizantine e chiesa di San Giorgio dei Greci (Musei d’Italia, Meraviglie d’Italia), Bologna, 1988.
Bibliotheca Hagiographica Latina Antiquae et Mediae Aetatis, ed. Société des Bollandistes, Subsidia Hagiographica 6, Bruxelles: Société des Bollandistes, 1898–1901.
M. Bianco Fiorin, ‘Nicola Zafuri, cretese del Quattrocento e una sua inedita “Madonna”’, Arte Veneta 37(1983), 164–9.
M. Bianco-Fiorin, Icone della Pinacoteca Vaticana, Vatican City, 1995.
Conflict and Dissent in Early Medieval Christianity, Leiden, 2011, 114–28.
και την Αγία Πετρούπολη (exh. cat., exh. cat., Basilica of St Mark – Church of St Catherine), Herakleion, 1993.
D. Buckton (ed.), Byzantium. Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994.
D. Buckton, ‘A Byzantine icon for the British Museum’, National Art-Collections Fund Review 1987, London, 1987, 84–5.
D. Buckton, ‘A Cretan icon of St George and the Dragon’, British Museum Magazine, no. 23 (Winter 1995), 18.
The World of the Byzantine Museum, Athens, 2004.
C. Campbell and A. Chong (eds), Bellini and the East (exh. cat., The National Gallery), London, 2005.
V. Cândea, Icônes grecques, melkites, russes: collection Abou Adal, Paris, 1993.
V. Cândea and S. Agemain, Icônes Melkites. Exposition organisée par le Musée Nicolas Sursock du 16 Mai au 15 Juin 1969, Beirut, 1969.
M. Chatzidakis, Icônes de Saint-Georges des Grecs et de la collection de l’Institut, Venice, 1962.
M. Chatzidakis, ‘Les débuts de l’école crétoise et la question de l’école dite italo-grecque’, Mnemosynon Sophias Antoniadi, Venice, 1974, 169–211, reprinted in M. Chatzidakis, Études sur la peinture postbyzantine, Variorum Reprints, Ashgate, London, 1976, no. 4.
M. Chatzidakis, ‘La peinture des ‘Madonneri’ ou ‘vénéto-crétoise’ et sa destination’, in H.G. Beck, M. Manoussakas and A. Pertusi, Venezia centro di mediazione tra Oriente e Occidente (secoli XV–XVI). Aspetti e problem, vol. 2, Florence, 1977, 673–90.
M. Chatzidakis, Icons of Patmos: Questions of Byzantine and Post-Byzantine Painting, Athens, 1985.
M. Chatzidakis, The Cretan Painter Theophanes: the Final Period of his Art in the Frescoes in Stavronikita Monastery, Mount Athos, 1986.
M. Chatzidakis, Mystras. The Medieval City and the Castle, Athens, 1992.
M. Chatzidakis and D. Sofianos, The Great Meteoron. History and Art, Athens, 1990.
M. Chatzidakis and E. Drakopoulou, Έλληνες ζωγράφοι μετά την Άλωση (1450–1830), Athens, 1997.
N. Chatzidakis, Icons of the Cretan School (15th–16th century) (exh. cat., The Benaki Museum), Athens, 1983.
N. Chatzidakis, From Candia to Venice. Greek Icons in Italy 15th–16th century (exh. cat., Museo Correr), Venice, 1993.
N. Chatzidakis, Icons. The Velimezis Collection, Athens, 1998.
N. Chatzidakis and C. Scampavias (eds), The Paul and Alexandra Kanellopoulos Museum. Byzantine and Post-Byzantine Art, Athens, 2007.
M. Cheremeteff, ‘The Transformation of the Russian sanctuary barrier and the role of Theophanes the Greek’, in A. Leong, The Millenium: Christianity and Russia 988–1988, New York, 1990, 107–40.
J. Chittenden and C. Seltman, Greek Art. A Commemorative Catalogue of an Exhibition Held in 1946 at the Royal Academy Burlington House London, London, 1947, 52, no. 366, pl. 98.
S. T. Chondrogiannis, The Antivouniotissa Museum Corfu, Thessaloniki, 2010.
A. Cody, ‘Dayr al-Suryan’, The Coptic Encyclopedia 3 (1991), 876–81.
E. Constantinides, The Wall Paintings of the Panagia Olympiotissa at Elasson in Northern Thessaly, 2 vols, Athens, 1992.
M. Constantoudaki-Kitromilides, ‘St Jerome with the lion in icons of the Cretan School. The theme and its symbolism’, Ὰνθη Χαριτων, Venice, 1998, 193–226.
M. Constantoudaki-Kitromilides, ‘Από το Ρέθυμνο στη Βενετία: ο ζωγράφος Κωνσταντίνος Τζάνε Μπουνιαλής και η εξέλιξη της τέχνης του’, in C. Maltezou and A. Papadaki (eds), Rethymno veneziano. Atti del Simposio, Rethymno, 1–2 novembre 2002, Venice, 2003, 415–34.
M. Constantoudaki-Kitromilides, ‘St Jerome as church father and hermit in icons of the Cretan School’, Proceedings of the I0th International Cretological Congress (Chania, 1–8 October 2006), vol. II.2 (Byzantine and post-Byzantine period), Chania, 2011, 331–78.
R. Cormack, ‘The Triumph of Orthodoxy’, National Art-Collections Fund Review 1989, London, 1989, 93–4.
R. Cormack in D. Buckton (ed.), Byzantium: Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994, cat. no. 140, 129–30.
R. Cormack, ‘Women and Icons, and Women in Icons’, in L. James (ed.), Women, Men and Eunuchs. Gender in Byzantium, London, 1997, 24–51.
R. Cormack in M. Vassilaki (ed.), Mother of God: Representations of the Virgin in Byzantine Art, (exh. cat., The Benaki Museum), Athens, 2000, cat. no. 32, 340.
R. Cormack, ‘Crusader art and artistic technique: another look at a painting of St George’, in M. Vassilaki (ed.), Byzantine Icons. Art, Technique and Technology, Herakleion, 2002, 163–9.
R. Cormack, Icons, London, 2007 (repr. 2014).
R. Cormack in M. Vassilaki (ed.), The Hand of Angelos. An Icon Painter in Venetian Crete (exh. cat., The Benaki Museum), Athens, 2010.
R. Cormack and S. Mihalarias, ‘A Crusader Painting of St George: ‘maniera greca’ or ‘lingua franca’’, Burlington Magazine 126 (1984), 132–41.
R. Cormack and S. Mihalarias, ‘Two icons, more or less Byzantine’, Apollo 14 (1986), 6–10.
R. Cormack and M. Vassilaki, Byzantium 330-1453 (exh. cat., The Royal Academy), London, 2008.
O. M. Dalton, Catalogue of Early Christian Antiquities and Objects from the Christian East…in the British Museum, London, 1901.
O. M. Dalton, ‘A Byzantine Panel in the British Museum’, Burlington Magazine 14 (1909), 230–6.
O. M. Dalton, Byzantine Art and Archaeology, Oxford, 1911.
O. M. Dalton, East Christian Art. A Survey of the Monuments, Oxford, 1925.
M. Davies, The Earlier Italian Schools, London, 1951.
M. Davies, The Early Italian Schools: Before 1400 (revised by D. Gordon), London, 1988.
M. Dejonghe, Roma Santuario Mariano, Bologna, 1969.
A. M. de la Croix, Icônes arabes. Mystères d’Orient, Méolans-Revel, 2006.
A.M. de la Croix and F. Zabbal (eds), Icônes arabes. Art chrétien du Levant: Exposition présentée à l’Institut du Monde Arabe du 6 mai au 17 août 2003 (exh. cat.), Méolans-Revel, 2003.
V. Drăgut, Die Wandmalerei in der Moldau, Bucharest, 1983.
E. Drakopoulou, Η πόλη της Καστοριάς τη βυζαντινή και μεταβυζαντινή εποχή (12ος – 16ος αι), Athens, 1997.
A. Drandaki, ‘“The Restoration of the Icons”: Tradition and renewal in the work of a 16th-century Cretan painter’, Benaki Museum 1 (2001), 59–78 (in Greek with English summary).
A. Drandaki, Greek Icons. 14th–18th century. The Rena Andreadis Collection, Athens, 2002.
A. Drandaki (ed.), The Origins of El Greco: Icon Painting in Venetian Crete (exh. cat., Alexander S. Onassis Public Benefit Foundation (USA), Athens, 2009.
S. Dufrenne, Les programmes iconographiques des églises byzantines de Mistra, Paris, 1970.
Br. Dunn-Lardeau (ed.), Jacques de Voragine, La Légende Dorée, édition critique, dans la révision de 1476 par Jean Batallier, d’après la traduction de Jean de Vignay (1333–1348) de la Legenda aurea (c. 1261–1266), Paris, 1997.
J. K. Elliott, The Apocryphal New Testament. A Collection of Apocryphal Christian Literature in an English Translation, Oxford, 1993.
H.C. Evans (ed.), Byzantium. Faith and Power (1261–1557) (exh. cat., The Metropolitan Museum of Art), New York, 2004.
H.C. Evans and W.D. Wixom (eds), The Glory of Byzantium. Art and Culture of the Middle Byzantine Era A.D. 843–1261 (exh. cat., The Metropolitan Museum of Art), New York, 1997.
W. Felicetti-Liebenfels, Geschichte der byzantinischen Ikonenmalerei, Olten, Lausanne, 1956.
P. Fernando da Riese Pio X, S. Maria Della Consolazione, Rome, 1968.
J. Folda, ‘The Saint Marina Icon: Maniera Cypria, Lingua Franca, or Crusader Art’, in B. Davezac (ed.), Four Icons in the Menil Collection, Austin and Houston, 1992, 106–33.
J. Folda, Crusader Art in the Holy Land, from the Third Crusade to the Fall of Acre 1187-1291, Cambridge, 2005.
J. Folda, Crusader Art. The Art of the Crusaders in the Holy Land, 1099–1291, Aldershot, 2008.
V. Foundoulaki, in D. Buckton (ed.), Byzantium: Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London, 1994, cat. no. 229, 215.
V. Foundoulaki, The Triumph of Orthodoxy Icon in the British Museum (University of London PhD thesis), 1999.
S. Frigerio-Zeniou and M. Lazović, Icônes de la collection du Musée d’art et d’histoire Genève, Geneva, 2006.
S. Frigerio-Zeniou and M. Martiniani-Reber, Icȏnes de la Collection du Musée d’Art et d’Histoire de Genève, Geneva-Milan, 2006.
Sinai. Treasures of the Monastery of Saint Catherine, Athens, 1990, 91–101.
L. Gambero, Mary and the Fathers of the Church: The Blessed Virgin Mary in Patristic Thought, San Francisco, 1999.
φαινομένου’, Deltion Christianikes Archaiologikes Etaireias 17 (1993–4), 363–74.
H. P. Gerhard, Welt der Ikonen, Recklinghausen, 1957, 97, pl. 22.
Greek Icons, 15th–18th Century, New Grecian Gallery, London, 1973.
P. Grotowski, ‘The Legend of St. George Saving A Youth from Captivity and Its Depiction in Art’, Series Byzantina (Warsaw) 1 (2003), 27–77.
P. Grotowski, Arms and Armour of the Warrior Saints: Tradition and Innovation in Byzantine Iconography, 843–1261, Leiden/Boston, 2010.
L. Harrison, R. Cormack, C.R. Cartwright and J. Ambers, ‘An Icon of St. George: preparation for a portrait of a saint’, in J. H. Townsend, T. Doherty, G. Heydenreich and J. Ridge (eds), Preparation for Painting: The Artist’s Choice and its Consequences, London, 2008, 14–21.
E. Haustein-Bartsch, ‘Eine neuentdeckte Ikone der ‘Madre della Consolazione’ von Nikolaos Tzafoures’, Δελτίον της Χριστιανικής Αρχαιολογικὴς Εταιρείας 22 (2001), 135–40.
P. Hetherington, The ‘Painter’s Manual’ of Dionysius of Fourna, London, 1974.
G. F. Hill, The Development of Arabic Numerals in Europe, Oxford, 1915.
R. Jungblut, Hieronymus: Darstellung und Verehrung eines Kirchenvaters, Urlaub, 1967.
G. Kaftal, Iconography of the Saints in the Painting of North East Italy, Florence, 1978.
K. Kalamartzi-Katsarou, ‘Icons 16th–18th Century’, in S. Papadopoulos and C. Kapioldassi-Soteropoulou (eds), Icons of the Holy Monastery of Pantokrator, Mount Athos, 1998, 211–13.
A. Kalliga-Geroulanou, ‘Η σκηνή του «Μη μου άπτου», όπως εμφανίζεται σε βυζαντινά μνημεία και η μορφή που παίρνει στον 16ο αιώνα’, Δελτίον της Χριστιανικής Αρχαιολογικὴς Εταιρείας 3 (1962–3), 203–30.
G. Kakavas, Βυζαντινό Μουσείο Καστοριάς, Athens, 2004.
A. Karakatsanis, Εικόνες συλλογής Γεωργίου Τσακύρογλου, Athens, 1980.
A. Karakatsanis (ed.), Treasures of Mount Athos (exh. cat., Museum of Byzantine Civilisation), Thessaloniki, 1997.
M. Kazanaki-Lappa, Guide to the Museum, Hellenic Institute of Venice, Venice, 2005.
J. N. D. Kelly, Jerome. His Life, Writings and Controversies, London, 1975.
N. Kondakov, The Russian Icon, Oxford, 1927.
D. Konstantios, ‘Greece, Hearth of Art and Culture after the Fall of Constantinople’, in G. Kakavas (ed.), Post-Byzantium: The Greek Renaissance. 15th–18th Century Treasures from the Byzantine and Christian Museum, Athens, Athens, 2002, 29–56.
D.Kotoula, ‘The British Museum Triumph of Orthodoxy icon’, in A. Louth and A. Casiday (eds), Byzantine Orthodoxies, Aldershot, 2006, 121–8.
D. Kotoula, ‘Icon of the Cretan art at the Fitzwilliam Museum, Cambridge’, Proceedings of the I0th International Cretological Congress, vol. II.2 (Byzantine and post-Byzantine period), Chania, 2011, 379–95.
E. Kourkoutidou-Nikolaidou and A. Tourta, Wandering in Byzantine Thessaloniki, Thessaloniki, 1997.
E. Kyriakoudis et al., Ιερά Μονή Ξενοφώντος. Εικόνες, Mount Athos, 1998.
J. Lafontaine-Dosogne, Iconographie de l’enfance de la Vierge dans l’empire byzantine et en l’occident, 2 vols, Brussels, 1964–5.
S. Lahlil and E. Martin, ‘Characterisation of 18 Melkite Icons Dating from the 17th to the 19th c. AD’, Journal of Cultural Heritage 13 (2012), 332–8.
V. Lasareff, ‘Byzantine Ikons of the Fifteenth and Sixteenth Centuries’, Burlington Magazine 71 (1937), 249–61, reprinted in V. Lazarev, Studies in Byzantine Painting, London, 1995, 179–95.
V. Lazarev, История византийской живописи, 2 vols, Moscow, 1947 and 1948.
V. Lazarev, Storia della pittura bizantina, Turin, 1967.
M. Lazović and E. Rossier, Les icônes dans les collections Suisses: Genève Musée Rath 14 Juin–29 Septembre 1968 (exh. cat., Musée d’art et d’histoire), Geneva, 1968.
R. Loverance, Christian Art, London, 2007.
A. Lymberopoulou, ‘The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters and Society on Crete’, Jahrbuch der österreichischen Byzantinistik 53 (2003), 239–55.
A. Lymberopoulou, ‘A winged St John the Baptist icon in the British Museum’, Apollo 158, no. 500 (November, 2003), 19–24.
A. Lymberopoulou, L. Harrison and J. Ambers, ‘The Noli Me Tangere Icon at the British Museum: Vision, Message and Reality’, in A. Lymberopoulou (ed.), Images of the Byzantine World, Farnham, 2011, 185–214.
C. Maltezou and A. Papadaki (eds), Rethymno veneziano. Atti del Simposio, Rethymno, 1–2 novembre 2002, Venice, 2003.
K.A. Manafis (ed.), Sinai. Treasures of the Monastery of Saint Catherine, Athens, 1990.
M.I. Manousakas, ‘Η παρά Trivan απογραφή της Κρήτης (1644) και ο δήθεν κατάλογος των κρητικών οίκων Κέρκυρας’, Kretika Chronika 3 (1949), 35–59.
Manuel Philes, Manuelis Philae Carmina, ed. E. Miller, 2 vols, Paris, 1855.
K. Maxwell, ‘Paris, Bibliothèque Nationale de France, Codex Grec 54: Modus Operandi of Scribes and Artists in a Palaiologan Gospel Book’, Dumbarton Oaks Papers 54 (2000), 117–38.
N. McGregor, A History of the World in 100 Objects, London, 2011, episode 67, 431–6.
S. Mihalarias and R. Cormack, A Major New Discovery. The Icon of Saint Peter by the Master of the Monastery of Chora, (Barbican Centre, London, 25 April–19 June, 1983), and a version also in Zygos 2 (1983), 130ff.
G. Millet, Recherches sur l’iconographie de l’évangile aux XIVe, XVe et XVIe siècles, Paris, 1916.
G. N. Moschopoulos (ed.), Cephalonia. Ecclesiastical Art, vol. 2: Pali, Argostoli, 1994.
D. Mouriki, ‘Revival Themes with Elements of Daily Life in Two Palaeologan Frescoes Depicting the Baptism’, in C. Mango and O. Pritsak (eds), Okeanos. Essays presented to Ihor Ševčenko on his Sixtieth Birthday by his Colleagues and Students, Cambridge (MA), 1983, 458–88.
D. Mouriki, ‘Thirteenth-Century Icon Painting in Cyprus’, The Griffon n.s., 1–2 (1985–6), 9–112.
D. Mouriki, ‘Icons from the 12th to the 15th Century’, in K. Manafis (ed.), Sinai, Treasures of the Monastery of Saint Catherine, Athens, 1990, 91–123.
D. Mouriki, ‘The Cult of Cypriot Saints in Medieval Cyprus as attested by Church Decorations and Icon Painting’, in A.A M. Bryer and G. S. Georghallides (eds), ‘The Sweet Land of Cyprus’. Papers Given at the Twenty-Fifth Jubilee Spring Symposium of Byzantine Studies, Birmingham, March 1991, Nicosia, 1993, 237–77.
The National Gallery Illustrated General Catalogue, London, 1973, 744, no. 594.
R.S. Nelson and K.M. Collins (eds), Holy Image, Hallowed Ground: Icons from Sinai (exh. cat., The J. Paul Getty Museum), Los Angeles, 2006.
New Grecian Gallery, Greek Icons 15th–18th Century (London, June–August 1973), no. 38.
V. Nunn, ‘The Encheirion as Adjunct to the Icon in the Middle Byzantine Period’, Byzantine and Modern Greek Studies 10 (1986), 73–102.
H. Omont, Miniatures des plus anciens manuscrits grecs de la Bibliothèque nationale du VIe à XVIe siècle, Paris, 1929.
M.P. Paisidou, Οι τοιχογραφίες του 17ου αιώνα στους ναούς της Καστοριάς. Συμβολή στη μελέτη της μνημειακής ζωγραφικής της δυτικής Μακεδονίας, Athens, 2002.
D.I. Pallas, ‘Η Θεοτόκος Ρόδον τό Aμάραντον. Εικονογραφική ανάλυση καί καταγωγή του τύπου’, Αρχαιολογικόν Δελτίον 26 (1971), Meletai, 224–38.
R. Palluchini, La pittura veneziana del Trecento, Venice-Rome, 1964.
S. Panagopoulos, ‘The Byzantine Traditions of the Virgin Mary’s Dormition and Assumption’, Studia Patristica 54 (2012), 1–8.
dans l’art Byzantin’, Cahiers Archéologiques 18 (1968), 121–36.
S. Papadopoulos and C. Kapioldassi-Soteropoulou (eds), Icons of the Holy Monastery of Pantokrator, Mount Athos, 1998.
Dionysios of Fourna, Έρμηνειά τῆς ζωγραφικῆς τέχνης (ed. A. Papadopoulos-Kerameus), St Petersburg, 1909.
T. Papamastorakis, ‘Icons 13th–16th Century’, in S. Papadopoulos and C. Kapioldassi-Soteropoulou (eds), Icons of the Holy Monastery of Pantokrator, Mount Athos, 1998, 41–146.
K. Paskaleva, Bulgarian Icons Through the Centuries, Sofia, 1987.
G. Passarelli (ed.), Le iconostasi di Livorno. Patrimonio iconografico post-bizantino, Livorno, 2001.
G. Pavan (ed.), Icone dalle collezioni del Museo Nazionale di Ravenna, exh. cat., Museo Nazionale, Ravenna, 1979.
S. Pelekanidis, Καλλιέργης. Όλης Θετταλίας άριστος ζωγράφος, Athens, 1973.
S. Pelekanidis et al., Οι θησαυροί του Αγίου Όρους, Εικονογραφημένα χειρόγραφα: Μ. Μεγίστης Λαύρας, Μ. Παντοκράτορος, Μ. Δοχειαρίου, Μ. Καρακάλου, Μ. Φιλοθέου, Μ. Αγίου Παύλου, Athens, 1979.
S. Pelekanidis and M. Chatzidakis, Kastoria, Athens, 1985.
B. Pentcheva, Icons and Power: The Mother of God in Byzantium, University Park, Pennsylvania, 2006.
Y. Petsopoulos, East Christian Art (exh. cat., Bernheimer Fine Arts), London, 1987.
Υ. Piatnitsky, O. Baddeley, E. Brunner and M. Mundell Mango (eds), Sinai, Byzantium, Russia. Orthodox Art from the Sixth to the Twentieth Century, London, 2000.
Y. Piatnitsky, V. Zalesskaya and V. Boele, Pilgrim Treasures from the Hermitage: Byzantium-Jerusalem (exh. cat., The Hermitage Amsterdam), Amsterdam, 2005.
G. M. Proxorov, ‘A Codicological Analysis of the Illuminated Akathistos to the Virgin (Moscow, State Historical Museum, Synodal gr. 429)’, Dumbarton Oaks Papers 26 (1972), 239–52.
B. Ribberdos, Saint and Symbol. Images of Saint Jerome in Early Italian Art, Groningen, 1984.
E. F. Rice Jr., St Jerome in the Renaissance, Baltimore and London, 1985.
Gr. Ring, ‘St Jerome extracting the thorn from the lion’s foot’, The Art Bulletin 27 (1945), 188–94.
J. Robinson, Masterpieces. Medieval Art, London, 2008.
A. Romagnolo, La Pinacoteca dell’Academia dei Concordi, Rovigo, 1981.
D. Russo, Saint Jerôme en Italie. Étude d’iconographie et de spiritualité (XIII–XV siécles), Paris-Rome, 1987.
H. D. Saffrey, ‘Bessarione e Creta’, in G. Fiaccadori (ed.), Bessarione e l’ Umanesimo (exh. cat., Biblioteca Nazionale Marciana), Venice-Naples, 1994, 241–5.
Ph. Schweinfurth, Geschichte der russischen Malerei, Hague, 1930.
N.P. Ševčenko, ‘Icons in the Liturgy’, Dumbarton Oaks Papers 45 (1991), 45–57.
F. R. Shapley, Paintings from the Samuel H. Kress Collection. Italian Schools, XIII-XV Centuries, London, 1966.
H. Skrobucha, Meisterwerke der Ikonenmalerei, Recklinghausen, 1961.
Sotheby’s, Russian Pictures, Icons, 15 February 1984, lot no. 156.
Sotheby’s, The Greek Sale, 18 October 2001, London, 2001.
G. and M. Sotiriou, Icônes du Mont Sinai, vol. 2, Athens, 1958.
K.S. Staikos (ed.), From the Incarnation of Logos to the Theosis of Man. Byzantine and Post-Byzantine Icons from Greece (exh. cat., Byzantine and Christian Museum), Athens, 2008.
C. Staphen, Ein byzantinisches Bildenensemble: Die Mosaiken und Fresken der Apostelkirche zu Thessaloniki, Worms, 1986.
C.L. Striker and Y. Doğan Kuban (eds), Kalenderhane in Istanbul. The Buildings, Their History, Architecture and Decoration, Mainz, 1997.
D. Talbot Rice, Masterpieces of Byzantine Art. Edinburgh International Festival, Edinburgh, 1958.
R. Temple, Icons. Divine Beauty, London, 2004.
The Temple Gallery, An Exhibition of Icons, 24 April–10 June 1962, London, 1962.
The Temple Gallery, An Exhibition of Icons. 6 December 1965–14 January 1966, London, 1965.
The Temple Gallery, An Exhibition of Icons. Chester-York-Edinburgh-London, July–September 1967, Edinburgh, 1967.
Temple Gallery, Ancient Icons from Byzantium, Greece, Crete and Russia, May–June 1998, London, 1998.
National Museum of Medieval Art, Korcë, Thessaloniki, 2006.
E. Tsigaridas, Οι tοιχογραφίες της περιόδου των Παλαιολόγων σε ναούς της Μακεδονίας, Thessaloniki, 1999.
E. Tsigaridas and K. Loverdou-Tsigarida, The Holy and Great Monastery of Vatopedi. Byzantine Icons and Revetments, Mount Athos, 2006.
Z. N. Tsirpanlis, Το κληροδότημα του καρδιναλίου Βησσαρίονος για τους φιλενωτικούς της βενετοκρατούμενης Κρήτης (1439–17ος αi.), Thessaloniki, 1967.
A. Tsitouridou, Ο ζωγραφικός διάκοσμος του Αγίου Νικολάου Ορφανού στη Θεσσαλονίκη: συμβολή στη μελέτη της Παλαιολόγειας ζωγραφικής κατά τον πρώιμο 14ο αιώνα, Thessaloniki, 1986.
I.G. Typaldos-Laskaratos, ‘Εισαγωγή εις την εραλδικήν (οικοσημολογία)’, Δελτίοv Εραλδικής και Γενεαλογικής Εταιρείας Ελλάδος 1 (1979), 2–23.
P. Underwood, The Kariye Djami, vols 1–3, New York, 1966.
R. van Marle, The Development of Italian Schools of Painting, vol. 18, The Hague, 1936.
M. Vassilaki, ‘Cretan Icons’, in D. Buckton (ed.), Byzantium. Treasures of Byzantine Art and Culture from British Collections (exh. cat., The British Museum), London 1994, 21–5.
M. Vassilaki, ‘Icons of the 17th Century’, in M. Vassilaki, I Tavlakis and E. Tsigaridas, The Holy Monastery of Aghiou Pavlou. The Icons, Mount Athos, 1999, 97–139.
M.Vassilaki (ed.), Mother of God: Representations of the Virgin in Byzantine Art (exh. cat., The Benaki Museum), Athens, 2000.
M. Vassilaki, ‘The Icon-Trade in Fifteenth-Century Venetian Crete’, in M. Vassilaki, The Painter Angelos and Icon-Painting in Venetian Crete, Farnham, 2009, ch. 14, 307–15.
M. Vassilaki (ed.), The Hand of Angelos. An Icon Painter in Venetian Crete (exh. cat., The Benaki Museum), Athens, 2010.
M. Vassilaki, Οι εικόνες του Αρχοντικού Τοσίτσα: η συλλογή του Ευαγγέλου Αβέρωφ, Athens, 2012.
M. Vassilaki-Mavrakaki, ‘Western influences on the fourteenth-century art of Crete’, Jahrbuch der österreichischen Byzantinistik 32/5 (1982), 301–11.
M. Vassilaki, I Tavlakis and E. Tsigaridas, The Holy Monastery of Aghiou Pavlou. The Icons, Mount Athos, 1999, 97–139.
M. Vassilaki and N. Tsironis, ‘Representations of the Virgin and their Association with the Passion of Christ’, in M. Vassilaki (ed.), Mother of God. Representations of the Virgin in Byzantine Art (exh. cat., The Benaki Museum), Athens, 2000, 454–5.
P. Vokotopoulos, ‘Ιδιομορφίες στη διακόσμηση κερκυραϊκών τέμπλων’, Kephalleniaka Chronika 5 (1986), 149–56.
P. L. Vokotopoulos, Εικόνες της Κερκύρας, Athens, 1990.
C. Walter, L’iconographie des conciles dans la tradition Byzantine, Paris, 1970.
C. Walter, ‘Three Notes on the Iconography of Dionysius the Areopagite’, Revue des Études Byzantines 48 (1990), 255–74.
C. Walter, ‘Icons of the First Council of Nicaea’, Δελτίον της Χριστιανικής Αρχαιολογικὴς Εταιρείας 16 (1991–2), 209–18. Reprinted in C. Walter, Pictures as Language. How the Byzantines Exploited Them, London, 2000, VII, 166–87.
C. Walter, Pictures as Language. How the Byzantines Exploited Them, London, 2000.
C. Walter, The Warrior Saints in Byzantine Art and Tradition, Aldershot, 2003.
Ikonographie, vol. 8 (1976), 387–9.
K. Weitzmann, The Monastery of Saint Catherine at Mount Sinai: The Icons, vol. 1, From the Sixth to the Tenth Century, Princeton, 1976.
Jan. 1977, Oelde, 1976, 2–5.
K. Weitzmann, The St Peter Icon of Dumbarton Oaks, Washington D.C., 1983.
K. Weitzmann, G. Albegansvili, A. Volskaya, G. Babić, M. Chatzidakis M. Alpatov and T. Voinescu, The Icon, New York, 1982.
Oaks Papers 9–10 (1956), 141–74.
A. Weyl Carr, ‘Oxford Barocci 29 and Manuscript Illumination in Epiros’, in Πρακτικά διεθνούς συμποσίου για το Δεσποτάτο της Ηπείρου, Arta, 1992, 567–84.
A.Weyl-Carr, ‘Icon with the Triumph of Orthodoxy’, in H.C. Evans (ed.), Byzantium: Faith and Power (1261–1557) (exh. cat., The Metropolitan Museum of Art) New York, 2004, cat. no. 78, 154–5.
O. Wulff and M. Alpatov, Denkmäler der Ikonenmalerei in Kunstgeschichtliche Forme, Hellerau bei Dresden, 1925.
F. A. Wright, Select Letters of St Jerome with an English Translation, London-New York, 1933.
A. Xyngopoulos, Μουσείον Μπενάκη. Κατάλογος των Εικόνων, Athens, 1936.
A. Xyngopoulos, Συλλογή Ελένης Α. Σταθάτου, Athens, 1951.
A. Xyngopoulos, Οι τοιχογραφίες του Αγίου Νικολάου Ορφανού Θεσσαλονίκης, Athens, 1964.
M. Zibawi, Monastère Notre Dame de Balamand. Collection des icônes de l’école d’Alep, Balamand, 1996.

References: V. 

V. 

V. 

V. 

V. 

V. 

V. 
 V. 

V. 

V. 

V. 
 V. 
 V.