Source: https://www.mtsu.edu/art/courses.php
Timestamp: 2019-04-19 01:12:20+00:00

Document:
Survey of the non-Western arts of Africa, the Americas, Asia, and Oceania from ancient to modern times.
Survey of the arts of the Western tradition from the Paleolithic era through the Gothic period.
Prerequisite: ART 1920 with C or better. Survey of the arts of the Western tradition from the late Gothic period to the present.
(Same as SPAN 2105, PS 2105, SOC 2105, ANTH 2105, GEOG 2105.) A multidisciplinary, team-taught introduction to Latin America. Covers the cultures and societies of the region in terms of pre-history, history, geography, politics, art, languages, and literatures. Required course for all Latin American Studies minors.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640 or permission of instructor. An introduction to printmaking, including multiple methods of silkscreen and relief printing. Handmade stencils used as well as those generated by computer and copy machine. Six-hour studio course.
Examines the recent history and contemporary theories of art education, with special emphasis on the essential content of discipline-based art education (aesthetics, criticism, history, and production); introduces general curricular concerns, assessment, and advocacy issues.
Prerequisites: ART 1610 and ART 1620 with C or higher or permission of instructor. Procedures involved in the production of graphic design materials by means of computer. Basics of word processing, drawing, and page layout programs for graphic design. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, and ART 2310 with C or better or permission of instructor. An introduction to typography including the history, usage, and anatomy of letterforms. Projects focus on creative problem-solving using type as image as well as a means of communication. Projects range from word interpretation to page layout using industry-standard applications. Six -hour studio course.
Prerequisite: Permission of the instructor or specific Study Abroad program director. Explores lower-division issues in art. Subject will vary with instructor. May be repeated up to 9 hours.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640 with C or better or permission of instructor. Processes and techniques used in sculpture including modeling, welding, and wood construction. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640 with C or better or permission of instructor. Introduction to painting techniques in particular media with emphasis on basic representational skills, awareness of formal issues, and vocabulary specific to particular media. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640 with C or better or permission of instructor. Studio experiences in designing and creating three-dimensional ceramic forms emphasizing techniques of hand construction. Six-hour studio course.
Prerequisite: Nine credit hours in any studio concentration area or permission of the instructor. Offers career preparation for the contemporary visual artist; preparation of professional documents and discussion of professional roles and responsibilities.
Prerequisite: ART 3330 with C or better or permission of instructor. An understanding of graphic design process in a design business. Emphasizes real world aspects of graphic design through individual projects for real world clients.
Prerequisites: Any one of the following: ART 4130, ART 4520, ART 4720, or ART 4820 and permission of instructor. Focuses on developing, creating, and exhibiting individual artworks within a group dynamic towards the successful completion of the senior exhibition.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640 with C or better or permission of instructor. A printmaking course covering primary principles and processes of etching and lithography. Usage of non-toxic grounds for the creation of images from copper-etching plates and the learning of stone and photo-based plate lithography.
Lecture class with hands-on component designed to inform about the role of art in the life of the child; exposure to art history and appreciation; children as image makers; the importance of curiosity, observation, and imagination to the child and classroom; and methodology related to the integration of visual art into the classroom.
Prerequisite: ART 2200 with C or better or permission of instructor. Investigates child development theories and concerns related to children, the elementary school culture, curriculum development and implementation, and teaching and management strategies. Materials and processes appropriate to K-6 art education explored in studio lab. Six-hour studio course.
Prerequisite: ART 2200 with C or better or permission of instructor. Focuses on the nature of middle and high school students, the secondary school culture, curriculum development and implementation, and teaching and management strategies. Materials and processes appropriate to 7-12 art education explored in studio lab. Six-hour studio course.
Prerequisite: ART 2200, ART 3210, and ART 3220 or permission of instructor. Participation in the K-12 art classroom setting with class discussions and readings about the teaching experience. Advanced art curriculum development for the K-12 level. A maximum of 9 credits may be applied to a degree. Six-hour studio course.
Prerequisite: ART 2200 with C or better or permission of instructor. Effective strategies for teaching aesthetics and art criticism to K-12 students through curriculum development, research-based learning, and classroom teaching opportunities.
Prerequisites: ART 2310 and ART 2325 with C or better or permission of instructor. Explores the relationship between word and image. Projects focus on visual language, concept, formation, and technical skills. Various design methodologies covered using industry-standard applications. Current designers and design trends introduced. Six-hour studio course.
Prerequisites: ART 3325 with C or better and portfolio review after both ART 2325 and ART 3325 (or for transfer students, permission of instructor and portfolio review). The beginning of portfolio-based problems, more advanced and complex conceptual skills, production techniques, and an introduction to the offset printing process. Six-hour studio course.
Prerequisite: ART 3325 with C or better or permission of instructor. Intermediate-level graphic design course that focuses on designing product labels, exterior structures, and any other components of product packaging. Students will work on concept development, problem-solving, and surface design. Computer-generated renderings and three-dimensional forms produced. Six-hour studio course.
Prerequisite: ART 2325 with C or better or permission of instructor. Advanced view of graphic design process in interface design. Emphasizes formal, conceptual, and technical aspects of interface design through individual projects created with industry specific software applications. Six-hour studio course.
Prerequisite: Permission of the instructor or specific Study Abroad program director. Explores upper-division issues in art. Subject will vary with instructor. May be repeated up to 9 hours.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640 with C or better or permission of instructor. Introduction to the processes and techniques used in sculpture, including casting techniques; subtractive and constructive experiences with a variety of materials. Six hour studio course.
Prerequisite: ART 2510 with C or better or permission of instructor. Development of concepts and techniques with primary emphasis on wood sculpture. Wood construction, carving, laminating, and subordinate use of other sculpture materials. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, and ART 1630 or permission of instructor. An introduction to basic processes involved with making artist's books, bookbinding, simple image-making techniques, and using paper as a creative medium. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640 with C or better. An advanced course in drawing with an emphasis on the creation of original imagery and the development of the ability to render images objectively using a variety of methods and media. Six-hour studio course.
Prerequisites: ART 2310 with C or better or permission of instructor. Explores the use of the computer in relation to art and design concepts in two- and three-dimensional media. Six-hour studio course.
Prerequisites: ART 3610 with C or better or permission of instructor. Computer-generated or assisted art work. Development of original work in art or design. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, and ART 1640 with C or better or permission of instructor. Introduces concepts. Specific concepts include gesture and expression, spatial structure and proportion, and the effects of light and drapery on the human form. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, and ART 1640 with C or better or permission of instructor. Develops visual thinking processes and objective drawing skills using a variety of color drawing media, the principles of color theory, and an understanding of the broader context of the historical, cultural, psychological, and physiological aspects of color.
Prerequisite: ART 2710 with C or better or permission of instructor. A continuation of ART 2710 with additional attention paid to individual expression and art historical perspectives. Six-hour studio course.
Prerequisite: ART 3720 with C or better or permission of instructor. The creative process, idea development, and project planning in painting. Six-hour studio course.
Prerequisite: ART 1920 and ART 1930 with C or better or permission of instructor. Art from the age of the Crusades and Pilgrimages and Romanesque and Gothic periods as viewed from both European and Islamic perspectives.
Prerequisites: ART 1610, ART 1620, and ART 1630 or permission of instructor. Introduction to letterpress printing, typesetting, designing, and printing raised forms to create text and image. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 1640. Basic processes and techniques of creating three-dimensional clay forms on the wheel (cylinders, bowls, and mugs). Some basic hand-building methods introduced. Six-hour studio course.
Prerequisites: ART 1630, ART 1640, and ART 3820 or permission of instructor. Studio experiences in designing, forming, and decorating functional/non-functional forms. Introduction to some basic materials processes (clay and glaze formulation and firing techniques). Six-hour studio course.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Surveys the art of the Islamic world from the late seventh century to the sixteenth century. Focuses on the materials, iconography, style, and historical context of architecture, sculpture, painting, manuscript production, and decorative arts in the Middle East, North Africa, and Southern Europe.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Surveys Early Christian, Byzantine, and Early Medieval art in Europe. Focuses on the materials, iconography, style, and historical context of art and architecture produced in Northern Europe and the Mediterranean region from the third century to the eleventh century.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Art of Northern Europe from the late fourteenth century through the sixteenth century focusing on architecture, sculpture, and painting from England, France, Germany, and the Low Countries.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Survey of the arts of indigenous cultures of North America.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Survey of pre-Columbian arts of Mesoamerica from the Olmec to the Mexica.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Survey of the pre-Columbian arts of Peru from the Chavin to the Inca.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. A survey of the art of Latin America from the period of Independence (1821) to the present, focusing on architecture, sculpture, and painting from Mexico through South America. Impact of these cultural expressions on Hispanic/Chicano/Latino arts of the United States.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Examination of the visual arts of the Italian Renaissance (c. 1300-1600 CE).
Prerequisites: ART 1910, ART 1920, ART 1930 with C or better; Art History majors only. Practical visual resources management course for students in a professional setting. Theory, standards, techniques, and management of digital and analog image collections in academic or not-for-profit settings.
Prerequisites: ART 1620, ART 1630, ART 1640, ART 2310, good working knowledge of digital imaging, or permission of instructor. Multimedia design, including the design, planning, and creation of web sites. Six-hour studio course.
Prerequisites: ART 1910, ART 1920, and ART 1930 with C or better or permission of instructor. Considers the historical and philosophical foundations of art history as a modern discipline as well as the various interpretive methods used by art historians.
Prerequisites: ART 1910, ART 1920, and ART 1930 with C or better or permission of instructor. Ethical and professional practices of the art history field. Surveys career options available to art history majors; acquaints students with job preparation and graduate school applications; investigates the ethics of collecting, scholarships, conservation, and the art market.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Interdisciplinary investigation of the forces which have conditioned the composition, production, and consumption of the Western book from antiquity to the present. Emphasis on such transitional phases as the replacement of the roll by the codex in the fourth century and the fifteenth-century advent of printed books which replaced handwritten ones.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Survey of American painting, sculpture, and architecture from the Colonial period to the Armory Show (1913).
Prerequisites: ART 1620, ART 1630, and ART 1640 with C or better or permission of instructor. Subject matter and credit to be determined by the instructor. The workshop may be conducted in the area of art education or any art discipline. (A maximum of 9 credits may be applied toward a degree.) Depending on topic, may be six-hour studio course.
Prerequisites: ART 2130 and ART 3140 with C or better. An intermediate course in printmaking. The making and printing of lithographic images on stones and plates, including both traditional and contemporary techniques such as photolithography, transfer lithography, and color lithography. Six-hour studio course.
Prerequisite: ART 1620, ART 1630, and ART 1640 with C or better or permission of instructor. Further work with papermaking, bookbinding, and the production of artist's books. Six-hour studio course.
Prerequisites: ART 4100 with C or better or permission of instructor. Further work in one or more of the following media: silkscreen, intaglio, lithography, or relief printmaking. Six-hour studio course.
Prerequisite: ART 4120 with C or better or permission of instructor. Advanced work in one of the printmaking media as described in ART 4120. Six-hour studio course.
Prerequisite: ART 4130 with C or better or permission of instructor. Intensive independent research in one of the areas chosen by the student and planned in consultation with the instructor. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, ART 1630, and ART 2310 with C or better or permission of instructor. Vector software and the conceptualization, technical skills, and professional practices of digital illustration. Six-hour studio course.
Prerequisites: ART 1610, ART 1620, and ART 1630 with C or better or permission of instructor. Introduces basic methods, materials, and business practices of illustration, with an emphasis on development of rendering skills. Six-hour studio course.
Prerequisite: ART 3650 with C or better or permission of the instructor. Continued exploration of methods and materials with an emphasis on development of a personal style. Six-hour studio course.
Prerequisite: ART 3330 with C or better. Continued production of portfolio-based problems with increased emphasis on advanced design skills related to the specific needs of the workplace. Includes basic collateral problems, ad campaigns, corporate identity, signage, plus a self-promotional package. Six-hour studio course.
Prerequisite: ART 4310 with C or better or permission of instructor. Following a portfolio review, each class member will devise a project that conceptually and visually addresses his or her design/illustration goals. Six-hour studio course.
Prerequisites: Senior standing and permission of the internship coordinator. Advanced students gain practical experience in a professional setting as an intern. Approximately 150 work hours required for the semester.
Prerequisite: ART 3920 with C or better. An intermediate interactive design class with an emphasis on interface design. Focuses on design, planning, and creation of Web sites using industry-standard Web design applications. Six-hour studio course.
Prerequisites: ART 4390 with C or better or permission of instructor. An advanced interactive design class that emphasizes the design and implementation of visually engaging, immersive environments. Students work individually and as teams using industry-standard Web design applications to create stand-alone and Web projects. Six -hour studio course.
Prerequisite: ART 3530 with C or better or permission of instructor. Development of concepts and techniques with primary emphasis on metal sculpture. Gas and electric welding, fabricating, grinding, finishing, and subordinate use of other sculpture materials. Six-hour studio course.
Prerequisite: ART 4510 with C or better or permission of instructor. Development of concepts and techniques with primary emphasis on casting activities in the foundry; covers various metal casting techniques and subordinate use of other materials. Six-hour studio course.
Prerequisites: ART 4520 with C or better or permission of instructor. Problems in sculpture selected by the student after approval by the instructor. Six-hour studio course.
Structure and content determined by the art faculty on the basis of individual need. The student should be prepared to do independent research and experimentation in the area selected. (A maximum of 6 credits may be applied to a degree.) Students may only register for ART 4640 once per semester. Six-hour studio course.
Prerequisite: ART 3730 with C or better or permission of instructor. Projects in painting; content of the course is planned by the student under supervision of the instructor. A final paper is required. Six-hour studio course.
Prerequisite: ART 4710 with C or better or permission of instructor. Independent studies course in painting which continues the concerns of Painting IV. A final paper is required. Six-hour studio course.
Prerequisite: ART 4720 with C or better or permission of instructor. Directed individual study; a continuation of Painting IV at a more advanced level. A final paper is required. Six-hour studio course.
Prerequisite: ART 3770 with C or better. An advanced course in letterpress printing with an emphasis on the creative process of collaboration and on designing for the marketplace. Students work as apprentices for the Tulip Poplar Press to design and produce limited edition publications for the marketplace. Six-hour studio course.
Prerequisite: ART 3830 with C or better or permission of instructor. Directed individual studies of problems mutually agreed upon by the student and course instructor. Six-hour studio course.
Prerequisites: ART 4810 with C or better or permission of instructor. Further work as described in Ceramics IV (ART 4810). Six-hour studio course.
Prerequisites: ART 4820 with C or better or permission of instructor. Further work as described in Ceramics V (ART 4820). Written paper and exhibition required. Six-hour studio course.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Survey of visual art from the African continent and an examination of selected artists of the African diaspora. Discussion of ancient through contemporary artistic production, with focus upon nineteenth and twentieth centuries.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. An art historical survey of African American culture and visual arts, beginning with eighteenth century expressions in painting, sculpture, and the decorative arts, but focusing on the twentieth century expressions.
Prerequisite: ART 1920 and ART 1930 with C or better or permission of the instructor. Surveys the history of two-dimensional design in Europe and North America, focusing mainly on the role of visual culture in modern society and on the influence of fine art, architecture, advertising, and the professionalism of the field on modern and contemporary design.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Examines visual arts of the nineteenth century from Europe, the United States, Africa, or the Americas. Topics will vary according to areas of expertise of the professor.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Painting and sculpture produced by women artists from Europe and the Americas during the period from the Renaissance (1400) to the Modern era (1945).
Prerequisite: ART 1930 with C or better or permission of instructor. Western visual art movements and issues in American painting and sculpture in the twentieth century.
Prerequisites: ART 1920 and ART 1930 with C or better or permission of instructor. Content varies. When offered, particular topics addressed are indicated by the course title in the class schedule. Depending on the nature of the material to be covered, prerequisites may be imposed by the instructor. Can be repeated for up to 9 hours.
Prerequisites: Permission of instructor. Independent investigations into art history under the guidance of a member of the art history faculty. Topic(s) of investigation must be agreed upon by both student and faculty prior to registration. May not be repeated.
Prerequisites: ART 1910, ART 1920, and ART 1930 with C or better or permission of instructor. An intensive research and writing project under the direct guidance of a supervising art history faculty member.

References: ART 1920
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 1610
 ART 1620
 ART 1610
 ART 1620
 ART 2310
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 3330
 ART 4130
 ART 4520
 ART 4720
 ART 4820
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 2200
 ART 2200
 ART 2200
 ART 3210
 ART 3220
 ART 2200
 ART 2310
 ART 2325
 ART 3325
 ART 2325
 ART 3325
 ART 3325
 ART 2325
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 2510
 ART 1610
 ART 1620
 ART 1630
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 2310
 ART 3610
 ART 1610
 ART 1620
 ART 1640
 ART 1610
 ART 1620
 ART 1640
 ART 2710
 ART 2710
 ART 3720
 ART 1920
 ART 1930
 ART 1610
 ART 1620
 ART 1630
 ART 1610
 ART 1620
 ART 1630
 ART 1640
 ART 1630
 ART 1640
 ART 3820
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1910
 ART 1920
 ART 1930
 ART 1620
 ART 1630
 ART 1640
 ART 2310
 ART 1910
 ART 1920
 ART 1930
 ART 1910
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1620
 ART 1630
 ART 1640
 ART 2130
 ART 3140
 ART 1620
 ART 1630
 ART 1640
 ART 4100
 ART 4120
 ART 4120
 ART 4130
 ART 1610
 ART 1620
 ART 1630
 ART 2310
 ART 1610
 ART 1620
 ART 1630
 ART 3650
 ART 3330
 ART 4310
 ART 3920
 ART 4390
 ART 3530
 ART 4510
 ART 4520
 ART 4640
 ART 3730
 ART 4710
 ART 4720
 ART 3770
 ART 3830
 ART 4810
 ART 4820
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1920
 ART 1930
 ART 1930
 ART 1920
 ART 1930
 ART 1910
 ART 1920
 ART 1930