Source: http://bq.blakearchive.org/13.2.minnick
Timestamp: 2019-04-18 22:43:06+00:00

Document:
Readers may notice several changes in this year’s checklist, beginning with the title. “A Checklist of Recent Blake Scholarship,” our title for the last several years, has been enlarged to include Blake’s “circle,” a term we interpret very broadly. In fact, this has been, in intention and in practice, the range of the checklist since its beginning, and our change merely acknowledges a continuing policy. Thus, items on Fuseli, Flaxman, Runge, the Pre-Raphaelites, and Maurice Sendak in his Blakean moments (as one critic judges them) are included—even a biography of John Middleton Murry and his circle, because of Murry’s early work on Blake. Casting so wide a net we cannot hope to be exhaustive; but we try.
In a second major change, we welcome Kazumitsu Watarai, Head Librarian of Japan’s Reitaku University Library, to our annual hunt. Mr. Watarai’s bibliography of Blake scholarship in Japan from 1969 to 1977 was published too late for inclusion in this year’s checklist (wait till next year, or see the Winter 1978-79 issue of Blake/An Illustrated Quarterly). He will be helping us keep up to date on Japanese writing on Blake—a long neglected group of works.
Finally, we have made several changes in the format of the checklist, including somewhat greater annotation. Readers may expect to see additional changes (and are encouraged to send suggestions) as we work toward the most usable organization and format. As has become our common practice, an asterisk designates items published more than five years ago that have not been noted in other standard sources.
As always, we thank contributors for sending along notice of their own publications. My personal thanks to Professor G. E. Bentley, Jr., for his helpful correspondence concerning previous checklists.
Dörrbecker, Detlef W. See Minnick, Thomas L.
Essick, Robert N. See also Easson, Roger R.
Hall, Spencer. “Some Recent Directions in Blake Studies—a Review Essay.” Southern Humanities Review, 10 (1976), 172-177.
Hofmann, Werner. See Bindman, David, et al.
Levitine, George. See Curtis, Melinda.
Minnick, Thomas L., with the assistance of Detlef W. Dörrbecker. “A Checklist of Recent Blake Scholarship.” Blake/An Illustrated Quarterly, 12 (1978), 142-149.
Modern Language Association of America. 1977 MLA International Bibliography of Books and Articles on the Modern Languages and Literatures. Vol. I, 79-81.
Sewell, Brian. See Farr, Dennis.
Bentley, G. E., Jr. William Blake’s Writings. Vol. I: Engraved and Etched Writings. Vol. II: Writings in Conventional Typography and in Manuscript. Oxford: The Clarendon Press, 1978. $125.00 the set.
Bindman, David, ed., assisted by Deirdre Toomey. The Complete Graphic Works of William Blake. New York: Putnam, 1978.
Essick, Robert N., and Jenijoy La Belle, eds. Flaxman’s Illustrations to Homer. New York: Dover, and London: Constable, 1977. £3.20.
Abrahams, Cecil Anthony. William Blake’s Fourfold Man. Bonn: Bouvier Verlag Herbert Grundmann, 1978 [Studien zur Germanistik, Anglistik und Komparatistik, ed. Armin Arnold and Alois M. Haas, vol. 72].
Adams, Hazard. “Revisiting Reynold’s [sic] Discourses and Blake’s Annotations.” Pp. 128-144 in Essick and Pearce, Blake in His Time, q. v.
Allen, Orphia Jane. “Blake’s Archetypal Criticism: The Canterbury Pilgrims.” Genre, 11 (1978), 173-189.
Ando, Eiko. “W. Blake no kami ni tsuite no ichikosatsu—Blake no tsumi no ishiki o chushin ni” [A Study of William Blake’s God—On the Consciousness of Blake’s Sin]. Hokkaido Eigoeibungaku [English Literature in Hokkaido], 23 (1978), 1-14.
Banta, Martha. “Adonais and the Angel: Light, Color, and the Occult Sublime.” Wordsworth Circle, 8 (1977), 113-120.
Behrendt, Stephen C. “The Mental Contest: Blake’s Comus Designs.” Blake Studies, 8 (1978), 65-88.
Bentley, G. E., Jr. “The First Printed Reference to the Publication of Job: Disraeli (?) in The Star Chamber (1826).” Blake/An Illustrated Quarterly, 12 (1978), 69-70.
Bentley, G. E., Jr. “The Selling of Blake’s Night Thoughts Designs in the 1870s.” Blake/An Illustrated Quarterly, 12 (1978), 70-71.
Berwick, J. F. “‘The Sick Rose’: A Second Opinion.” Theoria, 47 (1976), 77-81.
Bindman, David. “Blake’s Theory and Practice of Imitation.” Pp. 91-98 in Essick and Pearce, Blake in His Time, q. v.
Bindman, David. “Blake’s Visions of Eternity.” The Sunday Times Magazine, 5 March 1978, pp. 40-49.
Briganti, Giuliano. I pittori dell’immaginario: arte e rivulizione psicologica. Milan: Electa, 1977.
Brogan, Howard O. “Blake and the Occult: ‘The Real Man the Imagination which Liveth for Ever’.” Wordsworth Circle, 8 (1977), 147-160.
Brown, David. “Fuseli’s Drawings for Ben Johnson’s [sic] ‘Masque of Queenes’, and a Figure Study, Rediscovered in the Ashmolean Museum.” Burlington Magazine, 121 (1979), 111-113.
Butlin, Martin. “Cataloguing William Blake.” Pp. 77-90 in Essick and Pearce, Blake in His Time, q. v.
Carothers, Yvonne M. “Space and Time in Milton: The ‘Bard’s Song’.” Pp. 116-127 in Essick and Pearce, Blake in His Time, q. v.
Chayes, Irene H. “Blake and Tibaldi.” Bulletin of Research in the Humanities, 81 (1978), 113-125.
Clark, Kenneth McKenzie. “Samuel Palmer et la peinture visionnaire—Samuel Palmer and Visionary Painting.” Revue de l’art, 30 (1975), 55-60 and 102-104.
Dargan, Thomas Raymond. “Blake, Stonehenge, and the New Jerusalem.” Dissertation Abstracts International, 39 (1978), 893-A. Diss., State University of New York at Stony Brook, 1978.
*Day, Martin S. “The Poetry of Blake,” in History of English Literature 1660-1837. Garden City, N. Y.: Doubleday, 1963 [“Doubleday College Course Guides”], pp. 284-308.
Deck, Raymond H., Jr. “Another Early Printing of Blake’s ‘Night’.” Blake/An Illustrated Quarterly, 12(1978), 69.
Deck, Raymond H., Jr. “Blake and Swedenborg.” Dissertation Abstracts International, 39 (1978), 3594-A-3595-A. Diss., Brandeis University, 1978.
Deck, Raymond H., Jr. “‘Blake, William’ in the New American Cyclopedia (1861).” Blake/An Illustrated Quarterly, 12 (1978), 68-69.
De Luca, V. A. “Proper Names in the Structural Design of Blake’s Myth-Making.” Blake Studies, 8(1978), 5-22.
Dobai, Johannes. Die Kunstliteratur des Klassizismus begin page 94 | ↑ back to top und der Romantik in England. vol. 3: 1790-1840. Bern: Benteli, 1977.
Easson, Kay Parkhurst. “Blake and the Art of the Book.” Pp. 35-52 in Essick and Pearce, Blake in His Time, q. v.
Easson, Roger R. “Blake and the Gothic.” Pp. 145-154 in Essick and Pearce, Blake in His Time, q. v.
Erdman, David V. “The Four Zoas: New Text for Pages 5, 6, & 7, Night the First.” Blake/An Illustrated Quarterly, 12 (1978), 96-99.
Erdman, David V. “Night the Seventh: The Editorial Problem.” Blake/An Illustrated Quarterly, 12 (1978), 135-139.
Essick, Robert N. “Blake in the Marketplace, 1976-77.” Blake/An Illustrated Quarterly, 12 (1978), 26-38.
Finke, Ulrich. Französische und englische Dürer-Rezeption im 19. Jahrhundert. Nuremberg: Stadtgeschichtliche Museen, 1976 [“Renaissance Vorträge,” 4-5], pp. 19ff.
Fitch, Donald. “Blake as Book Illustrator.” Soundings: Collections of the University Library, University of California, Santa Barbara, 8 (1976), 37-41.
Flory, Wendy Stallard. “Pound’s Blake and Blake’s Dante: ‘The Circle of the Lustful’ and Canto 20.” Paideuma, 6 (1977), 155-165.
Fox, Susan. “The Female as Metaphor in William Blake’s Poetry.” Critical Inquiry, 3 (1977), 507-519.
Gabbett-Mulhallen, Karen Ann. “William Blake’s Illustrations to Edward Young’s Night Thoughts: Context, Christology and Composite Worlds.” Dissertation Abstracts International, 39 (1979), 4269-A. Diss., University of Toronto (Canada), 1976.
Gallant, Christine. Blake and the Assimilation of Chaos. Princeton, N. J.: Princeton University Press, 1978.
Gandolfo, Anita. “‘This is Doubbllinnbbayyates’: A Further Blake-Joyce Note.” A Wake Newsletter: Studies in James Joyce’s Finnegan’s Wake, 14 (1977), 77-79.
Gilpin, George H. “Blake, Hogarth, and the Engraver’s Art of Line.” The Carrell: Journal of the Friends of the University of Miami [Florida] Library, 17 (1976), 1-7.
Givone, Sergio. “Blake e la tradizione neoplatonica.” Rivista de Storia e Letteratura Religiosa, 13 (1977), 167-178.
Gleckner, Robert F. “Blake and the Four Daughters of God.” English Language Notes, 15 (1977), 110-115.
Gleckner, Robert F. “Blake and Satire.” Wordsworth Circle, 8 (1977), 311-326.
Gleckner, Robert F. “Skelton, Blake, and Diodorus Siculus.” The USF Language Quarterly, 16 (1978), 25, 56.
Haas, Rudolph. “Sozialgeschichte und Soziologie: Zugänge zur Literatur?” Pp. 145-189 in Rudolph Haas, Theorie und Praxis der Interpretation: Modellanalysen englischer und amerikanischer Texte. Berlin: Schmidt, 1977 [Grundlagen der Anglistik & Amerikanistik, 5].
*Haenlein, Charlotte. “Wiederentdeckung. Johann Heinrich Füssli: Ödipus verflucht seinen Sohn Polyneikes.” du: Atlantis, 34 (1974), no. 403, 3.
Hagstrum, Jean H. “Romney and Blake: Gifts of Grace and Terror.” Pp. 201-212 in Essick and Pearce, Blake in His Time, q. v.
Hanke, Amala Maria. “Spatiotemporal Consciousness in English and German Romanticism: A Comparative Study of Blake, Novalis, Wordsworth, and Eichendorff.” Dissertation Abstracts International, 39 (1979), 4226-A-4227-A. Diss., University of California, Los Angeles, 1978.
Harper, George Mills. See McClellan, Jane.
Harvey, J. R. “Blake’s Art.” The Cambridge Quarterly, 7 (1977), 129-150.
Hay, Eloise. “Songs of William Blake and Music of Blake’s Time.” Soundings: Collections of the University Library, University of California, Santa begin page 95 | ↑ back to top Barbara, 8 (1976), 31-36.
Heffernan, James A. W. “Politics and Freedom: Refractions of Blake in Joyce Cary and Allen Ginsberg.” Pp. 177-195 in George Bornstein, ed., Romantic and Modern: Revaluations of Literary Tradition. Pittsburgh: University of Pittsburgh Press, 1977.
Helmstadter, Thomas H. “‘Bright Visions of Eternity’: Blake’s Designs for Blair’s Grave.” Blake Studies, 8 (1978), 37-64.
Heppner, Christopher. “Blake and The Seaman’s Recorder: The Letter and the Spirit in a Problem of Attribution.” Blake/An Illustrated Quarterly, 12 (1978), 15-17.
Hilton, Nelson. “The Sweet Science of Atmosphere in The Four Zoas.” Blake/An Illustrated Quarterly, 12 (1978), 80-86.
Hoagwood, Terence Allan. “The Four Zoas and ‘The Philosophick Cabala’.” Blake/An Illustrated Quarterly, 12 (1978), 87-90.
Hoagwood, Terence Allan. “Holbach and Blake’s Philosophical Statement in ‘The Voice of the Devil’.” English Language Notes, 15 (1978), 181-186.
Johnson, Mary Lynn. See Wilkie, Brian.
James, David E. Written Within and Without. A Study of Blake’s Milton. Frankfurt am Main, Bern, Las Vegas: Peter Lang, 1978. [“European University Papers,” Series XIV: Anglo-Saxon Language and Literature, vol. 54].
Johnson, Mary Lynn, and Brian Wilkie. “The Spectrous Embrace in The Four Zoas, VIIa.” Blake/An Illustrated Quarterly, 12 (1978), 100-105.
Keynes, Sir Geoffrey, ed. Complete Portraiture of William and Catherine Blake. Oxford: Oxford University Press, for the William Blake Trust, 1978. $129.00.
Kilgore, John. “The Order of Nights VIIa and VIIb in Blake’s The Four Zoas.” Blake/An Illustrated Quarterly, 12 (1978), 107-113.
*Kleinstück, Johannes Walter. Mythos und Symbol in Englischer Dichtung. Stuttgart: W. Kohlhammer, 1964 [“Sprache und Literatur,” vol. 18].
Kowle, Carol P. “Plate III and the Meaning of Europe.” Blake Studies, 8 (1978), 89-99.
Kumashiro, Soho. William Blake—sono shogai to sakuhin no subete [William Blake—On His Life and the Works]. Tokyo: Kodansha, 1979. ¥3,000.
Kumbier, William. “Blake’s Epic Meter.” Studies in Romanticism, 17 (1978), 163-192.
La Belle, Jenijoy. “Blake’s Visions and Re-visions of Michelangelo.” Pp. 13-22 in Essick and Pearce, Blake in His Time, q. v.
Lawson, Mildred. “Creative and Sexual Energy in Blake’s Milton.” American Notes & Queries, 15 (1977), 68-70.
Lefebvre, Mark S.[e] “A Note on the Structural Necessity of Night VIIb.” Blake/An Illustrated Quarterly, 12 (1978), 134.
Lincoln, Andrew. “The Four Zoas: The Text of Pages 5, 6, & 7, Night the First.” Blake/An Illustrated Quarterly, 12 (1978), 91-95.
Lincoln, Andrew. “The Revision of the Seventh and Eighth Nights of The Four Zoas.” Blake/An Illustrated Quarterly, 12 (1978), 115-133.
Lindsay, David. “The Resurrection of Man: A Short Commentary on Night Nine of Blake’s ‘Vala or The Four Zoas’.” University of Cape Town Studies in English, 6 (1976), 14-23.
Lindsay, David W. “‘The Book of Ahania’: An Interpretation of the Text.” Durham University Journal, 68, n. s. 37 (1976), 144-147.
Lindsay, David W. “Prelude to Apocalypse: A Short Commentary on Night VIII of Blake’s ‘Vala or The Four Zoas’.” Durham University Journal, 70, n. s. 39 (1977-1978), 179-185.
Lindsay, Jack. William Blake: His Life and Work. London: Constable, 1978.
Maeda, Masahiko. “E. Young ‘Yaso’ eno Blake no sashie—hyoshaku no kokoromi sono 1” [Illustrations to E. Young’s Night Thoughts by William Blake—An Attempt of the Annotation No. 1]. Eibeibungaku, Rikkyo Daigaku Bungakubu Eibeibungaku Kenkyushitsu [English and American Literature, The Rikkyo Review, Arts & Letters (The Department of Literature of Rikkyo University)], 38 (1978), 1-113.
Magno, Cettina. “The Four Zoas in Italy.” Blake/An Illustrated Quarterly, 12 (1978), 140-141.
Marks, Mollyanne. “Renovation of Form: Time as Hero in Blake’s Major Prophecies.” Pp. 55-66 in Ronald C. Rosbottom, ed., Studies in Eighteenth-Century Culture, vol. 5. Madison, Wisc.: University of Wisconsin Press, for the American Society of Eighteenth-Century Studies, 1976.
Matsuo, Rikio. “A Study on William Blake—The Essence of Mental Traveller.” Hannan Ronshu: Journal of Hannan University, 12-6 (1977), 1-20.
Maxwell-Mahon, W. D. “William Blake: A Man without a Mask.” Lantern (Pretoria), 27 (1977), 12-17.
McClellan, Jane, and George Mills Harper. “Blake’s Demonic Triad.” Wordsworth Circle, 8 (1977), 172-182.
Meller, Horst. “Die Absetzung des Vaters: Blake, Shelley und der Traditionshintergrund romantischer Revolte,” in Das Vaterbild im Abendland II: Literatur und Dichtung Europas, ed. Hubertus Tellenbach. Stuttgart: W. Kohlhammer, 1978, pp. 62-77.
Mellor, Anne K. “Physiognomy, Phrenology, and Blake’s Visionary Heads.” Pp. 53-74 in Essick and Pearce, Blake in His Time, q. v.
*Meynell, Alice. “Blake,” in The Wares of Autolycus, London, Oxford and New York, N. Y.: Oxford University Press, 1965, pp. 145-150.
Milosz, Czeslaw. The Land of Ulro. [In Polish.] Paris: Kultura, 1977.
Morgan, Norman Louis. See Tidwell, Paul.
Mulhallen, Karen Ann. See also Gabbett-Mulhallen, Karen Ann.
Mullins, Edwin. “The Visions of William Blake.” Telegraph Sunday Magazine, no. 75, 26 February 1978, 36-42.
Murray, Roger. “Working Sir Joshua: Blake’s Marginalia in Reynolds.” British Journal of Aesthetics, 17 (1977), 82-91.
Namikawa, Ryo. William Blake—Geijutsu to shiso. [William Blake—On His Art and Thought]. Tokyo: Harashobo, 1978. ¥3,600.
Nanavutty, Piloo. “Blake and Gnostic Legends.” The Aligarh Journal of English Studies, 1 (1976), 168-190.
Ober, Warren U. See Ellis, Helen B.
*Oppel, Horst. Die Shakespeare-Illustration als Interpretation der Dichtung. Mainz: Verlag der Akademie der Wissenschaften und der Literatur, and Wiesbaden: in Kommission bei Franz Steiner, 1965 [“Akademie der Wissenschaften und der Literatur: Abhandlungen der Geistes und Sozialwissenschaftlichen Klasse,” Jg. 1965, no. 2].
Paananen, Victor N. William Blake. [Twayne English Authors Series.] Boston: Twayne, 1977.
Paley, Morton D. “‘Wonderful Originals’—Blake and Ancient Sculpture.” Pp. 170-197 in Essick and Pearce, Blake in His Time, q. v.
Payne, Michael D. “Blake and the Politics of Poetry.” Style, 10 (1976), 467-480.
Pearce, Donald R. “Blake in the Art of His Time: The Santa Barbara Blake Conference.” Soundings: Collections of the University Library, University of California, Santa Barbara, 8 (1976), 25-27.
Pearce, Donald R. “Natural Religion and the Plight of Thel.” Blake Studies, 8 (1978), 23-35.
Pearce, Donald. See also Essick, Robert N.
Peattie, R. W. “William Michael Rossetti’s Aldine Edition of Blake.” Blake/An Illustrated Quarterly, 12 (1978), 4-9.
Phillips, Michael C. Interpreting Blake: A Volume of Studies. Cambridge: Cambridge University Press 1979. £14.50.
Pittman, Philip McM. “Blake, Rossetti, and the Genesis of the Pre-Raphaelite Idea.” The Bulletin of the West Virginia Association of College English Teachers, 2 (1975), 1-17.
Punter, David. “Blake: Creative and Uncreative Labor.” Studies in Romanticism, 16 (1977), 535-561.
Reinhart, Charles William. “The Universal Brotherhood: Blake, Milton, and the Reader in Blake’s Milton.” Dissertation Abstracts International, 39 (1979), 4283-A. Diss., Indiana University, 1978.
Reisner, Thomas A., and Mary Ellen Reisner. “Blake’s Auguries of Innocence.” Explicator, 35 (1977), 32-33.
*Richter, Helene. “William Blake,” in Geschichte der englishchen Romantik, vol. ½: Die Anfänge der Romantik. Halle a. d. Saale: Max Niemeyer, 1911, pp. 483-520.
Rix, Donna Standifer. “The Function of Biblical Sources in the Structure and Meaning of Blake’s Milton.” Dissertation Abstracts International, 38 (1978), 7349-A. Diss., University of New Mexico, 1978.
Rose, Edward J. “The ‘Gothicized Imagination’ of ‘Michelangelo Blake’.” Pp. 155-169 in Essick and Pearce, Blake in His Time, q. v.
Roth, Herbert John. “A Literary Study of the Calvinistic and Deistic Implications in the Hymns of Isaac Watts, Charles Wesley, and William Cowper.” Dissertation Abstracts International, 39 (1978), 3604-A-3605-A. Diss., Texas Christian University, 1978.
Sakai, Tadayasu. “Muku to Keiken no aida de—Blake, sono idainaru konton” [“Between Innocence and Experience—Blake, his Great Confusion”]. Mizue [Water-Color Paintings: A Monthly Review of the Fine Arts], no. 882 (1978), 61-67.
Sanzo, Eileen. “Blake and the Great Mother Archetype.” the nassau review 1978, 3 (1978), 105-116.
Sanzo, Eileen. “Blake and the Symbolism of the New Iron Age.” Pp. 1-12 in Donald H. Rieman, Michael C. Jaye, and Betty T. Bennett, eds., The Evidence of the Imagination: Studies of Interactions between Life and Art in English Romantic Poetry. New York: New York University Press, 1978.
Sanzo, Eileen. “The Convergence of Blake and Teilhard.” The Teilhard Review, 12 (1977), 73-78.
*Sauerlandt, Max. “John Flaxman.” Zeitschrift fürbildende Kunst, n. s., 19 (1908), 189-197.
Scholz, Joachim J. Blake and Novalis: A Comparison of Romanticism’s High Arguments. Bern, Frankfurt am Main, and Las Vegas: Peter Lang, 1978 [“European University Papers,” Series XVIII: Comparative Literature, vol. 19].
Sherry, Peggy Meyer. “The ‘Predicament’ of the Autograph: ‘William Blake’.” Glyph (Johns Hopkins Textual Studies), 4 (1978), 131-155.
Shioe, Kozo. “Blake no geijutsu shiko—dento to kindai no hazama de” [“Blake’s Thinking on Art—At the Interstice of Tradition and Modern”]. Mizue [Water-Color Paintings: A Monthly Review of the Fine Arts], no. 882 (1978), 68-73.
Shioe, Kozo. Bureiku [Blake]. Tokyo: Kodansha, 1978. ¥880. Sekai no sobyo, 14 (The Drawing of the World, no. 14).
Skovgaard, Bente. “Abildgaard eller Füssli: en tegning i Kobberstiksamling.” Kunstmuseets Årsskrift, 62 (1975), 57-76.
Stepto, Michele Leiss. “Blake, Urizen, and the Feminine: The Development of a Poetic Logic.” Dissertation Abstracts International, 39 (1978), 2960-A. Diss., University of Massachusetts, 1978.
Sutherland, James, ed. “William Blake,” in The Oxford Book of Literary Anecdotes. Oxford, London, and New York, N. Y.: Oxford University Press, 1975, pp. 126-129.
Taniguchi, Shigeru. “The Four Zoas, Night the Fifth no bunseki—saikuru no aratana kaiten” [“An Analysis of The Four Zoas, Night the Fifth—A New Revolution of Cycle”]. Reitaku Daigaku Kiyo [Bulletin of Reitaku University], 25 (1978), 131-137.
Tannenbaum, Leslie. “Blake and the Iconography of Cain.” Pp. 23-34 in Essick and Pearce, Blake in His Time, q. v.
Taylor, Anya. Magic and English Romanticism. Athens: University of Georgia Press, 1979. $16.00.
Tidwell, Paul, and Norman Louis Morgan. “A Blake-Joyce Note.” A Wake Newsletter: Studies in James Joyce’s Finnegan’s Wake, 13 (1976), 112-114.
Trawick, Leonard M. “Blake’s Empirical Occult.” Wordsworth Circle, 8 (1977), 161-171.
Trout, Henry R. “A Reading of Blake’s The Little Girl Lost and The Little Girl Found.” West Virginia University Bulletin: Philological Papers, 23 (1977), 37-46.
Tsuchiya, Shigeko. Blake no sekai—genshika no yogensho [Blake’s World—On His Prophetic Books]. Tokyo: Kenkyusha, 1978. ¥980.
Tsuchiya, Shigeko. “Blake no ‘chichi’ to ‘kami’” [“Blake’s ‘Father’ and ‘God’”]. Igirisu Romanha no Kenkyu [A Study of English Romanticism], 1 (1977).
Tzougros, Penelope Stephanie. “Hopkins and Blake: A New Heaven and a New Earth.” Dissertation Abstracts International, 39 (1979), 4290-A. Diss., University of Toronto (Canada), 1977.
Umetsu, Narumi. Blake kenkyu [A Study of William Blake]: Songs of Innocence and of Experience. Tokyo: Yashio-shuppansha, 1977. ¥3,500.
Valdes, Mario J. “The Aesthetic Relationship of William Blake and Miguel de Unamuno.” Pp. 809-811 in Michel Cadot, Milan V. Dimic, David Malone, and Mikos Szabolcsi,[e] eds., Actes de VIe Congrès de l’Association Internationale de Littérature Comparée/Proceedings of the 6th Congress of the International Comparative Literature Association. Stuttgart: Bieber, 1975.
Vasil’eva, T. N. “Blejk i Šekspir” [Blake and Shakespeare]. Pp. 403-408 in E. A. Smirnova, ed., Sravnitel’nce izučenie literatur: Sbornik statej k 80-letiju akademika M. P. Alekseeva. Leningrad: Nanka, 1976.
Vaughan, William. William Blake. London: Thames and Hudson, and New York: St. Martin’s Press, 1977. $5.95.
Walker, Corlette R. “Blake in the Galleries.” Soundings: Collections of the University Library, University of California, Santa Barbara, 8 (1976), 28-30.
Waller, Jennifer R. “Maurice Sendak and the Blakean Vision of Childhood.” Children’s Literature: Annual of the Modern Language Association Seminar on Children’s Literature and the Children’s Literature Association, 6 (1977), 130-140.
Wardle, Judith. “‘For Hatching ripe’: Blake and the Educational Uses of Emblem and Illustrated Literature.” Bulletin of Research in the Humanities, 81 (1978), 324-348.
Warner, Nicholas Oliver. “Blake’s Iconic Mode: Tradition and Transformation in the Works of William Blake.” Dissertation Abstracts International, 39 (1978), 877-A. Diss., University of California, Berkeley, 1977.
Warren, Leland E. “Poetic Vision and the Natural World: The Spider and His Web in the Poetry of William Blake.” Enlightenment Essays, 6 (1975), 50-62.
Weinsheimer, Joel. “[Reynolds’] Mrs. Siddons, The Tragic Muse, and the Problem of ‘As’.” Journal of Aesthetics and Art Criticism, 36 (1978), 317-328.
Weissman, Judith. “A Note on the Pleasant Bank by Moonlight in The Marriage of Heaven and Hell.” Notes and Queries, n. s. 24 (1977), 321-322.
Welch, Dennis M. “Center, Circumference, and Vegetation Symbolism in the Writings of William Blake.” Studies in Philology, 75 (1978), 223-242.
Welch, Dennis M. “In the Throes of Eros: Blake’s Early Career.” Mosaic, 11 (1978), 101-113.
Whitehead, Fred. “William Blake and Radical Tradition.” Pp. 191-214 in Norman Rudich, ed., Weapons of Criticism: Marxism in America and the Literary Tradition. Palo Alto: Ramparts Press, 1976.
Wieland-Burston, Joanne Barbara. “Blake in France: The Poet and the Painter as Seen by French Critics in the Nineteenth and Twentieth Centuries.” Dissertation Abstracts International, 39 (1978), 914-A. Diss., Vanderbilt University, 1977.
Wilkie, Brian, and Mary Lynn Johnson. Blake’s Four Zoas: The Design of a Dream. Cambridge, Mass. and London: Harvard University Press, 1978. $15.00.
Wilkie, Brian. See also Johnson, Mary Lynn.
*Wimsatt, W. K. “Imitation as Freedom—1717-1798.” New Literary History, 1 (1970), 215-236.
Wittreich, Joseph Anthony, Jr. “Painted Prophecies: The Tradition of Blake’s Illuminated Books.” Pp. 101-115 in Essick and Pearce, Blake in His Time, q. v.
Woodman, Ross. “The Death and Resurrection of Milton According to the Gospel of Blake.” English Studies in Canada (Toronto), 3 (1977), 416-432.
Yamamoto, Toshiki. “Bunyan to Blake” [“Bunyan and Blake”]. Seikei Daigaku Ippan Kenkyu Hokoku [Bulletin of Seikei University], 13 (1977), 67-84.
Yasuda, Masayoshi. “Blake to Johnson shiron” [“Some Comparative Notes on Blake and Johnson”]. Bungaku gogaku ronshu, Ueki Ren nosuke kyoju taishoku kinen, Kwansai gakuin daigaku keizai gakubu [Essays in Language and Literatures, In Commemoration of Prof. Rennosuke Ueki, The Faculty of Economics of Kwansai Gakuin University], April, 1977, pp. 21-36.
Yura, Kimiyoshi. “Blake—totaru na kagekisei” [“Blake—A Total Extremeness”]. Bungaku [Literature], 45, 10 (1977), 114-120. Romanshugi: On Romanticism.
Yura, Kimiyoshi. “Blake to warabeuta” [“Blake and A Children’s Song”]. Gakuto [Lamplight of Learning], 11 (1976), 18-21.
Bentley, G. E., Jr. Blake Books. Reviewed by Ronald Paulson, The Georgia Review, 32 (1978), 435-443; by Andrew Lincoln, The Review of English Studies, 29 (1978), 347-349; by Joseph A. Wittreich, Jr., Wordsworth Circle, 9 (1978), 290-292; and by Adrian Eeles, The [London] Times Literary Supplement, 27 January 1978, p. 100.
Bentley, G. E., Jr. William Blake: The Critical Heritage. Reviewed by Graham Reynolds, Apollo, 105 (1977), 147.
Bindman, David. Blake as an Artist. Reviewed by Geoffrey L. Keynes, Burlington Magazine, 120 (1978), 544-547; by Ronald Paulson, The Georgia Review, 32 (1978), 435-443; by Jean H. Hagstrum, Blake/An Illustrated Quarterly, 12 (1978), 64-67; by Zachary Leader, Essays in Criticism, 29 (1979), 81-88; by S. Hoyal, Connoisseur, 198 (1978), 174; by K. Garlick, Apollo, n. s. 107 (1978), 439-440; by Edward Larrissy, English, 27 (1978), 196-200; and by Tom Phillips, The [London] Times Literary Supplement, 24 March 1978, pp. 349-350.
Bindman, David. The Complete Graphic Works of William Blake. Reviewed by P. Southcott, Art & Artists, 13 (1978), 48; by Ronald Paulson, The Georgia Review, 32 (1978), 435-443; and by Tom Phillips, The [London] Times Literary Supplement, 24 March 1978, pp. 349-350.
Blake exhibition, Tate Gallery. Reviewed by Gwen Stone, Visual Dialog, 4 (1978), 16-17; by David Bindman, Burlington Magazine, 120 (1978), 418-419; and by Tom Phillips, The [London] Times Literary Supplement, 24 March 1978, pp. 349-350. See also reviews of the exhibition catalogue by Martin Butlin.
Blondel, Jacques. Imaginaire et croyance. Reviewed by Heather Dubrow, Durham University Journal, 71, n. s. 40 (1978-1979), 133-134.
Bloom, Harold. Poetry and Repression. Reviewed by Sharon Bassett, Literature and Psychology, 27 (1977), 106-112; by Khachig Tololyan, English Language Notes, 15 (1978), 229-237; and by Robert Pinsky, Modern Philology, 76 (1979), 300-303.
Burke, Joseph. English Art 1717-1800. Reviewed by Edward J. Nygren, Studies in Burke and His Time, 19 (1978), 161-162.
Butlin, Martin. William Blake (exhib. cat.). Reviewed by David Bindman, Burlington Magazine, 120 (1978), 418-421; by Ronald Paulson, The Georgia Review, 32 (1978), 435-443; by Ruth E. Fine, Blake/An Illustrated Quarterly, 12 (1978-1979), 42-55; by Karl-Heinz Bohrer, Frankfurter Allgemeine Zeitung, 16 May 1978; in The Book Collector, 27 (1978), 159-168; by Edda Schmitt, Frankfurter Neue Presse, 6 May 1978; by Gertrud Mander, Stuttgarter Zeitung, 4 April 1978; and by Tom Phillips, The [London] Times Literary Supplement, 24 March 1978, pp. 349-350.
Clarke, Lester, and David Wickes. “The Story of Job” (television ballet of Job: A Masque for Dancing). Reviewed by Everett C. Frost, Blake/An Illustrated Quarterly, 12 (1978), 155-158.
Cooke, Michael G. The Romantic Will. Reviewed by Stuart Curran, Journal of English and Germanic Philology, 77 (1978), 287-289; and by Laurence Goldstein, Blake/An Illustrated Quarterly, 11 (1978), 284-287.
Davis, Michael. William Blake: A New Kind of Man. Reviewed by Susan C. Fox, Blake/An Illustrated Quarterly, 11 (1978), 289-290; by Ronald Paulson, The Georgia Review, 32 (1978), 435-443; and by Brian Wilkie, Journal of English and Germanic Philology, 77 (1978), 144-146.
Dolmetsch, Joan D. Rebellion and Reconciliation: Satirical Prints on the Revolution at Williamsburg. Reviewed by Ronald Paulson, Blake/An Illustrated Quarterly, 11 (1978), 291-297.
Downey, James, and Ben Jones, eds. Fearful Joy: Papers from the Thomas Gray Bicentenary Conference. Reviewed by C. J. Rawson, Modern Philology, 76 (1978), 202-206.
Erdman, David. V., ed. The Illuminated Blake. begin page 99 | ↑ back to top Reviewed by J. Duncan Macmillan, Apollo, 104 (1976), 142-143.
Evans, Joan. A History of The Society of Antiquaries. Reviewed by David Worral, Blake/An Illustrated Quarterly, 11 (1978), 287-288.
Fox, Susan. Poetic Form in Blake’s Milton. Reviewed by Stuart Curran, English Language Notes, 16 (1978), 55-58.
Franson, John Karl, ed. Milton Reconsidered: Essays in Honor of Arthur E. Barker. Reviewed by Martin K. Nurmi, Blake/An Illustrated Quarterly, 12 (1978), 56-57.
Frye, Northrop. The Secular Scripture [and] Spiritus Mundi. Reviewed by Michael Fischer, Blake/An Illustrated Quarterly, 11 (1978), 276-283.
Howard, John. Blake’s Milton. Reviewed by Susan Fox, Wordsworth Circle, 9 (1978), 293-296; and by Martin K. Nurmi, Blake/An Illustrated Quarterly, 12 (1978), 56-57.
Irwin, David, and Francina Irwin. Scottish Painters at Home and Abroad 1700-1900. Reviewed by Lindsay Errington, Art Bulletin, 59 (1977), 443-444.
Kelly, Gary. The English Jacobin Novel 1780-1805. Reviewed by Ronald Paulson, Blake/An Illustrated Quarterly, 11 (1978), 291-297.
Keynes, Sir Geoffrey L. Complete Portraiture of William and Catherine Blake. Reviewed by Nicholas Barker, The [London] Times Literary Supplement, 17 March 1978, p. 320; and by David Bindman, Burlington Magazine, 120 (1978), 418-421.
Keynes, Sir Geoffrey L., ed. William Blake: The Marriage of Heaven and Hell. Reviewed by Graham Reynolds, Apollo, 105 (1977), 147.
Klonsky, Milton. William Blake: The Seer and His Visions. Reviewed by K. Garlick, Apollo, n. s. 107 (1978), 439-440; and by Ronald Paulson, The Georgia Review, 32 (1978), 435-443.
Lister, Raymond. Infernal Methods. Reviewed by J. Duncan Macmillan, Apollo, 104 (1976), 143.
Lister, Raymond, ed. The Letters of Samuel Palmer. Reviewed by William L. Pressly, Jr., Art Bulletin, 58 (1976), 462-464; and by Andrew Wilton, Blake/An Illustrated Quarterly, 12 (1978-1979), 150-154.
Lister, Raymond. Samuel Palmer A Biography. Reviewed by Andrew Wilton, Blake/An Illustrated Quarterly, 12 (1978), 150-154.
Marqusee, Michael, introd. The Book of Job Illustrated by William Blake. Reviewed by Jeffry Spencer, Blake/An Illustrated Quarterly, 12 (1978), 154.
Mitchell, W. J. T. Blake’s Composite Art. Reviewed by Ronald Paulson, The Georgia Review, 32 (1978), 435-443.
Namikawa, Ryo. William Blake—geijutsu to shiso [William Blake—On His Art and Thought]. Reviewed by Narumi Umetsu, Shinkan shoka [The Review of New Books] Eigo Seinen [The Rising Generation], 124, 6 (1978), 39.
Palmer exhibition, Victoria and Albert Museum. Reviewed by Christopher Neve, Country Life, 25 January 1979, pp. 200-201.
Paulson, Ronald. Emblem and Expression. Reviewed by Ruth Emery, Studies in Burke and His Time, 19 (1978), 84-88.
Powell, Nicolas. Fuseli: The Nightmare. Reviewed by John F. Moffitt, Burlington Magazine, 118 (1976), 526-527.
Sellars, James. Samuel Palmer. Reviewed by William L. Pressly, Jr., Art Bulletin, 58 (1976), 462-464.
Tomalin, Claire. The Life and Death of Mary Wollstonecraft. Reviewed by Marcia Tillotson, Blake/An Illustrated Quarterly, 12 (1978), 58-64.
Traeger, Jörg. Philipp Otto Runge und sein Werk. Reviewed by Rudolf M. Bisanz, Art Journal, 37 (1977-1978), 190-192.
Wardel, Ralph M., ed. Godwin & Mary: Letters of William Godwin and Mary Wollstonecraft. Reviewed by Marcia Tillotson, Blake/An Illustrated Quarterly, 12 (1978), 58-64.
Weiskel, Thomas. The Romantic Sublime. Reviewed by J. Robert Barth, English Language Notes, 15 (1978), 219-222; and by E. D. Mackerness, Notes and Queries, n. s., 25 (1978), 251-253.
Wittreich, Joseph Anthony, Jr. Angel of Apocalypse. Reviewed by William F. Halloran, SCN, Winter 1977, pp. 101-104.
Wittreich, Joseph Anthony, Jr., ed. Milton and the Line of Vision. Reviewed by Mary Ann Radzinowicz, Modern Language Review, 73 (1978), 404-405.
Wollstonecraft, Mary. Mary, A Fiction, and The Wrongs of Woman, ed. Gary Kelly; Letters Written during a Short Residence in Sweden, Norway, and Denmark, ed. Carol H. Poston; A Vindication of the Rights of Woman, ed. Miriam Brody Kramnick. Reviewed by Marcia Tillotson, Blake/An Illustrated Quarterly, 12 (1978), 58-64.

References: v.

 v.

 v.

 v.

 V. 
 v.

 v.

 V. 
 V. 
 v.

 v.

 v.

 v.

 v.

 v.

 V. 
 v.

 Art 1717