Source: http://www.kamelmennour.com/artists/26/huang-yong-ping.html
Timestamp: 2019-04-25 06:03:08+00:00

Document:
Born in 1954 in Xiamen, China. Lives and works in Paris since 1989.
“Empires”, Monumenta, Le Grand Palais, Paris, France.
Wolfgang Hahn Prize, Museum Ludwig, Cologne, Germany.
“Bâton Serpent III: Spur Track to the Left”, Power Station of Art, Shanghai, China.
“Bâton Serpent”, Red Brick Museum, Beijing, China.
“Bâton Serpent”, MAXXI - Museo nazionale delle Arti del XXI secolo, Rome, Italy.
“Les Mues”, HAB Galerie - Le Voyage à Nantes, Nantes, France.
“Amoy/Xiamen”, MAC - Musée d’art contemporain de Lyon, Lyon, France.
“Bugarach”, kamel mennour, Paris, France.
“Huang Yong Ping”, Lille 3000 – Fantastic, Musée de l’Hospice Comtesse, Lille, France.
Circus, Barbara Gladstone gallery, New York, USA.
“Wu Zei”, Musée Océanographique de Monaco, Monaco, France.
Garofalo (with Shen Yuan), Edicola Notte, Rome, Italy.
Inkstone, permanent outdoor installation, Vierhuizen churchyard, Groningue, Netherlands.
“Arche 2009”, Chapelle des Petits Augustins, Ecole Nationale Supérieure des Beaux-Arts, Paris, France.
“Caverne 2009”, kamel mennour, Paris, France.
“Tower Snake”, Barbara Gladstone gallery, New York, USA.
“House of Oracles”, Ullens center for Contemporary Art, Beijing, China.
“Ping Pong”, Astrup Fearnley Museum of Modern Art, Oslo, Norway.
“Ping Pong”, Kunsthallen Brandts, Odense, Denmark.
“Frolic”, Barbican Art Gallery, London, England.
“From C to P”, Gladstone Gallery, New York, USA.
“House of Oracles”, Vancouver Art Gallery, Vancouver, Canada.
“Les Mains de Bouddha”, Galerie Anne de Villepoix, Paris, France.
“House of Oracles”, MASS MOCA, North Adams, Massachusetts, USA.
“House of Oracles”, Walker Art Center, Mineapolis, USA.
“Un cane italiano”, Galerie Beaumont, Luxembourg.
“Xian Wu”, Art & Public, Genève, Switzerland.
“Om Mani Padme Hum”, Barbara Gladstone Gallery, New York, USA.
“Taigong fishing, Willing to Bite the Bait”, Galerie Jack Tilton, New York, USA.
“Crane's legs, Deer's tracks”, Project Galerie à CCA Kitakyushu, Japan.
“Huang Yong-Ping”, Galerie Jack Tilton, New York, USA.
“Huang Yong-Ping”, De Appel, Amsterdam, Hollande.
“Da Xian-The Doomsday”, Art & Public, Genève, Switzerland.
“Le sage suivant l'exemple de l'araignée qui tisse sa toile", Galerie Beaumont, Luxembourg.
“Péril de mouton”, Fondation Cartier pour l'Art contemporain, Paris, France.
“Trois pas, Neuf traces”, Atelier d'Artistes de la Ville de Marseille, France.
“Pharmacie”, Galerie Froment & Putman, Paris, France.
“Chinese Hand-Laundry”, New Museum of Contemporary Art, New York, USA.
“1 & 108”, Akademie Schloss Solitude, Stuttgart, Germany.
“La maison d'augure”, Galerie Froment & Putman, Paris, France.
“Réapparition de la Croix-Rouge”, Hopital Ephémère, Paris, France.
“Nous devons encore construire une grande cathédral”, Galerie Fenster, Francfort, Germany.
“Sacrifice au feu”, (Cézanne, Saint-Victoire 1990), L'Ecole des Beaux-Arts d'Aix-en-Provence, France.
“Huang Yong-Ping”, L'Ecole des Beaux-Arts d'Avignon, Avignon, France.
“Huang Yong-Ping”, L'Ecole des Beaux-Arts de Rouen, Rouen, France.
“Nuit Blanche 2013”, multi-sites exhibition by the Ville de Paris, Paris, France.
“L’Amour atomique”, Palais des Arts, Dinard, France.
“The 7th Asia Pacific Triennial of Contemporary Art (APT7)”, Queensland Art Gallery, Brisbane, Australia.
“Reactivation, the 9th Shanghai Bienniale”, Shanghai, China.
“Le Voyage à Nantes – Estuaire 2012”, Nantes, France.
“L’Etoffe du Temps”, Institut Culturel Bernard Magrez, Bordeaux, France.
Musée Mobile, UNESCO, a mobile exhibition, Europe & Africa.
“Artistes chinois à Paris”, Musée Cernuschi, Parc Monceau, Paris, France.
“Le Monde vous appartient”, Palazzo Grassi, Venise, Italy.
“Tracing the Milky Way, Tang Contemporary”, Beijing, China.
“The Couple Show”, Shanghai Gallery of Art at Three on the Bund, Shanghai, China.
“Reshaping History, Chinart from 2000 to 2009”, CNCC, Beijing, China.
“Le Jardin emprunté”, Jardins du Palais Royal, Paris, France.
“Yan Pei-Ming, Destinies & Huang Yong Ping, 08.02.10”, Carlson Gallery, London, England.
“10000 Lives, Gwangju Biennale 2010”, Gwangju, Korea.
“Le spectacle du quotidien, 10th Lyon Biennale”, Lyon, France.
“4th Fukuoka Asian Art Triennale”, Fukuoka, Japan.
“3rd Moscow Biennale”, Moscou, Russia.
“Fare Mondi / Making Worlds, 53rd Venice Biennale”, Venise, Italy.
Mapping the Studio: Artists from the François Pinault Collection, Punta della Dogana – François Pinault Foundation, Venice, Italy.
“Medium Religion”, ZKM | Museum for Contemporary Art, Karlsruhe, Germany.
“Artseason”, The China Academy of Art, Hangzhou, China.
“God & Goods”, Villa Manin Centre d’Art Contemporanea, Passariono, Italy.
“Traces du Sacré”, Centre Pompidou, Paris, France.
“Traces du Sacré”, Haus der Kunst, Munich, Germany.
“China Power Station III”, Musée d’Art Moderne Grand-Duc Jean, Luxembourg.
“Avant-Garde China: Twenty years of Chinese Contemporary Art”, The National Art Center, Tokyo, Japan.
“Avant-Garde China: Twenty years of Chinese Contemporary Art”, The National Museum of Art, Osaka, Japan.
“85’ New Wave, The Birth of chinese contemporary art”, Ullens center for contemporary Art, Beijing 798, China.
“Global multitude”, European Capital of Culture 2007, Luxembourg and Greater Region.
“The Yan Pei-Ming Show”, Galleria Massimo de Carlo, Milan, Italy.
“10th International Istanbul Biennial”, Istanbul, Turkey.
“The Unhomely, 2nd International Biennial of Contemporary Art of Seville”, Sevilla, Spain.
“Wherever we go”, Museo di Fotografia Contemporanea, Milano, Italy.
“Biennale Internationnale de Ceramique Contemporaine”, Vallauris, France.
“La force de l’Art grand Palais 2006”, Paris, France.
“Contrepoint de l'objet d'art à la sculpture", Louvre, Paris, France.
"Biennal de Chine", Montpellier, France.
"Wall", The China Millennium Altar, Beijing, China.
"Odyssée 2004", Shangahai Gallery, Shanghai, China.
“Le moine et le démone”, Musée d’Art Contemporain de Lyon, Lyon, France.
“A l’ouest du sud de l’est/A l’est du sud de l’ouest”, Villa Arson, Nice, / CRAC Centre Régional d’Art Contemporain, Sète, France.
“All under heaven”, Ancient and contemporary Chinese art The Collection ofthe Guy & Myriam Ullens Foundation, MuHKA (Museum of Contemporary Art Antwerp), Anvers, Belgium.
“Lingchi: YanPeiMing et Huang Yong Ping”, Musée Denon, Chalon-sur-Saône, France.
“This much is certain”, Royal college of Art, London, England.
“Left wing,Left Bank community”, Pékin , China.
“New Zone Chinese Art”, The Zacheta Gallery of Contemporary Art, Varsovie, Poland.
“Edges of the Earth”, China Academy , Hang Zhou, China.
“Yankee Remix: Artists Take on New England”, Mass Moca, USA.
“Z.O.U-Zone of Urgency, The 50th Venice Biennal”, Venise, Italy.
“Arte y naturaleza II, Montenmedio Arte Contemporaneo”, Cadiz, Spain.
“Lingchi : YanPeiMing et Huang Yong Ping”, Musée Denon, Chalon, France.
“Reinterpretation: A Decade of Experimental chines Art (1990-2000)”, Guangdong Museum of Art, Guangdong, China.
“Art Unlimite”, Art 33 Basel, Bâle, Switzerland.
“Recolt”, Museum of agriculture, Beijing, China.
“Biennal de Sao Paulo”, Sao Paulo, Brésil.
“Huang Yong Ping & Shen Yuan”, Centre d'Art contemporain, Queberc, Canada.
“International Triennal of Contemporary Art, Yokohama 2001”, Yokohama, Japan.
“Re-Configuration: Work on Paper”, The Courtyard Gallery, Beijing;Modern Chinese Art Foundation, Gand, Belgium.
“Made in Asia”, Duke University Museum of Art, Durham, North Carolina, USA.
“Troubler l'écho du temps, œuvre de la collection”, Lyon, France.
“Paris pour escale”, Musée d'Art Moderne de la Ville de Paris, Paris, France.
“Voilà, le monde dans la tête”, Musée d'Art Moderne de la Ville de Paris, Paris, France.
“Unnatural Science”, MASS MOCA, North Adams, Massachusetts USA.
“3 Räume-3 Flüsse”, Hann, Münden, Germany.
“La beauté”, Le Palais des Papes, Avignon, France.
“Parcours Saint-Germain-des-prés”, Maison de la Chine, Paris, France.
“Kunstwelten im Dialog”, Museum Ludwig, Cologne, Germany.
“Sultan's Pool”, Israel festival, Jérusalem, Israël.
“Passage: New Franch Art”, Setagaya Art Museum, Tokyo, Japan.
“Flashes, Collection Fondation Cartier pour l’Art Contemporain”, Centro cultural de Belém, Lisbonne, Portugal.
“V O C, Handle with care, Huang Yong Ping & Yang Mao-Lin”, Ateneo San Basso, Venise, Italy.
“The 48th Venice Biennale, Jean-Pierre Bertrand et Huang Yong Ping”,French Pavillon, Venise, Italy.
“Global Conceptulism: Points of Origin 1950 – 1980”, Queens Museum of Art, New York, USA.
“Unfinished History”, Museum of modern Art, Chicago, USA.
“Inside out : New chinese Art”, Asian Art Museum, San Francisco, USA.
“Cities on the move 4”, Louisiana Museum of modern Art, Danemark.
“Gare de l'Est”, Casino Luxembourg Forum d'art contemporain, Luxembourg.
“Inside out : New chinese Art”, PS1 and Asia Society Galleries, New York, USA.
“Cities on the move 3”, PS1, New York, USA.
“Unfinished History”, Walker Art Center, Minneapolis, USA.
“Hugo Boss Prize 1998”, The Guggenheim Museum Soho, New York, USA.
“Être nature”, Fondation Cartier pour l'art contemporain, Paris, France.
“Cites on the move 2”, Capc - Musée d'Art Contemporain de Bordeaux, Bordeaux, France.
“Huang Yong Ping and Xu Bing”, Art Beatus, Vancouver, Canada.
“Cities on the move”, Secession, Vienne, Austria.
“Johannesburg Biennale 97”, Johannesburg, South Africa.
“Open Air Sculpture Symposium”, Tong Young, Korea.
“97 Kwangju Biennale”, Kwangju, Korea.
“Truce : Echoes of Art in an Age of Endless Conclusion Site Santa Fe”, Santa Fe, USA.
“In between Limits”, Sonje Museum of Contemporary Art, Kyongju, Korea.
“Verpachtetes Erbe”, Museum für Kunsthandwerk, Francfort, Germany.
“Sculpture project in Münster 1997”, Münster, Germany.
“Parisien(en)s”, Camden Arts Centre, London, England..
“Promenade in Asia 2”, Shiseido Galerie, Tokyo, Japan.
“Face à l'Histoire”, Centre Georges Pompidou, Paris, France.
“Linien & Zeichen”, Kunstlerhaus Bethanien, Berlin, Germany.
“Steirischer herbst 96, (Inclution-Exclution)”, Reinighaus, Graz, Austria.
“Manifesta 1”, Natural History Museum Rotterdam, Hollande.
“Unser Jahrhundert, Menschenbilder-Bilderwelten”, Museum Ludwig Köln, Cologne, Germany.
“Galerie des 5 Continents”, Musée national des Arts d'Afrique et d'Océanie, Paris, France.
“Ripple Across the watre”, The Watari-um Museum of Contemporary Art, Tokyo, Japan.
“6 Triennal Febach 1995” ,SüdwestLB Forum Stuttgart, Stuttgart, Germany.
“Heart of Darkness”, Stichting Kröller-Müller Museum, Otterlo, Hollande.
“Hors-Limites, (L'Art et La Vie 1952/1994)”, Centre Georges Pompidou, Paris, France.
“A collection, (Fondation Cartier pour l'Art Contemporain)”, National Museum of Contemporary Art, Seoul, Korea.
“Huang yong ping et Matej Kren”, Fondation Cartier pour l'Art Contemporain, Paris, France.
“Out of the Centre”, Porin Taidemuseo, Pori, Finland.
“5 Internationale Biennal der Papierkunst”, Eopold-Hoesch Museum, Düren, Germany.
“Hommages à Marcel Duchamp”, Ecole Régionale des Beaux-Arts, Rouen, France.
“Fragmented Memory: The chinese Avant-Gard in Exile”, Wexner Center for the Arts, Ohio, USA.
“Rendez(-)vous”, Musée Van Hedendaagse, Gand, Belgium.
“Silent Energy”, Museum of Modern Art, Oxford, England.
“Coalition”, Centre for Contemporary Art, Glasgow, England.
“Intervention dans Collection”, Musée de l'Assistance Publique, Paris, France.
“China Avant-Garde”, Haus der Kulturen der Wely, Berlin, Germany.
“Parcours Privés 1992”, Paris, France.
“Résistance”, Watari-um Museum of Contemporary Art, Tokyo, Japan.
“Lifisize”, Museo d'Arte Contemporanea, Prato, Italy.
“Carnegie International 1991”, The Carnegie Museum of Art, Pittsburg, USA.
“Carte Blanche à André Magnin”, Galerie Froment & Putman, Paris, France.
“Rencontres Internationales Architecture Textile”, Nîmes, France.
“Chine demain pour hier”, Pourrières, France.
“Métissage, Croisement”, .F.R.A.C - Fond Régional d’Art Contemporain de Marseille, Marseille, France.
“Magiciens de la Terre”, Centre Georges Pompidou et Grande Halle de la Villette, Paris, France.
“Chine Avant-Garde”, China National Art Gallery, Beijing, China.
“Events”, Museum of fine Arts of Fujian, Fujian, China.
“Xiamen Dada”, Maison de la Culture de Xiamen, China.
“Exhibition of Five Artists”, Cultural Palace of Xiamen, Xiamen, China.
“Les Mues”, HAB Galerie, Nantes / Dilecta editions, 2014.
Herbert Martin, Previewed, "Art Review", December 2014.
Paire, Alain, Abbottabad, Galerie Alain Paire.com, January 15.
“Huang Yong Ping : Art & Space”, bob, International Magazine of Space Design, n° 102, January.
“La fin du monde”, Le Point, January 10.
“Amoy/Xiamen”, MAC Lyon / kamel mennour éditions, 2013.
Russell Storer, “My Favorite Work: Ressort by Huang Yong Ping-Video”, The Guardian, September 15, 2013.
Gaeth Harris and Julia Michalska, “Behold a Terrible Beauty”, The Art Newspaper, 14- 16 June 2013.
Chauvel-Lévy, Léa, Slash.fr, December 27.
Azimi, Roxana, “En attendant la fin du monde”, Le Quotidien de l’Art, December 18.
Montpezat, Charlotte, Huang Yong Ping et la fin du monde, Le Huffington Post, December 16.
Moulène, Claire, L’art de la disparition, Les Inrockuptibles, December 10 to 18.
Biétry-Rivierre, Éric ; Frat, Muriel ; Jacquot, Bruno, Après la fin du monde, le spectacle, Le Figaro, December 1 to 2.
Blanc, Dominique, “Huang Yong Ping : Entre deux rives”, Connaissance des Arts, October.
Prouteau, Eva, Estuaire : le paysage, l’art et le fleuve, 303 Arts, Recherches et Créations, Summer.
Portier, Julie, De Nantes à Saint-Lazare, L’art à flot, Le Quotidien de l’Art, June 21.
Laurent, Tom, Shanghai !, Art Absolument, May / June.
Hermet, Benoît, Shanghai, la traversée du miroir, Le Festin, Spring.
Maerkle, Andrew, Huang Yong Ping, Art It Asia, April 2.
Huang Yong Ping and Carroll Dunham at Gladstone Gallery, "Mousse", November 29, 2012.
Jason Chow, ‘What Chinese Artists Say About China,” The Wall Street Journal, May 16, 2012.
Alexandre, Jérôme ; Beaud, Marie-Claude ; Bernadac, Marie-Laure ; Calcagno, Robert ; Dawei, Fei ; de Loisy, Jean ; Huang Yong Ping ; Laporte, Arnaud ; Leydier, Richard ; Martin, Jean-Hubert ; Morgan, Jessica ; Tiberghien, Gilles A., Huang Yong Ping : Wu Zei, éditions kamel mennour & Nouveau Musée National de Monaco, April.
de Loisy, Jean ; Tiberghien, Gilles A. ; Leydier, Richard, Huang Yong Ping : Myths, éditions kamel mennour, November.
Five Artists for 2008, ArtAsiaPacific, Almanac 2009, p.94.
Galleries, ArtAsiaPacific, Almanac 2009, p. 117.
Art Festivals, ArtAsiaPacific, Almanac 2009, p. 85.
Japan, ArtAsiaPacific, Almanac 2009, p. 193.
Papers in Order?: How to bring an elephant from Oslo to Odense, Kunsthallen Brandts Yearbook, 2009, pp. 30-36.
Charles Freger, “After the Flood”, W Magazine, November 2009, p. 96-97.
Huang Yong Ping: Artist Interview, The Art Newspaper, July/August 2008, p. 35.
The Art of Visiting Oslo, Art World, February 2008, p. 17.
Huang Yong Ping Installation Taken Off Display, The Art Newspaper, March 2008, p. 11.
Huang Yong Ping, Art Actuel, March, 2008, pp. 56-57.
Bush, Kate, Provisional Authority: Skulptur Projekte Munster 07, Artforum, September 2007, p. 419-423.
Jansen, Gregor, Huang Yong Ping, China Art Book, DuMont, Köln, p. 152-159.
Chiu, Melissa, Discourses of East and West, Breakout: Chinese Art Outside China, Charta 2007, p. 115-159.
Gioni, Massimiliano, Where the Wild Things Are, Tate, etc, Autumn 2007, p. 35.
Morgan, Robert C., Huang Yong Ping, Tema Celeste, May/June 2007, pp. 70-71.
Ruiz, Cristina and Vanessa Fewster, Installation withdrawn from retrospective, then sold at action, The Art Newspaper, February 15, 2007.
Morgan, Robert, Huang Yong Ping, Tema Celeste, May/ June p. 70.
Huang Yong-Ping, Tema Celeste, Sept/Oct 2006, p. 106.
Cotter, Holland, Rattler of Cages, From China to Europe, The New York Times, April 14, 2006, p. E29, 36.
Les Mains de Bouddha, Galerie Anne de Villepoix, 2006 (texte de Cécile Bourne).
Leffingwell, Edward, The Extraterritorial Zone, Art in America, Feb. 2005, p. 51.
House of oracles : A Huang Yong Ping Retrospective, Walker Art Center, Minneapolis, Octobre 2005.
Artworld, Art in America, January 2003.
Bat project I, II, Guy & Myriam Ullens Fondation, 2003.
Kerr, Merrily, Huang Yong Ping, Flash Art, May / June 2002.
Smith, Roberta, Huang Yong Ping, The New York Times, February 1, 2002.
Huang Yong Ping at Barbara Gladstone Gallery, Artforum, January 2002, p. 33.
Sand, Olivia, Huang Yong Ping, Asian Art, April 2002.
Wei, Lilly, Huang Yong Ping at Barbara Gladstone Gallery, Art In America, May, 2002.
Huang Yong Ping at Jack Tilton, Art in America, v. 89 n°1 January, p. 111-12.
Huang Yong Ping: Jack Tilton, New Art Examiner, v. 28 n°3 November, p. 54-5.
David, Chan, View 3, C Magazine, n°63, September / November, p. 28-31.
Bertrand, Jean-Pierre, Licht wird zu Materie, interview, Kunstforum 1999 International, n°147, Sept/Nov, p. 298-303.
Frankreich, Kunstforum International, n°147, September / November, pp. 102-5.
Huang Yong Ping: cultural differences and negotiation, Flash Art (International Edition), v. 32, n°207, Summer, pp. 114-15.
Crise et confiance, Connaissance des Arts, no°563, July / August, p. 5.
Biennale de Venise 99: les temps forts, Beaux Arts Magazine, n°181, June, pp. 91-3.
Huang Yong Ping, L'Oeil (Lausanne, Switzerland), n°507, June, pp. 50-3.
La Biennale de Venise cote France, L'Oeil (Lausanne, Switzerland), n°507, June, p. 45.
Le livre: une immanence, Flux et les éditions Cyrille Putman, Paris, 1999.
Huang Yong Ping and Xu Bing, Art Beatus, Vancouver, C Magazine, n°59, September / November, p. 38.
Parisien(ne)s: Huang Yong Ping, Art Monthly, no. 204 Mar., pp. 30-3.
Schröder, Gerhart, Schwelle, Jahrbuch 3, Akademie Schloss Solitude, pp. 45-47.
Holmes, Brian, The Gallery of Five Continents, World Art #2, pp. 88, 89.
Sans, Jérõme, Huang Yong Ping, Artforum International, May, v. 34, pp. 110-111.
Boussand, Juliette, Le Théâtre du Monde de Huang Yong Ping… Hors Limites?, ArtPrésence 13, Winter, pp. 30-34.
Art(c)-en-ciel: five artists in the five continents gallery, Cimaise, v. 42, November / December, pp. 45-50.
Huang Yong Ping and Chen Zhen at the New Museum, Art in America, v. 83, Jan.uary, pp.104-5.
Huang Yong Ping - Galerie des 5 continents, Réunion des musées nationaux, Paris, 1995.
Hanru, Hou, Departure Lounge Art, Chinese Artists Abroad, Art and Asia Pacific, vol. no. 1, February, pp. 40-41.
Hanru, Hou, Huang Yong Ping, Flash Art, vol. 178, October, p. 85.
Jouanno, Evelyne, Out of the Centre or Without the Centre,Third Text, no. 28/29, Autumn / Winter, pp. 196-198.
Hanru, Hou, Le Plaisir du Texte, Flash Art, November / December, p. 65 (interview).
Ung Chan Lack, Ten Years of the Chinese Avant-Garde, Flash Art, 162, January / February, p.113.
Deitcher, David, Art on the Installation Plan, Artforum, January, p.82.
Obrist, Hans-Ulrich, The Installation is Coming Through the Backdoor, MetaKünstlerhaus Stuttgart, pp. 72, 73.
Jinkner-Lloyd, Amy, Report from Pittsburgh, Art in America, June, p. 44.
Ardenne, Paul, Huang Yong Ping, Art Press, 170, p. 101.
Hanru, Hou, Huang Yong Ping, Flash Art, May / June, 1992, p. 120.
Huang Yong Ping, Bedeutendes, das völlig leer ist (Dada) und (zen), Gebrochene Bilder, Junge Kunst aus China, Horlemann, pp. 123-137.
Huang Yong Ping, (8) (h), Jahresring 38, Der öffentliche Blick Verlag silkeschreiber, pp. 212-225.
Legros, Hervé, La longue marche des artistes chinois, Beaux Arts 87, February, p. 99.
Hanru, Han, Interview Huang Yong Ping, Jiangsu Art Monthly, n°12, p. 19.
Aubé, Dominique, Huang Yong Ping, Art Press, 149, July / August, p. 98.
Huang Yong Ping, Dossier: Les Magiciens de la Terre. Cinq questions à des artistes non-occidentaux, Artpress, 136, May, p. 48.
Dawei, Fei, China/Avant-Garde, Art Press, 141, November, pp. 8, 28-34.
Huang Yong Ping, Painting with Industrial Technology: Looking for New Substitutions, Leonardo, Oakland, USA., vol. 18, n°2, pp. 91-95.

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