Source: https://law.justia.com/cases/california/court-of-appeal/3d/222/676.html
Timestamp: 2019-04-22 09:01:36+00:00

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RALPH ANDREWS PRODUCTIONS, INC., Plaintiff and Appellant, v. PARAMOUNT PICTURES CORPORATION, Defendant and Respondent.
Irwin Spiegel Osher for Plaintiff and Appellant.
O'Melveny & Myers, Charles P. Diamond and Richard B. Goetz for Defendant and Respondent.
Plaintiff and appellant Ralph Andrews Productions, Inc., a California corporation (RAP), appeals from the entry of judgment upon the granting of a summary judgment motion brought by defendant and respondent Paramount Pictures, a Delaware corporation (Paramount). We reverse.
The basis of this lawsuit is RAP's accusation that when RAP's employee, Gary Bernstein, stole an idea for a television game show and took the idea to Paramount, Paramount produced the show even though Paramount knew or should have discovered Bernstein did not have the rights to the game show. Bernstein is not a party to this appeal. The trial court granted Paramount's summary judgment motion finding that at the time Paramount negotiated with Bernstein for the rights to the show, Paramount had neither actual nor constructive knowledge RAP owned the rights.
RAP and its president, Ralph Andrews, were established producers of television game shows. From 1980 through 1986 RAP had an exclusive agreement with Columbia Pictures Television (Columbia). The agreement required that all projects developed by RAP first be presented to Columbia. If Columbia was not interested in the project, i.e., if Columbia "passed" on the project, RAP then had the right to take the project elsewhere. RAP's office was on the Columbia lot.
From 1981 to September 1, 1983, Bernstein was employed by RAP as vice- president in charge of development. Bernstein's responsibilities included [222 Cal. App. 3d 680] developing new concepts for television shows. RAP developed a game show entitled "Anything For Money." The concept was that people would do anything for money.fn. 1 The concept had been presented to and rejected by Columbia.
During July 1983, the idea was presented through an agent to Twentieth Century Fox (Fox). Bernstein told Andrews that Fox requested a letter confirming Columbia "passed" on the project. In a letter dated July 27, Andrews authorized the agent to negotiate with Fox on behalf of RAP. The letter clearly stated that the show had been rejected by Columbia.
Andrews suggested Bernstein present the idea to Paramount. In July 1983, Bernstein called John Goldhammer, Paramount's vice-president. Goldhammer met and discussed the idea of the game show with Bernstein and Bernstein's partner, Larry Hovis. Goldhammer asked who had the rights to the show. Rather than presenting the idea on behalf of RAP, it appears Bernstein told Goldhammer that he and Hovis owned the rights to the show.fn. 2 Bernstein and Hovis also suggested they had the contract with Columbia when they erroneously told Goldhammer they had previously presented the idea to Columbia, with whom they had a contract, but Columbia had rejected the idea.fn. 3 Additional meetings were held among Bernstein, Hovis, Goldhammer, and an independent producer hired by Goldhammer.
At Paramount, clearances for shows were normally handled by its legal department. There was no indication such clearances were ever obtained with respect to "Anything for Money." There was no indication anyone from the legal department ever contacted Bernstein or Hovis.
Paramount knew Bernstein at one time was a game show developer and Paramount was aware Bernstein had worked for RAP. A November 1983 news release issued from Paramount verifies that it had this information. In June 1983, Paramount's lawyer directed a letter to Bernstein "c/o Ralph Andrews Productions, Inc., 1050 Columbia Plaza, South, Columbia Pictures." Bernstein was shown to have been affiliated with RAP by the productions credits he received on other game shows.
On October 17, 1983, Paramount formalized its agreement to hire Bernstein, Hovis and another independent producer to produce the pilot. The pilot was produced in 1984, after which time Paramount exercised its option to hire Bernstein and Hovis to produce the syndicated show. One hundred fifty shows (thirty weeks) were produced and broadcast between September 1984 and August 1985. The show was cancelled due to low ratings.
A seven-count complaint was filed on behalf of RAP on September 11, 1984, against Paramount and other parties. Thereafter, the trial court granted Paramount's summary judgment motion finding there were no triable issues of fact. On appeal, the parties implicitly agree the trial court must be reversed if, at the time Paramount contracted with Bernstein, Paramount had knowledge RAP actually owned the concept for the game show or if Paramount was on constructive notice and should have made further inquiry as to the ownership of the concept.
Constructive knowledge is codified in Civil Code section 19: "Every person who has actual notice of circumstances sufficient to put a prudent man upon inquiry as to a particular fact, has constructive notice of the fact itself in all cases in which, by prosecuting such inquiry, he might have learned such fact."
Here, uncertainty as to ownership was a concern. When the concept of "Anything For Money" was discussed with Fox, before further discussions occurred, Andrews drafted a letter verifying RAP was free to take the idea to Fox because Columbia had "passed" on the project. Similarly, when Paramount's employee Goldhammer began to discuss "Anything For Money" with Bernstein, Goldhammer inquired as to who owned the rights and requested a letter verifying Columbia was not interested in the project. Paramount's legal department was responsible for obtaining clearances for such projects.
The record does not reflect, however, that Goldhammer ever received the verification he requested or that Paramount's legal department followed its normal business procedures established to assure the concept was owned by Bernstein. Further inquiry by Paramount was likely to have revealed the [222 Cal. App. 3d 684] concept was RAP's.fn. 5 While Bernstein may have presented the idea as his and his partner's and Bernstein may have stated Columbia had already "passed" on the idea, such assurances apparently were not sufficient to Goldhammer, who requested this information be verified in writing. The fact that no verification was forthcoming could have given Goldhammer information suggesting ownership of the rights was not as had been portrayed. Having been informed Columbia had potential rights to the idea, Paramount had facts which a jury could determine would have made a reasonable person suspicious. A further inquiry could have lead to the ultimate facts, i.e., RAP's ownership.
In addition, the record contains no explanation of Paramount's usual procedures for obtaining clearances, the standards for providing clearances in the industry, or if such procedures were followed in this case.
In determining reasonable reliance, one's experience and intelligence, along with the business environment are considered. (Bagdasarian v. Gragnon, supra, 31 Cal.2d at p. 748; Seeger v. Odell, supra, 18 Cal.2d at p. 415; Feckenscher v. Gamble (1938) 12 Cal. 2d 482, 496 [85 P.2d 885].) "Reliance generally is a question of fact." (City of Salinas v. Souza & McCue Construction Co. (1967) 66 Cal. 2d 217, 224 [57 Cal. Rptr. 337, 424 P.2d 921], disapproved on other grounds in Helfend v. Southern Cal. Rapid Transit Dist. (1970) 2 Cal. 3d 1 [84 Cal. Rptr. 173, 465 P.2d 61, 77 A.L.R.3d 398]; Roland v. Hubenka (1970) 12 Cal. App. 3d 215, 225 [90 Cal. Rptr. 490].) Here, the person receiving the alleged deceitful information was not a novice nor unsophisticated in this type of business transaction. Goldhammer held an important position at Paramount, one which by its nature indicated he was knowledgeable in acquiring rights to entertainment products, including concepts. Further, he was explicitly given information which indicated another entity may have had rights to the concept.
Before Paramount successfully argues it was defrauded, it must be shown Paramount justifiably relied on Bernstein's statements (Wilke v. Coinway, Inc. (1967) 257 Cal. App. 2d 126, 136 [64 Cal.Rptr. 845]), a finding we cannot make on the record before us as a matter of law.
Because there are triable issues of fact we need not address whether RAP can collect for a continuing use of the concept. However, because this issue may be raised upon remand, we comment briefly. The Uniform Trade Secrets Act was codified in California in Civil Code section 3426 et seq., effective January 1, 1985. (Added by Stats. 1984, ch. 1724, § 1.) Civil Code section 3426.10 deals with continuing misappropriations. Pursuant to this statute, damages for a misappropriation which began prior to January 1, 1985, and continued thereafter are limited to those which occurred after that date. Further, recovery for a continuing misappropriation "does apply [222 Cal. App. 3d 686] to the part of the misappropriation occurring on or after [January 1, 1985] unless the appropriation was not a misappropriation under the law in effect before [January 1, 1985.]" (Civ. Code, § 3426.10.) Because here the alleged misappropriation began prior to January 1, 1985, Paramount's liability for a continuing misappropriation will be based upon the law in effect prior to January 1, 1985. Decisions as to whether Paramount paid value in good faith to acquire the concept and whether Paramount changed its position such that to subject Paramount to liability would be inequitable will determine Paramount's liability under this concept. (Rest., Torts (1939) § 758; Vantage Point, Inc. v. Parker Bros., Inc. (E.D.N.Y. 1981) 529 F. Supp. 1204 [company showed it followed internal policies and did not have access to plaintiff's idea taken by ex- employee; further, company did not deal directly with ex-employee and once it had notice, company had changed position by investing considerable sums in the project]; see discussions sin 2 Callmann, Unfair Competition Trademarks & Monopolies, supra., § 14.36, pp. 142-143; Levy et al., Cal. Torts, supra., § 40.50, pp. 40-87 et seq.; Sheridan, Attorney's Guide to Trade Secrets (Cont.Ed.Bar Supp. 1990) pp. 129-132.) The judgment is reversed. Costs on appeal are awarded to appellant.
Lucas, P. J., and Boren, J., concurred.
FN 1. Some of the samples explaining the show were: For $200 would you kiss an octopus? For $2,000 would you get a tattoo that said "mama's boy"? For $350 would you wear a snake around your neck for an entire meal at Scandia?
FN 2. In Goldhammer's declaration he states: "During the course of the meeting, I asked Messrs. Bernstein and Hovis if they owned the rights to 'Anything for Money,' and either Mr. Bernstein or Mr. Hovis or both of them told me that they did." By itself Goldhammer's statement that he was told Bernstein and Hovis owned the rights would not necessarily dispel all disputes on this fact. Bernstein's statements on this subject are equivocal. The document describing the concept presented to Goldhammer by Bernstein suggests Goldhammer's statement may be true in that the document indicated it was from "Bernstein/Hovis Productions; Gary Bernstein, Larry Hovis."
FN 3. Bernstein described this discussion in the following words: "Columbia may restrict our involvement in the project because they were putting us on contract on a full-time basis, and that that might prohibit our involvement in the series."
FN 4. The only information provided relating to this factual issue was one statement in Goldhammer's declaration. The facts in this statement cannot be considered by us because the court struck the statement as lacking foundation.

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