Source: http://ismm.ircam.fr/publications/
Timestamp: 2019-04-24 19:48:32+00:00

Document:
A. Einbond, C. Trapani, A. Agostini, D. Ghisi, and D. Schwarz, “Fine-tuned Control of Concatenative Synthesis with CataRT Using the bach Library for Max,” in International Computer Music Conference (ICMC), Athens, Greece, 2014.
E. Boyer, B. Caramiaux, S. Hanneton, A. Roby-Brami, O. Houix, P. Susini, and F. Bevilacqua, “LEGOS Project – State of the Art,” 2014.
E. O. Boyer, Q. Pyanet, S. Hanneton, and F. Bevilacqua, “Learning Movement Kinematics with a Targeted Sound,” in Sound, Music & Motion, Lecture Notes in Computer Science Volume 8905, Springer International Publishing, 2014, pp. 218-233.
S. Manitsaris, A. Glushkova, F. Bevilacqua, and F. Moutarde, “Capture, modeling and recognition of expert technical gestures in wheel-throwing art of pottery,” ACM Journal on Computing and Cultural Heritage, 2014.
K. Sanlaville, F. Bevilacqua, C. Pelachaud, and G. Assayag, “Adaptation in an Interactive Model designed for Human Conversation and Music Improvisation: a preparatory outline,” in WACAI 2014, 2014.
D. Schwarz and B. Caramiaux, “Interactive Sound Texture Synthesis Through Semi-Automatic User Annotations,” in Sound, Music, and Motion: Lecture Notes in Computer Science, Vol. 8905, D. K. Y. O. . . R. . . S. Aramaki M., Ed., Marseille, France: Springer International Publishing, 2014, pp. 372-392.
D. Schwarz, P. A. Tremblay, and A. Harker, “Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression,” in New Interfaces for Musical Expression (NIME), London, UK, 2014.
D. Schwarz, “Interacting with a Corpus of Sounds,” eContact!, vol. 2-16, 2014.
F. Bevilacqua, S. Fdili Aloui, F. Jules, P. Pasquier, and T. Schiphorst, Proceedings of the 2014 International Workshop on Movement and Computing (MOCO 14), New York: ACM, 2014.
B. Zamborlin, F. Bevilacqua, M. Gillies, and M. d’Inverno, “B. Zamborlin, F. Bevilacqua, M. Gillies, and M. d’Inverno, Fluid gesture interaction design: applications of continuous recognition for the design of modern gestural interfaces, in press.,” ACM Transactions on Interactive Intelligent Systems,, vol. 4-3, pp. 30-45, 2014.
B. Caramiaux, F. Bevilacqua, and A. Tanaka, “Beyond recognition: using gesture variation for continuous interaction,” in CHI EA ’13: CHI ’13 Extended Abstracts on Human Factors in Computing Systems, 2013, pp. 2109-2118.
S. Fdili Alaoui, F. Bevilacqua, B. Bermudez, and C. Jacquemin, “Dance Interaction with physical model visualization based on movement qualities,” International Journal of Arts and Technologies, vol. 4-6, pp. 357-387, 2013.
S. Fdili Alaoui, C. Jacquemin, and F. Bevilacqua, “Chiseling bodies: an augmented dance performance,” in CHI’13 Extended Abstract on Human Factors in Computing Systems, 2013, pp. 2915-2918.
J. Françoise, “Gesture-Sound Mapping by Demonstration in Interactive Music Systems,” in Proceedings of the 21st ACM international conference on Multimedia (MM’13), Barcelona, Spain, 2013.
M. Savary, D. Schwarz, D. Pellerin, F. Massin, C. Jacquemin, and R. Cahen, “Dirty Tangible Interfaces: Expressive Control of Computers with True Grit,” in CHI, Paris, France, 2013, pp. 2991-2994.
E. O. Boyer, B. M. Babayan, F. Bevilacqua, M. Noisternig, A. Roby-Brami, S. Hanneton, and I. Viaud-Delmon, “From ear to hand: the role of the auditory-motor loop in pointing to an auditory source,” Frontiers In Computational Neuroscience, vol. 26-7, 2013.
E. O. Boyer, Q. Pyanet, S. Hanneton, and F. Bevilacqua, “Guiding Motion using a Sound Target,” in 10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion, Marseille, France, 2013, pp. 176-189.
E. O. Boyer, F. Bevilacqua, F. Phal, and S. Hanneton, “Low-cost motion sensing of table tennis players for real time feedback,” in 13th International Table Tennis Federation Sports Science Congress, Paris, France, 2013.
E. O. Boyer, F. Bevilacqua, F. Phal, and S. Hanneton, “Low-cost motion sensing of table tennis players for real time feedback,” International Journal of Table Tennis Sciences, vol. 8, 2013.
E. O. Boyer, L. Colin Malagon, F. Bevilacqua, P. Susini, and S. Hanneton, “Continuous Sound Feedback in Tracking Tasks,” in Multisensory Motor Behavior: Impact of Sound, Hannover, Germany, 2013.
E. Furfaro, N. Berthouze, F. Bevilacqua, and A. Tajadura-Jiménez, “Sonification of Surface Tapping: Influences on Behavior, Emotion and Surface Perception,” in Interactive Sonification Workshop (ISon 2013), 2013.
N. Schnell, “Playing (with) Sound : Of the Animation of digitized Sounds and their Reenactment by Playful Scenarios in the Design of Interactive Audio Applications,” Thèse de doctorat PhD Thesis, 2013.
D. Schwarz, “Retexture — Towards Interactive Environmental Sound Texture Synthesis through Inversion of Annotations,” in Computer Music Multidisciplinary Research (CMMR), Marseille, France, 2013, pp. 283-290.
D. Schwarz, “Interacting with a Corpus of Sounds,” in SI13: NTU/ADM Symposium on Sound and Interactivity, Singapore, Singapore, 2013.
T. Bianco, V. Freour, I. Cossette, F. Bevilacqua, and R. Caussé, “Measures of facial muscle activation, intraoral pressure and mouthpiece force in trumpet playing,” Journal of New Music Research, 2012.
T. Bianco, “Gestural control in trumpet performance: experiments and modeling.,” Thèse de doctorat PhD Thesis, 2012.
B. Caramiaux, “Studies on the Gesture – Sound Relationship for Musical Performance,” Thèse de doctorat PhD Thesis, Paris, 2012.
B. Caramiaux, M. M. Wanderley, and F. Bevilacqua, “Segmenting and Parsing Instrumentalists’ Gestures,” Journal of New Music Research, vol. 1-41, pp. 13-29, 2012.
A. Einbond, C. Trapani, and D. Schwarz, “Precise Pitch Control in Real Time Corpus-Based Concatenative Synthesis,” in International Computer Music Conference (ICMC), Ljubljana, Slovenia, 2012.
S. Fdili Alaoui, B. Caramiaux, M. Serrano, and F. Bevilacqua, “Movement Qualities as Interaction Modality,” in Designing Interactive Systems (DIS’2012), Newcastle, UK, 2012.
J. Françoise, B. Caramiaux, and F. Bevilacqua, “A Hierarchical Approach for the Design of Gesture-to-Sound Mappings,” in Sound and Music Computing, Copenhague, Danemark, 2012.
I. Lallemand, D. Schwarz, and T. Artières, “Content-based Retrieval of Environmental Sounds by Multiresolution Analysis,” in SMC2012, Copenhague, Danemark, 2012.
M. Savary, D. Schwarz, and D. Pellerin, “DIRTI — Dirty Tangible Interfaces,” in New Interfaces for Musical Expression (NIME), Ann Arbour, USA, 2012, pp. 347-350.
Q. Pyanet, “Contrôle gestuel de la synthèse sonore : vers une évaluation des gestes d’utilisateurs,” Master ATIAM Master Thesis, 2012.
D. Schwarz, “The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis,” in New Interfaces for Musical Expression (NIME), Ann Arbour, USA, 2012, pp. 250-253.
D. Schwarz and B. Hackbarth, “Navigating Variation: Composing for Audio Mosaicing,” in International Computer Music Conference (ICMC), Ljubljana, Slovenia, 2012.
F. Bevilacqua, F. Baschet, and S. Lemouton, “The Augmented String Quartet: Experiments and Gesture Following,” Journal of New Music Research, vol. 1-41, pp. 103-119, 2012.
N. Rasamimanana, “Towards a Conceptual Framework for Exploring and Modelling Expressive Musical Gestures,” Journal of New Music Research,, vol. 1-41, pp. 3-12, 2012.
B. Caramiaux, S. Fdili Alaoui, T. Bouchara, G. Parseihian, and M. Rebillat, “Gestural Auditory and Visual Interactive Platform,” in 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, 2011.
B. Zamborlin, M. Liuni, and G. Partesana, “(Land)Moves,” in New Interfaces for Musical Expression (NIME), Oslo, Norway, 2011.
B. Zamborlin, G. Partesana, and M. Liuni, “(LAND)MOVES,” in Conference on New Interfaces for Musical Expression, NIME, Oslo, Norway, 2011, pp. 537-538.
A. Einbond and D. Schwarz, “Corpus-Based Concatenative Synthesis: Perceptual Descriptors as an Approach to Composing and Analyzing Timbre,” in Crossing the Corpus Callosum II: Neuroscience, Healing & Music, Cambridge, MA, USA, 2011.
S. Fdili Alaoui, B. Caramiaux, and M. Serrano, “From Dance to Touch: Movement Qualities for Interaction Design,” in CHI, Vancouver, Canada, 2011.
E. Fléty and C. Maestracci, “Latency improvement in sensor wireless transmission using IEEE 802.15.4,” in NIME 2011, OSLO, NORVEGE, 2011, pp. 409-412.
B. Bermudez, S. DeLahunta, M. Hoogenboom, C. Ziegler, F. Bevilacqua, S. Fdili Alaoui, and B. Meneses Gutierrez, “The Double Skin/Double Mind Interactive Installation,” The Journal for Artistic Research (JAR), 2011.
N. Delprat, C. Leroux, and S. Fdili Alaoui, “In the clouds : Virtual experience of a matter,” in Proceedings of Virtual Reality International Conference (VRIC 2011), Laval, France, 2011.
A. Masurelle, “Towards a gestural control of environmental sound texture synthesis,” master ATIAM Master Thesis, 2011.
J. Françoise, “Realtime Segmentation and Recognition of Gestures using Hierarchical Markov Models,” Master ATIAM Master Thesis, Paris, 2011.
K. Nymoen, B. Caramiaux, M. Kozak, and J. Torresen, “Analyzing Sound Tracings – A Multimodal Approach to Music Information Retrieval,” in ACM Multimedia, Workshop MIRUM, 2011.
H. Ding, D. Schwarz, C. Jacquemin, and R. Cahen, “Spatial Audio–Graphic Modeling for X3D,” in Web3D, Paris, France, 2011.
I. Lallemand and D. Schwarz, “Interaction-optimized Sound Database Representation,” in DAFx, Paris, France, 2011.
A. Bonardi, “Les Petites Absences. Du théâtre à la musique en passant par l’informatique temps réel,” in Les interactions entre musique et théâtre, G. F. B. et Porot, Ed., Montpellier, France: Editions l’Entretemps, 2011, pp. 26-49.
A. Bonardi, F. Rousseaux, D. Schwarz, and B. Roadley, “La collection numérique comme modèle pour la synthèse sonore, la composition et l’exploration multimédia interactives,” Revue Musimédiane, vol. 6, 2011.
D. Schwarz, “Distance Mapping for Corpus-Based Concatenative Synthesis,” in Sound and Music Computing (SMC), Padova, Italy, 2011.
D. Schwarz, R. Cahen, F. Brument, H. Ding, and C. Jacquemin, “Sound Level of Detail in Interactive Audiographic 3D Scenes,” in International Computer Music Conference (ICMC), Huddersfield, UK, 2011.
D. Schwarz, “State of the Art in Sound Texture Synthesis,” in Digital Audio Effects (DAFx), Paris, France, 2011.
D. Schwarz and V. Johnson, “Corpus-Based Improvisation,” in (Re)thinking Improvisation, Malmö, Sweden, 2011.
F. Guédy, “L’expérimentation musicale et pédagogique sur le geste de l’Atelier des Feuillantines avec l’équipe Interaction Musicale Temps Réel de l’Ircam,” L’Education Musicale, 2011.
J. Bloit, N. Rasamimanana, and F. Bevilacqua, “Modeling and segmentation of audio descriptor profiles with Segmental Models,” Pattern Recognition Letters, 2010.
T. Bianco, V. Freour, N. Rasamimanana, F. Bevilacqua, and R. Caussé, “On gestural variation and coarticulation effects in sound control,” in Gesture in Embodied Communication and Human-Computer Interaction: Lecture Notes in Computer Science (LNCS) volume 5934, Springer Verlag, 2010, pp. 134-145.
T. Bianco, M. M. Wanderley, and F. Bevilacqua, “Mimicry of tone production: results from a pilot experiment,” in Sound and Music Computing Conference, Barcelona, Spain, 2010.
T. Bianco, “Effects of coarticulation in mimicry of tone production,” in JJCAAS, Paris, France, 2010.
B. Caramiaux, “Modélisation du Geste Musical,” in Journées des Jeunes Chercheurs en Audition, Acoustique musicale et Signal audio, Paris, France, 2010.
A. Dessein, A. Cont, and G. Lemaitre, “Real-time polyphonic music transcription with non-negative matrix factorization and beta-divergence,” in International Society for Music Information Retrieval (ISMIR), Utrecht, Netherlands, 2010, pp. 489-494.
A. Dessein, A. Cont, and G. Lemaitre, “Real-time polyphonic music transcription with non-negative matrix factorization and beta-divergence,” in 6th Music Information Retrieval Evaluation eXchange (MIREX), Utrecht, Netherlands, 2010.
V. Freour, T. Bianco, and I. Cossette, “Coordination of facial muscle activation, intraoral pressure and mouthpiece force during trumpet playing: preliminary findings,” in The 3rd International Conference on Music and Gesture, Montreal, Canada, 2010.
P. A. Tremblay and D. Schwarz, “Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface,” in New Interfaces for Musical Expression (NIME), Sydney, Australia, 2010, pp. 447-450.
C. Maestracci, “Architecture modulaire pour le controle gestuel,” Ingénieur en électronique Master Thesis, 2010.
A. Bonardi and I. Truck, “Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts,” in International Computer Music Conference, New York & Stony Brook, USA, 2010, pp. 474-477.
A. Bonardi and F. Rousseaux, “Interactions médiatisées sur scène,” TECHNIQUE ET SCIENCE INFORMATIQUES, vol. 29-8, pp. 871-898, 2010.
F. Bevilacqua, “Following movements in interactive dance installations,” in Kinesthetic Empathy: Concepts and Contexts, Manchester, UK, 2010.
A. Cont, “A coupled duration-focused architecture for realtime music to score alignment,” IEEE Transaction on Pattern Analysis and Machine Intelligence, vol. 32-6, pp. 974-987, 2010.
J. Bloit, N. Rasamimanana, and F. Bevilacqua, “Towards morphological sound description using segmental models,” in DAFX, Milan, Italie, 2009.
T. Bianco, V. Freour, N. Rasamimanana, F. Maniatakos, and F. Bevilacqua, “Parametric modeling of gestural co-articulation effects in music performance,” in The 8th International Gesture Workshop, 2009.
B. Caramiaux, “Similarités Morphologiques entre Geste et Son et leur Détection Temporelle,” in JJCAAS (Journées des Jeunes Chercheurs en Acoustique, Auditon et Signal audio), Marseille, France, 2009.
A. Dessein, “Incremental multi-source recognition with non-negative matrix factorization,” Master’s Thesis Master Thesis, 2009.
A. Dessein, “La géométrie de l’information pour l’analyse et le traitement des flux audio,” in 5e Journées Jeunes Chercheurs en Audition, Acoustique musicale et Signal audio, Marseille, France, 2009.
A. Einbond, D. Schwarz, and J. Bresson, “Corpus-Based Transcription as an Approach to the Compositional Control of Timbre,” in International Computer Music Conference (ICMC), Montreal, QC, Canada, 2009.
S. Dahl, F. Bevilacqua, N. Rasamimanana, R. Bresin, M. Clayton, L. Leante, and I. Poggi, “Gesture in Performance,” in Musical Gestures: Sound, Movement, and Meaning, R. I Godoy and M. Leman, 2009.
P. Machart, “Morphological Segmentation,” Master ATIAM Master Thesis, 2009.
S. Fdili Alaoui, C. Jacquemin, and F. Bevilacqua, “Reconnaissance du geste expert et contrôle de systèmes complexes : cas de l’interface entre le geste dansé et le rendu graphique par modèle physique,” in JJCAAS (Journées des Jeunes Chercheurs en Acoustique, Auditon et Signal, Marseille, France, 2009.
A. Bonardi and I. Truck, “Designing a libray for computing [performances] with words,” in 4th International Conference on Intelligent Systems and Knowledge Engineering, Hasselt, Belgique, 2009, pp. 40-45.
N. Rasamimanana, F. Kaiser, and F. Bevilacqua, “Perspectives on gesture-sound relationships informed from acoustic instrument studies,” Organised Sound, vol. 14-2, pp. 208-216, 2009.
R. Cahen, C. Jacquemin, and D. Schwarz, “Navigation et composition dans un univers graphique 3D de grains sonores,” in Information & Visualisation: Enjeux, recherches et applications, S. Chauvin, Ed., Toulouse, France: Cépaduès Editions, 2008, pp. 243-268.
T. Koerselman, O. Larkin, B. Ong, N. Leroy, J. Lambert, D. Schwarz, and F. Guédy, “SDIF Integration in i-Maestro Gesture Tools,” in 4th i-Maestro Workshop on Technology-Enhanced Music Education, co-located with the 8th International Conference on New Interfaces for Musical Expression (NIME), Genova, Italy, 2008, pp. 15-20.
B. Caramiaux, “"Gestification" du son : mapping adaptatif geste/son dans un contexte d’écoute et de performance musicale,” Master ATIAM Master Thesis, Paris, 2008.
V. Maniatakos and C. Jacquemin, “Towards an affective gesture interface for expressive music performance,” in NIME 08, Genova, Italy, 2008, pp. 122-127.
A. Bonardi, Représentations opérationnelles : L’opéra entre Berio et Turing, F. Rousseaux, Ed., Sampzon, France: Editions Delatour France, 2008.
A. Bonardi, “Vers des environnements homme-machine pour ressaisir les intentions dans la création scénique : Habilitation à diriger des recherches – Réflexions sur la médiation des nouvelles technologies dans la conception de spectacles vivants et leur recréation par les spectateurs,” Thèse de doctorat PhD Thesis, 2008.
D. Schwarz, R. Cahen, and S. Britton, “Principles and Applications of Interactive Corpus-Based Concatenative Synthesis,” in Journées d’Informatique Musicale (JIM), Albi, France, 2008.
D. Schwarz and E. Brunet, “theconcatenator CD Contributors’ Notes,” Leonardo Music Journal, vol. 18, 2008.
A. Cont, “ANTESCOFO: Anticipatory Synchronization and Control of Interactive Parameters in Computer Music,” in International Computer Music Conference, North Irland, Belfast, 2008, pp. 33-40.
A. Cont, “Modeling Musical Anticipation: From the time of music to the music of time,” Thèse de doctorat PhD Thesis, Paris, 2008.
N. Rasamimanana, “Geste instrumental du violoniste en situation de jeu : analyse et modélisation,” Thèse de doctorat PhD Thesis, Paris, 2008.
N. Rasamimanana and F. Bevilacqua, “Effort-based Analysis of Bowing Movements: Evidence of Anticipation Effects,” Journal of New Music Research, vol. 37-4, pp. 339-351, 2008.
S. Dubnov, A. Cont, and G. Assayag, “Audio Oracle: A New Algorithm for Fast Learning of Audio Structures,” in International Computer Music Conference, Copenhague, Denmark, 2007.
J. Thiebaut, J. P. Bello, and D. Schwarz, “How Musical are Images? From Sound Representation to Image Sonification: An Eco Systemic Approach,” in International Computer Music Conference (ICMC), Copenhaguen, Denmark, 2007, pp. 183-187.
S. DeLahunta and F. Bevilacqua, “Sharing Descriptions of Movement,” International Journal of Performance and Digital Media, vol. 1-3, 2007.
S. Cadars, “Modélisation temporelle et synthèse concatenative de boucles rythmiques,” ATIAM Master Thesis, 2007.
K. Ng, O. Larkin, T. Koerselman, B. Ong, D. Schwarz, and F. Bevilacqua, “The 3D Augmented Mirror: Motion Analysis for String Practice Training,” in International Computer Music Conference (ICMC), Copenhagen, Denmark, 2007, pp. 53-56.
A. R. Jensenius, A. Camurri, N. Castagné, E. Maestre, J. Malloch, D. McGilvray, and D. Schwarz, “Panel: The Need Of Formats For Streaming And Storing Music-Related Movement And Gesture Data,” in International Computer Music Conference (ICMC), Copenhagen, Denmark, 2007, pp. 13-16.
A. R. Jensenius, A. Camurri, N. Castagné, E. Maestre, J. Malloch, D. McGilvray, and D. Schwarz, “A Summary of Formats for Streaming and Storing Music-Related Movement and Gesture Data,” in ENACTIVE/07 4th International Conference on Enactive Interfaces, Grenoble, France, 2007.
A. Sypniewski, “Suivi du geste pour l’interaction musicale,” Mémoire de Stage de Master 2eme année Master Thesis, 2007.
C. Jacquemin, R. Ajaj, R. Cahen, Y. Ollivier, and D. Schwarz, “Plumage: Design d’une interface 3D pour le parcours d’échantillons sonores granularisés,” in Conférence Francophone sur l’Interaction Homme-Machine IHM, Paris, France, 2007.
D. Schwarz, “Corpus-Based Concatenative Synthesis : Assembling sounds by content-based selection of units from large sound databases,” IEEE Signal Processing, vol. 24-2, pp. 92-104, 2007.
D. Schwarz, S. Britton, R. Cahen, and T. Goepfer, “Musical Applications of Real-Time Corpus-Based Concatenative Synthesis,” in International Computer Music Conference (ICMC), Copenhaguen, Denmark, 2007, pp. 47-50.
F. Bevilacqua, “Momentary notes on capturing gestures,” in capturing intentions, S. deLahunta, Ed., Emio Greco/PC and the Amsterdam School fo the Arts, 2007.
A. Cont, S. Dubnov, and G. Assayag, “Anticipatory Model of Musical Style Imitation using Collaborative and Competitive Reinforcement Learning,” in Anticipatory Behavior in Adaptive Learning Systems, Berlin, Germany: Martin Butz and Olivier Sigaud and Gianluca Baldassarre, 2007, pp. 285-306.
A. Cont, S. Dubnov, and D. L. Wessel, “Realtime Multiple-pitch and Multiple-instrument Recognition For Music Signals using Sparse Non-negative Constraints,” in Digital Audio Effects (DAFx), Bordeaux, France, 2007, pp. 85-92.
A. Cont, S. Dubnov, and G. Assayag, “GUIDAGE: A Fast Audio Query Guided Assemblage,” in International Computer Music Conference, Copenhagen, Denmark, 2007.
A. Cont, “Real-time Transcription of Music Signals : MIREX2007 Submission Description,” in ISMIR 2007 / MIREX 2007, Vienna, Austria, 2007.
N. Rasamimanana, D. Bernardin, M. M. Wanderley, and F. Bevilacqua, “String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study (abstract),” in Gesture Workshop 2007, 2007.
N. Rasamimanana, D. Bernardin, M. M. Wanderley, and F. Bevilacqua, “String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study,” in Advances in Gesture-Based Human-Computer Interaction and Simulation, Springer Verlag, 2007.
B. Verbrugghe, “Stratégies de visualisation et de navigation pour le contrôle gestuel de la synthèse par corpus sonore,” Rapport de stage de Master 2 – ATIAM Master Thesis, Paris, 2006.
E. Schoonderwaldt, N. Rasamimanana, and F. Bevilacqua, “Combining accelerometer and video camera: Reconstruction of bow velocity profiles,” in 6th International Conference on New Interfaces for Musical Expression, 2006.
D. Schwarz, “Concatenative Sound Synthesis: The Early Years,” Journal of New Music Research, vol. 35-1, pp. 3-22, 2006.
D. Schwarz, G. Beller, B. Verbrugghe, and S. Britton, “Real-Time Corpus-Based Concatenative Synthesis with CataRT,” in 9th International Conference on Digital Audio Effects (DAFx), Montreal, Canada, 2006, pp. 279-282.
D. Schwarz, A. Cont, and N. Orio, “Score Following at Ircam,” in 7th International Conference on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.
F. Bevilacqua, N. Rasamimanana, E. Fléty, S. Lemouton, and F. Baschet, “The augmented violin project: research, composition and performance report,” in 6th International Conference on New Interfaces for Musical Expression (NIME 06), Paris, 2006, pp. 402-406.
A. Cont, “Realtime Audio to Score Alignment for Polyphonic Music Instruments Using Sparse Non-negative constraints and Hierarchical HMMs,” in IEEE International Conference in Acoustics and Speech Signal Processing (ICASSP), Toulouse, France, 2006.
A. Cont, “Realtime Multiple Pitch Observation using Sparse Non-negative Constraints,” in International Symposium on Music Information Retrieval (ISMIR), Victoria, Canada, 2006.
A. Cont, S. Dubnov, and G. Assayag, “A framework for Anticipatory Machine Improvisation and Style Imitation,” in Anticipatory Behavior in Adaptive Learning Systems (ABiALS), Rome, Italy, 2006.
N. Rasamimanana, E. Fléty, and F. Bevilacqua, “Gesture Analysis of Violin Bow Strokes,” in Lecture Notes in Computer Science, Vol. 3881: Gesture in Human-Computer Interaction and Simulation: 6th International Gesture Workshop, GW 2005, Berder Island, France, May 18-20, 2005, Revised Selected Papers, J. K. Sylvie Gibet Nicolas Courty, Ed., Springer Berlin / Heidelberg, 2006, pp. 145-155.
N. Rasamimanana and F. Bevilacqua, “Studies of bowing gesture and applications to music performance,” in International Conference on Music and Gesture, 2006.
A. Devergie, “Segmentation of Bowstrokes Using the Hidden Markov Model,” Master 2R ICA AST Master Thesis, 2005.
J. Bloit, “Analyse temps réel de la voix pour le contrôle de synthèse audio,” Master-2/SAR parcours ATIAM Master Thesis, Paris, 2005.
J. Rachedi, “Reconnaissance et classification de phonèmes,” DEA ATIAM Master Thesis, Paris, 2005.
D. Schwarz, “Current Research in Concatenative Sound Synthesis,” in International Computer Music Conference (ICMC), Barcelona, Spain, 2005.
F. Bevilacqua and R. Müller, “A Gesture follower for performing arts,” in Gesture Workshop, 2005.
N. Rasamimanana, E. Fléty, and F. Bevilacqua, “Gesture Analysis of Violin Bow Strokes (abstract),” in Gesture Workshop, 2005.
E. Fléty, N. Leroy, J. Ravarini, and F. Bevilacqua, “Versatile sensor acquisition system utilizing Network Technology,” in International Conference on New Interfaces for Musical Expression (NIME), Hamamatsu, Japan, 2004.
R. Müller, “Human Motion Following using Hidden Markov Models,” DEA Images et Systèmes Master Thesis, 2004.
F. Bevilacqua and E. Fléty, “Captation et analyse du mouvement pour l’interaction entre danse et musique,” in Rencontres Musicales Pluridisciplinaires – le corps & la musique, Lyon, France, 2004.
A. Cont, “Improvement of Observation Modeling for Score Following,” DEA ATIAM Master Thesis, Paris, 2004.
H. Kaprykowsky, “Time modeling in Hidden Markov Models,” stage Master Thesis, 2004.
N. Rasamimanana, “Gesture Analysis of Bow Strokes Using an Augmented Violin,” DEA ATIAM Master Thesis, Paris, 2004.
T. Pellegrini, R. Duée, and L. Georges, “Suivi de Voix Parlée grace aux Modèles de Markov Cachés,” DEA ATIAM Master Thesis, 2003.

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