Source: https://revistas.ufrj.br/index.php/CODEX/article/view/21153
Timestamp: 2019-04-19 00:30:41+00:00

Document:
Médico, Doutor em Letras Clássicas pela Universidade de São Paulo (2011), pesquisador do Grupo de Pesquisa "Estudos sobre o Teatro Antigo" (FFLCH-USP, CNPq, SBEC). Membro da Sociedade Brasileira de Estudos Clássicos.
Capa > v. 6, n. 2 (2018) >	Alves Ribeiro Jr.
Este artigo apresenta um panorama da recepção das tragédias fragmentárias de Eurípides durante os séculos V e IV a.C. e de sua contribuição para nossos conhecimentos sobre os enredos. Aspectos selecionados das performances, reapresentações e influências das tragédias Andrômeda, Cresfonte, Éolo, Erecteu, Hipsípile,Télefoe Teseuem poetas trágicos, poetas cômicos, decoradores de vasos e comentadores antigos são brevemente discutidos.
ALLAN, William. Euripides in Megale Hellas: some aspects of the early reception of tragedy. Greece & Rome, Cambridge, v. 48, n. 1, p. 67-86, 2001.
ALLAN, William. Euripides Helen. Cambridge: Cambridge University Press, 2008.
BAKOLA, Emmanuela. Cratinus and the art of comedy. Oxford: Oxford University Press, 2010.
BUSCHOR, Ernst. Griechische vasenmalerei. München: R. Piper, 1921.
CHASTON, Colleen. Tragic props and cognitive function: aspects of the function of images in thinking. Leiden / Boston: Brill, 2010.
COLLARD, Christopher; CROPP, Martin. Euripides fragments. Cambridge, MA / London: Harvard University Press, 2008, 2 v.
COLLARD, Christopher. Fragments and fragmentary plays. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 347-64, 2017.
CREPALDI, Clara Lacerda. Os fragmentos da Andrômeda de Eurípides. Estudos Linguísticos e Literários, Salvador, nº 55, p. 356-73, 2016.
CRIBIORE, Raffaela. The grammarian’s choice: the popularity of Euripides’ Phoenissae in hellenistic and roman education. In: TOO, Yun Lee (ed.). Education in greek and latin antiquity. Leiden / Boston / Köln: Brill, p. 241-60, 2001.
CROPP, Martin J. Telephus. In: COLLARD, Christopher; ______; LEE, Kevin H. Euripides selected fragmentary plays, v. 1, rev. ed. Oxford: Oxbow Books, 1999.
CSAPO, Eric. Actors and icons of the ancient theater. Chichester: John Wiley, 2010.
DUNN, Francis M. Euripides and his intellectual context. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 447-67, 2017.
EASTERLING, Pat E. From repertoire to canon. In: ______ (ed.). The Cambridge companion to greek tragedy. Cambridge: Cambridge University Press, p. 211-27, 1997.
FARMER, Matthew C. Tragedy on the comic stage. Oxford: Oxford University Press, 2016.
FINGLASS, P.J. Reperformances and the transmission of texts. In: LAMARI, Anna A. (ed.). Reperformances of Drama in the Fifth and Fourth Centuries BC. Berlin / Boston: De Gruyter, p. 259-76, 2015.
FOLEY, Helene P. Generic boundaries in late fifth-century Athens. In: REVERMANN, Martin; WILSON, Peter (ed). Performance, iconography, reception: studies in honour of Oliver Taplin. Oxford: Oxford University Press, p. 15-36, 2008.
FUNKE, Melissa Karen Anne. Euripides and gender: the difference the fragments make. Phd Thesis. Seattle: University of Washington, 2013.
GARLAND, Robert. Surviving greek tragedy. London: Duckworth, 2004.
GARZYA, Antonio. Sulle questione delle interpolazioni degli attori nei testi tragici. Vichiana, Napoli, v. 9, p. 3-20, 1980.
GOETTE, Hans Rupprecht. The archaeology of the ‘Rural’ Dionysia in Attica. In: CSAPO, Eric; ______; GREEN, J. Richard; WILSON, Peter (ed.). Greek theatre in the fourth century B.C. Berlin / Boston: De Gruyter, p. 77-106, 2014.
GRAYEFF, Felix. The problem of the genesis of Aristotle’s text. Phronesis, Leiden, v. 1, n. 2, p. 105-22, 1955.
GREEN, (J.) Richard. Art and theatre in the ancient world. In: MCDONALD, Marianne; WALTON, J. Michael (ed.). The Cambridge companion to greek and roman theatre. Cambridge: Cambridge University Press, p. 163-83, 2007.
HÄGG, Tomas. Canon formation in greek literary culture. In: THOMASSEN, Einar (ed.). Canon and canonicity: the formation and use of scripture. Copenhagen: Museum Tusculanum Press, p. 109-28, 2010.
HALL, Edith. Lawcourt dramas: the power of performance in greek forensic oratory. Bulletin of the Institute of Classical Studies, Chichester, v. 40, p. 39-58, 1995.
HALLERAN, Michael R. Euripides Hippolytus. Warminster: Aris & Phillips, 1995.
HAMILTON, Richard. Objective evidence for actors’ interpolations in greek tragedy. Greek, Roman and Bizantine Studies, Durham, v. 15, n. 4, p. 387-402, 1974.
HANINK, Johanna. Courtroom Drama: Aeschines and Demosthenes. In: ______, Lycurgan Athens and the Making of Classical Tragedy.). Cambridge: Cambridge University Press, p. 129-58, 2014a.
HANINK, Johanna. Literary evidence for new tragic production: the view from the fourth century. In: CSAPO, Eric; GREEN, J. Richard; WILSON, Peter. The greek theatre in the fourth century BC. Berlin / Boston: De Gruyter, 189-206, 2014b.
HUNTER, Richard L. Eubulus: the fragments. Cambridge: Cambridge University Press, 1983.
JOUAN, François; VAN LOOY, Herman. Euripide, tragédies VIII: fragments. Paris: Les Belles Lettres, 2002 (v. 1, 2, 3) e 2003 (v. 4).
KASSEL, Rudolf; AUSTIN, Colin (ed.). Poetae comici graeci. Berlin / Boston: De Gruyter, 1983- .
KONSTAN, David. Propping up greek tragedy: the right use of opsis. In: HARRISON, George W.M.; LIAPIS, Vayos (ed.). Performance in greek and roman theatre. Leiden / Boston: Brill, p. 63-76, 2013.
KOVACS, David. Text and transmission. In: GREGORY, Justina (ed.). A companion to greek tragedy. Malden / Oxford: Blackwell, p. 379-93, 2005.
LAMARI, Anna A. Early reperformances of drama in the fifth century. CHS Research Bulletin, v. 2, n. 2, 2014. Disponível em . Acesso em 13 jul. 2016.
LAMARI, Anna A. Reperforming greek tragedy. Berlin / Boston: De Gruyter, 2017.
LIAPIS, Vayos. Rhesus. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 334-46, 2017.
LIDDELL, Henry G.; SCOTT, Robert (comp.) A Greek-English Lexicon, Ninth Edition with Revised Supplement. Revised and augmented Henry S. Jones, with the assistance of Roderick McKenzie. Supplement edited by P.G.W. Glare, and with the assistance of A.A. Thompson. Oxford: Clarendon Press, 1996.
LINDSAY, Hugh. Strabo on Apellicon’s library. Rheinisches Museum für Philologie, Köln, v. 140, n. 3-4, p. 290-98, 1997.
LLAMOSAS, Virginia Muñoz. Insultos e invectiva entre Demóstenes y Esquines. Minerva, Valladolid, v. 21, p. 33-49, 2008.
LSJ. Ver Liddell e Scott.
MARTÍN, Pablo Luzón. Trágicos menores griegos del siglo V a.c., de Agatón a Meleto II (39-48 Snell-Kannicht). Tesis Doctoral. Madrid: Universidad Complutense, 2015.
MASTRONARDE, Donald J. Actors on high: the skene roof, the crane, and the gods in attic drama. Classical Antiquity, Oakland, v. 9, n. 2, p. 247-94, 1990.
MASTRONARDE, Donald J. The art of Euripides. Cambdrige: Cambridge University Press, 2010.
MASTRONARDE, Donald J. Text and transmission. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 11-26, 2017.
MCHARDY, Fiona; ROBSON, James; HARVEY, David (ed.). Lost dramas of classical Athens: greek tragic fragments. Exeter: Exeter University Press, 2005.
MÉRIDIER, Louis. Euripide / tragédies: Le cyclope, Alceste, Médée, Les Héraclides. Paris: Les Belles Lettres, 1926.
MILES, Sarah N. Strattis, tragedy, and comedy. PhD Thesis. Notthingham: University of Nottingham, 2009.
MILLIS, Benjamin W.; OLSON, S. Douglas (ed.). Inscriptional records for the dramatic festivals in Athens / IG II2 2318-2325 and related texts. Leiden / Boston: Brill, 2012.
MORELL, Thomas. Lexicon Græco-Prosodiacum, latinam versionem subjecit Edv. Maltby, pars altera. Cantabrigiæ: Cadell et Davies et al., 1815.
MORETTI, Jean-Charles. The evolution of theatre architecture outside Athens in the fourth century. In: CSAPO, Eric; GOETTE, Hans Rupprecht; GREEN, J. Richard; WILSON, Peter (ed.). Greek theatre in the fourth century B.C. Berlin / Boston: De Gruyter, p. 107-40, 2014.
MUÑOZ, Felipe G. Hernández. Demóstenes, Esquines y el teatro. In: DORDA, Esteban Calderón; ORTIZ, Alicia Moraes; SÁNCHEZ, Mariano Valverde (ed.). Koinòs lógos: homenaje al profesor José García López. Murcia: Universidad de Murcia, p. 425-30, 2006, v. 1.
NERVEGNA, Sebastiana. Performing classics: the tragic canon in the fourth century and beyond. In: CSAPO, Eric; GOETTE, Hans R.; GREEN, J. Richard; WILSON, Peter (ed.). Greek Theatre in the fourth century BC. Berlin / Boston: De Gruyter, p. 157-88, 2014.
NESSELRATH, Heinz-Günther. Parody and later greek comedy. Harvard Studies in Classical Philology, Cambridge MA / London, v. 93, p. 181-96, 1983.
PERRONE, Serena. Effetti comici a bordo di un ramo di fico: a proposito di P.Oxy. XXXV 2742. Paideia, Cesena, v. 63, p. 209-25, 2008.
PERRONE, Serena. Lost in tradition. Papyrus commentaries on comedies and tragedies of unknown authorship. Tradução de Johanna Hanink. Trends in Classics, Berlin / New York, v. 1, n. 2, p. 203-40, 2009.
REVERMANN, Martin. Comic business, theatricality, dramatic technique, and performance contexts of aristophanic comedy. Oxford: Oxford University Press, 2006.
REVERMANN, Martin. The reception of greek tragedy, 500-323 BC. In: SMIT, Betine van Zyl (ed.). A handbook to the reception of greek drama. Chichester: John Wiley, p. 13-28, 2016.
RIBEIRO JR., Wilson A. O sacrifício humano em prol da comunidade: a Andrômeda de Sófocles e o Erecteu de Eurípides. Classica (Brasil), Belo Horizonte, v. 22, n. 2, p. 261-9, 2009.
RIBEIRO JR., Wilson A. Enganos, enganadores e enganados no mito e na tragédia de Eurípides. Tese de Doutorado. São Paulo: Universidade de São Paulo, 2011.
RIBEIRO JR., Wilson A. Notas sobre os dramas satíricos fragmentários de Eurípides. In: SANTOS, Fernando B.; OLIVEIRA, Jane K. (org.). Estudos Clássicos e seus desdobramentos: artigos em homenagem à Professora Maria Celeste Consolin Dezotti. São Paulo: Cultura Acadêmica, p. 165-82, 2015.
ROSEN, Ralph M. Timocles fr 6 KA and the parody of greek literary theory. In: MARSHALL, C.W.; KOVACS, George (ed.). No laughing matter: studies in athenian comedy. London: Bristol Classical Press, p. 177-86, 2012.
SACCONI, Karen Amaral. Fragmentos de Aristófanes: estudo e tradução. Tese de Doutorado. São Paulo: Universidade de São Paulo, 2018.
SCHARFFENBERGER, Elizabeth. “Axionicus, The Euripides fan”. In: MARSHALL, C.W.; KOVACS, George (ed.). No laughing matter: studies in athenian comedy. London: Bristol Classical Press, p. 159-76, 2012.
SCODEL, Ruth. Lycurgus and the state text of tragedy. In: COOPER, Craig (ed.). Politics of orality. Leiden / Boston: Brill, p. 129-54, 2007.
SIFAKIS, Gregory M. The misunderstanding of opsis in Aristotle’s Poetics. In: HARRISON, George W.M.; LIAPIS, Vayos (ed.). Performance in greek and roman theatre. Leiden / Boston: Brill, p. 45-62, 2013.
SLATER, Niall W. Dancing the alphabet: performative literacy on the attic stage. In: WORTHINGTON, Ian; FOLEY, John Miles (ed.). Epea and grammata: oral and written communication in ancient Greece. Leiden / Boston / Köln: Brill, p. 117-30, 2002.
SNELL, Bruno; KANNICHT, Richard; RADT, Stefan. Tragicorum graecorum fragmenta, v. 1 (Didascalie tragicae, testimonia et fragmenta tragicorum minorum), v. 2 (fragmenta adespota), v.3 (Aeschylus), v. 4 (Sophocles), v. 5.1 et 5.2 (Euripides). Göttingen: Vandenhoeck & Ruprecht, 1985-2007.
STOREY, Ian C. Fragments of Old Comedy, v. 3: Philonicus to Xenophon, adespota. Cambridge MA / London: Harvard University Press, 2011.
TAPLIN, Oliver. Comic angels and other approaches to greek drama through vase-paintings. Oxford: Clarendon Press, 1993.
TAPLIN, Oliver. The stagecraft of Aeschylus: the dramatic use of exits and entrances in greek tragedy. Oxford: Clarendon Press, 1977.
TAPLIN, Oliver. How was athenian tragedy played in the greek west? In: BOSHER, Kathryn (ed.). Theater outside Athens: drama in greek Sicily and south Italy. Cambridge: Cambridge University Press, p. 226-50, 2012.
TAPLIN, Oliver. Pots and plays: interactions between tragedy and greek vase-painting of the fourth century B.C. Los Angeles: J. Paul Getty Museum, 2007. Disponível para visualização / download em . Acesso em 14 ago. 2015.
TLG. Thesaurus linguae graecae: canon of greek authors and works. Disponível em: . Acesso em 14 out. 2016.
TORRANCE, Isabelle. Metapoetry in Euripides. Oxford / New York: Oxford University Press, 2013.
TrGF. Ver Snell et al.
TUILIER, André. Recherches critiques sur la tradition du texte d’Euripide. Paris: Klincksieck, 1968.
VERHASSELT, Gertjan. The hypotheses of Euripides and Sophocles by ‘Dicaearchus’. Greek, Roman, and Byzantine Studies, Durham, v. 55, p. 608-36, 2015.
WEBB, Ruth. Basil of Caesarea and greek tragedy. In: HARDWICK, Lorna; STRAY, Christopher (ed.). A companion to classical receptions. Malden / Oxford / Carlton: Blackwell, p. 63-71, 2008.
WORMAN, Nancy. Euripides, Aristophanes, and the reception of ‘sophistic’ styles. In: MCCLURE, Laura (ed.). A companion to Euripides. Chichester: John Wiley, p. 517-32, 2017.
WRIGHT, Matthew. The comedian as critic: greek old comedy and poetics. London: Bristol Classical Press, 2012.
WRIGHT, Matthew. The lost plays of greek tragedy, v. 1: neglected authors. London: Bloomsbury, 2016.
Direitos autorais 2018 Wilson Alves Ribeiro Jr.

References: v. 
 v. 
 v.

 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v. 
 v.