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SELECTED BIBLIOGRAPHY: SEMINAR IN ART LIBRARIANSHIP. L630.
School of Library & Information Science, Indiana University. 2005. B. J. Irvine, Ph.D.
AAL Newsletter. The Newsletter of the Association of Architectural Librarians.. Washington, D.C.: Association, 1987- .
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________. ARLIS/NA Salary Survey 1990. Tucson, Ariz.: Art Libraries Society of North America, 1991.
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“Annual Bibliography of Art Librarianship.” See “Art Librarianship.” Art Libraries Journal.
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ARLIS/NA Salary Survey 1990. See Abid, Ann B., and Henry A. Pisciotta.
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ARLIS/UK & EIRE NEWS‑SHEET. Bromsgrove, Eng.: Art Libraries Society, 1976‑ .
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________. Conference Abstracts. Tucson, Ariz.: Art Libraries Society of North America, 1987- . Published irregularly.
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________. “Viewpoint: An Inside Look at Art Book Publishing.” Art Documentation 3, no. 4 (Winter 1984): 120‑22.
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Carlin, Jane A. “Heralding the Future: the Art Publisher in Great Britain from the 1920s through the Post-War Era.” Art Libraries Journal 17, no. 3 (1992): 18-26.
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Chermont, Isabelle le Masne. “The Architecture of Museum Libraries: An Overview of the Years 2000 to 2003.” Art Libraries Journal 29, no. 3 (2004): 28-31.
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Concordance of Ancient Site Names. See Fry, P. Eileen and Maryly Snow.
“Continuing Education for Art Librarianship.” Art Libraries Journal 19, no.2 (1994):25-29.
Copyright. See Visual Resources Association.
Copyright Town Meetings and Forums. See NINCH (National Institute for a Networked Cultural Heritage.
“Cost and Use of Digital Images on University Campuses: Lessons from the Museum Educational Site Licensing Project.” Visual Resources. 14, no. 4 (1999). Special Issue.
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Cuneo, Mary Jane. “Art Cataloging: Looking back in North America, 1972‑1982.” Art Libraries Journal 7, no. 4 (Winter 1982): 11‑22.
Current Issues in Fine Arts Collection Development. See Clarke‑Hazlett, Janet.
Digital Images and Art Libraries in the Twenty-First Century. See Wyngaard, Susan.
“Discovering our Past: Early Art Library Leaders.” Art Documentation 16, no. 2 (Fall 1997): 3-14.
See papers on John Cotton Dana, Samuel Putnam Avery, and Helen Clay Frick.
Dole, Wanda V. “Art Libraries: Collection Development in the 1980s: A Panel Discussion Held During the Art Libraries Society of North America Annual Conference, Boston, MA, February 22, 1982. the LAPT Report.” Library Acquisitions: Practice and Theory 7 (1983): 3-4.
________. “Austerity and the Arts: Collection Development in the 1980s.” Drexel Library Quarterly 19, no. 3 (Summer 1983): 28-37.
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Flynn, Marcy and Zinkham, Helena. “The MARC Format and Electronic Reference Images: Experiences from the Library of Congress Prints and Photographs Division.” Visual Resources 11, no. 1 (1995): 47-70.
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________. “Art Libraries and Collections,” in Encyclopedia of Library & Information Science, ed. Allen Kent, vol. I, 571‑621. New York: Dekker, 1969.
________. “Art Reproductions in the Library. Notes on their History and Use,” in The Documented Image. Visions in Art History, eds. Gabriel P. Weisbergand Laurinda S. Dixon, 349‑63. New York: Syracuse University Press, 1987.
________. “Honoring Florence DaLuiso.” Art Documentation 23, no. 2 (Fall 2004): 44-45.
________. “Indivisibility of Art Librarianship.” Art Libraries Journal 7, no. 3 (Autumn 1982): 23‑40.
________. “Twenty Years of Estrangement, or What’s in a Name.” Art Documentation 22, no. 2 (Fall 2003): 4.
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Fry, Eileen, review of “Linking Art Objects and Art Information,” by Deirdre C. Stam and Angela Giral, eds., in Library Trends, 37, no. 2 (Fall 1988), and “Computers and the Future of Art Research: Visions, Problems, Projects,” by Hans-Jörg Heusser, ed., in AICARC, Bulletin of the Archives and Documentations Centers for Modern and Contemporary Art, no. 2 (1986) and no. 1 (1987), Visual Resources 6 (1990): 285-289.
_______. “Image Access and Cyber Searching: The Philadelphia Experiment.” Art Documentation 17, no. 2 (Fall 1998): 51-52.
Fry, Eileen, and Maryly Snow. Concordance of Ancient Site Names. Raleigh, N.C.: Art Libraries Society of North America, 1995.
“Fund Raising and Grant Writing: The Facts of Life in the 1990s.” See Tysinger, Joan W.
“Fundraising 101 for Art Librarians: The Inferno Example.” See Resnik, Rachel.
Gabbard, Paula. “Book Price and Book Production Study in the Fine Arts.” Art Documentation 14, no.1 (Spring 1995): 19-21.
Gibson, Sarah S. “The Past as Prologue: The Evolution of Art Librarianship.” Drexel Library Quarterly 19, no. 3 (Summer 1983): 3‑17.
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Godlewski, Susan G. “Report: A Survey of Reference Services in Art Libraries.” Art Documentation 8, no. 2 (Summer 1989): 67‑69.
Grant Development for Large and Small Libraries. See Korenic, Lynette and Clayton Kirking.
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Guidelines for the Layout and Content of Booksellers’ Catalogues. Bromsgrove, Worcester, U.K..: ARLIS/UK & Eire, 1987.
Guidelines for Art and Design Libraries: Stock, Planning, Staffing and Autonomy. Bromsgrove, Worcester, U.K.: ARLIS/UK & Eire, 1990.
Guidelines for the Visual Resources Profession. See Kopatz, Kim.
Gwinn, Nancy E. “Cooperative Collection Development: National Trends and New Tools.” Art Documentation 4 no. 4 (Winter 1985): 143-147.
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Historical Bibliography of Art Museum Serials from the United States and Canada. See Klos, Sheila M. and Christine M. Smith.
Hicks, Kathe. “Networked Museum Images on Campus: Applications and Impact of the Museum Educational Site Licensing Project.” Visual Resources Association Bulletin 25, no. 1 (Spring 1998): 49-52.
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IFLA. International Federation of Library Associations. Special Libraries Division. Section of Art Libraries. See Newsletter.
IFLA Section of Art Libraries, ed. Multilingual Glossary for Art Librarians. English with Indexes in Dutch, French, German, Italian, Spanish and Swedish. 2nd rev. ed. Münichen: Saur, 1996.
“Images in Libraries, Museums, and Archives: Description and Intellectual Access, Papers from PACSCL (The Philadelphia Area Consortium of Special Collections Libraries).” Visual Resources 11, no.1 (1995). Special Issue.
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________. “Chinese Art Libraries: Developments and Trends. Part II.” Art Libraries Journal 26. no. 1 (2001): 36-41.
________, “Core Competencies for a Seminar in Art Librarianship.” New York, N.Y.: ARLIS/NA Annual Conference, 2004. Photocopied.
________, “Dual Master’s Degree in Art Librarianship, USA.” Art Libraries Journal 19, no. 2 (1994): 9-11.
________, ed. Facilities Standards for Art Libraries and Visual Resources Collections. Englewood, Colo.: Libraries Unlimited, 1991.
________. “From the President.” Art Documentation 11, no. 2 (Summer 1992): 95-96.
Historical background about ARLIS/NA Annual Conferences.
________. “A Selection from a Building‑Program Profile,” in Art Libraries and Information Services, Lois S. Jones and Sarah S. Gibson, 307‑314. Orlando, Fla.: Academic Press, 1986.
________. “Standards I Committee: Space Planning for Art Library Collections in North America.” Art Documentation 7, no. 4 (Winter 1988): 156.
________, with Auchstetter, Rosann. “ARLIS/NA Facilities Questionnaire: Tabulation Summary.” Art Documentation 5, no. 4 (Winter 1986): 156‑159.
________, with Fry, P. Eileen. Slide Libraries: A Guide for Academic Institutions, Museums, and Special Collections. 2nd ed. Littleton, Colo.: Libraries Unlimited, 1979.
________, and Korenic, Lyn. “Survey of Periodical Use in an Academic Art Library.” Art Documentation 1, no. 5 (October 1982): 148-151.
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________, and Gibson, Sarah S. Art Libraries and Information Services. Orlando, Fla.: Academic Press, 1986.
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­Korenic, Lynette, and Clayton Kirking. Grant Development for Large and Small Libraries. Occasional Paper No. 8. Tucson, Ariz.: Art Libraries Society of North America, 1990.
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________. “Collection Evaluation Techniques in the Academic Art Library.” Drexel Library Quarterly 19, no. 3 (Summer 1983): 38-51.
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Lanzi, Elisa. “Cataloguing Cultural Objects: New Guidelines for Descriptive Cataloging.” Art Libraries Journal 29, no. 4 (2004): 26-52.
_______. “The REACH and VISION Projects: Improving Access to Art Information.” Art Documentation 17, no. 1 (Spring 1998): 15-18.
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Library Instruction for Students in Design Disciplines: Scenarios, Exercises, & Techniques. See Brown, Jeanne M.
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________, “Baedeker and Art Bibliography.” Art Documentation 14, no. 4 (Winter 1995): 25-26.
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______. “The Research Libraries Group: New Initiatives to Improve Access to Art and Architecture Information.” Art Libraries Journal 23, no. 1 (1998): 30-37.
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Museum Librarianship. See Larsen, John C.
The Museum. A Reference Guide. See Shapiro, Michael S., ed.
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Pacey, Philip, ed. A Reader in Art Librarianship. München: Saur, 1985.
_______. “Toward an ARLIS International: An Interview with Philip Pacey.” Art Documentation 16, no. 2 (Fall 1997): 35-39.
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Petersen, Toni, and Molholt, Pat. Beyond the Book: Extending MARC for Subject Access. Boston: G.K. Hall, 1990.
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“Publishing.” The Art Newspaper 5, no. 43 (December 1994). Supplement.
Reference Tools for Fine Arts Visual Resources. See Bunting, Christine.
Research Agenda for Networked Cultural Heritage. Santa Monica, Calif.: Getty Art History Information Program, 1996.
Resnik, Rachel. “Fundraising 101 for Art Librarians: The Inferno Example.” Art Documentation 23, no. 2 (Fall 2004): 27-32.
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________.”A Bibliography and Its Languages: The ‘Bibliography of the History of Art’.” Art Libraries Journal 16, no. 2 (1991): 10-13.
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Robertson, Jack. “Education and Continuing Training for Art Librarianship: A North American Perspective.” Art Libraries Journal 19, no. 2 (1994): 12-16.
________. “Survey of Library Schools in North America: Educational & Training Opportunities for Careers in Fine Arts Libraries & Visual Resources Collections.” Art Documentation 10, no. 3 (Fall 1991): 141-143.
________. “Survey 1991: Library Schools in Canada and the United States, Educational Opportunities for Careers in Fine Arts & Visual Resources Librarianship.” Art Documentation 11, no. 4 (Winter 1992): 188-189.
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________, ed. Object, Image, Inquiry: The Art Historian at Work. Report on a Collaborative Study by The Getty Art History Information Program (AHIP) and the Institute for Research in Information Scholarship (IRIS) Brown University. Santa Monica, Calif.: J. Paul Getty Trust, 1988.
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Shapiro, Michael S.,ed. The Museum. A Reference Guide. N.Y.: Greenwood Press, 1990.
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______. “Publishing Art History in Translation: A Research Report.” Art Documentation 9, no. 1 (Spring 1990): 7.
Space Planning for the Art Library. See Smith, Beryl K.
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