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Human: Can you write me a poem about faults and love?
Assistant: | Sure, here's a poem about faults and love:
They came to tell your faults to me,
They named them over one by one;
I laughed aloud when they were done,
I knew them all so well before,
Oh, they were blind, too blind to see
Your faults had made me love you more. |
Human: Can you write me a poem about hymn, time and earth?
Assistant: | Sure, here's a poem about hymn, time and earth:
AH whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.
That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear
To admiration of that heavenly light,
From whence proceeds such soul-enchanting might.
Thereto do thou, great goddess, queen of beauty,
Mother of love, and of all world's delight,
Without whose sovereign grace and kindly duty
Nothing on earth seems fair to fleshly sight,
Do thou vouchsafe with thy love-kindling light
T' illuminate my dim and dulled eyne,
And beautify this sacred hymn of thine:
That both to thee, to whom I mean it most,
And eke to her, whose fair immortal beam
Hath darted fire into my feeble ghost,
That now it wasted is with woes extreme,
It may so please, that she at length will stream
Some dew of grace into my withered heart,
After long sorrow and consuming smart.
WHAT time this world's great Workmaster did cast
To make all things such as we now behold,
It seems that he before his eyes had plac'd
A goodly pattern, to whose perfect mould
He fashion'd them as comely as he could;
That now so fair and seemly they appear,
As nought may be amended anywhere.
That wondrous pattern, wheresoe'er it be,
Whether in earth laid up in secret store,
Or else in heaven, that no man may it see
With sinful eyes, for fear it to deflore,
Is perfect Beauty, which all men adore;
Whose face and feature doth so much excel
All mortal sense, that none the same may tell.
Thereof as every earthly thing partakes
Or more or less, by influence divine,
So it more fair accordingly it makes,
And the gross matter of this earthly mine,
Which clotheth it, thereafter doth refine,
Doing away the dross which dims the light
Of that fair beam which therein is empight.
For, through infusion of celestial power,
The duller earth it quick'neth with delight,
And lifeful spirits privily doth pour
Through all the parts, that to the looker's sight
They seem to please. That is thy sovereign might,
O Cyprian queen, which flowing from the beam
Of thy bright star, thou into them dost stream.
That is the thing which giveth pleasant grace
To all things fair, that kindleth lively fire,
Light of thy lamp, which, shining in the face,
Thence to the soul darts amorous desire,
And robs the hearts of those which it admire;
Therewith thou pointest thy son's poison'd arrow,
That wounds the life, and wastes the inmost marrow.
How vainly then do idle wits invent,
That beauty is nought else but mixture made
Of colours fair, and goodly temp'rament
Of pure complexions, that shall quickly fade
And pass away, like to a summer's shade;
Or that it is but comely composition
Of parts well measur'd, with meet disposition.
Hath white and red in it such wondrous power,
That it can pierce through th' eyes unto the heart,
And therein stir such rage and restless stour,
As nought but death can stint his dolour's smart?
Or can proportion of the outward part
Move such affection in the inward mind,
That it can rob both sense and reason blind?
Why do not then the blossoms of the field,
Which are array'd with much more orient hue,
And to the sense most dainty odours yield,
Work like impression in the looker's view?
Or why do not fair pictures like power shew,
In which oft-times we nature see of art
Excell'd, in perfect limning every part?
But ah, believe me, there is more than so,
That works such wonders in the minds of men;
I, that have often prov'd, too well it know,
And whoso list the like assays to ken,
Shall find by trial, and confess it then,
That beauty is not, as fond men misdeem,
An outward shew of things, that only seem.
For that same goodly hue of white and red,
With which the cheeks are sprinkled, shall decay,
And those sweet rosy leaves, so fairly spread
Upon the lips, shall fade and fall away
To that they were, even to corrupted clay;
That golden wire, those sparkling stars so bright,
Shall turn to dust; and lose their goodly light.
But that fair lamp, from whose celestial ray
That light proceeds, which kindleth lovers' fire,
Shall never be extinguish'd nor decay;
But when the vital spirits do expire,
Unto her native planet shall retire;
For it is heavenly born and cannot die,
Being a parcel of the purest sky.
For when the soul, the which derived was,
At first, out of that great immortal Spright,
By whom all live to love, whilom did pass
Down from the top of purest heaven's height
To be embodied here, it then took light
And lively spirits from that fairest star,
Which lights the world forth from his fiery car.
Which power retaining still or more or less,
When she in fleshly seed is eft enraced,
Through every part she doth the same impress,
According as the heavens have her graced,
And frames her house, in which she will be placed,
Fit for herself, adorning it with spoil
Of th' heavenly riches which she robb'd erewhile.
Thereof it comes that these fair souls, which have
The most resemblance of that heavenly light,
Frame to themselves most beautiful and brave
Their fleshly bower, most fit for their delight,
And the gross matter by a sovereign might
Tempers so trim, that it may well be seen
A palace fit for such a virgin queen.
So every spirit, as it is most pure,
And hath in it the more of heavenly light,
So it the fairer body doth procure
To habit in, and it more fairly dight
With cheerful grace and amiable sight.
For of the soul the body form doth take:
For soul is form, and doth the body make.
Therefore wherever that thou dost behold
A comely corpse, with beauty fair endued,
Know this for certain, that the same doth hold
A beauteous soul, with fair conditions thewed,
Fit to receive the seed of virtue strewed.
For all that fair is, is by nature good;
That is a sign to know the gentle blood.
Yet oft it falls that many a gentle mind
Dwells in deformed tabernacle drown'd,
Either by chance, against the course of kind,
Or through unaptness in the substance found,
Which it assumed of some stubborn ground,
That will not yield unto her form's direction,
But is deform'd with some foul imperfection.
And oft it falls, (ay me, the more to rue)
That goodly beauty, albe heavenly born,
Is foul abus'd, and that celestial hue,
Which doth the world with her delight adorn,
Made but the bait of sin, and sinners' scorn,
Whilst every one doth seek and sue to have it,
But every one doth seek but to deprave it.
Yet nathemore is that fair beauty's blame,
But theirs that do abuse it unto ill:
Nothing so good, but that through guilty shame
May be corrupt, and wrested unto will:
Natheless the soul is fair and beauteous still,
However flesh{"e}s fault it filthy make;
For things immortal no corruption take.
But ye fair dames, the world's dear ornaments
And lively images of heaven's light,
Let not your beams with such disparagements
Be dimm'd, and your bright glory dark'ned quite;
But mindful still of your first country's sight,
Do still preserve your first informed grace,
Whose shadow yet shines in your beauteous face.
Loathe that foul blot, that hellish firebrand,
Disloyal lust, fair beauty's foulest blame,
That base affections, which your ears would bland,
Commend to you by love's abused name,
But is indeed the bondslave of defame;
Which will the garland of your glory mar,
And quench the light of your bright shining star.
But gentle Love, that loyal is and true,
Will more illumine your resplendent ray,
And add more brightness to your goodly hue,
From light of his pure fire; which, by like way
Kindled of yours, your likeness doth display;
Like as two mirrors, by oppos'd reflection,
Do both express the face's first impression.
Therefore, to make your beauty more appear,
It you behoves to love, and forth to lay
That heavenly riches which in you ye bear,
That men the more admire their fountain may;
For else what booteth that celestial ray,
If it in darkness be enshrined ever,
That it of loving eyes be viewed never?
But, in your choice of loves, this well advise,
That likest to yourselves ye them select,
The which your forms' first source may sympathize,
And with like beauty's parts be inly deckt;
For, if you loosely love without respect,
It is no love, but a discordant war,
Whose unlike parts amongst themselves do jar.
For love is a celestial harmony
Of likely hearts compos'd of stars' concent,
Which join together in sweet sympathy,
To work each other's joy and true content,
Which they have harbour'd since their first descent
Out of their heavenly bowers, where they did see
And know each other here belov'd to be.
Then wrong it were that any other twain
Should in love's gentle band combined be
But those whom Heaven did at first ordain,
And made out of one mould the more t' agree;
For all that like the beauty which they see,
Straight do not love; for love is not so light
As straight to burn at first beholder's sight.
But they, which love indeed, look otherwise,
With pure regard and spotless true intent,
Drawing out of the object of their eyes
A more refined form, which they present
Unto their mind, void of all blemishment;
Which it reducing to her first perfection,
Beholdeth free from flesh's frail infection.
And then conforming it unto the light,
Which in itself it hath remaining still,
Of that first Sun, yet sparkling in his sight,
Thereof he fashions in his higher skill
An heavenly beauty to his fancy's will;
And it embracing in his mind entire,
The mirror of his own thought doth admire.
Which seeing now so inly fair to be,
As outward it appeareth to the eye,
And with his spirit's proportion to agree,
He thereon fixeth all his fantasy,
And fully setteth his felicity;
Counting it fairer than it is indeed,
And yet indeed her fairness doth exceed.
For lovers' eyes more sharply sighted be
Than other men's, and in dear love's delight
See more than any other eyes can see,
Through mutual receipt of beam{"e}s bright,
Which carry privy message to the spright,
And to their eyes that inmost fair display,
As plain as light discovers dawning day.
Therein they see, through amorous eye-glances,
Armies of loves still flying to and fro,
Which dart at them their little fiery lances;
Whom having wounded, back again they go,
Carrying compassion to their lovely foe;
Who, seeing her fair eyes' so sharp effect,
Cures all their sorrows with one sweet aspect.
In which how many wonders do they rede
To their conceit, that others never see,
Now of her smiles, with which their souls they feed,
Like gods with nectar in their banquets free;
Now of her looks, which like to cordials be;
But when her words' embassade forth she sends,
Lord, how sweet music that unto them lends.
Sometimes upon her forehead they behold
A thousand graces masking in delight;
Sometimes within her eyelids they unfold
Ten thousand sweet belgards, which to their sight
Do seem like twinkling stars in frosty night;
But on her lips, like rosy buds in May,
So many millions of chaste pleasures play.
All those, O Cytherea, and thousands more
Thy handmaids be, which do on thee attend,
To deck thy beauty with their dainties' store,
That may it more to mortal eyes commend,
And make it more admir'd of foe and friend:
That in men's hearts thou may'st thy throne install,
And spread thy lovely kingdom over all.
Then Io, triumph! O great Beauty's Queen,
Advance the banner of thy conquest high,
That all this world, the which thy vassals bene,
May draw to thee, and with due fealty
Adore the power of thy great majesty,
Singing this hymn in honour of thy name,
Compil'd by me, which thy poor liegeman am.
In lieu whereof grant, O great sovereign,
That she whose conquering beauty doth captive
My trembling heart in her eternal chain,
One drop of grace at length will to me give,
That I her bounden thrall by her may live,
And this same life, which first fro me she reaved,
May owe to her, of whom I it received.
And you, fair Venus' darling, my dear dread,
Fresh flower of grace, great goddess of my life,
When your fair eyes these fearful lines shall read,
Deign to let fall one drop of due relief,
That may recure my heart's long pining grief,
And shew what wondrous power your beauty hath,
That can restore a damned wight from death. |
Human: Can you write me a poem about time, life and spring?
Assistant: | Sure, here's a poem about time, life and spring:
It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That oer the green cornfield did pass,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
Between the acres of the rye,
With a hey, and a ho, and a hey nonino,
Those pretty country folks would lie,
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
This carol they began that hour,
With a hey, and a ho, and a hey nonino,
How that a life was but a flower
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
And therefore take the present time,
With a hey, and a ho, and a hey nonino,
For love is crowned with the prime
In springtime, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring. |
Human: Can you write me a poem about snap - out in the style of EDGAR LEE MASTERS?
Assistant: | Sure, here's a poem about snap - out in the style of EDGAR LEE MASTERS:
I went to the dances at Chandlerville,
And played snap-out at Winchester.
One time we changed partners,
Driving home in the moonlight of middle June,
And then I found Davis.
We were married and lived together for seventy years,
Enjoying, working, raising the twelve children,
Eight of whom we lost
Ere I had reached the age of sixty.
I spun, I wove, I kept the house, I nursed the sick,
I made the garden, and for holiday
Rambled over the fields where sang the larks,
And by Spoon River gathering many a shell,
And many a flower and medicinal weed
Shouting to the wooded hills, singing to the green valleys.
At ninety-six I had lived enough, that is all,
And passed to a sweet repose.
What is this I hear of sorrow and weariness,
Anger, discontent and drooping hopes?
Degenerate sons and daughters,
Life is too strong for you
It takes life to love Life. |
Human: Can you write me a poem about nature, passion and gil in the style of WILLIAM SHAKESPEARE?
Assistant: | Sure, here's a poem about nature, passion and gil in the style of WILLIAM SHAKESPEARE:
A womans face with natures own hand painted
Hast thou, the master-mistress of my passion;
A womans gentle heart, but not acquainted
With shifting change as is false womens fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue, all hues in his controlling,
Which steals mens eyes and womens souls amazeth.
And for a woman wert thou first created,
Till nature as she wrought thee fell a-doting,
And by addition me of thee defeated
By adding one thing to my purpose nothing.
But since she pricked thee out for women's pleasure,
Mine be thy love and thy loves use their treasure. |
Human: Can you write a poem for me in the style of JOHN DONNE?
Assistant: | Sure, here's a poem in the style of JOHN DONNE:
Come, Madam, come, all rest my powers defy,
Until I labour, I in labour lie.
The foe oft-times having the foe in sight,
Is tird with standing though he never fight.
Off with that girdle, like heavens Zone glistering,
But a far fairer world encompassing.
Unpin that spangled breastplate which you wear,
That theyes of busy fools may be stopped there.
Unlace yourself, for that harmonious chime,
Tells me from you, that now it is bed time.
Off with that happy busk, which I envy,
That still can be, and still can stand so nigh.
Your gown going off, such beauteous state reveals,
As when from flowery meads thhills shadow steals.
Off with that wiry Coronet and shew
The hairy Diadem which on you doth grow:
Now off with those shoes, and then safely tread
In this loves hallowd temple, this soft bed.
In such white robes, heavens Angels used to be
Received by men; Thou Angel bringst with thee
A heaven like Mahomets Paradise; and though
Ill spirits walk in white, we easily know,
By this these Angels from an evil sprite,
Those set our hairs, but these our flesh upright.
Licence my roving hands, and let them go,
Before, behind, between, above, below.
O my America! my new-found-land,
My kingdom, safeliest when with one man mannd,
My Mine of precious stones, My Empirie,
How blest am I in this discovering thee!
To enter in these bonds, is to be free;
Then where my hand is set, my seal shall be.
Full nakedness! All joys are due to thee,
As souls unbodied, bodies unclothd must be,
To taste whole joys. Gems which you women use
Are like Atlantas balls, cast in mens views,
That when a fools eye lighteth on a Gem,
His earthly soul may covet theirs, not them.
Like pictures, or like books gay coverings made
For lay-men, are all women thus arrayd;
Themselves are mystic books, which only we
(Whom their imputed grace will dignify)
Must see reveald. Then since that I may know;
As liberally, as to a Midwife, shew
Thy self: cast all, yea, this white linen hence,
There is no penance due to innocence.
To teach thee, I am naked first; why then
What needst thou have more covering than a man. |
Human: Can you continue this poem for me?
Th' expense of spirit in a waste of shame
Is lust in action; and till action, lust
Assistant: | Sure, a continuation for this poem could be:
Is perjured, murd'rous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust,
Enjoyed no sooner but despised straight,
Past reason hunted; and, no sooner had
Past reason hated as a swallowed bait
On purpose laid to make the taker mad;
Mad in pursuit and in possession so,
Had, having, and in quest to have, extreme;
A bliss in proof and proved, a very woe;
Before, a joy proposed; behind, a dream.
All this the world well knows; yet none knows well
To shun the heaven that leads men to this hell. |
Human: Can you write me a poem about orion and pleiades in the style of MARJORIE PICKTHALL?
Assistant: | Sure, here's a poem about orion and pleiades in the style of MARJORIE PICKTHALL:
Now in the West the slender moon lies low,
And now Orion glimmers through the trees,
Clearing the earth with even pace and slow,
And now the stately-moving Pleiades,
In that soft infinite darkness overhead
Hang jewel-wise upon a silver thread.
And all the lonelier stars that have their place,
Calm lamps within the distant southern sky,
And planet-dust upon the edge of space,
Look down upon the fretful world, and I
Look up to outer vastness unafraid
And see the stars which sang when earth was made. |
Human: Can you write a poem for me in the style of SARA TEASDALE?
Assistant: | Sure, here's a poem in the style of SARA TEASDALE:
Originally published in Poetry, March 1914. |
Human: Can you write a poem for me in the style of IVOR GURNEY?
Assistant: | Sure, here's a poem in the style of IVOR GURNEY:
He's gone, and all our plans
Are useless indeed.
We'll walk no more on Cotswold
Where the sheep feed
Quietly and take no heed.
His body that was so quick
Is not as you
Knew it, on Severn river
Under the blue
Driving our small boat through.
You would not know him now ...
But still he died
Nobly, so cover him over
With violets of pride
Purple from Severn side.
Cover him, cover him soon!
And with thick-set
Masses of memoried flowers
Hide that red wet
Thing I must somehow forget. |
Human: Can you write me a poem about eros in the style of GEORGE SANTAYANA?
Assistant: | Sure, here's a poem about eros in the style of GEORGE SANTAYANA:
There may be chaos still around the world,
This little world that in my thinking lies;
For mine own bosom is the paradise
Where all my lifes fair visions are unfurled.
Within my natures shell I slumber curled,
Unmindful of the changing outer skies,
Where now, perchance, some new-born Eros flies,
Or some old Cronos from his throne is hurled.
I heed them not; or if the subtle night
Haunt me with deities I never saw,
I soon mine eyelids drowsy curtain draw
To hide their myriad faces from my sight.
They threat in vain; the whirlwind cannot awe
A happy snow-flake dancing in the flaw. |
Human: Can you continue this poem for me?
Penelope for her Ulisses sake,
Devizd a Web her wooers to deceave:
In which the worke that she all day did make
The same at night she did again unreave:
Such subtile craft my Damzell doth conceave,
Th importune suit of my desire to shnone:
For all that I in many dayes doo weave,
In one short houre I find by her undonne.
So when I thinke to end that I begonne,
I must begin and never bring to end:
For with one looke she spils that long I sponne,
And with one word my whole years work doth rend.
Assistant: | Sure, a continuation for this poem could be:
Such labour like the Spyders web I fynd,
Whose fruitless worke is broken with least wynd. |
Human: Can you write a poem for me in the style of WILLIAM SHAKESPEARE?
Assistant: | Sure, here's a poem in the style of WILLIAM SHAKESPEARE:
O Mistress mine where are you roaming?
O stay and hear, your true love's coming,
That can sing both high and low.
Trip no further pretty sweeting.
Journeys end in lovers' meeting,
Every wise man's son doth know.
What is love, 'tis not hereafter,
Present mirth, hath present laughter:
What's to come, is still unsure.
In delay there lies no plenty,
Then come kiss me sweet and twenty:
Youth's a stuff will not endure. |
Human: Can you write a poem for me in the style of EDMUND SPENSER?
Assistant: | Sure, here's a poem in the style of EDMUND SPENSER:
Happy ye leaves when as those lilly hands,
Which hold my life in their dead doing might
Shall handle you and hold in loves soft bands,
Lyke captives trembling at the victors sight.
And happy lines, on which with starry light,
Those lamping eyes will deigne sometimes to look
And reade the sorrowes of my dying spright,
Written with teares in harts close bleeding book.
And happy rymes bathd in the sacred brooke,
Of Helicon whence she derived is,
When ye behold that Angels blessed looke,
My soules long lacked foode, my heavens blis.
Leaves, lines, and rymes, seeke her to please alone,
Whom if ye please, I care for other none.
|
Human: Can you continue this poem for me?
When I was fair and young, then favor graced me.
Of many was I sought their mistress for to be.
But I did scorn them all and answered them therefore:
Go, go, go, seek some other where; importune me no more.
How many weeping eyes I made to pine in woe,
How many sighing hearts I have not skill to show,
But I the prouder grew and still this spake therefore:
Go, go, go, seek some other where, importune me no more.
Then spake fair Venus son, that proud victorious boy,
Saying: You dainty dame, for that you be so coy,
Assistant: | Sure, a continuation for this poem could be:
I will so pluck your plumes as you shall say no more:
Go, go, go, seek some other where, importune me no more.
As soon as he had said, such change grew in my breast
That neither night nor day I could take any rest.
Wherefore I did repent that I had said before:
Go, go, go, seek some other where, importune me no more. |
Human: Can you continue this poem for me?
Sweet shades why doe you seeke to give delight
Assistant: | Sure, a continuation for this poem could be:
To mee who deeme delight in this vilde place
Butt torment, sorrow, and mine owne disgrace
To taste of joy, or your vaine pleasing sight;
Show them your pleasures who saw never night
Of greife, wher joyings fauning, smiling face
Appeers as day, wher griefe found never space
Yett for a sigh, a grone, or envies spite;
Butt O on mee a world of woes doe ly,
Or els on mee all harmes strive to rely,
And to attend like servants bound to mee,
Heat in desire, while frosts of care I prove,
Wanting my love, yett surfett doe with love
Burne, and yett freeze, better in hell to bee. |
Human: Can you write me a poem about when you are not surprised, conrad aiken and brandt & hoc?
Assistant: | Sure, here's a poem about when you are not surprised, conrad aiken and brandt & hoc:
Conrad Aiken, When You Are Not Surprised from Collected Poems. Copyright 1953 by Conrad Aiken. Reprinted with the permission of Brandt & Hochman Literary Agents, Inc. |
Human: Can you write me a poem about reason and death?
Assistant: | Sure, here's a poem about reason and death:
My love is as a fever, longing still
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
Th uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as madmens are,
At random from the truth vainly expressed:
For I have sworn thee fair, and thought thee bright,
Who art as black as hell, as dark as night. |
Human: Can you write me a poem about tree, snow and weir in the style of WILLIAM BUTLER YEATS?
Assistant: | Sure, here's a poem about tree, snow and weir in the style of WILLIAM BUTLER YEATS:
Down by the salley gardens
my love and I did meet;
She passed the salley gardens
with little snow-white feet.
She bid me take love easy,
as the leaves grow on the tree;
But I, being young and foolish,
with her would not agree.
In a field by the river
my love and I did stand,
And on my leaning shoulder
she laid her snow-white hand.
She bid me take life easy,
as the grass grows on the weirs;
But I was young and foolish,
and now am full of tears.
|
Human: Can you write a poem for me in the style of SIR THOMAS WYATT?
Assistant: | Sure, here's a poem in the style of SIR THOMAS WYATT:
My lute awake! perform the last
Labour that thou and I shall waste,
And end that I have now begun;
For when this song is sung and past,
My lute be still, for I have done.
As to be heard where ear is none,
As lead to grave in marble stone,
My song may pierce her heart as soon;
Should we then sigh or sing or moan?
No, no, my lute, for I have done.
The rocks do not so cruelly
Repulse the waves continually,
As she my suit and affection;
So that I am past remedy,
Whereby my lute and I have done.
Proud of the spoil that thou hast got
Of simple hearts thorough Love's shot,
By whom, unkind, thou hast them won,
Think not he hath his bow forgot,
Although my lute and I have done.
Vengeance shall fall on thy disdain
That makest but game on earnest pain.
Think not alone under the sun
Unquit to cause thy lovers plain,
Although my lute and I have done.
Perchance thee lie wethered and old
The winter nights that are so cold,
Plaining in vain unto the moon;
Thy wishes then dare not be told;
Care then who list, for I have done.
And then may chance thee to repent
The time that thou hast lost and spent
To cause thy lovers sigh and swoon;
Then shalt thou know beauty but lent,
And wish and want as I have done.
Now cease, my lute; this is the last
Labour that thou and I shall waste,
And ended is that we begun.
Now is this song both sung and past:
My lute be still, for I have done. |
Human: Can you write a poem for me in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem in the style of SIR PHILIP SIDNEY:
With how sad steps, O Moon, thou climb'st the skies!
How silently, and with how wan a face!
What, may it be that even in heav'nly place
That busy archer his sharp arrows tries!
Sure, if that long-with love-acquainted eyes
Can judge of love, thou feel'st a lover's case,
I read it in thy looks; thy languish'd grace
To me, that feel the like, thy state descries.
Then, ev'n of fellowship, O Moon, tell me,
Is constant love deem'd there but want of wit?
Are beauties there as proud as here they be?
Do they above love to be lov'd, and yet
Those lovers scorn whom that love doth possess?
Do they call virtue there ungratefulness? |
Human: Can you write me a poem about gall and turtles?
Assistant: | Sure, here's a poem about gall and turtles:
The lowest trees have tops, the ant her gall,
The fly her spleen, the little sparks their heat;
The slender hairs cast shadows, though but small,
And bees have stings, although they be not great;
Seas have their source, and so have shallow springs;
And love is love, in beggars as in kings.
Where rivers smoothest run, deep are the fords;
The dial stirs, yet none perceives it move;
The firmest faith is in the fewest words;
The turtles cannot sing, and yet they love:
True hearts have eyes and ears, no tongues to speak;
They hear and see, and sigh, and then they break. |
Human: Can you write me a poem about verse, cupids and venus ceston?
Assistant: | Sure, here's a poem about verse, cupids and venus ceston:
I that have been a lover, and could show it,
Though not in these, in rithmes not wholly dumb,
Since I exscribe your sonnets, am become
A better lover, and much better poet.
Nor is my Muse or I ashamed to owe it
To those true numerous graces, whereof some
But charm the senses, others overcome
Both brains and hearts; and mine now best do know it:
For in your verse all Cupids armory,
His flames, his shafts, his quiver, and his bow,
His very eyes are yours to overthrow.
But then his mothers sweets you so apply,
Her joys, her smiles, her loves, as readers take
For Venus ceston every line you make. |
Human: Can you write me a poem about chariot in the style of EN JONSON?
Assistant: | Sure, here's a poem about chariot in the style of EN JONSON:
See the chariot at hand here of Love,
Wherein my lady rideth!
Each that draws is a swan or a dove,
And well the car Love guideth.
As she goes, all hearts do duty
Unto her beauty;
And enamour'd, do wish, so they might
But enjoy such a sight,
That they still were to run by her side,
Through swords, through seas, whither she would ride.
Do but look on her eyes, they do light
All that Love's world compriseth!
Do but look on her hair, it is bright
As Love's star when it riseth!
Do but mark, her forehead's smoother
Than words that soothe her;
And from her arched brows, such a grace
Sheds itself through the face
As alone there triumphs to the life
All the gain, all the good, of the elements' strife.
Have you seen but a bright lily grow,
Before rude hands have touch'd it?
Ha' you mark'd but the fall o' the snow
Before the soil hath smutch'd it?
Ha' you felt the wool o' the beaver?
Or swan's down ever?
Or have smelt o' the bud o' the briar?
Or the nard in the fire?
Or have tasted the bag of the bee?
Oh so white! Oh so soft! Oh so sweet is she! |
Human: Can you write me a poem about cypress?
Assistant: | Sure, here's a poem about cypress:
Thrice toss these oaken ashes in the air,
Thrice sit thou mute in this enchanted chair,
Then thrice three times tie up this true love's knot,
And murmur soft "She will, or she will not."
Go burn these pois'nous weeds in yon blue fire,
These screech-owl's feathers and this prickling briar,
This cypress gathered at a dead man's grave,
That all my fears and cares an end may have.
Then come, you fairies! dance with me a round;
Melt her hard heart with your melodious sound.
In vain are all the charms I can devise:
She hath an art to break them with her eyes. |
Human: Can you write me a poem about cote, ##rie and 1919?
Assistant: | Sure, here's a poem about cote, ##rie and 1919:
from Coterie, 1919 |
Human: Can you continue this poem for me?
Where the bee sucks, there suck I:
Assistant: | Sure, a continuation for this poem could be:
In a cowslips bell I lie;
There I couch when owls do cry.
On the bats back I do fly
After summer merrily.
Merrily, merrily shall I live now
Under the blossom that hangs on the bough. |
Human: Can you write me a poem about gertrude stein and baby precious always shines?
Assistant: | Sure, here's a poem about gertrude stein and baby precious always shines:
Gertrude Stein, [The house was twinkling in the moon light] from Baby Precious Always Shines: Selected Love Notes Between Gertrude Stein and Alice B. Toklas (St. Martins Press, 1999). Reprinted with the permission of the Estate of Gertrude Stein. |
Human: Can you write me a poem about circes in the style of THOMAS BASTARD?
Assistant: | Sure, here's a poem about circes in the style of THOMAS BASTARD:
Our vice runs beyond all that old men saw,
And far authentically above our laws,
And scorning virtues safe and golden mean,
Sits uncontrolled upon the high extreme.
Circes, thy monsters painted out the hue,
Of feigned filthiness, but ours is true.
Our vice puts down all proverbs and all themes,
Our vice excels all fables and all dreams. |
Human: Can you write me a poem about earth and aristotle in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem about earth and aristotle in the style of SIR PHILIP SIDNEY:
No more, my dear, no more these counsels try;
Oh, give my passions leave to run their race;
Let Fortune lay on me her worst disgrace;
Let folk o'ercharg'd with brain against me cry;
Let clouds bedim my face, break in mine eye;
Let me no steps but of lost labour trace;
Let all the earth with scorn recount my case,
But do not will me from my love to fly.
I do not envy Aristotle's wit,
Nor do aspire to Caesar's bleeding fame;
Nor aught do care though some above me sit;
Nor hope nor wish another course to frame,
But that which once may win thy cruel heart:
Thou art my wit, and thou my virtue art. |
Human: Can you write a poem for me in the style of CARL SANDBURG?
Assistant: | Sure, here's a poem in the style of CARL SANDBURG:
The fog comes
on little cat feet.
It sits looking
over harbor and city
on silent haunches
and then moves on. |
Human: Can you write a poem for me in the style of EDMUND SPENSER?
Assistant: | Sure, here's a poem in the style of EDMUND SPENSER:
One day I wrote her name upon the strand,
But came the waves and washed it away:
Again I wrote it with a second hand,
But came the tide, and made my pains his prey.
"Vain man," said she, "that dost in vain assay,
A mortal thing so to immortalize;
For I myself shall like to this decay,
And eke my name be wiped out likewise."
"Not so," (quod I) "let baser things devise
To die in dust, but you shall live by fame:
My verse your vertues rare shall eternize,
And in the heavens write your glorious name:
Where whenas death shall all the world subdue,
Our love shall live, and later life renew." |
Human: Can you continue this poem for me?
Forget this rotten world, and unto thee
Let thine own times as an old story be.
Be not concern'd; study not why, nor when;
Do not so much as not believe a man.
For though to err, be worst, to try truths forth
Is far more business than this world is worth.
I'he world is but a carcass; thou art fed
By it, but as a worm, that carcass bred;
And why shouldst thou, poor worm, consider more,
When this world will grow better than before,
Than those thy fellow-worms do think upon
That carcass's last resurrection?
Forget this world, and scarce think of it so,
As of old clothes, cast off a year ago.
To be thus stupid is alacrity;
Men thus lethargic have best memory.
Look upward; that's towards her, whose happy state
We now lament not, but congratulate.
She, to whom all this world was but a stage,
Where all sat heark'ning how her youthful age
Should be employ'd, because in all she did
Some figure of the golden times was hid.
Who could not lack, what'er this world could give,
Because she was the form, that made it live;
Nor could complain that this world was unfit
To be stay'd in, then when she was in it;
She, that first tried indifferent desires
By virtue, and virtue by religious fires;
She, to whose person paradise adher'd,
As courts to princes; she, whose eyes enspher'd
Star-light enough t' have made the South control,
(Had she been there) the star-full Northern Pole;
She, she is gone; she is gone; when thou knowest this,
What fragmentary rubbish this world is
Thou knowest, and that it is not worth a thought;
He honours it too much that thinks it nought.
Think then, my soul, that death is but a groom,
Which brings a taper to the outward room,
Whence thou spiest first a little glimmering light,
And after brings it nearer to thy sight;
For such approaches doth heaven make in death.
Think thyself labouring now with broken breath,
And think those broken and soft notes to be
Division, and thy happiest harmony.
Think thee laid on thy death-bed, loose and slack,
And think that but unbinding of a pack,
To take one precious thing, thy soul, from thence.
Think thyself parch'd with fever's violence;
Anger thine ague more, by calling it
Thy physic; chide the slackness of the fit.
Think that thou hear'st thy knell, and think no more,
But that, as bells call'd thee to church before,
So this to the Triumphant Church calls thee.
Assistant: | Sure, a continuation for this poem could be:
Think Satan's sergeants round about thee be,
And think that but for legacies they thrust;
Give one thy pride, to'another give thy lust;
Give them those sins which they gave thee before,
And trust th' immaculate blood to wash thy score.
Think thy friends weeping round, and think that they
Weep but because they go not yet thy way.
Think that they close thine eyes, and think in this,
That they confess much in the world amiss,
Who dare not trust a dead man's eye with that
Which they from God and angels cover not.
Think that they shroud thee up, and think from thence
They reinvest thee in white innocence.
Think that thy body rots, and (if so low,
Thy soul exalted so, thy thoughts can go)
Think thee a prince, who of themselves create
Worms, which insensibly devour their state.
Think that they bury thee, and think that rite
Lays thee to sleep but a Saint Lucy's night. |
Human: Can you write a poem for me in the style of CARL SANDBURG?
Assistant: | Sure, here's a poem in the style of CARL SANDBURG:
I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling. |
Human: Can you write me a poem about blossom, summer and snow in the style of PAUL LAURENCE DUNBAR?
Assistant: | Sure, here's a poem about blossom, summer and snow in the style of PAUL LAURENCE DUNBAR:
Come when the nights are bright with stars
Or come when the moon is mellow;
Come when the sun his golden bars
Drops on the hay-field yellow.
Come in the twilight soft and gray,
Come in the night or come in the day,
Come, O love, wheneer you may,
And you are welcome, welcome.
You are sweet, O Love, dear Love,
You are soft as the nesting dove.
Come to my heart and bring it to rest
As the bird flies home to its welcome nest.
Come when my heart is full of grief
Or when my heart is merry;
Come with the falling of the leaf
Or with the reddning cherry.
Come when the years first blossom blows,
Come when the summer gleams and glows,
Come with the winters drifting snows,
And you are welcome, welcome. |
Human: Can you write me a poem about virtue, stella and self in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem about virtue, stella and self in the style of SIR PHILIP SIDNEY:
A strife is grown between Virtue and Love,
While each pretends that Stella must be his:
Her eyes, her lips, her all, saith Love, do this,
Since they do wear his badge, most firmly prove.
But Virtue thus that title doth disprove,
That Stella (O dear name) that Stella is
That virtuous soul, sure heir of heavnly bliss;
Not this fair outside, which our hearts doth move.
And therefore, though her beauty and her grace
Be Loves indeed, in Stellas self he may
By no pretense claim any manner place.
Well, Love, since this demur our suit doth stay,
Let Virtue have that Stella's self; yet thus,
Let Virtue but that body grant to us. |
Human: Can you write me a poem about lilacs in the style of T. S. ELIOT?
Assistant: | Sure, here's a poem about lilacs in the style of T. S. ELIOT:
I
Among the smoke and fog of a December afternoon
You have the scene arrange itself as it will seem to do
With "I have saved this afternoon for you";
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet's tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and finger-tips.
"So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room."
And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.
"You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
(For indeed I do not love it ... you knew? you are not blind!
How keen you are!)
To find a friend who has these qualities,
Who has, and gives
Those qualities upon which friendship lives.
How much it means that I say this to you
Without these friendships life, what cauchemar!"
Among the winding of the violins
And the ariettes
Of cracked cornets
Inside my brain a dull tom-tom begins
Absurdly hammering a prelude of its own,
Capricious monotone
That is at least one definite "false note."
Let us take the air, in a tobacco trance,
Admire the monuments,
Discuss the late events,
Correct our watches by the public clocks.
Then sit for half an hour and drink our bocks.
II
Now that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in her fingers while she talks.
"Ah, my friend, you do not know, you do not know
What life is, you who hold it in your hands";
(Slowly twisting the lilac stalks)
"You let it flow from you, you let it flow,
And youth is cruel, and has no remorse
And smiles at situations which it cannot see."
I smile, of course,
And go on drinking tea.
"Yet with these April sunsets, that somehow recall
My buried life, and Paris in the Spring,
I feel immeasurably at peace, and find the world
To be wonderful and youthful, after all."
The voice returns like the insistent out-of-tune
Of a broken violin on an August afternoon:
"I am always sure that you understand
My feelings, always sure that you feel,
Sure that across the gulf you reach your hand.
You are invulnerable, you have no Achilles' heel.
You will go on, and when you have prevailed
You can say: at this point many a one has failed.
But what have I, but what have I, my friend,
To give you, what can you receive from me?
Only the friendship and the sympathy
Of one about to reach her journey's end.
I shall sit here, serving tea to friends ...."
I take my hat: how can I make a cowardly amends
For what she has said to me?
You will see me any morning in the park
Reading the comics and the sporting page.
Particularly I remark.
An English countess goes upon the stage.
A Greek was murdered at a Polish dance,
Another bank defaulter has confessed.
I keep my countenance,
I remain self-possessed
Except when a street-piano, mechanical and tired
Reiterates some worn-out common song
With the smell of hyacinths across the garden
Recalling things that other people have desired.
Are these ideas right or wrong?
III
The October night comes down; returning as before
Except for a slight sensation of being ill at ease
I mount the stairs and turn the handle of the door
And feel as if I had mounted on my hands and knees.
"And so you are going abroad; and when do you return?
But that's a useless question.
You hardly know when you are coming back,
You will find so much to learn."
My smile falls heavily among the bric-a-brac.
"Perhaps you can write to me."
My self-possession flares up for a second;
This is as I had reckoned.
"I have been wondering frequently of late
(But our beginnings never know our ends!)
Why we have not developed into friends."
I feel like one who smiles, and turning shall remark
Suddenly, his expression in a glass.
My self-possession gutters; we are really in the dark.
"For everybody said so, all our friends,
They all were sure our feelings would relate
So closely! I myself can hardly understand.
We must leave it now to fate.
You will write, at any rate.
Perhaps it is not too late.
I shall sit here, serving tea to friends."
And I must borrow every changing shape
To find expression ... dance, dance
Like a dancing bear,
Cry like a parrot, chatter like an ape.
Let us take the air, in a tobacco trance
Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for quite a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon ...
Would she not have the advantage, after all?
This music is successful with a "dying fall"
Now that we talk of dying
And should I have the right to smile? |
Human: Can you write me a poem about love, gold and thrush in the style of D. H. LAWRENCE?
Assistant: | Sure, here's a poem about love, gold and thrush in the style of D. H. LAWRENCE:
My love looks like a girl to-night,
But she is old.
The plaits that lie along her pillow
Are not gold,
But threaded with filigree silver,
And uncanny cold.
She looks like a young maiden, since her brow
Is smooth and fair,
Her cheeks are very smooth, her eyes are closed.
She sleeps a rare
Still winsome sleep, so still, and so composed.
Nay, but she sleeps like a bride, and dreams her dreams
Of perfect things.
She lies at last, the darling, in the shape of her dream,
And her dead mouth sings
By its shape, like the thrushes in clear evenings. |
Human: Can you write me a poem about seal and salmon?
Assistant: | Sure, here's a poem about seal and salmon:
Out of the winds' and the waves' riot,
Out of the loud foam,
He has put in to a great quiet
And a still home.
Here he may lie at ease and wonder
Why the old ship waits,
And hark for the surge and the strong thunder
Of the full Straits,
And look for the fishing fleet at morning,
Shadows like lost souls,
Slide through the fog where the seal's warning
Betrays the shoals,
And watch for the deep-sea liner climbing
Out of the bright West,
With a salmon-sky and her wake shining
Like a tern's breast,
And never know he is done for ever
With the old sea's pride,
Borne from the fight and the full endeavour
On an ebb tide. |
Human: Can you write me a poem about originally and poetry?
Assistant: | Sure, here's a poem about originally and poetry:
Originally published in Poetry, August 1914. |
Human: Can you write a poem for me in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem in the style of SIR PHILIP SIDNEY:
O absent presence, Stella is not here;
False flattering hope, that with so fair a face
Bare me in hand, that in this orphan place
Stella, I say my Stella, should appear.
What sayst thou now? Where is that dainty cheer
Thou toldst mine eyes should help their famished case?
But thou art gone, now that self-felt disgrace
Doth make me most to wish thy comfort near.
But here I do store of fair ladies meet,
Who may with charm of conversation sweet
Make in my heavy mould new thoughts to grow:
Sure they prevail as much with me, as he
That bade his friend, but then new maimed, to be
Merry with him, and not think of his woe. |
Human: Can you write a poem for me in the style of GEORGE SANTAYANA?
Assistant: | Sure, here's a poem in the style of GEORGE SANTAYANA:
I
Calm was the sea to which your course you kept,
Oh, how much calmer than all southern seas!
Many your nameless mates, whom the keen breeze
Wafted from mothers that of old have wept.
All souls of children taken as they slept
Are your companions, partners of your ease,
And the green souls of all these autumn trees
Are with you through the silent spaces swept.
Your virgin body gave its gentle breath
Untainted to the gods. Why should we grieve,
But that we merit not your holy death?
We shall not loiter long, your friends and I;
Living you made it goodlier to live,
Dead you will make it easier to die.
II
With you a part of me hath passed away;
For in the peopled forest of my mind
A tree made leafless by this wintry wind
Shall never don again its green array.
Chapel and fireside, country road and bay,
Have something of their friendliness resigned;
Another, if I would, I could not find,
And I am grown much older in a day.
But yet I treasure in my memory
Your gift of charity, your mellow ease,
And the dear honour of your amity;
For these once mine, my life is rich with these.
And I scarce know which part may greater be,
What I keep of you, or you rob of me.
III
Your bark lies anchored in the peaceful bight
Until a kinder wind unfurl her sail;
Your docile spirit, winged by this gale,
Hath at the dawning fled into the light.
And I half know why heaven deemed it right
Your youth, and this my joy in youth, should fail;
God hath them still, for ever they avail,
Eternity hath borrowed that delight.
For long ago I taught my thoughts to run
Where all the great things live that lived of yore,
And in eternal quiet float and soar;
There all my loves are gathered into one,
Where change is not, nor parting any more,
Nor revolution of the moon and sun.
IV
In my deep heart these chimes would still have rung
To toll your passing, had you not been dead;
For time a sadder mask than death may spread
Over the face that ever should be young.
The bough that falls with all its trophies hung
Falls not too soon, but lays its flower-crowned head
Most royal in the dust, with no leaf shed
Unhallowed or unchiselled or unsung.
And though the after world will never hear
The happy name of one so gently true,
Nor chronicles write large this fatal year,
Yet we who loved you, though we be but few,
Keep you in whatsoeer is good, and rear
In our weak virtues monuments to you. |
Human: Can you write a poem for me in the style of CARL SANDBURG?
Assistant: | Sure, here's a poem in the style of CARL SANDBURG:
There is a wolf in me . . . fangs pointed for tearing gashes . . . a red tongue for raw meat . . . and the hot lapping of bloodI keep this wolf because the wilderness gave it to me and the wilderness will not let it go.
There is a fox in me . . . a silver-gray fox . . . I sniff and guess . . . I pick things out of the wind and air . . . I nose in the dark night and take sleepers and eat them and hide the feathers . . . I circle and loop and double-cross.
There is a hog in me . . . a snout and a belly . . . a machinery for eating and grunting . . . a machinery for sleeping satisfied in the sunI got this too from the wilderness and the wilderness will not let it go.
There is a fish in me . . . I know I came from salt-blue water-gates . . . I scurried with shoals of herring . . . I blew waterspouts with porpoises . . . before land was . . . before the water went down . . . before Noah . . . before the first chapter of Genesis.
There is a baboon in me . . . clambering-clawed . . . dog-faced . . . yawping a galoots hunger . . . hairy under the armpits . . . here are the hawk-eyed hankering men . . . here are the blonde and blue-eyed women . . . here they hide curled asleep waiting . . . ready to snarl and kill . . . ready to sing and give milk . . . waitingI keep the baboon because the wilderness says so.
There is an eagle in me and a mockingbird . . . and the eagle flies among the Rocky Mountains of my dreams and fights among the Sierra crags of what I want . . . and the mockingbird warbles in the early forenoon before the dew is gone, warbles in the underbrush of my Chattanoogas of hope, gushes over the blue Ozark foothills of my wishesAnd I got the eagle and the mockingbird from the wilderness.
O, I got a zoo, I got a menagerie, inside my ribs, under my bony head, under my red-valve heartand I got something else: it is a man-child heart, a woman-child heart: it is a father and mother and lover: it came from God-Knows-Where: it is going to God-Knows-WhereFor I am the keeper of the zoo: I say yes and no: I sing and kill and work: I am a pal of the world: I came from the wilderness. |
Human: Can you write a poem for me in the style of JOHN DONNE?
Assistant: | Sure, here's a poem in the style of JOHN DONNE:
Our storm is past, and that storm's tyrannous rage,
A stupid calm, but nothing it, doth 'suage.
The fable is inverted, and far more
A block afflicts, now, than a stork before.
Storms chafe, and soon wear out themselves, or us;
In calms, Heaven laughs to see us languish thus.
As steady'as I can wish that my thoughts were,
Smooth as thy mistress' glass, or what shines there,
The sea is now; and, as the isles which we
Seek, when we can move, our ships rooted be.
As water did in storms, now pitch runs out;
As lead, when a fir'd church becomes one spout.
And all our beauty, and our trim, decays,
Like courts removing, or like ended plays.
The fighting-place now seamen's rags supply;
And all the tackling is a frippery.
No use of lanthorns; and in one place lay
Feathers and dust, to-day and yesterday.
Earth's hollownesses, which the world's lungs are,
Have no more wind than the upper vault of air.
We can nor lost friends nor sought foes recover,
But meteor-like, save that we move not, hover.
Only the calenture together draws
Dear friends, which meet dead in great fishes' jaws;
And on the hatches, as on altars, lies
Each one, his own priest, and own sacrifice.
Who live, that miracle do multiply,
Where walkers in hot ovens do not die.
If in despite of these we swim, that hath
No more refreshing than our brimstone bath;
But from the sea into the ship we turn,
Like parboil'd wretches, on the coals to burn.
Like Bajazet encag'd, the shepherds' scoff,
Or like slack-sinew'd Samson, his hair off,
Languish our ships. Now as a myriad
Of ants durst th' emperor's lov'd snake invade,
The crawling gallies, sea-gaols, finny chips,
Might brave our pinnaces, now bed-rid ships.
Whether a rotten state, and hope of gain,
Or to disuse me from the queasy pain
Of being belov'd and loving, or the thirst
Of honour, or fair death, out-push'd me first,
I lose my end; for here, as well as I,
A desperate may live, and a coward die.
Stag, dog, and all which from or towards flies,
Is paid with life or prey, or doing dies.
Fate grudges us all, and doth subtly lay
A scourge, 'gainst which we all forget to pray.
He that at sea prays for more wind, as well
Under the poles may beg cold, heat in hell.
What are we then? How little more, alas,
Is man now, than before he was? He was
Nothing; for us, we are for nothing fit;
Chance, or ourselves, still disproportion it.
We have no power, no will, no sense; I lie,
I should not then thus feel this misery. |
Human: Can you write me a poem about originally and poetry in the style of LOUISE BOGAN?
Assistant: | Sure, here's a poem about originally and poetry in the style of LOUISE BOGAN:
Originally published in Poetry, August 1922. |
Human: Can you continue this poem for me?
Never love unless you can
Bear with all the faults of man:
Men sometimes will jealous be
Though but little cause they see;
And hang the head, as discontent,
And speak what straight they will repent.
Men that but one saint adore
Make a show of love to more.
Beauty must be scorned in none,
Though but truly served in one:
For what is courtship but disguise?
True hearts may have dissembling eyes.
Men, when their affairs require,
Must awhile themselves retire;
Sometimes hunt, and sometimes hawk,
And not ever sit and talk.
Assistant: | Sure, a continuation for this poem could be:
If these and such-like you can bear,
Then like, and love, and never fear! |
Human: Can you write a poem for me in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem in the style of SIR PHILIP SIDNEY:
What, have I thus betrayed my liberty?
Can those black beams such burning marks engrave
In my free side? or am I born a slave,
Whose neck becomes such yoke of tyranny?
Or want I sense to feel my misery?
Or sprite, disdain of such disdain to have?
Who for long faith, though daily help I crave,
May get no alms but scorn of beggary.
Virtue, awake! Beauty but beauty is;
I may, I must, I can, I will, I do
Leave following that which it is gain to miss.
Let her go. Soft, but here she comes. Go to,
Unkind, I love you not! O me, that eye
Doth make my heart give to my tongue the lie! |
Human: Can you write me a poem about love and reed in the style of JOHN DONNE?
Assistant: | Sure, here's a poem about love and reed in the style of JOHN DONNE:
Come live with me, and be my love,
And we will some new pleasures prove
Of golden sands, and crystal brooks,
With silken lines, and silver hooks.
There will the river whispering run
Warm'd by thy eyes, more than the sun;
And there the 'enamour'd fish will stay,
Begging themselves they may betray.
When thou wilt swim in that live bath,
Each fish, which every channel hath,
Will amorously to thee swim,
Gladder to catch thee, than thou him.
If thou, to be so seen, be'st loth,
By sun or moon, thou dark'nest both,
And if myself have leave to see,
I need not their light having thee.
Let others freeze with angling reeds,
And cut their legs with shells and weeds,
Or treacherously poor fish beset,
With strangling snare, or windowy net.
Let coarse bold hands from slimy nest
The bedded fish in banks out-wrest;
Or curious traitors, sleeve-silk flies,
Bewitch poor fishes' wand'ring eyes.
For thee, thou need'st no such deceit,
For thou thyself art thine own bait:
That fish, that is not catch'd thereby,
Alas, is wiser far than I. |
Human: Can you write a poem for me in the style of MICHAEL ANANIA?
Assistant: | Sure, here's a poem in the style of MICHAEL ANANIA:
Michael Anania, A Stratagem from Selected Poems. Copyright 1994 by Michael Anania. Used by permission of Asphodel Press/Acorn Alliance. |
Human: Can you write a poem for me in the style of HART CRANE?
Assistant: | Sure, here's a poem in the style of HART CRANE:
Hart Crane, "Voyages I, II, III, IV, V, VI" from The Complete Poems of Hart Crane, edited by Marc Simon. Copyright 1933, 1958, 1966 by Liveright Publishing Corporation. Copyright 1986 by Marc Simon. Used by permission of Liveright Publishing. |
Human: Can you write me a poem about peninsula and volcano in the style of SAMUEL GREENBERG?
Assistant: | Sure, here's a poem about peninsula and volcano in the style of SAMUEL GREENBERG:
By a peninsula the painter sat and
Sketched the uneven valley groves.
The apostle gave alms to the
Meek. The volcano burst
In fusive sulphur and hurled
Rocks and ore into the air
Heavens sudden change at
The drawing tempestuous,
Darkening shade of dense clouded hues.
The wanderer soon chose
His spot of rest; they bore the
Chosen hero upon their shoulders,
Whom they strangely admired, as
The beach-tide summer of people desired. |
Human: Can you write me a poem about saint, accents and breath?
Assistant: | Sure, here's a poem about saint, accents and breath:
Follow your saint, follow with accents sweet;
Haste you, sad notes, fall at her flying feet.
There, wrapp'd in cloud of sorrow, pity move,
And tell the ravisher of my soul I perish for her love:
But if she scorns my never-ceasing pain,
Then burst with sighing in her sight and ne'er return again.
All that I sung still to her praise did tend,
Still she was first; still she my songs did end;
Yet she my love and music both doth fly,
The music that her echo is and beauty's sympathy.
Then let my notes pursue her scornful flight:
It shall suffice that they were breath'd and died for her delight. |
Human: Can you write me a poem about khaki and dicky - bird in the style of IVOR GURNEY?
Assistant: | Sure, here's a poem about khaki and dicky - bird in the style of IVOR GURNEY:
Lying in dug-outs, joking idly, wearily;
Watching the candle guttering in the draught;
Hearing the great shells go high over us, eerily
Singing; how often have I turned over, and laughed
With pity and pride, photographs of all colours,
All sizes, subjects: khaki brothers in France;
Or mother's faces worn with countless dolours;
Or girls whose eyes were challenging and must dance,
Though in a picture only, a common cheap
Ill-taken card; and childrenfrozen, some
(Babies) waiting on Dicky-bird to peep
Out of the handkerchief that is his home
(But he's so shy!). And some with bright looks, calling
Delight across the miles of land and sea,
That not the dread of barrage suddenly falling
Could quite blot outnot mud nor lethargy.
Smiles and triumphant careless laughter. O
The pain of them, wide Earth's most sacred things!
Lying in dug-outs, hearing the great shells slow
Sailing mile-high, the heart mounts higher and sings.
But onceO why did he keep that bitter token
Of a dead Love?that boy, who, suddenly moved,
Showed me, his eyes wet, his low talk broken,
A girl who better had not been beloved. |
Human: Can you write me a poem about copyright?
Assistant: | Sure, here's a poem about copyright:
Copyright 1996 by the Estate of Mina Loy. All rights reserved. |
Human: Can you write a poem for me in the style of SARA TEASDALE?
Assistant: | Sure, here's a poem in the style of SARA TEASDALE:
Strephon kissed me in the spring,
Robin in the fall,
But Colin only looked at me
And never kissed at all.
Strephon's kiss was lost in jest,
Robin's lost in play,
But the kiss in Colin's eyes
Haunts me night and day. |
Human: Can you write me a poem about geranium in the style of T. S. ELIOT?
Assistant: | Sure, here's a poem about geranium in the style of T. S. ELIOT:
Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.
Half-past one,
The street lamp sputtered,
The street lamp muttered,
The street lamp said, "Regard that woman
Who hesitates towards you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin."
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
Half-past two,
The street lamp said,
"Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter."
So the hand of a child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child's eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
"Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smoothes the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and old Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain."
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars."
The lamp said,
"Four o'clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair,
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life."
The last twist of the knife. |
Human: Can you write me a poem about spring in the style of D. H. LAWRENCE?
Assistant: | Sure, here's a poem about spring in the style of D. H. LAWRENCE:
What large, dark hands are those at the window
Lifted, grasping the golden light
Which weaves its way through the creeper leaves
To my heart's delight?
Ah, only the leaves! But in the west,
In the west I see a redness come
Over the evening's burning breast
'Tis the wound of love goes home!
The woodbine creeps abroad
Calling low to her lover:
The sun-lit flirt who all the day
Has poised above her lips in play
And stolen kisses, shallow and gay
Of pollen, now has gone away
She woos the moth with her sweet, low word,
And when above her his broad wings hover
Then her bright breast she will uncover
And yield her honey-drop to her lover.
Into the yellow, evening glow
Saunters a man from the farm below,
Leans, and looks in at the low-built shed
Where hangs the swallow's marriage bed.
The bird lies warm against the wall.
She glances quick her startled eyes
Towards him, then she turns away
Her small head, making warm display
Of red upon the throat. His terrors sway
Her out of the nest's warm, busy ball,
Whose plaintive cry is heard as she flies
In one blue stoop from out the sties
Into the evening's empty hall.
Oh, water-hen, beside the rushes
Hide your quaint, unfading blushes,
Still your quick tail, and lie as dead,
Till the distance folds over his ominous tread.
The rabbit presses back her ears,
Turns back her liquid, anguished eyes
And crouches low: then with wild spring
Spurts from the terror of his oncoming
To be choked back, the wire ring
Her frantic effort throttling:
Piteous brown ball of quivering fears!
Ah soon in his large, hard hands she dies,
And swings all loose to the swing of his walk.
Yet calm and kindly are his eyes
And ready to open in brown surprise
Should I not answer to his talk
Or should he my tears surmise.
I hear his hand on the latch, and rise from my chair
Watching the door open: he flashes bare
His strong teeth in a smile, and flashes his eyes
In a smile like triumph upon me; then careless-wise
He flings the rabbit soft on the table board
And comes towards me: ah, the uplifted sword
Of his hand against my bosom, and oh, the broad
Blade of his hand that raises my face to applaud
His coming: he raises up my face to him
And caresses my mouth with his fingers, which still smell grim
Of the rabbit's fur! God, I am caught in a snare!
I know not what fine wire is round my throat,
I only know I let him finger there
My pulse of life, letting him nose like a stoat
Who sniffs with joy before he drinks the blood:
And down his mouth comes to my mouth, and down
His dark bright eyes descend like a fiery hood
Upon my mind: his mouth meets mine, and a flood
Of sweet fire sweeps across me, so I drown
Within him, die, and find death good. |
Human: Can you write a poem for me in the style of D. H. LAWRENCE?
Assistant: | Sure, here's a poem in the style of D. H. LAWRENCE:
When she rises in the morning
I linger to watch her;
She spreads the bath-cloth underneath the window
And the sunbeams catch her
Glistening white on the shoulders,
While down her sides the mellow
Golden shadow glows as
She stoops to the sponge, and her swung breasts
Sway like full-blown yellow
Gloire de Dijon roses.
She drips herself with water, and her shoulders
Glisten as silver, they crumple up
Like wet and falling roses, and I listen
For the sluicing of their rain-dishevelled petals.
In the window full of sunlight
Concentrates her golden shadow
Fold on fold, until it glows as
Mellow as the glory roses. |
Human: Can you write me a poem about momus?
Assistant: | Sure, here's a poem about momus:
Momus is the name men give your face,
The brag of its tone, like a long low steamboat whistle
Finding a way mid mist on a shoreland,
Where gray rocks let the salt water shatter spray Against horizons purple, silent.
Yes, Momus,
Men have flung your face in bronze
To gaze in gargoyle downward on a street-whirl of folk.
They were artists did this, shaped your sad mouth,
Gave you a tall forehead slanted with calm, broad wisdom;
All your lips to the corners and your cheeks to the high bones
Thrown over and through with a smile that forever wishes and wishes, purple, silent, fled from all the iron things of life, evaded like a sought bandit, gone into dreams, by God.
I wonder, Momus,
Whether shadows of the dead sit somewhere and look with deep laughter
On men who play in terrible earnest the old, known, solemn repetitions of history.
A droning monotone soft as sea laughter hovers from your kindliness of bronze,
You give me the human ease of a mountain peak, purple, silent;
Granite shoulders heaving above the earth curves,
Careless eye-witness of the spawning tides of men and women
Swarming always in a drift of millions to the dust of toil, the salt of tears,
And blood drops of undiminishing war. |
Human: Can you write me a poem about phoenix and time in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem about phoenix and time in the style of SIR PHILIP SIDNEY:
Be your words made, good sir, of Indian ware,
That you allow me them by so small rate?
Or do you cutted Spartans imitate?
Or do you mean my tender ears to spare,
That to my questions you so total are?
When I demand of Phoenix Stella's state,
You say, forsooth, you left her well of late:
O God, think you that satisfies my care?
I would know whether she did sit or walk;
How cloth'd, how waited on; sigh'd she, or smil'd;
Whereof, with whom, how often did she talk;
With what pastime time's journey she beguiled;
If her lips deign'd to sweeten my poor name.
Say all; and all well said, still say the same. |
Human: Can you continue this poem for me?
The weary yeare his race now having run,
The new begins his compast course anew:
With shew of morning mylde he hath begun,
Betokening peace and plenty to ensew.
So let us, which this chaunge of weather vew,
Chaunge eeke our mynds and former lives amend,
The old yeares sinnes forepast let us eschew,
And fly the faults with which we did offend.
Then shall the new yeares joy forth freshly send,
Into the glooming world his gladsome ray:
And all these stormes which now his beauty blend,
Shall turne to caulmes and tymely cleare away.
Assistant: | Sure, a continuation for this poem could be:
So likewise love cheare you your heavy spright,
And chaunge old yeares annoy to new delight. |
Human: Can you write me a poem about stella in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem about stella in the style of SIR PHILIP SIDNEY:
Stella, since thou so right a princess art
Of all the powers which life bestows on me,
There ere by them aught undertaken be
They first resort unto that sovereign part;
Sweet, for a while give respite to my heart,
Which pants as though it still should leap to thee,
And on my thoughts give thy lieutenancy
To this great cause, which needs both use and art,
And as a queen, who from her presence sends
Whom she employs, dismiss from thee my wit,
Till it have wrought what thy own will attends.
On servants shame oft masters blame doth sit.
Oh let not fools in me thy works reprove,
And scorning say, See what it is to love. |
Human: Can you continue this poem for me?
Of this worlds Theatre in which we stay,
My love lyke the Spectator ydly sits
Beholding me that all the pageants play,
Disguysing diversly my troubled wits.
Sometimes I joy when glad occasion fits,
And mask in myrth lyke to a Comedy:
Soone after when my joy to sorrow flits,
I waile and make my woes a Tragedy.
Yet she beholding me with constant eye,
Delights not in my merth nor rues my smart:
But when I laugh she mocks, and when I cry
She laughes, and hardens evermore her hart.
What then can move her? if not merth nor mone,
Assistant: | Sure, a continuation for this poem could be:
She is no woman, but a sencelesse stone. |
Human: Can you write me a poem about glory?
Assistant: | Sure, here's a poem about glory:
But love whilst that thou mayst be loved again,
Now whilst thy May hath filed thy lap with flowers,
Now whilst thy beauty bears without a stain,
Now use the summer smiles, ere winter lowers.
And whilst thou spreadst unto the rising sun
The fairest flower that ever saw the light,
Now joy thy time before thy sweet be done,
And, Delia, think thy morning must have night,
And that thy brightness sets at length to west,
When thou wilt close up that which now thou shewst;
And think the same becomes they fading best
Which then shall most inveil and shadow most.
Men do not weigh the stalk for what it was,
When once they find her flower, her glory, pass. |
Human: Can you continue this poem for me?
The ancient songs
Pass deathward mournfully.
Cold lips that sing no more, and withered wreaths,
Regretful eyes, and drooping breasts and wings
Symbols of ancient songs
Mournfully passing
Down to the great white surges,
Watched of none - -
Save the frail sea-birds
And the lithe pale girls,
Daughters of Okeanos.
And the songs pass
From the green land
Which lies upon the waves as a leaf
On the flowers of hyacinth;
And they pass from the waters,
The manifold winds and the dim moon,
And they come,
Silently winging through soft Kimmerian dusk,
To the quiet level lands
That she keeps for us all,
That she wrought for us all for sleep
In the silver days of the earth's dawning
Proserpine, daughter of Zeus.
And we turn from the Kuprian's breasts,
And we turn from thee,
Phoibos Apollon,
And we turn from the music of old
And the hills that we loved and the meads,
And we turn from the fiery day,
And the lips that were over-sweet;
For silently
Brushing the fields with red-shod feet,
With purple robe
Searing the flowers as with a sudden flame,
Death,
Thou hast come upon us.
And of all the ancient songs
Passing to the swallow-blue halls
By the dark streams of Persephone,
This only remains:
That in the end we turn to thee,
Death,
That we turn to thee, singing
One last song.
O Death,
Thou art an healing wind
That blowest over white flowers
A-tremble with dew;
Thou art a wind flowing
Over long leagues of lonely sea;
Thou art the dusk and the fragrance;
Thou art the lips of love mournfully smiling;
Thou art the pale peace of one
Satiate with old desires;
Thou art the silence of beauty,
And we look no more for the morning;
We yearn no more for the sun,
Since with thy white hands,
Death,
Thou crownest us with the pallid chaplets,
The slim colorless poppies
Which in thy garden alone
Softly thou gatherest.
And silently;
Assistant: | Sure, a continuation for this poem could be:
And with slow feet approaching;
And with bowed head and unlit eyes,
We kneel before thee:
And thou, leaning towards us, Caressingly layest upon us
Flowers from thy thin cold hands,
And, smiling as a chaste woman Knowing love in her heart,
Thou sealest our eyes
And the illimitable quietude
Comes gently upon us. |
Human: Can you continue this poem for me?
Souls joy, bend not those morning stars from me,
Where virtue is made strong by beautys might,
Where love is chasteness, pain doth learn delight,
And humbleness grows one with majesty.
Whatever may ensue, O let me be
Co-partner of the riches of that sight;
Let not mine eyes be hell-drivn from that light;
O look, O shine, O let me die and see.
Assistant: | Sure, a continuation for this poem could be:
For though I oft my self of them bemoan,
That through my heart their beamy darts be gone,
Whose cureless wounds even now most freshly bleed,
Yet since my death wound is already got,
Dear killer, spare not they sweet cruel shot;
A kind of grace it is to slay with speed. |
Human: Can you continue this poem for me?
Give me hunger,
O you gods that sit and give
The world its orders.
Give me hunger, pain and want,
Shut me out with shame and failure
From your doors of gold and fame,
Give me your shabbiest, weariest hunger!
But leave me a little love,
A voice to speak to me in the day end,
A hand to touch me in the dark room
Breaking the long loneliness.
Assistant: | Sure, a continuation for this poem could be:
In the dusk of day-shapes
Blurring the sunset,
One little wandering, western star
Thrust out from the changing shores of shadow.
Let me go to the window,
Watch there the day-shapes of dusk
And wait and know the coming
Of a little love. |
Human: Can you write me a poem about time, nature and rose in the style of WILLIAM SHAKESPEARE?
Assistant: | Sure, here's a poem about time, nature and rose in the style of WILLIAM SHAKESPEARE:
O! never say that I was false of heart,
Though absence seemed my flame to qualify.
As easy might I from myself depart
As from my soul, which in thy breast doth lie:
That is my home of love; if I have ranged,
Like him that travels, I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe, though in my nature reigned
All frailties that besiege all kinds of blood,
That it could so preposterously be stained,
To leave for nothing all thy sum of good;
For nothing this wide universe I call,
Save thou, my rose; in it thou art my all. |
Human: Can you write me a poem about lark, heaven ' s gate and phoebus?
Assistant: | Sure, here's a poem about lark, heaven ' s gate and phoebus:
Hark, hark! the lark at heaven's gate sings,
And Phoebus 'gins arise,
His steeds to water at those springs
On chaliced flowers that lies;
And winking Mary-buds begin
To ope their golden eyes:
With every thing that pretty is,
My lady sweet, arise:
Arise, arise. |
Human: Can you write me a poem about wallace stevens, alfred a. knopf and knopf doubleday publishing group in the style of WALLACE STEVENS?
Assistant: | Sure, here's a poem about wallace stevens, alfred a. knopf and knopf doubleday publishing group in the style of WALLACE STEVENS:
Wallace Stevens, "Of Mere Being" from The Palm at the End of the Mind: Selected Poems and a Play. Copyright 1967, 1969, 1971 by Holly Stevens. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Random House LLC. All rights reserved. |
Human: Can you continue this poem for me?
Farewell! thou art too dear for my possessing,
And like enough thou knowst thy estimate.
The Charter of thy worth gives thee releasing;
My bonds in thee are all determinate.
For how do I hold thee but by thy granting,
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent back again is swerving.
Thy self thou gav'st, thy own worth then not knowing,
Or me, to whom thou gav'st it, else mistaking,
So thy great gift, upon misprision growing,
Assistant: | Sure, a continuation for this poem could be:
Comes home again, on better judgement making.
Thus have I had thee as a dream doth flatter:
In sleep a king, but waking no such matter. |
Human: Can you continue this poem for me?
And wilt thou leave me thus?
Say nay, say nay, for shame,
To save thee from the blame
Of all my grief and grame;
And wilt thou leave me thus?
Say nay, say nay!
And wilt thou leave me thus,
That hath loved thee so long
In wealth and woe among?
Assistant: | Sure, a continuation for this poem could be:
And is thy heart so strong
As for to leave me thus?
Say nay, say nay!
And wilt thou leave me thus,
That hath given thee my heart
Never for to depart,
Nother for pain nor smart;
And wilt thou leave me thus?
Say nay, say nay!
And wilt thou leave me thus
And have no more pity
Of him that loveth thee?
Helas, thy cruelty!
And wilt thou leave me thus?
Say nay, say nay! |
Human: Can you write me a poem about evergreen and apple?
Assistant: | Sure, here's a poem about evergreen and apple:
Not in that wasted garden
Where bodies are drawn into grass
That feeds no flocks, and into evergreens
That bear no fruit
There where along the shaded walks
Vain sighs are heard,
And vainer dreams are dreamed
Of close communion with departed souls
But here under the apple tree
I loved and watched and pruned
With gnarled hands
In the long, long years;
Here under the roots of this northern-spy
To move in the chemic change and circle of life,
Into the soil and into the flesh of the tree,
And into the living epitaphs
Of redder apples! |
Human: Can you continue this poem for me?
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang.
In me thou see'st the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death's second self, that seals up all in rest.
In me thou see'st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consum'd with that which it was nourish'd by.
Assistant: | Sure, a continuation for this poem could be:
This thou perceiv'st, which makes thy love more strong,
To love that well which thou must leave ere long. |
Human: Can you write me a poem about heaven?
Assistant: | Sure, here's a poem about heaven:
Since she whom I lov'd hath paid her last debt
To nature, and to hers, and my good is dead,
And her soul early into heaven ravished,
Wholly in heavenly things my mind is set.
Here the admiring her my mind did whet
To seek thee, God; so streams do show the head;
But though I have found thee, and thou my thirst hast fed,
A holy thirsty dropsy melts me yet.
But why should I beg more love, whenas thou
Dost woo my soul, for hers off'ring all thine,
And dost not only fear lest I allow
My love to saints and angels, things divine,
But in thy tender jealousy dost doubt
Lest the world, flesh, yea devil put thee out. |
Human: Can you write me a poem about paris and fortune in the style of SIR PHILIP SIDNEY?
Assistant: | Sure, here's a poem about paris and fortune in the style of SIR PHILIP SIDNEY:
I might!unhappy wordO me, I might,
And then would not, or could not, see my bliss;
Till now wrapt in a most infernal night,
I find how heav'nly day, wretch! I did miss.
Heart, rend thyself, thou dost thyself but right;
No lovely Paris made thy Helen his,
No force, no fraud robb'd thee of thy delight,
Nor Fortune of thy fortune author is;
But to myself myself did give the blow,
While too much wit, forsooth, so troubled me
That I respects for both our sakes must show:
And yet could not by rising morn foresee
How fair a day was near: O punish'd eyes,
That I had been more foolish,or more wise! |
Human: Can you continue this poem for me?
Shall I compare thee to a summers day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summers lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
Assistant: | Sure, a continuation for this poem could be:
By chance or natures changing course untrimm'd;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owst;
Nor shall death brag thou wanderst in his shade,
When in eternal lines to time thou growst:
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee. |
Human: Can you write me a poem about poetry and fall?
Assistant: | Sure, here's a poem about poetry and fall:
We sat together at one summers end,
That beautiful mild woman, your close friend,
And you and I, and talked of poetry.
I said, A line will take us hours maybe;
Yet if it does not seem a moments thought,
Our stitching and unstitching has been naught.
Better go down upon your marrow-bones
And scrub a kitchen pavement, or break stones
Like an old pauper, in all kinds of weather;
For to articulate sweet sounds together
Is to work harder than all these, and yet
Be thought an idler by the noisy set
Of bankers, schoolmasters, and clergymen
The martyrs call the world.
And thereupon
That beautiful mild woman for whose sake
Theres many a one shall find out all heartache
On finding that her voice is sweet and low
Replied, To be born woman is to know
Although they do not talk of it at school
That we must labour to be beautiful.
I said, Its certain there is no fine thing
Since Adams fall but needs much labouring.
There have been lovers who thought love should be
So much compounded of high courtesy
That they would sigh and quote with learned looks
Precedents out of beautiful old books;
Yet now it seems an idle trade enough.
We sat grown quiet at the name of love;
We saw the last embers of daylight die,
And in the trembling blue-green of the sky
A moon, worn as if it had been a shell
Washed by times waters as they rose and fell
About the stars and broke in days and years.
I had a thought for no ones but your ears:
That you were beautiful, and that I strove
To love you in the old high way of love;
That it had all seemed happy, and yet wed grown
As weary-hearted as that hollow moon. |
Human: Can you write me a poem about odysseus in the style of WILLIAM BUTLER YEATS?
Assistant: | Sure, here's a poem about odysseus in the style of WILLIAM BUTLER YEATS:
The brawling of a sparrow in the eaves,
The brilliant moon and all the milky sky,
And all that famous harmony of leaves,
Had blotted out man's image and his cry.
A girl arose that had red mournful lips
And seemed the greatness of the world in tears,
Doomed like Odysseus and the labouring ships
And proud as Priam murdered with his peers;
Arose, and on the instant clamorous eaves,
A climbing moon upon an empty sky,
And all that lamentation of the leaves,
Could but compose man's image and his cry. |
Human: Can you write me a poem about minerva and sin?
Assistant: | Sure, here's a poem about minerva and sin:
He protested all his life long
The newspapers lied about him villainously;
That he was not at fault for Minerva's fall,
But only tried to help her.
Poor soul so sunk in sin he could not see
That even trying to help her, as he called it,
He had broken the law human and divine.
Passers by, an ancient admonition to you:
If your ways would be ways of pleasantness,
And all your pathways peace,
Love God and keep his commandments. |
Human: Can you write me a poem about baseball, world and hypnotic?
Assistant: | Sure, here's a poem about baseball, world and hypnotic:
I
The mind has shown itself at times
Too much the baked and labeled dough
Divided by accepted multitudes.
Across the stacked partitions of the day
Across the memoranda, baseball scores,
The stenographic smiles and stock quotations
Smutty wings flash out equivocations.
The mind is brushed by sparrow wings;
Numbers, rebuffed by asphalt, crowd
The margins of the day, accent the curbs,
Convoying divers dawns on every corner
To druggist, barber and tobacconist,
Until the graduate opacities of evening
Take them away as suddenly to somewhere
Virginal perhaps, less fragmentary, cool.
There is the world dimensional for
those untwisted by the love of things
irreconcilable ...
And yet, suppose some evening I forgot
The fare and transfer, yet got by that way
Without recall,lost yet poised in traffic.
Then I might find your eyes across an aisle,
Still flickering with those prefigurations
Prodigal, yet uncontested now,
Half-riant before the jerky window frame.
There is some way, I think, to touch
Those hands of yours that count the nights
Stippled with pink and green advertisements.
And now, before its arteries turn dark
I would have you meet this bartered blood.
Imminent in his dream, none better knows
The white wafer cheek of love, or offers words
Lightly as moonlight on the eaves meets snow.
Reflective conversion of all things
At your deep blush, when ecstasies thread
The limbs and belly, when rainbows spread
Impinging on the throat and sides ...
Inevitable, the body of the world
Weeps in inventive dust for the hiatus
That winks above it, bluet in your breasts.
The earth may glide diaphanous to death;
But if I lift my arms it is to bend
To you who turned away once, Helen, knowing
The press of troubled hands, too alternate
With steel and soil to hold you endlessly.
I meet you, therefore, in that eventual flame
You found in final chains, no captive then
Beyond their million brittle, bloodshot eyes;
White, through white cities passed on to assume
That world which comes to each of us alone.
Accept a lone eye riveted to your plane,
Bent axle of devotion along companion ways
That beat, continuous, to hourless days
One inconspicuous, glowing orb of praise.
II
Brazen hypnotics glitter here;
Glee shifts from foot to foot,
Magnetic to their tremulo.
This crashing opera bouffe,
Blest excursion! this ricochet
From roof to roof
Know, Olympians, we are breathless
While nigger cupids scour the stars!
A thousand light shrugs balance us
Through snarling hails of melody.
White shadows slip across the floor
Splayed like cards from a loose hand;
Rhythmic ellipses lead into canters
Until somewhere a rooster banters.
Greet naivelyyet intrepidly
New soothings, new amazements
That cornets introduce at every turn
And you may fall downstairs with me
With perfect grace and equanimity.
Or, plaintively scud past shores
Where, by strange harmonic laws
All relatives, serene and cool,
Sit rocked in patent armchairs.
O,I have known metallic paradises
Where cuckoos clucked to finches
Above the deft catastrophes of drums.
While titters hailed the groans of death
Beneath gyrating awnings I have seen
The incunabula of the divine grotesque.
This music has a reassuring way.
The siren of the springs of guilty song
Let us take her on the incandescent wax
Striated with nuances, nervosities
That we are heir to: she is still so young,
We cannot frown upon her as she smiles,
Dipping here in this cultivated storm
Among slim skaters of the gardened skies.
III
Capped arbiter of beauty in this street
That narrows darkly into motor dawn,
You, here beside me, delicate ambassador
Of intricate slain numbers that arise
In whispers, naked of steel;
religious gunman!
Who faithfully, yourself, will fall too soon,
And in other ways than as the wind settles
On the sixteen thrifty bridges of the city:
Let us unbind our throats of fear and pity.
We even,
Who drove speediest destruction
In corymbulous formations of mechanics,
Who hurried the hill breezes, spouting malice
Plangent over meadows, and looked down
On rifts of torn and empty houses
Like old women with teeth unjubilant
That waited faintly, briefly and in vain:
We know, eternal gunman, our flesh remembers
The tensile boughs, the nimble blue plateaus,
The mounted, yielding cities of the air!
That saddled sky that shook down vertical
Repeated play of fireno hypogeum
Of wave or rock was good against one hour.
We did not ask for that, but have survived,
And will persist to speak again before
All stubble streets that have not curved
To memory, or known the ominous lifted arm
That lowers down the arc of Helens brow
To saturate with blessing and dismay.
A goose, tobacco and cologne
Three winged and gold-shod prophecies of heaven,
The lavish heart shall always have to leaven
And spread with bells and voices, and atone
The abating shadows of our conscript dust.
Anchises navel, dripping of the sea,
The hands Erasmus dipped in gleaming tides,
Gathered the voltage of blown blood and vine;
Delve upward for the new and scattered wine,
O brother-thief of time, that we recall.
Laugh out the meager penance of their days
Who dare not share with us the breath released,
The substance drilled and spent beyond repair
For golden, or the shadow of gold hair.
Distinctly praise the years, whose volatile
Blamed bleeding hands extend and thresh the height
The imagination spans beyond despair,
Outpacing bargain, vocable and prayer. |
Human: Can you continue this poem for me?
When by thy scorn, O murd'ress, I am dead
And that thou think'st thee free
From all solicitation from me,
Assistant: | Sure, a continuation for this poem could be:
Then shall my ghost come to thy bed,
And thee, feign'd vestal, in worse arms shall see;
Then thy sick taper will begin to wink,
And he, whose thou art then, being tir'd before,
Will, if thou stir, or pinch to wake him, think
Thou call'st for more,
And in false sleep will from thee shrink;
And then, poor aspen wretch, neglected thou
Bath'd in a cold quicksilver sweat wilt lie
A verier ghost than I.
What I will say, I will not tell thee now,
Lest that preserve thee; and since my love is spent,
I'had rather thou shouldst painfully repent,
Than by my threat'nings rest still innocent. |
Human: Can you continue this poem for me?
Who will in fairest book of nature know
How virtue may best lodg'd in beauty be,
Let him but learn of love to read in thee,
Assistant: | Sure, a continuation for this poem could be:
Stella, those fair lines which true goodness show.
There shall he find all vices' overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection's heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.
So while thy beauty draws thy heart to love,
As fast thy virtue bends that love to good:
But "Ah," Desire still cries, "Give me some food!" |
Human: Can you continue this poem for me?
From fairest creatures we desire increase,
That thereby beautys rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory;
But thou, contracted to thine own bright eyes,
Assistant: | Sure, a continuation for this poem could be:
Feedst thy lights flame with self-substantial fuel,
Making a famine where abundance lies,
Thyself thy foe, to thy sweet self too cruel.
Though that art now the worlds fresh ornament
And only herald to the gaudy spring,
Within thine own bud buriest thy content,
And, tender churl, makst waste in niggarding.
Pity the world, or else this glutton be,
To eat the worlds due, by the grave and thee. |
Human: Can you write a poem for me in the style of EN JONSON?
Assistant: | Sure, here's a poem in the style of EN JONSON:
Slow, slow, fresh fount, keep time with my salt tears;
Yet slower, yet, O faintly, gentle springs!
List to the heavy part the music bears,
Woe weeps out her division, when she sings.
Droop herbs and flowers;
Fall grief in showers;
Our beauties are not ours.
O, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since natures pride is now a withered daffodil. |
Human: Can you write me a poem about babylon, saturday and letter?
Assistant: | Sure, here's a poem about babylon, saturday and letter:
Bilbea, I was in Babylon on Saturday night.
I saw nothing of you anywhere.
I was at the old place and the other girls were there,
But no Bilbea.
Have you gone to another house? or city?
Why dont you write?
I was sorry. I walked home half-sick.
Tell me how it goes.
Send me some kind of a letter.
And take care of yourself. |
Human: Can you write a poem for me in the style of SIR WALTER RALEGH?
Assistant: | Sure, here's a poem in the style of SIR WALTER RALEGH:
Praisd be Dianas fair and harmless light;
Praisd be the dews wherewith she moists the ground;
Praisd be her beams, the glory of the night;
Praisd be her power by which all powers abound.
Praisd be her nymphs with whom she decks the woods,
Praisd be her knights in whom true honour lives;
Praisd be that force by which she moves the floods;
Let that Diana shine which all these gives.
In heaven queen she is among the spheres;
In aye she mistress-like makes all things pure;
Eternity in her oft change she bears;
She beauty is; by her the fair endure.
Time wears her not: she doth his chariot guide;
Mortality below her orb is placd;
By her the virtue of the stars down slide;
In her is virtues perfect image cast.
A knowledge pure it is her worth to know:
With Circes let them dwell that think not so. |
Human: Can you write me a poem about spring, april and lily?
Assistant: | Sure, here's a poem about spring, april and lily:
From you have I been absent in the spring,
When proud-pied April, dressed in all his trim,
Hath put a spirit of youth in everything,
That heavy Saturn laughed and leaped with him.
Yet nor the lays of birds, nor the sweet smell
Of different flowers in odour and in hue,
Could make me any summers story tell,
Or from their proud lap pluck them where they grew:
Nor did I wonder at the lilys white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight
Drawn after you, you pattern of all those.
Yet seemd it winter still, and, you away,
As with your shadow I with these did play. |
Human: Can you continue this poem for me?
O come, soft rest of cares! come, Night!
Come, naked Virtues only tire,
The reaped harvest of the light
Bound up in sheaves of sacred fire,
Love calls to war:
Sighs his alarms,
Lips his swords are,
The fields his arms.
Come, Night, and lay thy velvet hand
On glorious Days outfacing face;
And all thy crowned flames command
For torches to our nuptial grace.
Love calls to war:
Sighs his alarms,
Assistant: | Sure, a continuation for this poem could be:
Lips his swords are,
The field his arms. |
Human: Can you write me a poem about winter and green holly?
Assistant: | Sure, here's a poem about winter and green holly:
Blow, blow, thou winter wind,
Thou art not so unkind
As mans ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho, the holly!
This life is most jolly.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remembered not.
Heigh-ho! sing, heigh-ho! unto the green holly... |
Human: Can you write a poem for me in the style of WILLIAM BUTLER YEATS?
Assistant: | Sure, here's a poem in the style of WILLIAM BUTLER YEATS:
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun. |
Human: Can you write me a poem about spring in the style of JOHN DONNE?
Assistant: | Sure, here's a poem about spring in the style of JOHN DONNE:
I scarce believe my love to be so pure
As I had thought it was,
Because it doth endure
Vicissitude, and season, as the grass;
Methinks I lied all winter, when I swore
My love was infinite, if spring make it more.
But if medicine, love, which cures all sorrow
With more, not only be no quintessence,
But mixed of all stuffs paining soul or sense,
And of the sun his working vigor borrow,
Loves not so pure, and abstract, as they use
To say, which have no mistress but their muse,
But as all else, being elemented too,
Love sometimes would contemplate, sometimes do.
And yet no greater, but more eminent,
Love by the spring is grown;
As, in the firmament,
Stars by the sun are not enlarged, but shown,
Gentle love deeds, as blossoms on a bough,
From loves awakened root do bud out now.
If, as water stirred more circles be
Produced by one, love such additions take,
Those, like so many spheres, but one heaven make,
For they are all concentric unto thee;
And though each spring do add to love new heat,
As princes do in time of action get
New taxes, and remit them not in peace,
No winter shall abate the springs increase. |
Human: Can you write me a poem about michael anania, motet and asphodel press?
Assistant: | Sure, here's a poem about michael anania, motet and asphodel press:
Michael Anania, Motet from Selected Poems. Copyright 1994 by Michael Anania. Used by permission of Asphodel Press/Acorn Alliance. |
Human: Can you write me a poem about huntsman, deer and brook in the style of EDMUND SPENSER?
Assistant: | Sure, here's a poem about huntsman, deer and brook in the style of EDMUND SPENSER:
Like as a huntsman after weary chase,
Seeing the game from him escap'd away,
Sits down to rest him in some shady place,
With panting hounds beguiled of their prey:
So after long pursuit and vain assay,
When I all weary had the chase forsook,
The gentle deer return'd the self-same way,
Thinking to quench her thirst at the next brook.
There she beholding me with milder look,
Sought not to fly, but fearless still did bide:
Till I in hand her yet half trembling took,
And with her own goodwill her firmly tied.
Strange thing, me seem'd, to see a beast so wild,
So goodly won, with her own will beguil'd. |
Human: Can you continue this poem for me?
This youth too long has heard the break
Of waters in a land of change.
He goes to see what suns can make
From soil more indurate and strange.
He cuts what holds his days together
And shuts him in, as lock on lock:
The arrowed vane announcing weather,
The tripping racket of a clock;
Seeking, I think, a light that waits
Still as a lamp upon a shelf,
A land with hills like rocky gates
Where no sea leaps upon itself.
But he will find that nothing dares
To be enduring, save where, south
Of hidden deserts, torn fire glares
On beauty with a rusted mouth,
Assistant: | Sure, a continuation for this poem could be:
Where something dreadful and another
Look quietly upon each other. |
Human: Can you continue this poem for me?
Misus and Mopsa hardly could agree,
Striving about superiority.
The text which says that man and wife are one,
Was the chief argument they stood upon.
Assistant: | Sure, a continuation for this poem could be:
She held they both one woman should become,
He held both should be man, and both but one.
So they contended daily, but the strife
Could not be ended, till both were one wife. |
Human: Can you write a poem for me in the style of LADY MARY WROTH?
Assistant: | Sure, here's a poem in the style of LADY MARY WROTH:
Love like a jugler, comes to play his prise,
And all minds draw his wonders to admire,
To see how cuningly hee, wanting eyes,
Can yett deseave the best sight of desire:
The wanton child, how hee can faine his fire
So pretely, as none sees his disguise!
How finely doe his tricks, while wee fooles hire
The badge, and office of his tirannies,
For in the end, such jugling hee doth make
As hee our harts, in stead of eyes doth take
For men can only by theyr slieghts abuse
The sight with nimble, and delightful skill;
Butt if hee play, his gaine is our lost will:
Yett childlike, wee can nott his sports refuse. |
Human: Can you continue this poem for me?
I find no peace, and all my war is done.
I fear and hope. I burn and freeze like ice.
I fly above the wind, yet can I not arise;
And nought I have, and all the world I season.
That loseth nor locketh holdeth me in prison
And holdeth me notyet can I scape no wise
Nor letteth me live nor die at my device,
Assistant: | Sure, a continuation for this poem could be:
And yet of death it giveth me occasion.
Without eyen I see, and without tongue I plain.
I desire to perish, and yet I ask health.
I love another, and thus I hate myself.
I feed me in sorrow and laugh in all my pain;
Likewise displeaseth me both life and death,
And my delight is causer of this strife. |
Human: Can you write me a poem about marc simon?
Assistant: | Sure, here's a poem about marc simon:
Hart Crane, "The Air Plant" from The Complete Poems of Hart Crane, edited by Marc Simon. Copyright 1933, 1958, 1966 by Liveright Publishing Corporation. Copyright 1986 by Marc Simon. Used by permission of Publishing Corporation. |
Human: Can you write me a poem about pindar, stella and nature?
Assistant: | Sure, here's a poem about pindar, stella and nature:
Let dainty wits cry on the sisters nine,
That, bravely mask'd, their fancies may be told;
Or, Pindar's apes, flaunt they in phrases fine,
Enam'ling with pied flowers their thoughts of gold.
Or else let them in statelier glory shine,
Ennobling newfound tropes with problems old;
Or with strange similes enrich each line,
Of herbs or beasts which Ind or Afric hold.
For me, in sooth, no Muse but one I know;
Phrases and problems from my reach do grow,
And strange things cost too dear for my poor sprites.
How then? even thus: in Stella's face I read
What love and beauty be; then all my deed
But copying is, what in her Nature writes. |
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