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Page 3 is most definitely a very enthralling and captivating eye-opener that very cleverly exposes the hypocrite lifestyles of Mumbai's elite. From the fake kisses to the plastered smiles, Page 3 leaves no stone unturned in revealing the shocking lives of the rich and the famous. Backstabbing, gossip, corruption, and scandal lurk in every dark corner in the world of glitz and glam. Humanity and generosity are analogous to an oasis in the desert in this world where Social Darwinism is the prevailing mentality. Everyone is constantly craving for more money, more fame, and a higher reputation, driving them to do the most shameful things imaginable ranging from signing film contracts at a funeral to child molestation. Anything is possible in this metropolis where there is a such a wide gap between the social classes. The audience sees the ugliness of both of these classes through the eyes of the protagonist. She observes the suffocating atmosphere and the mind-boggling frenzy that the socialites live in. Bollywood, business tycoons, politicians, and the underworld are all intertwined in a completely convoluted mess! Kitne Ajeeb Hai is a nice track as is the peppy Kuan Main Doob Jaongi. Terrific film with excellent character development!

1pos

Before I'd seen this, I had seen some pretty bad Christmas films. But once I saw this, "Jingle All the Way" looked better than "The Godfather". "Santa Claus" is a jolly film about Santa helping out some kids, but it almost feels demonic watching it. Santa's jolly ho-ho-ho is replaces by an evil, devilish laugh that I'm sure has turned many kids off of Christmas. The plot of this massacre is very strange, which fits along with all of the performances and dialog. Santa lives high above Earth in the North Pole where he, and kids from all around the world get ready for Christmas. But Santa has an enemy named Pitch, or Satan. Pitch tries to ruin Santa's Christmas by making three boys naughty, and by creating diversions, like moving the chimney and making the doorknob hot. When Pitch causes Santa to be attacked by a dog, it's up to Santa's helper Pedro and Merlin the wizard to get Santa out of this pickle. <br /><br />Everything about this film, along with being downright bad, is so bizarre. Satan dances a lot and he actually seems much more merry than Santa. Santa talks about delivering presents to all the boys and girls, yet he seems to only deliver to 5 houses of kids in Mexico. The reindeer are wind up toys, and when the reindeer laughs, I'm amazed it doesn't bring tears to kid's eyes...it's frightening. Everything is terrible. The first 10 minutes are simply Santa playing the organ while kids sing to it. Probably one of the strangest scenes is Santa shooting Pitch in the butt with a mini-cannon and uproariously laughing about it while Pitch dances around in pain. I think parents are better off telling their little kids about where babies come from, than showing them this. The only positive is it will have you laughing hysterically if you can appreciate bad cinema.<br /><br />My rating: BOMB/****. 85 mins.

0neg

Another big star cast, another glamour's set, another reputed director, another flick filled with songs that's topping the chart buster, but alas what's missing at the day end is a story that every moviegoer expects of from such a big budget motion picture. So much hype is what that was lurking around the movie before it's' red carpet premiere. A hype which went to an extent where Anil Kapoor envisages that the movie would be one of the finest love stories ever made after Dilwale Dulhaniya Le Jayenge. Well Anilji, which movie were you speaking of? Well the plot of the movie is about 6 different couples and 12 different people, who have a total different stance towards life, but despite their different approach towards life they all have one common problem, that's LOVE. Well indeed a luring theme. But little did we expect that the movie would be such boredom that it will let down the last expectation the audience would have from such a multistarrer movie. These are kinda movies which I totally abhor because after spending a hefty buck for a multiplex ticket I get locked in the theatre for 4 hours just waiting in agony for the climax.<br /><br />The trouble begins right from the start. The director gets so confused with the plot that somewhere even he gets baffled as to how to share the time slot to six different star casts. Some of the couples like Anil Kapoor-Juhi and Sohail Khan-(Whoever the female is opposite to him) just doesn't make any sense for their existence in the movie. Salman (Who calls himself rahul in a weird manner for the entire movie. Well something like Rahoooooool) again as usual tries to be extra cool with his Videsi kinda Hindi accent. Hey Sallu Bhai, now that Aish is getting married, at least go get some tip from Abhishek to improve your acting abilities. A simple striptease wouldn't make the movie a box office hit every time. And Anilji stop shaving your trade mark beard or you look totally like a eunuch. And smooching a girl of your daughters' age just looks as uncool as watching Jack Nicholson in a romantic movie. And please Nikhilji avoid putting such superfluous scenes in a movie that is totally not needed for the shot.<br /><br />The other bigger flaw in the movie was that there wasn't any perfect synchronization between the stories of different couples. Every story itself looks as if it is taken from different flicks, put together to form a sadistic plot of Salaam-E-Ishq. Bollywood still has to learn a lot from movies like Snatch, Memento where the director knows the perfect art of threading the different unrelated sequences to form a perfect blended storyline.<br /><br />Somewhere while I was evaluating the pre-release movie reviews someone predicted that the movie wouldn't do good because the title of this movie adds up to the number 28, and 28 is considered a bad number in Numerology. But I totally take my stand by saying the movie will fail not coz of its Numerology defects, but because of the myriads of flaw that persisted in the movie. And when director like Nikhil Advani can make such major blunders in the entire storyline of the movie, any wonder wouldn't have saved the movie from bombing at the Box Office.<br /><br />My suggestion for all you guys is, please avoid watching this movie at any cost. It isn't worth a pie that you pay for the ticket. There indeed are better movies on theater screens currently which are worth watching more than Salaam-E-Ishq.

0neg

I love buying those cheap, lousy DVD's from Alpha Video. One day, I happened to buy this one. It's the perfect silly science fiction film of the 50's, all sexed up. Replete with unscientific EVERYTHING, scantily clad girls and plenty of melodrama, it's an enjoyable film, to those who appreciate this kind of stuff. And if you can 'suspend your disbelief' enough, you can actually get creeped out-- not just by the psychotic head or by the beating of the thing in the closet, but toward the end, with the character of 'the perfect body'. It's so . . . . what's another word for mindf***ing?

1pos

The usual cat and mouse antics abound until Jerry jumps into a bottle of invisible ink. He gets the bright idea of torturing Tom without him knowing. The cat gets wise and tries to do stuff to make him 'see' jerry even if it's not fool-proof. Of course Jerry gets Butch aka Killer aka Spike the dog into the act (even if it's late in the short, and his contribution is minimal indeed) Brilliant animated short which kind of reminded me of the one with the white mouse who scares Tom so badly. Most of the gags work and all violent as any good tom and jerry short should truly be. This hilarious cartoon can be found on disc one of the Spotlight collection DVD of "Tom & Jerry" <br /><br />My Grade: B+

1pos

A question for you : A family go to a new house and get stalked by demonic forces . Which film am I talking about ? Every horror film you`ve seen ? Yes that`s true but that`s not the answer I`m looking for . I`ll narrow it down by saying there`s a lot of teen angst scenes . Doesn`t help ? Well there`s lots of bits where the characters are stalked by a creature and you see the characters through the creature`s POV . No futher forward ? Okay there`s a dream sequence involving lots of blood ? Could still be any horror film you say . Oh gawd this could take weeks so I`ll say the film I`m talking about features loads of Aussies many of whom have appeared in NEIGHBOURS and HOME AND AWAY . Yes that`s right the film is THE THIRD CIRCLE ( aka CUBBYHOUSE ) and do you understand what the above exercise is about ? It`s about me pointing out how THE THIRD CIRCLE is absolutely no different from any horror film that`s been made

0neg

Sam Fuller's excellent PICK UP ON SOUTH STREET is the pick of the bunch from a number of early 50's Cold War-influenced low-budget noir vehicles. With a running length of under 80 minutes, PICK UP ON SOUTH STREET is tough, gritty, explosive and endlessly entertaining.<br /><br />Widmark stars as pickpocket Skip McCoy, who has already been picked up three times. Yet McCoy can't keep his wandering fingers out of trouble- and trouble is exactly what he slides into when he grifts the wallet of gangster's moll Candy (Jean Peters). Candy's wallet contains a roll of microfilm invaluable to the Communist movement, and it's her last job for ex-boyfriend Richard Kiley to make the delivery. However, when Widmark lifts it, Peters must do whatever it takes to re-claim the film she (initially) knows nothing about.<br /><br />It's a tasty set-up, with Widmark's character, while not the psycho of KISS OF DEATH, a real live-wire, unpredictable and tough, yet curiously charming.When Bogart or Mitchum stepped into a film noir role you knew what you were going to get: a lone anti-hero maintaining his moral integrity and winning out in the end (Bogart), or an overly-laconic guy who allows himself to be drawn into a trap (Mitchum). With Widmark you just don't know what you are going to get, and with his incredibly modern acting style (his films always hold up well) he is amazing to watch. Here he is torn between making a big score for himself by selling the film, or handing it over to the police and fighting the "Commies" on the right side of the law. And he still has to pretend he never pickpocketed Peters to avoid the fatal fourth rap on his sheet.<br /><br />Peters gets her best role as the moll-with-a-heart-of-gold Candy. Widmark's unpredictability is perhaps best expressed in his scenes with Peters; the gorgeous tramp quickly (and rather unbelievably- the romance angle is rather rushed)falls under Widmark's spell, yet Widmark alternates between kissing her or slapping her around. Peters hard-edged beauty, yet lack of over-lacquered Hollywood glamour (Lana Turner would never have worked well in this role), is a major asset to the film. Candy is not innocent, yet she's very vulnerable, constantly being passed between and slapped around by men. Widmark knocks her cold on first meeting and wakes her by pouring beer over her face, yet by the final act he's a lot more tender to her (after she cops one hell of a going-over from Kiley). The scene in the hospital with Peters and Widmark shouldn't work, but it does.<br /><br />Thelma Ritter is brilliant as stoolie Moe, well-deserving of her Oscar nomination. Ritter's performance, like everything else in the film, is gritty, real and heartbreakingly honest. Her death scene is stunning. Fuller's camera movements and location settings are particularly interesting. Fuller loved a good close-up, and PICK UP ON SOUTH STREET is full of uncomfortable, cloistering tight shots that only enhance the tension of the plot. Fuller isn't afraid to let the camera linger on a shot for longer than standard Old-Hollywood really allowed, yet stunningly pulls away from Ritter's death scene to give the audience maximum impact. The urban locales and unusual, confronting camera angles give PICK UP ON SOUTH STREET, a bold, uncompromisingly modern look.<br /><br />10/10.

1pos

In the periphery of São Paulo, the very low middle-class dysfunctional and hypocrite family of Teodoro (Giulio Lopes), Cláudia (Leona Cavalli) and the teenager Soninha (Sílvia Lourenço) have deep secrets. The religious Teodoro is indeed a hit-man, hired to kill people in the neighborhood with his friend Waldomiro (Ailton Graça). He has a lover, the very devout woman Terezinha (Martha Meola), and he wants to regenerate, going to the country with her. Cláudia has a young lover, Júlio (Ismael de Araújo), who delivers meats for his father's butcher shop. Soninha is a common sixteen years old teenager of the periphery, having active sexual life, smoking grass and loving heavy metal. When Júlio is killed and castrated in their neighborhood, the lives of the members of the family change.<br /><br />"Contra Todos" is a great low budget Brazilian movie that pictures the life in the periphery of a big Brazilian city. The story is very real, uses the usual elements of the poor area of the big Brazilian cities (drug dealers, hit men, fanatic religious evangelic people, hopeless teenagers etc.), has many plot points and a surprising end, and the characters have excellent performances, acting very natural and making the story totally believable. The camera follows the characters, giving a great dynamics to the film. In the Extras of the DVD, the director Roberto Moreira explains that his screenplay had no lines, only the description of the situations, and was partially disclosed only one week before the beginning of the shootings. The actors have trainings in workshops and they used lots of improvisation, being the reason for such natural acting. My vote is eight.<br /><br />Title (Brazil): "Contra Todos" ("Against Everybody")

1pos

In Bridgeport, the deranged high school teacher Richard Fenton (Johnathon Schaech) is obsessed by the teenager student Donna Keppel (Brittany Snow); she witnesses him murder her family to stay with her, but Richard is arrested and sent to prison for life. Three years later, the traumatized Donna is feeling better but is still under psychological treatment and taking pills. On her prom night, she goes with her boyfriend Bobby (Scott Porter) and two couples of friends to the Pacific Grad Hotel for the party. But the psychopath Richard has escaped from prison and is lodged in the same floor in the hotel chasing Donna, stabbing her friends and staff of the hotel that cross his path.<br /><br />The forgettable slash "Prom Night" is a collection of clichés with a total lack of originality. The stupid story is shallow and silly, with a bad acting of Johnathon Schaech in the role of an insane killer. The predictable screenplay is amazing since it is possible to foresee what is going to happen in the next scenes. My vote is three.<br /><br />Title (Brazil): "A Morte Convida Para Dançar" ("The Death Invites to Dance")

0neg

Going into this movie, I had heard good things about it. Coming out of it, I wasn't really amazed nor disappointed. Simon Pegg plays a rather childish character much like his other movies. There were a couple of laughs here and there-- nothing too funny. Probably my favorite parts of the movie is when he dances in the club scene. I totally gotta try that out next time I find myself in a club. A couple of stars here and there including: Megan Fox, Kirsten Dunst, that chick from X-Files, and Jeff Bridges. I found it quite amusing to see a cameo appearance of Thandie Newton in a scene. She of course being in a previous movie with Simon Pegg, Run Fatboy Run. I see it as a toss up, you'll either enjoy it to an extent or find it a little dull. I might add, Kirsten Dunst is adorable in this movie. :3

1pos

me and my sister use to rent this every time we got movies and our parents would get so mad at so (but they let us anyways) and I love it...I can't find anyone that lives near me that knows what I am talking about...I'm glad to see that I'm not the only one that loved this movie...I wish i could find this on DVD somewhere!! I would love to watch this now just bc I loved it so much as a little kid...and I'm 15 now!!! I remember so much about it...thats where I got the little bunny fufu song from and all my friends know the song but not the movie!! I think the little girl got there by sliding down the slide on her little playground thing

1pos

I was able to watch this movie in its entirety and was deeply moved by it. I wasn't sure if it was really a comedy or a drama - it had elements of both. Mary Tyler Moore and Valerie Harper both looked wonderful - our image of 60-year-old women has certainly changed since Aunt Bee! They are vibrant, beautiful, sexy! The only drawback in this movie was that there was absolutely no mention of other characters in either the "MTM" or "Rhoda" shows from the 1970's. I'd have thought that since it was set in New York City (where "Rhoda" had been set) that at least some mention would have been made of her sister Brenda or that Julie Kavner would have appeared, assuming of course she was still in the Big Apple.<br /><br />It is my hope that ABC will make this a series and bring back for guest appearances all the old casts of these shows. By the way, what was wrong with CBS doing this reunion, or an eventual series? Wasn't that the network that carried the "MTM" and "Rhoda" shows?

1pos

I remember watching this film back in 86' when it first came out & what an awful film. The acting was atrocious the plot was so flimsy it would or is that should have blew away in a breath of wind. I think it put me to sleep on more than one occasion & i was not tired that i remember. Please avoid at all costs better still have all your teeth taken out with no anaesthetic cos that would be more entertaining. It's just a pity i couldn't give it a zero or a negative score. I wish i had not wasted my money getting this one from the video shop all i can say was that the tape it was on was still brand new practically hardly surprising as the film was so poor. If i remember right i sat & watched it with a girl i really wanted to go out with & the fact she was sat next to me was still not enough to keep me awake thats how bad this film was.

0neg

I don't watch a lot of TV, except for The Office, Weeds, Entourage and E!'s Soup. I think I hold this show in good company.<br /><br />I love the scathing review of pop culture that this show gives. Soup also helps me stay on top of what people in the office are referring to when talking about a Sanjaya or Heidi Montag (sp?).<br /><br />The best part is that Soup shows clips of the highlights of these shows, which are usually the funniest or most controversial moments (c'mon, most people get hooked into watching American Idol because of the freak show that are the auditions), which is why most people claim to watch. And that means, I don't have to suffer through the other 98% of these mind numbing talk shows or "reality" shows, for one nugget of "funny" or "shock." The only reason why Soup doesn't get a 10 in my opinion are sometime the sketches are not that funny, and on an even rarer occasion, the commentary isn't always up to par. But they can't all be home runs either, if so, Soup wouldn't be on E!.<br /><br />Joel's quick wit and Soup's writing team (which includes McHale) make for a great show. I happen to enjoy the laughing and comments from the crew who are off-camera. Even when they're being blatantly obvious by giving occasional courtesy laughs, it's hilarious because it IS forced. They're obviously being ironic. And that's part of what makes this show funny.

1pos

The first time my best friend and I sat down to watch this movie, we were watching it for Alex Winter of "Bill & Ted's" fame. We didn't know what to expect other than who and what it was about.<br /><br />By the time the movie was over, we knew that it was love at first sight. This movie, while not completely historically accurate, was and is the best one of its genre. I have seen other movies depicting the history of this famous summer and in my opinion, none of the others can compare. It fibbed a little at certain details, but those parts did not take away from the sheer elegance and romance of the story. I have seen the other movies about this summer and I find most of them to be good, but none as captivating as this one.<br /><br />"Haunted Summer" has the qualities of a painting. The colors and settings seem to be something one would find on a canvas, framed and hung in a museum or on the walls of an eccentric's home. The costumes were gorgeous and, despite not being the most comfortable clothes in the world, made me want to find a seamstress to create such garb for myself. The whole movie was set on the picturesque Lake Geneva (where I hope to one day go because of seeing this movie) and the serenity that these historical figures found there.<br /><br />This movie shows, besides the tranquility found by all the escapees of England's harsh judgements, the strangeness that surrounded this adventure as well. Yes, there were drugs. It was a fairly common practice during that time, a time when drugs were not illegal. And the taking of laudanum (the liquid form of opium) was medicinal as well as recreational. Shelley suffered from consumption. Lord Byron suffered the pains of a clubbed foot. It was not surprising that there would be prescriptions of the strong drugs that were in their possession during that summer. And they were poets during a time when experience was the key. There was no time for prudish caution. Passion and experience were a big part of the Romantic Era. And out of the thoughts and discussions of science, religion and philosophy came the creation of a legend: "Frankenstein."<br /><br />Yes, in this movie, we see the beautiful and liberated Mary Godwin (not married to Shelley at that time) played by beautiful and talented Alice Krige. She is the control factor to all that goes on until she, too, gives in to experience. But she stands her ground and experiences things on her own terms. As was the strength that she inherited from her mother and father.<br /><br />The actors and actresses in this were perfect for the parts they played. The music fitting. The direction captured the essence of the summer, as I've read about it. This movie was based on a wonderful book "Haunted Summer" by Anne Edwards. If you like this movie, read the book. The author takes the story from what she was able to put together from the actual journals of Mary Godwin Shelley and the other participants of this story.<br /><br />If you are a person who loves history (even the little inaccuracies from time to time) and romance and the gothic, then this is a movie for you. It shows the birth of the birth of the monster, which even today teaches us about the morals of "playing God."<br /><br />A definite must see movie!

1pos

Who knew they could be so funny?? Christopher Meloni and Janel Moloney are known more for their outstanding work in some of television's hottest dramas. ("Law & Order: SVU" and "The West Wing") Put them together on the big screen and what you get is an engaging romantic comedy with plenty of laughs.<br /><br />The actors develop the story's ongoing relationship with impressive skill, leaving the audience bound to fall in love with Barry Singer (Meloni), despite the fact he's a standup comic who also happens to be a mean-spirited, sexist jerk.<br /><br />You'll be rooting for him even as he takes all his insecurities with the opposite sex and chases Thea (Moloney) halfway around the country in hopes of winning her heart. They have so little in common...but when Barry finally opens his heart, you'll wonder why Thea keeps running away.<br /><br />The Souler Opposite is a wonderful movie with an incredible cast and a gifted writer. Well worth your time.<br /><br />

1pos

Guy Ritchie's noble effort is beat up, knocked down, raped, kicked around, shot, stabbed, spit upon, punched, sodomized, and abused and left for dead by Madonna's dreadful performance. Her acting was very reminiscent of a graduate from the Al Gore School of Dramatics and Public Speaking. Guy Ritchie did do a somewhat noble attempt to remake this, and if you exclude ALL of the scenes that his wife was in, it's a fair movie at best. I think that the best acting job ever, had to be Guy comforting his wife that her performance was good enough not to re-shoot. If you have an opportunity of watching Swept Away or clipping your toenails for 89 minutes...go for the extended pedicure.

0neg

Chase has created a true phenomenon with The Sopranos. Unfaltering performances, rock-solid writing, and some great music make up what has become quite possibly the best show ever.<br /><br />All of the cast are strong, but Falco and Gandolfini earned every inch of those Emmy's. Anyone who doubts this need only sample a few episodes; particularly from the first few seasons. James Gandolfini is absolutely fierce, absolutely terrifying, and you still find yourself loving him - mesmerized by him.<br /><br />Many people that I've spoken to about The Sopranos (who haven't seen it yet) will say "I'm just not a fan of mafia movies/shows". Whatever. Run - don't walk - and get it. Those same people usually love "E.R.", but I bet they don't much care for hospitals... It's not about the context.

1pos

This movie was two and a quarter excruciating hours. Someone please tell me what the point was?<br /><br />I mean, I understand the historical setting. It's supposed to be about a ragtag group of Confederate bushwhackers (terrorists?) on the Missouri-Kansas frontier, taking revenge against all northern sympathizers and abolitionists during the U.S. Civil War. But aside from gratuitous violence there wasn't really much of a point to this movie. Perhaps it was a political statement? That war is really nothing much more than gratuitous violence? If that was the point it was done quite well, but I don't think that was the point. I think the producers really thought they were making a worthwhile movie here, but as far as I was concerned there was a complete lack of any plot. It seemed like I was watching a paperback novel come to life, with the characters looking like what you would see on the covers of such novels.<br /><br />This movie should be burned along with some of the towns this gang torched!

0neg

The second alternate Gundam universe tale (G-Gundam being the first), Gundam Wing is yet another different view into the Gundam verse. The familiar elements are found but Gundam Wing is actually different then its counterparts. The biggest being the Gundams are nothing more than terrorists combating one lone organization. In truth, the series doesn't really become a show about war until episode 7 but in truth the real conflict, the Eve Wars, don't happen until the later episodes. <br /><br />The greatest positives of this series are it's characters. All the main characters are fleshed out throughout the 49 episode run and you can really sympathize with each of the roles their put in. Another great plus is the fantastic character and mecha design of the series. The designs put some of it's other Gundam counterparts to shame. <br /><br />One of the biggest criticism of this series is how many die hard UC fans claim rip off of the original UC saga. Why Gundam Wing gets this rap when the more apparent UC clone of Gundam Seed is out there is beyond me. True there are many moments lifted but their told in new ways and there are distinct differences as well.<br /><br />Take for example, the usual comparison of Zechs Merquise and UC Icon Char Aznable. Throughout the series, Zechs is more the outcast in the Alliance and in ways OZ as well, while the Red Comet was shining symbol of Zeon. Another big difference is the fact Zechs loses a lot soldiers under his command hence the other nickname he's given in the early episodes: "Killer of his own men." Char isn't given this label. <br /><br />The problems with this series isn't the philosophy mumbo jumbo but two problems. The first is the reused animation footage of the Gundams attacks. Sure it's fun seeing Heavy Arms attack tanks, MS, and planes the first time. But on it's fourth re-use scenes like this do get old. <br /><br />The second problem is that the entire series is supposed to take place during an entire year. If you really think about all the events springing in the series, a lot happens in just one lone year. <br /><br />But I guess you can easily dismiss this fact when ignoring the intro's first lines every so often. As it ranks, this is probably the best of the Alternate universe Gundam tales and a great introduction into the Gundam world. After all, this was the very first Gundam anime to air in the US television.

1pos

These two stars are the only iconic heroes/villains i know that got a good TV series, so let's compare.<br /><br />Freddy - 7 movies Robocop - 3 movies<br /><br />Freddy - 1 TV series, 2 seasons, about 40 episodes Robocop - 1 TV series, 1 season, about 22-23 episodes<br /><br />Freddy - 2 extra films (Freddy Vs Jason, Freddy Vs Ghostbusters) Robocop - 4 extra films (Robocop: Prime Directives: Dark Justice, Meltdown, Crach & Burn, Resurrection)<br /><br />Freddy - 1 upcoming film Robocop - 1 upcoming film<br /><br />Who's had more screen time? Well they've both had 7 movies, 1 TV series, and 1 upcoming film. But Freddy wins it thanks to his 2 extra films (one being a fan film) & 17-18 TV episodes.<br /><br />Since this is a comment for the series, between Freddy's Nightmares - ANOES: The Series & Robocop: The Series I would personally choose Robocop...

1pos

EARTH is a must see for children and adults. My son had great fun watching all these funny birds and ice bears. We can learn a lot from this movie and we should be proud on our great treasure on earth. There are some animals in danger to disappear. Exactly that problem should prevent all the authorities of our planet. <br /><br />This documentary offers many exceptional pictures that I have never seen before. Then it is well accompanied by a heavenly music. The director did a great job here that gets high respect. Nothing can stop me and my family to give EARTH the highest rate. I hope so much that the stuff will create a sequel.

1pos

I've seen the original English version on video. Disney's choice of voice actors looks very promising. I can't believe I'm saying that. The story is about a young boy who meets a girl with a history that is intertwined with his own. The two are thrown into one of the most fun and intriguing storylines in any animated film. The animation quality is excellent! If you've seen Disney's job of Kiki's delivery service you can see the quality in their production. It almost redeems them for stealing the story of Kimba the white lion. (but not quite!) Finally Miyazaki's films are being released properly! I can't wait to see an uncut English version of Nausicaa!

1pos

Of course if you are reading my review you have seen this film already. 'Raja Babu' is one of my most favorite characters. I just love the concept of a spoiled brat with a 24*7 servant on his motorcycle. Watch movies and emulate characters etc etc. I love the scene when a stone cracks in Kader khans mouth while eating. Also where Shakti Kapoor narrates a corny story of Raja Babu's affairs on a dinner table and Govinda wearing 'dharam-veer' uniform makes sentimental remarks. Thats my favorite scene of the film. 'Achcha Pitaji To Main Chalta Hoon' scene is just chemistry between two great Indian actors doing a comical scene with no dialogs. Its brilliant. It's a cat mouse film. Just watch these actors helping each other and still taking away the scene from each other. Its total entertainment. If you like Govinda and Kader Khan chemistry then its a must. I think RB is 6th in my list by David Dhawan. 'Deewana Mastana', 'Ankhein','Shola or Shabnam', 'Swarg', Coolie no 1' precedes this gem of a film. 7/10.

1pos

I am terribly sorry, I know that Faßbinder still is called one of the greatest directors in post-war Germany and that most of his films are considered "master-pieces", but when I see "Lili Marleen" today, in 2004, I wonder what everyone is up and away about this movie! The acting is simply terrible - Hanna Schygulla is all the smiling like an idiot! -, the changings between Nazi-glamour and battlefields are ridiculous, the whole film looks as if it was made within two days in an attic. Probably it was exactly that way and many people seem to take this for "real art", but for me this movie is simply bad & cheap. Compare this to Viscontis "La Caduta degli Dei" and tell me again that "Lili Marleen" is a good movie...

0neg

I saw this movie in my childhood. And after 10 years I did not remember anything about this movie but I found out it I also don't know how I was able to find out this movie. Its my life. My all times favorite movie. My words will fall short of true meaning what I have inside for this movie. I follow this movie. It's a brilliant mix of fantasy, comedy, romance, horror, erotic, scary and martial arts. The story about the power of love is pretty touching and warm. It's a masterpiece of Hong Kong Cinema.<br /><br />Sinnui Yauman, is without a doubt one of the best ghost stories ever made into film. Written by Songling Pu and directed by Siu-Tung Ching, A Chinese Ghost Story has it all. Ling Choi Sin played by Leslie Cheung is a young man down on his luck who goes in search of a monastery for lodging, deep in the woods, a place the villagers seem very afraid to go near. The trek alone is perilous with wolves, and a crazy taoist monk lives at the temple.<br /><br />Ling Choi Sin meets Tsing, a beautiful and mysterious young girl who also lives nearby in a deserted temple. She is forced to seduce men for her evil mistress, but when she meets innocent Ling Choi Sin they fall in love.<br /><br />Ling Choi Sin is sort of a bumbling fool but his heart is in the right place, while Tsing tries to protect him from the other spirits in the woods, he tries to protect her from the monk who is trying to kill the spirits in the woods. There's great martial arts, even a monk that breaks out into drunken song as he performs ritual taoist sword forms. The movie does a lot of traditional old martial art films acrobatics, with magic and flying through the air, leaping from tree to tree, with elegant long gowns and scarves, but the movie genuinely flows, and everything is effective.<br /><br />Tsing is to be married to a evil tree monster, which cant be good, and we feel her plight in her home where we meet her sisters and stepmother who is truly not nice.<br /><br />In the end they must fight a tree witch with a deadly tongue, and go with Yin deep into the heart of hell to fight a thousand year old evil to save their souls, and bring Ling's ashes back to her home for a proper burial so she may have a chance at reincarnation.<br /><br />A beautiful story that truly pays attention to details. One is touched in many ways by this movie, you'll laugh, cry, and just have fun with the great martial arts and cinematography. And though at the end, Yin and Ling Choi Sin ride off into the morning sun under a enchanting rainbow, we never know if Tsing was afforded a reincarnation, but we do know her.

1pos

This is one of those movies which makes you think: would Hulk " The real American " Hogan have done the same? Frankly I don't think so and he'd have been right. I'm Italian, I cannot go proud of my country for many reasons, but I wouldn't have rowed for another team (The French, for example), simply because I'm in love with Juliette Binoche. Besides the protagonist doesn't fall in love desire with a British girl at the end of the movie but with a fellow countrywoman, so why rowing against Yale. As far as acting is concerned, well, all the players act very poorly. And then , you know, I hated that "Dead poets society " atmosphere. In fact that's another movie I hate.

0neg

I kind of feel like a genius; I feel like I'm the only one who saw through this fake film. I watched it three times, once with commentary, and I found myself getting annoyed at all the close-ups, all the times the screen just blacks out, and worst of all, I feel the film never really resolves anything. Yes, the priest dies, but he didn't really seem at peace with the town that gave him so much grief, or with himself. That and he was an idiot. If it weren't for the commentary by Peter Cowie which explained not only the movie but the book it came from, I wouldn't have been able to stomach it at all. I enjoy French movies, but this is one that was completely absurd.<br /><br />Diary of a Country Priest is filmed in beautiful black and white photography but, that alone cannot save this deadly dull tripe. Scene after scene of extreme close-ups where characters don't say anything until the camera cuts away and goes to a black out do NOT make an interesting or relevant story. How this film ever became a classic is mind boggling: it reminds me more of The Emperor's New Clothes.<br /><br />Yes, Claude Laydu's performance is heartfelt and thought provoking, if you are a sadist, but this film left me feeling empty because overall it is a weak impression of the Catholic priesthood, which is an ignoble and inglorious institution of corruption. The young priest's triumph over the countess's pride is a weak scene but 90% of the film will drag you down with its dreary introspection and window into the young priest's melancholy thoughts. This priest doesn't come across so much as being humble as he does just plain pitiful.<br /><br />Being that I don't speak or understand French I was looking forward to doing the English SUBTITLE thing to help understand the film. Well, the English SUBTITLE is at times impossible to view/read and the text rolls by so quickly that there was much I could not read (and I am not a particularly slow reader - I just finished Dostoyevsky in 3 days). <br /><br />I really wanted to like this film . I try out everything "chosen" by the Criterion Collection, and yet can not see why in many ways this one merits some sort of critical nod. However, I sat through this entire two hour film yearning to feel some sort of empathy for the main character, and it never materialized. He just seemed like a victim rather than a fighter. And for that, I say it stunk.

0neg

Carrie Fisher has stated on more than one occasion that she made this movie during a period of her life when she had a heavy cocaine problem, and she doesn't remember very much of it. That would explain why she made this film, but it doesn't explain why anyone else in the cast or crew did; I can't believe that EVERYBODY had a coke problem. This has to be one of the absolute worst movies ever made, and that's saying something. The blame can't be laid at the feet of "director" Tim Kincaid or "writer" Buddy Giovinazzo, as it is obvious that this picture wasn't written or directed by anyone. Apparently it just spontaneously came together, as there is little evidence of coherency, consistency, design, plot, sense, intelligence or anything else. What is really amazing is that there were some actual professionals who were involved in this glop. Co-star Robert Joy has done good work in other films, and composer Jimmie Haskell and cinematographer Arthur Marks are both industry veterans, Marks also having been a director, and not a bad one. Why they got involved in this steaming pile of offal is beyond comprehension. Tim Kincaid, the alleged "director", has made quite a few low-rent sci-fi and horror films, and, having seen most of them, I can tell you that not a one of them is any good. This one, though, is by far the worst thing he's ever done, and that is a major accomplishment on his part. Everything, absolutely EVERYTHING, about this movie is 12th-rate--at best. The cinematography is terrible, the acting is laughable, the "special effects" make "Plan 9 From Outer Space" look like "Spider-Man", the story is trite, derivative and stupid. Don't waste your time even looking at the video box cover, let alone renting it. A complete, utter, annoying, total dud.

0neg

I've just lost 2 hours of my life watching this mindless plot. I could make a better movie with my cellphone camera. How do they manage to get actors to play in those movies?? Porn movies have better scenarios and effects... I wish I had those 2 hours back...<br /><br />The only good thing about this movie is the cast. Even though, their acting skills in this one could not lift this movie to passable, the rest was just WAY too bad! <br /><br />It's the type of movie that I'd recommend using to torture prisoners into scaring them straight.<br /><br />Even worse, I saw a translated version of this flick...Imagine, a bad movie...with an even worst translation...Yikes!

0neg

This movie was terrific and even with a less than convincing ending, it's still well worth seeing. The film begins as Claudette Colbert is about to marry Robert Ryan. When the minister asks if anyone has any objections, a guy jumps up and announces that Colbert CAN'T get married because she already is married!! Colbert insists this isn't true, but when they investigate they find that the Justice of the Peace and many others remember her wedding and there is even a signed wedding license! Slowly, it becomes apparent that Claudette's mind is slipping and people around her seriously doubt her sanity. Then, when the supposed first husband is murdered, all evidence and suspicion falls on Colbert.<br /><br />The film is an exciting mystery suspense film, as what I have so far described is only the first half of the movie. What follows is amazingly intelligent and captivating. Unfortunately, the conclusion, though, is a bit of a let-down, as the guiding force behind all this turns out to come "right out of left field"--and is baffling since it was so unexpected and impossible to guess based on the information given to the viewer. However, in spite of this, the film was so good, I can even excuse the limp ending. In particular, Robert Ryan did a great job as the "knuckle-busting" fiancé, though apart from him the other performances were also excellent.

1pos

I give this movie a ONE, for it is truly an awful movie. Sound track of the DVD is so bad, it actually hurts my ear. But the vision, no matter how disjointed, does show something really fancy in the Italian society. I will not go into detail what actually was so shocking , but the various incidents are absolutely abnormal. So for the kink value, i give it one.Otherwise, the video, photography, acting of the adults actors /actresses are simply substandard, a practical jock to people who love foreign movies.Roberto, the main character, has full spectrum of emotions but exaggerated to the point of being unbelievable.however, the children in the movie are mostly 3/4 years old, and they are genuine and the movie provides glimpse of the Italian life..

0neg

Sudden Impact is a two pronged story. Harry is targeted by the mob who want to kill him and Harry is very glad to return the favour and show them how it's done. This little war puts Harry on suspension which he doesn't care about but he goes away on a little vacation. Now the second part of the story. Someone is killing some punks and Harry gets dragged into this situation where he meets Jennifer spencer a woman with a secret that the little tourist town wants to keep quiet. The police Chief is not a subtle man and he warns Harry to not get involved or cause any trouble. This is Harry Callahan Trouble follows him. The mob tracks him to this town and hell opens up as Harry goes to war. Meanwhile the vigilante strikes again and the gang having figured it out is ready for her. Jennifer Spencer is caught and Harry comes to her rescue during the film's climax. Sudden Impact is not the greatest Dirty Harry but at the time it gives us a Harry that is very much an anti hero ready to go to war just to pursue Justice. Again not the best not the worst but the one with the most remembered line. Go Ahead Make your day.

1pos

My wife and I just finished this movie and I came onto to IMDb to commiserate with the reviewers that found this movie less than satisfactory. However, of the 10 pages of reviews, only a handful are negative. I feel that this movie is a great concept gone horribly awry and I want to warn those who are looking to watch the movie into the future.<br /><br />I admit, I'm more inspired to write reviews when I don't like a movie than as to when I do, so my handful of reviews are all negative. Still, that doesn't mean I'm biased towards not enjoying a movie, but I often find more eloquent reviews of movies I do enjoy.<br /><br />Paris je t'aime is the most pretentious movie I've seen in years. By using an "intelligent" concept and attaching some big talent to a couple of the WAY to many short stories, the movie ends up the worst of all worlds. It is art for arts sake, but something that a 2 year old could dream up and accomplish. Giving the director free reign of 5 minutes of screen time proves why there is a division of labor even in entertainment. Directors can't write, writers can't direct. (I'd like to throw in also that Clint Eastwood is overrated, but that is because he's an actor turn director {which rarely works, either}).<br /><br />What ends up on the screen is a garbled mess of short stories that don't make any sense, are not completed in 5 minutes and in total, spoil Paris to me. Why call it Paris je t'aime when a more apropos title is cluster f*ck? There are only a couple stories that are watchable, most notably the piece by Alfonso Cuarón, but everything else will fall into obscurity. The Coen brothers short is passable, but can you name a movie of theirs that does not contain a scene with a pick guitar? It's as if all the directors decided on doing whatever it is they want to do and chose Paris as the place to do it. As we all love Paris, present company included, we are blinded by the fact that this movie SUCKS. In fact, I think they put the directors names on each of the shorts because directors saw how poor of a film this is and decided to make sure they were blamed only for their 5 minutes. Seriously. SERIOUSLY.<br /><br />People, Natalie Portman is NOT a good actress. She is is not a pixie dream girl waiting to be yours. And Maggie Gyllenhaal, why?!? Are you people acting or just regurgitating performances from other movies? I'm looking at you Natalie Portman (Garden State, Closer), Elijah Wood (Sin City) and Catalina Sandino Moreno (Maria Full of Grace).<br /><br />One final comment on the acting: I give double kudos to Nick Nolte for acting and looking more humane than you have in ages or perhaps ever will again. Find his short on youtube as his 5 minutes are quite enjoyable.<br /><br />Writing short stories is very difficult and only a handful of authors have gotten it right. I'm thinking of Ernst Hemingway, Raymond Carver, F. Scott Fitzgerald, and John Cheever, just to name a few. It is much harder than writing a full novel and only the truly talented can accomplish this. The same can be said about short films. It appears that only one director will live on in the annals of history.<br /><br />If you uphold Paris as a gem to be discovered and reflected through your own lenses with your own story, then don't expect to enjoy this movie at all. The directors either didn't care or were lazy. In either scenario, by the time you are reading this it means you rented it. Praise be that you didn't pay 10 dollars a head in theaters for it.

0neg

Those French and those Germans sure have a long history of not liking each other. It is interesting to note that Kamerdaschaft or Comradeship in translation takes place in 1931. Only a few years later, Hitler would siege Germany and begin his plans to take over the world, France being a casualty of his ambitions. But these are times of sereneness compared to the future. A group of miners at the border try to cross over to France to get work. They are spurned back and later at a nightclub by their French neighbors. Then a disaster happens in the mines of the French and a well-crafted and written scene, a troupe of German miners decide to come to the rescue. A simple story is it not? Pabst was a poet of silent cinema and I am not sure if this is his first sound movie or not, but his poetry is there to be discovered. He isn't fussy but brings a rugged realism to the ordeal. Ther is even a flashback to a WWII event that beckons the point of this story. Supposedly based on a real event, the movie does the events proudly with directness and terseness. Smetimes, that's what a movie needs to be.

1pos

Cameron Grant is one of the best directors doing adult films. His only rival is Andrew Blake. Celeste is dynamite all thru the movie but the DR's office sequence with her & two other ladies is just incredible. Nearly as good is Asia Carrera's performance with the construction worker. I highly recommend this movie & gave it a 9. It's almost as good as Cameron Grant's ELEMENTS OF DESIRE which I gave a 10.

1pos

For the love of god please don't see this movie! Its a waste of time, the plot is predictable, as are the romantic scenes. Trying to build too much with very little, this film and its evil predictable villain is just lame. The characters aren't developed, and most of the film is padded out with shots of Rome, which is much more interesting than the actual film. To top all of that, the acting is a disgrace. I know everyone tries to find their niche, but this is truly a disaster. I can't believe that someone actually paid however many millions of pounds to put this film on screen. Don't waste money or time on this film, go see your grandma or something worthwhile instead.

0neg

This is a movie that demonstrates that mood and music and texture aren't enough to make a good film. Sure, the viewer is treated to numerous fine scenes of Los Angeles in the thirties--I especially liked the view of the trolley approaching the tunnel, and the tram rising up the hillside--but in a sense this fine cinematography is self-defeating, because it creates a mood that "something's going to happen"--and nothing does. The script too keeps feinting toward some plot or action or trauma--and time after time not delivering. Not even delivering the (I assume) theme of the movie, the characters' essential misfit. The lead actors, both too pretty for their roles, didn't convey any repression or agony, and the script didn't expose us to any.<br /><br />Now, Donald Sutherland? That's another story. His character was so well fashioned, so perfectly played, that I wanted the camera to follow him.

0neg

This film is a huge steaming pile. <br /><br />I have no idea why anyone felt that the Garland/Mason version needed to be redone, nor why Striesand would have been a first choice to star.<br /><br />For that matter, I have no idea why our people (Gay Americans) tend largely to regard Striesand as some kind of treasure. At least in my opinion, she had peaked professionally with with Funny Girl, and Bogdanovich's What's Up Doc. <br /><br />Do yourself a favor and rent the Judy classic, or even the original (a fine film in its own right), but please, Please, PLEASE skip this stinkpot!

0neg

It was pointed out in a now deleted post from another IMDb user that anyone who might see "The Medusa Touch" should be warned about a scene that's eerily reminiscent of the Sept. 11, 2001 terrorist attacks in NYC. But I hope anyone reading this will consider this warning. Despite an interesting pedigree (producer Elliott Kastner produced "Harper" and "The Long Goodbye"; co-producer Arnon Milchan co-produced the Oscar-nominated "L.A. Confidential" and screenwriter John Briley won an Oscar for "Gandhi") and an international cast, I found "The Medusa Touch" to be a heavy-handed, unintentional laugh riot. It was a poorly directed, horribly written and acted mess. It tried to capitalize on the 70s telekinetic thrillers genre. The movie fails on many counts. Please consider "Carrie" and the underrated "The Fury" (both directed by Brian DePalma). They were two entertaining and exciting thrillers that dealt with the same subject matter.

0neg

There is something in most of us, especially guys, that admires some really working class small town "real men" populist fare. And Sean Penn serves it up for us with a cherry on top. Hey, A lot of people use Penn as a political whipping boy, but I don't rate movies or actor/directors based on politics or personality. That is what right wing commentators like excretable faux movie reviewer Debbie Schlussel does. While acknowledging he is one of our best actors and a good director, I think this picture was a simplistic piece of aimless dreck that he has atoned for since. <br /><br />Okay, you have the gist of this there is this good cop, a small town trooper, Joe, played against type by David Morse, who in the opening scene chases some guy on a country farm road in big sixties cars. The bad guy stops, gets out, shoots at him so Joe has to blast him dead. There was no explanation what drove this man to do such a desperate violent thing and the dead man's parents do some redneck freak out at the police station while Joe feels real sad and guilty that he had to kill someone. So we know that Joe, the farmer forced off his land into a cop job, is a good basic sort of guy. Then his brother Frank shows up, he is a sadistic, amoral bully, fresh out of the Army and Nam where the war got his blood lust up. Some people here and in other reviews called him just an irresponsible hell raising younger brother and Sean was trying to make some point about what our John Wayne tough guy culture and war does to otherwise good people but what I saw was an amoral, sadistic bully who enjoys hurting and ripping people off. Then there is mom and dad, Marsha Mason and Charles Bronson, who do the requisite turn as old fashioned country couple, then die off; she by illness and he by shotgun suicide, to advance the story for us. Both times Frank the bad guy is away being a miserable SOB. But good Joe brings him back to Podunksville from jail so Frank can straighten his life out by welding bridges and living with his utterly stupid screaming trashy pregnant wife. But Joe has a nice wife, played by Italian actress Valeria Golina, who is Mexican and Sean uses this as an exercise in some affirmative action embellishment of goody Joe and his real soulfulness underneath his uniform and crew cut. For me, that was an utterly pointless affirmative action subplot that Sean uses to burnish his tough guy creds by sucking up to Mexicans because Mexicans are so tough and cool.<br /><br />But Frank is bad and we get the requisite events like stealing friend's car, robbing gas station by beating the clerk over the head then torching the car and all those cool things that hell raisers do. Then there are the mandatory 8mm film childhood flashbacks of young Joey dutifully moving the lawn and cowboy dressed Franky jumping on his back and wrestling him and yadda yadda so we all know what deep bond there is between the two of them.<br /><br />So the film meanders around with a lot of small town schlock to warm the heart of any red stater. Accompanying the film was a great soundtrack of good sixties songs like Jefferson Airplane and Janis Joplin which were totally inappropriate, except for the 60's era effect, to win the hearts of old hippies. The worst offense is that, since the movie was inspired by a Springsteen song, "The Highway Patrolman", that song was not included. <br /><br />So Joe's brain dead wife goes into labor and Joe runs off to the bar to get loaded and spout some populists drunken victim's spiel about how tough things are while good Joey comes to drag him back to his wife. The bartender is good Ole Ceasar, played by Dennis Hopper. So Viggo - Frank whigs out for no particular reason and beats his pal Ceasar to death after good Joe the Cop leaves.<br /><br />So Joe has chase his bad brother down and I was so hoping that he would do the right thing and blow that menace to society away. Instead we get a scene where his brother stops ahead of him in some old 50's junker on some lonely road at night, and little Franky in his cowboy suit and cap guns gets out of the car to face good Joe, the kid from the 8mm flashback home movie sequence. Oy, such dreck! Then to top off this drecky sap fest, there is some Zen crap about the Indian runner, who is a messenger, becomes the message, ala Marshall MacLuhen? See what I mean, Sean has done much better than this so don't be afraid to miss this one.

0neg

Herbie, the Volkswagen that thinks like a man, is back, now being driven by Maggie Peyton (Lindsay Lohan), a young woman who hopes to become a NASCAR champion. The only thing standing in her way is the current champion, Trip Murphy (Matt Dillon), who will do anything to stop them.<br /><br />The original love bug wasn't that good. Even as a kid, I remember not liking it very much. I had some hope for the sequel though. I mean the cast is pretty good and the trailer makes it seem like a pretty fun movie. Unfortunately, Herbie is no better now than he was before. The film is defiantly weak for people over the age of 12. It will probably entertain the kids but that's all.<br /><br />I realize it's a kids film and all but they could have made the film a little more interesting. There were very few laughs and it got boring near the end. Most of the actors seemed dead in their roles too. Lindsay Lohan was alright as Maggie Peyton. She usually gives better performances like in Freaky Friday and Mean Girls. Matt Dillon gave the best performance out of everyone. He was very good as the bad guy even though he didn't have a lot to work with. Justin Long, Breckin Meyer and Michael Keaton are really just there and they don't do anything special.<br /><br />Angela Robinson directs and she does an okay job. She tries to keep the film interesting but she's working with a weak script. Thomas Lennon and Ben Garant wrote the screenplay and would it be any surprise to you that they were also responsible for Taxi and The Pacifier? These two make light films yet they fail to really make the stories interesting or enjoyable. It's not completely their fault but hopefully next time they will try harder. In the end, Herbie is a safe, predictable family film that's worth watching if you're a kid. Everyone else is better off skipping it. Rating 4/10

0neg

I have never danced flamenco before, but somehow I feel like this movie was perfect. The colors, how blatant the dances were, the gypsies, and the rivals all put together made a movie that seemed to have ended too soon. I have seen other Carlos Saura movies and I agree that this film may be his best production. I feel that the best characteristics of his past films were put together and aligned to make Iberia. I appreciate the use of mirrors in revealing the activity going on behind the cameras. While watching this movie I felt like I was sitting in a small restaurant in Madrid, comfortably watching the dancers bang on a wooden plank over a delicious fruit cocktail. For me, this movie fit like a glove. I don't know how I will be able to get a copy of this film in the US in the next few years. I recommend this movie to anyone who is attracted to the livelihood of other cultures. It is safe to say that this movie is certainly on my favorites list.

1pos

This movie is an insult to ALL submariners. It was stupid. It appeared to have been written by monkeys. The acting was absurd. If this is the view most people have of the Navy, then I weep for our defense. This movie was awful. I put it below "Voyage to the Bottom of the Sea" as far as submarine movies go. Gene Hackman must have really needed rent money to do this crap. Denzel Washington must have been high. Little in the plot makes any sense. And the ending. For a mutineer to be rewarded for his crime? Only Hollywood would think of this garbage. If you haven't figured it out yet, I didn't like it. And if it wasn't for all the pro comments, I would not have bothered to post.

0neg

1) I am not weapon expert, but even i can see difference between U.S. army riffles in WWI and WWII. In movie we can see privates, armed with "M1 Garand" (invented in year 1932!), not authentic "1903 Springfield" (aka "Silent Death"), who privates use until WWII. Difference - M1 can load 1,5 times more ammunition and 3 times more fire rate! M1 was semi - automatic, Springfield requires reloading after every shot. Little difference?! 2) German army uniforms has borrowed from 1940 Year too. Especially - helmets. German helmets until end of WWI have significant pike on top, we cannot see even one in movie. And if we make little additional search in archives - how much truthful is this "True Story"? I am surprised, how much "truthful" can be film directors in a pursuit of cheap propagation.

0neg

Dreamgirls, despite its fistful of Tony wins in an incredibly weak year on Broadway, has never been what one would call a jewel in the crown of stage musicals. However, that is not to say that in the right cinematic hands it could not be fleshed out and polished into something worthwhile on-screen. Unfortunately, what transfers to the screen is basically a slavishly faithful version of the stage hit with all of its inherent weaknesses intact. First, the score has never been one of the strong points of this production and the film does not change that factor. There are lots of songs (perhaps too many?), but few of them are especially memorable. The closest any come to catchy tunes are the title song and One Night Only - the much acclaimed And I Am Telling You That I Am Not Going is less a great song than it is a dramatic set piece for the character of Effie (Jennifer Hudson). The film is slick and technically well-produced, but the story and characters are surprisingly thin and lacking in any resonance. There is some interest in the opening moments, watching Jamie Foxx's Svengali-like manager manipulate his acts to the top, but that takes a back seat in the latter portion of the film, when the story conveniently tries to cast him as a villain, despite his having been right from a business stand-point for a good majority of the film. Beyonce Knowles is lovely and sings her songs perfectly well, but is stuck with a character who is basically all surface glitz. Anika Noni Rose as the third member of the Dreamgirls trio literally has nothing to do for the entire film. Eddie Murphy acquits himself well as a singer obviously based on James Brown, but the role is not especially meaty and ultimately has little impact. Foxx would seem ideal casting, but he seems oddly withdrawn and bored. The film's biggest selling point is surely former American Idol contestant/Oscar winner Jennifer Hudson in the central role of Effie White, the temperamental singer who gets booted from the group and makes a triumphant closing act return. For me, Effie has always been a big problem in both the show and the movie. The film obviously wants you to feel sorry for her and rather ham-handedly takes her side, but I have never been sure that this character deserves that kind of devotion. From the start, Effie conducts herself for the most part like an obnoxious, egotistical, self-centered diva, who is more interested in what everyone else can do for her rather than having much vested interest in the group of which she is a part. When she is booted from the group for her unprofessionalism and bad attitude, the charges are more than well-founded, but the stage show/film seem to think Effie should be cut unlimited slack simply because she has a great voice. Even though the film tries to soften some of Effie's harder edges to make her more likable, the charges still stand. Her story becomes more manipulative by suggesting she should have our further sympathy because she is an unwed mother struggling to raise her daughter - using the implication that (much like the talent card) motherhood immediately makes any behavior excusable. Indeed the only big effort the film makes to show Effie's mothering is to tell us about it and then include a scene where she barks at her daughter in the unemployment office, insists that the girl has "no father" and then refuse to look for gainful employment to support them since singing is all she knows. In the hands of a skillful actress, the gaps could perhaps have been remedied with technique and charisma. Unfortunately, Hudson is not that actress. She sings well, but the dialog-driven moments do not come naturally to her nor do high emotional moments. Effie's signature moment (the aforementioned And I Am Telling You... number) is well-sung by Hudson, but emotionally flat in the acting department. Effie is supposed to expressing her rage and desperation at her predicament, but Hudson comes off as a cabaret performer belting out a hot number. All in all, not quite the emotional highlight one expects. The latter portion of the film is basically a predictable melange of events that maneuver Foxx into Hudson's earlier position and allow her to strut back in and lord it over everyone. Foxx's criminal offenses in the film are undoubtedly par for the course of many struggling record producers, but the film's seeming implication that he has it coming because he helped usher in the disco era is rather ridiculous, not to mention pretentious and condescending, particularly coming from a film with all of the depth of a puddle. The end result is a faithful rendition of the stage hit, drained of emotion, energy or anything that can be described as dynamic.

0neg

Gwyneth Paltrow is absolutely great in this movie, but the story is, unfortunately, half-baked, and David Schwimmer's energy is sort of like cold mush. When he closes his mouth and gets serious for a moment or two there is a rush of what-might-have-been. Who thought 25-year-old kiddies would be entertaining?

0neg

I am very tolerant of really bad sci/fi and horror movies - I've been watching them since I was 4 or 5, so I've seen some really bad stuff, but I deal with it. I've even watched a lot of SciFi Channel movies so I know not to expect much - a usually promising movie that has no ending to speak of. Hope springs eternal, I guess - or the triumph of hope over experience, as they say. Unfortunately, this is a dog right from the beginning and I knew it, but like a moth to the flame, I kept thinking something, anything, interesting would happen. It doesn't. All of the actors give a decent performance - given the script, I don't know how they all kept straight faces. It has something to do with collagen-starved worm parasite creatures who are slowly taking over the human race, one body at a time. There's an evil plastic surgeon who collaborates with the enemy by giving them the outward appearance of humans...don't worry, he gets what's coming to him. The slug people themselves don't really know where they came from, they think they might have thumbed a ride on a meteor that landed on earth, but...somehow they know about the members of slug royalty among them - the slug princess has managed to breed with a human being who knows that she's the worm queen and loves her for her self...oh, must I go on? Please, I implore you, do not waste 2 hours of your life watching this...anything would be better...think of the worst, least enjoyable way you can spend two hours...it would be better than this.

0neg

... and in *no way* as clean, logical, and understandable as in pictured in that pathetic sum of tired Hollywood cliches.<br /><br />I'm 27, and I've spent 16 years of my life struggling through delusional phobia and paranoid hallucinations. Like the main character in the film, I was successful mainly because of logic : because I kept thinking over and over to keep delusion away from reality, and to know what was really going on and what wasn't. In the end, I was really successful because of medication, by the way, but I certainly escaped madness because I knew before I took medication the difference between what was real and what wasn't.<br /><br />So, I feel entitled to tell you that this movie is a total fraud. Not only does it cheat with the main character's story (who wasn't faithful to his wife, who was bisexual - something really important here), but mostly, it shows a comforting, tamed view of schizophrenia - which is entirely missing the point.<br /><br />Schizophrenia is a mind structure, not a disease. A schizophrenic *isn't* a "normal man with a disease", it's someone who from early on views and feels things differently from most people : for him, things like time, space, and people's personalities aren't solid things. He feels it can be bent, it can change, it can mutate, and maybe even disappear. To cope with this, a schizophrenic has a rich, very imaginative inner world which "normal" people don't expect - but he's trapped in it because he can't relate with most people, and his world gets poorer and poorer until he finishes in a blank, delusive dead end.<br /><br />This is very different to what's depicted in this ridiculous "cure", tear-jerking movie. It should be violently frightening. People other than the main character should appear strange, weird and absurd, like in Lynch's "Eraserhead", for example. There should be *really* impressive, weird, gross hallucinations, because that's what schizophrenia is all about. It's not about *details*.<br /><br />I mean, watch "Naked Lunch", "Lost Highway", read P.K. Dick's "Martian Time-Split" or "Ubik", DO watch "The Cell", "Perfect Blue", "Dark City", or play "American McGee's Alice" on PC, and you may have a vague idea of what it's like. Don't watch the "feel good" movie of the month, with banal situations, cleaned characters and visuals, and stupid plot tricks. "The Cell" is the most accurate movie about a schizophrenic's mind, his visions and his inner consistency - it's violent, weird, confusing, and very, very scary.<br /><br />Once again, Schizophrenia isn't about details, it's not a neat, tame trick played to you. It jumps in your face and won't let you go : walls fall apart, people turn into strange hostile creatures, you feel like you go backward in time, you're not sure you're who you think you are, everything feels... strange, unnatural. Believe me, this is much much more than what's depicted in this soap-like melodrama

0neg

This was an absolutely spellbinding series and was sorry that I was only able to catch a few shows way back when it aired late night in the UK. The style of it was so different from others of its kind and the whole thing had an unnerving air of stylish dread to it. All you have to do is read all the positive comments (not a single negative that I can see) to realise what a really innovative series this was and how it caught at the imagination. I now understand from reading the comments it got CANCELLED that's just so unbelievable. What a bunch of 'headless overpaid suited turkeys' there must have been (or just maybe still are) running around to do that.

1pos