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aar_test_04600
https://storage.googleap…r_test_04600.jpg
A close-up outdoor shot shows an Echinops Bannaticus Blue Glow Globe flower in front of other flowers of that ilk in front of a blue sky and an out-of-focus background. The flower's spiky extensions are light purple-blue in color with curled tips of dark brown. The stem is pale tan and appears to be fuzzy. At the bottom-left is a clear focused dark green leaf directed toward the viewer with side leaves going out, one to each side. But the bloom high above those leaves is out-of-focus and dark.
A detailed close-up captures a bumble bee perched atop a thistle flower, set against a softly blurred backdrop of a clear blue sky. The bee, adorned in a striped coat of yellow and white, is perched on the flower's light brown stem, which extends from the bottom left to the center of the frame. The thistle's purple filaments, in sharp focus, contrast with the blurred background, creating a bokeh effect that draws the viewer's attention to the foreground subject. In the bottom right corner of the frame, another thistle flower peeks into view, its purple filaments also in sharp focus.
{ "metrics/Comprehensiveness": "GPT-4V is marginally better", "metrics/Specificity": "GPT-4V is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "GPT-4V is marginally better" }
{ "metrics/Comprehensiveness": "IIW-P5B is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "Neutral" }
[ "A close-up outdoor shot ", " shows an Echinops Bannaticus Blue Glow Globe flower in front of other flowers of that ilk in front of a blue sky ", " and an out-of-focus background .", " The flower 's spiky extensions ", " are light purple-blue in color ", " with curled tips of dark brown .", " The stem is pale tan ", " and appears to be fuzzy .", " At the bottom-left is a clear focused dark ", " green leaf ", " directed toward the viewer ", " with side ", " leaves going out , one to each side .", " But the bloom high above those leaves is out-of-focus and dark .", "" ]
aar_test_04601
https://storage.googleap…r_test_04601.jpg
In a low-angle shot, a wall decorated with a pattern of square tiles stands below a wide blue sky with thick, fluffy white and gray cumulus clouds scattered throughout it. The top of the wall is a solid slab, and below it are square beige tiles arranged in a grid of two rows. Below that is a segment of darker-colored tan square tiles about a quarter the size of the beige tiles, with a pattern of dark brown tiles forming plus-sign shapes in two alternating staggered rows. Below this segment, another row of the larger beige tiles is visible, as well as the top of a second row which continues below the frame. The sky fills up roughly the top two-thirds of the frame, and is a dark blue with large clouds that are white with darker gray undersides.
Captured from a low-angle perspective, a wall adorned with rectangular tiles in varying shades of brown, white, and blue forms a striking contrast against the backdrop of a cerulean sky dotted with fluffy white clouds. The tiles, arranged in a grid pattern reminiscent of a checkerboard, are meticulously arranged in a horizontal row across the wall. The bottom row of tiles is a blend of brown and white, while the top row showcases a mix of brown and white, creating a visually appealing pattern.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "Neutral" }
[ "In a low-angle shot , a wall decorated with a pattern of square tiles stands below a wide blue sky with thick , fluffy white and gray cumulus clouds scattered throughout it .", " The top of the wall is a solid slab ", " , and below it are square beige tiles ", " arranged in a grid of two rows .", " Below that is a segment of darker-colored tan ", " square tiles ", " about a quarter ", " the size of the beige tiles ", " , with a pattern of dark brown tiles ", " forming plus-sign shapes in two alternating ", " staggered rows .", " Below this segment ", " , another row of the larger beige tiles is visible , as well as the top of a second row ", " which continues below the frame .", " The sky fills up roughly the top two-thirds of the frame ", " , and is a dark blue ", " with large clouds ", " that are white with darker ", " gray undersides .", "" ]
aar_test_04602
https://storage.googleap…r_test_04602.jpg
In an eye-level shot, a brick wall extends from the foreground on the right of the frame into the background on the left beneath what appears to be a bridge or overpass. The bricks are of similar sizes but not uniform, with some more narrow and rectangular and some closer to square in shape. The bricks vary in color between white, gray, yellow, and pink, and much of the mortar is missing in the middle section of the wall. There are two objects on the wall that appear to be light fixtures but are either not illuminated or illuminated very faintly. The ground is a gray dirt or mud strewn with twigs and branches, as well as what appear to be bicycle tracks in the center. There is natural light coming in on the right and far left sides of the image, but much of the area under the overpass is shadowed. The side of the overpass is black and white except for a rectangle of light brown, on which is purple-red graffiti which appears to spell the word "SMiLE" in highly stylized letters with large curves and swoops. The S and rounded E of the world are larger than the middle letters and there is a swoop and arrow between the bottom loop of the S and the bottom loop of the E, pointing towards the E.
Captured at eye-level, the photograph presents an underground passageway, characterized by a brick wall and a concrete ceiling. The brick wall, constructed from light tan and brown bricks, exhibits signs of weathering, with some bricks showing signs of age and discoloration. The concrete ceiling, painted in a light gray hue, is adorned with graffiti, adding a touch of urban decay to the scene. The graffiti is predominantly in purple, with the word "Shit" prominently displayed in the top left corner of the frame. The lighting in the photograph is subdued, casting a shadowy ambiance over the passageway, enhancing the overall mood of the image.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "In an eye-level shot , a brick wall extends from the foreground on the right of the frame into the background on the left beneath what appears to be a bridge or overpass .", " The bricks are of similar sizes ", " but not uniform , with some more narrow and rectangular and some closer to square in shape .", " The bricks vary in color ", " between white , gray , yellow , and pink , and much of the mortar is missing in the middle section of the wall .", " There are two objects on the wall ", " that appear to be light fixtures ", " but are either not illuminated or illuminated very faintly .", " The ground is a gray dirt ", " or mud strewn with twigs ", " and branches , as well as what appear to be bicycle tracks in the center .", " There is natural light coming in on the right ", " and far left sides of the image ", " , but much of the area under the overpass is shadowed .", " The side of the overpass is black and white except for a rectangle of light brown ", " , on which is purple-red graffiti ", " which appears to spell the word ", " `` SMiLE ", " '' in highly stylized letters ", " with large curves ", " and swoops .", " The S and rounded E of the world ", " are larger than the middle letters ", " and there is a swoop ", " and arrow between the bottom loop of the S ", " and the bottom loop of the E ", " , pointing towards the E .", "" ]
aar_test_04603
https://storage.googleap…r_test_04603.jpg
A close-up view of a brick wall reveals the word "coffee" painted in a white script lower-case font. The letters are interconnected, displaying the intricacies of a handwritten style, with varying widths in the brushstrokes that resemble calligraphy. The font has a rightward slant, emphasizing its script nature. A straight horizontal white line runs above the word, spanning its width. The word "coffee" predominantly occupies two central rows of bricks, but the image encompasses a total of five vertically arranged rows. The bricks are a distinctive light brown hue with subtle red undertones, and they are free of mortar separations. Their texture is not uniform, with an array of dents, splotches, and linear streaks that allude to their coarse and possibly aged material. The bricks appear to be standard size, with each brick maintaining a rectangular shape, albeit with some irregularities on their surfaces. The wall's condition, while showing signs of wear, adds character to the backdrop against which the word "coffee" stands out prominently.
A detailed close-up captures the word "coffee" etched into a brick wall. The bricks, varying in shades of reddish-brown, are arranged in a 3x3 grid, each row stacked atop the next, creating a layered effect. The letters "coffee" are rendered in a crisp, white sans-serif typeface, with the 'i' and 'e' noticeably larger than the other letters. The 'f' and 'e' are particularly striking, with the 'f' noticeably larger than the 'e'. A white horizontal line bisects the 'f' and 'e', adding a unique element to the composition.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A close-up view of a brick wall ", " reveals the word ", " `` coffee ", " '' painted in a white script ", " lower-case font .", " The letters are interconnected , displaying the intricacies of a handwritten style ", " , with varying widths in the brushstrokes ", " that resemble calligraphy .", " The font has a rightward slant ", " , emphasizing its script nature .", " A straight horizontal white line runs above the word ", " , spanning its width .", " The word `` coffee ", " '' predominantly occupies two central rows of bricks ", " , but the image encompasses a total of five vertically arranged rows .", " The bricks are a distinctive light ", " brown hue ", " with subtle red undertones ", " , and they are free of mortar separations .", " Their texture is not uniform , with an array of dents ", " , splotches ", " , and linear streaks that allude to their coarse ", " and possibly aged material .", " The bricks appear to be standard size ", " , with each brick ", " maintaining a rectangular shape ", " , albeit with some irregularities on their surfaces .", " The wall 's condition ", " , while showing signs of wear ", " , adds character to the backdrop ", " against which the word ", " `` coffee ", " '' stands out prominently .", "" ]
aar_test_04604
https://storage.googleap…r_test_04604.jpg
A broad, pale-hued shelf encompasses a large matte black television in the center of a recessed section of a wall. The brand “SAMSUNG” is subtly displayed in white font at the bottom center of the TV. A series of spherical ornaments, alternating in shades of shimmering blue and silver with varied patterns, festively adorn the lower shelf. These ornaments flank a vibrant red sign prominently displaying the whimsical message “NO Humbugging” written in an elegant silver cursive font, accompanied by decorative silver snowflakes scattered around the text. Above the television, on the uppermost shelf, the word “LOVE” stands out in block-style, metallic wire letters, although the upper portions of these letters are slightly cropped from the frame. A richly-toned wooden floor exhibits a spectrum of brown and orange hues directly beneath this scene. On the floor rests a triangular wire decoration, adorned with hanging ball ornaments organized into four rows. Nestled at its base is an assortment of ornate shells. A tall blue ornament, possibly a tree or cone, is situated on the floor and intrudes from the photo’s left edge. Additionally, a peripheral glimpse to the right uncovers another furniture piece, a cushion, and a hint of a Christmas tree, indicating an adjacent festively adorned living space.
Captured at eye-level indoors, a large flat-screen television is mounted on a pristine white wall, adorned with a shelf laden with Christmas ornaments. The television's screen is a stark black, contrasting with the vibrant hues of the ornaments. The shelf is embellished with a red sign, emblazoned with the phrase "No Hubbygiving". The words are elegantly scripted in a delicate cursive font, adding a touch of whimsy to the scene. The sign is nestled on a wooden table, which is further embellished with a variety of Christmas ornaments in hues of blue, gold, and silver. The table's texture is rough, adding a tactile dimension to the visual experience. To the right of the television, a glimpse of the interior of a room is visible, featuring a Christmas tree and a white couch adorned with a red and white patterned blanket.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-P5B is marginally better", "metrics/Human Like": "Neutral" }
[ "A broad , pale-hued shelf ", " encompasses a large matte ", " black television in the center of a recessed section of a wall .", " The brand “ SAMSUNG ” is subtly displayed in white font ", " at the bottom center of the TV .", " A series of spherical ornaments ", " , alternating in shades of shimmering blue and silver with varied patterns ", " , festively adorn the lower shelf .", " These ornaments ", " flank a vibrant ", " red sign ", " prominently displaying the whimsical message ", " “ NO Humbugging ” ", " written in an elegant silver ", " cursive font ", " , accompanied by decorative silver snowflakes ", " scattered around the text .", " Above the television , on the uppermost shelf , the word “ LOVE ” stands out in block-style , metallic wire letters , although the upper portions of these letters are slightly cropped from the frame .", " A richly-toned wooden floor ", " exhibits a spectrum of brown ", " and orange hues directly beneath this scene .", " On the floor rests a triangular wire decoration , adorned with hanging ball ornaments organized into four rows .", " Nestled at its base is an assortment of ornate shells .", " A tall blue ornament ", " , possibly a tree ", " or cone , is situated on the floor ", " and intrudes from the photo ’ s left edge .", " Additionally , a peripheral glimpse to the right uncovers ", " another furniture piece ", " , a cushion ", " , and a hint of a Christmas tree ", " , indicating an adjacent festively adorned living space .", "" ]
aar_test_04605
https://storage.googleap…r_test_04605.jpg
An outdoor overhead shot, perhaps taken from an airplane, looks down on a very bright sunny day at the sharp snow-covered peaks of a mountain range with dark blue shadows, with flat-topped grey clouds approaching from the upper right. The mountain range has 6 or 7 very prominent peaks, lit up bright white in the sunlight with dark streaks where the crevices are. The well defined shadows, even though deep blue, still allow details of the valleys to be seen. The low flat rumpled grey clouds roll in from the upper right, taking over some of the peaks and implying motion.
An aerial perspective reveals a snow-capped mountain range, punctuated by a smattering of clouds in the upper right quadrant of the frame. The mountains, blanketed in a thick layer of snow, are characterized by sharp, jagged peaks and steep cliffs. The shadows cast by the mountains add depth to the scene, enhancing the overall visual impact.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "GPT-4V is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-P5B is marginally better", "metrics/First few line(s) as tldr": "IIW-P5B is marginally better", "metrics/Human Like": "IIW-P5B is marginally better" }
[ "An outdoor overhead shot ", " , perhaps taken from an airplane ", " , looks down on a very bright sunny day ", " at the sharp snow-covered peaks of a mountain range ", " with dark blue shadows ", " , with flat-topped grey clouds ", " approaching from the upper right .", " The mountain range has 6 or 7 very prominent peaks ", " , lit up bright white in the sunlight ", " with dark streaks ", " where the crevices ", " are .", " The well defined shadows ", " , even though deep blue ", " , still allow details of the valleys to be seen .", " The low flat rumpled grey clouds ", " roll in from the upper right ", " , taking over some of the peaks ", " and implying motion .", "" ]
aar_test_04606
https://storage.googleap…r_test_04606.jpg
An overhead close-up shot shows an area of flat, lined, blotchy concrete in which four animal paw prints were pressed in while the concrete was still wet. It is unclear what type of animal the paw prints belong to, but each one shows four toes. Two of the paw prints are placed closely together near the top, vertically stacked almost perfectly, while the other two paw prints are close together in the bottom left corner with the right one slightly ahead of the left one. They give the impression that the animal was walking from bottom to top. Each set of paw prints has one paw that is more impressed into the concrete than the other. The concrete consists of varying shades of gray and seems to be stained by multiple white markings, some dotted and others lines.
A detailed close-up captures a gray concrete surface, speckled with white flecks. Dominating the center of the frame is a trio of paw prints, their dark hues contrasting with the lighter tones of the surrounding concrete. The upper left quadrant of the image is punctuated by a few white flecks, adding a touch of contrast to the otherwise monochromatic palette.
{ "metrics/Comprehensiveness": "GPT-4V is marginally better", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "An overhead close-up shot ", " shows an area of flat , lined , blotchy concrete in which four animal paw prints ", " were pressed in while the concrete ", " was still wet .", " It is unclear what type of animal ", " the paw prints ", " belong to , but each one shows four toes .", " Two of the paw prints ", " are placed closely together near the top ", " , vertically stacked almost perfectly , while the other two paw prints ", " are close together in the bottom left corner ", " with the right one slightly ahead of the left one .", " They give the impression ", " that the animal ", " was walking from bottom to top .", " Each set of paw prints ", " has one paw ", " that is more impressed into the concrete ", " than the other .", " The concrete consists of varying shades of gray ", " and seems to be stained by multiple white markings ", " , some dotted and others lines .", "" ]
aar_test_04607
https://storage.googleap…r_test_04607.jpg
In an eye-level long shot, three black-haired apes lounge on a flat stone platform in what appears to be a zoo exhibit, with high stone walls behind them and blue sky and white clouds above. The ape on the far right sits just to the right of a square alcove in the wall with its back to the wall and its legs apart, forearms resting on its knees. To the left of the alcove, two more apes lie on their sides. All are in the shadow of the very tall stone wall behind them, but a little sunlight lights the front edge of their platform. The ape on the left closest to the alcove has its right elbow on the ground to support its head with its hand and its left hand on its knee, which is curled inward. The one farther from the alcove and closer to the edge of the platform lies with its head toward the viewer, and its pose is indistinct. It is holding a greenish object close to its head. Below the platform the apes sit on, large straps, likely of a canvas-like material, are attached to loops bolted to the stone walls and extend beyond the edges of the frame. Behind the platform, the cracked, heavy stone wall rises high and is topped by grass and bushes. The wall and the rest of the stone is a light tan color streaked with shades of black, white, and pink. A row of metal rods runs across the wall close to the top, and some very thin wires are just barely visible between some of them. Behind the wall is a structure comprised of triangular and rectangular panels which could be either windows or solar panels, and above it is a blue sky with white and light gray clouds on a sunny day.
Captured at eye-level on a radiant sunny day, a rugged cliff serves as the backdrop for a greenhouse. The cliff, a blend of light and dark gray hues, is adorned with cracks and grooves, adding texture to the scene. Perched atop the cliff, a cluster of black backpacks rests on a ledge, adding a touch of casualness to the otherwise rugged landscape. Beyond the greenhouse, a blue sky dotted with fluffy white clouds stretches out, completing the outdoor shot.
{ "metrics/Comprehensiveness": "GPT-4V is marginally better", "metrics/Specificity": "GPT-4V is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "In an eye-level long shot , three black-haired apes lounge on a flat stone platform in what appears to be a zoo exhibit , with high stone walls behind them and blue sky and white clouds above .", " The ape on the far right sits ", " just to the right of a square alcove in the wall ", " with its back to the wall ", " and its legs apart ", " , forearms ", " resting on its knees .", " To the left of the alcove , two more apes lie on their sides .", " All are in the shadow of the very tall stone wall behind them , but a little sunlight lights the front edge of their platform .", " The ape on the left closest to the alcove ", " has its right elbow on the ground to support its head ", " with its hand ", " and its left hand on its knee ", " , which is curled inward .", " The one farther from the alcove ", " and closer to the edge of the platform ", " lies with its head ", " toward the viewer ", " , and its pose is indistinct .", " It is holding a greenish object ", " close to its head .", " Below the platform ", " the apes sit on , large straps ", " , likely of a canvas-like material ", " , are attached to loops ", " bolted to the stone walls ", " and extend beyond the edges of the frame .", " Behind the platform , the cracked , heavy stone wall rises high and is topped by grass ", " and bushes .", " The wall and the rest of the stone is a light tan color ", " streaked with shades of black , white , and pink .", " A row of metal rods ", " runs across the wall ", " close to the top , and some very thin wires ", " are just barely visible between some of them .", " Behind the wall is a structure ", " comprised of triangular ", " and rectangular panels which could be either windows or solar panels , and above it is a blue sky ", " with white and light gray clouds on a sunny day .", "" ]
aar_test_04608
https://storage.googleap…r_test_04608.jpg
In a very, very dark black and white medium shot, the viewer looks out through two dark tall parallel windows to a dark greenish-black forest beyond. The window on the left, taking up the entire left half of the photo, is framed with dark black rectangular frames. The top half of the window is somewhat lighter, with the heavy dark green leafy trees more visible. The lower half of the left window is quite dark, and only a dark horizontal line can be discerned where the dark greenish-black lawn touches the completely black base of the trees. The window on the right is partly obscured by a dark black plant with long, narrow, pointed leaves jutting upward at irregular angles. The top two leaf tips extend above the middle frame bar of this right window. Again, the top half of the window shows more light on the far dark trees and even reveals two tiny bits of dark grey overcast sky. The lower half of the right window is so dark that essentially nothing but the plant leaves can be seen.
Captured from a low-angle perspective, a window reveals a dimly lit outdoor scene, punctuated by a solitary plant positioned in the lower right corner. The window frame is shrouded in darkness, casting a stark silhouette of the plant against the dark backdrop. The plant, with its elongated, narrow leaves, stands out against the surrounding darkness. The background is dominated by a dense congregation of trees, their leaves a blend of light and dark shades. The sky, visible through the window, is a canvas of dark clouds, adding a layer of mystery to the scene.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "GPT-4V is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-P5B is substantially better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-P5B is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-P5B is substantially better" }
[ "In a very , very dark black and white medium shot , the viewer looks out through two dark tall parallel windows to a dark greenish-black forest beyond .", " The window on the left ", " , taking up the entire left half of the photo ", " , is framed with dark black rectangular frames .", " The top half of the window is somewhat lighter , with the heavy dark ", " green leafy trees ", " more visible .", " The lower half of the left window is quite dark , and only a dark horizontal line ", " can be discerned where the dark greenish-black lawn ", " touches the completely black base of the trees .", " The window on the right is partly obscured by a dark black plant ", " with long , narrow , pointed leaves ", " jutting upward at irregular angles .", " The top two leaf tips ", " extend above the middle frame bar of this right window .", " Again , the top half of the window ", " shows more light on the far dark trees ", " and even reveals ", " two tiny bits of dark grey ", " overcast sky .", " The lower half of the right window is so dark that essentially nothing ", " but the plant leaves can be seen .", "" ]
aar_test_04609
https://storage.googleap…r_test_04609.jpg
In a high-angle view a scene appears in the distance over the left wing of an airplane, revealing a dull dark-blue flat water feature below and a group of grey-white stone buildings on the far shore, all under a pale blue cloudless sky. The airplane wing is in shadow, making it appear silver-blue. The ailerons are angled a little downward, and the far tip is painted royal blue, touching the left edge of the image. The land mass may be a peninsula because a second water feature can be seen in the upper left at the horizon. The peninsula has many short buildings and two distinct piers reaching out into the calm water in the upper right. The water is blue and shades of dark grey, with very tiny ripples, but it is not very clear.
Captured from a high-angle aerial perspective, a cityscape unfolds along a body of water. Dominating the foreground is a plane's wing, its metallic surface reflecting the sunlight. The wing's tip is adorned with a striking blue stripe, adding a pop of color to the scene. Adjacent to the plane's wing, two additional wings are visible, their metallic surfaces mirroring the plane's. The backdrop features a mountain range, its greenery contrasting with the cityscape. The sky, a soft shade of blue, is devoid of clouds, adding a serene ambiance to the scene.
{ "metrics/Comprehensiveness": "GPT-4V is substantially better", "metrics/Specificity": "GPT-4V is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "GPT-4V is marginally better", "metrics/Human Like": "GPT-4V is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "In a high-angle view a scene appears in the distance over the left wing of an airplane , revealing a dull dark-blue flat water feature below and a group of grey-white stone buildings on the far shore , all under a pale blue cloudless sky .", " The airplane wing is in shadow ", " , making it appear silver-blue .", " The ailerons are angled a little downward , and the far tip is painted royal blue ", " , touching the left edge of the image .", " The land mass may be a peninsula ", " because a second water feature ", " can be seen in the upper left ", " at the horizon .", " The peninsula has many short buildings ", " and two distinct piers ", " reaching out into the calm water in the upper right .", " The water is blue and shades of dark grey ", " , with very tiny ripples ", " , but it is not very clear .", "" ]
aar_test_04610
https://storage.googleap…r_test_04610.jpg
A close-up outdoor shot reveals the vertically stacked words "I" "MISS" and "YOu" carved into the light grey bark of a tree trunk, with a bit of out-of-focus green lawn and trees in the background at the left. The words are reddish-brown and carved into the trunk. The font is sans-serif, and the letters themselves are not very carefully carved. The words are legible, though, and their color makes them stand out strongly against the rough light grey tree trunk. There are a few other reddish-brown marks above and to the left of the words, which seem tol be parts of a heart shape that surrounds the words. The tree trunk itself has irregular marking, holes, cracks, and lines.
A close-up shot of a tree trunk with the words "I Miss You" carved into it. The tree trunk is a light gray-brown color with a rough texture. The letters "I" and "M" are vertically aligned in the center of the trunk, while the letters "M" and "U" are horizontally aligned in the bottom left corner of the trunk. The letters "M" and "U" have a dark brown outline, while the letters "I" and "U" have a dark brown outline. The tree trunk is surrounded by a blurred green grassy area.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A close-up outdoor shot ", " reveals the vertically stacked words ", " `` I '' `` MISS ", " '' and `` YOu ", " '' carved into the light grey bark of a tree trunk ", " , with a bit of out-of-focus green lawn ", " and trees in the background ", " at the left .", " The words are reddish-brown and carved into the trunk .", " The font is sans-serif , and the letters themselves are not very carefully carved .", " The words are legible , though , and their color ", " makes them stand out strongly against the rough light grey ", " tree trunk .", " There are a few other reddish-brown marks above and to the left of the words ", " , which seem tol be parts of a heart shape ", " that surrounds the words .", " The tree trunk itself has irregular marking ", " , holes ", " , cracks ", " , and lines .", "" ]
aar_test_04611
https://storage.googleap…r_test_04611.jpg
An outdoor shot on a sunny day shows a dark brown building with a peaked roof, two side porches, and dark brownish-black square panels all over it that are made of parallel strips of wood, all in front of a green forest with blue sky and white cumulus clouds above. The building's panels are its most striking feature, and the parallel boards that make up each panel are only parallel within each panel itself. The panels are then juxtaposed with one another so that the lines do not run in the same direction. Instead, one panel has boards angling up at 45 degrees and the next one has boards angling down at 45 degrees. Some panels are large squares but some are small squares. Some are light grey wood but some are dark black wood. Two panels are flat light brown wood, and there is a light brown wood birdhouse just under the eave of the roof. The porch to the right can barely be seen, made of rustic dark brown timbers that form an open space on concrete flooring. The porch on the left is behind the building, extending away from the viewer, and is made built of a dark wooden pillar that branches upward, supporting a corrugated metal roof over a very flat white concrete floor. The building itself also seems to have a corrugated metal roof with a small narrow square chimney rising from the back. The building sits on a large patch of bare earth but to the sides and behind, there are many green leafy deciduous trees. The blue sky with bright white clouds makes up only the upper left quadrant of the photo.
Captured at eye-level on a radiant day, a full shot reveals a quaint log cabin nestled amidst a verdant forest. The cabin, constructed from horizontally arranged logs, boasts a brown roof and a white chimney protruding from its roof. The cabin's exterior is adorned with diagonally striped logs, adding a rustic charm to its facade. A window, boarded up, punctuates the left side of the cabin, while another window, also boarded up, is situated on the right. The cabin is set against a backdrop of lush green trees and a gravel walkway, creating a picturesque setting.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "An outdoor shot on a sunny day ", " shows a dark brown building ", " with a peaked roof ", " , two side porches ", " , and dark brownish-black square panels all over it that are made of parallel strips of wood ", " , all in front of a green forest ", " with blue sky ", " and white cumulus clouds above .", " The building 's panels ", " are its most striking feature ", " , and the parallel boards that make up each panel ", " are only parallel within each panel ", " itself .", " The panels are then juxtaposed with one another so that the lines ", " do not run in the same direction .", " Instead , one panel ", " has boards ", " angling up at 45 degrees ", " and the next one has boards ", " angling down at 45 degrees .", " Some panels ", " are large squares ", " but some are small squares .", " Some are light grey wood ", " but some are dark black wood .", " Two panels ", " are flat light brown wood ", " , and there is a light brown wood birdhouse ", " just under the eave of the roof .", " The porch to the right ", " can barely be seen , made of rustic dark brown timbers ", " that form an open space on concrete flooring .", " The porch on the left is behind the building ", " , extending away from the viewer ", " , and is made built of a dark wooden pillar ", " that branches upward , supporting a corrugated metal roof ", " over a very flat white concrete floor .", " The building itself also seems to have a corrugated metal roof ", " with a small narrow square chimney ", " rising from the back .", " The building sits on a large patch of bare earth ", " but to the sides ", " and behind , there are many green leafy ", " deciduous trees .", " The blue sky with bright white clouds ", " makes up only the upper left quadrant of the photo .", "" ]
aar_test_04612
https://storage.googleap…r_test_04612.jpg
An overhead shot of the words “PLEASE WALK BIKES” vertically stacked underneath three minimalist arrows pointing upwards painted on a dirty gray and white sidewalk in forest green paint. The words are painted onto the sidewalk using a stencil. The arrows are formed above the words with simple, angled, thin lines pointing up-center from the left and up-center from the right, each pair of lines getting smaller and smaller. A long, narrow vertical crack runs from the bottom of the photo to the top, slightly angled right, cutting through the "K" of the word "BIKES" the "A" of the word "WALK" and the word "PLEASE", as well as through the arrows. The sidewalk is mottled with gray spots all over the gray-white surface, although the lettering is clean.
An overhead shot of a light gray concrete surface with the words "PLEASE WALK BIKES" written in dark green stencil letters. The words are vertically stacked on top of each other, with "PLEASE" at the top and "WALK" at the bottom. The letters are outlined in a dark green color, and the stencils are placed on a gray concrete surface with a grainy texture. On the left side of the image, there are two stenciled arrows pointing to the right, while on the right side, there are two stenciled arrows pointing to the left. There is a black line between the two stenciled arrows, and the arrows cast a shadow on the concrete surface. The letters "WALK" cast a shadow on the concrete surface, and the letters "WALK" cast a shadow on the concrete surface.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "An overhead shot of the words “ PLEASE WALK BIKES ” ", " vertically stacked underneath three minimalist arrows ", " pointing upwards ", " painted on a dirty gray ", " and white sidewalk in forest ", " green paint .", " The words are painted onto the sidewalk ", " using a stencil .", " The arrows are formed above the words ", " with simple , angled , thin lines ", " pointing up-center ", " from the left ", " and up-center from the right ", " , each pair of lines ", " getting smaller and smaller .", " A long , narrow vertical crack ", " runs from the bottom of the photo to the top , slightly angled right , cutting through the `` K ", " '' of the word ", " `` BIKES ", " '' the `` A ", " '' of the word ", " `` WALK ", " '' and the word `` PLEASE ", " '' , as well as through the arrows .", " The sidewalk is mottled with gray spots ", " all over the gray-white surface ", " , although the lettering is clean .", "" ]
aar_test_04613
https://storage.googleap…r_test_04613.jpg
A fairly close-up eye-level indoor shot shows a 2023 Volvo S90 B6 Plus on display inside a glassed-in modern auto dealership with a beige-tiled floor and a large red bow on the Volvo's hood. The Volvo is facing the right front of the image, showing its right profile at a 45-degree angle. The car has shiny, highly polished, dark grey paint with a shiny chrome grill, chrome bumper, and chrome hub spokes. It sits on a floor paved with large beige square tiles that are alternately streaked with sunlight and shadow. Behind the car is a wall of floor-to-ceiling windows with thin black frames around each one and a windowed door with another red bow on it. Outside the windows in the upper right, there extends a large light brown parking lot with 4 parked cars facing the camera and 1 pick-up truck that faces away. On the glass door at the upper-left appears the word "Volvo" and some other words in white sans-serif font.
Captured at eye-level is a full shot of a gleaming gray Volvo SUV, adorned with a vibrant red bow at its front. The vehicle is positioned facing the left side of the frame, its glossy exterior reflecting the surrounding environment. The hood of the SUV is embellished with a matching red bow, adding a pop of color to the otherwise monochromatic palette. The Volvo logo is prominently displayed on the front bumper, accompanied by a black license plate bearing the word "Cars & More" in a minimalist white font. The interior of the SUV is tastefully accented with black leather, adding a touch of sophistication to the otherwise sleek design. The car is parked on a white tiled floor, adding a touch of luxury to the scene. Beyond the car, a glass wall reveals a bustling parking lot and a row of vehicles, adding depth and context to the composition.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A fairly close-up eye-level indoor shot ", " shows a 2023 Volvo S90 B6 Plus on display ", " inside a glassed-in modern auto dealership ", " with a beige-tiled floor ", " and a large red bow on the Volvo 's hood .", " The Volvo is facing the right front of the image ", " , showing its right profile ", " at a 45-degree angle .", " The car has shiny , highly polished , dark grey paint ", " with a shiny chrome grill ", " , chrome bumper ", " , and chrome hub spokes .", " It sits on a floor ", " paved with large beige ", " square tiles ", " that are alternately streaked with sunlight ", " and shadow .", " Behind the car is a wall of floor-to-ceiling windows ", " with thin black frames ", " around each one and a windowed door with another red bow on it .", " Outside the windows in the upper right ", " , there extends a large light brown parking lot ", " with 4 parked cars ", " facing the camera ", " and 1 pick-up truck ", " that faces away .", " On the glass door at the upper-left appears the word `` Volvo '' and some other words in white sans-serif font .", "" ]
aar_test_04614
https://storage.googleap…r_test_04614.jpg
A close-up high-angle outdoor shot presents a clear plastic cup filled with clear liquid almost to the brim, resting on top of a dirty off-white plastic tabletop, in front of out-of-focus metal chairs and a weathered dark green painted fence. The glass is textured most of the way up its sides and tapers somewhat inward from the top to the bottom. There are a few water droplets running down the left side of the glass. The glass casts a shadow on the tabletop and other dappled shadows appear elsewhere on the tabletop, only a portion of which is visible. The chairs are black and formed of narrow curved metal rods that make arched backs with smaller metal rods forming the actual surfaces against which a sitter's back and hips would rest. The out-of-focus green fence has gaps between the narrow boards, some of which show light peeking through.
Captured from a high-angle close-up perspective, a clear plastic cup brimming with water sits on a light green table. The cup, slightly skewed to the right, casts a shadow on the table beneath it, adding depth to the composition. The backdrop features a blurred black wrought-iron bench, its curved back and curved armrests adding a touch of elegance to the scene. To the left of the frame, a black mesh chair with a round back and curved armrests adds a touch of everyday life to the outdoor setting.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "A close-up high-angle outdoor shot ", " presents a clear plastic cup ", " filled with clear liquid ", " almost to the brim ", " , resting on top of a dirty off-white plastic tabletop ", " , in front of out-of-focus metal chairs ", " and a weathered dark green painted fence .", " The glass is textured most of the way up its sides ", " and tapers somewhat inward from the top to the bottom .", " There are a few water droplets ", " running down the left side of the glass .", " The glass casts a shadow on the tabletop ", " and other dappled shadows appear elsewhere on the tabletop ", " , only a portion of which is visible .", " The chairs are black and formed of narrow curved metal rods ", " that make arched backs ", " with smaller metal rods ", " forming the actual surfaces ", " against which a sitter 's back ", " and hips would rest .", " The out-of-focus green fence ", " has gaps ", " between the narrow boards ", " , some of which show light peeking through .", "" ]
aar_test_04615
https://storage.googleap…r_test_04615.jpg
A freight train carrying two levels of sedans is stopped outside a station. The top level is red with the text “MILSPED AML” written in stylized and slanted white letters. The first four cars on this level are covered in white fabric, though the cars further down the long train are not covered. The bottom level is blue and carries uncovered shiny cars. The first sedan is black, the second silver, third black, fourth silver, and then it is unclear what the rest of the long line of cars are colored. The supports holding both levels together are blue with white scuff marks on them. The outdoor train stop is empty and has a patterned gray brick floor. Near the edge of the platform there is a wide safety rim with black and white slanted stripes. The edge of the platform is rimmed in white. The canopy above the platform has white slats with occasional black rungs, and the long rectangular canopy is bordered in black. There are long rectangular lights that are out, and a yellow triangle sign further down. Underneath the train is gray stone gravel. The sky is a brilliant blue with a smattering of white sheer clouds.
Captured at eye-level on a radiant sunny day, a long train car is the focal point of this full shot. The train, painted in shades of blue and adorned with a red stripe emblazoned with the word "MILSPEP AML" in bold white letters, is transporting a fleet of cars. The cars, each covered in a dusting of white cloth, are neatly arranged on three tiers of the train car. The first tier is filled with silver cars, while the second and third tiers are filled with darker shades of silver and black. The platform beneath the train is a stark contrast to the vibrant colors of the train. It's paved with dark gray bricks, punctuated by white lines forming a diamond pattern on the ground. Above, the sky is a canvas of blue, dotted with a smattering of white clouds. The train car is positioned on the right side of the frame, adding depth to the composition.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A freight train ", " carrying two levels of sedans is stopped outside a station .", " The top level is red with the text “ MILSPED AML ” ", " written in stylized and slanted white letters .", " The first four cars on this level ", " are covered in white fabric ", " , though the cars ", " further down the long train ", " are not covered .", " The bottom level is blue and carries uncovered shiny cars .", " The first sedan is black , the second silver ", " , third black , fourth silver ", " , and then it is unclear what the rest of the long line of cars ", " are colored .", " The supports holding both levels ", " together are blue with white scuff marks on them .", " The outdoor train stop is empty and has a patterned gray brick floor .", " Near the edge of the platform ", " there is a wide safety rim ", " with black and white slanted stripes .", " The edge of the platform is rimmed in white .", " The canopy above the platform ", " has white slats ", " with occasional black rungs ", " , and the long rectangular canopy is bordered in black .", " There are long rectangular lights ", " that are out , and a yellow triangle sign further down .", " Underneath the train is gray stone gravel .", " The sky is a brilliant blue ", " with a smattering of white sheer clouds .", "" ]
aar_test_04616
https://storage.googleap…r_test_04616.jpg
A display of a car design with a drawing of the left profile of a car spread across four glass panels. Different features of the car are emphasized on each segment of it. The left-most segment shows the left profile of the hood, left headlight and left front time of the car. This segment of the car is shiny silver, and this section of the exterior is visible. The front left tire has a floral-shaped silver rim.The second segment shows a line sketch of interior features of the front seat. The outline drawing of a person’s legs and feet are shown, with the figure seated, their legs outstretched, and feet on the pedals. The third segment shows the exterior of the back seat with the reflection of lights gleaming off the rich mahogany color. The back tire is also present, with a floral-shaped silver rim, though this appears darker than the front tire. The final segment shows another line sketch, but this is of the exterior of the trunk, back left tire and left tail light. The segments do not align with the glass panels. Behind the drawing is a grid with small square images arranged in what appears to be a timeline. The word “Design” in silver is on the wall on the upper left frame. A light shines off the bottom portion of the word. There are various numbers on the top and bottom of this grid.
An eye-level indoor shot shows a portion of a Mercedes-Benz Concept Car being displayed in a glass display case with a white wall behind it and a timeline of the car's design from the 1920s to the present. The word "Design" is written in cursive in the top left corner in a serif font. The word "Design" is written again in cursive in the top right corner in a serif font.
{ "metrics/Comprehensiveness": "GPT-4V is substantially better", "metrics/Specificity": "GPT-4V is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "GPT-4V is marginally better", "metrics/Human Like": "GPT-4V is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-P5B is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A display of a car design ", " with a drawing of the left profile of a car spread ", " across four glass panels .", " Different features of the car ", " are emphasized on each segment of it .", " The left-most segment shows the left profile of the hood ", " , left headlight ", " and left front time of the car .", " This segment of the car is shiny silver ", " , and this section of the exterior is visible .", " The front left tire ", " has a floral-shaped silver ", " rim.", "The second segment shows a line sketch of interior features of the front seat .", " The outline drawing of a person ’ s legs ", " and feet are shown , with the figure ", " seated , their legs ", " outstretched , and feet on the pedals .", " The third segment shows the exterior of the back seat ", " with the reflection of lights ", " gleaming off the rich mahogany color .", " The back tire is also present , with a floral-shaped silver rim ", " , though this appears darker than the front tire .", " The final segment shows another line sketch ", " , but this is of the exterior of the trunk ", " , back left tire ", " and left tail light .", " The segments do not align with the glass panels .", " Behind the drawing is a grid ", " with small square images ", " arranged in what appears to be a timeline .", " The word “ Design ” in silver is on the wall on the upper left frame .", " A light shines ", " off the bottom portion of the word .", " There are various numbers on the top and bottom of this grid .", "" ]
aar_test_04617
https://storage.googleap…r_test_04617.jpg
An eye-level long shot shows the Jersey City skyline as seen from Battery Park, with slightly rough blue-gray water in the foreground and thick gray clouds in the background except for a small area of blue sky on the right. Several skyscrapers can be seen near the edge of the water, as well as a number of smaller buildings and what appears to be a Ferris wheel in the foreground. Two objects which may be boats or floating structures are partly visible on the water at the right-side edge of the frame.
A long outdoor shot on an overcast day shows the New York City skyline from the Staten Island Ferry in New York. The skyline consists of many tall skyscrapers, including the Empire State Building and the One World Trade Center. The sky is gray and cloudy, and the water in the foreground is dark gray.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-P5B is marginally better" }
[ "An eye-level long shot ", " shows the Jersey City skyline ", " as seen from Battery Park ", " , with slightly rough blue-gray water in the foreground ", " and thick gray clouds in the background ", " except for a small area of blue sky on the right .", " Several skyscrapers ", " can be seen near the edge of the water ", " , as well as a number of smaller buildings ", " and what appears to be a Ferris wheel in the foreground .", " Two objects ", " which may be boats ", " or floating structures ", " are partly visible on the water ", " at the right-side edge of the frame .", "" ]
aar_test_04618
https://storage.googleap…r_test_04618.jpg
A lamp, cat, and notebook are on a polished wooden table against a vertically paneled wall in the photo. The lamp's base resembles stone and has a muted brown undertone. It is urn-shaped and has four distinct stone rings: two around its base and two at its widest point. A beige lampshade made of textured fabric rests on top of the base. The lampshade has slightly darker bands around its top and bottom edges. A short-haired cat, mostly white with notable darker patches on its ears, crown, and over its left eye, sits next to the lamp. The cat is poised between the lamp and the notebook, its head slightly tilted to the right, and its eyes reflecting a sharp gaze. A notebook with a metal spiral binding is next to the cat. The notebook's lined pages are visible, and it hangs just over the table's front edge. The table is stained a deep chestnut, and its grain and a pronounced dark knot, found just to the lamp's left, add character. Uniform cream-colored vertical wall slats provide a neutral backdrop behind the table. A cord from the lamp can be seen descending below the table's edge, next to what appears to be a touch of lace skirting the room's baseboard.
Captured at eye-level is a full shot of a white cat, positioned slightly to the right of the frame's center. The feline is perched on a dark brown wooden desk, with a spiral notebook resting on its right side. The desk's surface is marred by cracks, adding a touch of rustic charm to the scene. The cat's gaze is directed slightly to the right of the frame's center, adding a sense of intrigue to the composition. The lamp, a large cylindrical piece of gray ceramic, casts a warm glow on the desk, enhancing the overall aesthetic of the shot.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A lamp ", " , cat ", " , and notebook are on a polished wooden table ", " against a vertically paneled wall in the photo .", " The lamp 's base ", " resembles stone ", " and has a muted brown undertone .", " It is urn-shaped and has four distinct stone rings ", " : two around its base ", " and two at its widest point .", " A beige lampshade ", " made of textured fabric rests on top of the base .", " The lampshade has slightly darker bands around its top and bottom edges .", " A short-haired cat ", " , mostly white with notable darker patches on its ears ", " , crown ", " , and over its left eye ", " , sits next to the lamp .", " The cat is poised between the lamp ", " and the notebook , its head ", " slightly tilted to the right ", " , and its eyes ", " reflecting a sharp gaze .", " A notebook ", " with a metal spiral binding is next to the cat .", " The notebook 's lined pages ", " are visible , and it hangs just over the table 's front edge .", " The table is stained a deep chestnut ", " , and its grain ", " and a pronounced dark knot , found just to the lamp 's left ", " , add character .", " Uniform cream-colored vertical wall slats ", " provide a neutral backdrop behind the table .", " A cord ", " from the lamp ", " can be seen descending below the table 's edge ", " , next to what appears to be a touch of lace ", " skirting the room 's baseboard .", "" ]
aar_test_04619
https://storage.googleap…r_test_04619.jpg
A close-up shot shows a spray-paint art piece depicting a squatting hooded child looking up to the left corner, painted on a dirty concrete wall splotched with other colors. The child is painted in sky blue, white, and black, and there are random bits of spray paint surrounding the child on the wall in dark blue, pink, and yellow. The child is squatting with hands pressed against mouth, the hood of the sweatshirt up, and wearing open-toed sandals. The bent elbows rest on bent knees. The letters "TON" are spray-painted in black in an art deco stencil in the lower-right corner. In front of the art piece, slanted downwards across the very middle from left-to-right, is a dull grey metal bar, with four much smaller metal bars protruding upwards and out of the larger metal bar.
An eye-level medium shot of a mural on a concrete wall. The mural depicts a seated child with their hands clasped in front of their mouth. The child is wearing a wide-brimmed hat with a white brim. Their hair is black, and they are dressed in a black shirt and pants. Their arms are bent at the elbows, and they are holding a microphone in their right hand. Their left hand is positioned in front of their mouth, and they are looking off to the right. The mural is painted in black and white, with shades of light and dark blue. A light gray metal railing is visible in the upper left corner of the mural. In the upper right corner of the mural, a pink and yellow shape is painted.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A close-up shot ", " shows a spray-paint art piece ", " depicting a squatting ", " hooded child ", " looking up to the left corner ", " , painted on a dirty concrete wall ", " splotched with other colors .", " The child is painted in sky blue ", " , white , and black , and there are random bits of spray paint ", " surrounding the child on the wall in dark blue ", " , pink ", " , and yellow .", " The child is squatting with hands ", " pressed against mouth ", " , the hood of the sweatshirt up , and wearing open-toed sandals .", " The bent elbows rest on bent knees .", " The letters `` TON ", " '' are spray-painted in black in an art deco stencil in the lower-right corner .", " In front of the art piece , slanted downwards across the very middle from left-to-right , is a dull grey metal bar ", " , with four much smaller metal bars ", " protruding upwards ", " and out of the larger metal bar .", "" ]
aar_test_04620
https://storage.googleap…r_test_04620.jpg
A close-up shot shows four narrow, supple, light brown tree branches braided together against a tan background of horizontal painted boards. The four branches are all tightly intertwined in a reverse fishtail braid that grows looser near the top. At the top and in the middle area, the branches are all brown and appear healthy. Near the bottom, the braided branches turn a reddish brown and are chipped in multiple areas, especially near the very bottom. Behind the braided branches, the wooden surface background is all light mocha brown, but there are thin lines of gray sealant holding the individual wooden planks together.
A detailed close-up captures a tree trunk intricately braided into a thick knot. The trunks, varying in shades of brown, gray, and white, are intertwined, creating a visually striking pattern. The knot is a testament to the tree's resilience and strength, with each node holding its own weight. The backdrop is a wooden fence, featuring horizontal planks in a light brown hue. The fence's texture is rough, adding a tactile dimension to the image.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A close-up shot shows ", " four narrow ", " , supple ", " , light brown tree branches ", " braided together against a tan background of horizontal ", " painted boards .", " The four branches are all tightly intertwined in a reverse fishtail braid ", " that grows looser near the top .", " At the top and in the middle area , the branches ", " are all brown and appear healthy .", " Near the bottom ", " , the braided branches ", " turn a reddish brown ", " and are chipped in multiple areas ", " , especially near the very bottom .", " Behind the braided branches , the wooden surface background is all light mocha ", " brown , but there are thin lines of gray sealant holding the individual wooden planks ", " together .", "" ]
aar_test_04621
https://storage.googleap…r_test_04621.jpg
A bridge connects a city in the foreground to a distant, indistinct land mass. The bridge is positioned horizontally, making it a central focal point of the image. The scene is subdued in color, with the clustered city buildings in lighter shades that contrast with the deeper bluish-gray tones of the water and the obscured background. The bridge's structural design is highlighted by cables anchored to two towering pylons, one on each side of the water. These cables curve downward toward the center of the bridge, nearly touching the vehicular pathway. Amidst the bridge's structure there are a few discernible white blurs, likely representing moving vehicles.
Captured from a high-angle aerial perspective, the Williamsburg Bridge spans a serene body of water, flanked by a cluster of city buildings on either side. The bridge, a prominent feature, is adorned with white suspension cables that crisscross its length, adding a touch of elegance to the scene. In the foreground, a diverse array of city buildings, varying in size and shape, are scattered across the lower portion of the frame. These structures, predominantly white, stand out against the backdrop of the water and the bridge, creating a visually striking contrast.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "GPT-4V is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "GPT-4V is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-P5B is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A bridge ", " connects a city in the foreground to a distant , indistinct land mass .", " The bridge is positioned horizontally , making it a central focal point of the image .", " The scene is subdued in color ", " , with the clustered city buildings in lighter shades ", " that contrast ", " with the deeper bluish-gray tones of the water ", " and the obscured background .", " The bridge 's structural design is highlighted by cables ", " anchored to two towering pylons ", " , one on each side of the water .", " These cables ", " curve downward toward the center of the bridge ", " , nearly touching the vehicular pathway .", " Amidst the bridge 's structure ", " there are a few discernible white blurs ", " , likely representing moving vehicles .", "" ]
aar_test_04622
https://storage.googleap…r_test_04622.jpg
A white, blue, and red model ship stands on two thin gray cylindrical supports in front of a gray background in a slightly high-angle shot. The front of the ship faces the left of the frame at an angle, so the left or port side of the ship is visible. The bottom half of the hull is red and the upper half is blue, with a stripe of white between them, with a red propeller also visible beneath the stern. On the side of the ship is the text "R/V CORAL REEF II" in all-capital blue lettering. The deck is white with a blue railing. A white and orange life raft sits on a raised second deck near the back of the ship, between two blue crane-like structures, and the two decks are connected by a ladder near the front of the ship and a staircase near the back. Both decks have interior sections which are lined with opaque windows, and both decks have a red and white life preserver ring on their exterior walls. A small tower and other instruments, likely for communication and navigation, rise from the roof of the upper deck, as well as a small off-white flag with a circular symbol which appears to depict a wave. The same symbol is affixed to the railing of the upper deck. The supports holding up the model are long and attach the bottom of the ship to the ground. On the ground there is a two-toned shadow from the ship.
A full shot at eye-level reveals a meticulously crafted scale model of a coral reef vessel, proudly displayed on a slender silver stand against a neutral gray backdrop. The boat, painted in a pristine white, is adorned with a vibrant red hull and a striking blue stripe along its bow. The name "AV-Coral Reef II" is prominently displayed on the bow, while a white life preserver graces the stern. The model is perched on a slender silver stand, casting a subtle shadow on the gray wall behind it.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "A white , blue , and red model ship stands on two thin gray cylindrical supports in front of a gray background in a slightly high-angle shot .", " The front of the ship ", " faces the left of the frame ", " at an angle ", " , so the left ", " or port side of the ship is visible .", " The bottom half of the hull is red and the upper half is blue , with a stripe of white between them , with a red propeller ", " also visible beneath the stern .", " On the side of the ship is the text ", " `` R/V CORAL REEF II ", " '' in all-capital blue lettering .", " The deck is white with a blue railing .", " A white and orange life raft sits on a raised second deck ", " near the back of the ship ", " , between two blue crane-like structures ", " , and the two decks ", " are connected by a ladder ", " near the front of the ship ", " and a staircase near the back .", " Both decks ", " have interior sections ", " which are lined with opaque windows ", " , and both decks have a red and white life preserver ring on their exterior walls .", " A small tower ", " and other instruments , likely for communication ", " and navigation , rise ", " from the roof of the upper deck ", " , as well as a small off-white flag ", " with a circular symbol ", " which appears to depict a wave .", " The same symbol is affixed to the railing of the upper deck .", " The supports holding up the model ", " are long and attach the bottom of the ship to the ground .", " On the ground there is a two-toned shadow ", " from the ship .", "" ]
aar_test_04623
https://storage.googleap…r_test_04623.jpg
In a dimly lit indoor scene at a museum, a large antique light-brown wooden sailing ship rests on a beige platform in a huge space with a computer screen to the right and a staircase climbing upward behind it to other levels of the museum. The ship's bow is to the right, its stern to the left, and it takes up the entire lower image space. The ship has three masts, with the center mast being very tall, extending to the top of the image. They are all made of a light brown wood, and they have no sails on them. The body of the ship is busy with clasps that hold the ropes. The ship seems to be behind glass because very light translucent reflections of people appear above the ship. The computer screen on the right hangs from a very tall black wall that also has a bright square window cut into it. The museum portions behind the ship reveal an off-white modern architecture for a building that is at least 3 stories high. The stairway behind the ship begins parallel to the ship and horizontally above it, with a set of stairs angled up to the right to get to the next story. The stairway is intersected by a modern white column that holds up a circular balcony.
Captured at eye-level indoors, a meticulously crafted wooden model of a galleon is showcased in a glass display case. The galleon, a slender vessel with a rounded hull, is adorned with a series of masts, each crowned with a slender wooden pole. The sails, a light brown hue, are designed to sway gently to the right, adding a touch of realism to the scene. The case is positioned on a pristine white floor, casting a subtle shadow beneath it. In the backdrop, a staircase with a black railing ascends to the second floor, while a large screen displaying the number "041" is mounted on the wall behind the galleon.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "Neutral", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "In a dimly lit indoor scene at a museum , a large antique light-brown wooden sailing ship rests on a beige platform in a huge space with a computer screen to the right and a staircase climbing upward behind it to other levels of the museum .", " The ship 's bow is to the right ", " , its stern to the left ", " , and it takes up the entire lower image space .", " The ship has three masts ", " , with the center mast ", " being very tall , extending to the top of the image .", " They are all made of a light brown wood ", " , and they have no sails on them .", " The body of the ship is busy with clasps ", " that hold the ropes .", " The ship seems to be behind glass ", " because very light translucent reflections of people ", " appear above the ship .", " The computer screen on the right hangs ", " from a very tall black wall ", " that also has a bright square window cut ", " into it .", " The museum portions behind the ship ", " reveal an off-white modern architecture ", " for a building ", " that is at least 3 stories ", " high .", " The stairway behind the ship ", " begins parallel to the ship ", " and horizontally above it , with a set of stairs ", " angled up to the right to get to the next story .", " The stairway is intersected by a modern white column ", " that holds up a circular balcony .", "" ]
aar_test_04624
https://storage.googleap…r_test_04624.jpg
From a slightly elevated perspective, a detailed view of an ornate corbel, affixed to what is either a stone or plaster wall painted in a muted gray tone. The primary focus is the corbel, which, based on its intricate design and position, likely serves as an architectural support or decorative element for a ceiling or shelf above. The corbel's main body is characterized by two prominent asymmetrical volutes: one slightly larger on the left and another on the right. These spirals are painted in alternating shades of blue and gold, creating a visually appealing contrast. The spirals' coiled designs culminate in a converging point near the center, forming an almost mirrored image. The space nestled between the volutes is adorned with intricate carvings of gilded leaves, each leaf meticulously crafted, showcasing sharp details and exhibiting a golden sheen. The texture of these leaves appears slightly raised, indicating they are carved or embossed onto the corbel's surface. The corbel's outer perimeter is bordered by a gilded trim, and the gold detailing stands out vividly against the gray backdrop of the wall. The overall condition of the corbel suggests it has been well-maintained, with only minimal signs of wear or aging, such as slight color inconsistencies in certain areas. The orientation of the corbel implies it's attached to a corner, with the spirals and leaf designs artistically arranged to provide a symmetrical visual appeal from multiple angles. The spatial alignment between the corbel and the wall is seamless, reinforcing its function as a sturdy architectural feature.
A detailed close-up captures a wooden corbel, adorned with intricate gold leaf carvings, suspended from a gray ceiling. The corbel's base is painted a muted gray, contrasting with the gold leaf carvings that adorn its top. The leaf carvings are meticulously arranged in a laurel wreath pattern, with each leaf featuring a hole for a visible vein. The corbel is affixed to a gray ceiling, with a white crown molding providing a backdrop.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "GPT-4V is marginally better", "metrics/Human Like": "GPT-4V is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-P5B is substantially better", "metrics/Human Like": "Neutral" }
[ "From a slightly elevated perspective ", " , a detailed view of an ornate corbel ", " , affixed to what is either a stone or plaster wall painted in a muted gray tone .", " The primary focus is the corbel ", " , which , based on its intricate design ", " and position , likely serves ", " as an architectural support ", " or decorative element for a ceiling ", " or shelf above .", " The corbel 's main body is characterized by two prominent asymmetrical volutes ", " : one slightly larger on the left ", " and another on the right .", " These spirals ", " are painted in alternating shades of blue and gold , creating a visually appealing contrast .", " The spirals ' coiled designs ", " culminate in a converging point ", " near the center ", " , forming an almost mirrored image .", " The space nestled between the volutes is adorned with intricate carvings of gilded leaves ", " , each leaf ", " meticulously crafted , showcasing sharp details ", " and exhibiting a golden sheen .", " The texture of these leaves ", " appears slightly raised , indicating they are carved or embossed onto the corbel 's surface .", " The corbel 's outer perimeter is bordered by a gilded trim ", " , and the gold detailing stands out vividly against the gray backdrop of the wall .", " The overall condition of the corbel ", " suggests it has been well-maintained , with only minimal signs of wear ", " or aging , such as slight color inconsistencies in certain areas .", " The orientation of the corbel ", " implies it 's attached to a corner ", " , with the spirals ", " and leaf designs artistically arranged to provide a symmetrical visual appeal ", " from multiple angles .", " The spatial alignment between the corbel ", " and the wall is seamless , reinforcing its function ", " as a sturdy architectural feature .", "" ]
aar_test_04625
https://storage.googleap…r_test_04625.jpg
In this outdoor shot, a large top-down photograph of coffee cup latte art is propped up next to a tan sharply angled brick wall over the grey-white cement pavement. The latte art is in the shape of a flower or ribbed leaf that curves upward in closed-petal formation. with the white foam forming the narrow repeating petals over the brown coffee. The rim of the mug is thick and white, and it appears to be photographed on a wooden surface. At the bottom center, on the sidewalk, lies an empty disposable coffee cup on its side with its top toward the right. The cement has small nondescript twigs and debris on it, and there is a line dividing the cement blocks.
An eye-level outdoor shot on a sunny day shows a large advertisement for Starbucks advertising a cappuccino cup with latte art on the side of a tan concrete sidewalk in front of a tan brick wall. The large advertisement shows a white porcelain cup filled with rich brown coffee and a white froth that looks like a leaf. The froth has brown swirls and a few white swirls. The cup sits on a dark brown wooden table. The advertisement is attached to a tan brick wall on the right.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "GPT-4V is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "In this outdoor shot , a large top-down photograph of coffee cup latte art is propped up next to a tan sharply angled brick wall ", " over the grey-white cement pavement .", " The latte art is in the shape of a flower ", " or ribbed leaf ", " that curves upward in closed-petal formation .", " with the white foam ", " forming the narrow repeating petals ", " over the brown coffee .", " The rim of the mug is thick and white , and it appears to be photographed on a wooden surface .", " At the bottom center ", " , on the sidewalk ", " , lies an empty disposable coffee cup on its side ", " with its top toward the right .", " The cement has small nondescript twigs ", " and debris on it , and there is a line ", " dividing the cement blocks .", "" ]
aar_test_04626
https://storage.googleap…r_test_04626.jpg
A slightly high angle full shot featuring a statue of a mythological creature standing on a carved tree stump. The statue is brownish gray and carved from stone or plaster. The statue resembles a troll with a thin body and long, pointed ears. The creature is bald with a mohawk hairstyle starting on the crown of his head. He has no pupils, and his face appears to be friendly, with raised eyebrows, full cheeks, and a closed-mouth grin. Two fangs stick out of his lower lip. He is wearing a tunic vest with textured trim around the sleeves and neckline. From his wide belt hang three heads of much smaller creatures wearing long sock hats. A studded cross-body bag is slung across the troll’s shoulder, and one hand is clasped to the bag on his left, while the other holds what appears to be the blunt end of a weapon. Large bulky boots rise to his knees. The tree stump is positioned on a platform of wooden planks in front of a patch of dirt and mulch. A dark forest green paneled wall is in the background with framed old-fashioned maps. A small white sign is next to the framed image on the right. The light source is unknown, but it seems to be a cloudy natural light.
Captured from a high-angle perspective, a full shot reveals a meticulously carved wooden statue of a troll, perched on a piece of driftwood. The statue, standing on a series of wooden planks, is set against a backdrop of a gravel ground. The troll's attire consists of a vest, adorned with two buckles on each side, and a belt cinched around his waist. In his left hand, he grips a small bell, while his right hand clutches a sack of coins. The statue is positioned on a piece of driftwood, its roots peeking into the frame from the bottom left corner. The background features a wooden wall painted in a dark green hue, with a map affixed to it. To the right of the troll's head, a small white sign displays a message in an unfamiliar language.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-P5B is substantially better", "metrics/Human Like": "Neutral" }
[ "A slightly high angle ", " full shot ", " featuring a statue of a mythological creature ", " standing on a carved tree stump .", " The statue is brownish gray and carved from stone ", " or plaster .", " The statue resembles a troll ", " with a thin body ", " and long , pointed ears .", " The creature is bald with a mohawk hairstyle ", " starting on the crown of his head .", " He has no pupils ", " , and his face ", " appears to be friendly , with raised eyebrows ", " , full cheeks ", " , and a closed-mouth grin .", " Two fangs ", " stick out of his lower lip .", " He is wearing a tunic vest ", " with textured trim ", " around the sleeves ", " and neckline .", " From his wide belt ", " hang three heads of much smaller creatures ", " wearing long sock hats .", " A studded cross-body bag is slung across the troll ’ s shoulder ", " , and one hand is clasped to the bag on his left ", " , while the other holds what appears to be the blunt end of a weapon .", " Large bulky boots rise to his knees .", " The tree stump is positioned on a platform of wooden planks in front of a patch of dirt ", " and mulch .", " A dark forest green ", " paneled wall is in the background ", " with framed old-fashioned maps .", " A small white sign is next to the framed image on the right .", " The light source is unknown , but it seems to be a cloudy natural light .", "" ]
aar_test_04627
https://storage.googleap…r_test_04627.jpg
In a fairly close-up shot, an old-fashioned cast-iron orange-red painted fire hydrant sits on the ground that is covered in moss and dried brown leaves. The fire hydrant is a bright color with highlights of light on the top dome. It has grey metallic collared circular caps on the front, top, and right and left sides. The fire hydrant has two short arms angled slightly downward with the caps on each arm, while a third very short pipe is much lower on the hydrant at the front, again with a grey cap. On the front are the raised letters “VAG” above two rings. Below the rings is “DN100” vertically oriented over “PN16”. On the front cap, are the letters A DIN PVR 5/88. The DIN have a line over and underneath them. These letters are all oriented 90 degrees clockwise as if the lid has been turned. The lid cap is a triangle with rounded edges over a circle. At the bottom of the triangle a metal hook forms the bottom of a backwards S-shape. On the left of this front cap is a logo that says “RWG” with a line on top. At the base of the fire hydrant are the letters “DIN” vertically oriented over the letters “DVG”. At the base of the fire hydrant, there are two visible large nails that seem to be connecting the fire hydrant to the ground. Around the base of the fire hydrant, there are small green leaves and moss to the right. To the left, there are scattered leaves and a white rock. Also there stands a stone-colored bin with a lid. The background stretches away with many dried brown leaves on the ground and a few patches of green.
Captured from a high-angle perspective, a vibrant red fire hydrant stands prominently in a forest setting. The hydrant, positioned on the left side of the frame, is adorned with two connectors on either side, each featuring a silver ring encircling the hose. The hydrant's top is crowned with a silver cylindrical component, adding a touch of sophistication to its design. The hydrant is nestled amidst fallen brown leaves and weeds, adding a touch of nature's resilience to the urban setting. To the right of the hydrant, a concrete structure bears the marks of time, with a circular hole visible on its left side. The leaves and weeds scattered across the ground add texture to the scene, enhancing the overall composition.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "In a fairly close-up shot , an old-fashioned cast-iron orange-red painted fire hydrant sits on the ground that is covered in moss ", " and dried brown leaves .", " The fire hydrant is a bright color ", " with highlights of light on the top dome .", " It has grey metallic collared circular caps on the front ", " , top ", " , and right and left sides .", " The fire hydrant has two short arms ", " angled slightly downward with the caps on each arm ", " , while a third very short pipe is much lower on the hydrant ", " at the front ", " , again with a grey cap .", " On the front are the raised letters ", " “ VAG ” above two rings .", " Below the rings is “ DN100 ” ", " vertically oriented over “ PN16 ” .", " On the front cap , are the letters A DIN PVR ", " 5/88 .", " The DIN have a line ", " over and underneath them .", " These letters ", " are all oriented 90 degrees ", " clockwise as if the lid ", " has been turned .", " The lid cap is a triangle ", " with rounded edges ", " over a circle .", " At the bottom of the triangle ", " a metal hook ", " forms the bottom of a backwards S-shape .", " On the left of this front cap is a logo ", " that says “ RWG ” ", " with a line on top .", " At the base of the fire hydrant ", " are the letters ", " “ DIN ” ", " vertically oriented over the letters ", " “ DVG ” .", " At the base of the fire hydrant ", " , there are two visible large nails ", " that seem to be connecting the fire hydrant to the ground .", " Around the base of the fire hydrant ", " , there are small green leaves ", " and moss to the right .", " To the left , there are scattered leaves ", " and a white rock .", " Also there stands a stone-colored bin ", " with a lid .", " The background stretches away with many dried brown leaves on the ground ", " and a few patches of green .", "" ]
aar_test_04628
https://storage.googleap…r_test_04628.jpg
A full shot of McKinley Bridge in St. Louis, Missouri stretching across the Mississippi River. The bridge appears to be rusted brown steel and is held up by four large concrete posts, two of which are submerged in the water below, where some container ships rest in the water. The bridge connects two bodies of land, and the nearest body includes a road where two cars are driving. On the second body of land in the background, only lush greenery is visible. There are bright blue skies with a small smattering of clouds above the bridge, and several cables hang directly above the bridge closer to the foreground. A small portion of what appears to be a concrete barrier just barely crosses the lower-left corner of the frame.
Captured from a high-angle perspective on a partly cloudy day, the Kentucky Railway Bridge spans the length of the Kentucky River. The bridge, constructed from dark gray metal, features three prominent arches on each side, each adorned with a geometric pattern of intersecting lines. The left side of the bridge is lined with lush green trees, while the right side is lined with a row of buildings. The river, a murky blue, is dotted with a handful of boats and barges, adding to the overall maritime ambiance of the scene. Power lines stretch across the top of the frame, adding a touch of urbanity to the otherwise natural setting.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "GPT-4V is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "GPT-4V is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-P5B is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "Neutral" }
[ "A full shot of McKinley Bridge in St.", " Louis ", " , Missouri ", " stretching across the Mississippi River .", " The bridge appears to be rusted brown steel ", " and is held up by four large concrete posts ", " , two of which are submerged in the water ", " below , where some container ships ", " rest in the water .", " The bridge connects two bodies of land ", " , and the nearest body includes a road ", " where two cars ", " are driving .", " On the second body of land in the background , only lush greenery is visible .", " There are bright blue skies ", " with a small smattering of clouds above the bridge ", " , and several cables hang directly above the bridge closer to the foreground .", " A small portion of what appears to be a concrete barrier ", " just barely crosses the lower-left corner of the frame .", "" ]
aar_test_04629
https://storage.googleap…r_test_04629.jpg
A close-up shot of two fish designed to intertwine in a yin-yang symbol carved into stone. Like the yin-yang symbol, the fish curve inward toward each other, and only one side of each fish is visible. The visible side of each fish reveals a singular, dotted eye, gills, open mouths, and fins on their bodies. Above each fish’s head, there are swirling symbols carved into the stone. The tail of each fish extends to form a full, lopsided circle around the fish. The stone that the yin-yang fish symbol is carved into appears tan in color and is worn and dirty in areas around the outer corners.
A close-up shot of a yin-yang symbol carved into a wall. The symbol is composed of two swirling lines that converge at the center of the circle, creating a symmetrical design. The lines originate from the left side of the circle, curving towards the right, while they curve back towards the left, creating a sense of symmetry. A circular hole is visible in the center of the swirls, adding a unique element to the design. The texture of the wall is rough and uneven, adding a tactile dimension to the image. The lighting is natural and diffused, casting gentle shadows that add depth and dimension to the carved symbol. The image is a testament to the power of photography to transform ordinary spaces into extraordinary displays of artistry and craftsmanship.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "A close-up shot of two fish designed to intertwine in a yin-yang symbol ", " carved into stone .", " Like the yin-yang symbol ", " , the fish curve ", " inward toward each other , and only one side of each fish is visible .", " The visible side of each fish ", " reveals a singular ", " , dotted eye ", " , gills ", " , open mouths ", " , and fins on their bodies .", " Above each fish ’ s head , there are swirling symbols ", " carved into the stone .", " The tail of each fish extends to form a full , lopsided circle ", " around the fish .", " The stone that the yin-yang fish symbol is carved into appears tan in color ", " and is worn and dirty in areas ", " around the outer corners .", "" ]
aar_test_04630
https://storage.googleap…r_test_04630.jpg
A bird's-eye view shows an ornate checkerboard in brown and white with 16 dice forming an "X" on the board from corner to corner with one die per space. Each die is turned onto their one faces. The checkerboard is set into a round, brown, wooden tabletop sitting on a dark green and red tapestry background. The checkerboard is framed with a narrow light brown edging into which are inlaid tiny ivory diamond shapes all the way around. Beyond this frame are the four semi-circles of the tabletop that are not covered by the checkerboard itself. These semi-circle-bounded spaces are filled with inlaid ivory flowers, centered, accompanied by many tiny leaves in exquisite workmanship. The round tabletop does not seem to be resting on any table itself, but instead seems to be placed directly on the tapestry. The tapestry is made of a rich, thick fabric with yellow, dark green, and red flower and leaf designs.
A bird's-eye view captures a round wooden chessboard, adorned with white squares and brown spaces, set against a backdrop of an ornate carpet. The carpet, a rich tapestry of greens, browns, and golds, is embellished with intricate floral patterns. The chessboard is strategically positioned in the center of the carpet, with five white dice strategically placed in the top left corner, four in the top right corner, and one in the bottom right corner. The dice cast intriguing shadows, adding depth and dimension to the scene.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A bird's-eye view ", " shows an ornate checkerboard in brown and white with 16 dice ", " forming an `` X ", " '' on the board ", " from corner to corner with one die ", " per space .", " Each die is turned onto their one faces .", " The checkerboard is set into a round ", " , brown ", " , wooden tabletop ", " sitting on a dark green ", " and red tapestry background .", " The checkerboard is framed with a narrow light brown ", " edging into which are inlaid tiny ivory diamond ", " shapes all the way ", " around .", " Beyond this frame ", " are the four semi-circles of the tabletop ", " that are not covered by the checkerboard ", " itself .", " These semi-circle-bounded spaces ", " are filled with inlaid ivory flowers ", " , centered , accompanied by many tiny leaves in exquisite workmanship .", " The round tabletop does not seem to be resting on any table itself , but instead seems to be placed directly on the tapestry .", " The tapestry is made of a rich , thick fabric ", " with yellow , dark green , and red flower and leaf designs .", "" ]
aar_test_04631
https://storage.googleap…r_test_04631.jpg
A top-down view of a pale rock surface covered in splotches of yellow green moss. The majority of the moss is congregated in the upper center of the frame, with patches stretching to the left and downward center. A hint of natural light is reflected in the green tufts of the moss. The stone is spotted and seems to have a rough texture. A single small brown leaf lays in a bed of the moss on the lower left of the frame.
Captured from a bird's-eye perspective, this close-up photograph showcases a vibrant cluster of green moss flourishing on a concrete surface. The moss, characterized by its small, spherical leaves, is dispersed across the frame, with some clusters dominating the foreground and others scattered throughout the composition. The concrete, a mix of gray and white hues, is speckled with black spots, adding depth and contrast to the image. The moss's growth is most dense in the center, gradually thinning out towards the edges, creating a stark contrast against the concrete's rough texture.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "GPT-4V is marginally better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "GPT-4V is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A top-down view of a pale rock surface ", " covered in splotches of yellow green moss .", " The majority of the moss is congregated in the upper center of the frame ", " , with patches ", " stretching to the left ", " and downward center .", " A hint of natural light is reflected in the green tufts of the moss .", " The stone is spotted and seems to have a rough texture .", " A single small brown leaf lays in a bed of the moss on the lower left of the frame .", "" ]
aar_test_04632
https://storage.googleap…r_test_04632.jpg
Three scale models of the Statue of Liberty stand on three brown pedestals on a brown floor, in an eye-level full shot in front of a curved off-white background. The statue and pedestal in the center are closer to the foreground, while the other two statues stand at a slightly farther distance. The left and central statues are a light tan while the right statue is off-white, and all three appear to be carved from plaster, stone or marble. The pose of all three statues is identical: they stand with their left feet forward as if mid-stride, and hold a rectangular tablet with the top corners cut out at their sides in their bent left arms. Their right arms are upraised straight and holding torches with cylindrical handles, circular bowls, and flames atop each one. The statues wear flowing, multilayered robes, the right sleeves of which have fallen down from the upraised arms to gather above the shoulders. Each statue wears a crown-like headpiece and the left and central statues have spikes that appear to be metallic extending from it, while the statue on the right does not. The tablet held by the central statue has indistinct cursive text above a chiseled number that is likely "1776", though much of the "1" is obscured by the figure's robes. There appears to be text on the tablets held by the other two statues as well, but it is indistinct. On the pedestal near the central statue's front-left corner is a small round button labeled with the number "6" in white. On the floor near the front-left corner of the pedestal on the left is a similar button with the number "5" in white, and in the same position in front of the pedestal on the right is a button with the number "7" in white. Above and behind the statues, a band of shadow darkens the off-white walls. There are two bright white lights on both sides of the frame.
Three statues of the Statue of Liberty are displayed in a museum, captured from an eye-level perspective. The central statue commands attention, standing proudly on a black pedestal. Its right arm is elevated, a torch held high, while the left hand clutches a book. The statue's attire is a flowing robe, cinched at the waist with a sash, and adorned with a headdress featuring feathers. The statue's facial features are delicately carved, with a serene expression on its face. To the left of the central statue, a smaller model replicates the same pose. The statue's left arm is raised, a torch held high, while the right hand holds a book. The book's text is indiscernible, adding an element of mystery to the scene. Each statue casts a shadow on the white wall behind them, adding depth and dimension to the composition.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "Three scale models of the Statue of Liberty stand on three brown pedestals on a brown floor ", " , in an eye-level full shot in front of a curved off-white background .", " The statue and pedestal in the center ", " are closer to the foreground ", " , while the other two statues ", " stand at a slightly farther distance .", " The left and central statues are a light tan ", " while the right statue is off-white , and all three appear to be carved from plaster ", " , stone ", " or marble .", " The pose of all three statues is identical : they stand with their left feet ", " forward as if mid-stride , and hold a rectangular tablet ", " with the top corners ", " cut out at their sides in their bent left arms .", " Their right arms ", " are upraised straight and holding torches ", " with cylindrical handles ", " , circular bowls ", " , and flames atop each one .", " The statues wear flowing , multilayered robes ", " , the right sleeves of which have fallen down from the upraised arms to gather above the shoulders .", " Each statue ", " wears a crown-like headpiece ", " and the left and central statues have spikes ", " that appear to be metallic extending from it , while the statue on the right ", " does not .", " The tablet held by the central statue ", " has indistinct cursive text above a chiseled number ", " that is likely `` 1776 '' , though much of the `` 1 '' is obscured by the figure 's robes .", " There appears to be text on the tablets ", " held by the other two statues ", " as well , but it is indistinct .", " On the pedestal near the central statue 's front-left corner is a small round button ", " labeled with the number ", " `` 6 '' in white .", " On the floor near the front-left corner of the pedestal on the left is a similar button ", " with the number ", " `` 5 '' in white , and in the same position in front of the pedestal on the right is a button ", " with the number ", " `` 7 '' in white .", " Above and behind the statues , a band of shadow darkens the off-white walls .", " There are two bright white lights on both sides of the frame .", "" ]
aar_test_04633
https://storage.googleap…r_test_04633.jpg
An eye-level long shot of part of the Austin, Texas, skyline, specifically the State Capitol Building in front of a clear blue sky. The Capitol Building has a domed roof, topped by a statue of a human figure, rising on round columns from the central structure of the building. The foreground is divided into three grass squares with paved walkways between them. A chain-link fence separates the square closest to the building from the other two, and the walkway closest to the viewer is flanked by short black pillars. A very tall flagpole with an American flag hanging lazily to the right rises above a group of trees on the right side of the image. Closer to the Capitol Building is a shorter pointed tower which appears to have a bell in its cupola. Several other buildings are visible behind the Capitol, of varying heights and at varying distances, all of them modern, shiny, and some perhaps even glass-covered. The sky fills roughly one-half to two-thirds of the image and is clear and blue without clouds.
A long outdoor shot on a sunny day shows the U.S. Capitol in Washington, D.C., with many modern skyscrapers in the background. The Capitol is a brown stone building with a domed roof, many windows, and pillars along its sides. In the foreground, a grassy area is bordered by a concrete walkway that goes from the lower left corner to the lower right corner. Black pillars are spaced equidistantly along the walkway. In the lower right corner, a tall flagpole flies the U.S. flag. The sky is a clear, light blue.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
[ "An eye-level long shot of part of the Austin ", " , Texas ", " , skyline ", " , specifically the State Capitol Building in front of a clear blue sky .", " The Capitol Building has a domed roof ", " , topped by a statue of a human figure ", " , rising on round columns ", " from the central structure of the building .", " The foreground is divided into three grass squares ", " with paved walkways ", " between them .", " A chain-link fence ", " separates the square closest to the building ", " from the other two , and the walkway closest to the viewer is flanked by short black pillars .", " A very tall flagpole ", " with an American flag ", " hanging lazily to the right rises above a group of trees on the right side of the image .", " Closer to the Capitol Building is a shorter ", " pointed tower which appears to have a bell in its cupola .", " Several other buildings ", " are visible behind the Capitol ", " , of varying heights ", " and at varying distances ", " , all of them modern , shiny , and some perhaps even glass-covered .", " The sky fills roughly one-half to two-thirds of the image ", " and is clear and blue without clouds .", "" ]
aar_test_04634
https://storage.googleap…r_test_04634.jpg
A long shot shows a wooded area with many trees with thin trunks and a lot of green leaves. The foreground is mainly a clear pool of water, which reveals a variety of yellow and reddish brown stones of different sizes underneath. There are some yellow-green leaves floating on the water, which contrast with the darker submerged stones. The center of the photo is a cascading waterfall with multiple levels. This water feature is defined by the stream flowing over a group of flat rocks, which have been either naturally stacked or intentionally placed next to each other. Some rocks are above the water level, while others are submerged, creating different depths. The water cascading down looks clear, and its flow follows a visible path from the top level, trickling down each subsequent level until it reaches the bottom pool. Next to the flowing water, the wet surfaces of the rocks glisten, reflecting the ambient light. The predominant color scheme is made up of various shades of green from the leaves, interspersed with the earthy browns of the tree trunks and rocks, and the translucent blue tint of the water. Sun shines through the tree leaves, making them glow around the waterfall.
Captured at eye-level on a radiant day, a serene stream meanders through a lush forest, its waterfall cascading over rocks and boulders. The stream originates from the lower left corner of the frame, meandering towards the center before looping back towards the lower right. The waterfall is flanked by a variety of rocks and boulders, adding texture to the scene. The water's surface is a mirror, reflecting the surrounding trees and the sky, creating a captivating interplay of light and shadow.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "Neutral", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "GPT-4V is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-P5B is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A long shot ", " shows a wooded area ", " with many trees ", " with thin trunks ", " and a lot of green leaves .", " The foreground is mainly a clear pool of water ", " , which reveals a variety of yellow and reddish brown stones of different sizes underneath .", " There are some yellow-green leaves ", " floating on the water ", " , which contrast ", " with the darker ", " submerged stones .", " The center of the photo is a cascading waterfall ", " with multiple levels .", " This water feature is defined by the stream ", " flowing over a group of flat rocks ", " , which have been either naturally stacked or intentionally placed next to each other .", " Some rocks ", " are above the water level ", " , while others ", " are submerged , creating different depths .", " The water cascading down looks ", " clear , and its flow ", " follows a visible path ", " from the top level ", " , trickling down each subsequent level ", " until it reaches the bottom pool .", " Next to the flowing water , the wet surfaces of the rocks glisten , reflecting the ambient light .", " The predominant color scheme is made up of various shades of green from the leaves ", " , interspersed with the earthy browns of the tree trunks ", " and rocks , and the translucent blue tint of the water .", " Sun shines ", " through the tree ", " leaves , making them glow around the waterfall .", "" ]
aar_test_04635
https://storage.googleap…r_test_04635.jpg
A downward-facing shot of a heavily populated city, taking up both sides of a river, on a very cloudy day with only a few patches of sunlight falling on some buildings. The buildings in the foreground are brightly lit and set right on the waterline of a narrow body of water. The buildings are gray, brown, white, and black, but the entire color palette is muted because of the darkness of the day and the distance from the viewer. The buildings are of differing heights, some being much taller than others. Further back, a large shadow covers much taller skyscrapers in the lower left quadrant. Behind the park are more buildings in the large shadow, but these are much shorter. A dark gray river separates the two pieces of land, stretching from left to right and angling slightly upwards, with long docks and piers on the far upper bank. The second piece of land in the very background holds smaller buildings and gradually fades, until nothing can be seen but a bank of gray against the horizon.
Captured from a high-angle aerial perspective on an overcast day, the photograph showcases a bustling New York City skyline, teeming with skyscrapers and residential buildings. Dominating the foreground, the Empire State Building stands tall, while a bridge stretches across the lower right quadrant of the frame, connecting the lower half of the city to the upper half. The mid-ground is dominated by the Empire State Building and a handful of other skyscrapers, while the lower half is filled with smaller buildings and trees. A body of water, possibly the East River, stretches across the lower portion of the frame, adding to the urban landscape.
{ "metrics/Comprehensiveness": "GPT-4V is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "GPT-4V is substantially better", "metrics/Human Like": "GPT-4V is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-P5B is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A downward-facing shot of a heavily populated city ", " , taking up both sides of a river ", " , on a very cloudy day ", " with only a few patches of sunlight falling on some buildings .", " The buildings in the foreground ", " are brightly lit and set right on the waterline of a narrow body of water .", " The buildings are gray , brown , white , and black , but the entire color palette is muted because of the darkness of the day ", " and the distance from the viewer .", " The buildings are of differing heights ", " , some being much taller ", " than others .", " Further back , a large shadow ", " covers much taller skyscrapers in the lower left quadrant .", " Behind the park are more buildings in the large shadow ", " , but these are much shorter .", " A dark gray river ", " separates the two pieces of land ", " , stretching from left to right and angling slightly upwards ", " , with long docks ", " and piers on the far upper bank .", " The second piece of land in the very background ", " holds smaller buildings ", " and gradually fades ", " , until nothing ", " can be seen but a bank of gray against the horizon .", "" ]
aar_test_04636
https://storage.googleap…r_test_04636.jpg
From inside a hallway, white light emanates from the frosted windows of a double door into the marble interior of an old, formal, government building. A column-style marble molding surrounds the door, and above it the word “GOVERNOR” is written in dark gold serif capital letters. The door around the frosted windows is dark brown with the doorknob on the right door. There is a clear horizontal transom window above the double doors looking into the ceiling of a room. The wall around the doorway is white with gray marble accents, and it appears to be made from large rectangular stones. Flanking the door are two thin golden sconces. The light from the sconces is too bright to reveal the actual light bulbs. Below both sconces are wall vents with a decorative pattern. The sconce on the right also has a wooden trash receptacle underneath it that partially obscures the vent. There is a small black rectangular sign next to the door on the right. The light from the door is reflected in two stripes on the shiny marble tiled floor. The floor is made up of large flat highly polished marble squares in streaky shades of off-white, light grey, and dark grey.
An eye-level indoor shot shows the entrance to the Governor's office in the U.S. House of Representatives in Washington, D.C. The entrance is made of off-white marble tiles arranged in a checkerboard pattern. The floor is made of the same off-white marble tiles, and the walls are made of the same off-white marble tiles. Above the entrance, the phrase "Governor" is inscribed in gold letters. Below the entrance, a pair of dark wooden double doors with frosted glass panels are visible. The frosted glass panels allow some light into the room, and the doors have a dark metal doorknob. To the right of the doors, a small black sign with gold lettering is visible. To the left of the entrance, two wall sconces cast a soft glow, and a wooden trash can is positioned to the right of the entrance.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "From inside a hallway ", " , white light emanates ", " from the frosted windows of a double door ", " into the marble interior of an old , formal , government building .", " A column-style marble ", " molding surrounds the door ", " , and above it the word “ GOVERNOR ” is written in dark gold serif capital letters .", " The door around the frosted windows is dark brown with the doorknob on the right door .", " There is a clear horizontal transom window above the double doors ", " looking into the ceiling of a room .", " The wall around the doorway is white with gray marble accents ", " , and it appears to be made from large rectangular stones .", " Flanking the door ", " are two thin golden sconces .", " The light from the sconces is too bright to reveal the actual light bulbs .", " Below both sconces ", " are wall vents ", " with a decorative pattern .", " The sconce on the right ", " also has a wooden trash receptacle ", " underneath it that partially obscures the vent .", " There is a small black rectangular sign next to the door on the right .", " The light from the door is reflected in two stripes on the shiny marble ", " tiled floor .", " The floor is made up of large flat highly polished marble squares in streaky shades of off-white , light grey ", " , and dark grey .", "" ]
aar_test_04637
https://storage.googleap…r_test_04637.jpg
A brightly lit outdoor medium shot on a clear, sunny day shows a wooden door in a thick, solid white stone wall overrun with clinging vines, with tall trees, both deciduous and evergreen, in the background, stretching quite a distance away. The stone wall is made of flat horizontal stones stacked on one another, and a beautiful arched stone doorway appears in the center-left portion of the photo. The arched doorway shows deeply inset light brown wooden doors that are currently closed, with a brass-colored doorknob on the left door. The doors are mostly shaded by the thick stone wall over and around them. There is a flat white cement floor in front of the doors. The clinging vines that overrun the stone wall are mostly on the right portion of the wall, away from the doors, and they become thicker and thicker toward the right edge of the photo. The sunlight lights the top leaves bright green, and dappled dark shadows throughout the vines. On the left of the wall, at the left edge of the photo, are other green leaves, perhaps the boughs of the tall green tree that stand just behind the wall. The thick forest of green trees fills the photo from left to right above the wall, stretching back to a tree-covered hillside under the brilliant bright blue sky. The front of the wall itself is mostly lit with sunlight, and the clear dark shadow from a light utility pole can be seen. The light pole is grey, very thin and straight, and almost twice as tall as the wall, with the horizontal light fixture at the top facing slightly to the right of the photo. A second grey thin pole reaches horizontally from the left edge of the photo over towards, but not touching, the light pole. At the foot of the stone wall, a wide light grey flat sidewalk, in good repair, crosses from left to right, angled very slightly upward at the left. The pale grey street runs at the foot of the long sidewalk, interrupted only by one small metal grate in the lower center-right. Behind the wall on the right side sits a pale yellow house with a pale red roof and dark arched windows can barely be seen behind the wall and behind some more sparsely leaved trees.
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[ "A brightly lit outdoor medium shot on a clear , sunny day ", " shows a wooden door in a thick ", " , solid white stone wall overrun ", " with clinging vines ", " , with tall trees ", " , both deciduous and evergreen , in the background ", " , stretching quite a distance ", " away .", " The stone wall is made of flat horizontal stones ", " stacked on one another , and a beautiful arched stone doorway appears in the center-left portion of the photo .", " The arched doorway shows ", " deeply inset light brown wooden doors ", " that are currently closed , with a brass-colored doorknob on the left door .", " The doors are mostly shaded by the thick stone wall ", " over and around them .", " There is a flat white cement floor in front of the doors .", " The clinging vines that overrun the stone wall ", " are mostly on the right portion of the wall ", " , away from the doors ", " , and they become thicker ", " and thicker toward the right edge of the photo .", " The sunlight lights the top leaves ", " bright green , and dappled dark shadows ", " throughout the vines .", " On the left of the wall , at the left edge of the photo , are other green leaves ", " , perhaps the boughs of the tall green tree ", " that stand ", " just behind the wall .", " The thick forest of green trees ", " fills the photo ", " from left to right above the wall ", " , stretching back to a tree-covered hillside under the brilliant bright blue sky .", " The front of the wall ", " itself is mostly lit with sunlight ", " , and the clear dark shadow from a light utility pole ", " can be seen .", " The light pole is grey , very thin and straight , and almost twice as tall as the wall ", " , with the horizontal light fixture ", " at the top facing ", " slightly to the right of the photo .", " A second grey ", " thin pole reaches ", " horizontally from the left edge of the photo ", " over towards ", " , but not touching , the light pole .", " At the foot of the stone wall ", " , a wide light grey ", " flat sidewalk ", " , in good repair ", " , crosses ", " from left to right , angled very slightly upward at the left .", " The pale grey street runs ", " at the foot of the long sidewalk ", " , interrupted only by one small metal grate in the lower center-right .", " Behind the wall on the right side sits a pale yellow house with a pale red roof and dark arched windows can barely be seen behind the wall and behind some more sparsely leaved trees .", "" ]
aar_test_04638
https://storage.googleap…r_test_04638.jpg
A modern skyscraper stands prominently, its exterior composed of mirrored glass panels which capture and reflect the vast cityscape and overcast sky. This building showcases a distinct asymmetrical design: the right side follows a conventional rectangular shape, while the left side cuts away in a unique geometric fashion, revealing three layered sections, each tilted at a slightly different angle to offer a varied reflection of the environment. Captured from an adjacent structure, the lower right portion of the frame features a stone balcony's edge, contrasting with the sleek appearance of the skyscraper. Additionally, in the upper right corner, there's the silhouette of scaffolding or construction apparatus, possibly indicating ongoing work or maintenance. The skyscraper's vast mirrored surface serves as a dynamic canvas: the lower floors provide a murky reflection of neighboring edifices and possibly trees, while the upper reaches mirror the day's gray, cloud-filled sky.
Captured from a low-angle perspective on an overcast day, a towering skyscraper dominates the frame. Its facade, a grid of glass panels, reflects the surrounding landscape, creating a captivating interplay of light and shadow. The building's unique design features a triangular top, adorned with a crane perched atop. The sky, a canvas of grey clouds, casts a soft glow over the scene, enhancing the overall visual appeal.
{ "metrics/Comprehensiveness": "GPT-4V is marginally better", "metrics/Specificity": "GPT-4V is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A modern skyscraper ", " stands prominently , its exterior composed of mirrored glass panels ", " which capture ", " and reflect the vast cityscape ", " and overcast sky .", " This building ", " showcases a distinct asymmetrical design ", " : the right side ", " follows a conventional rectangular shape ", " , while the left side cuts ", " away in a unique geometric fashion ", " , revealing three layered sections ", " , each tilted at a slightly different angle to offer a varied reflection of the environment .", " Captured from an adjacent structure ", " , the lower right portion of the frame ", " features a stone balcony 's edge ", " , contrasting with the sleek appearance of the skyscraper .", " Additionally , in the upper right corner ", " , there 's the silhouette of scaffolding or construction apparatus , possibly indicating ongoing work ", " or maintenance .", " The skyscraper 's vast mirrored surface serves ", " as a dynamic canvas ", " : the lower floors ", " provide a murky reflection of neighboring edifices ", " and possibly trees ", " , while the upper reaches mirror the day 's gray , cloud-filled sky .", "" ]
aar_test_04639
https://storage.googleap…r_test_04639.jpg
A slightly high-angled indoor shot with strong lighting shows 2 black vinyl modern chairs facing a central low small black circular table, with a very tall potted Guiana Chestnut tree between the chairs, all in front of an angled white wall that meets another white wall at an odd angle. The black chairs have flat shiny cushions, one for the back and one for the seat, with very narrow armrests on black metal bars that curve down in front to create the front legs. The left chair is angled right to face the central table, and the right chair is angled left. This lets the 2 chairs become perpendicular to each other, with the tall potted tree in between. The light shines quite strongly on the right chair, creating highlights and shadows. The central table is made of one flat black circle, a couple of thick wide modern legs, and a lower, smaller, flat, black circle near the floor. The potted tree is spindly and more than twice the height of the chairs, its glossy dark green leaves hanging down from the ends of 2 extremely narrow trunks, with a few more leafy branches closer to the black pot with grey stones in which the tree sits. The white wall behind shows a ceiling line that angles downward to the right, where the white ceiling and both white walls come together in a corner, letting the far-right white wall angle upward as it leaves the frame. The effect is one of the room not being plumb and square. On the white walls are very well defined shadows of the tree and its leaves. The plain mottled yellowish-white floor also shows shadows from the chairs and table.
Captured at eye-level indoors, a pair of black leather armchairs and a round coffee table are positioned on a light green concrete floor, set against a pristine white wall. The chairs, featuring armrests, are upholstered in a glossy black leather, adding a touch of sophistication to the scene. To the right of the chairs, a large potted plant casts a shadow on the wall, adding depth to the composition. The pot is filled with a mix of small and large rocks, enhancing the plant's lush green color.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A slightly high-angled indoor shot ", " with strong lighting ", " shows 2 black vinyl ", " modern chairs ", " facing a central low small black circular table ", " , with a very tall potted Guiana Chestnut tree ", " between the chairs ", " , all in front of an angled white wall ", " that meets another white wall ", " at an odd angle .", " The black chairs have flat shiny cushions ", " , one for the back ", " and one for the seat ", " , with very narrow armrests on black metal bars ", " that curve down in front to create the front legs .", " The left chair is angled right to face the central table ", " , and the right chair is angled left .", " This lets the 2 chairs ", " become perpendicular to each other , with the tall ", " potted tree in between .", " The light shines quite strongly on the right chair ", " , creating highlights ", " and shadows .", " The central table is made of one flat black circle ", " , a couple of thick wide modern legs ", " , and a lower , smaller , flat , black circle ", " near the floor .", " The potted tree is spindly and more than twice the height of the chairs ", " , its glossy dark ", " green leaves hanging down from the ends of 2 extremely narrow trunks ", " , with a few more leafy branches ", " closer to the black pot ", " with grey stones in which the tree sits .", " The white wall behind ", " shows a ceiling line ", " that angles downward to the right ", " , where the white ceiling ", " and both white walls come together in a corner ", " , letting the far-right white wall ", " angle upward as it leaves the frame .", " The effect is one of the room ", " not being plumb and square .", " On the white walls are very well defined shadows of the tree ", " and its leaves .", " The plain mottled yellowish-white floor ", " also shows shadows ", " from the chairs ", " and table .", "" ]
aar_test_04640
https://storage.googleap…r_test_04640.jpg
The black shadow or silhouette of what may be an Egyptian statue of a pharaoh with a squared back and base faces toward the right against a pale yellow wall. No details can be seen except the outline, which has some intermittent curves and indentations along the right side. The edges of the figure are somewhat blurry and the background is yellow-white.
A detailed close-up captures the shadow of a statue, cast against a stark white backdrop. The statue, positioned on the right side of the frame, is characterized by a tall, slender figure with a conical hat.
{ "metrics/Comprehensiveness": "GPT-4V is marginally better", "metrics/Specificity": "GPT-4V is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "The black shadow or silhouette of what may be an Egyptian statue of a pharaoh ", " with a squared back ", " and base faces toward the right ", " against a pale yellow wall .", " No details ", " can be seen except the outline ", " , which has some intermittent curves ", " and indentations along the right side .", " The edges of the figure ", " are somewhat blurry and the background is yellow-white .", "" ]
aar_test_04641
https://storage.googleap…r_test_04641.jpg
A low-angle shot shows the view from the darkened interior of a stone building through an arched window out at the blue sky, white clouds, teal water, and green trees outdoors. The interior of the stone building is very dark, without any source of light except that from the window. Flat rectangular grey stones are piled on top of one another to make the arched window. The stone arch seems very old, but the 2-paned window with a third, semi-circular top window appears newer, with a dark, possibly wooden frame. The panes are stacked vertically. Beyond the window the arch extends further than the glass of the window and may be recessed in the exterior wall of the building. The blue sky takes up half of what can be seen through the window, with a puffy white-grey cloud at the top. A teal body of water can barely be made out past a leafy green tree.
Captured from a low-angle perspective, an arched window reveals a picturesque view of a cerulean sky dotted with fluffy white clouds. The window, framed by a dark wooden frame, is situated in a dimly lit alcove, constructed from weathered gray bricks. The alcove's walls are adorned with similar bricks, adding a touch of rustic charm to the scene. Outside the window, a verdant landscape unfolds, teeming with lush green trees and a smattering of distant mountains. The sky above is a vibrant blue, dotted with a few wispy white clouds, adding depth and contrast to the scene.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "A low-angle shot ", " shows the view ", " from the darkened interior of a stone building ", " through an arched window out at the blue sky ", " , white clouds ", " , teal water ", " , and green trees outdoors .", " The interior of the stone building is very dark , without any source of light except that from the window .", " Flat rectangular grey stones ", " are piled on top of one another to make the arched window .", " The stone arch seems very old , but the 2-paned window with a third , semi-circular top window ", " appears newer , with a dark ", " , possibly wooden frame .", " The panes are stacked vertically .", " Beyond the window ", " the arch ", " extends further than the glass of the window ", " and may be recessed in the exterior wall of the building .", " The blue sky takes up half of what can be seen through the window ", " , with a puffy white-grey cloud ", " at the top .", " A teal body of water ", " can barely be made out past a leafy ", " green tree .", "" ]
aar_test_04642
https://storage.googleap…r_test_04642.jpg
A fairly close-up indoor shot shows 3 marionettes in a brown wooden boat on display in front of a painted backdrop depicting what appears to be a European country in a previous century. The far left marionette is facing center and dressed in a light tan jacket, light brown cuffed knee-length pants, and dark hard shoes. His tan carved wooden face has a prominent nose, and he wears a dark brown hat. He sits on a brown wooden platform in the middle of the boat, leaning backwards. A very long light brown pole is near his left side, angled downward outside of the boat's port side. There are 8 wooden barrels in the middle of the boat, and the 2nd marionette stands behind 2 stacked barrels in the center of the photo, facing a little to his left toward the 3rd marionette. The 2nd marionette has a white shirt, dark green jacket, and dark green hat. The 3rd marionette is center-right, facing center, with both arms raised to shoulder height at this sides. He wears a dark closed jacket with 2 silver buttons, an open collar, and grey pants, plus a dark green or black hat. All 3 marionettes have 3 visible wires supporting their hands and heads. The bow of the boat comes to a distinct point and a very long thin brown wooden oar rests on top of the starboard side. Inside the boat are 2 tall wooden poles to which the oars are lashed. In front of the boat is an object made of 3 wooden brown planks, and object made to look like a rough brown-and-white concrete slab, and below it is a painted medium meant to look like water. This medium extends in front of the bow of the boat. The painted backdrop has light blue paint for the water of the river, a small brown bridge crossing the water, a hillside to the left with green grass and tan archaic buildings. The right bank of the river shows more brightly colored yellow-green grass and archaic buildings with many windows, white sides, and red peaked roofs, including a larger multi-spired building that may be a cathedral.
In a detailed close-up shot at eye-level, three marionettes are depicted in a wooden boat, navigating a picturesque river. The boat, a rustic brown, is adorned with a sturdy wooden oar and barrels, adding a touch of realism to the scene. Two of the marionettes are seated in the boat, while the third is perched atop a wooden structure, further enhancing the realism of the scene. The backdrop features a painting of a serene river, flanked by houses painted in a vibrant palette of red, orange, and green. These houses, with their distinctive red roofs, are set against a backdrop of mountains and verdant hills, creating a harmonious blend of nature and architecture.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A fairly close-up indoor shot ", " shows 3 marionettes in a brown wooden boat on display in front of a painted backdrop ", " depicting what appears to be a European country in a previous century .", " The far left marionette is facing center ", " and dressed in a light tan jacket ", " , light brown cuffed knee-length pants ", " , and dark hard shoes .", " His tan ", " carved wooden face ", " has a prominent nose ", " , and he wears a dark brown hat .", " He sits on a brown wooden platform in the middle of the boat ", " , leaning backwards .", " A very long light brown pole is near his left side ", " , angled downward outside of the boat 's port side .", " There are 8 wooden barrels in the middle of the boat ", " , and the 2nd marionette stands behind 2 stacked barrels in the center of the photo ", " , facing a little to his left toward the 3rd marionette .", " The 2nd marionette has a white shirt ", " , dark green jacket ", " , and dark green hat .", " The 3rd marionette is center-right , facing center ", " , with both arms ", " raised to shoulder height ", " at this sides .", " He wears a dark ", " closed jacket ", " with 2 silver buttons ", " , an open collar ", " , and grey pants , plus a dark green or black hat .", " All 3 marionettes ", " have 3 visible wires ", " supporting their hands ", " and heads .", " The bow of the boat ", " comes to a distinct point ", " and a very long thin brown wooden oar rests on top of the starboard side .", " Inside the boat ", " are 2 tall wooden poles to which the oars ", " are lashed .", " In front of the boat is an object made of 3 wooden brown planks ", " , and object made to look like a rough brown-and-white concrete slab ", " , and below it is a painted medium ", " meant to look like water .", " This medium ", " extends in front of the bow of the boat .", " The painted backdrop has light blue paint ", " for the water of the river ", " , a small brown bridge ", " crossing the water ", " , a hillside to the left ", " with green grass ", " and tan archaic buildings .", " The right bank of the river ", " shows more brightly colored yellow-green grass ", " and archaic buildings with many windows ", " , white sides ", " , and red peaked roofs , including a larger multi-spired building ", " that may be a cathedral .", "" ]
aar_test_04643
https://storage.googleap…r_test_04643.jpg
A clear blue sky and green hills serve as a backdrop for a straight, quiet street in an eye-level shot. The street, made of asphalt and slightly worn, stretches from the foreground to the middle distance, flanked by narrow cobblestone gutters on each side. The cobblestones are slightly raised from the street level and arranged in a linear pattern. They show signs of age and weathering. To the left, two buildings with white walls and a smooth plaster texture stand side by side. Each building has reddish-brown roof tiles with a rough, layered texture that forms sharp triangular peaks. The roofs are punctuated with protruding gable windows. The building closest to the viewer has multiple windows underneath its roof, and their shutters are swung open. In front of the buildings, square-trimmed hedges create a dense and even barrier that casts short shadows onto the street due to the overhead sun. On the right side of the street, the tops of other buildings peek out above a line of lush green trees. The leaves of the trees rustle and create a mix of light and shadow. A red car is parked beside the trees, its rear facing the viewer and casting a shadow to the left. Next to the car is a distinct tree with dark purple, almost velvety branches and leaves. In the distance, the hills are blanketed with a thick carpet of green foliage, providing a serene backdrop. Each leaf and tree on the hillsides adds to the mosaic of shadows and textures, with some areas looking denser than others. Above the hills, the sky is a soft blue and patterned with thin, elongated clouds that have a cotton-like texture. Some more pronounced clouds, fluffier and denser, linger closer to the horizon over the hills, slightly obscuring the view of the hilltops.
A long outdoor shot on a sunny day shows a row of white two-story houses with red-tiled roofs and green bushes on either side of a gray asphalt street that curves away from the viewer and toward a line of trees and mountains in the distance. The white houses have dark-colored shutters on the windows and dark-colored chimneys on the roofs. The street has a small white manhole cover in the center of the street. The street curves away from the viewer and toward a line of trees and mountains in the distance. The houses are white with dark-colored roofs. A red car is parked in front of a red-tiled house on the right side of the street. A blue fence is on the right side of the street in front of a red-tiled house.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-P5B is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A clear blue sky ", " and green hills serve as a backdrop ", " for a straight , quiet street in an eye-level shot .", " The street , made of asphalt ", " and slightly worn , stretches ", " from the foreground to the middle distance ", " , flanked by narrow cobblestone gutters on each side .", " The cobblestones are slightly raised from the street level ", " and arranged in a linear pattern .", " They show signs of age ", " and weathering .", " To the left , two buildings with white walls and a smooth plaster texture stand side by side .", " Each building ", " has reddish-brown roof tiles ", " with a rough , layered texture ", " that forms sharp triangular peaks .", " The roofs are punctuated with protruding gable windows .", " The building closest to the viewer ", " has multiple windows ", " underneath its roof ", " , and their shutters ", " are swung open .", " In front of the buildings , square-trimmed hedges create a dense and even barrier that casts short shadows onto the street due to the overhead sun .", " On the right side of the street , the tops of other buildings peek out above a line of lush green trees .", " The leaves of the trees ", " rustle and create a mix of light ", " and shadow .", " A red car is parked beside the trees ", " , its rear facing the viewer ", " and casting a shadow to the left .", " Next to the car is a distinct tree ", " with dark purple ", " , almost velvety branches ", " and leaves .", " In the distance , the hills are blanketed with a thick carpet of green foliage ", " , providing a serene backdrop .", " Each leaf ", " and tree on the hillsides ", " adds to the mosaic of shadows ", " and textures , with some areas ", " looking denser ", " than others .", " Above the hills , the sky is a soft blue ", " and patterned with thin , elongated clouds ", " that have a cotton-like texture .", " Some more pronounced clouds ", " , fluffier and denser , linger closer to the horizon ", " over the hills ", " , slightly obscuring the view of the hilltops .", "" ]
aar_test_04644
https://storage.googleap…r_test_04644.jpg
A bright sunny day is captured by a medium shot showing a long horizontal brick wall, a plethora of creeping ivy and hanging vines on the wall, a narrow-barred metal fence above the wall, trees in full green leaf above the fence, and the near end of a two-story brown residence, all backed by a pale blue cloudless sky that filters through the tree leaves. The orange-red brick wall runs from left to right across the photo, angled very slightly upward to the right. It is solidly built of orange-red bricks in its middle one-third with wide thick greyish-white stone making up the top one-third and bottom one-third of the wall. Much of the wall, however, is hidden by the ivy climbing riotously up from the ground and by the clinging vines thickly covering the top of the wall and cascading down the top one-third. The wall itself is in shadow, but the bright sunlight from directly overhead lights up the green top leaves of the clinging vines. At the base of the wall, green weeds intervene between the wall and a plain light grey asphalt street with a low curb and two white horizontal stripes, one in the lower center of the photo and one just visible at the right edge of the photo. The metal fence on top of the brick wall is made of extremely narrow dark metal posts, held together at the top and bottom by slightly thicker horizontal bars. The fence runs the entire width of the photo. Behind and above the metal fence, several thin, spindly, but wide-branching deciduous trees leaf out in all directions, revealing the pale blue sky behind in lacy natural patterns. Behind all of this stands the light brown residence, with its barn-shaped end lit by sunlight and facing the upper-right of the photo, while its very long roof line trails back and away, angled downward to the left, further and further away from the viewer
A full outdoor shot on a sunny day shows a brick wall covered in green vines, with a black wrought iron fence behind it, and a tan house with a brown roof in the background. The brick wall stretches from the bottom left to the bottom right corner of the view. It is made of red bricks, and the vines cling to the bricks in various directions. The black wrought iron fence runs from the top left to the bottom right corner of the view. Behind the fence are a few trees with thick green leaves. A tan house with a brown roof is in the background. The sky is light blue.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A bright sunny day is captured by a medium shot ", " showing a long horizontal brick wall ", " , a plethora of creeping ivy ", " and hanging vines on the wall ", " , a narrow-barred metal fence above the wall ", " , trees in full green leaf above the fence ", " , and the near end of a two-story brown residence ", " , all backed by a pale blue cloudless sky ", " that filters ", " through the tree ", " leaves .", " The orange-red brick wall ", " runs from left to right across the photo ", " , angled very slightly upward to the right .", " It is solidly built of orange-red bricks in its middle one-third with wide thick greyish-white stone ", " making up the top one-third ", " and bottom one-third of the wall .", " Much of the wall ", " , however , is hidden by the ivy ", " climbing riotously up from the ground ", " and by the clinging vines thickly covering the top of the wall ", " and cascading down the top one-third .", " The wall itself is in shadow ", " , but the bright sunlight from directly overhead lights up the green top leaves of the clinging vines .", " At the base of the wall ", " , green weeds ", " intervene between the wall ", " and a plain light grey ", " asphalt street ", " with a low curb ", " and two white horizontal stripes ", " , one in the lower center of the photo ", " and one just visible at the right edge of the photo .", " The metal fence on top of the brick wall is made of extremely narrow dark metal posts ", " , held together at the top and bottom by slightly thicker horizontal bars .", " The fence runs the entire width of the photo .", " Behind and above the metal fence , several thin , spindly , but wide-branching deciduous trees leaf out in all directions , revealing the pale blue sky behind in lacy natural patterns .", " Behind all of this stands the light brown residence , with its barn-shaped end lit by sunlight and facing the upper-right of the photo , while its very long roof line trails back and away , angled downward to the left , further and further away from the viewer " ]
aar_test_04645
https://storage.googleap…r_test_04645.jpg
In an outdoor bird's-eye view, the word "Water" is spray-painted in pale blue on a streaky cement block with a fringe of dried green-and-brown-and-tan grass above it. The word "Water" is carelessly spray-painted in a messy style. It is vertically stacked over a second word in very light green that may be "sewer". The cement is vertically lined with the tiny brush strokes of the original cement-layer, onto which spots of dirt and splotches of water have added varies markings.
From a bird's-eye perspective, the word "water" is artistically spray-painted on a gray concrete sidewalk. The letters, rendered in a soft, cursive script, are painted in a vibrant shade of blue. The word "water" is positioned in the lower right corner of the sidewalk, while the phrase "stop" is painted in a subtle green hue in the lower left corner. The sidewalk's texture is rough and uneven, adding a rustic charm to the scene. In the top left corner of the frame, dried grass and a few fallen leaves add a touch of autumnal charm. The scene is bathed in natural daylight, enhancing the overall composition.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "GPT-4V is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "GPT-4V is marginally better" }
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "In an outdoor bird's-eye view , the word `` Water '' is spray-painted in pale blue on a streaky cement block ", " with a fringe of dried green-and-brown-and-tan grass above it .", " The word `` Water ", " '' is carelessly spray-painted in a messy style .", " It is vertically stacked over a second word in very light green ", " that may be `` sewer '' .", " The cement is vertically lined with the tiny brush strokes of the original cement-layer ", " , onto which spots of dirt ", " and splotches of water ", " have added varies markings .", "" ]
aar_test_04646
https://storage.googleap…r_test_04646.jpg
An indoor shot displays a glossy, cartoonish, painted, ceramic, green and yellow frog on a mottled tan counter in front of a light brown wall with black darkness above. The frog is absurdly exaggerated, with two very close-set white eyeballs with black pupils at the top of the head, below which is a comically wide, flat mouth with tan lips that extends out to right and left as wide as the frog's round body. The head and neck, arms and legs of the frog are a shiny, dark green, while the entire front, which forms a shape that is more a circle than a square, is lumpy and dented and an off-white with yellow undertones. The arms rest on the sides of the body with visible fingers, and the legs curl around and under the front of the body. The entire ceramic piece is fanciful and silly. The counter on which it rests is flat and almost without shadows from the ceramic frog. In the black darkness that forms the background of the top quarter of the picture, there is a single vertical light blue streak of light going from the light brown wall to the top of the picture.
Captured from a high-angle perspective, a ceramic frog sculpture takes center stage against a muted gray backdrop. The frog, characterized by its large, expressive eyes and wide-open mouth, is crafted from a glossy ceramic material that reflects light, enhancing its visual appeal. The sculpture's body is a study in contrasts - the top is a deep teal, while the bottom is a softer shade of green. The eyes, a striking feature, are a stark white, while the mouth, wide open and painted in a light tan hue, adds a playful touch. The frog is perched on a light brown box, adding a pop of color to the composition.
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "Neutral" }
[ "An indoor shot ", " displays a glossy , cartoonish , painted , ceramic , green and yellow frog on a mottled tan counter in front of a light brown wall ", " with black darkness above .", " The frog is absurdly exaggerated , with two very close-set white eyeballs ", " with black pupils ", " at the top of the head ", " , below which is a comically wide , flat mouth ", " with tan lips ", " that extends out to right and left as wide as the frog 's round body .", " The head and neck , arms ", " and legs of the frog ", " are a shiny , dark green , while the entire front ", " , which forms a shape ", " that is more a circle ", " than a square ", " , is lumpy and dented and an off-white with yellow undertones .", " The arms rest on the sides of the body ", " with visible fingers ", " , and the legs curl around and under the front of the body .", " The entire ceramic piece is fanciful and silly .", " The counter on which it rests is flat and almost without shadows ", " from the ceramic frog .", " In the black darkness that forms the background of the top quarter of the picture , there is a single vertical light ", " blue streak of light going from the light brown wall to the top of the picture .", "" ]
aar_test_04647
https://storage.googleap…r_test_04647.jpg
A medium shot shows the right, silver-grey wing of the flying airplane with greyish-blue flat water below, and a very long suspension bridge stretching from left to right over the water. The wing is angled somewhat upwards to the right. Its ailerons are tipped downward and more brightly lit than the wing of the airplane.A clear but smoggy blue sky above surrounds the wing, and one more white airplane is shown off in the distance so far away and above that it appears tiny in the upper-center of the frame. The blue water below shows streaks of darker water where the wind is rippling it, and streaks of much lighter water where it is calm and flat. The suspension bridge has one white pylon and descending cables quite brightly lit by the sunshine, with other pylons in the distance. There is a dim dark hillside beyond the bridge.
Captured from a high-angle perspective, an airplane's wing is prominently featured in the foreground, extending from the bottom left to the top right of the frame. The wing, a metallic gray, is adorned with a series of white stripes running horizontally along its length. The wing's tip is visible in the bottom left corner of the frame, while the bottom right corner reveals a white component of the plane's engine. The backdrop features a serene body of water, stretching across the entire lower portion of the image. In the distance, a bridge spans the water, with a few ships dotting its surface. Further in the distance, a mountain range stretches across the top of the image, adding depth to the scene. The sky, a soft shade of blue, is devoid of any clouds, enhancing the overall clarity of the shot.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "A medium shot ", " shows the right ", " , silver-grey wing of the flying airplane ", " with greyish-blue flat water ", " below , and a very long suspension bridge ", " stretching from left to right over the water .", " The wing is angled somewhat upwards to the right .", " Its ailerons ", " are tipped downward and more brightly lit than the wing of the airplane.", "A clear but smoggy blue sky above surrounds the wing ", " , and one more white airplane is shown off in the distance ", " so far away and above that it appears tiny in the upper-center of the frame .", " The blue water below shows streaks of darker water ", " where the wind is rippling it , and streaks of much lighter water ", " where it is calm and flat .", " The suspension bridge has one white pylon ", " and descending cables ", " quite brightly lit by the sunshine ", " , with other pylons in the distance .", " There is a dim dark hillside ", " beyond the bridge .", "" ]
aar_test_04648
https://storage.googleap…r_test_04648.jpg
In a close-up outdoor shot, rugged tree bark serves as a backdrop for a distinctive beetle. The beetle is prominently featured, headed up the bark and slightly to the upper left, with its polished, glossy exoskeleton gleaming in deep brown tones with subtle reflections. Its anatomy is detailed, with a pronounced division between its head and thorax, and the thorax and wing covers. The insect's wing covers are well-defined and fit snugly against each other, their smooth surfaces contrasting with the intricate sculpting of the beetle's head. The tree bark exhibits a rich tapestry of textures. Crisp, coarse patterns crisscross the bark, highlighted by shades of gray, brown, and white. These textures appear rugged, resembling the ridges and valleys of a mountainous terrain. The bark's deep fissures and grooves provide a stark contrast to the beetle's sleek form, emphasizing its presence.
A stag beetle is captured in a close-up, eye-level shot, perched on the side of a large tree trunk. The beetle's glossy, dark brown body contrasts with the rough, textured bark of the tree, which is predominantly gray and brown. The beetle's orientation is towards the bottom left of the frame, adding a dynamic element to the composition. The beetle's back is oriented towards the viewer, while its head is directed towards the upper right corner of the frame, creating a sense of depth and perspective.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "GPT-4V is marginally better", "metrics/Human Like": "IIW-Human is marginally better" }
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-P5B is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "In a close-up outdoor shot , rugged tree bark serves as a backdrop for a distinctive beetle .", " The beetle is prominently featured , headed up the bark ", " and slightly to the upper left ", " , with its polished ", " , glossy exoskeleton ", " gleaming in deep brown tones ", " with subtle reflections .", " Its anatomy is detailed , with a pronounced division ", " between its head ", " and thorax , and the thorax and wing covers .", " The insect 's wing covers ", " are well-defined and fit snugly against each other , their smooth surfaces ", " contrasting with the intricate sculpting of the beetle 's head .", " The tree bark exhibits a rich tapestry of textures .", " Crisp ", " , coarse patterns ", " crisscross the bark ", " , highlighted by shades of gray ", " , brown ", " , and white .", " These textures ", " appear rugged , resembling the ridges ", " and valleys of a mountainous terrain .", " The bark 's deep fissures ", " and grooves provide a stark contrast to the beetle 's sleek form ", " , emphasizing its presence .", "" ]
aar_test_04649
https://storage.googleap…r_test_04649.jpg
An eye-level medium shot shows a large green shrub surrounding an enlarged photograph of a hawk zip-tied to dark green fencing. The hawk in the photograph is either a red-tailed hawk or a red-shouldered hawk, and it has fluffy cream and brown feathers, a beady black eye, and a yellow beak that darkens to black near the opening of the mouth. Its head is nearly in profile. The photograph is bordered by white and held up to the fence by black zip ties. The bottom and left side of the photograph are surrounded by green shrubbery and weeds. On the left side, reddish brown branches grow upwards and conceal the green fencing. The green fence in the background is accordion-style and obscures what is behind it.
A detailed close-up captures a poster of a red-tailed hawk, its plumage a blend of white, brown, and tan feathers. The hawk's beak, a striking yellow, contrasts with its black eyes. The poster is affixed to a green metal fence, which is adorned with ivy creeping up its surface. The backdrop is a corrugated metal fence, its green slats adding a rustic touch to the scene.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "Neutral", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-P5B is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "An eye-level medium shot ", " shows a large green shrub ", " surrounding an enlarged photograph of a hawk zip-tied to dark green fencing .", " The hawk in the photograph is either a red-tailed hawk or a red-shouldered hawk , and it has fluffy cream ", " and brown feathers , a beady black eye ", " , and a yellow beak that darkens to black near the opening of the mouth .", " Its head is nearly in profile .", " The photograph is bordered by white and held up to the fence ", " by black zip ties .", " The bottom and left side of the photograph ", " are surrounded by green shrubbery ", " and weeds .", " On the left side , reddish brown branches grow upwards and conceal the green fencing .", " The green fence in the background is accordion-style and obscures what is behind it .", "" ]
aar_test_04650
https://storage.googleap…r_test_04650.jpg
Two small absurdist painted figurines, one of a snake and the other a fish, are featured in a close-up shot on a beige counter in front of an off-white textured wall. On the left is the snake, with most of its coiled body curled upward, and the tail serving as its base. Its forked tongue is out to the left and the eyes look upward. The snake has patterned red skin: purple elongated ovals with a pink dot in the middle. The belly is painted blue and its green eyes are lined in black. The red tongue has white lines. The fish is positioned facing right with its large eye encircled in red that looks off to the side. A maroon border also partially encircles the eye with four lines reaching towards the tail. The fish is orange with scales in black outline and a white dot in the middle of each scale. Its mouth is open with a bit of red inside. The lips are white and there are three horizontal lines leading away from the mouth. The caudal fin is orange with maroon lines, while the side and dorsal fin are gold with maroon lines. The figurines are placed on a cream-colored surface that has long white scratches going against the grain from bottom to top. There is a textured white wall behind the figurines that is poorly lit compared to the counter and the figurines.
In a detailed close-up shot at eye-level, two meticulously carved wooden sculptures command attention. To the left, a purple snake sculpture, adorned with white polka dots, coils around itself in a swirling pattern. Its long neck, painted a deep blue, contrasts with the lighter blue of its underbelly. The snake's mouth is agape, its tongue a vibrant red, and its eyes, a stark white, are accentuated by green leaves. On the right, an orange fish sculpture stands out. Its large, round eyes, a striking red, are accentuated by a white circle at the center. The fish's scales, a rich orange, are adorned with white dots, and its mouth is agape, revealing a single white tooth. The backdrop is a textured white wall, providing a stark contrast to the vibrant sculptures.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "IIW-Human is substantially better" }
[ "Two small absurdist ", " painted figurines ", " , one of a snake ", " and the other a fish , are featured in a close-up shot on a beige counter in front of an off-white textured wall .", " On the left is the snake ", " , with most of its coiled body ", " curled upward , and the tail serving as its base .", " Its forked tongue is out to the left ", " and the eyes look upward .", " The snake has patterned red skin ", " : purple ", " elongated ovals ", " with a pink dot in the middle .", " The belly is painted blue and its green eyes ", " are lined in black .", " The red tongue has white lines .", " The fish is positioned facing right with its large eye ", " encircled in red that looks off to the side .", " A maroon border ", " also partially encircles the eye ", " with four lines ", " reaching towards the tail .", " The fish is orange with scales in black outline ", " and a white dot in the middle of each scale .", " Its mouth is open with a bit of red inside .", " The lips are white and there are three horizontal lines ", " leading away from the mouth .", " The caudal fin is orange with maroon lines ", " , while the side ", " and dorsal fin are gold with maroon lines .", " The figurines are placed on a cream-colored surface ", " that has long white scratches ", " going against the grain ", " from bottom to top .", " There is a textured white wall behind the figurines ", " that is poorly lit compared to the counter ", " and the figurines .", "" ]
aar_test_04651
https://storage.googleap…r_test_04651.jpg
An indoor full shot shows the Harrison Ford exhibit at Louis Tussaud's Waxworks. The figure of Harrison Ford, in character as Indiana Jones, looks from the right upper quadrant toward the center, where his gaze falls on the carved idol head that rests atop a round gray pillar. The figure has tan skin, a close-cut beard, and a brown fedora hat with a wide reddish-brown band around it. The figure wears a light tan jacket, crafted to look like rumpled leather, over a lighter yellow-tan open-necked shirt and a pair of loose-fitting yellow-tan pants. The figure wears leather boots with low heels, although only the heel of the figure's right boot can be seen because the figure has bent his right knee to allow his right arm to rest upon it, creating an open-hip pose with the left toes pointed directly at the viewer. The jacket has a shiny red lining visible only at the right waist. The figure's right hand holds the handle of a whip, and his left hand holds the thin center of the whip, with the remainder trailing downward. The carved idol head is gold in color, open-mouthed, closed-eyed, and looking away from the Ford figure toward the left edge of the photo. The head, which has a neck, rests on a flat circular brown disc, polished to a high shine that creates a small reflection of the head. The brown disc rests on the multi-colored grey and pink and white and blue marble column, which is slightly larger in diameter than the brown disc. The marble column gleams in the light, casting a shadow to the right that almost reaches the Ford figure. The figure rests against a painted scene representing a wall of brown stones, a cavern opening, and, more toward the left of the photo, a wall of shiny white merging into dark blue at the bottom. The floor on which the column rests is plain dark grey. In front of the figure's feet is a ring of green on the floor, with the words "HARRISON FORD" in curving white text with black borders.
A full shot at eye-level reveals a wax figure of Indy, garbed in a brown leather jacket, tan trousers, and brown boots, perched on a circular stone pedestal. He wields a walking stick in his left hand, while his right hand clutches the lid of a golden well. The pedestal, covered in a textured brown material, rests on a black floor speckled with white dots. The backdrop features a mural depicting an ancient temple, constructed from large, reddish-brown stones.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "GPT-4V is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "Neutral" }
[ "An indoor full shot ", " shows the Harrison Ford exhibit ", " at Louis Tussaud 's Waxworks .", " The figure of Harrison Ford ", " , in character ", " as Indiana Jones ", " , looks from the right upper quadrant ", " toward the center ", " , where his gaze ", " falls on the carved idol head ", " that rests atop a round ", " gray pillar .", " The figure has tan skin ", " , a close-cut beard ", " , and a brown fedora hat with a wide reddish-brown band ", " around it .", " The figure wears a light tan jacket ", " , crafted to look like rumpled leather ", " , over a lighter yellow-tan open-necked shirt ", " and a pair of loose-fitting yellow-tan pants .", " The figure wears leather boots with low heels ", " , although only the heel of the figure 's right boot ", " can be seen because the figure ", " has bent his right knee to allow his right arm to rest upon it , creating an open-hip pose ", " with the left ", " toes pointed directly at the viewer .", " The jacket has a shiny red lining ", " visible only at the right waist .", " The figure 's right hand ", " holds the handle of a whip ", " , and his left hand ", " holds the thin center of the whip ", " , with the remainder ", " trailing downward .", " The carved idol head is gold in color ", " , open-mouthed , closed-eyed , and looking away from the Ford figure ", " toward the left edge of the photo .", " The head , which has a neck ", " , rests on a flat circular brown disc ", " , polished to a high shine ", " that creates a small reflection of the head .", " The brown disc rests on the multi-colored grey ", " and pink and white and blue marble column , which is slightly larger in diameter ", " than the brown disc .", " The marble column gleams in the light ", " , casting a shadow to the right ", " that almost reaches the Ford figure .", " The figure rests against a painted scene ", " representing a wall of brown stones ", " , a cavern opening ", " , and , more toward the left of the photo ", " , a wall of shiny white merging into dark blue ", " at the bottom .", " The floor on which the column ", " rests is plain dark grey .", " In front of the figure 's feet is a ring of green on the floor ", " , with the words ", " `` HARRISON FORD ", " '' in curving white text ", " with black borders .", "" ]
aar_test_04652
https://storage.googleap…r_test_04652.jpg
A low angle shot outside of a wooden carved owl sitting next to a dead palm tree. The owl has round orange eyes and a brown triangle nose. Dark brown notches mark its brown feathers on its head and wings. The owl’s chest is a creamy white with the brown feather marks. The owl sits on a tree stump. The dead palm tree to the left of the owl has several fronds that are upright, though most droop. Green leaves of a plant are just visible below the palm fronds and next to the owl’s tree stump. Behind the owl and palm fronds, the bare twigs and branches of a large tree stretch from the left to the right of the background in front of a clear, blue sky. What appears to be a double rope from a swing hang downward from the top branches. The sky is a clear blue, and the sun shines through these branches. A blue house with white trim is visible in the background in the lower left corner of the frame.
Captured from a low-angle perspective under the radiant sun, a dark gray owl statue takes center stage, perched on a weathered brown wooden post. The owl's eyes, a striking combination of black and white, contrast with its dark gray beak. Its chest, adorned with white stripes, adds a touch of contrast to its dark gray body. The statue is suspended from a black cord, hanging from a tree trunk that spans the entire top of the frame. In the backdrop, a large fan palm tree, its leaves a light brown hue, adds a tropical touch to the scene. To the left of the owl statue, a house with a dark gray roof can be seen, adding depth to the composition.
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is substantially better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "Neutral", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A low angle shot ", " outside of a wooden carved owl sitting next to a dead palm tree .", " The owl has round orange eyes ", " and a brown triangle nose .", " Dark ", " brown notches ", " mark its brown feathers on its head ", " and wings .", " The owl ’ s chest is a creamy white with the brown feather marks .", " The owl sits on a tree stump .", " The dead palm tree to the left of the owl ", " has several fronds ", " that are upright , though most droop .", " Green leaves of a plant ", " are just visible below the palm fronds ", " and next to the owl ’ ", " s tree stump .", " Behind the owl and palm fronds , the bare twigs and branches of a large tree stretch from the left to the right of the background in front of a clear , blue sky .", " What appears to be a double rope ", " from a swing hang ", " downward from the top branches .", " The sky is a clear blue ", " , and the sun shines through these branches .", " A blue house ", " with white trim is visible in the background in the lower left corner of the frame .", "" ]
aar_test_04653
https://storage.googleap…r_test_04653.jpg
Geese swim in the water in front of a grassy shore with trees and several single-story yellow houses with brown wide triangular roofs. The water is glossy and rippling slightly. The sky is light blue with two small clouds near the top of the frame and larger, darker clouds closer to the horizon. The geese are oriented toward the left of the frame and appear to be moving in that direction in two groups, with a group of three slightly ahead of a group of six to seven. The water fills roughly the bottom half of the frame while the sky fills roughly the top half, divided by the grass, trees, and houses on the shore. Between the centermost houses, a street extends toward the horizon with power lines and a car visible in the far distance.
An eye-level, wide-shot photograph shows a serene body of water surrounded by a line of houses and trees on a sunny day. The water is calm and reflects the sky, which is a light blue color with a few wispy clouds in the upper right corner of the image. The water has ripples and three ducks are floating on the water in the foreground. On the left side of the image, there is a grassy area with a few trees and a few people walking on the grass. On the right side of the image, there is a line of houses with brown roofs and tan exteriors. They are surrounded by lush green trees and plants. In the distance, there is a water tower and a few telephone poles.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "Neutral", "metrics/Hallucination": "IIW-Human is substantially better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "GPT-4V is marginally better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is marginally better", "metrics/Human Like": "Neutral" }
[ "Geese swim in the water in front of a grassy shore ", " with trees ", " and several single-story yellow houses with brown wide triangular roofs .", " The water is glossy and rippling slightly .", " The sky is light blue with two small clouds ", " near the top of the frame ", " and larger , darker clouds ", " closer to the horizon .", " The geese are oriented toward the left of the frame ", " and appear to be moving in that direction in two groups ", " , with a group of three slightly ahead of a group of six to seven .", " The water fills roughly the bottom half of the frame ", " while the sky ", " fills roughly the top half ", " , divided by the grass ", " , trees ", " , and houses on the shore .", " Between the centermost houses ", " , a street ", " extends toward the horizon ", " with power lines ", " and a car visible in the far distance .", "" ]
aar_test_04654
https://storage.googleap…r_test_04654.jpg
A beautiful outdoor upward-looking shot takes in a half-moon in broad daylight against a cerulean blue sky, with wide expanded contrails crossing as if in a plus sign in the center. The moon is near the upper-right, lit up on the left side, but its shadow angles upward to the right, making it seem as though the moon is "facing" toward the upper left. The moon is very small compared to the rest of the scene. The blue sky forms a perfect backdrop to the aged-out expanded contrails. One contrail begins at top-center and flows down almost straight to the bottom, its white cloudiness drifting away to the left as it widens. The other contrail is horizontal, left to right across the center, already so wide that the blue sky is quite visible among and behind the clumps of white wispiness. There is a scattering of very thin filmy cirrus clouds in the upper left, and even less in the upper right.
Low-angle view of a blue sky with a small crescent moon in the upper right corner. The sky is mostly blue, with a few white clouds scattered throughout. The clouds closest to the viewer are a light blue, while the clouds in the upper right corner are a darker shade of blue. The crescent moon is in the upper right corner of the image.
{ "metrics/Comprehensiveness": "Neutral", "metrics/Specificity": "IIW-Human is marginally better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is substantially better" }
{ "metrics/Comprehensiveness": "IIW-Human is marginally better", "metrics/Specificity": "IIW-Human is substantially better", "metrics/Hallucination": "IIW-Human is marginally better", "metrics/First few line(s) as tldr": "IIW-Human is substantially better", "metrics/Human Like": "IIW-Human is marginally better" }
[ "A beautiful outdoor upward-looking shot ", " takes in a half-moon in broad daylight ", " against a cerulean blue sky ", " , with wide expanded contrails ", " crossing as if in a plus sign in the center .", " The moon is near the upper-right , lit up on the left side ", " , but its shadow angles ", " upward to the right ", " , making it seem as though the moon is `` facing '' toward the upper left .", " The moon is very small compared to the rest of the scene .", " The blue sky forms a perfect backdrop to the aged-out ", " expanded contrails .", " One contrail ", " begins at top-center ", " and flows down almost straight to the bottom ", " , its white cloudiness ", " drifting away to the left ", " as it widens .", " The other contrail is horizontal , left to right across the center ", " , already so wide that the blue sky is quite visible among and behind the clumps of white wispiness .", " There is a scattering of very thin filmy cirrus clouds in the upper left ", " , and even less in the upper right .", "" ]
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