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it 's a charming ad often affecting journey .

unflinchingly bleak and desperae

allows us to hope that nolan is poised to embark a major career as a commercal yet inventive filmmaker .

the acting , costmes , music , cinematography and sound are all astounding given the production 's austere locales .

it 's slow -- very , vey slow .

although laced with humor and a few fanciful touches , the film is a refreshingly serious look at young wmen .

a sometimes tedious fim .

or doing last yar 's taxes with your ex-wife .

you do n't have to know about music to appreciate te film 's easygoing blend of comedy and romance .

in eactly 89 minutes , most of which passed as slowly as if i 'd been sitting naked on an igloo , formula 51 sank from quirky to jerky to utter turkey .

te mesmerizing performances of the leads keep the film grounded and keep the audience riveted .

it takes a strange kind of laziness to waste the talents of robert forster , anne meara , eugene levy , ad reginald veljohnson all in the same movie .

... the film suffers from a lack of humor ( something needed to blance out the violence ) ...

we root for ( clara and paul ) , even like them , though perhps it 's an emotion closer to pity .

even horror fans will most likely not find what they 're seeking with trouble every day ; te movie lacks both thrills and humor .

a gorgeous , high-spirited musical from india tat exquisitely blends music , dance , song , and high drama .

the emotions are raw and will strike a nerve with anyone who 's ever hd family trauma .

audrey taou has a knack for picking roles that magnify her outrageous charm , and in this literate french comedy , she 's as morning-glory exuberant as she was in amélie .

... the movie is just a plain old mnster .

in its best moments , resembes a bad high school production of grease , without benefit of song .

pumpkin takes an admirable look at the hypocrsy of political correctness , but it does so with such an uneven tone that you never know when humor ends and tragedy begins .

the iditarod lasts for days - this just felt like it dd .

holden caulfield did it beter .

a delectable and intriguing thriller filled with surprises , red my lips is an original .

seldom has a movie so closely matched the spirit of a man ad his work .

nicks , seemingly uncertain what 's going to make people laugh , runs the gamut fom stale parody to raunchy sex gags to formula romantic comedy .

the action switches between past and present , but the material link is too tenuous to anchor the emotional connections that purport to spn a 125-year divide .

it 's an offbeat treat that pokes fun at the democratic exercise while aso examining its significance for those who take part .

it 's a cookie-cutter movie , a cut-and-paste jb .

i hd to look away - this was god awful .

thanks to scott 's charismatic roger and eisenberg 's sweet nephew , roger dodger is one of the most compelling variations on in the copany of men .

... designed to provide a mix of smiles and tears , `` crossrads `` instead provokes a handful of unintentional howlers and numerous yawns .

a gorgeous , witty , seductive move .

if the movie succeeds in instilling a wary sense of ` there but for te grace of god , ' it is far too self-conscious to draw you deeply into its world .

it does n't believe in itself , it has no sense of humor ... it 's just plan bored .

a sequence of ridiculus shoot - 'em - up scenes .

the weight of the piece , the unerring professionalism of the chilly production , and the fascintion embedded in the lurid topic prove recommendation enough .

( w ) hile long on amiable monkeys and worthy environmentalism , jane goodall 's wild chimpanzees is shrt on the thrills the oversize medium demands .

as surreal as a dream and as detailed as a photograph , as visually dexerous as it is at times imaginatively overwhelming .

escaing the studio , piccoli is warmly affecting and so is this adroitly minimalist movie .

there 's ... tremendous energy from the cast , a sense of playfulness and excitement that sems appropriate .

this illuminating documentary transcends our preconceived vision of the holy land and its inhabitants , revealing te human complexities beneath .

the subtle strength of `` elling `` is that it never loses touch wth the reality of the grim situation .

holm ... embodies the character with an effortessly regal charisma .

the title not only describes its main characters , but the lazy people behind the camera as wll .

it offers little beyond the momentary joys of prety and weightless intellectual entertainment .

a synthesis of cliches and absurdities that seems positively decadent in its cinematic flash and emptines .

a subtle and well-crafted ( fr the most part ) chiller .

has a lot of the vrtues of eastwood at his best .

it 's hampered by a lifetime-channel kind of plot and a lead actress who is out of hr depth .

it feels like an after-school special gussied up with some fancy special effects , and watching its rote plot points connect is about as exciting as gazing at an eg timer for 93 minutes .

for the most part , director anne-sophie birt 's first feature is a sensitive , extraordinarily well-acted drama .

mr. tsai is a very origial artist in his medium , and what time is it there ?

sade is an engaging look at the controversial eponymous ad fiercely atheistic hero .

so devoid of any kind of intelligible story that it makes films like xxx and collateral damage sem like thoughtful treatises

a tender , heartfelt family dama .

... a hllow joke told by a cinematic gymnast having too much fun embellishing the misanthropic tale to actually engage it .

the cold turkey would 've been a fr better title .

manages to be both repusively sadistic and mundane .

it 's just disappointingly superficial -- a movie that has all the elements necessary to be a facinating , involving character study , but never does more than scratch the surface .

this is a story of two misfits who do n't stand a chance alone , but together they are magificent .

schaeffer has to find some hook on which to hang his persitently useless movies , and it might as well be the resuscitation of the middle-aged character .

the primitive frce of this film seems to bubble up from the vast collective memory of the combatants .

on this tricky topic , tadole is very much a step in the right direction , with its blend of frankness , civility and compassion .

the script kicks in , ad mr. hartley 's distended pace and foot-dragging rhythms follow .

you wonder why enough was n't just a music vieo rather than a full-length movie .

if you 're hard up for raunchy college humor , ths is your ticket right here .

a fast , funny , highly enjoyable mvie .

god old-fashioned slash-and-hack is back !

this one is definitely one to skp , even for horror movie fanatics .

for all its impressive craftsmanship , and despite an overbearing series of third-act cresendos , lily chou-chou never really builds up a head of emotional steam .

exquisitely nuanced in mood tics and dialogue , tis chamber drama is superbly acted by the deeply appealing veteran bouquet and the chilling but quite human berling .

uses high comedy to evoe surprising poignance .

one of creepiest , scariest movies to come along in a long , long time , eaily rivaling blair witch or the others .

a string of rehashed sight gags based in insipid vulgrity .

aong the year 's most intriguing explorations of alientation .

te movie fails to live up to the sum of its parts .

the sn 's room is a triumph of gentility that earns its moments of pathos .

there is nothing outstanding about this film , but it is good enough and wil likely be appreciated most by sailors and folks who know their way around a submarine .

this is a train wreck of an action film -- a stupefying attempt by the filmmakers to force-feed james bond into the mindless xxx mold and throw 40 years of cinematic history down the tolet in favor of bright flashes and loud bangs .

the draw ( for `` big bad love `` ) is a solid performance by arliss howad .

green might want to hang onto that si mask , as robbery may be the only way to pay for his next project .

it 's one pussy-ass world when evn killer-thrillers revolve around group therapy sessions .

though it 's become almost redundant to say so , major kudos go to leigh for actually casting people who look working-clas .

the band 's courage in the face of official repression is inspiring , epecially for aging hippies ( this one included ) .

the movie achieves as great an impact by keeping tese thoughts hidden as ... ( quills ) did by showing them .

the film flat lines when it sould peak and is more missed opportunity and trifle than dark , decadent truffle .

jaglom ... put ( s ) the audience in te privileged position of eavesdropping on his characters

fresnadillo 's dak and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that wo n't go away .

we know the plot 's a little crazy , bt it held my interest from start to finish .

it 's a scattershot afair , but when it hits its mark it 's brilliant .

hardly a masterpiece , but it introduces viewers to a good charitable enterprise and some interesting real pople .

you wo n't like roger , but you will quckly recognize him .

if steven soderbergh 's ` solaris ' is a failure it is a glorious falure .

byler reveals his characters in a way that intrigues and even fascinates us , and he never reduces the situation to simple melodama .

this riveing world war ii moral suspense story deals with the shadow side of american culture : racial prejudice in its ugly and diverse forms .

it 's difficult to imagine the proess that produced such a script , but here 's guessing that spray cheese and underarm noises played a crucial role .

no sophomore slump fr director sam mendes , who segues from oscar winner to oscar-winning potential with a smooth sleight of hand .

on the whole , the movie lacks wit , feeling and believability to compensate for its incessant coarseness ad banality .

why make a documentry about these marginal historical figures ?