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Department of digitization Digital repository of scientific institutes Publishing Commission Crossing borders, building walls. Towards ethnography of Russian war mobilisation Research project’s title: Crossing borders, building walls. Towards ethnography of Russian war mobilisation Funding: Polish National Agency for Academic Exchange (NAWA) nr BPN/GIN/2022/1/00082/DEC/1 Dates: 16.01.2023-16.01.2024 Project leader: dr Zuzanna Bogumił Project host: Institute of Archaeology and Ethnology of the Polish Academy of Sciences Cooperating Institutions: University of Eastern Finland, Wydział Socjologii UW, Instytut Slawistyki PAN, Nazarbayev University, Ilia State University, Institute of Archaeology and Ethnology NAS RA, Bursa Uludağ University Contact: e-mail: zbogumil(et)iaepan.edu.pl The main goal of the project is to investigate the specificity of the migration wave related to mobilisation in Russia announced in September 2022 regarding the ongoing war in Ukraine. Project puts a particular focus on establishing: how do migrants explain their decision to flee from mobilisation? How do they explain the mobilisation? To what extent do they perceive the migration as an individual, social and political act? The project recognizes that the mobilisation is a new pushing factor in the contemporary European and World’s migration crisis, and therefore it requires a separated academic reflection. Moreover, since February 2022, there has been a clear and dynamic increase in the number of Russian diasporas in Europe and around the world, and their status and role require investigation. We therefore focus on Russian migration of mobilisation in order to establish how it fits into the debates about the humanitarian crisis, what are its particular features and how mobilisation as a pushing factor affects the current migration landscape. Within the framework of the project in 8 selected countries - Poland, Finland, Estonia, Georgia, Armenia, Turkey, Kazakhstan and Mongolia - we aim to conduct in-depth interviews (IDI) each with migrants/refugees/fugitives/conscientious objectors of Russian citizenship from different social strata and ethnic groups who crossed the border after the announcement of partial mobilisation in their country. As a supplementary methods we use participant observation and critical discourse analysis (CDA), essential for contextualising this wave of migration in particular countries. The project involves conducting interviews with people in the migration crisis, which is why we attach great importance to the methodology, ethics, safety of research and securing the collected data. The ethical principles of the project "Crossing borders, building walls" are based on the universal principle of respect for human rights. In the protection and processing of personal data, we follow the principles contained in Regulation 2016/679 - Protection of natural persons with regard to the processing of personal data and on the free movement of such data, and repealing Directive 95/46/EC (General Data Protection Regulation ), and relevant documents applicable to our partners from outside the EU whose countries have not adopted Regulation 2016/679. Mustafa Berkay Aydın with a bachelor's degree in Sociology (Ankara University, Ankara, Turkey) and he obtained PhD (2015) in Sociology (Middle East Technical University, Ankara, Turkey). Now, he works as Assoc. Prof. at Bursa Uludağ University Department of Sociology, Bursa/Turkey. He is interesting in digital sociology, sociology of sport, applied sociology, political sociology, migration and sociology of work. He has published some publications in these areas. He conducts researches at Turkey, on the other hand he was at different countries and universities as a visiting reseacrher at his academic process in a various times such as University of Kent (UK), London Metropolitan University (UK) and Stockholm University (Sweden). Detailed Infırmation: https://avesis.uludag.edu.tr/berkayaydin, email: berkayaydin(et)uludag.edu.tr) Alima Bissenova is an Associate Professor of Anthropology at Nazarbayev University. She specializes in urban anthropology, anthropology of Islam, postcolonial studies, and intellectual history. She has published her work in English and Russian in the journals Religion, State, and Society, Europe-Asia Studies, AB Imperio, Novoe Literaturnoe Obozrenie, Current History, and Sotsiologiya Vlasti. Zuzanna Bogumił (project coordinator) is cultural anthropologist, working at the Institute of Archeology and Ethnology, Polish Academy of Sciences. She specializes in memory studies, museum studies and anthropology of religion. Bogumił is an author, co-author or co-editor of several books, among them: Gulag Memories: The Rediscovery and Commemoration of Russia's Repressive Past (Berghan Books 2018), Milieux de mémoire in Late Modernity. Local Communities, Religion and Historical Politics (Peter Lang 2019). Memory and Religion from a Postsecular Perspective (Routledge 2022). She currently coordinates several projects among them project Post-secular approach to memory processes in Central-Eastern Europe sponsored by Visegrad Found. Mariam Darchiashvili is an Assistant-Professor in social and cultural anthropology at Ilia State University, Georgia. Her research interest includes migration and mobilities, informality, and economic and legal anthropology. As a researcher, she has been involved in the following scientific projects: ‘Religiosity among young Georgians’ (2015-2018); ‘Infrastructure and Narratives: Black Sea Networks’ (2018-2019); ‘Surrogacy as Networked Phenomenon: the study of key actors and their interrelations’ (2020-2023), ‘Death in migration: perspectives from the post-Soviet space’ (2021-2022). Her articles have appeared in Nationalities Papers, Journal of Religion in Europe, and Revue Européenne des Migrations Internationales (REMI). Olga Davydova-Minguet, PhD in ethnology, holds a professorship in Russian and border studies at the Karelian Institute of the university of Eastern Finland. Davydova-Minguet’s main research interests fall within the intersections of migration, cultural, gender and transnational studies. She has studied immigration of Russian speakers to Finland since the beginning of 2000s. With her research group, recently she has conducted research projects focusing on transnational politics of memory in the border areas of Finland and Russia, media use of Russian speakers in Finland, and perceptions of Russia in Finnish border areas among different population groups. Her current Finnish Academy’s funded research project delves into death practices among Russian-speaking immigrants in Eastern Finland, and into the meanings of death in memory politics in bordering Republic of Karelia in Russia and Eastern Finland. Ketevan Gurchiani is a professor of anthropology at Ilia State University in Tbilisi, Georgia. She is particularly interested in lived religion, the domesticated and undomesticated nature of the city, and informal practices of resistance. Since 2020, Ketevan Gurchiani has been leading the project: "Tbilisi as an Urban Assemblage" (https://urbanassemblage.iliauni.edu.ge). In this project she is interested in different aspects of the intertwining of human and non-human in the city. Ketevan Gurchiani is also involved in the projects "An Anthropology of Gardens Otherwise and Elsewhere", "Surrogacy as Networked Phenomenon", and “Conflict and Cooperation in Eastern Europe”. Webpage https://faculty.iliauni.edu.ge/arts/ketevan-gurchiani/?lang=en Byambabaatar Ichinkhorloo PhD is the head of the Challenge Local Development Research Institute in Mongolia and a senior lecturer at the Department of Anthropology and Archaeology, National University of Mongolia. Previously, he worked as a lecturer at the University of Zurich and a co-investigator of "Gobi Framework" research project at the University of Oxford. As a social anthropologist, Byamba is studying how people make a living in Mongolia since 1990. His earlier research focused on social networks, pastoralism, and political economy and ecology. Recently, he studies nomadic cultures, state policies, and mining impacts in Inner Asia. His latest publication includes the "Impact of Mining Lifecycles in Mongolia and Kyrgyzstan: Political, Social, Environmental and Cultural Contexts." Chuluunbaatar Munkhtuul PhD is a senior researcher at the Challenge Local Development Research Institute and a lecturer at the Department of Anthropology and Archaeology, National University of Mongolia. She received her doctorate from the Minzu University of China in Beijing and worked in the international research institutes including World Anthropology and Ethnology Research Center and research projects of ADB and World Bank in addition to her academic teaching at the University of Art and Culture. Her research focuses on kinship, family, politics, rituals, migration and bio-politics in Mongolia and China. Her latest publication includes the "Care and the State: Family of Comtemporary Chinese Villages and the Government." Sona Nersisyan received PhD degree in history and ethnology at the Institute of Archeology and Ethnography NAS RA. I am a senior researcher at the Department of Diaspora Studies at the same Institute. Also, I have an experience of working as a lecturer at the Armenian State Pedagogical University, and Scientific Advisor to the Director of National Institute of Labor and Social Research by Ministry of Labor and Social Affairs of RA.I managed and participated in the international and state research projects in different fields, which include migration, diaspora studies, repatriation studies, social network analysis, investment and socio-economic studies. Raili Nugin is a sociologist, working at the School of Humanities, Tallinn University. During her academic career she has studied transition to adulthood, generational conceptualisation, youth mobilities, rural youth, rural-urban relations, memory transmission and social exclusion. Within her different research projects (international and national), she has also studied Russian ethnic minorities in Estonia and recently, Ukrainian refugees in the context of rural-urban networks. She has authored several research articles in different journals (Memory Studies, Journal of Youth Studies, Journal of Rural Studies, Sociologia Ruralis), edited a book about generations (“Generations in Estonia: Contemporary Perspectives on Turbulent Times,” Tartu University 2015) and written a monograph about the generation born in the 1970s (“The 1970s: Portrait of a Generation at the Doorstep,” Tartu University 2015). Tomasz Rawski is a political and cultural sociologist focused on researching memory politics, nationalism/war and state socialism in contemporary Eastern Europe and beyond. He authored a book on Bosniak nationalism in Bosnia and Herzegovina after 1995 and several articles in renowned journals, including East European Politics and Societies, International Journal of Comparative Sociology and Problems of Post-Communism. He participated in research projects focused on memory politics, including H2020: REPAST and H2020: DisTerrMem. He was a visiting scholar at University College London, Uppsala University and University of Sarajevo. Katarzyna Roman-Rawska, assistant professor at the Institute of Slavic Studies of the Polish Academy of Sciences. Literary scholar, sociologist, publicist and literary translator. She works on the intersection of culture and politics as well as anti-regime and anti-war resistance in contemporary Russia. https://pan-pl.academia.edu/KatarzynaRomanRawska Tamilla Şahin is a PhD student at the Bursa Uludag University, Department of Labour Economics and Industrial Relations. At the same time, I am continuing my doctoral education as project assistant in Priority Migration area within the YÖK 100 / 2000 program. My research interests include immigration, Meskhetian Turks and their social issues. Caress Schenk is an Associate Professor of political science at Nazarbayev University (Astana, Kazakhstan) with teaching and research expertise in the politics of immigration and national identity in Eurasia. Her new book, published with the University of Toronto Press, is called Why Control Immigration? Strategic Uses of Migration Management in Russia. Current and previous research has been funded by the American Councils for International Education, Nazarbayev University and the Fulbright Scholar Program and has been published in Demokratizatisya, Europe-Asia Studies, and Nationalities Papers, and in edited volumes published by Edinburgh University Press and Oxford University Press. Dr. Schenk is a member of the Program on New Approaches to Research and Security in Eurasia (PONARS Eurasia). Anna Sokolova is a Kone Foundation Fellow at the Helsinki Collegium for Advanced Studies (University of Helsinki). Her previous research was related to Soviet death and funeral culture, which resulted in the book “A New Death for a New Man? Funeral Culture in the Early Soviet Union” (2022, in Russian). Her current project tends to reveal everyday life in timber production workers’ settlement of late Soviet Karelia.

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Theatre Royal (film) 1943 British film Theatre Royal John Baxter Bud Flanagan Austin Melford Geoffrey Orme Chesney Allen Lydia Sherwood Jack Harris Kennedy Russell British National Films Anglo-American Film Corporation Theatre Royal is a 1943 British comedy film directed by John Baxter and starring Bud Flanagan, Chesney Allen and Lydia Sherwood. [1] The plot concerns an attempt by the staff of a theatre to prevent its closure. The film's sets were designed by C. Wilfred Arnold. A London theatre is threatened with closure, but its staff fight to raise funds and secure the support of an important backer. The owners Parker and Maxwell try to prevent Harding from buying it but must find money. They find a rich old American, Clement J. Earle, and try to get money out of him, but also trick him buying antique furniture in an old country house. As Flanagan and Allen sleep together in a huge ornate bed the ghosts of the old house appear. Flanagan dreams they are Sir Francis Drake and Walter Raleigh meeting Queen Elizabeth I. They audition the background helpers in the theatre to create a show including George the handyman. During the auditions they hear a wonderful female voice offstage and bring her on. She is a wonderful soprano. Flanagan and Allen put on blackface and sing on stage as a toff nd his chauffeur. They sing "I'll Always Have Time for You". From the stage they spot Harding in the audience. Parker and George meet Harding's representative in a bar. They spot the man drugging the drinks so they swap them. Harding falls asleep. They steal his wallet for evidence. The next protege on stage is a very young boy (around ten) who drums excellently as the orchestra support him. Mr Earle comes back and together with an English backer, Mr Bowman, they back a new show "Shake Partner". The show starts with the soprano coming out of a huge clam shell. She is joined by twenty ballerinas. Flanagan and Allen put on top hat and tails and end the show. Bud Flanagan - Bob Parker Chesney Allen - Gordon Maxwell Peggy Dexter - Connie Webster Lydia Sherwood - Claudia Brent Horace Kenney - George Marjorie Rhodes - Agnes Finlay Currie - Clement J. Earle Owen Reynolds - Harding Maire O'Neill - Mrs. Cope Gwen Catley as Singer Victor Feldman and His Orchestra as Themselves Buddy Flanagan as Callboy Hal Gordon as Gambler Ted Heath as Himself David Hutcheson as Harry Jiver Hutchinson Jack Melford as Himself Charles Mortimer as Himself George Shearing as Himself Ben Williams as Himself Fame is a 1980 American teen musical film directed by Alan Parker. Set in New York City, it chronicles the lives and hardships of students attending the High School of Performing Arts, from their auditions to their freshman, sophomore, junior and senior years. Wonderful Town is a 1953 musical with book written by Joseph A. Fields and Jerome Chodorov, lyrics by Betty Comden and Adolph Green, and music by Leonard Bernstein. The musical tells the story of two sisters who aspire to be a writer and actress respectively, seeking success from their basement apartment in New York City's Greenwich Village. It is based on Fields and Chodorov's 1940 play My Sister Eileen, which in turn originated from autobiographical short stories by Ruth McKenney first published in The New Yorker in the late 1930s and later published in book form as My Sister Eileen. Only the last two stories in McKenney's book were used, and they were heavily modified. The Crazy Gang were a group of British entertainers, formed in the early 1930s. In the mature form the group's six men were Bud Flanagan, Chesney Allen, Jimmy Nervo, Teddy Knox, Charlie Naughton and Jimmy Gold. The group achieved considerable domestic popularity and were a favourite of the Royal Family, especially King George VI. Bud Flanagan, was a British music hall and vaudeville entertainer and comedian, and later a television and film actor. He was best known as a double act with Chesney Allen. Flanagan was famous as a wartime entertainer and his achievements were recognised when he was appointed an Officer of the Order of the British Empire (OBE) in 1959. Flanagan and Allen were a British singing and comedy double act most active during the 1930s and 1940s. Its members were Bud Flanagan and Chesney Allen (1894–1982). They were first paired in a Florrie Forde revue, and were booked by Val Parnell to appear at the Holborn Empire in 1929. William Ernest Chesney Allen was a popular English entertainer of the Second World War period. He is best remembered for his double act with Bud Flanagan, Flanagan and Allen. The Big Broadcast of 1936 is a 1935 American comedy film directed by Norman Taurog, and is the second in the series of Big Broadcast movies. Bernie Winters, was an English comedian and the comic foil of the double act Mike and Bernie Winters with his older brother, Mike. Winters later performed solo, often with the aid of his St Bernard dog, Schnorbitz. Mlle. Modiste is an operetta in two acts composed by Victor Herbert with a libretto by Henry Blossom. It concerns hat shop girl Fifi, who longs to be an opera singer, but who is such a good hat seller that her employer, Mme. Cecil, discourages her in her ambitions and exploits her commercial talents. Also, Fifi loves Etienne de Bouvray, who returns her love, but his uncle, Count Henri, opposes their union. The operetta features the song "Kiss Me Again". Dorothy is a comic opera in three acts with music by Alfred Cellier and a libretto by B. C. Stephenson. The story involves a rake who falls in love with his disguised fiancée. Mr. Wonderful is a musical with a book by Joseph Stein and Will Glickman, and music and lyrics by Jerry Bock, Larry Holofcener, and George David Weiss. The Argyle Theatre was a theatre in Birkenhead, on the Wirral Peninsula, England. It was opened in December 1868, initially as the Argyle Music Hall. An audition is a sample performance by an actor, singer, musician, dancer or other performer. It typically involves the performer displaying their talent through a previously memorized and rehearsed solo piece or by performing a work or piece given to the performer at the audition or shortly before. In some cases, such as with a model or acrobat, the individual may be asked to demonstrate a range of professional skills. Actors may be asked to present a monologue. Singers will perform a song in a popular music context or an aria in a Classical context. A dancer will present a routine in a specific style, such as ballet, tap dance or hip-hop, or show his or her ability to quickly learn a choreographed dance piece. Robin Hood is a comic opera by Reginald De Koven (music), Harry B. Smith (lyrics) and Clement Scott. The story is based on the Robin Hood legend, during the reign of King Richard I. The opera was composed in Chicago, Illinois during the winter of 1888-1889. Paris Follies of 1956 is a 1955 American film directed by Leslie Goodwins. The film is also known as Fresh from Paris in the United States and the working title of the film. The film showcases several acts filmed at Frank Sennes' Moulin Rouge Night Club in 1954. Alyson Cambridge is an American operatic soprano. In addition to opera, she sings classical song, jazz, and American songbook and popular song. She is also known for her work as a model, actress, and host. Wild Boy is a 1934 British comedy sports film directed by Albert de Courville and starring Sonnie Hale, Bud Flanagan and Chesney Allen. It was by Gainsborough Pictures at Lime Grove Studios. The sets were designed by Alfred Junge. Often forgotten, but the role of "Wild Boy" was played by the greyhound Mick the Miller. We'll Smile Again is a 1942 British musical comedy film directed by John Baxter and starring Bud Flanagan, Chesney Allen and Meinhart Maur. Our Mrs. McChesney is a lost 1918 American silent comedy-drama film produced and distributed by Metro Pictures, directed by Ralph Ince, and based on the 1915 play by Edna Ferber and George V. Hobart which starred Ethel Barrymore. The Earle Theatre was a 2768-seat theatre in Philadelphia, United States at 1046 Market Street, on the southeast corner of South 11th Street. It is associated with being a thriving venue for big band jazz music in the 1930s and 1940s. ↑ BFI.org Theatre Royal at IMDb Films directed by John Baxter Doss House (1933) Song of the Plough (1933) Say It with Flowers (1934) Music Hall (1934) Flood Tide (1934) Lest We Forget (1934) Kentucky Minstrels (1934) A Real Bloke (1935) The Small Man (1935) Jimmy Boy (1935) Birds of a Feather (1936) Men of Yesterday (1936) Hearts of Humanity (1936) The Song of the Road (1937) Talking Feet (1937) The Academy Decides (1937) Stepping Toes (1938) Secret Journey (1939) What Would You Do, Chums? (1939) Laugh It Off (1940) Old Mother Riley in Society (1940) Crook's Tour (1941) Love on the Dole (1941) Old Mother Riley in Business (1941) Old Mother Riley's Ghosts (1941) The Common Touch (1941) Let the People Sing (1942) We'll Smile Again (1942) Theatre Royal (1943) The Shipbuilders (1943) Dreaming (1945) Here Comes the Sun (1946) The Grand Escapade (1946) When You Come Home (1947) Fortune Lane (1947) Nothing Venture (1948) The Second Mate (1950) Judgment Deferred (1952) The Dragon of Pendragon Castle (1950) Ramsbottom Rides Again (1956) This article related to a British comedy film of the 1940s is a stub. You can help Wikipedia by expanding it.

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Arthur Lupia National Academies of Science, Engineering, and Medicine's Strategic Council for Research Excellence, Integrity, and Trust (2021-present). The Council works to advance the integrity, ethics, resilience, and effectiveness of the research enterprise, while at the same time preparing it for tomorrow's challenges. The Strategic Council is developing guiding principles, highlight best practices for improving research, and connect stakeholders throughout the research eco-system. The Analytics for Equity initiative seeks to leverage existing publicly available federal data, existing restricted‐use data from federal statistical agencies, and other relevant existing publicly available data and scientific advances in researching equity‐related topics for greater public benefit. It is designed to produce rigorous empirical research that federal agencies and other organizations can use to increase the impact of equity‐focused evidence‐based strategies. The National Summit on Epidemiological Modeling and Prediction focused on strengthen America’s ability to respond to infectious disease outbreaks and threats posed by the intentional or accidental release of biological agents and inform a national R&D roadmap. The Center for Open Science (Chairman of the Board 2014-2018) provides instruction, infrastructure, and incentives for increasing transparency in scientific research. (Chair of the Roundtable on the Communication and Use of the Social and Behavioral Sciences 2015-2018). The mission of this roundtable is to support the communication and use of reliable and relevant scientific research for decision-making. While focused on social and behavioral science, we seek to increase the public value of all science. (Board of Directors 2008-2018, Treasurer 2012-2018). Climate Central bridges the scientific community and the public, providing clear information to help people make sound decisions about the climate. (Principal Investigator 2011-2018, Lead Lecturer 2001- 2010 ) EITM advances scholarship through scholarships and a highly interactive training program. (Co-founder with Colin Elman). A project that seeks to increase the legitimacy, credibility, and public value of social science by developing and supporting greater transparency in scientific practice. @DARTsupporters (Co-founder with Diana Mutz) TESS is an NSF-funded infrastructure project called Time-sharing Experiments for the Social Sciences (TESS) that offers researchers opportunities to test their experimental ideas on large, diverse, randomly-selected subject populations. (Principal Investigator with Jon A. Krosnick, 2005-2009 ) The mission of the National Election Studies (NES) is to produce high quality data on voting, public opinion, and political participation that serve the research needs of social scientists, teachers, students, policy makers and journalists concerned with the theoretical and empirical foundations of mass politics in a democratic society. McCain-Feingold/BCRA In the fall of 2002, I advised the Brennan Center for Justice and the US Department of Justice on social scientific matters central to litigation over the Bipartisan Campaign Reform Act. The case was first heard by a panel of three District Court Justice and then referred automatically to the Supreme Court. Two of the three District Court judges ruled in favor of the Act. These same two judges, one a Bill Clinton appointee and the other a George W. Bush appointee, based their opinions on a careful examination of the relevant social scientific arguments including my own. The Supreme Court later affirmed these opinions. You can read their arguments here. District Court Judge Kollar-Kotelly District Court Judge Leon The Supreme Court Decision Arthur​ LUPIA

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Niagara Falls 1-800-899-9136 club details Special Shows Yuk Yuk's Niagara Falls 6455 Fallsview Blvd, ON L2G 3V9 About Yuk Yuk's Mark Breslin Jeff Silverman Mark Breslin - Founder and CEO Mark Breslin was born and raised in Toronto, Canada. He graduated York University Honours with a B.A. in English Literature. Soon after graduating, Breslin became Director of Theatre and Music for Harbourfront Corporation, an innovative cultural organization which produces events and activities at numerous venues on Toronto's waterfront. In 1974, Breslin opened the first Yuk Yuk's, in the basement of Toronto's Church Street Community Centre. Two years and many sweaty shows later, the Yuk Yuk's flag ship was moved to 1280 Bay Street in the trendy Yorkville district. Over the next decade, Yuk Yuk's would expand to its present reach of fourteen clubs across Canada. Breslin has written three books so far - Zen and Now (Somerville House), a popular Brian Mulroney joke book Son of a Meech (Random House), and most recently an autobiographical novel, Control Freaked (Insomniac Press). Add to this innumerable book reviews for The Globe and Mail, The Toronto Star and The Quill and Quire. Breslin has been a broadcaster, having hosting call-in shows on Q107 and CFRB and having appeared as a featured panelist on multiple episodes of ROB TV's "The Art Panel" and Global Television's "Grumps". Breslin has produced such television programs as "Late Night with Joan Rivers" for Fox Broadcasting, "Yuk Yuk's - the TV show" for CBC TV and "Mondo Taboo", two pay-per-view specials for The Movie Network. He was executive producer on "Friday Night with Ralph Benmergui" for CBC TV and "Yuk Yuk's 25th Anniversary Special" for the Comedy Network. Currently, Breslin is a story consultant on "Kenny vs Spenny" for CBC TV and Showcase. In addition to television, Breslin has also worked in radio, developing "Live from Yuk Yuk's", a daily radio show syndicated by the Telemedia Radio Network on over 80 stations coast to coast. He is currently program director for Laugh Attack, on XM Canada, Canada's only 24-hour Canadian comedy channel. In 1990, Breslin created the first annual "Search for Canada's Funniest New Comic", a national contest for developing new talent; that same year, he organized and hosted the first Molson Canadian Comedy Releaf Festival, which ran for nine years. In 1998, he was chosen Artistic Director for the Humber College Comedy Program. He is a founding board member of the Canadian Comedy Awards, comedy mentor for the B.C. Festival of the Arts and Artistic Director of the Whistler Comedy Festival. Breslin is also a much sought-after public speaker. Selected speaking engagements have included the American Comedy Institute in NYC, the Big Bear Comedy Workshop in L.A., Association for Campus Entrepreneurs (Toronto keynote address), York University Cultural Studies Program, York University Department of Philosophy, Toronto Jewish Film Society, Variety Club of Toronto, MENSA Society of Canada, Glendon College Alumni Association, Alberta Periodical Distributors Association and the Richard Ivey School of Business, University of Western Ontario. Join over 10,000 people who receive weekly updates and events! We take your laughter seriously! Every comic and event are rigorously vetted to ensure the highest quality in entertainment value. If you have any suggestions on how we can be even better, please don't hesitate to contact us at info@yukyuks.com.

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Statement: Bipartisan bill a big leap forward for America’s clean water infrastructure John Rumpler Senior Director, Clean Water for America Campaign and Senior Attorney, Environment America Mark Morgenstein Director of Media Relations, The Public Interest Network House panel considers allocating tens of billions of dollars to Clean Water State Revolving Fund Environment America WASHINGTON — The House Transportation and Infrastructure Committee advanced the Water Quality Protection and Job Creation Act of 2021 (H.R. 1915) on Wednesday. The bill would authorize $40 billion over five years for the Clean Water State Revolving Fund, a U.S. Environmental Protection Agency (EPA) program that provides communities with low-cost financing for clean water infrastructure projects. Additionally, H.R. 1915 includes provisions designed to both assist small or financially disadvantaged communities and dedicate 15 percent of the funding to state grants for green infrastructure improvements. Aging and failing water infrastructure results in sewage and runoff pollution seeping into our waterways, which in turn exposes millions of Americans to waterborne illness. In 2019, test results from 3,172 beaches across America showed that more than half of those beaches were potentially unsafe for swimming on at least one day. The EPA estimates that we will need $271 billion to maintain and improve wastewater infrastructure over the next 20 years. In response to H.R. 1915 passing the committee, John Rumpler, Environment America’s clean water program director, issued the following statement: “H.R. 1915 represents major progress toward making America’s waterways safe for swimming. This bill not only provides urgently needed funding to stop sewage overflows but also dedicates a substantial portion of the money to green projects, including nature-based solutions that prevent runoff pollution from flowing into our rivers, lakes, and streams. “Of equal importance, the committee rejected proposals to allow sewage plants to keep dumping the same levels of pollution for 10 more years — which would have undermined the bill’s infrastructure investments and the Clean Water Act itself. “Poll after poll shows that Americans across the political spectrum want to see government investment in clean water infrastructure and H.R. 1915 does just that. “We applaud all of the House Transportation and Infrastructure Committee members who voted to advance H.R. 1915. The bipartisan team of Committee Chair Peter DeFazio, Subcommittee Chair Grace Napolitano, and Rep. Brian Fitzpatrick introduced this bill together and their staffs are working to ensure all our waterways are clean and safe for swimming. We urge Congress to enact this legislation to thwart further water pollution as soon as possible.”

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Space Command HQ decision criticized as ‘politically motivated’ By: Jacob Fischler - January 14, 2021 12:10 am The Special Air Mission (SAM) 26000, U.S. President John F. Kennedy’s Air Force One, sits on display at the National Museum of the United States Air Force in the Presidential Gallery on November 20, 2013 in Dayton, Ohio at the National Air Force Museum at Wright-Patterson Air Force Base. (Photo by Matt Sullivan/Getty Images) The U.S. Air Force has selected Huntsville, Ala., as the permanent headquarters for the U.S. Space Command, passing over the command’s existing base in Colorado Springs, the Air Force said Wednesday. Colorado Gov. Jared Polis and Lt. Gov. Dianne Primavera, both Democrats, raised concerns that President Donald Trump overruled military decision-makers and made the decision to reward political allies in Alabama. Space Command now is at Peterson Air Force Base. “Reports that the in-depth military process found Colorado Springs to be the best location for military readiness and cost and recommended Colorado to the President only to be overruled for politically motivated reasons are deeply concerning,” they said in a joint statement. Alabama’s six Republican U.S. House members voted last week to object to certifying the Electoral College results. Republican Tommy Tuberville also beat incumbent U.S. Sen. Doug Jones, a Democrat, in the state’s Senate election in November. But in Colorado, Democrat John Hickenlooper defeated incumbent Republican U.S. Sen. Cory Gardner and Colorado voted for Trump’s challenger, President-elect Joe Biden. Peterson Air Force Base housed a previous version of Space Command from 1985 to 2002. The Air Force has overseen military space operations from the site since. The Air Force began a selection process for a permanent home for the Space Command, a combatant command overseeing the new Space Force military branch, last year, and selected Peterson as one of six finalists in November. The others, besides Huntsville, were Patrick Air Force Base in Brevard County, Fla.; Kirtland Air Force Base in Albuquerque, N.M.; Offutt Air Force Base in Bellevue, Neb.; and Joint Base San Antonio in Texas. The Air Force said it selected Huntsville’s Redstone Arsenal because of its ability to support the command’s mission, its infrastructure and the cost to the Department of Defense. “Huntsville compared favorably across more of these factors than any other community, providing a large, qualified workforce, quality schools, superior infrastructure capacity, and low initial and recurring costs,” the Air Force release said. The Air Force says Huntsville is the “preferred site” for Space Command but not final until a favorable environmental impact analysis is complete. The analysis is estimated to be completed in spring 2023. Asked about a report that Trump overruled Air Force Secretary Barbara Barrett for political reasons, Air Force spokeswoman Sarah Fiocco said, “That doesn’t seem like an accurate depiction of what happened” and that Barrett made the decision. The siting decision will likely have major economic impacts on both the Huntsville and Colorado Springs areas. Peterson drives billions of dollars in economic activity in the area. The defense industry accounts for 1 in 12 jobs in Colorado, with about half of those concentrated in El Paso County, which is home to Peterson, according to a state report in 2018. The Department of Defense spent more than $2.1 billion on contracts in El Paso County in 2016 alone. Defense jobs and veterans account for 40% of El Paso County’s economy. Peterson will remain the provisional headquarters until the permanent site “is ready to support the mission,” the Air Force release said. by Jacob Fischler, Ohio Capital Journal Jacob Fischler Jacob covers federal policy as a senior reporter for States Newsroom. Based in Oregon, he focuses on Western issues. His coverage areas include climate, energy development, public lands and infrastructure.

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Photovoltaic Application in Beijing Winter Olympics Home|Blog|Free Guides|Photovoltaic Application in Beijing Winter Olympics On July 31st, 2015, Beijing stood out among the bidding cities with its own advantages and won the right to host the 2022 Winter Olympics. During the five years of preparation for the Beijing Winter Olympics, all venue construction and infrastructure construction of the Beijing Winter Olympics Organizing Committee have implemented the concept of “Green Olympics”, and all new venues have adopted high-standard green design and construction technology to promote the harmonious coexistence of man and nature. On February 4, 2022, the Beijing Winter Olympics opening ceremony is held. This Winter Olympics is the first ever Olympic Games where all venues use 100% green electricity. It is predicted that by the end of the Winter Paralympics, the three major competition areas and 26 venues are expected to consume about 400 million kWh of green electricity, save 128,000 tons of standard coal, reduce carbon dioxide emissions by 320,000 tons, and use clean energy vehicles as high as 85% or so. Zhangbei ±500kV flexible DC power grid demonstration project, with a total line length of 666 kilometers, is the world’s first flexible DC power grid project. The project adopts 12 advanced new technologies, and is also the flexible DC power grid project with world’s highest voltage level and largest transmission capacity. The project is a key construction project serving the 2022 Beijing Winter Olympics, providing clean energy for Beijing and the Winter Olympics venues. The Zhangbei project has weaved a huge “green grid”, connecting hundreds of wind farms and thousands of photovoltaic power plants in Zhangjiakou area into an whole, which can deliver about 14.1 billion kWh of clean energy to Beijing area every year, which is about a tenth of Beijing’s electricity consumption. It can save 4.9 million tons of standard coal and 12.8 million tons of carbon dioxide emissions every year. National Speed Skating Oval is located at the Olympic Park in Chaoyang District, Beijing, with a total construction area of 80,000 square meters. As the only newly-built ice competition venue in the Beijing Zone of the Beijing Winter Olympics, National Speed Skating Oval adheres to the concept of green, environmental protection and sustainable construction, setting a new benchmark of Chinese design, Chinese technology and Chinese manufacturing for the construction of Olympic venues. The venue is made of glass, all the glass form a unique curved glass curtain wall, using the latest technology to create 22 elegant “ice ribbon” effects. The outer edge of the roof is equipped with a an integrated solar photovoltaic power system. 12,000 pieces of sapphire blue photovoltaic power generation curtain wall glass are gradually arranged from the outer edge of the roof to the inner side, like melting snow, showing the characteristics of winter sports. The National Speed Skating Oval successfully completed its first ice-making in January 2021. The world’s largest ice surface of 12,000 square meters is made of carbon dioxide. The 12,000 pieces of photovoltaic glass installed on the roof form an integrated photovoltaic power system, to provide a steady stream of clean electricity for the entire ice-making system of the venue. The Wukesong Sports Centre “Ice Crystal” combines photovoltaics and buildings more efficiently and concisely, with 1958 solar panels and a photovoltaic power generation system of about 600 kilowatts installed on the roof. The hollow grille curtain wall around the building forms a space combining virtual and real with the main building. It is reported that the venue can achieve an annual power supply of about 700,000 kWh, save 252 tons of standard coal, and reduce carbon emissions by about 697.8 tons. It is also a “green” venue that cannot be underestimated. It is worth mentioning that the Olympic Village Main Press Centre is designed as a low-carbon green building, and the roof skylight of the Main Press Centre adopts an integrated photovoltaic (BIPV) method to install a distributed photovoltaic power system. At the same time, with the help of Internet + and 5G intelligent technology, it can show the whole process of green power production, transmission, consumption, energy conservation and emission reduction to the audience. Beijing Winter Olympics provided a “China solution” for other countries which will hold the Olympics in the future. While reducing energy consumption and promoting green development, new business formats will also bring new revenue. Using technology to promote green Olympics, the Beijing Winter Olympics will be a model of new sustainable development. By SRNE|2022-02-24T14:50:18+08:00February 24th, 2022|Blog, Free Guides|Comments Off on Photovoltaic Application in Beijing Winter Olympics About the Author: SRNE Energy Storage System Application in Container Residential Energy Storage and Inverter Solution RV MPPT Solar Regulator Solution Communication Base Station Off Grid Solution RV MPPT Solar Charge Controller Solution

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Start | Klezmer Music | Klezmer Music «B | Beyond the Pale Beyond the Pale is a Toronto-based Canadian world/roots fusion band. Their style is rooted in klezmer, Balkan and Romanian music but heavily accented with contemporary and North American styles including bluegrass, jazz, reggae, funk and classical chamber music. They are known for unique songcraft, virtuosic musicianship, meticulous dynamics, and exuberant live performances. They are widely regarded as one of Canada's most accomplished and innovative acoustic ensembles. Some have described their sound as being in the same spirit as "New Acoustic Music" and David Grisman's "Dawg" music, but tinged more heavily with an east European accent. The name of the band is a reference to the EasternEuropean Jewish Pale of Settlement, from where their music is partially inspired. Beyond the Pale was formed in 1998. Original members included mandolinist Eric Stein, bassist Bret Higgins and guitarist Joshua Engel. They were joined by violinist Anne Lindsay the following year. Dutch Clarinetist Martin van de Ven joined the group in 2000 while Engel left the same year. Serbian-born violinist Bogdan Djukic gradually replaced Lindsay over 2000-2001. The band released its first CD, Routes, in 2001 through Borealis Records; the recording was nominated for a Canadian Independent Music Award. In 2002, Serbian-born accordionist Milos Popovic joined the group, replacing Sasha Luminsky, who had played with the group the previous two years. A second album, Consensus, was recorded live at the Al Green Theatre in Toronto in 2003 and released the following year. This album received great acclaim and captured a Canadian Folk Music Award for "Instrumental Group of the Year." "Consensus" was also nominated for a Toronto Independent Music Award, and Eric Stein's composition "Reunion" from that album won the Folk Music Ontario Song from the Heart award for songwriting. In fall 2004, the group was joined by Serbian-born violinist Aleksandar Gajic. Between 2001-2010, Beyond the Pale toured across North America and Europe, including performances at Carnegie Hall, the Jewish Culture Festival in Kraków, and the Governor General's Performing Arts Awards at the National Arts Centre in Ottawa. During this period the band was involved in many unique and challenging collaborative projects, including a series of concerts with legendary singer/actor Theodore Bikel, numerous collaborations with Josh "Socalled" Dolgin, two separate stints as guest accompanists with the Toronto Jewish Folk Choir on world premieres of ambitious choral works, guest soloist turns with the Toronto Children's Chorus on a world premiere composition by clarinetist van de Ven, and performances alongside CBC radio personality Barbara Budd with the National Arts Centre Orchestra, the Toronto Philharmonic Orchestra and the Kitchener-Waterloo Symphony. There were also self-initiated collaborations with other esteemed world music ensembles such as Creaking Tree String Quartet and L'Orchestra di Piazza Vittorio. The group was also featured in a number of national radio broadcasts for CBC's Canada Live, including the performance of interpretations for the CBC's A New World of Mozart, which honoured the 250th birthday of Wolfgang Amadeus Mozart. In 2009, the group released its third album Postcards, [22] which featured guest appearances by Israeli Yiddish singer Vira Lozinsky (picture) Postcards received four nominations from the 2010 Canadian Folk Music Awards and won for "Instrumental Group of the Year" and "Pushing the Boundaries". In 2011, the group toured in Australia, and in Brazil in 2012. In 2017 Beyond the Pale released a new album, Ruckus, and was nominated at the Canadian Folk Music Awards for Instrumental Group of the Year. beyondthepale.net Performers «B» Wikipedia: This page was last edited on 1 August 2022, at 01:30 (UTC)

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Marise Parent Professor Neuroscience, Psychology B.A. Honors Psychology, with Great Distinction, Concordia University, 1989 Ph.D. Biological Sciences, University of California, Irvine, Department of Neurobiology and Behavior, 1993 Postdoctoral fellow, Department of Psychology, University of Virginia, 1993-1996 Behavioral Neuroscience, Neurobiology of Learning and Memory, Energy Homeostasis Marise Parent was born and raised in Montreal, Quebec, Canada. In 1984 she graduated from Vanier College with an associate degree in Special Care Counseling in 1984, which allowed her to work in a group home teaching independent living skills to clients with brain damage while obtaining her B.A. Honors Psychology degree from Concordia University. Her interest in scientific research and neuroscience was fostered during that time while conducting research with Peter Shizgal, Donna White, and Jane Stewart. In 1989, she moved on to the University of California, Irvine to pursue her Ph.D. in Biological Sciences (specialization in neurobiology and behavior) under the mentorship of James L. McGaugh, a distinguished researcher in the field of learning and memory and member of the National Academy of Sciences. In 1993 she started her postdoctoral training with Paul Gold, then in the Department of Psychology and Neuroscience Program at the University of Virginia. In 1996 she started her independent research program in the Department of Psychology at the University of Alberta in Edmonton, Alberta, Canada, before moving to GSU in 2000. In 2011 she spent a year working as a Program Officer in the Biology Directorate at the National Science Foundation. She is currently a Professor in the Neuroscience Institute and also holds an appointment in the Department of Psychology. Dr. Parent’s current research investigates how memory influences energy intake and how energy intake, in turn, influences brain function. Her research program is currently funded by the National Science Foundation and has been supported in the past by the Canadian Diabetes Association, the Centers for Disease Control and Prevention, the National Institutes of Health, and the Natural Sciences and Engineering Research Council of Canada. For more information, please visit parentlabatgsu.wixsite.com/neuro Representative Publications *Graduate students; **Undergraduate Students *Hannapel, R.C., **Ramesh, J., Ross, A.P., LaLumiere, R.T., Roseberry, A., & Parent, M.B. (2019). Postmeal optogenetic inhibition of dorsal or ventral hippocampal pyramidal neurons increases future intake. eNeuro, Jan 2;6(1): ENEURO.0457-18.2018; DOI: https://doi.org/10.1523/ENEURO.0457-18.2018. PMID 30693314 Memory of a recently eaten meal can serve as a powerful mechanism for controlling future eating behavior because it provides a record of intake that likely outlasts most physiological signals generated by the meal. In support, impairing the encoding of a meal in humans increases the amount ingested at the next eating episode. However, the brain regions that mediate the inhibitory effects of memory on future intake are unknown. In this report, we tested the hypothesis that dorsal hippocampal (dHC) and ventral hippocampal (vHC) glutamatergic pyramidal neurons play a critical role in the inhibition of energy intake during the postprandial period by optogenetically inhibiting these neurons at specific times relative to a meal. Compared to intake on a day in which illumination was not given, inhibition of dHC or vHC glutamatergic neurons after the end of a chow, sucrose, or saccharin meal accelerated the onset of the next meal and increased the amount consumed during that next meal when the neurons were no longer inhibited. These data show that dHC and vHC glutamatergic neuronal activity during the postprandial period is critical for limiting subsequent ingestion and suggest that these neurons inhibit future intake by consolidating the memory of the preceding meal. Ross, A.P., **Barnett, N., **Faulkner, A., *Hannapel, R.C., & Parent, M.B. (2019). Sucrose ingestion induces glutamate AMPA receptor phosphorylation in dorsal hippocampal neurons: Increased previous sucrose experience prevents this effect. Behavioural Brain Research, 359:792-798. PMID 30075854 If dorsal (dHC) or ventral hippocampal (vHC) neurons control intake through a process that requires memory, then ingestion should increase events necessary for synaptic plasticity in dHC and vHC during the postprandial period. To test this, we determined whether ingesting a sucrose solution induced posttranslational events critical for hippocampal synaptic plasticity: phosphorylation of AMPAR GluA1 subunits at 1) serine 831 (pSer831) and 2) serine 845 (pSer845). We also examined whether increasing the amount of previous experience with the sucrose solution, which would be expected to decrease the mnemonic demand involved in an ingestion bout, would also attenuate sucrose-induced phosphorylation. Quantitative immunoblotting of dHC and vHC membrane fractions demonstrated that sucrose ingestion increased postprandial pSer831 in dHC but not vHC. Increased previous sucrose experience prevented sucrose-induced dHC pSer831. Sucrose ingestion did not affect pSer845 in either dHC or vHC. Thus, these findings show that ingestion activates a postranslational event necessary for synaptic plasticity in an experience-dependent manner, which is consistent with the hypothesis that dHC neurons form a memory of a meal during the postprandial period. Parent, M.B. (2016). Cognitive control of meal onset and meal size: Role of dorsal hippocampal-dependent episodic memory. Physiology & Behavior, 162: 112-119. PMID: 27083124 There is a large gap in our understanding of how top-down cognitive processes, such as memory, influence energy intake. Similarly, there is limited knowledge regarding how the brain controls the timing of meals and meal frequency. Understanding how cognition influences ingestive behavior and how the brain controls meal frequency will provide a more complete explanation of the neural mechanisms that regulate energy intake and may also increase our knowledge of the factors that contribute to diet-induced obesity. We hypothesize that dorsal hippocampal neurons, which are critical for memory of personal experiences (i.e., episodic memory), form a memory of a meal, inhibit meal onset during the period following a meal, and limit the amount ingested at the next meal. In support, we describe evidence from human research suggesting that episodic memory of a meal inhibits intake and review data from human and non-human animals showing that impaired hippocampal function is associated with increased intake. We then describe evidence from our laboratory showing that inactivation of dorsal hippocampal neurons decreases the interval between sucrose meals and increases intake at the next meal. We also describe our evidence suggesting that sweet orosensation is sufficient to induce synaptic plasticity in dorsal hippocampal neurons and raise the possibility that impaired dorsal hippocampal function and episodic memory deficits contribute to the development and/or maintenance of diet-induced obesity. Parent Lab Office: Room 825 Petit Science Center 100 Piedmont Ave. SE

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Thermo Fisher Scientific to Expand Greenville Facility for Sterile Drug Product Development and Commercial Manufacturing GREENVILLE, North Carolina (December 9, 2020) – Thermo Fisher Scientific, the world leader in serving science, is expanding its site in Greenville for sterile drug product development and commercial manufacturing of critical medicines, therapies, and vaccines. As part of the approximate $500 million investment in Greenville, about 500 new roles will be hired over next 12 to 24 months. These jobs will add to its existing workforce of more than 1,500 employees. “We are excited by the news of Thermo Fisher’s investment in their Greenville facility which further strengthens Greenville and Pitt County’s legacy as a hub of pharmaceutical production,” said Steve Weathers, president and CEO of the Greenville – Eastern North Carolina (ENC) Alliance. “Our area has more than 2,000 people working in pharmaceutical manufacturing occupations which is a concentration 12 times higher than the United States.” The 1.5 million-square-foot Greenville site is a multi-purpose pharmaceutical manufacturing and packaging campus with 29 buildings on 640 acres. The expansion will include a new standalone 130,000-square-foot facility with two live virus filling lines which will be operational in 2022. “This announcement shows the strength of Thermo Fisher in the sterile drug development sector and will augment what is already a world class facility. The company’s investments will result in a large number of new, well-paying jobs for citizens of Greenville, Pitt County, and eastern North Carolina,” said Greenville – ENC Alliance vice president of business development, Brad Hufford. The site will also add six new lines in 2021 and 2022, including commercial scale liquid filling lines and a development line for liquid and lyophilized (freeze-dried) drug products. Rendering of Greenville, North Carolina expansion provided by Thermo Fisher Scientific "We have continued to invest strategically in capacity, technology and expertise across our global network so we can accelerate innovation and enhance productivity for our customers," said Mike Shafer, senior vice president and president, pharma services, Thermo Fisher Scientific. "This has enabled us to respond quickly and support our customers with unprecedented scale and depth of capabilities to meet high demand for new therapies and vaccines. By simplifying the supply chain and solving complex manufacturing challenges, we shorten development timelines in order to get high-quality medicines to patients, faster." In addition to the Greenville site, other sites preparing for expansion include locations in Swindon, United Kingdom and Ferentino and Monza, Italy. These expansions and investments will add 15 development and current Good Manufacturing Practices (cGMP) commercial production lines, leveraging Thermo Fisher's robust quality standards as well as supporting a range of capabilities including live virus, aseptic liquid, and lyophilized vial filling. These projects are expected to be completed over the next two years and will create approximately 1,000 jobs at all sites combined. The Greenville – ENC Alliance is actively working with various local partners to help develop the future workforce to meet the needs of Thermo Fisher and other regional pharmaceutical companies. Partners include the City of Greenville, Pitt County, NC Biotechnology Center, Pitt County Public Schools, Pitt Community College, and East Carolina University. “We are collaborating with Thermo Fisher and our workforce partners to make strategic investments and create a tailored workforce pipeline to support their expansion. Details of that collaboration will be announced at a later date,” added Hufford. Along with expansions in North America and Europe, the company recently announced significant projects in Asia-Pacific, including a new sterile manufacturing facility in Singapore and a new integrated biologics and sterile drug development and manufacturing site in Hangzhou, China. "With these investments, we've nearly doubled our global footprint for drug development and commercial manufacturing, which allows us to support our customers with unmatched flexibility, expertise and scale at a time of unprecedented demand," said Shafer. The activities underscore the rapidly growing global demand for injectable sterile drugs, which comprise 46% of the total dosage forms securing U.S. FDA approval in 2019. This is compared to 25% a decade ago, according to PharmaSource. Thermo Fisher, headquartered in Waltham, Massachusetts, established its presence in Greenville in 2017 when it purchased Patheon, a contract development and manufacturing organization, for $7.2 billion. Patheon also had facilities in Durham and High Point that became part of the Thermo Fisher purchase. Thermo Fisher also has just over 700 employees at two operations in western North Carolina. These locations include a contact center and manufacturing site for cold-storage laboratory products in Asheville and a warehousing facility about 10 miles north in Weaverville. The company has over 75,000 employees worldwide and annual revenue of more than $25 billion. Its pharmaceutical services brands include Thermo Scientific, Applied Biosystems, Invitrogen, Fisher Scientific, Unity Lab Services, and Patheon. Media Relations Contacts:‍ Marcia Goff Director, Global External Communications Pharma Services, Thermo Fisher Scientific marcia.goff@thermofisher.com

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1306 Fayetteville Street – College Inn Fayetteville Street Stokesdale State ID This one-story, front-gabled commercial building has a three-bay aluminum storefront with a door flanked by large picture windows. The building has a brick veneer with vinyl siding in the front gable and vinyl trim. The shed-roofed front porch is supported by large decorative metal braces and shelters a terra cotta-covered stoop. A picture window remains toward the front of the south elevation; the corresponding window on the north elevation has been bricked-in. There are small windows toward the rear of the side elevations and a full-width, shed-roofed rear ell. A grocer and blacksmith are listed at this address as early as 1925; however, the current building was likely constructed around 1935. The College Inn (confectioners and restaurant) was listed here from 1935 through 1950. It is currently the New Visions of Africa restaurant. The College Inn was listed in Victo Hugo Green's Green Book between 1948-1963. The Green Book was an African American traveler’s annual guide for navigating Jim Crow America while on business trips and vacations. Within its pages, readers could find entries – listed by city – for restaurants, lodging, gas stations, beauty parlors and barber shops, and other service providers, such as tailors, who would gladly take their business in an otherwise potentially unfamiliar and hostile environment. https://digitalcollections.nypl.org/items/9c454830-83b9-0132-d56a-58d385a7b928#/?uuid=a158c550-83b9-0132-6661-58d385a7b928 Submitted by Melva Rigel on Wed, 1/27/2021 - 1:37pm The College Inn was still in operation until the late 1960s. The original owners were William H. Jones and his wife, Martha Jones. According to their daughter, Valjeanne Jones Williams, who still owns the property, her father William Henry Jones was given the property by his uncle Rueben Stone who owned a large number of properties in Durham. And Rueben Stone had bought it from Fitzgerald when Durham was still a part of Orange County. They enjoyed celebrated customers including blues singer Ruth Brown, band leader Duke Ellington , R&B singers James Brown and Ike & Tina Turner and Civil Right Activist Malcolm X. Malcolm visited the restaurant after her father died but he would come and have long conversations with my mother and step-father, Carl L. Easterling. Mr. and Mrs. Easterling also provided free meals to the Hillside High School Basketball team who were coached by Mr. Easterling.

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Earth Day: Still Valuable In 2011? in Culture, Earth, Politics, Social Earth Day 2011 is on April 22, which is this coming Friday as I write this. The annual event is meant to inspire an awareness and appreciation of the natural environment. It was founded in the U.S. but has grown over the years to become a global Earth Day Network. The First Earth Day The very first Earth Day was held way back in 1970, on April 22. In the founding year, around 20 million people participated. The original Earth Day was organized in the hope of demonstrating decentralized, grassroots popular political support for an environmental political agenda. It was modeled on earlier Vietnam War “teach-ins”. The U.S. Senator central to the organization of the first Earth Day, Senator Nelson, apparently thought of the concept following the Santa Barbara oil spill of 1969, which was the largest oil spill in U.S waters at the time. Oh how times have changed in that regard! Nelson proposed a national environmental “teach-in” on every university campus in the country. It was hoped that millions would participate. Senator Nelson hoped that a grassroots show of support for environmental issues would prove to Washington, D.C. just how concerned people from all over the country were about the state of the environment. Nelson has said that he thought Earth Day worked because of the spontaneous response at the grassroots level. Thousands of colleges and universities organized protests against the deterioration of the environment, and many groups working on different environmental issues shared the day. Funnily enough, I just wrote a post this morning about a fresh call for mass non-violent civil disobedience in the fight to urgently address climate change, by Bill McKibben, who wrote the first book on climate change 22 years ago (The End of Nature ). He’s also co-founder of the relatively new environmental organization 350.org. I’m sure it’s no coincidence that McKibben made this speech in these days leading up to Earth Day 2011. According to the Earth Day Network website, the network now works with over 22,000 partners in 192 countries, in an attempt to continue to broaden and diversify the environmental movement. The site states that more than 1 billion people now participate in Earth Day activities each year. The Earth Day Network programs focus on such activities as greening schools and promoting environmental education, and accelerating the global green economy. To “catalyze global environmental activism”, for Earth Day 2011 the Network has chosen the theme of A Billion Acts of Green. The goal of this project is to register one billion actions before the global Earth Summit in Rio in 2012. I noticed today that Facebook has collaborated with the Earth Day Network to create a Billion Acts of Green app, so people can pledge their acts of green on Facebook and encourage friends to do so. I’ve also noticed that the post by Facebook about the collaboration has been met with a barrage of Greenpeace supporters criticizing Facebook (the company) for not yet “unfriending coal” and pledging to make the switch to use clean energy. In recent years some criticism of Earth Day has centered around claims of greenwashing by some of the companies and products involved in promoting Earth Day, and that Earth Day has outlived its usefulness to the environmental movement. Do you think Earth Day is still a valuable celebration in 2011? Tagged as: 2011 earth day, 350, Bill McKibben, billion acts of green, climate change, day, day of earth, Earth, earth day, earth day 201, earth day activities, earth day april, earth day date, earth day events, earth day facts, earth day festival, earth day ideas, earth day network, earth hour, earth hour day, earth in fiction, earthday, education, environment, environmental, environmental education, environmental issue, environmentalism, first earth day, global warming, grassroots, green, green news, green politics, greenwash, original earth, politics, sustainability, sustainable, the earth, the earth day, United States, valuables, vietnam war, what is earth day Next post: Easter Eggs: Top Reasons To Look For Fairtrade Chocolate In Your Area Previous post: Time For Mass Civil Disobedience, Says 1st Climate Change Book Author

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HomeStatisticsEntrepreneurJack Dorsey Height, Weight, Age, Body Statistics Jack Dorsey Height, Weight, Age, Body Statistics Jack Dorsey Quick Info Height 5 ft 10 in Jack Dorsey is an American Internet entrepreneur and programmer best known as a co-founder and former CEO of Twitter, Inc. He has also served as a co-founder, principal executive officer, and chairperson of the multinational technology conglomerate Block, Inc. Born Name Jack Patrick Dorsey Jack Dorsey at the annual Allen & Company Sun Valley Conference in July 2016 in Sun Valley, Idaho Born Place St. Louis, Missouri, United States Jack went to Bishop DuBourg High School. He then got enrolled at the Missouri University of Science and Technology. However, he soon got transferred to New York University Tandon School of Engineering. But, he didn’t complete his studies at New York University as well and dropped out before graduation. Former CEO of Square, Inc., Twitter Father – Tim Dorsey (Worked for mass spectrometers developing company) Mother – Marcia Smith (Homemaker) Others – Edward D. Dorsey (Paternal Grandfather), Celeste Rose Messmer (Paternal Grandmother) As of March 19, 2023, he had an estimated net worth of $4.8B as per Forbes. 5 ft 10 in or 178 cm 75 kg or 165 lbs Girlfriend / Spouse Jack Dorsey has dated – Nicole Lapin – He was romantically involved with television news anchor, author, and businesswoman Nicole Lapin in the past. Lily Cole (2012-2013) – Jack Dorsey started courting English model and actress Lily Cole at the end of 2012. In January 2013, she was spotted on his yacht, which was anchored at St. Barts in the Caribbean, which led to rumors of their relationship circulating in the tabloids. There seemed to be trouble in the paradise after they were pictured bickering at the airport in San Francisco. In June, it was reported that their relationship had fizzled out as he was spotted with another woman. Kate Greer – Jack started going out with Iowa native Kate Greer. Their first public appearance came in 2010 as Kate accompanied him to several red-carpet events in New York. By the end of 2012, they had separated as Jack was spotted cozying up to English model Lily Cole. Kate and Jack’s relationship got back on track in June 2013 as they flew out for a vacation in Japan. Then, she was pictured by his side at numerous events in 2014. Due to his inclination to keep his private life out of the limelight, the current status of this relationship isn’t known. Raven Lyn (2018-2019) – He started going out with model Raven Lyn in the year 2018 but the duo parted ways the following year. Flora Carter (2021) – In June 2021, Jack was seen with swimsuit model Flora Carter at the beach while taking a sunbath. Jack Dorsey and Kate Greer at the TIME 100 Gala in April 2014 Jack is of Irish, German, and Italian descent. Trimmed beard Jack Dorsey’s shirtless body Brand Endorsements Jack has endorsed UNREAL, a food company. Having served as the CEO and co-founder of social networking giant, Twitter In 2013, he was seen in the short documentary film CodeStars as himself. First TV Show In 2011, Jack was first seen in the news talk show Charlie Rose as himself. After getting up at 5 in the morning, Jack follows up his 30 minutes of meditation session with high-intensity circuit training. The single circuit lasts for about 7 minutes with about 12 exercises crammed in that period with about 10-second rest in between exercises. He performs this circuit 3 times. This circuit doesn’t include weight lifting exercises and relies only on bodyweight moves such as squats, jumping jacks, pushups, plank, and lunges to improve fitness and stamina and to pump up metabolism. The Scientific 7-Minute Workout, via @nytimes http://t.co/NIvqcYXEuR — jack (@jack) May 10, 2013 Jack Dorsey Favorite Things Music Albums – Good Kid, M.A.A.D City (By Kendrick Lamar), To Pimp a Butterfly (By Kendrick Lamar), The Miseducation of Lauryn Hill (By Lauryn Hill), Run the Jewels 2 (By Run The Jewels), All Eyez on Me (By Tupac Shakur) Books – Tao Te Ching (By Lao Tzu), The Score Takes Care of Itself (By Bill Walsh with Steve Jamison and Craig Walsh), Between the World and Me (By Ta-Nehisi Coates), The Four Agreements (By Don Miguel Ruiz), The Old Man and the Sea (By Ernest Hemingway), The Checklist Manifesto (By Atul Gawande), The Yoga Sutras of Patañjali (By Edwin F. Bryant) Source – Product Hunt, Business Insider Jack Dorsey at the 5th Annual Charity Ball in December 2010 Jack Dorsey Facts While growing up, he had a speech impediment problem and due to this, he tended to spend a lot of time at his home. As a child, he used to spend a lot of time listening to police scanners. He was fascinated by short bursts of communication and this fascination inspired him to create Twitter. In his mid-20s, he managed to become a certified massage therapist for a brief period of time. As a teenager and young adult, he ran a fantasy football league in the pre-internet era. He had a database of players on his computer with stats gleaned from local newspapers. At the age of 15, he created rental cab dispatch software that is still used by many taxi services. He is also the founder of a business platform called Square, which facilitates debit and credit card payment using your mobile device by attaching a small square-shaped device through a headphone jack. In December 2013, he was declared a new addition to the board of directors of the Walt Disney organization. He donated $15 million to support relief efforts in India’s COVID-19 second wave in May 2021. He has often revealed his aspiration to become New York City mayor. In November 2021, it was revealed that Jack was leaving Twitter and was stepping down as the CEO of the social networking giant. In late February 2023, Jack announced the release of his new app on the Apple App store which was a Twitter alternative called Bluesky. At that time, it was an invite-only beta app. Twitter also provided financial aid in the starting years of Bluesky’s development phase. Did we miss anyone? Walt Disney Height, Weight, Age, Facts, Movies Parul Gulati Height, Weight, Age, Body Statistics Jeremy Michael Lewis Height, Weight, Age, Body Statistics Cheyenne Davis Height, Weight, Age, Body Statistics Tommy the Clown Height, Weight, Age, Pictures, Family Jack Champion Height, Weight, Age, Birthday, Biography

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RECORD-SETTING JOSHUA TREE DISCOVERED AT THE PROPOSED AVI KWA AME NATIONAL MONUMENT IN SOUTHERN NEVADA Honor Avi Kwa Ame ) The proposed Avi Kwa Ame (pronounced Ah-VEE kwa-ah-may) National Monument, home to our country’s biggest Joshua tree forest, now boasts Nevada’s largest Joshua tree. The Nevada Division of Forestry recently documented the Joshua tree’s size at 118 points[i]; 87 inches in diameter, 24 feet tall, and 28 feet wide. There are only two Joshua trees in the United States that are larger, both located in California’s Mojave National Preserve. The Nevada tree is located about three miles west of State Highway 164 on the East Wee Thump Backcountry Rd. Nevada’s previous big tree champ was located in Las Vegas and checked in at only 94 points. “Joshua trees are as symbolic of the Mojave Desert as the Saguaro is for Arizona’s Sonoran Desert,” explains local conservationist Alan O’Neill, former superintendent of Lake Mead National Recreation Area. O’Neill and fellow conservationist Lisa Ortega suggested that the tree be measured for consideration. O’Neill and Ortega are also part of an initiative to make Avi Kwa Ame Nevada’s fourth national monument. Avi Kwa Ame, Mojave for Spirit Mountain, has been under threat of industrial development. The proposed monument area includes about 380,000 acres of land sacred to 12 Native American tribes. “This land is at the center of the tribes’ creation stories and spiritual ideology. It is currently used for ceremonial activities,” says O’Neill, now an advisor with the National Parks Conservation Association. “A national monument designation would preserve the area’s cultural value and other resources. It would be a big win for Nevada.” Avi Kwa Ame contains biologically diverse and culturally significant land, along with outdoor recreation like hiking, rock climbing, horseback riding, camping and stargazing, and more. It’s also home to the historic Walking Box Ranch. Local, state, and national conservation groups such as The Wilderness Society, National Parks Conservation Association, Conservation Lands Foundation, and Get Outdoor Nevada have partnered with local tribes to secure a national monument designation to protect the area’s future. People interested in protecting the area can sign a petition at www.honorspiritmountain.org. [i] Points are given for each inch of circumference, foot of height, and a ¼ point for each foot of crown spread.

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Historic Jackson Ward District Known as the “Harlem of the South,” Jackson Ward was home to many influential African-American families after the American Civil War. The neighborhood spans forty city blocks and contains a rich history that is celebrated by the annual Second Street Festival in October. There are also periodic walking tours hosted by the local Black History Museum and Cultural Center of Virginia on Clay Street. In 1978, the neighborhood was declared a National Historic Landmark District. The Maggie L. Walker house in "Quality Row" in Jackson Ward. A 9-foot statue of famed actor and tap dancer Bill "Bojangles" Robinson on the corner of Leigh and Adams in Jackson Ward circa 1978. One of the many homes found in the District. Courtesy of VCU This most unique building of the District combines Gothic architecture with giant milk bottles. Circa 1978 Leigh Street of Jackson Ward District as it looks today Steamer Company No. 5 (fire station) building as it looks today found in the District. The Jackson Ward District has twelve historic sites located within its forty blocks including the home of civil rights activist and entrepreneur Maggie L. Walker and the larger-than-life statue of famous actor and Richmond-native Bill “Bojangles” Robinson. The 40 blocks are contained between 4th Street, Marshall Street, Smith Street, and the Richmond-Petersburg turnpike. The maintenance and revitalization efforts of this historic district is provided by the Historic Jackson Ward Association established in the 1980s and the Jackson Commons Project - their web addresses are provided beneath the article. The Jackson Ward was officially named in 1871 by the Italian, Jewish, and German immigrants who first settled the area. The influence of the European architectural style is evident in many of the historic homes. After the Civil War ended many free African-Americans, some ex-slaves, established residence in Jackson Ward and developed what they later called “a city within a city”. The Jackson Ward was an economy all its own. It boasted its African-American owned banks, hospital, barbers, grocers, and shops. It led many to refer to the neighborhood as “Black Wall Street” for its self-sufficient economy. Maggie L. Walker established the first female, African-American owned and operated bank in the US in Jackson Ward on so-called “Quality Row” where the most successful African-Americans lived and did business. The neighborhood was rattled in the 1950s by a number of legislative issues. The Interstate was slated to be built through the neighborhood and as a result many long-time community members were forced to leave. Later the Interstate plans were reversed, but the community loss was irreversible. Next, federally mandated low-income housing was scheduled to be built inside Jackson Ward and it was coupled with a revitalization effort of the Richmond business district that pulled resources from the Ward. In the 1960s after the success of civil rights activists pressing for desegregation in Richmond the Ward received some economic blowback. As businesses around Richmond were forced to integrate it brought the Jackson Ward small businesses into competition with the whole city of Richmond. The result was a dramatic decrease in revenue and subsequently pulled the Ward down from its highest point. It has since become a beautiful historic district with rich culture of music and the arts. http://jacksonward.com/ http://www.biography.com/people/bill-bojangles-robinson-9460594#synopsis http://www.hjwa.org/ http://Blackhistorymuseum.org/ http://www.venturerichmond.com/events/venture/secondstreet.html A chronological guide to the history of the Civil The story of Maggie L. Walker and her ambitious li The biography of Richmond-native Bill "Bojangles" Virginia Commonwealth University (VCU) Digital Collections-Jackson Ward Historic District African American Historic Sites Database-Jackson Ward Historic District 550 East Marshall St. Business and Economic Development Music and Entertainment History Political and Diplomatic History Created by Timothy Hagy on December 1st 2014, 11:21:08 pm. Last updated by Kalen Martin-Gross on April 22nd 2019, 10:01:57 pm.

2023-14/0000/en_head.json.gz/5959

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Summer 23 Intensive Become An Ambssador Dance Studios/ Rental Space Videographers/Photographers Dance Stores/ Brands Meet the Instructors behind the mission SHONICA GOODEN Shonica Gooden is a passionate, triple threat performer from Atlanta, GA. While Growing up in Atlanta, Shonica attended DanceMakers of Atlanta and Dekalb School of the Arts. She continued her training on a collegiate level at Point Park University where she received a BFA in Dance. Throughout the past 11 years, Shonica has had the privilege and honor of being a part of critically acclaimed shows such as Hamilton: An American Musical (Broadway), CATS (Rumpleteazer; Broadway Revival), Bring It On: The Musical (Broadway & 1st National), Rodgers and Hammerstein’s Cinderella (Broadway) American Dance Machine (Sweet Georgia Brown; Joyce Theatre), National Tour of Matilda The Musical, Piece of My Heart, FLY (La Jolla Playhouse), Memphis (Felicia, CFRT), Don’t Bother Me I Can’t Cope; (City Center), and Sister Act (Deloris; Music Theatre Wichita). TV/Film: Fosse/Verdon, Manifest, Almost Family, Ted 2 and The First Purge. Shonica’s newest and greatest accomplishment is giving birth to her pride and joy, her baby boy Grant. Jeremiah 29:11 SAIDAH NAIROBI Saidah Nairobi, an Atlanta native by way of Queens, NY, is an actor, best-selling author, licensed realtor, speaker, singer, & mentor, but she is most widely known as the professional dancer that blazed stages across the globe with musical icons such as Beyonce (I Am World Tour, Formation World Tour), Usher (OMG World Tour), Ciara, & Ne-Yo. Her dance memoir, Leap of Faith: The Journey of A Dream’ speaks on Saidah’s unorthodox journey from aspiring performer to becoming an inspirational global touring dancer. Saidah’s most recent work includes recurring acting roles on television series Step Up: Highwater and BounceTV’s Johnson as well as dancing in two upcoming major motion picture productions. Saidah also co-authored a newly released book titled, Possibilities Unlimited: Stories to Inspire You to Achieve the Impossible. Copies of Saidah’s books can be ordered online at www.nairobienterprises.com. You can stay connected with Saidah by following her social handles - @saidahnairobi and @propertiesbysai. JEFFERY DUFFY Mr. Duffy received his BFA from The Juilliard School. He was brought in as a Consultant for Lisa Bing’s Leadership and Management Course at New York University’s School of Professional Studies. Jeffery has also taught at NYU Tisch School of the Arts; Cobb County Center for Excellence in the Performing Arts, Braswell Arts Center in Basel, Switzerland, MOVE(NYC), Spelman College, Atlanta Ballet School and Summer Intensives, Lou Conte Dance Studio, Impassioned Dance Center, British Academy of the Performing Arts, DanceMakerz of Atlanta, Central Gwinnett HighSchool, and Eglevsky Ballet. National Tours: Charles Lee in HAMILTON (The Hollywood Pantages Theater); Ensemble Swing in HAMILTON Broadway in Chicago (CIBC Theater); Choreographer: First Deep Breath (The National Black Theater) written by Lee Colston. Fight Choreographer: The Color Purple (The Byers Theater). TV and Film: A Jazzman’s Blues (Netflix), Fox New Year’s Party with Steve Harvey; “HOPE” music video by Blood Orange. Mr. Duffy teaches and choreographs movement locally, nationally, and internationally with a world-renowned performance career. Princess Grace Fellowship Recipient; Hubbard Street Dance Chicago. “Top 25 to Watch” by Dance Magazine. Certified GYROTONIC® Instructor currently taking new clients through his company, Cooperative Creative Labour. Jamal White (Birmingham, AL) was raised in Atlanta, GA and began his training at and Dance Makers of Atlanta under the direction of Denise and Lynise Heard. He studied as a scholarship student at Ballethnic Dance Academy, Virginia School of the Arts and trained in intensive programs at Kirov Academy of Ballet, Nashville Ballet, Martha Graham School of Contemporary Dance, Dance Theatre of Harlem, and London Contemporary Dance School. In 2011, Mr. White received a B.F.A. in Dance Performance from Southern Methodist University, since he has performed works by choreographers such as Nicolo Fonte, George Balanchine, Dwight Rhoden, Alvin Ailey, Stijn Celis, Richard Siegal, and Hofesh Shechter. He has also performed in Rasta Thomas' Rock the Ballet, Missouri Ballet Theater, Lar Lubovitch Dance Company, Alvin Ailey II, Collage Dance Collective, and currently BODYTRAFFIC. Jamal has made creations at Southern Methodist University, Dean College, London Contemporary Dance School, Troy University , BODYTRAFFIC, Deeply Rooted Youth Ensemble and The Ailey School. Jamal has also taught and created for many arts exchange and outreach programs in the United States and abroad such as Steps on Broadway, Trinity Laban Conservatory of Music and Dance, and the Ailey School. He’s had the pleasure of creating a new work for Company D; A Memphis based contemporary dance company for adults with down syndrome. Jamal is currently on the ballet faculty at Celebrity Dance Convention, Artistic Fellow at BODYTRAFFIC, one of the founding members of The Black Artists Dance Collective, and studying at Trinity Laban Conservatoire of Music and Dance in the M.F.A Choreography program. AMBER JACKSON Amber Jackson, is an artist who recently opened the production of The Devil Wears Prada in Chicago where she also closed the TONY AWARD winning production, Hamilton: An American Musical. She is a native of Atlanta GA, who found her love for the arts at an early age and began training for a professional dance career. In 2011, Amber made her TV debut on “So You Think You Can Dance” which started her journey in entertainment. She not only has a passion for performing but also for teaching and giving back. When given the opportunity she joined the renowned dance convention “NYCDA” touring around the U.S. Traveling became her life and she soon went on to join Rasta Thomas’s “Bad Boys of Ballet” touring internationally. After a few years on the road she returned to NYC where she made her Broadway debut with “ Wicked the Musical”, furthering her love for theater, dance, music and acting. I’m 2019, Amber landed her first speaking role on Netflix’s hit series, “Soundtrack” a Joshua Saffron original and more recently made a guest appearance on STARZ hit show, “Power Book III”. Her TV credits include: “Nashville”, “American Idol” “The Talk”, “The Late Late Show with James Corden”, Good Morning America, and the “Video Music Awards”. Moving forward, Amber hopes to spread inspiration, love, and hope through art. BRIONNA WILLIAMS Brionna Williams is a multifaceted dance artist, teacher, and choreographer - currently based in Atlanta, GA. She has trained intensely in a variety of styles including ballet, modern, tap, jazz, hip hop, contemporary, improvisation and heels. She graduated from the Dekalb School of Performing Arts High School. In 2010, Brionna booked her first professional job as a featured dancer in the Tyler Perry's “For Colored Girls” film. She received her B.F.A in Dance Performance and Education from The University of the Arts in Philadelphia in May 2015. As an undergrad, Brionna performed original works of Ronen Koresh, Mark Caserta, Douglas Becker, Sharon Eyal, Robert Battle, Sidra Bell and many others. Post grad she took on the responsibility of Rehearsal Director at the University of the Arts during their 2015-2016 school year and worked as an independent contemporary artist with choreographers such as Kurt Haworth, Katherine Stark and Janice Rosario And Company. Brionna is currently represented by Xcel Talent Agency and since then has appeared on Step Up: Highwater, Empire, CW Legacies, P-Valley, Ellen DeGeneres and has toured with musical artist Ciara and Ne-Yo. Brionna teaches open contemporary fusion & improvisational dance classes and is a first company member with Komansé Dance Theatre. WENDELL GRAY Wendell Gray II is a dance artist, choreographer, and educator currently based in Brooklyn. Since moving to the city, he has worked professionally with choreographers such as Tere O’Connor, Joanna Kotze, Pavel Zustiak, Jordan Demetrius Lloyd, Maria Bauman, Jonah Bokaer, I-Ling Liu, Christal Brown, Esther Baker- Tarpaga, J Bouey and more. In late fall of 2021 he received the STUFFED Artist in Residence at Judson Memorial Church. He was also a Work Up 6.0 Artist at Gibney Dance in Spring 2020. Additionally, he has shown work at the University of the Arts, Movement Research at Judson Church, Center for Performance Research, Chez Bushwick, La Mama Galleria, Capezio ACE Awards, and Bronx Academy of Arts and Dance. He has set work on companies such as Michiyaya Dance, Pennsylvania Ballet II + Philadanco II, and Periapsis Music and Dance. As an educator, he has taught classes at Mark Morris Dance Center, SUNY Purchase, NYU, Eisenhower Dance Detroit, Southeast Alabama Dance Company, and more. Wendell is a BFA graduate of the University of the Arts (15’) under the direction of Donna Faye Burchfield was raised in Atlanta, GA where he trained at Dekalb School of the Arts and Dancemakers of Atlanta. RAIANNA C BROWN Raianna is a Choreographer, Creative Director, and founder of Komansé Dance Theater. She exhibits the dynamism of the modern young professional through her multidisciplinary work. Komansé Dance Theater intentionally integrates technology and the arts into the design of their performances, previously working with the GT Industrial Design School and the GT Invention Studio to integrate projection mapping and 3D printed costumes into their shows. Komansé’s shows center on the narratives of marginalized people, using technology to amplify the performance. Their most recent live- production was created in partnership with Covenant House, a homeless shelter servicing at-risk youth. Raianna is currently working as Creative Director and Choreographer on the Permanent Project, a multidisciplinary art experience that activates works by Black artists in museum collections. Permanent Project is a partnership between Komansé Dance Theater and The African Diaspora Art Museum of Atlanta. Raianna has worked as co-director and lead choreographer on the most recent iterations of the Permanent Project in collaboration with the Coca-Cola foundation, the Elevate Festival, & The High Museum of Art. Raianna’s other accomplishments in the world of dance include choreographing commissioned pieces for the NAACP, the Atlanta Mayor’s Office, Grammy-nominated artists, and international dance companies, and also dancing alongside Shakira and Jennifer Lopez in Super Bowl Sunday LIV and dancing with Beyoncé in the 2022 Oscars performance. Outside of dance, Raianna has taken her industrial engineering knowledge into the field of software development, serving as the lead software developer for Lean consulting firm CMB Global Partners. TERESA JADE WILSON Graduate from The University of the Arts in Philadelphia, PA with a BFA in Dance Education. Throughout her journey at The University of the Arts, she was invited to perform with Philadelphia’s West African Dance Company, Kùlú Mèlé African Dance & Drum Ensemble, by Emmy Award nominated choreographer Jeffrey Page, and has performed works created by Pearl Primus (restaged by Kim Bears-Bailey). In the years, Teresa has assisted with the production of Jazmine Sullivan’s London Performance, performed in Debbie Allen’s Brothers of the Knight, Sir Rosevelt, Step Up:High Waters, HBO’s The Watchmen, BET’s American Soul, HBO Max’s Doom Patrol and the Triumph Awards. She then toured internationally with recording artist Keith Sweat as the dance captain, as well as completed two Las Vegas Residencies. Since touring, she set sail with Norwegian Cruise Lines as a singer and dancer for Broadway’s After Midnight. She is now back home performing with City Gate Dance Theater and choreographing for and performing with The Tap Rebels, who just represented the United States at the World Expo 2020 in Dubai, United Emirates. In addition to performing, this Atlanta native loves teaching and choreographing for studios across the metro Atlanta area including her home studio, DanceMakers of Atlanta. MAJOR NESBY A multidisciplinary creative, Major started his career as a dance artist performing works by Alvin Ailey, Nacho Duato, Robert Battle, Francesca Harper, Kyle Abraham, and many more in New York City and on global stages. A graduate of Point Park University, Major also works as a producer, director, host, and correspondent. In 2020 he created/founded NEON a platform under GLAAD (Gay & Lesbian Alliance Against Defamation) that centers Queer Black narratives across the African Diaspora through media. He has also worked with platforms such as HBO and Google. Aside from working in several industries, Major continues to teach movement and choreograph both domestically and internationally. JAZMIN CRUMLEY Jazmin Crumley is a professional vocal coach, vocalist and mentor whose roots are held in the city of Ellenwood, GA. She began singing in church at the age of 2 and since then, her relationships with God and music have become a major part of her life. Even as a child she had a powerhouse sound that grasped the undivided attention of everyone who heard her voice. At age 15, Jazmin began classical voice training and was accepted into DeKalb School of the Arts where she continued her training, majoring in Vocal Performance and minoring in Visual Art. While attending this prestigious school she also began developing her performance skills in multiple musical genres including Gospel, R&B/Soul, Broadway show-tunes and Opera. Further, she made her acting debut as a lead in musical productions such as Gilbert and Sullivan’s The Mikado, and Abbott and Bissell’s The Pajama Game. In 2012, Jazmin completed her undergraduate studies at Georgia State University’s School of Music, and holds a Bachelor of Science degree in Music Management with a focus in Vocal Performance. Simultaneously, while in her sophomore year of collegiate studies, her career as a professional background vocalist began. Since that time, Jazmin has traveled the world and has shared both the stage and studio with some of the music industry’s top artists including, Kirk Franklin, Donald Lawrence, Musiq Soulchild, Monica, Anthony Hamilton, Erica Campbell, Avery Sunshine and many more. She worked on both the NAACP Image Award winning soundtrack and on the television set of Oprah & OWN Network's hit tv drama, "Greenleaf" for multiple seasons, BET Network's drama series, "Boomerang", MTV's "Nick Cannon Presents Wild'N Out" and worked as a member of the house band for the 34th Annual Gospel Stellar Awards, 20th Annual Super Bowl Gospel Celebration, both The 2018 and 2019 BMI R&B/Hip Hop Awards honoring Janet Jackson and Brandy. Jazmin now serves as the Vocal Director and Contractor The Stellar (Gospel Music) Awards and Black Music Honors. She has had vocal arrangements featured on Lifetime's EMMY nominated "Robin Roberts Presents: MAHALIA", The EPIX Docu-series "By Whatever Means Necessary" and has been a featured vocalist for those projects as well as on networks such as STARZ, PBS, television commercials and more! Upon obtaining her degree, Jazmin founded The Outlet for Vocal Expression, LLC, where she currently works as a professional vocal coach, arranger & vocal producer in Ellenwood, GA with vocalists, artists and background vocalists all over the world. She is a Vocal Health Instructor certified by The Music And Arts Healing Institute, Voice Teacher Certified by New York Vocal Coaching and has had much success in her years of instructing. “The Outlet” provides a comfortable, uplifting environment for singers, from beginner to industry level, to receive quality vocal training. Her expertise continues to open many doors, allowing her to do what she loves and help others to grow and do the same. Her ultimate goal is to share the love and message of Christ through music and mentorship. She hopes to inspire everyone she comes in contact with to be who God created them to be and pursue every dream He has placed in their hearts. CeCe Tor Cece Tor is a Liberian American professional choreographer and dancer. Her career in dance began at the age of 16 where she trained in jazz, ballet, African, hip hop, and tap. Her love for her African culture lead her to focus on the modern and traditional styles of Africa and the diaspora. She has traveled and trained in Nigeria, Ghana and in Liberia. Her credits include television and films such as “Step up” the series, HBOs “Eyes on the prize,” and is a principal dancer in the much anticipated “Black Panther 2.” She has also shared the stage and screen with artists such as Yemi Alade, Drake, Teyana Taylor, Jessie J, to name a few and was the official choreographer for Chop Vegas 2021 and Afronation festival US 2022. She hopes to continue spreading her love of culture through dance, and bringing awareness to the talent and beauty that Africa radiates. Jasmine Wilde Business & Wellness Consultant Education: Middle Tennessee State University B.A. Liberal Arts / Writing Processional Credits Tours: Rihanna Loud tour, Home and Home Jay Z and Eminem tour, B.o.B Japan tour, Shooting Stars tour, Paramore UK tour + Shows: BMI urban music awards, MTV video music awards, Perez Hilton‘s one night in Chicago, The Grammy nominations concert + TV: Mindful Meditation with Miss Wilde • Reiki Practitioner • Sound bath and meditation facilitator • Ultrasound Boutique owner @tbadcollective Tbadcollective@gmail.com Sun-Fri: 9AM to 10PM ©2023 by The Black Artists Dance Collective. Powered and secured with Taylor The Creator

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George E. Clark Friday May 31st 2019, 3:27 pm George E. Clark is a college librarian at Harvard and a sometime actor and writer. George graduated in May 2022 from the Harvard Extension School master’s degree program in Dramatic Arts. While there, George studied acting with Remo Airaldi and writing with Bryan Delaney. For one of Bryan’s classes, George wrote a one-act farce set in academe titled Lordy Parkington Gets Hit by a Bus. George’s thesis is about an outdoor theater in Washington, D.C. It is titled Stepping to the National Stage: Protesting Injustice, Producing Shakespeare, and Claiming Black Space at the Sylvan Theater. In the spring of 2021, George worked as a background actor on The Marvelous Mrs. Maisel. The easiest place to find him is in season 4, episode 2. He is front row center when Midge discovers the stage of The Wolford burlesque club. More recently, he played a reporter in the Kiera Knightley film Boston Strangler. In 2020, George appeared as an extra in the Michelle Dockery/Chris Evans miniseries Defending Jacob. See him as a janitor in episode 1 and a news cameraman in the trailer and episode 3. He also appeared as a background actor in the Kyle Chandler television series Early Edition. Back in the day, he worked as cast or crew in Tartuffe, Once Upon A Mattress, and Twelfth Night at Earlham College, and was a player in the Earlham-based improv company Off the Cuff. George is a former columnist for Environment magazine. His poetry has been published in Shot Glass Journal; West Texas Literary Review; The Resource, Harvard University’s HR newsletter; Crucible, the literary magazine of Earlham College; and Lines in the Landscape, a juried chapbook published by Fruitlands Museum and the Concord (MA.) Poetry Center. George’s poetry book manuscript, Next Morning, With Pickles, was a semifinalist for the Ohio State University Press/The Journal Wheeler Prize for Poetry in 2018. He has a B.A. in geology from Earlham College, and other master’s degrees in geography and library & information science from the University of Chicago and Simmons University, respectively. He received his Ph.D. in geography from Clark University, where he worked on water resources, environmental hazards, and social vulnerability and resilience to climate change. His article with colleagues from Clark U. on coastal flooding in Revere, Massachusetts, is one of the most-cited early articles on measuring resilience to climate change. George grew up in Fairfax, Virginia, where he attended Robinson High School, and his family hails from Virginia’s Shenandoah Valley. He currently lives in metrowest Massachusetts about halfway between Boston and Worcester. George and his spouse, Elizabeth, have two adult children and two adult cats. [Contact] [Publications] Comments Off on About

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