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matthew Cuthbert is surprised | mæθju ˈkʌθbərt ɪz səˈpraɪzd |
In fact, he had looked at twenty very much as he looked at sixty, lacking a little of the grayness. | ɪn fækt, hi hæd lʊkt æt ˈtwɛnti ˈvɛri mʌʧ æz hi lʊkt æt ˈsɪksti, ˈlækɪŋ ə ˈlɪtəl ʌv ðə ˈɡreɪnəs. |
"But there was a passenger dropped off for you-a little girl. | bʌt ðɛr wəz ə ˈpæsənʤər drɑpt ɔf fɔr ju-ə ˈlɪtəl ɡɜrl. |
Maybe they were out of boys of the brand you wanted." | ˈmeɪbi ðeɪ wər aʊt əv bɔɪz əv ðə brænd ju ˈwɔntɪd. |
Her face was small, white and thin, also much freckled; her mouth was large and so were her eyes, which looked green in some lights and moods and gray in others. | hər feɪs wəz smɔːl, waɪt ænd θɪn, ɔːlsoʊ mʌʧ ˈfrɛkl̩d; hər maʊθ wəz lɑrʤ ænd soʊ wər hər aɪz, wɪʧ lʊkt ɡriːn ɪn sʌm laɪts ænd muz ænd ɡreɪ ɪn ˈʌðərz. |
"Oh, I can carry it," the child responded cheerfully. | oʊ, aɪ kæn ˈkæri ɪt, ðə tʃaɪld rɪˈspɑndɪd ˈtʃɪrfəli. |
"It isn't heavy. I've got all my worldly goods in it, but it isn't heavy. | ɪt ˈɪzənt ˈhɛvi. aɪv ɡɒt ɔːl maɪ ˈwɜrldli ɡʊdz ɪn ɪt, bət ɪzənt ˈhɛvi. |
We've got to drive a long piece, haven't we? | wiːv ɡɒt tuː draɪv ə lɒŋ piːs, ˈhævənt wiː? |
They were good, you know-the asylum people. | ðeɪ wər ɡʊd, ju noʊ-ðə əˈsaɪləm ˈpipəl. |
With this Matthew's companion stopped talking, partly because she was out of breath and partly because they had reached the buggy. | wɪð ðɪs ˈmæθjuz kəmˈpænjən stɑpt ˈtɔkɪŋ, ˈpɑrtli bɪˈkɔz ʃi wəz aʊt əv brɛθ ænd ˈpɑrtli bɪˈkɔz ðeɪ həd rɪʧt ðə ˈbʌgi. |
And I've never had a pretty dress in my life that I can remember-but of course it's all the more to look forward to, isn't it? | ænd aɪv ˈnɛvər hæd ə ˈprɪti drɛs ɪn maɪ laɪf ðæt aɪ kæn ɹɪˈmɛmbɚ bət əv ˈkɔɹs ɪts ɔl ðə mɔɹ tu lʊk ˈfɔɹwərd tu ˈɪznt ɪt |
And then I can imagine that I'm dressed gorgeously. | ænd ðɛn aɪ kæn ɪˈmæʤɪn ðæt aɪm drɛst ˈɡɔrʤəsli |
When we got on the train I felt as if everybody must be looking at me and pitying me. | wɛn wi ˈɡɑt ɑn ðə treɪn aɪ fɛlt æz ɪf ˈɛvribɑdi mʌst bi ˈlʊkɪŋ ˈæt mi ænd ˈpɪtiŋ mi. |
I wasn't a bit sick coming over in the boat. | aɪ ˈwəzənt ə bɪt sɪk ˈkəmɪŋ ˈoʊvər ɪn ðə boʊt. |
She said she never saw the beat of me for prowling about. | ʃi sɛd ʃi ˈnɛvər sɔ ðə bit ʌv mi fɔr ˈpraʊlɪŋ əˈbaʊt |
She said I must have asked her a thousand already. | ʃi ˈsɛd aɪ mʌst hæv ˈæskt hər ə ˈθaʊzənd ɔlˈrɛdi |
"It's a boy I've come for. | ɪts ə bɔɪ aɪv kʌm fɔr. |
"I'm very glad to see you. | aɪm ˈvɛri ɡlæd tu si ju. |
And what DOES make the roads red?" | ənd wɑt dʌz meɪk ðə roʊdz rɛd?" |
"Well now, I dunno," said matthew. | "wɛl naʊ, aɪ ˈdʌnoʊ," sɛd ˈmæθjuː. |
"Well, that is one of the things to find out sometime. | wɛl, ðæt ɪz wʌn əv ðə θɪŋz tu faɪnd aʊt ˈsʌmˌtaɪm. |
It just makes me feel glad to be alive-it's such an interesting world. | ɪt ʤʌst meɪks miː fil ɡlæd tu bi əˈlaɪv-ɪts sʌʧ ən ˈɪntərəstɪŋ wɜrld. |
But am I talking too much? | bʌt æm aɪ ˈtɔkɪŋ tuː ˈmʌtʃ |
Would you rather I didn't talk? | wʊd jʊ ˈræðər aɪ ˈdɪdnt tɔk |
Women were bad enough in all conscience, but little girls were worse. | ˈwɪmɪn wər bæd ɪˈnʌf ɪn ɔl ˈkɑnʃəns, bət ˈlɪtəl ˈɡɜrlz wər wɜrs. |
I don't mind." | aɪ doʊnt maɪnd." |
"Oh, I'm so glad. | oʊ, aɪm soʊ ɡlæd. |
But it isn't-it's firmly fastened at one end. | bʌt ɪt ˈɪznt-ɪts ˈfɝmli ˈfæstənd ət wʌn ɛnd. |
I asked her all about it. | aɪ ˈæskt hər ɔːl əˈbaʊt ɪt. |
But you can't where you are. | bʌt jʊ kænt wɛr jʊ ɑr |
"Fancy. | ˈfænsi. |
I can't feel exactly perfectly happy because-well, what color would you call this?" | aɪ kænt fil ɪɡˈzæktli ˈpɝfɪktli ˈhæpi bɪˈkɑz wɛl wʌt ˈkʌlɚ wʊd ju kɔl ðɪs |
I never could find out. | aɪ ˈnɛvər kʊd faɪnd aʊt. |
Can you tell me?" | kæn ju ˈtɛl mi |
"Well now, I'm afraid I can't," said matthew, who was getting a little dizzy. | "wɛl naʊ, aɪm əˈfreɪd aɪ kænt," sɛd ˈmæθju, hu wəz ˈɡɛtɪŋ ə ˈlɪtəl ˈdɪzi. |
"Well, whatever it was it must have been something nice because she was divinely beautiful. | wɛl, wəˈɛvɚ ɪt wəz ɪt mʌst həv bɪn ˈsʌmθɪŋ naɪs bɪˈkɑz ʃiː wəz dɪˈvaɪnli ˈbjutəfəl. |
Have you ever imagined what it must feel like to be divinely beautiful?" | hæv juː ˈɛvər ˈɪˈmæʤɪnd wɑːt ɪt ˈmʌst fiːl laɪk tə biː dɪˈvaɪnli ˈbjuːtɪfəl" |
Which would you rather be if you had the choice-divinely beautiful or dazzlingly clever or angelically good?" | wɪtʃ wʊd juː ˈræðə biː ɪf juː hæd ðə tʃɔɪs-ˈdaɪvɪnli ˈbjutɪfəl ɔːr ˈdæzlɪŋli ˈklɛvər ɔːr ˌeɪndʒəˈlɪkli ɡʊd |
It's certain I'll never be angelically good. | ɪts ˈsɜrtən aɪl ˈnɛvər biː ˌeɪnʤəˈlɪkli ɡʊd. |
mrs Spencer says-oh, mr Cuthbert! | mɪsɪz ˈspɛnsər sɛz-oʊ, mɪs.tər ˈkʌθbərt! |
They had simply rounded a curve in the road and found themselves in the "Avenue." | ðeɪ hæd ˈsɪmpli ˈraʊndɪd ə kɜrv ɪn ðə ˈroʊd ænd faʊnd ðəmˈsɛlvz ɪn ðə "ˈævəˌnju". |
Did you ever have an ache like that, mr Cuthbert?" | dɪd ju ˈɛvər hæv ən eɪk laɪk ðæt, mɪstər ˈkʌθbərt" |
"Well now, I just can't recollect that I ever had." | wɛl naʊ, aɪ ʤʌst kænt ˌrɪkəˈlɛkt ðæt aɪ ˈɛvər hæd. |
Something still pleasanter may come after, but you can never be sure. | ˈsʌmθɪŋ stɪl ˈplɛzntər meɪ kʌm ˈæftər, bət jʊ kæn ˈnɛvər bi ʃʊr. |
But I'm glad to think of getting home. | bʌt aɪm ɡlæd tuː θɪŋk ʌv ˈɡɛtɪŋ hoʊm. |
Do you think it can? | dʊ jʊ θɪŋk ɪt kæn |
But why do other people call it Barry's pond?" | bʌt waɪ du ˈʌðər ˈpipəl kɔl ɪt ˈbæriz pɑnd" |
Orchard Slope's the name of his place. | ˈɔrʧərd sloʊps ðə neɪm əv hɪz pleɪs. |
So I shut my eyes. | soʊ aɪ ʃʌt maɪ aɪz |
Because, you see, if the bridge DID crumple up I'd want to SEE it crumple. | bɪˈkɔz, ju si, ɪf ðə brɪʤ dɪd ˈkrʌmpəl ʌp aɪd wɑnt tu si ɪt ˈkrʌmpəl. |
I always like the rumble part of it. | aɪ ˈɔlweɪz laɪk ðə ˈrʌmbəl ˈpɑrt əv ɪt. |
Now I'll look back. | naʊ aɪl lʊk bæk |
I'm sure I'll guess right." | aɪm ˈʃʊr aɪl ɡɛs raɪt. |
"That's it, isn't it?" she said, pointing. | "ðæts ɪt, ˈɪznt ɪt?" ʃi sɛd, ˈpɔɪntɪŋ. |
But I reckon mrs Spencer described it so's you could tell." | bʌt aɪ ˈrɛkən mɪsɪz ˈspɛnsər dɪsˈkraɪbd ɪt soʊz ju kʊd ˈtɛl. |
"No, she didn't-really she didn't. | noʊ, ʃi ˈdɪdənʔriəli ʃi ˈdɪdənt |
All she said might just as well have been about most of those other places. | ɔl ʃi sɛd maɪt ʤʌst əz wɛl hæv bɪn əˈbaʊt moʊst əv ðoʊz ˈʌðər ˈpleɪsɪz. |
I hadn't any real idea what it looked like. | aɪ ˈhædnt ˈɛni ˈril aɪˈdiə wɑt ɪt lʊkt laɪk. |
Villefort's conduct, therefore, upon reflection, appeared to the baroness as if shaped for their mutual advantage. | vɪlˈfɔrts ˈkɑndʌkt, ˈðɛrˌfɔr, əˈpɔn rəˈflɛkʃən, əˈpɪrd tʊ ðə bəˈronɪs əz ɪf ʃeɪpt fɔr ðeɪr mjuˈtʃuəl ədˈvæntɪʤ. |
She would invoke the past, recall old recollections; she would supplicate him by the remembrance of guilty, yet happy days. | ʃi wʊd ɪnˈvoʊk ðə pæst, rɪˈkɔl oʊld ˌrɛkəˈlɛkʃənz; ʃi wʊd ˈsʌplɪˌkeɪt ˈhɪm baɪ ðə rɪˈmɛmbɚəns əv ˈɡɪlti, jɛt ˈhæpi deɪz. |
"Do you intend opening the door?" said the baroness. | ˈdu jʊ ɪnˈtɛnd ˈoʊpənɪŋ ðə dɔr? sɛd ðə bəˈrɑnɪs. |
"Who am I? You know me well enough." | "hu ˈæm aɪ? ju noʊ mi ˈwɛl ɪˈnʌf." |
Your name?" | jɔr neɪm" |
And now, what do you want?" | ænd naʊ wɑt du jə wɑnt |
"Oh, how extraordinary! | oʊ, haʊ ɪkˈstrɔrdəˌnɛri! |
"A mischance?" repeated the baroness. | ə ˈmɪstʃæns? rɪˈpiːtɪd ðə bəˈroʊnəs. |
Come, forget him for a moment, and instead of pursuing him let him go." | kʌm, fərˈɡɛt hɪm fɔr ə ˈmoʊmənt, ænd ɪnˈstɛd əv pərˈsujɪŋ hɪm lɛt hɪm ɡo. |
"At least keep him there till my daughter be married." | ət ˈlist kip ˈhɪm ðɛr tɪl maɪ ˈdɔtər bi ˈmærɪd |
"I was not thinking of that," replied Madame Danglars quickly. | aɪ wəz nɑt ˈθɪŋkɪŋ ʌv ðæt, rɪˈplaɪd məˈdæm ˈdæŋɡlɑrz ˈkwɪkli. |
"Well, I own it." | wɛl, aɪ ˈoʊn ɪt. |
Has the law ears to be melted by your sweet voice? | hæz ðə lɔ ɪrz tu bi ˈmɛltɪd baɪ jɔr swit vɔɪs |
You will tell me that I am a living being, and not a code-a man, and not a volume. | ju wɪl tɛl mi ðæt aɪ æm ə ˈlɪvɪŋ ˈbiɪŋ, ænd nɑt ə koʊd-ə ˈmæn, ænd nɑt ə ˈvɑljum. |
Have they spared me? | hæv ðeɪ speərd miː |
No, madame, they struck me, always struck me! | noʊ, məˈdæm, ðeɪ strʌk mi, ˈɔlˌweɪz strʌk mi! |
I have always found them; and more,--I repeat it with joy, with triumph,--I have always found some proof of human perversity or error. | aɪ hæv ˈɔlweɪz faʊnd ðɛm; ænd mɔr, aɪ rɪˈpiːt ɪt wɪθ ʤɔɪ, wɪθ ˈtraɪʌmf, aɪ hæv ˈɔlweɪz faʊnd sʌm pruf ʌv ˈhjumən pɜrˈvɜrsəti ɔr ˈɛrər. |
"The weakness of a murderer!" | ðə ˈwiknəs əv ə ˈmɜrdərər |
"His dishonor reflects upon us." | hɪz ˈdɪsˌɑnər rɪˈflɛkts əˈpɑn ˈʌs. |
They went up by the stair, because they thought this would make a better impression. | ðeɪ wɛnt ʌp baɪ ðə stɛr, bɪˈkɔz ðeɪ θɔt ðɪs wʊd meɪk ə ˈbɛtər ɪmˈprɛʃən. |
Because, if so, we can go away." | bɪˈkɔz, ɪf soʊ, wi kæn ɡoʊ əˈweɪ. |
Then he burst into tears, and the truth came out. | ðɛn hi bɜrst ˈɪntu tɪrz, ænd ðə truθ keɪm aʊt. |
"No, I don't. | ˈnoʊ, aɪ doʊnt. |
"Rather not. | "ˈræðər ˈnɑt." |
"Then follow the leader," he cried gaily. | ðɛn ˈfɑloʊ ðə ˈlidər, hi kraɪd ˈɡeɪli. |
"Oh dear, are you going away?" | oʊ dɪər, ɑr juː ɡoʊɪŋ əˈweɪ? |
"About me, peter?" | əˈbaʊt miː, ˈpiːtər? |
"no" | nəʊ |
"Would you send me to school?" he inquired craftily. | "wʊd ju sɛnd mi tu skul?" hi ɪnˈkwaɪrd ˈkræftɪli. |
"Yes." | jɛs. |
"And then to an office?" | ænd ðɛn tu ən ˈɔfɪs |
"I don't want to be a man. | aɪ doʊnt wɑnt tu bi ə mæn. |
"peter," said Wendy the comforter, "I should love you in a beard;" and mrs Darling stretched out her arms to him, but he repulsed her. | "ˈpitər," sɛd ˈwɛndi ðə ˈkʌmfərtər, "aɪ ʃʊd lʌv ju ɪn ə bɪrd;" ænd mɪsɪz ˈdɑrlɪŋ ˈstrɛʧt aʊt hər ɑrmz tu ɪm, bət hi rɪˈpʌlsd hər." |
"Keep back, lady, no one is going to catch me and make me a man." | "kip bæk, ˈleɪdi, noʊ wʌn ɪz ˈɡoʊɪŋ tu kæʧ mi ænd meɪk mi ə mæn." |
"But where are you going to live?" | bʌt ˈwɛr ər ju ˈɡoʊɪŋ tu lɪv |
"I thought all the fairies were dead," mrs Darling said. | aɪ θɔt ɔl ðə ˈfɛriz wɜr dɛd, mɪsɪz ˈdɑrlɪŋ sɛd. |
"I shall have Tink." | aɪ ʃæl hæv tɪŋk. |
"Tink can't go a twentieth part of the way round," she reminded him a little tartly. | "ˈtɪŋk kænt ɡoʊ ə twɛn.tiəθ pɑrt əv ðə weɪ raʊnd," ʃiː rɪˈmaɪndɪd ɪm ə ˈlɪtəl ˈtɑrtliː. |
"Sneaky tell tale!" Tink called out from somewhere round the corner. | "ˈsniki ˈtɛl ˈteɪl" tɪŋk ˈkɔld aʊt frɒm ˈsʌmˌwɛə raʊnd ðə ˈkɔrnər. |
"It doesn't matter," peter said. | ɪt ˈdəzənt ˈmætər, ˈpiːtər sɛd. |
"Certainly not. | ˈsɜrtənli nɑt. |
"But he does so need a mother." | bʌt hi ˈdʌz soʊ nid ə ˈmʌðər. |
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BabblePhon
Introduction
Welcome to the BabblePhon dataset! This dataset consists of 12,406 text-phoneme pairs. The primary objective of this dataset is to serve as a resource for training a Text2Text to translate text into a context-aware phoneme transcriptions.
Description
The dataset contains synthetic text-phoneme pairs generated for the purpose of training machine learning models. Each entry in the dataset consists of a piece of text paired with its corresponding phoneme transcription.
We employed the use of this prompt when generating synthetic data:
Your purpose is to transcribe text provided into IPA, you will respond with only
the IPA transcription and nothing else, add quotes if present, keep punctuation.
for example, you should return it like this (not following this format will break scripts, so follow this):
Original: yeah, thats if i graduate
IPA: jə, ðæts ɪf aɪ ˈɡræʤuˌeɪt
transcribe: {to_transcribe}
Data Quality
It's important to note that this dataset has not undergone manual cleaning. As a result, it may contain errors and inaccuracies. Users should exercise caution when utilizing the dataset for training or evaluation purposes.
Usage
Researchers and developers can leverage this dataset for various natural language processing tasks, particularly those involving phoneme transcriptions. However, it's recommended to perform additional preprocessing and validation to address potential data inconsistencies.
Acknowledgments
@article{panayotov2018libritts,
title={LibriTTS: A Corpus Derived from LibriSpeech for Text-to-Speech},
author={Panayotov, Vassil and Chen, Guoguo and Povey, Daniel and Khudanpur, Sanjeev},
journal={arXiv preprint arXiv:1904.02882},
year={2018}
}
@article{yamagishi2019full,
title={A full-bandwidth open-source vocoder for high-quality speech synthesis},
author={Yamagishi, Junichi and Veaux, Christophe and MacDonald, Kirsten and King, Simon},
year={2019},
publisher={The Centre for Speech Technology Research (CSTR)},
}
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