Abstract:
A method for controlling multicolor print quality including a) placing color patches onto a print substrate; b) combining primary colors C, M, and Y to form secondary colors and overprinting the secondary colors and an opposite primary color thereof in a pre-determined halftone % to yield neutral grey tone; c) comparing the neutral grey tone with a black “K” halftone as a monochrome gray reference in the color patches, and d) amending the color patches to control color changes.

Description:
CROSS-REFERENCE TO RELATED APPLICATIONS 
       [0001]    This application is a continuation of International Patent Application No. PCT/CN2009/001490 with an international filing date of Dec. 17, 2009, designating the United States, now pending. The contents of all of the aforementioned applications, including any intervening amendments thereto, are incorporated herein by reference. 
     
    
     BACKGROUND OF THE INVENTION 
       [0002]    1. Field of the Invention 
         [0003]    The invention relates to a method for controlling print quality, and more particularly, to a method for controlling multicolor print quality. 
         [0004]    2. Description of the Related Art 
         [0005]    Basic color theory is defined and can be found in primary school textbooks. The color wheel is a common tool for explaining color theory. Basically, the full color spectrum is composed of six common colors: magenta (M), red (R), yellow (Y), green (G), cyan (C), and blue (B). Magenta, yellow, and cyan are the primary colors of subtractive color theory, which is used to make, for example, inks and paints. Red, green and blue are the secondary colors of the additive transmission rules, used in electronics and light technologies, such as TV projection and scanning optical applications. 
         [0006]    The primary color group comprising magenta, yellow, and cyan has been separated based on the subtractive method and filter glass, to which black is added as image booster. This constitutes the basis of the printing industry. 
         [0007]    Traditionally, manual color filtering technologies were used to separate colored pictures, using color optical lens filters, into the CMY printing channels. This methodology created significant challenges for skill laborers. For many decades, the printing industry employed CMYK colored printing inks (where “K” indicates a black color) to simulate full color reproduction using a small color space. 
         [0008]    Computer technologies have continuously improved the application of the CMYK color channels for printing. The printing industry has adopted fast electronic data calculations, storage space facilities, and digitalized optical color reproduction techniques. Manual color separation is no longer necessary. Multi-zone color separation via data processing and electronic filtering is sufficient as long as the correct color channel values are selected as calculation inputs. Color channels other than CMY may also be used, and digital ink jet color printers can handle as many as 12 color channels to produce a color gamut that is indistinguishable from the real world color gamut detected by the human eye. Many colors may be used for printing, as long as the color ink channels provide digital color separation. Hi-Fi color printing has recently become available. Hi-Fi printing can overcome the difficulties associated with true color production when using CMYK printing, which results in a narrow color gamut. Researchers have discovered that the addition of purer secondary printing ink colors, that is, red, green, and blue, or purer tertiary color groups, that is, cyan+red, yellow+green, magenta+blue, etc., or any of two, three, or more colors between each color group, yield color representations that are more accurate than those created by the primary CMY colors. The wider resultant color gamut provides a better match for the original color spectrum detected by the human eye. Hi-Fi color printing is an ultimate goal of multicolor reproduction technologies, developed to meet today&#39;s expectations for color fidelity. 
         [0009]    In ink-based printing methods, the true RGB secondary colors are produced by combining two primary colors, that is, red=yellow+magenta (R=Y+M), green=cyan+yellow (G=C+Y) and blue=magenta+cyan (B=M+C). In the “WKTone neutral grey balance control system,” pre-determined primary color halftone values are mixed together to form neutral grey shades, then are compared with monochrome pre-determined halftone black as a reference to aid color balance correction. Conventional secondary and tertiary colors are simulated by applying the natural color gamut data to accurately produce the specific secondary color pigments and tertiary color pigments. This improves some of the traditional printing imperfections from color space simulations, yielding a more accurate color balance. This technique can be used in multicolor printing production techniques. 
         [0010]    Formation of simulated secondary, tertiary, and other color groups: CMY is the primary color group used in the print production of multicolor pictures. When any two of these three primary colors are combined, they form the secondary colors RGB. Further combinations of a primary color with a secondary color thereof will form a tertiary color. By further combining the color groups, a full-color picture can be simulated. Because the secondary, tertiary, quaternary colors, and so on are composed of the primary source colors CMY artificial pigments or dyes, color mixing results are limited in the accuracy with which the colors may be reproduced. Therefore, the printing industry has suffered from inaccurate color reproduction for decades. 
         [0011]    What is “Hi-Fi” printing? Hi-Fi printing is a printing method in which additional ink colors are used to extend the color gamut coverage, providing optimal color images and achieving optimal reproductions that simulate natural color schemes. The combinations most commonly used in industry are the hexachrome color printing combinations, with six colored inks (CMYK+orange+green), or the heptachrome color printing combinations, with seven colored inks (CMYK+RGB). 
         [0012]    Why does the industry require Hi-Fi color printing? Conventional CMYK color printing production process have suffered from an insufficient color gamut due to limits in the availability of mixed colors using the CMY primary colors, which form a narrow color gamut. Hi-Fi color printing can overcome the obstacles of true color production, as it can enrich the color space and better simulate the original color scheme. 
         [0013]    Although multicolor production technologies are available, the industry does not have sufficient color management methods to easily determine and control the ink usage balance during high-speed printing processes. It is difficult for machine operators to visualize all color channels to control imbalanced inking conditions and respond quickly and accurately. Conventional CMYK electronic reading devices cannot effectively interpret the secondary and subsequent (non-primary) color values for accurate measurement. 
       SUMMARY OF THE INVENTION 
       [0014]    Because the printing industry has lacked an accurate and effective multicolor quality control technique, this invention provides a multicolor print quality control method. 
         [0015]    Based on the neutral grey balance theory, neutral grey balance is the overprinting result of a pre-determined percentage (%) of each color group component, e.g., three primary colors: cyan, magenta, and yellow; or the secondary colors: red, green, and blue with its opposite primary color; or the tertiary colors: cyan &amp; green, cyan &amp; blue, magenta &amp; blue, magenta &amp; red, yellow &amp; red, and yellow &amp; green, which each comprise the sum of two opposite primary colors. 
         [0016]    When any color changes its value, the neutral grey shade will also change its value and shift the grey shade accordingly, either towards the overdosed color, if in excess or towards the opposing color, if deficient. 
         [0017]    The Munsell color balance theory describes the grey balance using the principle of the natural color spectrum in which the RGB colors (red, green, and blue) each has an accurate and distinct color value. Each secondary color contains two primary color elements. By adding the relevant opposite primary color, each RGB color can be neutralized to a neutral grey shade to form the WKTone neutral grey tones (NGTs). The NGTs are produced by the combinations red+cyan, green+magenta, and blue+yellow. If any of the NGT component colors (CMYRGB) changes its value, the neutral grey tone will shift its shade accordingly, either towards the excessive color when in excess or towards the opposite color when deficient. Therefore, by using the WKTone design, each visual NGT target is filled with pre-determined CMYRGB % halftone dots as a neutral grey balance quality control target in the appropriate area. The pre-determined “K” % halftone (MGT) patches are placed as a reference guide, and the MGT and NGT are used to visually match the reference targets. These targets guide ink adjustments to achieve accurate multicolor neutral grey balance conditions. This technique is used in seven-color printing. 
         [0018]    Color neutral grey balance control in hexachrome printing may be achieved by applying the same principle as is used for seven-color method. For example, an orange color is composed of two parts yellow and one part magenta (2Y+1M), to form a tertiary color. To create a balanced neutral grey tone for this condition using the Munsell color balance theory, neutralization is performed by adding the appropriate opposite color(s), such as one part magenta and two parts cyan (1M+2C) to the orange. The neutralization result is (2Y+1M)+(1M+2C)=(2Y+2M+2C)=2(Y+M+C). Simplifying this result yields the NGT (C+M+Y), equivalent to the WKTone print quality control neutral grey balance working principle. The formation of other NGT colors follows the same principle. 
         [0019]    In accordance with one embodiment of the invention, there provided is a method for controlling multicolor print quality comprising a) placing color patches onto a print substrate; b) combining primary colors C, M, and Y to form secondary colors and overprinting the secondary colors and an opposite primary color thereof in a pre-determined halftone % to yield neutral grey tone; c) comparing the neutral grey tone with a black “K” halftone as a monochrome gray reference in the color patches, and d) amending the color patches to control color changes. 
         [0020]    In a class of this embodiment, the secondary colors are red (R), green (G), blue (B). The opposite primary colors are defined as follows: the opposite color to the secondary color R is C, the opposite color to the secondary color G is M, the opposite color to the secondary color B is Y. The appropriate halftone % secondary color is added to the opposite primary color to yield the NGT. 
         [0021]    In a class of this embodiment, the tertiary color is formed by combining a pre-determined % of the primary and secondary color, for example, cyan &amp; green (C+G), cyan &amp; blue (C+B), magenta &amp; blue (M+B), magenta &amp; red (M+R), yellow &amp; red (Y+R), and yellow &amp; green (Y &amp; G). The appropriate halftone % tertiary colors are added to the opposite primary color to yield the NGT. For example, cyan &amp; green&#39;s opposite primary colors are yellow &amp; magenta, cyan &amp; blue&#39;s opposite primary colors are magenta &amp; yellow, magenta &amp; blue&#39;s opposite primary colors are cyan &amp; yellow, magenta &amp; red&#39;s opposite primary colors are yellow &amp; cyan, yellow &amp; red&#39;s opposite primary colors are magenta &amp; cyan, and yellow &amp; green&#39;s opposite primary colors are cyan &amp; magenta. 
         [0022]    In a class of this embodiment, the quaternary, fifth, and other color groups formed from primary colors. The appropriate halftone % quaternary or fifth colors are added to the opposite primary color(s) to yield the NGT. 
         [0023]    In a class of this embodiment, the secondary color quantity of the color black “K” halftone (MGT) and a printing job is preset by applying the opposite color method to yield MGT and NGT dual grey patches which are accurately overprinted and placed together to cover up the printing surface, thereby providing an operator with a consistent visual reference aid for grey tone analysis to determine the degree of matching and adjust color change values appropriately. 
         [0024]    In a class of this embodiment, both grey patches (MGT) and NGT patches is designed as part of the printing images and integrated into the job by placement at appropriate positions, thereby providing a tool for visually assessing color accuracy, by visual inspection or automated analysis. 
         [0025]    In a class of this embodiment, a neutral grey sample is designed according to NGT and the color black “K” halftone (MGT) for matching purposes at the proof stage, thereby providing a printing job with a visual and machine-readable color reference guide. 
         [0026]    In a class of this embodiment, an automatic scanner is applied to collect grey patch color values using optical technologies, and an electro-spectro scanner is used in closed loop operation to continuously read and an automatic computing software analyzes color shift values and automatically adjusts the imbalanced color values, thereby providing an operator with a visual target to confirm whether or not the automatic correction result is acceptable. 
         [0027]    In a class of this embodiment, an electronic component element and optical technologies is used to design the neutral grey patch reference guide and integrate the guide into the monitor&#39;s RGB secondary color light source to calibrate the color by creating neutral grey conditions, thereby providing a visual reference guide and reading device comparison usage values. 
         [0028]    In a class of this embodiment, according to the job requirements, an appropriate color pattern is designed in a particular shape using halftone patches to form a sample reference guide; the color patch patterns is accurately printed in register, placed adjacent to each other and across the width of the printing surface. 
         [0029]    In a class of this embodiment, an automatic color scanning device is used to repeatedly collect color values for color correction analysis computations to determine color shifting values, thereby providing a visual reading aid to the operator to assist in analyzing the automatic color correction results. 
         [0030]    In a class of this embodiment, according to NGT, MGT patches, and halftone patches designed according to the required colors and patterns, a single color progressive proof is designed as a proofing reference guide, in the form of a selected portion of a color proof, or as a proof with a full color overprint, depending on the production work flow requirement, thereby providing a job reference guide for use with visual comparison. 
         [0031]    In a class of this embodiment, the grey balance principle is defined under the optical theory as a pre-determined % color value in which equal portions of primary colors are overprinted on each other to form a black color, and at the 50% condition, a grey shade is formed. Because different ink manufacturers cannot provide the same primary color shade, color shades cannot be unified. Therefore, the selection of different ink manufacturer printing ink sets requires determining the primary color % necessary to form the NGTs. This method provides black color patches MGT to assist with visual comparison. 
         [0032]    In a class of this embodiment, particular color reference patches are selected and replaced with selected primary and secondary colors to yield 100% single color solid and pre-determined particular single color halftones, thereby providing an operator with dot gain value information. 
         [0033]    WKTone (Hi-Fi) comprises a variety of features. The number of colors selected for production permits NGTs to be produced using combinations other than the three primary colors for comparing with black MGT. This visual reference system can be used in many printing applications. Printed results can be visually assessed quickly, and real-time corrections may be made effectively to reduce the number of quality control steps taken in a printing run. 
         [0034]    Each time an automatic reading device finishes collecting the color shift information and the color correction data, the WKTone (Hi-Fi) provides a visual target to assist an operator in verifying whether correction steps are required, thereby creating a “silent” and “effective” system between the operator and the machine. If the reading device mistakenly collects the wrong correction data, causing WKTone (Hi-Fi) NGT or MGT color shifting, the system will positively translate both grey tones into a non-matching condition. The operator can (in real time) visually understand grey imbalance situations without the need for a magnifying glass or a reading device. Defective results can thereby be accurately determined. 
         [0035]    The WKTone (Hi-Fi) multicolor method can provide single colors, partial colors, and all required color production usages, simply by computing the color groups of NGTs. Opposite primary, secondary, tertiary, etc., colors may be used to produce a neutral grey tone, which can assist the visual quality assessment process by comparison with the “K” MGT for color correction purposes. 
         [0036]    Because RGB secondary colors are used in color monitors, appropriate electronic or optical filters may be added to produce a neutral grey shade, which can be compared with a reference grey patch. 
         [0037]    Advantages of the invention are summarized below: 
         [0038]    1. Linear graphic devices containing neutral grey tone information for visual assessment of printing consistency. This can simplify the color differentiation checking period and speed up the color adjustment process. 
         [0039]    2. Continuous monitoring of printing press running status for imperfections, doubling, gear marking, mechanical wearing, scumming, inconsistency of ink supply, automatic color bar scanning device malfunctions, and other printing-related problems. 
         [0040]    3. Color references are positioned side by side, creating a diffusion referencing function. No visual memory is required for tone matching, assisting with the process of instant color adjustment. The operator can quickly and accurately compare and adjusts for color matching in real time. 
         [0041]    4. Quality control methods can be widely used between the proof-making and bulk production steps. 
         [0042]    5. Quality control methods can be widely used in many printing processes. It is especially beneficial when applied to lithographic printing, digital printing, digital and conventional proofing, and electromagnetic digital printing. The method can assist in mechanical or digital electro-printing, digital electromagnetic production, and can assist in the calibration of monitors (e.g. LED screen). 
         [0043]    6. Certain jobs may require different grey balance NGT values as target references. This method overcomes grey bar restrictions in standard gray balance values as long as the whole job is conducted under matching conditions. 
         [0044]    7. Certain jobs may require pre-defined color values as a target reference. This method may be applied as long as the whole job is conducted under matching conditions. 
         [0045]    8. Unique pre-determined neutral grey pattern designs can be integrated into the print job content. 
         [0046]    9. The visual assessment method is facilitated by introducing a multicolor neutral grey balance quality control system that can effectively highlight the neutral grey tone to deal with inking imbalance conditions. 
         [0047]    10. The simple method design provides an operator with an instant overview of the ink balance, thereby facilitating ink adjustment and avoiding information overload and visual confusion. 
         [0048]    11. The print quality control method can provide a uniform color patch environment over 100% coverage of the job width for color density reading equipment manufacturers to precisely collect grey tone shade value changes via photoelectronic reading devices. This system can be used in automatic scanning and correction devices that rapidly and accurately collect data and density values so that an operator can react quickly to handle any required corrections. 
         [0049]    12. By selecting halftone color patches as a reference guide for printing, rather than using 100% solid color patches for quality control assistance, the color imbalance overprint analysis can be simplified and the reading time can be reduced. 
         [0050]    13. A deficient color element can be easily identified without using expensive and sophisticated ink density reading equipment. 
         [0051]    14. This system is a universal tool and can be used in a variety of color management control systems as a quick reference device. 
         [0052]    15. NGT shade changes reveal the presence of imbalances in the chosen ink value(s). 
         [0053]    16. Neutral grey tone shade changes appear quickly between printed sheets and can indicate printing machine mechanical defects or printing material instability conditions. 
         [0054]    17. Inking adjustments are usually based on CMY overprinting results. Conventional methods use only individual color standard density readings not made in the overprinting condition to reflect the actual overprinted condition. However, imbalanced inking conditions can occur without such indications. 
         [0055]    18. This system provides a visual target for the operator and a reading aid for a reading device that helps the operator confirm whether or not the automatic correction result is acceptable. This method is a “silent” and “effective” communication method. 
         [0056]    19. This method permits the design of appropriate color shapes in the form of halftone patches (according to the job requirements), as a reference guide for the selection of printing colors. These target color patches can be used for bulk production usage. 
         [0057]    20. This method provides a means for visually monitoring color adjustments. Appropriate electronic or optical technologies may be used to adjust RGB secondary colors to form grey shades for matching with a black neutral grey tone by comparison. This method facilitates the visual monitoring of RGB color balance calibration steps. 
         [0058]    21. This system creates color patches as proofing reference guides using the color group. The guides may be formed using different groupings of single color progressive proofs or using a portion of a selected number of color proofs and the proof with a full color overprint, depending on the production sequencing work flow requirements. This method provides a job reference guide for visual assessment of consistency and color reading device analysis. 
         [0059]    22. The print quality control method may be implemented in software form, available as a digital download and providing an output in an analog form, such as film wedges. 
         [0060]    23. The system can provide accurate individual ink zone/ink key control during the printing production process. The pre-determined neutral grey patches are placed to maximize their coverage, providing inking value information covering the full printing width and avoiding incomplete inking value information. 
         [0061]    24. No restrictions on ink set usages. Any ink set can be used to provide the neutral grey tone(s) as long as the balancing conditions are controlled. 
         [0062]    25. The control system can be as small as possible as long as it is readable. The height and width are not restricted. 
         [0063]    26. No restrictions on the lines per inch screening resolution. 
         [0064]    27. The system can use any halftone screening style, for example, AM/FM. 
         [0065]    28. Screen angles may be normal, and no particular screen angle setting is required for each color. 
         [0066]    29. The unique “pre-determined” system has no restrictions on shape and size of the neutral grey tone. Midtone and solid areas may be placed over the “K” grey patch as long as the comparison is readable and measurable using equipment when necessary. 
         [0067]    30. Controlling methods can provide accurate, tight, registered printing environments using MGT and NGT patches to enable visual comparison. Both grey tones can be used to indicate the presence of misalignment in the MGT and NGT patches for reference purposes. A white line formed between the MGT and NGT can indicate the spacing between MGT and NGT patches. A dark line between the MGT and NGT patches can indicate overlap in the MGT and NGT patches. These features can provide misalignment information. 
     
    
     
       BRIEF DESCRIPTION OF THE DRAWINGS 
         [0068]    The invention WKTone (HiFi), combining with primary colour and WKTone Neutral Grey Balance theory, design a neutral grey balance colour control system, in the method for stripping in the print job electronically or in a form of film, in which: 
           [0069]      FIG. 1  to  FIG. 10  show the primary colors plus secondary colors with reference to the accompanying drawings: 
           [0070]      FIG. 1  is a plan view of the monochrome production version; 
           [0071]      FIG. 2  is a plan view of the color production version; 
           [0072]      FIG. 3  is a plan view of the cyan, magenta, yellow, red, green, blue and black overprint design; 
           [0073]      FIG. 4  is a plan view of the cyan design (C); 
           [0074]      FIG. 5  is a plan view of the magenta design (M); 
           [0075]      FIG. 6  is a plan view of the yellow design (Y); 
           [0076]      FIG. 7  is a plan view of the red design (R); 
           [0077]      FIG. 8  is a plan view of the green design (G); 
           [0078]      FIG. 9  is a plan view of the blue design (B); 
           [0079]      FIG. 10  is a plan view of the black design (K); 
           [0080]      FIG. 11  to  FIG. 20  is the primary color plus tertiary color with reference to the accompanying drawings: 
           [0081]      FIG. 11  is a plan view of the monochrome production version; 
           [0082]      FIG. 12  is a plan view of the color production version; 
           [0083]      FIG. 13  is a plan view of the cyan, magenta, yellow, yellow+red, cyan+green, magenta+blue and black overprint design; 
           [0084]      FIG. 14  is a plan view of the cyan design (C); 
           [0085]      FIG. 15  is a plan view of the magenta design (M); 
           [0086]      FIG. 16  is a plan view of the yellow design (Y); 
           [0087]      FIG. 17  is a plan view of the yellow+red design (R); 
           [0088]      FIG. 18  is a plan view of the cyan+green design (G); 
           [0089]      FIG. 19  is a plan view of the magenta+blue design (B); 
           [0090]      FIG. 20  is a plan view of the black design (K); 
           [0091]      FIG. 21  is the primary color and subsequent color theory drawing: 
           [0092]    Primary color: cyan, magenta, yellow 
           [0093]    Secondary color: red, green, blue 
           [0094]    Tertiary color: cyan+green, cyan+blue, magenta+blue, magenta+red, yellow+red, yellow+green. 
       
    
    
     DETAILED DESCRIPTION OF THE EMBODIMENTS 
       [0095]    A detailed description of this invention is given below to provide further details regarding the description of the invention. Based on the WKTone theory, this invention designed CMYKRGB halftone percentage dots in appropriately shaped patches placed in a series, inverted with respect to each other, and tightly overprinted in register, to provide a grey environment for visual consistency assessment and quality control reference purposes. The “K” grey tone reference guide is a primary quality control aid and is used to form a “C, M, Y, CR, MG, YB” overprinted neutral grey tone reference target. This reference target has no length restrictions; it can cover the full job width without interruptions in the color information to facilitate color balance correction processes. Patches containing 100% CMYRGBK single solid colors and pre-determined halftone patches in a certain % may be used to replace regions of the “K” grey patches to provide the operator with additional dot gain information. 
         [0096]    WKTone (Hi-Fi) features a unique color balance control function, does not carry excessive data, is based on requirements for determining appropriate patterns and patch shapes, and dynamically provides the user with a working environment for color quality assessment. This method accommodates multicolor elements by establishing different combinations of arrangements that are tightly registered and overprinted to build the WKTone (Hi-Fi) color quality control system. 
         [0097]      FIG. 1  is a secondary color WKTone (Hi-Fi) multicolor quality control system monochrome production version.  FIG. 2  is the CMYRGBK color accurate overprinting result.  FIG. 3  is a mechanical technical drawing.  FIG. 4  is the plan view of the cyan color,  FIG. 5  is the plan view of the magenta color,  FIG. 6  is the plan view of the yellow color,  FIG. 7  is the plan view of the red color,  FIG. 8  is the plan view of the green color,  FIG. 9  is the plan view of the blue color, and  FIG. 10  is the plan view of the black color, which can be used to describe the individual color technical drawings. Each color had been designed with pre-determined halftone patterns  41 ,  51 ,  61 ,  71 ,  81 ,  91 , and  101  for NGT neutral grey patch overprinting usages, 100% solid spot color patches  42 ,  52 ,  62 ,  72 ,  82 ,  92 , and  102 , as well as pre-determined halftone color patches  43 ,  53 ,  63 ,  73 ,  83 ,  93 , and  103 . These patches can be used to continuously monitor the single color solid density and the dot gain information. To obtain the best color balance in a printing result, the “K” grey tone and the neutral grey tone shall be in matching conditions, similar in tone shade, and not influenced by excessive “C,” “M,” “Y,” “R,” “G,” “B” mixed color tones, thereby maintaining optimal grey balance conditions. 
         [0098]      FIG. 11  is the tertiary color WKTone (Hi-Fi) multicolor quality control system monochrome production version.  FIG. 12  is the CMYYrCgMbK color accurate overprinting result.  FIG. 13  is a mechanical technical drawing.  FIG. 14  is the plan view of the cyan color,  FIG. 15  is the plan view of the magenta color,  FIG. 16  is the plan view of the yellow color,  FIG. 17  is the plan view of the yellow+red color,  FIG. 18  is the plan view of the cyan+green color,  FIG. 19  is the plan view of the magenta+blue color, and  FIG. 20  is the plan view of the black color, such that each figure shows an individual color technical drawing. Each color had been designed with pre-determined halftone patterns  41 ,  51 ,  61 ,  171 ,  181 ,  191 , and  101  for the NGT neutral grey patch overprinting uses. 100% solid spot color patches  42 ,  52 ,  62 ,  172 ,  182 ,  192 , and  102  as well as pre-determined halftone color patches  43 ,  53 ,  63 ,  173 ,  183 ,  193 , and  103  this provide continuous single color solid density and dot gain information. To obtain optimal color balance printing results, the “K” grey tone and the neutral grey tone are in matching conditions, similar in tone shade, and are not influenced by excessive “C,” “M,” “Y,” “Yr,” “Cg,” “Mb” mixed color tones, thereby maintaining optimal grey balance conditions. 
         [0099]    Specifically,  FIG. 3  to  FIG. 10  and  FIG. 14  to  FIG. 20  are the designs for the printed image of each color, such that each patch is adjacent to the next.  FIG. 7 ,  FIG. 8 , and  FIG. 9  are for the secondary colors, and  FIG. 17 ,  FIG. 18 ,  FIG. 19  are for the tertiary colors. By combining the pre-determined halftone primary colors  FIG. 4 ,  FIG. 5 ,  FIG. 6 ,  FIG. 14 ,  FIG. 15 ,  FIG. 16  with the subsequent color groups, a NGT is formed. Secondary color NGT composition versions are: FIG.  4 + FIG. 7  (cyan+red), FIG.  5 + FIG. 8  (magenta+green), and FIG.  6 + FIG. 9  (yellow+blue). Tertiary color NGT composition versions are: FIG.  14 +FIG.  15 + FIG. 17  (cyan+magenta+yellow red), FIG.  15 +FIG.  16 + FIG. 18  (magenta+yellow+cyan green), and FIG.  14 +FIG.  16 + FIG. 19  (cyan+yellow+magenta blue). Within each color patch, the black “K” monochrome grey tones (MGT) in  FIG. 10  and  FIG. 20  are used as a single grey tone reference guide for the primary and color groups&#39; NGT target uses.  FIG. 2  and  FIG. 12  show the overprinting results of the above color groups, which can be used for visual assessment or with reading devices that retrieve data for comparison and to aid in color correction color shifting control. The overprinting results provide a visual reference for the operator to verify the accuracy of the automatic reading device color correction process.  FIG. 21  shows the color wheel of the primary and subsequent color group combination theory.