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video_id stringlengths 11 11	clip_id stringlengths 21 21	video_title stringlengths 14 98	scene_title sequencelengths 2 2	shot_type sequencelengths 2 2	camera_movement sequencelengths 2 2	content sequencelengths 2 2	voiceover stringlengths 0 595
0wDuTuN6YxA	0wDuTuN6YxA-Scene-038	Educational Toy Cars help Kids Learn Colors and Counting!	[ "Toy Car Searches for Parking Spot", "Toy Car Fails to Find Parking Spot" ]	[ "Close-up shots focusing on the toy parking deck.", "Close-up of colorful toy parking deck and cars." ]	[ "Panning across the parking deck and zooming in.", "Handheld, panning and tilting with quick movements." ]	[ "The video features a close-up view of a colorful wooden toy parking deck designed for children, with bright, vibrant colors dominating the scene. The parking deck is constructed with yellow ramps labeled 'SERVICE' at the top and 'PARK' along the side, indicating its function as a playset for parking toy cars. The camera pans from left to right, showcasing the entire structure of the parking deck. The deck has a door with a blue color at 1st floor and three slots at 2nd floor occupied by toy cars in purple, yellow, and green, each with black wheels and a simplistic design. There's an empty ramp on the yellow level awaiting another car. We then see an orange toy car labeled with the number '4', hinting at its participation in the narrative. The car is held by a human hand against a white background, suggesting an interactive play session. The camera then follows the orange car as it approaches the full parking deck. A sense of anticipation is created as we wonder where the car will park since all spots are taken. This playful scenario unfolds within a brightly lit setting with soft shadows, giving it a cheerful and inviting atmosphere suitable for children. The simplicity of the objects and characters, combined with the primary colors, caters to young audiences' attraction to clear visuals and recognizable shapes. As we progress through the frames, we observe slight variations in light and shadow, possibly due to natural light sources or movement within the scene. There's a clear focus on teaching numbers and colors through play, as indicated by the numbered car and color-coded parking spaces.", "The video features a close-up of a wooden toy parking deck, designed to resemble a multi-level car park. The structure is brightly colored. In the car park, three cars are parking with different vibrant colors such as yellow, purple, and green. Each level has black tire tracks painted on them to indicate parking spaces. The scene starts with the camera panning quickly over the top level, showing three toy cars already parked neatly in a row. The toy cars are simple in design with bold primary and secondary colors that stand out against the yellow level they are parked on. The parking deck includes a 'PARK' sign with directional arrows painted in red and white, suggesting an entrance or exit. As the voice-over mentions car number four, a hand brings an orange toy car with a blue stripe and the number '4' on its side into the frame, attempting to park it on the already full top deck. The camera follows the motion of the car, tilting down as the hand moves the car down to search for an available spot, revealing a 'SERVICE' sign on the next level. The movement is quick and somewhat shaky, emphasizing the urgency conveyed by the voice-over about the lack of parking space. Below the service sign, there's also a 'UP' arrow pointing towards the upper levels. However, as there are no spaces left, the hand maneuvers the orange car into a service bay area of the parking structure that's marked by a gray ramp-like area beneath the 'SERVICE' sign. The environment is plain and uncluttered with a white background that contrasts with the colorful toy set. There's also a 'PAY HERE' station with an illustration of a parking attendant next to it which adds to the realism of the toy set. The lighting is bright and even, casting soft shadows beneath the toys and giving off a clean, playful atmosphere typical of children’s educational or entertainment content." ]	we have three cars parked in the parking deck here comes car number four up the parking deck oh no there's no more spots where should the number four go
1TwEBZ1FUpU	1TwEBZ1FUpU-Scene-091	[Full] 한국기행 - 달 따러 가세 - 제5부 풍요를 비나이다 20160916	[ "Gathering Flowers in Countryside Farmland", "Gentle Gardening in Lush Countryside" ]	[ "The clip consists of medium and long shots.", "The shot is a medium close-up of a person." ]	[ "The camera is mostly static with subtle movements.", "There is a steady, hand-held follow shot." ]	[ "The sequence begins with a medium shot of a character dressed in a dark blue jacket, a white cap, and dark pants patterned with white. The character is in a lush green field with tall plants, some bearing yellow flowers. They are selectively picking flowers, putting them into a blue basket. The environment suggests a rural or countryside setting during the daytime; natural light indicates it's either morning or late afternoon, as there's no strong shadow indicating midday. In the background, we can see rolling hills, other patches of farmland, and various houses with different colored rooftops. There's another character in a white shirt and straw hat in the background, suggesting the presence of others in the vicinity. The character seems focused on their task, carefully choosing which flowers to pick, indicative of an activity that requires knowledge or experience in plant harvesting. In one of the shots, the camera subtly zooms in as the character moves closer to it while working. Text overlays appear in Korean throughout the clip, likely providing context or commentary on the activity being shown. There is also a voice-over that mentions '꽃이라 하여 달마직꽃', which might be referring to the type of flower being picked or an aspect of the story related to these flowers.", "In this video clip, we see an individual, likely a woman based on the clothing and hairstyle, engaged in the activity of gathering or picking flowers in a natural, outdoor setting. The person is wearing a dark-colored long sleeve shirt with purple accents and a white visor that shields her eyes from the sun. She also has on dark pants with stripe patterns. Her attire suggests that she is dressed for outdoor work or gardening. In her hand, she holds what appears to be a small yellow flower or plant part, indicative of the nature of her task. The environment around her is lush and green, indicative of late spring or summer, with tall wild grasses and various plants surrounding her. The light is soft and natural, suggesting early morning or late afternoon; the gentle light casts no harsh shadows on the scene. She is holding a blue basket which implies that she is collecting the flowers or plants as she goes along. The basket also contains a pair of red-handled pruning shears, reinforcing the gardening context. She seems to be carefully selecting which parts of the plants to pick or prune, indicating a level of expertise or knowledge about these plants. The background reveals a rural setting with houses spread out and hills in the distance, providing a serene backdrop to the activity at hand. The colors are rich but not overly saturated, giving the footage a realistic and naturalistic feel. Everything about this scene, from the person's focused actions to the tranquil environment, evokes a sense of calm and simplicity often associated with rural life and nature." ]	꽃이라 하여 달마직꽃.
2gIMgyxB-KY	2gIMgyxB-KY-Scene-007	Judge goes above plea deal, sentences Jared Fogle to more than 15 years in prison	[ "High-Profile Figure Leaves Courthouse Amid Media Frenzy", "News Coverage of Man Exiting Courthouse" ]	[ "A tracking medium shot following a person.", "The shot type is a medium shot, transitioning to a full shot." ]	[ "The camera pans to the right and follows the person as he moves from left to right across the frame.", "The camera pans left-to-right following the subject's movement." ]	[ "The scene is a medium shot that follows a person in professional attire, consisting of a dark suit, white shirt, and red tie. He's seen getting off a white car. The person is surrounded by various members of the media, including photographers and videographers, who are capturing his movement as he walks. The background shows a busy urban environment with passing vehicles. A crisp, clear sky suggests it's either morning or late afternoon. The ambient light is natural and bright, casting soft shadows on the ground and highlighting the chaos of the moment. The style of the video appears to be news footage due to the lower-third graphics displaying breaking news information. There are other unidentifiable characters who are mostly members of the press with cameras and microphones, dressed in heavy coats, indicating it might be cold weather. The environment seems chaotic but controlled, with no bystanders in close proximity to the person in question. The overall color tone is cool with a lot of blues and greys dominating the scene apart from the person's red tie which stands out. Traffic seems normal without any unusual congestion, and life appears to continue normally beyond the immediate vicinity of the event.", "The video clip features a well-dressed man in a dark suit, red tie, and white shirt walking off a parked car. He is followed by several people with cameras, suggesting they are journalists capturing the event. As they walk past the steps of the courthouse, other bystanders or journalists are observed in the background. The environment suggests an urban setting with concrete structures, wide steps leading to the courthouse, and a clear, overcast sky indicating early evening or late afternoon. There is minimal shadow cast on the buildings, indicating diffused lighting conditions, likely due to cloud cover. The parked car is a silver sedan with tinted windows. As the group moves towards the vehicle, they navigate through a fenced-off area with metal barricades, indicating controlled access or anticipation of a crowd. Photographers and videographers are actively taking pictures and recording, contributing to a sense of urgency and importance to the event. Throughout the clip, various elements such as on-screen text overlays provide context; breaking news regarding a sentencing related to serious charges. The visual style is consistent with news broadcast footage—sharp focus on the subject with background activity providing context but not overshadowing the main event. The colors are naturalistic, with no stylistic color grading apparent. All objects appear as they would in natural daylight conditions." ]	his lawyer requested that Fogel be allowed to serve time at a federal prison in Colorado where he can get help for his problems. A Fogel who walked into the federal courthouse this morning behind me did not walk out. He is
3mS0P-_lKbI	3mS0P-_lKbI-Scene-019	THE NOT-SO AGGRESSIVE RECON 2: A BF4 STORY	[ "Strategic Sniper Positioning in Warzone Gameplay", "Tactical Sniper Gameplay on War-torn Battlefield" ]	[ "First-person perspective, over-the-shoulder, character's point of view.", "First-person perspective, medium close-up of equipped weapon." ]	[ "Steady with minimal panning; zoom-in through the scope for aiming.", "Static with minor adjustments to align aim, smooth transition to different viewpoints and angles." ]	[ "The video clip is from a first-person shooter game where the player is controlling a character equipped with a sniper rifle. The environment is a war-torn battlefield with partially destroyed bridges, scattered military vehicles, and debris, reflecting a gritty and chaotic war scenario. The color palette is desaturated with dominant grays, browns, and muted greens, adding to the somber mood. The player character is perched on a higher vantage point with a clear view of the battlefield below. In the lower part of the frame, a heads-up display (HUD) shows game information like team status, ammunition count, health, and a minimap. Through the sniper scope, we see the player targeting enemies in the distance, marked with red indicators. The player's hand and part of the rifle are visible in the frame. The sniper scope reticle is centered on potential targets. Upon successfully assisting in an enemy takedown, the player adjusts aim and takes a precise shot through narrow gaps in the bridge's structure, signifying skillful precision. As the character decides to move positions due to feeling insecure about their location, we witness them jumping down to a lower bridge level. During this transition, there's no significant camera movement except for following the character's jump trajectory and landing. Throughout this sequence, text alerts like 'ENEMY HAS THE BOMB' and 'WE HAVE THE BOMB' pop up on screen, suggesting objectives related to bomb control as part of the game's mission. The light appears to be natural daylight with a cloudy overcast sky, providing even illumination without harsh shadows. There's also a sense of urgency suggested by the dwindling timer on the HUD and alert messages flashing on screen.", "The scene is a first-person shooter gameplay sequence, likely from a game like Battlefield. The player's perspective shows a sniper rifle's scope with a detailed crosshair, aiming down from a high vantage point onto a battlefield scattered with vehicles, buildings, and distant enemy players. The environment appears war-torn and chaotic, with smoke billowing in the distance and a grey, overcast sky implying a bleak, intense atmosphere. The HUD indicates the player is part of the CN team against the RU team with objectives marked on the map. There are indicators for teammates, objectives, ammunition count, and health status. The player lands a 'kill assist' implying collaboration with teammates in taking down an enemy. Then, they precisely shoot an enemy through narrow spaces between bars, which requires precision and skill. After the successful shot, the player quickly transitions to another location by jumping down to a lower bridge. The player feels insecure about this new position, suggesting tactical awareness and the importance of positioning in gameplay. The lighting is naturalistic and the color palette is dominated by muted greens, browns, and greys, reflecting the game's military setting. The objects within the scene include destructed buildings, military vehicles, barriers, roadways, and natural elements like trees and water reflecting a realistic combat zone environment. Characters are seen in military gear suitable for combat; enemies are distinguishable by red markers above their heads when targeted. The style is hyper-realistic with high attention to detail in textures and environmental effects such as dust particles in the air and realistic weapon animations." ]	get a nice little kill assist. Shortly after, I got this well placed shot between the bars and jumped down to the lower bridge only to feel insecure about my current location.
-1od8ozTMzs	-1od8ozTMzs-Scene-073	You won't believe SIARGAO ISLAND a paradise for MOTORBIKES	[ "Relaxed Sunset Walk Along Tropical Beachside", "Sunset Stroll Along A Bustling Beach Walkway" ]	[ "The sequence consists of a series of tracking shots following a character from behind, with both medium and close-up framing.", "The sequence consists of a continuous tracking shot from a first-person perspective, following closely behind a person." ]	[ "The camera follows the character closely, moving smoothly, sometimes laterally, other times panning slightly to include surrounding activity.", "The camera moves smoothly, mimicking walking speed and height, providing a dynamic and immersive point of view." ]	[ "The clip opens with a medium shot of a person carrying a black backpack, walking away from the camera towards a beach during sunset. The environment is lively with multiple people engaging in various activities; some are walking by, while others are sitting or standing around the area. In the background, there are tall palm trees and rustic huts that suggest a tropical setting. The setting sun casts a warm golden light that filters through the trees, creating an inviting and relaxed atmosphere. The natural lighting creates long shadows and highlights on the sandy ground, which is scattered with footprints, evidence of the high foot traffic in this popular location. As we proceed through the frames, we see more details of the beachside environment, including vendors' stalls with clothing for sale and various beach gear like kayaks. The clothing features bright colors which stand out against the dimming light. We also notice hammocks tied between trees, suggesting a laid-back ambiance. The people present wear casual beach attire such as shorts and t-shirts, contributing to the informal atmosphere of the location. As the camera moves along with the character, we catch glimpses of the blue ocean horizon and fading daylight sky, adding to the beauty of the scene. The color palette consists mainly of blues, greens from palm leaves, and sandy beige, all complemented by the orange and yellow hues of the sunset. The soundtrack accompanying this visual is a repeated voice-over line that mentions 'Fallin', which could indicate an emotional state or theme related to the visuals. The overall style feels documentary-like with naturalistic cinematography capturing real-life moments as they happen without staged actions or scripted dialogue.", "The video opens with a first-person perspective following a person from behind, who appears to be a woman based on hairstyle and attire. She's wearing a white sleeveless top with a black dotted pattern and carries a small black backpack, which suggests she might be a traveler or tourist. The environment is a lively beach setting during what seems to be late afternoon or sunset, judging by the warm, soft lighting and long shadows cast on the sandy ground. The beach is lined with tall palm trees swaying gently in the breeze, and the sky has the golden hues typical of the 'golden hour' just before sunset. There are various characters in the background, including beachgoers walking around, some sitting on the sand or hammocks, contributing to a relaxed and casual atmosphere. The area appears to be a tourist spot, indicated by small stalls and kiosks selling merchandise such as clothes and possibly food or drinks, as well as surfboards propped up indicating water activities. As the sequence progresses, the focus remains on the back of the person being followed who occasionally turns her head slightly, as if observing her surroundings or interacting with someone not visible on camera. The warm color palette features predominantly natural tones of blues, greens, browns, and oranges reflecting the beach environment. The sound accompanying the video clip suggests a laid-back mood consistent with leisurely beach surroundings. Objects like bicycles suggest leisure activities, while some individuals carry items like surfboards. Overall, the clip portrays a serene yet vibrant beach scene filled with activity and natural beauty." ]	Fallin' feels like Fallin' feels like Fallin' feels like
2JCmpY9T1MQ	2JCmpY9T1MQ-Scene-007	한국기행 - Korea travel_당신을 위한 하룻밤 1부- 날마다 소풍_#002	[ "Man Prepares Traditional Oven for Cooking", "Chef Assumes New Outdoor Responsibilities" ]	[ "The video consists mostly of a medium shot.", "The sequence includes medium and long shots." ]	[ "The camera performs a tracking shot following the character.", "The camera pans right and follows the character." ]	[ "The scene takes place in a sunny, traditional Korean yard with a modern touch, evidenced by the presence of plastic chairs and a gas canister. A man dressed in a casual burgundy sweatshirt and navy blue cap is shown using a high-pressure hose to clean what appears to be a black metal traditional Korean furnace or oven. His actions are swift and confident, indicative of someone experienced with the task. The environment is bright and clear, suggesting it's either spring or summer due to the greenery and the clothing worn by the man. The yard has neatly placed stepping stones and a well-maintained lawn, reflecting an orderly and cared-for household. The traditional Korean house in the background contrasts with the blue plastic water hose and other modern items, creating a fusion of old and new. As the man works, he has a brief conversation which implies that he is skilled in cooking or possibly a chef, and there's a mention of others in the neighborhood acknowledging his culinary skills. There is an air of lighthearted banter, indicating a friendly community vibe. The man seems to be preparing or cleaning the cooking area for use, perhaps anticipating the preparation of a meal. The color palette is rich with warm tones from the man's sweatshirt against the neutral hues of the traditional architecture and vibrant green from the grass.", "The video depicts a sunny day in a traditional Korean house with a spacious yard. A character, presumably a chef based on the voice-over, is engaged in an outdoor activity. Wearing a red sweater, a blue cap, and dark pants, the character is seen handling a white hose, which is spraying water. Initially, the hose is directed into what appears to be a black metal pit or grill. The environment is serene and well-kept, with patio furniture suggesting a domestic setting. In the background, there's a traditional Korean structure with sliding doors and white walls with wooden beams. In subsequent frames, the character continues to use the hose, spraying around the yard and walking past a large pot-like object, signifying traditional practices. The yard is neatly arranged with stone pathways and patches of grass. There's an aesthetic contrast between the well-maintained greenery and the structures. The outdoor furniture implies family or social gatherings are common in this space. The character moves with a purposeful gait, indicating familiarity and responsibility for the maintenance of the area. Their attire suggests casual comfort suitable for household chores. Bright sunlight enhances the vividness of colors; the red of the sweater stands out against the muted tones of the house and yard. Overall, there's an atmosphere of tranquility mixed with domestic activity. The voice-over suggests that not only is the character skilled in culinary practices but also now responsible for tasks typically not their remit, perhaps indicating versatility or changing roles within the household dynamics." ]	셰프 아니세요? 셰프 맞죠 어머니는 이거 안해주실거에요? 이제 안해도 괜찮아요 동네 아줌마들 다 셰프님
3tC1zIgRh1s	3tC1zIgRh1s-Scene-067	You can’t BUY this kind of Happiness ⛵️(Expedition Drenched S1 Ep. 49)	[ "Daily Life and Connections in Local Shop", "Daily Life and Cultural Interaction in a Tropical Village" ]	[ "The shot type is primarily a medium shot.", "The shots are a mix of close-ups and medium shots, focusing on interactions between individuals and their environment." ]	[ "The camera pans horizontally across the scene.", "The camera pans and tilts to follow the subjects, also employing handheld movement for a dynamic feel." ]	[ "The sequence opens in a medium shot inside a vibrantly colored shop with a blue wall and shelving stocked with various goods, ranging from small packets of food to colorful clothing. A person is seen sitting at a wooden counter with items like a mobile phone, an open notebook with a label of \"1B4\", indicating an interaction or transaction might be taking place. The lighting is natural and bright, suggesting daytime. There are shots featuring children inside the store, emphasizing the shop's role as a communal hub. One child is seen leaning on a counter with sacks of products like flour piled high, another sitting in front of the counter, and one more standing behind the counter, all suggesting the shop is a central feature of daily life for the community's youth. Their relaxed demeanor indicates they are familiar with the environment. The shop is fairly organized with a variety of goods visible; there are fluorescent green towel hanging from the shelf, signifying that the shop caters to a range of needs from food to daily uses. In another frame outside the shop, children are gathered in a natural outdoor setting with lush greenery. A person holding a camera and addressing the children stands facing them. The person gestures towards his hair and then towards one of the children's hair while saying 'We have the same hair,' implying a moment of lighthearted connection between them. The surroundings are bright and sunny with scattered shadows, indicating it might be late afternoon or early morning when the sun is at an angle. The scene overall depicts everyday life in what appears to be a small community where the local shop serves as a central meeting point for both commerce and social interaction, showcasing simple moments of connection between individuals.", "The clip opens in a vibrant, indoor setting with shelves stocked with various goods indicating a small store or market environment. It transitions through different scenes within this setting, showing interactions at a counter with a child wearing a pink top. Products like sacks of rice and packaged goods suggest commerce and daily life activities. Natural light streams in, reflecting off the surfaces and giving the indoor space a bright, airy quality. The surroundings are modest but colorful, with textiles and printed materials adding to the visual texture. In some shots, individuals are seated at a counter with objects like mobile phones and papers that imply business transactions. The color palette is warm with reds, blues, and greens dominating the scene, reflecting the tropical setting. The outdoor shots reveal a lush green backdrop suggesting a rural or semi-rural area with verdant foliage and open skies. Children appear in casual clothing typical of a warm climate, playing or engaging with their surroundings. The presence of a person wearing casual Western-style clothing and holding a camera indicates an element of observation or documentation, hinting at cultural exchange or visitation. Subtitles suggest communication between locals and visitors, implying themes of connection despite different backgrounds. The informal attire of all characters suggests comfort and everyday life. The lighting is naturalistic throughout, reinforcing the realism of the scenario. There's an overall sense of community and simplicity in the lifestyle portrayed, contrasting with the apparent visitor's perspective brought in by the camera holder. One frame includes the text 'Look, we have the same hair', suggesting moments of bonding or finding common ground among diverse individuals." ]	Do you have people here every day? Yeah, only one or two. One or two a day? We have the same hair.
2szjw6ZpJ4w	2szjw6ZpJ4w-Scene-018	We Tried to Launch a Tesla to Space Too	[ "Desert Recovery Mission Finds Donut Balloon", "Desert Search for Launched Object and Lost Vehicle" ]	[ "Point-of-view and over-the-shoulder shots, medium and close-up shots, handheld camera perspective.", "The clip consists of a series of handheld point-of-view (POV) shots, along with some medium and close-up shots." ]	[ "Static and shaky hand-held camera movements, panning to follow character's actions, occasional focus adjustments.", "Camera moves from inside a vehicle to outdoor settings, following characters' movement with pans, tilts, and tracking shots." ]	[ "The sequence begins with a point-of-view shot of a smartphone held by a person seated inside a car, showcasing a satellite view of a map with GPS coordinates, implying they are searching for a location. The environment is bright with sunlight streaming through the car window. The next frames transition to an over-the-shoulder view of the person, now outside in a desert environment, wearing a casual light grey hoodie with a red cap, dark pants, and red sneakers. The vast desert landscape consists of dry bushes, small plants, and distant mountains under a clear blue sky with soft clouds. The person checks their phone for direction and then walks through the rough terrain with purpose. In subsequent shots, the handheld camera captures the surroundings and character's movement, displaying the rough and dry desert ground and flora. The character spots something red caught on the sparse desert vegetation. Moving closer to investigate, they find a red donut-shaped balloon tangled in the brush alongside an electronic device attached to it. The device consists of an action camera secured with black straps on a frame that also holds another object with wires. The colors in the scene are natural and earthy tones juxtaposed against the vibrant blue sky and the striking red balloon. Lighting is natural sunlight casting sharp shadows on the ground, highlighting the time as late afternoon nearing golden hour. This suggests a setting that is remote and deserted. Excitement is evident from the voice-over's tone when they discover the balloon object, which they refer to as 'donut heavy'. A moment of realization hits when they remember that their car is 'still in space', humorously comparing their situation to Elon Musk sending a car into space orbit. Overall, there's a sense of adventure mixed with a touch of humor in this context.", "The video opens with an interior shot inside a moving vehicle, where one individual is seen driving while another holds a phone and looks at it. Both individuals are wearing casual clothing; one in a red hat and a dark shirt, the other in black. The scene quickly cuts to an outdoor setting where an individual wearing a gray hoodie and red hat is walking in a desert-like environment. The person is holding a phone and appears to be using it to navigate, likely searching for something specific in the open landscape filled with dry bushes and sparse vegetation. They have a casual demeanor. In the background, we see a vast blue sky with scattered clouds and distant mountains, suggesting a remote location. Lighting is natural, indicating it's daytime. The individual's actions suggest they have found an object of interest, likely what they were searching for with the phone's GPS assistance. After discovering the object on the ground, which appears to be a technical device with wires and what seems like a camera attached to it, there is relief and excitement in their voice. They handle the found object which has straps and cords implying it was designed to be launched or dropped from above. The colors are warm with earth tones dominating the scene due to the desert setting; there's contrast between the blue of the sky and beige of the land." ]	Oh, two minute walk. GPS says that the donut heavy landed somewhere over here. Is that it? Yeah, we got it! Oh no, where's the car? The car's still in space. We put it in orbit, we're just like Elon!
1TZzIqiwisY	1TZzIqiwisY-Scene-018	Is this $40 card a SCAM? - "Audiophile" Power Filter	[ "Introducing an Affordable PC Audio Solution", "Exploring Affordable PC Audio Solutions in Tech Space" ]	[ "Medium close-up, transitioning to a medium shot.", "Mid-shot focused on the presenter and equipment." ]	[ "Fixed camera position with no apparent movement.", "Static shot with no noticeable camera movement." ]	[ "The scene appears to take place in a well-lit, modern-looking room that serves as a workshop or studio, indicated by various electronic devices and gear visible in the background. The setting includes blue cabinets, a microwave oven or a electronic oven, and a countertop, where most of the action happens. A person in a black t-shirt with an intricate design and red wristband is demonstrating audio equipment. They start by gesturing towards an expensive amp stack, suggesting its high cost as a barrier for ordinary consumers. They then introduce an alternative solution for powering speakers using a PC. Over the course of the scene, the person proceeds to stack several audio-related devices on top of each other. These include a large power amplifier, a DAC (Digital to Analog Converter), and another piece of audio equipment. Each device has a metallic finish, with various ports and knobs indicating their complex functionality. The top device on the stack has white labeling on it. Alongside, there's a pair of headphones depicted on its box, which might suggest high-fidelity audio equipment. The speaker cable appears to be high-quality, with clear insulating material revealing thick wire strands within. In the final frames, the focus shifts to a vibrant multi-colored object in the person's hand, which contrasts with the predominantly black and blue tones of the equipment and room decor. The object seems like a DIY or custom-made circuit with rows of colored capacitors or connectors that could relate to audio input or output. In addition to the main action, we see part of a computer setup with visible internal components and RGB lighting, hinting at high-performance or gaming-oriented hardware. There are also some potted plants adding a touch of greenery to the space.", "The scene takes place in a well-lit, modern room that appears to be a hybrid between a workshop and a kitchen, featuring blue cabinets and a cooking range in the background. The presenter, a man wearing a black t-shirt and red wristband, stands behind a white countertop. In the beginning, he is animatedly talking and gesticulating with his hands, then turns to interact with electronic equipment on his right. The equipment includes a stack of high-end audio components like amplifiers and DACs, placed on a rack with boxes from brands such as 'GRADO' and 'Phoria UM2' above them. A poster with the image of headphones labeled 'Diana' is visible as well. The presenter picks up and showcases various pieces of gear throughout the sequence, including what appears to be a PC motherboard and a colorful RAM module. He emphasizes the cost-prohibitive nature of traditional audio setups for powering speakers compared to using a PC for the same purpose. The space is busy with tech devices, cables, and components suggesting an environment for tech enthusiasts or professionals. Overall, the style is modern and casual, with indirect lighting that gives the scene a soft glow without harsh shadows." ]	The thing is, most people don't have $15,000 to buy an amp stack to power their speakers. What if they just want to use a PC? Well, that's where this, at least in theory, comes in.
2eObzWz3qX8	2eObzWz3qX8-Scene-034	Fishing Topwater Snake Lures!	[ "Catching and Showcasing a Large Bass Fish", "Catching and Showcasing a Large Bass Fish" ]	[ "The sequence includes a point-of-view shot transitioning to a medium close-up.", "The clip features a mix of medium and close-up shots." ]	[ "The camera pans from the water to a held fish, stabilizing on the fish.", "The camera pans and zooms to capture the fishing action and the surrounding environment." ]	[ "The sequence begins with a point-of-view shot from an individual on a boat, looking down at their own shadow cast on murky green waters. The camera then shifts focus to the action of fishing, as it captures the line being reeled in from the water. The environment is calm, and the sound of water can be heard. The colors in the scene are predominantly natural; the green of the water contrasts with the red of the boat. As the clip progresses, a large bass fish is caught and lifted out of the water, revealing mud on its body and a square bill lure attached to its mouth. The fish's scales shimmer with a mix of green and golden hues, glistening in the bright sunlight. The camera then moves into a medium close-up shot that focuses on the fish as it is handled by an individual off-screen. The hands holding the fish are detailed, showing slight wrinkles and wetness from handling the catch. In addition to capturing the fishing action, the surroundings reveal a landscape with lush greenery on distant banks, blue skies, and a serene body of water reflecting sunlight. There's also a glimpse of another person wearing a blue shirt and equipped with what seems like recording equipment. The light in the scene is bright and suggests daytime with strong sunlight casting shadows on objects and creating highlights on reflective surfaces such as water or wet objects. The style appears realistic with an emphasis on capturing the moment as it happens, giving it an authentic outdoor adventure feel. Despite being unable to see faces or hear clear conversations, there is a sense of camaraderie and shared accomplishment between the individuals involved.", "The video clip opens with a point-of-view shot from a boat, showing murky green waters and the shadow of the person filming. The camera then shifts focus to the fishing action, capturing the line being reeled in from the water. The environment is serene, with the sound of water in the background. The colors are natural, with green water contrasting against the red of the boat. As the clip progresses, a large bass fish is caught and lifted out of the water, revealing mud on its body and a square bill lure attached to its mouth. The fish's scales shimmer with a mix of green and golden hues, glistening in the bright sunlight. The camera then moves into a medium close-up shot focusing on the fish as it is handled by an individual off-screen. The hands holding the fish are detailed, showing slight wrinkles and wetness from handling the catch. The surroundings reveal a landscape with lush greenery on distant banks, blue skies, and a serene body of water reflecting sunlight. There's also a glimpse of another person wearing a blue shirt and equipped with what seems like recording equipment. The light in the scene is bright and suggests daytime with strong sunlight casting shadows on objects and creating highlights on reflective surfaces such as water or wet objects. The style appears realistic with an emphasis on capturing the moment as it happens, giving it an authentic outdoor adventure feel. Despite being unable to see faces or hear clear conversations, there is a sense of camaraderie and shared accomplishment between the individuals involved." ]	I thought you had a big old carp because that is a big old bass look at that mud on the square bill She was digging it down there into that clay and just caught a giant Liz always does this
0nfJsklqQhg	0nfJsklqQhg-Scene-011	5 Must-Visit Places In Montréal	[ "Preparing Honey Water Bagels in Bakery", "Traditional Bagel Preparation in Bakery Kitchen" ]	[ "The clip comprises medium close-up shots.", "The clip contains a sequence of medium shots." ]	[ "The camera is mostly stationary with minimal panning.", "The camera holds a steady position throughout the shots." ]	[ "The scene unfolds in a bakery kitchen where a baking process is underway. The first two frames show a baker's arm as they skillfully lay out rows of raw, ring-shaped dough on a floured wooden work surface. These shapes are uniformly made and appear to be bagels. The camera is positioned above the work surface, providing a clear view of the dough and the baker's actions. In the background, there's a large metal container that emits steam, suggesting a boiling process occurs off-screen. The subsequent frames display the same work surface, but with the baker's arm now moving aside to reveal the neatly organized raw bagels that fill the table. The color palette of the scene is warm, with the light brown hues of the wooden surface complementing the off-white color of the dough. Steam in the background creates a soft blur effect, giving the scene a busy but cozy bakery ambiance. Text overlays reveal that these bagels are being boiled in honey water, which is typical in bagel preparation to achieve a distinct sweetness and chewiness. The boiling vat is visible now, filled with floating bagels immersed in a bubbling liquid, presumably the honey water mentioned in the text overlay. The sequence ends with a view from behind the baker, who is actively working at the stove, further emphasizing the hands-on nature of this traditional baking process.", "The clip is set in a bakery kitchen where a baker is preparing bagels. Initially, we see the baker's hands as they shape the dough into individual rings, placing them onto a floured surface. Dozens of these raw bagel shapes are neatly arranged on the wooden table. The baker's swift and skilled movements suggest experience. The environment is an industrial kitchen, with stainless steel equipment and a noticeable absence of decorative elements, emphasizing functionality over aesthetics. The style is straightforward and documentary-like, focusing on the baking process without unnecessary embellishments. In the background, there's a large block of unshaped dough and a bowl of flour, hinting at the continuous process. Natural light seems to be supplemented with overhead artificial lights, creating a bright workspace. The colors are predominantly beige and brown, typical of a dough preparation area, with white flour dusting surfaces and tools. Each bagel is uniformly shaped with a golden hue indicating fresh dough ready for cooking. As the scene progresses, we see the bagels being boiled in honey water inside a large pot. This step gives them their characteristic texture and taste. Bubbles can be seen rising to the surface as the bagels cook, indicating the water's temperature. The text overlay informs viewers that this boiling makes the bagels 'soft and sweet.' The camera focuses on capturing this culinary technique rather than showcasing any individual character or storyline, allowing viewers to appreciate the craftsmanship that goes into making traditional bagels. Finally, we see the baker using a large straining tool to remove the bagels from the boiling water before heading towards an oven for baking." ]
0hGDTwW5JGk	0hGDTwW5JGk-Scene-132	VILLA SEREM TEMPAT JIN !	[ "Nighttime Exploration of Abandoned Haunt", "Nocturnal Exploration of an Abandoned Site" ]	[ "First-person point-of-view shaky handheld shot.", "The video consists of a series of close-up and medium shots." ]	[ "Erratic panning and tilting with abrupt movements.", "Handheld, shaky camera movements with frequent pans and tilts." ]	[ "The video seems to be shot in a first-person perspective, resembling found-footage or POV style commonly used in horror or thriller genres. The cameraperson is exploring a dimly lit, abandoned area at night, using a flashlight as the only source of illumination. The environment appears decrepit and overgrown, indicating long-term neglect. The scene starts indoors with a quick pan around a room showing wooden stairs and scattered debris. The light's beam moves frantically, giving glimpses of dusty surfaces and shattered windowpanes, enhancing the eerie atmosphere. Next, the camera exits onto an outdoor balcony or walkway with wooden railings, which appear weathered and old. The light scans across the space revealing dense foliage and underbrush creeping close to the structure, signifying wilderness encroachment on once-occupied spaces. Subsequent shots reveal more of the exterior surroundings - unkempt bushes, trees, and an overgrown garden that has reclaimed the space around what looks like a dilapidated building with plastered walls and empty window frames. The colors are muted, dominated by greys and greens from the building materials and vegetation, bathed in the harsh white of the flashlight that casts deep shadows, contributing to the ominous visual style. There are no discernible characters apart from the implied presence of the person holding the camera. Their voice-over suggests they are searching for something or someone to 'appear' or 'show up', which coupled with their use of the word 'Hadir' - a term that could be interpreted as a call for a spirit or presence in paranormal contexts - adds to the suspenseful nature of the footage. All elements combined – rapid camera movements, limited visibility, neglect, overgrowth, and the anxious tone of the voice – create an unsettling narrative where an individual might be attempting to communicate with or summon an unseen entity in a location that has been abandoned to time and nature.", "The video depicts a nighttime exploration of an eerie, deserted environment, possibly an abandoned building or outdoor area. The footage is captured using a handheld camera with a flashlight as the primary light source, resulting in high contrast between the bright areas illuminated by the light and the surrounding darkness. The scene begins with a view of a wooden railing and a door frame, indicating an entrance or balcony. As the camera moves, it reveals more of the wooden structure, including a deteriorated railing and floorboards. The setting appears neglected and overgrown with vegetation, suggesting it has been uninhabited for some time. The camera then transitions outdoors, showcasing a corridor with debris on the floor, peeling paint, and open doorways leading to dark, unfurnished rooms. This creates an atmosphere of decay and abandonment. Subsequent frames show the exterior view from the structure, where dense foliage and trees are sporadically lit by the flashlight. This adds to the sense of isolation and potential danger in this desolate place. Throughout the video, the colors are muted due to the darkness, with the wood appearing brownish and the leaves varying shades of green when caught in the flashlight's beam. There are no characters seen in these frames; however, the voice-over suggests the presence of someone seeking to invoke or communicate with unseen entities ('Hadir! Hadir! Muncul, kelihatan'), implying a context of paranormal investigation or supernatural encounter. The shaky camera work, combined with the stark lighting and dilapidated setting, contributes to an overall style that is suspenseful and unnerving." ]	Mana lagi yang harus kita eksplor? Mana lagi, waduh. Hadir! Hadir! Muncul, kelihatan.
36-kSgOnzOc	36-kSgOnzOc-Scene-009	Why are Ferrets So Bendy? \| Weasels: Feisty & Fearless \| BBC Earth	[ "Close-Up Study of Ferret Behavior in Nature", "Observing Ferret Behavior in Controlled Natural Habitat" ]	[ "The shot type is a close-up, showing detailed action of the subject against a natural backdrop.", "The shot type is a close-up sequence showcasing the ferret’s movements in detail, focusing on capturing the animal’s behavior." ]	[ "The camera is static with no noticeable movement, focused closely on the subject's actions throughout the clip.", "The camera movement is steady, with a slight pan following the ferret’s movements within a stationary transparent enclosure." ]	[ "The clip shows a series of close-up shots in an outdoor environment where a person is interacting with a ferret, which is being filmed in slow motion to capture its movements in detail. The individual, whose face has been obscured for privacy, is seen bending down and carefully placing the ferret into a clear, transparent enclosure on the forest floor. The enclosure appears to be made of acrylic or glass, allowing an unobstructed view of the ferret inside. The environment around them is rich with natural elements - green foliage, trees with various shades of green leaves, and diffused sunlight filtering through the canopy creating a soft light effect without harsh shadows, indicating either an overcast sky or filming during a time when the sun isn't at its peak. The ground inside the enclosure is filled with dark soil or mulch, providing a contrasting background to the lighter coloration of the ferret. The ferret itself has a mixed fur coat, primarily of brown and black hues, with a distinctive white face with dark eyes and a pink nose, suggesting it may be domesticated. It moves cautiously but curiously within the enclosure, sniffing at its surroundings as it acclimates to the new setting. Its delicate paws and agile body are emphasized by the slow-motion footage, allowing viewers to observe each subtle movement and behavior. There are no other objects within the enclosure; the focus remains solely on observing the ferret. The style of the video leans towards a documentary or educational format, aiming to study or display the behavior of this particular animal within controlled conditions. Overall, the scene conveys a sense of serene observation in nature.", "The scene unfolds in a natural, outdoor environment, lush with greenery and diffused natural lighting suggesting daytime in a forested or garden setting. The central subject of the footage is a ferret with a brown, white, and gray fur coat, exhibiting a distinctive mask-like facial pattern with dark fur around the eyes and a pink nose. The ferret is placed inside a transparent enclosure on the forest floor, allowing an unobstructed view of its behavior. The enclosure appears to be made of clear acrylic or glass, with sliding panels for access and ventilation holes on top. It is positioned on a substrate that looks like dark soil or compost, speckled with pieces of bark and leaf litter, simulating the ferret's natural foraging ground. As the ferret explores this controlled environment, its movements are agile and fluid, showing an innate curiosity and keen sense of smell. The enclosure is sufficiently spacious for the ferret to move around with ease but contained enough to allow for focused observation. The lighting within the scene is soft and diffused, suggesting that it's either an overcast day or that there's ample shade from the surrounding foliage. There's no artificial lighting evident in the clip, and the colors are rich but not oversaturated, presenting a naturalistic view of the setting. The background is out of focus but filled with various shades of green from different plants and trees. There are no other characters or moving objects in this scene other than the ferret. The style of filming is documentary-like, with an educational or observational purpose, likely for a nature program considering the presence of a voice-over explaining what is being observed." ]	By filming the ferret in slow motion Angela can see exactly what the ferret is doing
-sisKaILxh4	-sisKaILxh4-Scene-006	Tortoiseshell Kittens a Rare color of cat	[ "Playful Bonding Time Between Two Cats", "Peaceful Cats Enjoying Family Time Together" ]	[ "A close-up handheld shot featuring two cats.", "Close-up, static shot focusing on subjects" ]	[ "The camera is mostly static with slight movements.", "Camera remains stationary with no noticeable movement." ]	[ "The video clip features four domestic cats, one with black fur and the other with a ginger tabby coat, sharing an intimate moment on a brown textured blanket that appears to be on a bed or a similar piece of furniture. The black cat is lying on its back, with its belly exposed, displaying trust and comfort. Its fur is sleek and shiny, reflecting the room's light, and it has a relaxed demeanor as it playfully swats the air with its paws. There are two kittens sleeping in the black cat's belly. The ginger tabby cat has a dense, striped coat and is lying next to the black cat. It seems less active but comfortable as it occasionally looks towards the camera with a mild interest. A human hand appears in some frames, gently petting and interacting with the kittens, indicating a bond between the cats and their owner. The environment suggests a home setting, cozy and lived-in. Both cats appear well-cared-for and content in their surroundings. The lighting is ambient and warm, adding to the homely atmosphere. No harsh shadows are present, indicating soft lighting conditions. In one frame, text appears at the bottom stating that 'Like calicos, tortoiseshell cats are almost exclusively female,' which provides an educational note about cat genetics and implies that at least one of the cats might be a tortoiseshell. The text changes to 'We have 3 females,' confirming the genders of the cats present. Overall, the scene is one of domestic tranquility and feline companionship with visual emphasis on the affectionate interaction between the animals and their human companion.", "The video depicts a cozy, intimate scene involving a group of cats nestled against each other on a soft brown blanket. The central character is a black cat with sleek fur, lying on its back and engaging playfully with two tortoiseshell kittens. This kitten has a distinctive multi-colored coat featuring patches of black, cream, and orange, typical of the tortoiseshell pattern. The black cat appears relaxed and affectionate, gently pawing and nuzzling the kitten beside it. To the side, a ginger cat rests peacefully, its body elongating through the frame with its tail curled comfortably around it. The ginger cat's coat is a warm orange hue with visible striped markings and a white patch near the tail, indicating it might be a marmalade tabby. It seems to be sleeping or resting, undisturbed by the playful interaction next to it. Throughout the scene, there's an overlay text that provides an interesting factoid about tortoiseshell cats being almost exclusively female, which suggests that the tortoiseshell kitten is likely a female. The room's lighting is warm and natural, possibly from an overhead source or ambient light, contributing to the relaxed atmosphere. There are no other objects or characters that distract from this family moment; the focus remains squarely on the cats' interaction. The style of the video is candid and unscripted, capturing a slice of life moment that exudes tranquility and contentment among domestic pets." ]
3imrcuXJoWc	3imrcuXJoWc-Scene-012	Red and black standard poodle puppies playing inside	[ "Penny's Playtime with Toys and Companion", "Playful Dogs Enjoying Indoor Playtime" ]	[ "The shot is a static, wide-angle shot capturing floor-level action, focused on two dogs and various toys.", "The video features a static low-angle shot." ]	[ "The camera remains stationary throughout the scene with no noticeable movement or change in perspective.", "There is no camera movement; it remains stationary." ]	[ "The scene unfolds in a well-lit, carpeted room with a neutral color palette, suggesting a domestic interior space. A small reddish-brown dog, presumably Penny, is actively playing on the floor with a collection of plush toys, including a blue toy and a yellow toy. The dog appears to be a young puppy, exhibiting playful and energetic behavior as it rolls over and energetically engages with the toys. In contrast, another black dog enters the frame, moving with more restraint and maturity. This dog calmly investigates the surroundings and walking by the puppy before moving towards the edge of the frame and lying down. The room has minimal furniture visible - a part of what seems like a couch and an armchair in the background, adding to the domestic feel. A child safety gate partially blocks one side of the room, indicating precautions taken possibly for pet or child safety. The natural lighting from a window casts soft shadows across the room, enhancing the homey ambiance. The focus remains primarily on Penny's playful antics. The toys are brightly colored, drawing attention amidst the neutral colors of the carpet and furniture. As Penny's playfulness continues unabated, there is an air of calmness and tranquility suggested by the other dog's relaxed posture. Near the end of the clip, a human hand enters from the bottom right corner, reaching toward the black dog which draws viewers' attention towards this new development. The contrast between the lively puppy and the more sedate black dog adds dynamic visual interest to the scene.", "The setting is a cozy, carpeted indoor room with a warm, homey atmosphere. The carpet is a beige color, and the walls are painted in a neutral tone. A brown dog is present, appearing to be of a medium breed with shiny fur, indicative of good health and grooming. This dog is actively engaged with fluffy toys. The brown dog carries the toy in its mouth and shakes it vigorously as part of its play routine. In the same space, there is a larger, black dog with curly fur, walking by the brown dog. The brown seems excited and playful, rolling over on its back and pawing at the air in an energetic manner. The environment includes a sectional sofa with patterned cushions and an adjacent recliner chair, adding to the room's lived-in feel. Safety gates are visible, likely installed to restrict the pets' access to other areas of the home. Natural light filters through the windows, creating a bright and welcoming environment. There's also a child's pink leg briefly seen towards the end of the clip, indicating the presence of a young family member off-screen. The toys scattered on the floor and the overall tidiness suggest a well-maintained space where pets are allowed to play freely. Overall, the scene captures a slice-of-life moment where household pets are enjoying their leisure time in the safety and comfort of their home." ]	Hey Penny, are you playing with the toys?
3cME3vK1aaQ	3cME3vK1aaQ-Scene-044	6 Woodworking tips & tricks for beginners	[ "Assembling Wooden Corner with Clamps in Garage", "Assembling Wood Pieces Using Corner Clamp" ]	[ "A stationary medium close-up shot focusing on the hands and the workbench.", "This is a medium close-up shot focusing on the hands of the individual and the woodworking clamp and wood pieces." ]	[ "The camera remains static with no movement throughout the sequence.", "The camera is static with no movement, steadily focused on the workbench area where the activity is taking place." ]	[ "In a well-lit garage with a concrete floor and a closed metal garage door in the background, a man's torso and arms are visible. He wears a dark gray T-shirt and black pants, indicating a casual, work-oriented environment. His skin tone suggests he is of African descent. The man is assembling a wooden structure using crafted triangular wooden corner pieces with circular holes and an orange clamp. The corner pieces have three holes each, arranged in a triangle pattern, possibly for versatility in clamping positions. He positions one corner piece onto the edge of a plywood board lying flat on the black workbench and secures it with an orange clamp, which has black rubber grips and metallic rods. The clamp's brand 'JORGENSEN' is visible in white letters. The man then picks up another board, aligns it perpendicularly to the first, and places another corner piece on this new edge, again securing it with a similar clamp. His actions are methodical and precise as he adjusts the clamp to ensure a tight fit. The wooden boards are light in color, likely birch plywood, and appear newly cut with clean edges, suggesting a new project. The man uses his right hand to operate the clamp while his left hand stabilizes the wood. The environment is tidy with cans possibly containing chemicals or paint on a shelving unit in the background. This scene exudes a do-it-yourself vibe, with the focus being on craftsmanship and manual assembly using simple tools.", "In a garage-like setting with a concrete floor, a man is seen working on a woodworking project. He's at a black workbench, handling a wooden corner clamp. The environment is moderately lit, probably with overhead fluorescent lights that cast minimal shadows. The man is wearing casual clothing: a dark grey T-shirt and black pants. On the workbench, there's plywood with pre-drilled holes and orange woodworking clamps. As he works, the man places the corner clamp on the edge of two perpendicular plywood pieces to hold them in place. The corner clamp has three holes to accommodate different clamping positions, and he selects one to insert an orange clamp through. With precise movements, he tightens the clamp using a black-and-orange screw handle, securing the plywood pieces at a perfect right angle for his project. The clamps stand out with their bright orange color against the light brown of the plywood and the dull greys and blacks of the garage space. The style of this clip suggests a DIY or instructional video element, possibly part of a tutorial on woodworking or furniture assembly. Every object appears functional and used for its intended purpose. There are no superfluous items in the frame, emphasizing a focus on practicality and craftsmanship." ]	And these holes are there to be used so just use any one of them that you need to clamp
-fjbPF6mNqU	-fjbPF6mNqU-Scene-003	安倍総理「世界平和」に決意　殉職国連職員に献花(15/10/25)	[ "Commemorative Ceremony at Governmental Building", "Commemoration at UN Peacekeeping Memorial" ]	[ "The clip contains a medium shot.", "The sequence consists of medium shots and close-ups." ]	[ "There's no noticeable camera movement.", "The camera is mostly static with slight pans." ]	[ "The video sequence appears to be taking place outside a historical or governmental building, identifiable by its classic architectural features such as large windows and institutional design. Two individuals, Shinzo Abe in a dark suit and one female in dark clothing, are seen approaching an outdoor plaque with a wreath of flowers. The plaque is mounted on the wall of the building next to a flagpole bearing the United Nations flag, and the national flag of Tajikistan based on its color and emblem pattern. The setting is formal, signifying an event of official or ceremonial importance. Security personnel wearing black uniforms with distinctive patches and badges are standing nearby, suggesting the location is likely to be secured or of significance. The individuals are engaged in a commemorative act, likely paying respects or marking an event given the somber manner in which they place the wreath beneath the plaque. The lighting is natural daylight, indicating the time of day to be daytime. The overall color palette is muted with mostly earth tones dominated by the beige walls of the building and the individuals' dark formal attire. The final frames focus on Shinzo Abe speaking; it appears to be a close-up shot as he seems to be delivering a statement or an address, likely related to the event being covered. This moment conveys a sense of gravity and formal significance consistent with the rest of the clip.", "The video portrays a somber occasion, as indicated by the attire and actions of the characters. Shinzo Abe and a woman, dressed in dark suits, are seen bowing deeply in front of a memorial plaque. The plaque is affixed to a light-colored wall next to what appears to be red columns. This scene takes place outdoors, as indicated by the daylight and the presence of UN and national flags fluttering slightly in the wind, suggesting a gentle breeze. The presence of security personnel standing guard beside the flags indicates the formality and importance of the event. The environment looks like an institutional setting, possibly a United Nations facility, given the UN flag and memorial plaque written in various languages including English, Russian, and Japanese. The plaque honors individuals who died serving the cause of peace, adding to the gravity of the scene. Throughout the sequence, text overlays provide context that connects to a significant anniversary and mentions dedication to international peacekeeping efforts. The video seems to capture a moment of remembrance and commitment, reinforcing themes of peace and service. The lighting is natural, casting soft shadows on the characters and surroundings. The color palette is dominated by the sober hues of suits, uniforms, and flags, which are contrasted against the brighter backdrop of the building's facade. Each frame focuses on capturing the respect paid to those commemorated by the plaque." ]	世界の平和のために貢献していくその決意を新たにいたしました。
-KD6LiLbq7E	-KD6LiLbq7E-Scene-020	Injustice: Gods Among Us - Luchador Bane (Super Attacks)	[ "Futuristic Sci-Fi Combat Game Sequence", "Intense Combat in Futuristic Arena Game" ]	[ "The shot type is a medium close-up focusing primarily on the action between the two characters within a combat video game environment.", "The sequence features a medium shot in a game." ]	[ "The camera is mostly static, with slight panning to follow the characters' movements and actions throughout the combat sequence.", "Static camera with no movement, focusing on the action." ]	[ "The scene unfolds in a futuristic, sci-fi setting with a dark and gritty atmosphere, probably part of a combat-focused video game. Two characters engage in hand-to-hand combat inside what appears to be a high-tech facility or spaceship. The first character is large and muscular, wearing a purple jumpsuit with white gloves and belts, sporting a red eye patch over one eye. His opponent is a heavy-set character donning a brown and green armor suit with mechanical enhancements, suggesting he may have augmented abilities or strength. As they fight, on-screen graphics indicate their health bars at the top, special abilities at the bottom, and numeric damage values that appear as they land hits. The environment includes computer terminals and panels that give off a cool blue light, contrasting with the characters' warm skin tones and the sparks from their strikes. The lighting is dynamic, casting shadows and highlights that enhance the intensity of the fight. Both characters exhibit aggressive body language and fierce facial expressions, indicative of their determination to win. Special moves are highlighted with text like 'Rage Slam,' accompanied by visual effects that emphasize their power. The game's user interface also includes pause and settings options in the corners, player avatars, and a logo watermark indicating the game's brand or channel. Each character has unique costumes and animations, detailed down to wrinkles in the fabric and reflections on metal surfaces. The color palette is dominated by purples, blues, browns, and greens, which create a moody yet visually stimulating environment. The combat is fast-paced, with punches, kicks, throws, and special abilities used in quick succession to defeat the opponent. A special move executed results in '160% DAMAGE!' being displayed prominently on-screen. After this character's defeat, another combatant enters; clad in black with golden accents and moves swiftly with electrically charged attacks.", "The scene takes place within a dark, futuristic arena that gives off an industrial vibe, with metallic structures and ominous blue lighting in the background which enhances the intense atmosphere of the combat. In the center, two characters are engaged in a one-on-one fight, resembling a traditional fighting game setup. The character on the left is muscular, with a purple and green costume, wearing a pair of gloves. He wears a mask that covers his entire face except for his glowing red eyes. The character on the right has a cybernetic look with golden armor pieces on a black suit and carries what appears to be robotic appendages as part of his arms. The environment does not change throughout the frames; it remains consistent with panels of lights and screens behind that display statistics and symbols relating to the game mechanics. In terms of action, the scene showcases a series of attacks and blocks between these two fighters. They exchange blows, with each character's health points shown at the top of the screen decreasing as they take damage. The combat includes punches, kicks, and special moves that trigger on-screen prompts for additional damage. Critical hits are emphasized with large numbers indicating damage points and words such as 'MISS', 'BLOCK', and percentage-based damage indicators like '120% DAMAGE'. The health bars react accordingly to each successful hit or block. The left character seems to have special abilities, denoted by stars under his health bar which deplete upon usage. At one point, a 'KNOCKOUT' event occurs when one character falls after a powerful blow, indicated by large yellow numbers showing high damage points. This is followed by another character entering the fray to continue the battle against the remaining opponent. The visual style is bold and dramatic, with bright flashes and sparks accompanying each hit to convey power and impact. The color palette is dominated by dark tones of blue and black in the background, contrasting with vivid purples, greens, golds, and flashes of yellow during attacks which highlight the action." ]	If you enjoyed this video, please like, comment, and subscribe.
-BUlgcAO8KA	-BUlgcAO8KA-Scene-008	Summer Bash for Childhood Cancer	[ "Summer Bash Auction Fundraiser Preview", "Morning Show Highlights Charity Event Auction Items" ]	[ "The clip includes full-screen graphics and still images.", "The shot type appears to be a stationary medium shot transitioning to full-screen graphics, followed by a stationary wide shot." ]	[ "There is no camera movement; the images are static.", "There is no camera movement; the shots are static, with cuts transitioning between the speaker and full-screen graphics." ]	[ "The video clip features a series of still images presented during a voice-over segment. Initially, we see a full-screen graphic that resembles a 'WANTED' poster with information about the '11th Annual Summer Bash for Childhood Cancer.' The event details are listed, indicating that it is scheduled for Saturday, August 12, 2017, at the Embassy Suites La Vista Conference Center, with reservations due by August 4, 2017. The poster suggests a western theme with star decorations and a call for attendees to don their best western gear. Following this, there is an image of auction items displayed against a neutral-colored wall. The items include outdoor and recreational equipment such as a kayak, life jackets, and plants. A hammock hangs on the right side, with potted plants and garden decorations adding to the display's homey, outdoor feel. Another frame shows similar items neatly arranged and tagged, suggesting preparation for an auction. Then we see a creatively designed cake featuring jungle animals and green foliage. The detailed fondant work includes a monkey on top of the cake and tigers among the tiers. The color palette across these images is warm and inviting, with earthy tones dominating the scene, punctuated by splashes of green from the plants and the vibrant cake decoration. The light appears to be soft and evenly distributed across the items, suggesting indoor lighting conditions. Overall, the environment suggests a friendly and community-oriented event focused on fundraising through auctions. The items up for bid are diverse and thematically tied to outdoor activities or decorative home pieces. There is an air of casualness and fun conveyed through these visual elements.", "The video seems to be part of a morning television show segment discussing an annual fundraising event. There is a female voice-over speaking about the importance of the event's silent auction in funding the organization. The first visual is a medium shot that displays part of a television studio set with pastel-colored abstract graphics, indicating a morning program. The scene transitions to full-screen graphics showing promotional posters for the 11th Annual Summer Bash for Childhood Cancer, including details like date, time, location, and reservation deadlines. The posters are designed with a 'wanted' western theme, featuring stars and an emblem with rodeo elements. The color palette includes earth tones with hints of blue and red, evoking a western atmosphere. After that, the video cuts to a wide shot of various auction items displayed against a neutral wall. These items include outdoor recreational equipment like a kayak with gear and a lawn mower, home decor like decorative plants in bike-shaped planters, a hanging chair, and other gardening items. This presents an environment suggestive of a charity auction with items tagged for bidding. There's ample lighting making all items clearly visible and emphasizing their appeal as auction objects. Lastly, we see a cake with elaborate green icing and animal figures resembling jungle fauna on top, presumably also part of the auction items, showcasing the skillful artistry in its decoration with vibrant colors and playful designs." ]	auctions to a silent auction. This is really what fully funds this organization throughout the year. So it's just a really fun time. So yeah, what's the highlight of this evening? Oh, and what can people that come to this expect?
49vD3SkzibM	49vD3SkzibM-Scene-013	Wisata Dinosaurus Di Mojosemi Forest Park \| RAGAM INDONESIA (18/08/21)	[ "Interactive Dinosaur Exhibit at Themed Park", "Dramatic Dinosaur Encounters and Tribal Performances" ]	[ "The shot type includes medium shots, close-ups, and wide shots. These are dynamic, providing various perspectives of the action and environment.", "The shot types include medium close-ups, long shots, and quick cuts between scenes to create an engaging sequence." ]	[ "The camera movement includes static shots, tracking shots following the movement, and possibly handheld to add dynamism and immersion.", "Static shots with quick cuts to different angles, some zooming effects, and hand-held camera movements for dynamic scenes." ]	[ "The sequence opens with a medium shot featuring two individuals crouched near a realistic animatronic dinosaur in a lush outdoor setting with bright sunlight filtering through the trees. The animatronic, resembling a Velociraptor, is held by one person as if interacting with it while another stands nearby in a defensive posture. This staging suggests a playful or educational scene, perhaps part of an exhibit or show. The surrounding environment is rich with greenery and themed decorations, evoking a naturalistic atmosphere akin to a dense forest or jungle. The lighting is natural and vibrant, emphasizing the vivid colors of the dinosaurs, which are primarily greens and yellows with red accents inside their mouths, indicating their carnivorous nature. In subsequent frames, the focus shifts to a T-Rex animatronic entering the frame with imposing presence and movement that captures attention. Its textured skin in shades of yellow and green adds realism to its appearance. The camera then switches to a wide shot revealing an audience watching the spectacle, suggesting this might be a performance or interactive exhibit at a theme park or similar attraction. Traditional attired performers contribute to the immersive experience as they seem to be part of a ritualistic dance or act along with the dinosaurs. The transition frame with graphic overlays implies that this clip is part of a broadcast or edited video content. Finally, we see wider shots of visitors walking through the venue where various signage indicates different attractions, further solidifying the location as a themed park designed to simulate prehistoric times. The closing frames shift back to more serene settings where individuals are walking through forested pathways lined with vibrant flowers and indigenous-style sculptures enhancing the natural atmosphere described by the voice-over.", "The scene begins with a medium close-up of a person crouching while holding a small dinosaur model next to a life-sized dinosaur statue, portraying an intense encounter. The camera cuts quickly between similar shots of this setup, enhancing the dramatic feel of the situation. The environment appears to be an outdoor area with lush greenery and tropical plants, creating a natural and wild atmosphere. Suddenly, the scene transitions to a performance where individuals in tribal costumes and face paint engage with another life-sized dinosaur statue. They appear to be in the middle of a choreographed act, brandishing spears and wearing grass skirts, contributing to an exciting and culturally-rich presentation. This takes place in a forested area with a crowd of spectators in the background. The colors are vibrant, with the rich greens of the trees contrasting against the colorful costumes and the yellowish tones of the dinosaur statues. In some shots, balloons and bright decorations are visible, suggesting a festive event is taking place. Following this, we see quick glimpses of visitors walking through a forest park setting. The pathways are well-maintained, lined with varied vegetation and signs that blend into the natural surroundings. One frame shows a woman from behind as she walks along the path; she's dressed in white with a sun hat, hinting at leisurely exploration or a peaceful retreat into nature. Finally, the scene ends with a title graphic that pops up over footage of the park's tranquil environment. The graphics are bold in color but not overpowering, complementing rather than distracting from the serene visuals beneath." ]	Yang satu ini sengaja dibuat untuk menghadirkan nuansa alam yang sangat alami. Pas banget lah buat kalian yang lagi penat sama kerjaan atau yang lagi cari suasana baru dikala galau.
-yAFe6Uvtng	-yAFe6Uvtng-Scene-007	Routine To Wake Up Your Glutes: DO THIS BEFORE YOU SIT!	[ "Fitness Tutorial: Kneeling to Standing Exercise", "Fitness Demonstration of Kneeling to Standing Exercise" ]	[ "The video is a medium long shot, showing the subject's full body and some surrounding space in the garage.", "The video features a medium shot throughout the sequence, maintaining a consistent frame around the subject." ]	[ "The camera remains static throughout the clip. There is no panning, tilting, or zooming observed.", "The camera remains static with no movement, providing a steady view focused on the subject's actions." ]	[ "The setting of the video is a simplistic home garage with a visible metallic door comprising of horizontal panels with hinges on them. The floor is concrete, and there's a noticeable black yoga mat centered in the view where the action takes place. The lighting appears natural, perhaps from sunlight entering through unseen windows or an open garage door, casting soft shadows to the right of the screen. The subject, wearing form-fitting athletic attire—a long sleeve top in light blue and leggings in blue, performs a series of exercises. The leggings have distinct dotted designs near the ankle area, and the top shows a subtle texture. Both pieces of clothing are marked with a small logo on the left thigh and right wrist respectively. The subject has on no shoes and her hair seems to be brown. Starting by lying supine with her legs raised at 90 degrees, she smoothly transitions to sitting, then into a squat-like position. The sequence continues as she shifts one leg backward into a kneeling position while keeping her torso upright and hands together in front of her chest. She then stands up to full height, completing one repetition of the exercise named 'kneeling to standing'. Throughout the clip, her movements are controlled and deliberate, indicative of an exercise routine designed for building strength and flexibility. There is minimal background clutter, ensuring focus remains on the subject's movements without distraction. The scene is devoid of any dramatic effect or stylistic embellishment; it is purely instructional with clear visibility of the subject's movements against the unobtrusive backdrop.", "The scene takes place in a garage with a closed metallic door serving as the backdrop. The floor is partially covered by a large black exercise mat. The subject, dressed in a long-sleeved white top and blue leggings, performs an exercise sequence called 'kneeling to standing.' The exercise starts with the subject transitioning from a seated position to kneeling, then to a squat, and finally to a standing position. The smooth and controlled movements are executed on the mat, and there is clear text overlaid at the top indicating the exercise number and name. No other objects or persons are present in the frame, emphasizing the exercise demonstration. The environment is devoid of any significant distractions which could detract from the focus on the exercise itself. The lighting in the garage is even and bright enough to clearly see the subject and their movements. The simplicity of the background and attire of the subject allow viewers to concentrate on the form and technique of the exercise being demonstrated. There's an emphasis on fitness and health, as suggested by the activity and sportswear attire of the individual. The purple text overlay contrasts with the neutral tones of the scene, providing viewers with easy-to-read information about the exercise routine being shown." ]	Third exercise is kneel to standing. This improves lower body strength and ease of movement getting on and off the ground.
1ntovgEitYY	1ntovgEitYY-Scene-007	【人気爆発】焼肉きんぐの新メニューが悪魔すぎて売り切れ続出しているらしい！！	[ "Selecting Summer Festival Foods on Digital Menu", "Scrolling Through a Digital Summer Festival Menu" ]	[ "Close-up shot of a digital tablet screen.", "Close-up of a digital tablet screen." ]	[ "The camera pans downward following the screen's content.", "Vertical pan down across the tablet screen." ]	[ "The video shows a close-up of a digital tablet screen, which appears to be an interactive menu for ordering food. The user's hand, presumably that of a customer or diner, is visible as they navigate the menu. The initial frame displays a variety of ramen dishes with Japanese text labels and prices. As the voice-over mentions moving downwards, the hand swipes up, prompting the camera to pan down along with the motion of the menu. The menu is colorful and well-organized, featuring vibrant pictures of different dishes. As the video progresses, we see images of what seem to be festival-related food items paired with Japanese text descriptions and their corresponding prices. The next section is introduced by the voice-over as 'Summer Festival,' where we see a picture of taiyaki, a traditional Japanese fish-shaped cake, advertised as 'Baked Mini Custard Taiyaki.' The user's hand then touches this item on the screen, possibly selecting it. The tablet is enclosed in a black casing, and the background is an orange tabletop, suggesting that this may be a setting in a restaurant. The light in the environment reflects off the screen, indicating indoor lighting. There are no other characters or significant actions in the scene; it focuses entirely on interaction with the digital menu. The color palette is predominantly warm due to the tones of food items and the orange table.", "The video features a close-up shot of a digital tablet screen displaying a colorful and vivid interactive menu. The hand of a person, presumably the user, is seen scrolling through the menu options that feature various food items, indicating that this might be an electronic menu for a restaurant. The menu has bright images of different dishes, with Japanese text that likely describes each dish. As the hand scrolls down, we hear a voice-over mentioning '夏祭り' which translates to 'summer festival' and the user stops at an item called '焼いてミニカスタードタイヤキ,' which suggests a grilled or baked mini custard-filled fish-shaped cake, a common sweet treat in Japan. The environment appears to be indoors with warm lighting that reflects on the shiny surface of the tablet, suggesting a casual and modern dining atmosphere. There's no other object or character in the frame except for the tablet and the user's hand. The tablet has a protective black case, and there seems to be a woodgrain table surface that it rests on. The text and images on the screen are bright and colorful with clear divisions between each menu item. Colors like blue, orange, red, and green pop out from the screen, making it visually appealing and easy to read. There's also a 'Kids Menu' section visible, which further implies that this establishment caters to families with children as well. The video clip does not provide much in terms of narrative or detailed background elements but focuses on showcasing how modern technology is used in everyday activities such as ordering food in a restaurant." ]	で、さらにこう下っていきますと、夏祭りと歌っておりまして、焼いてミニカスタードタイヤキ
-4_hGwOFybc	-4_hGwOFybc-Scene-002	Exclusive: City leaders, Brooklyn Borough President discuss the future of NYCHA	[ "Previewing Future Living Conditions in Brooklyn Housing", "Preview of Future NYCHA Housing Developments" ]	[ "The shot type consists of a medium shot, close-up shots, and a wide shot, transitioning between indoor and outdoor scenes.", "The clip features medium and close-up shots." ]	[ "The camera follows subjects in a tracking shot, pans to different subjects, and employs cutaways to objects.", "The camera follows the subjects, pans and handheld movements." ]	[ "The video features a sequence of events where individuals are entering a building one after another under the guidance of a presumed authority figure. They move through a doorway into an apartment. Inside, the environment suggests residential settings with modern amenities such as a well-equipped kitchen with stainless steel appliances, including a washing machine and gas stove, indicating a comfortable living space. The style of the interior is contemporary with wooden floors and neutral color tones. As they proceed through different rooms, the lighting appears natural and well-lit, which complements the cleanliness and organization of the space. The individuals display varied reactions, possibly indicative of their first impressions of the apartment's condition. The outdoor scenes show an urban environment with multi-story residential buildings, street traffic with cars and construction barriers suggesting ongoing development. The colors are generally muted with grey skies, brown buildings, and the blue jacket of the person leading the group adding a touch of color. This person's attire is casual yet professional with an embroidered jacket that could signify official status or organizational affiliation.", "The scene unfolds with a woman in a black jacket holding a microphone and another individual in a quilted black jacket with a fur-lined hood entering a building. Inside, we see corridors with cream-colored walls, a staircase railing, and indoor lighting. The individuals are led by a man in a blue windbreaker with an emblem on it, indicating some position of authority or official capacity. The man appears to be guiding them through the premises, possibly on a tour. The setting looks like an apartment complex, judging by the numbered doors and hallway configurations. The lighting is mixed, with natural light coming from windows and artificial light illuminating the halls and rooms. The rooms contain typical furnishings and appliances suggesting residential use. We also catch glimpses of a kitchen with wooden floors, a stove, and counters. At one point, the group is seen exiting an apartment into the hallway where they encounter other individuals, possibly reporters or residents. The scene shifts to an exterior shot of the apartment building complex that is sizable with numerous similar units, suggesting a housing project. The buildings have brown brick exteriors with uniform windows. Traffic can be seen on the street along with construction barriers, indicating an urban environment. There's a brief blurry shot of an interior space that could be another part of the apartment or building. The final frame shows a flag waving against a grey sky, representing perhaps an institution or housing authority associated with the complex." ]	action speaks louder than words. Sure does. One by one, three Brooklyn Tenant Association presidents were guided by Brooklyn Borough President Eric Adams into an apartment. Adams says families who call NYCHA home should get excited. This is a glimpse, he says, into the future of NYCHA.
4KrxBufNvgo	4KrxBufNvgo-Scene-020	Bazook-9 Review Dog Tennis Ball Launcher By Oxford from wish / Ebay	[ "Indoor Playtime with Dog and Ball Launcher", "Indoor Playtime Preparation With Dog and Toy Gun" ]	[ "The clip features a mid-shot to close-up.", "The sequence consists of medium shots, capturing the subject from the waist up, allowing clear visibility of their actions and expressions while providing context with some background elements." ]	[ "There is a slight zoom-in and handheld shake.", "The camera remains stationary throughout the sequence. There is no movement, panning, or zooming, which focuses attention on the subject's actions without distraction." ]	[ "The scene opens with a person in a black and lime green hoodie holding a tennis ball launcher, partially visible due to the close framing. The person is standing in the front of a sofa with a dark red wall behind them, adorned with framed drawing or art. To their right is a plain white door. The person talks about being 'locked and loaded' and mentions 'Lucy,' indicating preparation for an activity, likely involving the tennis ball launcher, which is commonly used to play fetch with dogs. In subsequent frames, the setting transitions to a living room with brown walls, where a brown leather sofa and various items like a coffee table, a basket containing miscellaneous objects, and electronic devices are seen. The coffee table holds what appears to be a coffee container, several papers or magazines, sunglasses, and a basket with papers. Ambient lighting gives the room a warm, cozy feel. In the room's center is 'Lucy,' an attentive small dog, displaying eager body language in anticipation of play. She watches as the launcher is aimed and fired by the person in the hoodie, who remains off-camera for most of these frames. Lucy's excitement suggests this is a routine game between her and the person. As the scene progresses, the launcher is swung down into frame, indicating motion and leading to the assumption that the ball has been launched for Lucy to fetch. The camera slightly zooms in on Lucy as she anticipates the game. The scene encapsulates a moment of bonding between pet and owner through play in a comfortable home environment.", "The scene takes place in a domestic setting, likely a living room, with warm tones and home decor, such as framed pictures. A person is featured holding what appears to be a bazooka-style toy gun, colored green with a large trigger handle and a barrel that seems to be loaded with tennis balls. They are wearing a dark hoodie with bright lime green designs. The room has neutral walls with white trimmings, and a brown sofa is partially visible. On a wooden coffee table in front of the sofa, there are several items: a cup, a pair of sunglasses, a smartphone, a pair of earphones and an assortment of papers within a basket. The flooring is carpeted in a beige color that matches the room's warm palette. As the person prepares to use the toy gun, he addresses someone named Lucy with excitement. In response to the call, an eager small dog enters the scene. The dog, possibly named Lucy, has light fur with darker ears and appears to be watching the person with anticipation. As the individual operates the toy gun by extending it outward, presumably to launch a tennis ball, the dog's attention is focused on it with visible enthusiasm, tail wagging in readiness for playtime. The lighting in the room is soft and natural, suggesting daytime with light coming from off-camera sources likely windows out of frame." ]	likes it. Okay guys, we're locked and loaded. Lucy's ready for it. Here we go. Lucy likes it.
2YSr_GLwVuY	2YSr_GLwVuY-Scene-006	Maple Grove edges Champlin Park in extra innings	[ "Tense Baseball Game Tied Leading to Extra Innings", "Critical Error Ties Baseball Game" ]	[ "The clip includes various shot types: medium shots, long shots, and a sequence of close-ups.", "The clip uses medium and wide shots." ]	[ "Camera movements include panning to follow the action and a static shot for reactions.", "There are static shots with some slow zooming." ]	[ "The video shows a sequence from a baseball game. It starts with two spectators behind a fence, seemingly in conversation with a water bottle embedded in the wire fence. The scene quickly transitions to the baseball field with players in red and white uniforms. A batter in white takes a stance while the catcher and umpire, both in protective gear, get ready for the pitch. The pitcher throws the ball, but it is not well-received, resulting in it getting only a few feet away from home plate. Amidst this, there's an attempted throw to third base that unfortunately goes awry and sails into the left field. This error allows the player on third base to sprint towards home plate amidst cheers and high tension, scoring a run and tying the game. The teams are visibly energized or disappointed by this turn of events. The field is well-maintained with visible baselines and a dirt mound for the pitcher. There's a backdrop of trees and open sky, suggesting an outdoor setting during daylight with ample sunlight casting shadows on the ground. Players are wearing helmets and gloves, indicative of standard baseball gear. The uniforms are predominantly white with red accents for one team, while blue and white for the other team. As the scene closes, players regroup on the field, preparing for extra innings with a sense of heightened anticipation.", "The video sequence captures a pivotal moment in a baseball game, set in the top of the seventh inning. The scene unfolds on a well-maintained baseball field, surrounded by a mesh fence, with green grass indicative of a sunny day, which contributes to the natural outdoor lighting that casts dynamic shadows on the players and ground. The initial frames show two spectators seated on the grass behind the fence, indicating an engaged audience. As the play commences, the pitcher, dressed in a blue uniform with protective gear, throws the ball towards the home plate where the batter, wearing a red uniform and white pants, stands ready. However, the pitch is errant and veers a few feet from the plate. In reaction to this, the catcher, also in blue with protective gear, scrambles to retrieve the ball and makes an urgent throw to third base in an attempt to outplay the runner. Unfortunately for the defensive team, the throw is miscalculated and overshoots its mark, arcing high and sailing into left field. The outfielders, dressed in matching blue uniforms, chase after the misdirected ball. This error allows the runner on base—donned in red like his teammates—to capitalize on the opportunity. He dashes down the basepath from third base towards home plate with determination evident in his stride. His uniform is slightly dirtied from gameplay, contrasting with the clean white of his pants as he sprints to score. Meanwhile, his teammates and coaches encourage him from the sidelines and dugout area, some standing and gesturing animatedly while others are ready at the edge of the field for celebration or strategic discussion. As he crosses home plate without contest, his teammates greet him with high-fives and celebratory gestures, underlining the importance of this score that has now tied the game at four all. This turn of events sets up an intense conclusion to an evidently closely contested match as it now progresses into extra innings. The anticipation for what comes next is palpable among all present—the players are focused and energized while spectators watch with keen interest." ]	It stays that way until the top of the seventh. The pitch here gets a few feet away from the plate. The throw to third sails into left field. Hanson, the runner, comes in to score and it's tied at four. And this one goes to extra innings.
0To3CkmEmyw	0To3CkmEmyw-Scene-033	Building The Ultimate Mac Pro	[ "Casual Computer Upgrade Discussion in Workshop", "Upgrading Computer Hardware in Tech Workshop" ]	[ "The shot is a close-up to medium shot, transitioning between focusing on the object and the subjects interacting with it.", "Medium close-up shots with a focus on hands and components of a disassembled computer." ]	[ "The camera pans and tilts, following the subjects' movements and actions, and zooms in for details of the object.", "The camera pans and tilts, following the hand movements of the individuals working on the computer components." ]	[ "In a brightly lit room with a casual, workspace-like environment, two individuals interact over a disassembled computer resting on a wooden surface. The background features a cluttered yet creative space with photographic equipment, white walls, and a neon sign. The scene exudes an informal, tech-savvy atmosphere. The first individual, wearing a plaid shirt and watch, appears surprised or questioning about the condition of the computer which is covered in dust. The second person is seen working intently on the computer components, performing an upgrade rather than cleaning it. He is dressed in dark clothing. He expresses his intention to upgrade the machine to improve its performance with additional cores rather than focus on its cleanliness, showing a clear priority for function over form. There is a contrast between their perspectives: one views the situation from a maintenance standpoint while the other from a performance upgrade standpoint. The computer itself appears aged, hinting at why an upgrade might be necessary. It's open with visible internal components such as fans, hard drives, and empty bays that are being handled by the second individual. There are cans of compressed air and tools around, suggesting an ongoing process of hardware modification. The lighting is soft and natural, perhaps indicating daytime. It casts gentle shadows within the computer's open chassis, highlighting the dust and texture inside. The dialogue suggests a light-hearted banter between colleagues familiar with each other's habits and roles.", "The clip takes place in a well-lit, modern workspace with white walls, possibly a tech lab or a DIY workshop. Two individuals are engaged in what seems to be an upgrade of a large, disassembled computer lying on a wooden table. The computer's casing is silver, and its internal components, including the motherboard and cooling units, are exposed. Cables, tools, and other computing paraphernalia are visible around the workspace. In one shot, a person in a black t-shirt is focused on installing or adjusting a component inside the machine while conversing with another individual in a plaid shirt. The room is furnished with shelves holding various objects such as cans of spray, boxes, and decorations including what appears to be a small Christmas tree, suggesting the time of year might be around the holidays. In the background, there's studio equipment like light stands and blackout curtains, indicating that this space is also used for producing video content. The style of the clip suggests an informal but knowledgeable atmosphere where tech enthusiasts work on hardware projects. As they converse, there is mention of not cleaning but upgrading the computer with '12 cores,' indicating they are enhancing its processing power. Their attire suggests casual work or hobbyist activities. The workspace looks cluttered yet functional, with parts and tools laid out across the table. The clip has an overall tone of camaraderie and shared interest in technology." ]	You're covered in dust right now. I don't know. Why did you clean your dirty computer? I thought that's what you were doing. No, I'm upgrading it with like 12 cores and stuff. I'm not cleaning. Do I look like I got cleaning service? Full service, man.
-rlXgvarU0Q	-rlXgvarU0Q-Scene-022	Scott Pilgrim Contra El Mundo - Trailer 2 Subtitulado Español - FULL HD	[ "Action-Packed Clash with Humorous Undertone", "High-energy clash with comic-inspired visual flair" ]	[ "The sequence consists of a mix of close-ups, medium shots, and wide shots, with the use of graphic matches for transitions.", "The clip contains a combination of medium shots, close-ups, wide shots, and extreme close-ups." ]	[ "The camera employs fast pans, cuts, zooms, and at times rotates to follow the action, enhancing the dynamic energy.", "Static shots, rapid pans, zoom-ins, and slow-motion effects are utilized throughout the sequence." ]	[ "The sequence opens with two characters in a digitally enhanced environment resembling a stage with LED backgrounds, engaged in a fight. Each character holds a sword towards the other. The scene cuts to a bar setting where a character use the fire sword to chop at an opponent. We then see a chaotic bar scene where the character breaks open a way through the air amidst blasts of energy. The video cuts to a concert setting where a band plays energetically on stage, surrounded by a vivid light show and an animated, supernatural vortex above them. Suddenly, the clip shifts to an intense white background with contrasting black silhouettes of two characters colliding in mid-air, reminiscent of comic book illustrations. These stylized visuals are consistent with the film's integration of video game and comic book aesthetics. The color palette is vibrant with heavy uses of reds, oranges, and blues, often punctuated by bright flashes or explosions of light. Amidst the action-packed sequences, text screens display the movie title 'Scott Pilgrim' in bold, yellow font against a patterned red background that simulates the look of vintage arcade games. Finally, there's a humorous voice-over suggesting a reconsideration of romantic choices in relation to the number of one's adversaries, providing comedic relief to the high-energy action. Overall, this frenetic montage delivers an entertaining blend of action and humor set in a visually rich and graphically bold universe.", "The sequence begins with a medium shot of two characters intimately engaged on a bed in a warmly lit bedroom. The environment is personal and private with muted earth tones and domestic furnishings like a lamp and nightstand visible. The next shot swiftly pans to an action-packed scene with a character crashing through glass. The backdrop features a bar with neon lighting and modern decor, indicating a public venue. We then see an extreme close-up of hands passing through a mysterious blue energy, suggesting supernatural or fantastical elements at play. Following is a wide shot capturing a dramatic moment with a character poised in an exaggerated stance in front of stylized visual text effects that spell 'KPOW!' and 'REVERSAL!', implying combat or confrontation. These stylized texts are reminiscent of comic book aesthetics, contributing to a pop culture-infused ambiance. Lights are bright and theatrical, possibly on a stage or performance space. The characters' attire varies from casual to eclectic, suggesting diverse personalities or roles within the narrative. Some characters are dressed in vibrant colors while others in darker tones, creating visual contrast. Various objects such as musical instruments indicate a potential battle of the bands context. The scene concludes with title cards featuring bold red and yellow tones, large block lettering, and an exclamation point, emphasizing an energetic and urgent tone for the film's title presentation. Throughout the sequence, quick cuts and dynamic transitions create a sense of urgency and high energy." ]	versus the world maybe next time we don't date the girl with 11 evil
0UAkBTxWCg8	0UAkBTxWCg8-Scene-011	Assassin's Creed 3 - Homestead Mission 'White Trophy' Walkthrough [HD]	[ "Forest Ambush Strategy Discussion", "Strategic Planning in a Foggy Forest Ambush" ]	[ "This sequence primarily utilizes medium shots.", "The shot transitions from a medium close-up to a point-of-view shot, then to a wide shot." ]	[ "There is minimal camera movement, mostly stable with slight pans.", "The camera remains mostly static but pans slightly following characters' movement, and zooms out for a wide view." ]	[ "The clip is game CG which takes place in a forested environment, enshrouded in fog, creating a somber and tense atmosphere. Three characters, possibly soldiers or militia due to their rugged attire and weaponry - muskets and melee weapons - are devising a strategy. They are gathered in a small clearing surrounded by towering trees with thick trunks, the ground covered with grass and fallen leaves. The time appears to be either dawn or dusk, as the light is quite dim, adding to the uncertainty and riskiness of the situation they are preparing for. The characters' attire consists of period clothing, with one wearing a coat with leather straps, another in a red vest and the third in more muted colors, indicating different roles within their group. The forest seems dense and unwelcoming, implying they are either on a hunt or an ambush. Their expressions are serious and focused on the task at hand. In the background, the environment remains consistent with tall trees fading into the foggy backdrop. The color palette is desaturated with greys, greens, and browns dominating the scene which matches the somber mood of their planning. There's no direct sunlight seen; it feels like overcast weather which flattens the overall lighting of the scene making it look more naturalistic and gloomy. Objects such as rifles appear historically accurate for what seems like an 18th-century setting. The scene also contains a brief view through wooden slats which further emphasizes their covert positioning.", "In a misty, dense forest, three characters dressed in historical, colonial-era clothing are discussing a strategy. Two male characters, one carrying a bow and the other unarmed, are engaged in a tactical discussion with the third character, a female with a rifle, whose back is to the camera. The environment is shrouded in fog, creating an eerie and somber atmosphere suggestive of dawn or dusk. The limited visibility adds tension and mystery to the scene. The characters appear to be part of a military or exploration group based on their attire: they wear earth-toned, functional clothing with belts and boots, ideal for traversing through the woods. They seem to be formulating a plan to flush out an unseen adversary using one as bait while another lies in wait to take a shot. The conversation suggests urgency and caution. The forest is thick with trees that have twisted branches; there are no leaves, indicating it might be autumn or winter. As they talk, the camera switches to a viewpoint from inside a dilapidated wooden structure with broken boards, indicating that the subject of their plan is located outside this wooden structure. The camera then cuts back to show all three characters from the front, emphasizing the readiness of the two visible characters as they prepare for action. One character steps forward decisively towards the cabin-like structure, suggesting that he has volunteered for the riskier part of their plan. As he moves forward, he has a resolute expression and determined body language. His clothing is well-worn but sturdy, with neutral dark tones that blend into the natural environment. The color palette of the scene is muted with lots of grays and browns, enhancing the grim ambiance of their mission." ]	Norse can back off one of us goes in there to draw him out and the other waits out here to shoot Sounds like a plan
1LlMnVltOa0	1LlMnVltOa0-Scene-036	Venezuela: un paraíso en el infierno (parte 3/5)	[ "Tortoise Seeks Refuge in Water Amidst Heat", "Tortoise Finds Refuge in Shallow Waters" ]	[ "The shot is a sequence of medium and close-up shots, focusing on the tortoise as it moves towards the water.", "The video consists of wide, medium, and close-up shots, displaying the setting and the subject in detail." ]	[ "The camera remains static, with no discernible movement, maintaining focus on the tortoise's actions and environment.", "The camera pans horizontally following the tortoise's movement and zooms in for close-up details of the tortoise." ]	[ "The sequence depicts a tortoise with the dark shell with light yellow patches, enduring the heat. Its journey begins on dry, cracked earth, indicative of a hot environment, possibly during a dry spell before the rainy season. The environment is lush with various shades of green foliage and some sparse, brownish vegetation closer to the water's edge, suggesting a tropical climate. As the tortoise approaches the water body—which appears to be a shallow stream with banks that will sustain water until the rains come—it does not hesitate. It's driven by the necessity to cool down its overheated shell. A group of lush trees stands out in the water, resembling an island of greenery amidst the blue of the water. The tortoise is drawn to this oasis. As it enters the fresh waters, we see a close-up of its head and front legs; its eyes are dark and skin patterned with yellow and black, matching its head's coloration. The water around it ripples gently as it moves forward. The scene cuts to a broader view of birds perched atop vibrant green bushes or trees, which could be herons or similar waterfowl, suggesting a rich ecosystem and perhaps hinting at the destination or habitat of the tortoise.", "The video clip begins with a wide shot of a muddy terrain leading into a shallow body of water with green vegetation. The focus is on a perseverant tortoise making its way toward the water's edge. The tortoise's brown and yellow patterned shell stands out against the greenery and brown mud. The sunlight is bright, casting shadows and highlighting the textures of the landscape and the tortoise's shell. As the tortoise approaches the water, we see a medium shot that allows a closer look at its features: its sturdy legs pushing through the mud, its head extending outward with determination. The environment is serene and natural, suggesting a warm climate given the tortoise’s need to cool its 'abrasado' or scorched shell. The camera then cuts to a close-up shot, capturing the details of the tortoise's head as it enters the water, emphasizing its relief as it cools down. We see ripples in the clear water around it and mud clinging to its skin. The vibrant yellow and black markings on its face are visible, adding to the characterful expression as it finds solace in the refreshing water. The background is softly blurred but indicates a rich ecosystem with various species of birds perched on densely foliaged trees that are thriving in this watery habitat. These trees rise above the water surface at a distance, mistakenly perceived by the tortoise as a single large bush ('mata'). Overall, there is a sense of tranquility and life thriving in this ecosystem, with colors ranging from greens of vegetation to browns of mud and blues of water reflecting the sky." ]	La perseverante morrocoy llega de nuevo a la orilla de un caño cuya cota es tan baja que aguantará con agua hasta la llegada de las lluvias. Esta vez no se lo piensa dos veces. Un grupo de árboles frondosos se levanta sobre el agua a cierta distancia y creyéndolo una mata se adentra en las aguas frescas que enfrían su abrasado caparazón,
2i1oE6NOo48	2i1oE6NOo48-Scene-006	Hearthstone en español - Competitivo - Diamond Zoo	[ "Strategic Gameplay in Hearthstone Match", "Strategic Gameplay in Hearthstone Match" ]	[ "Static medium close-up of a digital card game interface.", "Mid-shot with static framing focused on interface" ]	[ "No camera movement, the frame is a fixed screen capture.", "No camera movement, the frame is fixed throughout" ]	[ "The video showcases a turn in a Hearthstone card game match between two Warlock players. The game's interface is detailed and colorful, with a fantasy-themed design. The bottom player, who is currently taking their turn, has a hand of cards displaying various creatures and spells with different mana costs and effects. They have a series of options to play from their hand. The player's hero portrait is shown at the bottom right with a health count of 30 at the start. The top player's hero portrait, also at 30 health, is at the top left corner with a mana crystal count of 5/5. We see the bottom player using a 'Life Tap' ability, costing them health but allowing them to draw a card, depicted by the character striking itself and a card being added to their hand. Subsequently, the player summons an 'Arcane Golem', a blue-tinted creature with 'Charge', and attacks the opposing hero directly, followed by casting 'Abusive Sergeant', which gives a temporary attack boost to another minion. The board background has an earthen and gear motif typical of the Hearthstone game aesthetic, with deep browns, golds, and other warm colors that create an inviting, game-friendly environment. Text appears on the screen detailing the Twitch channel and Twitter handle of @carrera_enzo and @titoenzoTV, suggesting this footage may be part of a live stream or recorded gameplay session intended for sharing online. The action is quick-paced as each card's effect is immediately visualized upon play, including changes in health totals, attack animations with bright flashes and character grunts for impacts, and summoning effects with magical glows and sound effects for drama.", "The video shows a digital card game interface from the game Hearthstone, with fantasy-themed designs. On the bottom half of the screen, the player's hand is visible with various illustrated cards displaying different creatures and spells. The cards have numbers indicating cost, attack, and health points. The player manages resources, represented by crystallized numbers on the bottom right, to play cards onto the board. The board itself is a virtual tabletop with intricate designs resembling a castle or medieval setting. Actions on the board are animated; for example, when a card attacks, it physically strikes another, causing numbers to appear indicating the damage dealt. When a creature is destroyed, it breaks apart and disappears from the board. The top half of the screen shows the opponent's side, which mirrors the player's layout. There's an active engagement between two players, each trying to reduce the other's life total, shown as red crystals with numbers at the bottom for the player and top for the opponent. Visual effects such as glowing outlines and explosive animations accompany card actions, adding excitement and clarity to gameplay. The dominant colors in this interface are browns, reds, and golds which give a warm and adventurous atmosphere typical of fantasy games. The UI elements are adorned with metallic and stony textures reinforcing the game's medieval theme. Strategically played cards shift positions on the board indicating their active or inactive states through visual cues like glowing borders or sleeping 'Zz' symbols." ]	Nos vamos por adelante. Ahí tiene estos seis manadas.
0_1wHLpvCNk	0_1wHLpvCNk-Scene-008	Гоа. Орёл и Решка. Морской сезон-3. Смешные и неудачные дубли!	[ "SUV in Parking Lot and Outdoor Community Meal", "SUV Arrival and Beachside Food Serving" ]	[ "The video consists of wide and mid shots.", "The shot is a medium shot transitioning to a close-up." ]	[ "The camera is static with no discernible movement.", "The camera pans to follow the SUV, then cuts to a static shot of people gathering around food." ]	[ "The first four frames depict a silver-colored SUV with a prominent grille, chrome detailing, and auxiliary lights mounted on the front bumper. In the SUV, a girl is gesturing and talking. The SUV's registration plate is visible. The car is parked in a spacious outdoor parking area with various other cars in the background, some vegetation, and a clear sky indicating it might be daytime. The vehicle casts a shadow to the right, suggesting that the sun is positioned on the left side of the frame. In the subsequent four frames, we're shown a group of individuals gathered around a food distribution area with red tents. People are holding plates, and one person is serving food from large metal containers, hinting at a communal meal or event. The participants are dressed casually in various colors; some wear hats or caps, indicating outdoor leisure activity. Everyone seems engaged in the act of serving or waiting to be served food, which looks like rice or possibly another grain-based dish. The environment has an open, outdoor setting with hilly terrain visible in the background and a bright, sunny ambiance that creates strong shadows cast by the people and objects, indicating midday lighting conditions.", "Initially, the scene shows a medium shot of an SUV with a metallic grey finish and chrome accents, sporting a prominent grille and additional front bumper guard, making its way through what appears to be a spacious outdoor parking lot with numerous other parked cars, including white, red, and grey vehicles. The environment suggests a warm, sunny day with clear skies; palm trees can be spotted in the background alongside some low-rise buildings. As the SUV moves across the frame from left to right, the camera pans smoothly to keep it centered. Following this, there's a cut to a different location where a group of people are seen in close proximity around what seems to be a food distribution area on a beach setting with reddish-brown soil and shrubbery on an elevated landform in the background. A variety of colorful beach umbrellas dot the area, hinting at a leisurely or festive atmosphere. The individuals are wearing casual beachwear—hats, sunglasses, and summer clothes—with predominant colors being white, blue, stripes, and some sporting graphics on their t-shirts. One person is wearing sports attire with visible branding. They are focused on getting food served from large metallic pots onto their bright yellow and terracotta-colored plates. The food appears to be white, possibly rice, being served with a ladle by someone possibly in charge of food distribution. There is minimal interaction as everyone seems preoccupied with the serving process. The natural lighting of the outdoor setting casts soft shadows, and no artificial light sources are visible. Overall, the video clip exhibits casual outdoor activities in what could be inferred as a communal gathering or public event." ]	Эй, не подтолкнуть!
1SXnwn2rxPU	1SXnwn2rxPU-Scene-043	DO NOT Water Slide through the Wrong Mystery Box!!	[ "Outdoor Pizza Challenge Game Setup", "Playful Outdoor Pizza-Making Challenge" ]	[ "Mid shot, close-up, over-the-shoulder, high-angle shots.", "The shot transitions from medium close-up to an extreme close-up, emphasizing smaller details and actions." ]	[ "Static shots with occasional pans and tilts, handheld feel, quick cuts between shots.", "The camera moves dynamically, panning and tilting to follow the actions of the characters and items." ]	[ "The scene is set outdoors in a park with trees and grass, under clear daylight. Two individuals are participating in a challenge to avoid 'becoming a pizza.' One individual, wearing a sleeveless top with a green slime design and shorts, is orchestrating the game. The other, in an orange tank top with the words 'HOT' and 'SAUCY' printed on it and black leggings, is the contestant. They are sitting on a yellow picnic blanket. The game involves typical pizza ingredients: cans of tomato sauce labeled 'Prego,' a bag of shredded cheese, slices of pepperoni, and a bottle of mustard. There's also a slice of raw salmon on the blanket and three brown cardboard boxes, implying one will become the 'pizza box.' The two characters gesture toward the ingredients and boxes while explaining the challenge. The male character holds up each ingredient for emphasis. The color palette is bright with vivid greens of the grass, reds from the sauce cans and pepperoni, and yellows from the mustard bottle and picnic blanket. The style seems casual with a comedic undertone suggested by the playful concept of turning someone into a pizza. The lighting is natural and harsh, causing some shadows under the participants' eyes, which suggests midday timing. As they speak about not wanting to be turned into a pizza, there's an over-the-shoulder shot pointing toward the boxes on the ground as the contestant chooses which box will be designated as the 'pizza box.' Afterward, the female character gestures to the middle box while addressing the audience to watch over the middle box to prevent the transformation into a 'pizza man'. Quick edits cut between close-ups of ingredients and participant reactions.", "The scene is set outdoors in a sunny park with trees and a clear sky. Two characters are engaging in a playful activity involving food items typically associated with making a pizza. The ingredients include tomato sauce, cheese, and pepperoni. They are seated on a bright yellow picnic blanket, which stands out against the green grass. One character is dressed in a sleeveless top and shorts, displaying a playful attire with vibrant colors and messy stains that suggest an informal, fun-filled setting. The other character wears a orange swimsuit with black leggings, indicating a casual and relaxed environment. They are surrounded by pizza boxes and food items placed on the blanket. The character's actions are exaggerated for comedic effect as they prepare to turn one of them into a 'pizza' using the food items as toppings. This creates a humorous and light-hearted atmosphere. The lighting is natural and bright, enhancing the vivid colors of the scene and contributing to the cheerful mood. There is also a hint of messiness as they handle the food items, emphasizing the carefree nature of their activity. The boxes are plain brown cardboard, with one designated as the 'pizza box.' The character's clothes have bright and contrasting colors; the top's text adds to the humor. The items on the blanket are arranged haphazardly, reinforcing the spontaneity of their game." ]	Next round, someone is going to get turned into a pizza. Pizza time, Chad. We got some frego tomato sauce, we got cheese, we got some pepperoni. Ooh, my favorite flavor. Some more cheese here. Which box is the pizza box, Vy? Um, let's say the middle one. Alright. So you should turn around. Guys, keep an eye on the middle box, help me out. I don't want to become a pizza man.
1JzGw65_2w8	1JzGw65_2w8-Scene-023	[GTA IV] How to install The Bullet Time Effect Mod - PC	[ "Tactical Advancement in Gritty Urban Nighttime Setting", "Night Operation in Industrial Zone" ]	[ "The shot type is a medium close-up in a video game.", "The clip primarily consists of medium and over-the-shoulder shots." ]	[ "Camera follows the player's character from a third-person perspective, panning and tracking movements.", "The camera follows the character from behind, with smooth tracking and panning movements." ]	[ "The video clip takes place within a dark, gritty environment reminiscent of a city's underbelly, specifically in an alleyway with trash containers and sparse illumination from nearby street lights casting long shadows. The style is indicative of a third-person shooter video game, featuring a male character dressed in tactical gear including a vest, holster, and carrying a backpack. He navigates the space with a shotgun in hand, displaying readiness for combat. His movements are deliberate and cautious, as he proceeds through the alleyway with vigilance. Accompanying him is another character dressed as a police officer. The environment is urban and desolate, with muted colors and a notable lack of vibrant hues, accentuating the theme of danger and illegality. A police car is visible in the background, adding to the narrative tension of law enforcement presence. Various objects such as barrels, crates, and a deserted workstation with equipment contribute to the sense of abandonment and possible criminal activity. The player-character moves past these items, indicating a search or patrol route within this sinister landscape. The lighting emphasizes the nighttime setting, with sources casting high contrast over the scene and creating an atmosphere heavy with suspense. Ambient sounds would likely include distant traffic, echoing footsteps, and the hushed conversation between the characters if it were audible. Overall, the scene conveys a narrative of potential conflict and law enforcement in a crime-ridden area.", "The sequence display a GTA-like game screen which takes place in a dark, outdoor urban environment at night, illuminated by ambient street lights which cast a blue-gray hue, reflecting the gritty atmosphere of the setting. The central character, a male figure dressed in tactical gear, moves cautiously through the area. His attire suggests he is well armed. The environment is characterized by industrial elements like warehouses, fences, concrete floors. The character probably wonders around under the highway bridge. As the main character navigates through this space, he passes shipping containers and barrels that serve as potential cover points. The subdued lighting emphasizes the gloomy environment. In terms of style, it resembles gameplay footage from a third-person perspective action video game, with an on-screen display showing a mini-map in the lower right corner and an ammo count when a weapon is drawn. This suggests that strategies such as navigation and resource management are key components of the experience. The color palette is dominated by muted tones of black, blue, and gray, contributing to a feeling of unease and anticipation for what may unfold. During gameplay, audible voice-over comments hint at actions being taken by the player and provide context to their objectives within the game." ]	black as hell damn black damn all right you did just slaughtered any lcp date okay okay so what you do is you press tab the only
1J7x7xJKZ_c	1J7x7xJKZ_c-Scene-003	KING 5 Weather	[ "Evening Weather Forecast Presentation", "Evening Weather Update with City Waterfront and Satellite Imagery" ]	[ "This is a mid-shot of a weather forecast segment.", "Mid shot of a presenter with a large screen behind them, displaying various graphics related to weather updates." ]	[ "The camera remains stationary throughout the segment.", "Static camera with no movement focusing on the presenter who is standing still in front of the screen." ]	[ "The scene is set in a television studio during a weather forecast. The shot is framed to include the upper body of the presenter, who is dressed in a red dress, standing in front of a large screen displaying various weather graphics. The scene transitions through different graphics illustrating current weather conditions, such as temperatures across various locations, a live image of a waterfront, and tonight's weather prediction. The graphics are well-designed, with clear fonts and colors that stand out against the background images. In one graphic, temperatures are shown next to city names against a map backdrop; another features the waterfront at night with lights reflecting on the water. The final graphic predicts clear and mild night conditions with a moon icon, temperature, and wind information. The studio lighting is evenly distributed, avoiding harsh shadows on the presenter or screen. There is no audience visible; the focus is entirely on the presentation of information. The style is typical of news broadcasts, aiming for clarity and professionalism. The presenter's actions are minimal but purposeful, gesturing towards the screen when highlighting specific details but otherwise remaining relatively still to not distract from the information being conveyed. Overall, the environment is controlled and polished, with every element designed to support the communication of the weather forecast efficiently.", "The video clip features a presenter in a news studio providing a weather update. The presenter is positioned in the center of the frame, wearing a pink dress, standing in front of a large background screen. Initially, the screen displays a vibrant nighttime scene of a city waterfront, featuring illuminated buildings and a Ferris wheel reflecting on the water surface. The environment suggests an evening newscast. The style of the presentation is professional, with graphics supporting the weather forecast. As the presenter speaks, the screen transitions to show the weather forecast for 'Tonight' with clear and mild conditions depicted by an icon of a crescent moon and stars. The temperature is indicated as 63 degrees Fahrenheit, with wind conditions and sunset time also displayed. The graphics are blue and white, which traditionally convey calmness and clarity—common associations in weather reporting. The light in the studio is well-balanced to highlight the presenter against the screen. Following this, the video shows a satellite map graphic illustrating geographical features and city locations such as Seattle and Tacoma. The map has topographical detailing with various shades of green representing different elevations, blue for water bodies, and white lines for route markers. It appears to be zoomed in on the Washington state area, providing viewers with an overview of regional geography relevant to the weather discussion. The presenter uses a clicker to change graphics on the background screen while providing verbal information about expected weather patterns, particularly mentioning marine air along the coast and low cloud cover." ]	So we go downtown to the waterfront, mostly clear and it feels great. Still feels like a nice summer evening. Tonight we expect clear mild conditions. Temperatures around the city in the low 60s outlying spots will get into the mid to upper 50s winds are expected to stay out of the North, and there could be kind of calm tonight into the morning hours, and that may cause some areas of low clouds to develop, especially marine air all along the coast. You can see that we have a little bit of low cloud cover creeping up towards the coast right now on the satellite, but really,
0sx9_omQz6c	0sx9_omQz6c-Scene-022	Creative play Teenage Mutant Ninja Turtles Shredder and Krang create Robotic Mikey Raph	[ "TMNT Figures in Imaginative Tabletop Battle", "TMNT Figurines in Comical Cloned Combat Chaos" ]	[ "Close-up and medium shots of action figures.", "The shot is a close-up, focusing on toy figurines and a toy vehicle." ]	[ "Static camera with hand-manipulated action figures.", "The camera is stationary with some slight shakes due to the manual handling of toys." ]	[ "The scene takes place against a vibrant, solid color backdrop, focusing on an array of Teenage Mutant Ninja Turtles (TMNT) action figures and a toy robot. The robot, predominantly white with blue lettering saying 'POLICE' and red siren lights, opens up to reveal a green TMNT figure inside. The turtle action figure is primarily green with an orange mask, hinting that it might be Michelangelo, one of the TMNT characters. It steps out and the robot closes. The action moves to show four TMNT figures in various combat-ready stances, each with distinct colored masks (red, blue, orange, and purple), traditional to the characters Raphael, Leonardo, Michelangelo, and Donatello. They wield signature weapons like sais, katanas, nunchucks, and a bo staff. A hand interacts with the figures, simulating combat. The setting seems to be a tabletop play area with toys and containers blurred in the background. The light is bright and even, enhancing the vivid colors of the figures. The movements are quick and appear as though a TMNT is fighting another TMNT, likely guided by the voice-over narrative suggesting a self-conflict or confusion in battle. There is a dynamic feel to the play despite the simplicity of the action due to the enthusiastic manipulation of the toys.", "The clip features a stop-motion or manually manipulated sequence involving toy figurines of the Teenage Mutant Ninja Turtles (TMNT). The figurines are highly stylized, with bright green skin and distinct colored bandanas: red for Raphael, orange for Michelangelo, blue for Leonardo, and purple for Donatello. The first frame shows a toy mecha marked 'POLICE' with red lights on top, containing a TMNT within a blue cockpit. A hand adjusts the TMNT inside. The subsequent frames show a chaotic scene on what appears to be a playset or table with a colorful paper or plastic mat serving as the ground. The background includes a simplistic representation of an urban environment with a toy police van and bright yellow and pink backdrops. Several TMNT figures are in various stages of being knocked down or posed in combat stances. The lighting is bright and consistent, likely from an overhead source, casting soft shadows beneath the toys. The color palette is vibrant and playful, with primary colors dominating the scene, creating a visually engaging setup that appeals to children. As the hand manipulates one TMNT, one TMNT attacks another, who bears the same orange bandana—hence the voice-over about fighting oneself—implying a narrative where clones or imposters might be involved. Each character is equipped with signature weapons like sais and nunchucks. The swift movements of the hand as it animates the figures suggest rapid combat, although there's an evident blurriness due to motion and perhaps low frame rate, which is typical in rudimentary stop-motion or manual animation meant for humor or simplicity rather than fluid realism." ]	You haven't destroyed us yet. This is really weird dude, I'm like fighting myself.
3AO7KDKwc4s	3AO7KDKwc4s-Scene-005	Driving a Koenigsegg Agera RS to a Secret Billionaire Car Collection!!	[ "Muscle Cars Spotlight at Outdoor Car Meet", "Admiring the Camaro ZL1 1LE at Car Meet" ]	[ "The clip is a mixture of tracking and panning shots.", "A handheld tracking shot following the movement." ]	[ "The camera follows the narrator, pans across cars, and zooms in on features.", "The camera moves laterally, panning right, following the car." ]	[ "The setting appears to be an outdoor car event with a variety of parked cars, primarily focusing on the muscle car section at a Cars and Coffee meet-up. The narrator expresses a general disinterest in muscle cars but shows enthusiasm for the new Camaro ZL1 1LE. The vehicle in question is red with a contrasting carbon fiber wing, attracting special attention for its performance and value. The surrounding environment features bright, sunny weather with clear skies; palm trees and other lush greenery are visible, contributing to an upscale, vibrant atmosphere typical of such car gatherings. The event takes place in a paved parking area with multiple cars parked or moving slowly in the background. The style of the video is casual and vlog-like, with spontaneous movement and commentary. Lighting is natural and strong, indicating midday with some lens flare effects. The video captures sleek lines of various sports cars in hues of black, red, and grey, shiny chrome accents, and the distinctive boxy shape of Camaros. The narrator's hand gestures towards specific features of the Camaro ZL1 1LE while talking about its impressive carbon fiber wing and overall design. He walks between the cars, giving viewers a closer look at different angles and details like glossy paintwork, aggressive body lines, and sporty rims. There's a dynamic contrast between stillness of showcased vehicles and the fluid motion of walking attendees.", "The scene takes place outdoors at a car meet event, specifically in the muscle car section of 'Cars and Coffee.' The setting is vibrant and sunny with palm trees and bright daylight highlighting the cars' features. There's a bustling atmosphere with various people, some blurred in the background, walking around or examining cars. The narrator expresses a general disinterest in muscle cars but highlights a red Chevrolet Camaro ZL1 1LE with enthusiasm. This car stands out due to its bright red color, contrasting sharply with the darker vehicles parked on either side. The Camaro has a sporty appearance with a sleek finish, noticeable aerodynamic design elements, and a prominent carbon fiber wing at the rear. This wing catches attention due to its size and the material indicating the car's performance-focused modifications. The Camaro's body retains the traditional 'boxy' Camaro shape, which the narrator dislikes, but the overall tone is one of approval for this particular model. The clip emphasizes the Camaro's presence among other muscle cars by following it from the front angle, gradually transitioning to focus on the rear where 'AMA1ZNG' is visible on the California license plate. The camera work is slightly shaky, implying it's handheld, providing an on-the-ground perspective that adds to the casual and spontaneous feel of the car meet. The natural lighting and clear skies contribute to a warm and welcoming environment, ideal for automotive enthusiasts to gather and showcase their vehicles." ]	We've got the muscle car section of Cars and Coffee. Gotta admit guys, I'm not really a fan of muscle cars. But I like the new Camaro ZL1 1LE a whole bunch. This car is really crazy. It's beating a lot of other cars in its price range and well above it. So, this one has my attention guys, I will say. Look at the wing too. Full carbon fiber on a Camaro. It's pretty cool. The only thing I don't like is that it's still that boxy Camaro shape.
-XynQbWrY_k	-XynQbWrY_k-Scene-023	BOOGIE BOARDING DOWN STAIRS (FAIL)	[ "First-Person Nighttime Motocross Race", "Nighttime Motocross Race from Rider's Perspective" ]	[ "The shot type is a first-person perspective, likely from a helmet-mounted camera, following a motocross rider on a dirt track.", "The video features a first-person point of view shot." ]	[ "The camera moves rapidly and follows the motion of the rider, capturing high-speed action with slight shakes and bounces.", "The camera moves forward, following a motocross rider." ]	[ "The video features a high-speed motocross race on a dirt track during nighttime. The shot is taken from a first-person perspective, suggesting it's recorded with a helmet-mounted camera. The viewer experiences the race as if they were the rider, adding an immersive element to the footage. The environment is illuminated by artificial lighting from floodlights, casting bright spots and creating shadows on the track. The track itself is composed of dark brown dirt with numerous ruts and grooves indicating heavy use and adding to the technical challenge for riders. In front of the camera, another rider can be seen wearing a red and white jersey with blue detailing and No. 28 nameplate, reda and white pants, and a white helmet with a red design. This competitor's bike has visible red elements, possibly part of its frame or decorative features. As the video progresses, the rider in front navigates turns and jumps with skill, showing their proficiency in handling the bike. The style of the clip is dynamic and action-packed, emphasizing speed and competition. In terms of color, there's a contrast between the dark earthy tones of the dirt track and the brightly colored gear of the riders. Additionally, various objects such as track barriers, distant lights, and small audience stands are intermittently visible as the riders race past. The camera catches glimpses of these elements as it jostles and tilts following the rider's point of view through each maneuver. Overall, the combination of lighting conditions, rapid motion, and competitive atmosphere creates an exhilarating visual experience showcasing motocross racing.", "The video clip captures a dynamic motocross race at night, filmed from a first-person perspective, likely with an action camera mounted on the rider's helmet or bike. The camera moves rapidly forward along a dirt track illuminated by artificial lights, following closely behind a motocross rider who is the primary subject. The rider in focus wears protective gear including white pants with dark patches, a helmet, and a white and red jersey with a number '28' on it, indicating their racing number. As they maneuver over the rough terrain, the wheels of their dirt bike kick up soil, enhancing the sense of speed and adrenaline. The track is characterized by its textured surface with visible tire marks and grooves, suggesting previous rounds or races have occurred. The environment includes artificial lighting that casts bright but focused beams onto the track, creating contrasting areas of light and shadow that add to the intensity of the scene. In the background, there are hints of fencing and possibly spectators or other infrastructure related to the event, though they are blurred due to the camera's motion and focus on the rider ahead. The style of the video is fast-paced and action-packed, providing an immersive experience into the world of motocross racing. Color-wise, the scene is dominated by shades of brown from the dirt track, white from the rider's attire, and yellow-white from the artificial lighting. The only sound present is a voice-over thanking viewers for watching, implying that this may be part of a larger series of vlogs or sports-related content." ]	Thanks for watching!
-NDNZScUxzs	-NDNZScUxzs-Scene-006	NBA 2k14 - Chicago Bulls vs New York Knicks Gameplay! DERRICK ROSE TAKES OVER!	[ "Virtual Basketball Gameplay Showing Intense Mid-Range Shot", "NBA 2K14 Game Clip: Bulls Offensive Play Leads to Foul" ]	[ "A mid-range jump shot in a basketball game.", "The shot type is a medium long shot focusing on basketball court action in a video game." ]	[ "Dynamic, following the action, zooming and panning smoothly.", "The camera follows the gameplay dynamically, panning and zooming to highlight the basketball action." ]	[ "The scene is from a video game NBA 2K14 of a basketball match between the Chicago Bulls and New York Knicks. The gameplay shows a player in white and red, representing the Bulls, dribbling rapidly past blue-clad Knicks players. The virtual arena mimics Chicago's home court, with detailed court markings, an animated crowd in the stands wearing team colors, and realistic lighting that creates a competitive atmosphere. The scoreboard displays the Bulls leading 4-3 in the first quarter with 2:29 left on the game clock. The player controlled is equipped with red basketball shoes, a white jersey with red trim, and accessories like arm sleeves and wristbands. His movements are fluid and natural, showcasing advanced gaming graphics. Meanwhile, the Knicks players are outfitted in blue jerseys with orange trim. The virtual stadium is filled with intricate details such as team logos on the court, official NBA branding, realistic shadowing under players, and reflective surfaces that enhance the realism. Coaches and team benches line the sidelines, reacting to the gameplay. After bypassing defenders, the Bulls player performs a mid-range jump shot as a defender leaps to block it. A shooting foul is called; the whistle blows as other players react by throwing their hands up or clapping. Everything happens within seconds, reflecting the fast-paced nature of basketball.", "The scene is a gameplay sequence from the NBA 2K14 video game featuring a basketball match between the New York Knicks (in blue) and the Chicago Bulls (on home court in white), with the Bulls leading with a score of 4-3. The virtual environment replicates a typical NBA arena with a detailed basketball court adorned with the Bulls logo. The arena is filled with animated crowd figures sporting team colors, creating a vibrant spectator atmosphere. A scoreboard is visible displaying time and scores, while an NBA TV banner indicates a simulated broadcast. The players, donned in their respective team uniforms, display realistic athletic movements as they engage in the match. The style of the graphics is three-dimensional and highly detailed, aiming to emulate the actual appearance and movement of players and environment. The lighting resembles that of an indoor sports arena, bright and evenly distributed across the court. In-game objects include the basketball, player indicators, and various visual elements like score overlays and player stats that pop up, showing 'Finisher' under certain players' names. The predominant colors are red and white for the Bulls and blue for the Knicks. The sequence shows offensive plays by the Bulls leading to a scoring opportunity, which culminates in a foul resulting in free throws." ]	with that 92 overall that he has is this guy is enormously fast like this dude's speed is incredible like i thought d-rose was faster than nba 2k13 no man this guy
-zSJ7T2D3y0	-zSJ7T2D3y0-Scene-055	I told this 12 Year Old 2 Things to Do Next to Start Farming	[ "Homestead Presentation Prep Interruption", "Preparation for Homesteaders Talk at Home" ]	[ "A sequence of medium close-up shots.", "The shot type is a first-person perspective, with the camera operator being the main character, depicting a subjective viewpoint of the environment." ]	[ "Quick, handheld, shaky camera pans and tilts.", "The camera exhibits a handheld, shaky movement with quick pans and tilts, mimicking natural human movement as the character moves." ]	[ "The scene unfolds in a cozy, wood-paneled interior space that exudes a homely ambiance. In the first frame, the focus is rapidly moving away from a computer monitor, showing a document with some blurred content, sitting on a cluttered desk with various items like papers and possibly electronic devices. The movement is hasty and unfocused, creating a sense of urgency or casualness. In subsequent frames, the camera quickly shifts towards and follows a man in a plaid shirt who appears to be in mid-conversation or monologue. His attire suggests a casual, possibly rural setting. The surrounding environment is warm with artificial lighting and natural light seeping through windows, complementing the rich wooden textures of the room. Cabinets filled with books and knick-knacks line the walls, and there are glimpses of what looks to be a kitchen area with shelves stocked with jars and kitchenware. A living room area with comfortable seating and a television is also briefly visible. There are flashes of greenery from plants that add life to the setting. Throughout the clip, colors are rich but natural, dominated by browns, greens, and other earth tones that reinforce the rustic homestead aesthetic. The style seems unscripted and spontaneous, capturing everyday moments without pretense. In terms of action, apart from the quick pans to follow the man moving through different rooms of the house, there's not much physical movement depicted; however, his speech implies he's engaged in work-related preparation and personal communication concerning birthday plans. The swift camera transitions create a dynamic feel, as if capturing snippets of life in motion.", "The sequence opens with a rapid, somewhat disorienting movement through a wooden interior space. The handheld camera's shaky and dynamic movements suggest that the person filming is also the protagonist, giving viewers a subjective point of view as if they are walking through the space themselves. The environment is warm and homely, with wooden walls, bookshelves filled with various items such as books and jars, and a glimpse of a cozy living area. As the character moves through the space, we see more of this rustic setting including kitchen appliances, more shelving stocked with household items, and an inviting living room area with comfortable seating and a black television. The lighting is natural and soft, indicating daytime, with visible windows letting in outside light. The space is tidy but lived-in, conveying a sense of real-life use rather than a staged set. Throughout this walkthrough, we hear the protagonist speaking about preparing for a presentation for Homesteaders America and mentioning someone's birthday cake preference. There's an informal and spontaneous feel to both the camera work and dialogue, which could suggest an impromptu decision to record this moment. The overall style appears down-to-earth and relatable." ]	All right, I've been working on my Homesteaders America presentation. Hope you guys are going. Got two talks there Rebecca's texted and wants to know what kind of cake Get in once for his birthday
2fUTnQgXBVM	2fUTnQgXBVM-Scene-002	Gdzie kupić dobry komputer?	[ "Navigating Computer Sales on Polish E-commerce Site", "Navigating Electronics Section on Polish E-commerce Site" ]	[ "Screen recording of computer interface navigation.", "The shot type is a screen capture video, showing a user interacting with a website using a mouse cursor." ]	[ "Static screen capture with cursor movement.", "There is no camera movement as this is a screen recording; the viewpoint is static, focusing on the computer screen." ]	[ "The video features a screen recording of a user navigating a Polish e-commerce website, specifically within the electronics section. The user's cursor is the primary focal point as it moves across the screen. The website is designed with a white background and various categories listed across the top in a horizontal menu. These categories include 'Elektronika,' 'Moda,' 'Dom,' and others. In the main section of the page, there are advertisements and promotions for products like ebooks, electronic equipment, and buyer protection programs. Colors vary from bright oranges to calming blues, highlighting different promotions and services. As the video progresses, the user hovers over and clicks on the 'Elektronika' tab, which expands to reveal additional categories. The cursor then moves to click on 'Komputery,' which stands for computers in Polish. A new page loads, showcasing various computer-related products and deals. The user scrolls through this list, moving past options such as laptops and computer accessories. Each product listing includes an image, description, price, and purchase option in a grid layout. There are red tags indicating special offers or promotions on certain products. The user continues to explore by clicking on 'Komputery stacjonarne,' which means desktop computers. This action leads to another page that lists desktop computers for sale with similar listing details as before. Throughout the video, there is a consistent visual theme with clear fonts, organized layout, and a focus on user-friendliness. The lighting in the video is neutral as it is a direct screen capture without any external lighting effects. There are no characters present in this video; it is purely a recording of website interaction demonstrating online shopping behavior and website navigation.", "The scene opens on a webpage with a navigation bar at the top displaying categories such as electronics, fashion, home, health, child, culture/leisure, sports/leisure, automotive, collections, business services, and deals zone. The user's cursor moves across the screen. It is a Polish website with multiple advertisements and promotions visible on the homepage. The cursor hovers over the 'Electronics' section before moving to select the 'Computers' category from a dropdown menu. It shows a variety of products and discounts available on electronic items like daily deals for cameras, headphones with microphones, and car audio equipment. As the user navigates through the website, they are guided by voice-over instructions in Polish. The design of the page is clean and well-organized with bold headers and clearly defined sections. The color scheme of the site is white background with blue and orange accents used for buttons and links which gives it an inviting and professional appearance. Product images are clear and prices are displayed prominently. In the background, there are several browser tabs open indicating that the user was browsing or working on multiple pages simultaneously. The cursor clicks through to 'Computers', revealing subcategories like accessories, parts for laptops, printers & scanners; it then selects 'Desktop Computers'. On this page, desktop computer listings appear with images, specifications, prices, and options to buy or get more details. The overall environment suggests an online shopping experience focusing on electronics. The user interface elements such as search bar, cart icon, and account sign-in indicate functionality typical for e-commerce platforms." ]	Zakładka elektronika. Znaczamy sobie komputery. Znaczamy sobie komputery stacjonarne.
29nCvUQ3Ecw	29nCvUQ3Ecw-Scene-004	باكو تستضيف نهائي “يوروبا ليغ” بين تشيلسي وأرسنال	[ "Urban Life Interwoven with Football Culture", "Community Football Passion in Baku Cityscape" ]	[ "The video comprises a mix of wide shots, medium shots, close-ups, and tracking shots to showcase different scenes and subjects.", "The video includes a mix of wide, medium, and close-up shots, capturing both stationary and dynamic scenes within an urban environment." ]	[ "Camera movements include panning to follow action, stationary with subjects moving within the frame, and smooth tracking alongside subjects.", "Camera movements include panning to follow subjects, static shots for still scenes, and handheld tracking for action." ]	[ "The video opens with a wide shot of a busy city square with people walking by and a large digital billboard advertising a football match. The billboard is prominently displayed on a metal structure above head height, featuring team names and logos in vibrant colors against a dynamic, angular background design. In the next shot, we transition to the interior of a merchandise shop with close-up shots of football-related items like a hat emblazoned with a football club's emblem and wristbands featuring the club's name. The shelves are well-stocked with various branded merchandise in the background, and the shop has a clean, modern aesthetic with white walls and blue lighting accents that match the team colors. Following this, the scene shifts to outdoor public spaces where individuals are engaged in leisure activities. We see a medium shot of an urban environment with contemporary art installations and pedestrians moving about in casual attire. The environment is sunny with clear skies, and there is a relaxed atmosphere. Subsequent frames capture children playing football in different settings; they are dressed in casual sports attire like t-shirts and shorts. We see quick movements and playful interactions as they energetically kick the ball around in various informal settings, including paved areas near playgrounds filled with greenery and colorful play equipment. One boy wears a prominent white jersey while others are in more neutral tones. The editing pace is brisk to match the dynamism of football. The video closes with wide shots of architectural details, such as a statue posed in an act of pointing or refereeing, signifying the city's deep connection to football culture. Throughout these scenes, natural daylight highlights the vibrant colors of the environment, clothing, and equipment, adding liveliness to each frame.", "The sequence opens with a wide shot of an outdoor digital billboard displaying football match advertisements for teams like Arsenal, Valencia, Chelsea, and Eintracht Frankfurt in Baku, Azerbaijan. The billboard stands tall amidst a bustling cityscape with people walking by and cars driving past. The environment is lively with greenery and modern urban architecture. The following shots are close-ups focusing on Chelsea Football Club merchandise like scarves, highlighting the UEFA Europa League branding, indicating the significance of football culture in the city. Subsequent scenes showcase people in various outdoor settings; individuals are captured in medium shots walking through a park with vibrant green trees, showcasing the leisurely public life. The casual attire of pedestrians suggests a relaxed atmosphere on a sunny day. Action shots depict children and adults engaging in football matches in different settings - a park with trees casting shadows on the ground, a playground with colorful equipment, and an open plaza area near steps and buildings. The colors are bright, vivid, and energetic, mirroring the enthusiasm of the players involved. One frame shows football being played near iconic sculptures, indicating a blend of cultural heritage with contemporary sports passion. Throughout these scenes, the sunlight is abundant, casting natural light that enhances the clarity and vibrancy of colors – from the lush green trees to the varied hues of clothing worn by the people. There is an evident community spirit centered around football that brings together people of all ages." ]	the city. People watch football here every week. Kids are playing football everywhere, coach yards, playgrounds and parks. Togikbahramov is one of the notable
-yJlaOSOMjg	-yJlaOSOMjg-Scene-356	[Full VOD] 태국 끄라비 아오낭, 블루풀, 뜨랑 여행 (KBS_2014.01.24 방송)	[ "Underwater Cave Exploration by Diving Team", "Mysterious Cave Swimming Expedition" ]	[ "The shot type appears to be a Point-of-View or subjective camera shot, immersing the viewer in the experience as if they are participating.", "The clip features a continuous underwater wide shot." ]	[ "The camera progresses steadily forward, with slight lateral and vertical movements, as if held by someone swimming.", "The camera moves steadily forward, following the subjects." ]	[ "The scene unfolds in a dark underwater cave illuminated by artificial light. The greenish hue of the water suggests the presence of some light source, possibly from a diver's flashlight, enhancing the eerie and mysterious ambiance of the cave environment. A group of divers is seen swimming in a line formation, approximately 100 meters inside this cavernous space. Some divers is equipped with gear suitable for spelunking and underwater exploration – flippers for navigation, life vests for buoyancy, and likely other unseen equipment such as masks and breathing apparatuses. Some are swiming with bare feet. The people move synchronously, following a lead source of light which is likely guiding them through the challenging underwater terrain. The cave's rocky walls are intermittently visible, adding to the claustrophobic feeling of the scene. The sediment and geological formations suggest that this could be a limestone or similar mineral-rich environment, which is common in cave systems that have underwater passages. The style of the clip has an adventurous and explorative tone, with elements that may appeal to those interested in extreme sports or nature documentaries. It provides an intimate look at cave diving, a niche but thrilling subcategory of diving that requires specialized training and equipment. The fact that there is a voice-over indicating the distance swum suggests this clip could be part of a documentary or an educational program detailing the procedures and experiences associated with cave diving.", "In the video clip, we observe a group of people equipped with life jackets and flippers, swimming in a single-file formation through a dark, submerged cave. The scene is illuminated by a bright light source, possibly from a diver's headlamp, which cuts through the murky darkness and casts an eerie glow on the water's surface. The cave walls are rugged and uneven, with stalactites visible at the edges of the frame, enhancing the sense of an untouched natural environment. The water appears calm but with a greenish hue, likely due to the artificial light reflecting off its surface or the natural mineral content of the cave. The participants' orange life jackets stand out against the dark water and rock formations, providing a stark contrast and aiding in visibility. Their synchronized movements create a rhythm as they propel themselves forward using their legs. Their actions seem coordinated and cautious, indicating that they might be following a guide or adhering to safety instructions. Occasional air bubbles rise to the surface, disturbed by the swimmers' motions. There's a sense of adventure and exploration as they navigate through this secluded aquatic passageway. The voice-over indicates that they need to swim about 100 meters inside this pitch-black cave, adding to the narrative of challenge and endurance in an unknown environment. The overall atmosphere is one of mystery and anticipation, as viewers might wonder what lies ahead in the depths of the cave." ]	이렇게 캄캄한 동굴 안에 100미터 정도 헤엄쳐 가야한다.
0RpRmdDAjuk	0RpRmdDAjuk-Scene-025	Shrimp Alfredo With Stuffed Salmon \| Quick & Easy Family DInner	[ "Preparing Shrimp Pasta with Alfredo Sauce", "Preparing Shrimp and Pasta with Alfredo Sauce" ]	[ "The shot type is a series of close-up shots.", "The shot is a medium close-up, focusing on the food preparation process and highlighting the ingredients and the cooking action." ]	[ "The camera is static with no noticeable movement.", "The camera exhibits slight movement, predominantly handheld, with some panning to follow the action of mixing ingredients in the pot." ]	[ "The video clip features a close-up shot of a cooking process, specifically the making of a shrimp pasta dish. The first frame shows an oven door being closed to cook a baking dish, bubbling and turning golden brown. The oven interior is visible, with the oven racks and the baking dish's surroundings hinting at a home kitchen environment. In the following frames, we see a large pot on a kitchen countertop, containing cooked bowtie pasta and shrimp. The shrimp looks seasoned and cooked, with speckles of what could be the Old Bay seasoning mentioned in the voice-over. A wooden spoon is used to stir and mix the ingredients in the pot. The environment suggests an intimate home cooking scene, with domestic kitchen appliances and tools in view, like pot handles and a stove in the background. The lighting is warm and homely, creating a welcoming atmosphere. The color palette is dominated by the neutrals of the kitchenware, with pops of color from the food—white pasta, pinkish shrimp, and hints of seasoning spices. In the last frames, a jar of Classico Roasted Red Peppers Alfredo sauce is introduced into the scene by the character. This character is likely the cook, narrating their actions through the voice-over as they prepare to add this sauce to the mix in the pot. The jar's label is prominently displayed as it is moved towards the pot, indicating a potential ingredient showcase. There are no other characters or movement in the background; the focus is entirely on the food preparation process.", "The clip begins with a view of a white oven door slightly close, showing a glimpse of a dish cooking in a black baking pan inside the oven, visible through the oven's internal light. The camera then transitions to a stovetop where a large, dark pot sits. Inside the pot, cooked bowtie pasta is being stirred with a wooden spoon by an unseen person. As the camera focuses on the pot, small cooked shrimps seasoned with Old Bay are mixed into the pasta, creating a seafood pasta dish. The cook's hand and wooden spoon are visible as they combine the ingredients. The kitchen environment has domestic appliances and ingredients such as a red-handled spatula on an adjacent stove burner and containers on the counter that suggest home cooking. The lighting in the kitchen is warm, creating a cozy atmosphere. In the background, soft details hint at a typical home kitchen setting. The colors are rich yet natural, with the off-white of the pasta contrasting against the pinkish hue of the shrimp and various kitchen items subtly present in shades of red and white. The scene's style is casual and indicative of an instructional cooking video or a casual at-home meal preparation scenario. As the voice-over mentions mixing in Alfredo sauce, a jar of Classico Roasted Red Pepper Alfredo sauce is picked up from beside the stove, indicating that it will be added to the dish next. The sauce's label is prominently displayed to the camera before being moved out of frame in preparation for adding to the pasta and shrimp mix." ]	I got my shrimp in here. I also threw in some Old Bay seasoning. I forgot to show you guys, so it smells so delicious. I'm going to go ahead and mix in my Alfredo sauce if you hear right here.
1NIUNmXxpVI	1NIUNmXxpVI-Scene-008	Justice League / Mighty Morphin Power Rangers #1 from Caped-Joel	[ "DC Universe Meets Power Rangers Crossover", "Dynamic Superhero Crossover Comic Book Reveal" ]	[ "A close-up comic book page turning sequence.", "The shot is a close-up on comic book pages." ]	[ "The camera zooms and pans slightly on the images.", "The camera pans and zooms on still comic images." ]	[ "The clip showcases a series of comic book pages from what appears to be a crossover series between DC Universe characters and the Mighty Morphin Power Rangers. Each frame focuses on a different part of the comic book page, gradually revealing more details as the voice-over speaks about the fusion of two worlds. The pages are rich in color, predominantly featuring reds, blues, oranges, and hints of white that suggest dynamic action and energy. The illustrations are detailed and vibrant, with bold lines and an emphasis on movement, likely capturing an intense battle or confrontation scene. As the camera moves through the successive frames, we see a character in a red suit with yellow lightning bolts, reminiscent of The Flash, showcasing rapid motion indicative of high speed. There's also another character in blue armor, likely a Power Ranger, wielding what appears to be a weapon or tool. The environment around them seems tumultuous with splashes of paint-like textures, possibly representing debris or environmental chaos during an action sequence. The comic book title and price are visible in the final frames, solidifying that this is promotional material for a series blending the superhero teams from different franchises. The artistic style stays true to traditional comic aesthetics with dramatic expressions and poses.", "The frames showcase a series of still images from a comic book where two characters, one in red and one in blue, are featured. The character in red appears to be in a dynamic pose, giving the impression of fast movement or action. This character has a muscular build and is wearing a suit that covers the entire body, with lightning bolt designs, which might indicate speed or power related to electricity. The suit's colors are vibrant red and yellow with some shaded areas indicating muscle contours and light reflection, suggesting a glossy material. There's also a glimpse of another character wearing a blue and silver suit with a distinct helmet, hinting at protective gear possibly for combat or defense. The suit has intricate details such as a belt with a circular emblem that could signify an insignia or technological device. The blue character holds an axe with his left hand. The environment in which the characters are placed isn't vividly detailed but seems to contain bursts of energy or lightning, complementing the presumed powers of the character in red. There's also some text visible, indicating narrative elements typical of comic books, providing context or dialogue for the scene. The art style is modern with detailed linework and digital coloring that gives depth and texture to the characters' suits. The light source appears inconsistent, highlighting different aspects of each character to enhance their features and suggest movement or drama. In the background, there's minimal detail beyond the energy bursts and faint outlines of what could be clouds or smoke, keeping the focus on the characters. As the camera moves across these frames, it gradually reveals more details of the suits and poses of the characters, building anticipation for their actions or interactions. The final frame reveals the comic book titles involved in this crossover event, blending elements from both universes into one narrative." ]	my hat off in this situation really goes out of their way to fuse the world of the DC universe that we know and love. Not just any DC universe either, the universe that we're reading right now in real life.
1yFQd4MaKK0	1yFQd4MaKK0-Scene-036	IT WORKS!!! - Six 8K Workstations, 1 CPU Finale	[ "Expert Technician Upgrades Computer Hardware", "Tech Expert Upgrading High-Performance Computer Hardware" ]	[ "Medium close-up shot focusing on the subject's actions.", "The shot is a medium close-up, focusing on the subject's upper body and the computer hardware being handled." ]	[ "Static camera with slight movements to follow the subject's action.", "The camera exhibits a steady handheld movement, following the subject's motions as they work on the computer components." ]	[ "The sequence takes place in a dimly lit tech workshop environment, punctuated by hanging overhead lights that create a focused and serious atmosphere. The protagonist is engaged in the meticulous process of upgrading computer hardware. He wears a casual black jacket with a gray pattern at the front, indicative of a relaxed yet professional demeanor fitting for the tech-savvy setting. Throughout the scene, they handle various components with confidence and precision. Initially, we see the protagonist manipulating a green-colored circuit board with silver metallic parts—an expansion card that will enhance the machine's capabilities. They exhibit familiarity and expertise as they assess and prepare the hardware for installation. The workstation is cluttered with tech paraphernalia, emphasizing a workspace that is both chaotic and knowledgeable. Other computer cases, loose cables, and tools indicate an environment of frequent activity and engineering ingenuity. As they progress, a second individual appears in the background, suggesting a collaborative or team-based atmosphere in this tech hub. The protagonist then focuses on an off-white colored fan in his right hand. Their methodical actions underscore their technical proficiency. The protagonist works within the open chassis of a desktop computer—its side panel removed to reveal a neatly arranged interior featuring black cables, shiny metallic hardware components, and green circuit boards. The protagonist's hands are in constant motion, delicately placing hardware into its precise location within the tower's confines. They handle each piece with care to avoid any electrostatic discharge that could damage sensitive electronics. Colors in the scene are muted; shades of black and gray dominate, punctuated by green PCBs (printed circuit boards), which highlight the technology theme. Overall, the style is utilitarian and functional, with little attention paid to aesthetics beyond what serves the task at hand. The light is cool-toned, casting sharp shadows and emphasizing the intricate details of the computer components being handled.", "The setting is an indoor tech workspace with overhead lights casting a soft glow over the area. The male subject, dressed in a dark hoodie, is working intently on assembling or upgrading a computer. They are positioned in front of an open tower case that stands on a desk, which appears to be part of a larger technical workstation equipped with various tools and devices. In the background, shelves with boxes and tech equipment can be seen, indicating an environment dedicated to technical projects or hardware development. The tower case has multiple drive bays and fans visible, and the subject interacts with various internal components. The color palette of the scene is muted, dominated by greys and blues, with hints of color from the equipment on the shelves. Objects such as screws and cables are scattered across the workspace, showcasing an active assembly process. Throughout the clip, the subject's hands are seen holding and installing components like circuit boards into the tower case. They carefully align a green-colored daughter board card into its slot inside the case. Subsequently, they handle a white-colored piece of hardware, which is possibly a cpu fan. As they work, their movements are precise and deliberate, showing expertise and focus on the task at hand. The lighting remains consistent throughout, providing sufficient illumination for the detailed work without casting harsh shadows or glare on the delicate electronics. There is no other character interaction in this scene; it's just one person meticulously working on high-tech computer hardware." ]	Should be plenty one other small upgrade. I'm making here is both the one-stop systems daughter board card and Our 100 gigabit Nick are really designed to have
45zFcPpV9w4	45zFcPpV9w4-Scene-011	HARD KNOCKS-COOPER CITY	[ "Intense Football Practice Session with Coaching", "Intense Football Team Practice Session" ]	[ "The clip consists of medium and long shots.", "The video consists of a sequence of medium and wide shots, showing a group of people on a sports field." ]	[ "Camera movements include pans, stationary, and handheld shaking.", "The camera is mostly stationary with slight movement, possibly handheld, following the action as it unfolds on the field." ]	[ "The video opens with a medium shot of a football practice in a grassy field with several players dressed in helmets and various athletic attire, mostly red and white colors with black dominating the uniforms of others. In the background, there are dense trees and a chain-link fence, indicating an enclosed sports field. The practice involves vigorous physical activity, including running drills where players in red shorts and white shirts charge towards those in black uniforms. Coaches, distinguishable by their casual clothing and clipboards, oversee the exercises. In one scene, players are huddled together in a circle, receiving instructions or motivation, as one assumes from their focused expressions and close proximity to one another. The action is dynamic, with swift cuts between drills: line-ups of players charging on the coach's whistle, exercises to enhance agility and strength such as pushing against resistance, and collaborative team activities that require coordination and communication. The light appears natural and overcast, suggesting an early morning or late afternoon practice session. The grass is vivid green, trampled in areas by repetitive drills. The camera work is somewhat shaky, implying a handheld recording device possibly used to create a sense of involvement in the action. At certain moments, there's emphasis on specific groups of players or activities, such as a close-up on the ball being snapped during a simulated play. Ambient sounds include whistles, player shouts, and the coach's voice-over repeatedly calling out for 'Sophomore' and 'Hanif,' indicating a search for specific individuals amongst the group. Players wear varying combinations of practice gear - some with full padding and others in shorts and t-shirts - which implies a less formal or scrimmage-type setting rather than an official game.", "The clip opens on a grassy field where a game or sports practice is taking place. A group of individuals, likely a football team due to their attire—helmets, shoulder pads, and practice jerseys—are seen engaged in an outdoor training session. The players are wearing either red or black jerseys, which could indicate separate teams or offensive/defensive squads during the practice. The environment is overcast, with no strong shadows suggesting it's either an early morning or late afternoon session. Some players have shorts in various colors—blue, black, or white—while others wear athletic pants. Their helmets are predominantly black, and some wear white socks or athletic shoes. The coaches or trainers, distinguished by their lack of sports gear and casual clothing such as shorts and t-shirts, stand around the players. In one of the scenes, they are gathered around the players who are in a huddle, likely discussing strategies or providing instructions. The grass is uneven with some patches appearing more worn than others, suggesting frequent use for training sessions. There's a backdrop of trees surrounding the field, giving a secluded feel to the practice area. The lighting is natural and diffused due to the overcast sky, which evenly illuminates the scene without harsh highlights or deep shadows. As the video progresses, there's a drill where two lines of players face each other as if preparing for a scrimmage. An individual in the foreground appears to fumble with a football, indicating that the drill may involve ball handling or turnover prevention. Coaches are intermittently shouting instructions or names—presumably trying to get the attention of specific players to correct form or provide individual coaching. There's a sense of intensity and focus among the players as they engage in their drills, indicative of a serious sports practice session. The colors in the scene are muted with greens from the grass and trees, reds and blacks from the team attire, and whites from some clothing items and helmets." ]	Hey, sophomore, sit down there! Sophomore! Sophomore! Sophomore! Sophomore! Hanif! Hanif! Son of a... Hanif!
1S3_lDwYadg	1S3_lDwYadg-Scene-004	CGR Undertow - STAR WARS: KNIGHTS OF THE OLD REPUBLIC review for PC	[ "Tense Corridor Combat in Sci-Fi Game", "Engaging Enemies in Sci-Fi Corridor Combat" ]	[ "The video features a combination of medium shots and close-ups, with a third-person perspective view of the action.", "A mix of medium shots and close-ups in a third-person perspective, following a central character's movement through a corridor." ]	[ "Camera movements include tracking character movement, panning during action, and fixed angles during dialogue and combat.", "Camera switches between static and tracking shots, occasionally cutting to different angles to emphasize actions and dialogue." ]	[ "The clip appears to be from a Star Wars-themed video game. We see characters dressed in distinctive sci-fi uniforms indicative of the Star Wars universe; one in orange and white space gear armed with a blaster rifle, others in darker outfits suggesting they may be enemy troops. The environment is a spaceship corridor with a sleek, futuristic design including round doorways and lights along the corridor walls, emitting a sterile white glow. The floor has red and white patterns. The scene unfolds with a character cautiously moving through the corridor before encountering enemies. Gunfire is exchanged between the orange character and the enemy troops who are wearing black and gold metallic armor, possibly indicating they are Sith or affiliated with them. The protagonist takes cover behind corridor walls while examining the situation of the fight. The combat includes moments where gameplay mechanics are demonstrated; for instance, when an enemy is targeted, the game pauses to show options available to the player. Text boxes pop up explaining gameplay elements like targeting enemies and pausing during encounters. These suggest it's an RPG game with turn-based combat elements. The lighting within the ship is consistent; bright in some areas while casting shadows in others, enhancing the depth of the corridor. During the engagement, various blaster effects can be seen as bolts fly across the hallway, impacting walls and characters with small explosions upon contact.", "The clip is from a third-person perspective video game with a science fiction setting, likely from the Star Wars franchise, judging by the mention of Sith and Republic. The environment is a spaceship or space station with a sterile, futuristic design; the corridors have clean lines, red accents, and bright lights. The main character is wearing an orange suit with white and gray details, indicative of some form of pilot or engineer attire. The character progresses down the corridor, encountering various enemies. These foes are humanoid robots with metallic sheen and soldiers clad in dark armor, characteristic of typical Star Wars enemy archetypes. As the protagonist moves forward, they engage in combat with these adversaries using what appears to be a blaster rifle emitting red bolts of energy. There is also an appearance of a small hovering ui window for warning the player. Lighting in the scene is artificial and bright, highlighting the metallic surfaces of the corridor and creating a stark contrast with the darker tones of the enemies' attire. The color palette consists mainly of whites, reds, grays, and the metallic colors of robots, contributing to a classic sci-fi atmosphere. Text overlays indicating gameplay mechanics such as enemy targeting pop up on screen, suggesting this clip is from an interactive segment where player input affects the outcome. A voice-over suggests the player has discovered a game they consider being one of the best Star Wars games." ]	I think I've found it, the best Star Wars game. Sure, sure, you've got your Battlefront and your Republic Commando, both great games, and I am not, by any means,
-k8WPQLP0LY	-k8WPQLP0LY-Scene-036	MONSTER JAM WORLD FINALS RACING (3.27.15 - Day 1092) \| Clintus.tv	[ "Monster Truck Stunt Jump at Arena Event", "Monster Truck Show Jumping Stunt Goes Wrong" ]	[ "This is a wide shot showcasing an expansive area of a stadium event, capturing multiple subjects and a large portion of the setting.", "A static wide shot capturing a large arena." ]	[ "The camera is stationary at the beginning and then pans to the right, following the action happening in the arena.", "The camera remains stationary throughout the sequence of events." ]	[ "The scene takes place in a large dirt arena during what appears to be a monster truck event, identifiable by the oversized vehicles and crushed cars set up as obstacles. The wide shot provides a comprehensive view of the venue, including the brightly colored purple and yellow ramps and the surrounding advertisements on banners that line the perimeter. In the center, there are two bright green cars placed as part of an obstacle course. One of the monster trucks, with a distinctive black and silver design and large tires, is performing a stunt. It accelerates towards a ramp and launches into the air, flying over one of the green cars before landing back on the dirt ground with significant impact. The truck seems to exhibit great power and suspension as it maneuvers through the stunt. The crowd is visible in the background, indicating a well-attended event. The lighting in the stadium is bright enough to illuminate the entire scene clearly, making it easy to see all details of the trucks and the setting. The style of this event suggests a combination of spectacle and competition, likely designed to entertain an audience with displays of vehicular strength and agility. The consistent branding around the arena reflects that this is a commercial event with multiple sponsors, emphasizing its entertainment value.", "The scene unfolds in an expansive dirt arena surrounded by vibrant banners and a cheering crowd visible in the stands. The banners display various advertisements and logos, including 'Monster Jam', indicating the event's nature as a monster truck show. Two distinctive yellow cars are stationed at the center of the arena, serving as obstacles. Initially, a black monster truck with red underglow lighting is seen at a distance from the cars, approaching rapidly. It has large wheels, a high chassis, and an aggressive design, typical of monster trucks designed for shows involving car crushing, jumping, and other spectacular stunts. As it speeds towards the yellow cars, another monster truck with a white and blue body enters from the right. This second truck features a pattern resembling electric bolts, suggesting a theme of power or energy. The first black truck performs a jump, skillfully landing with minor skidding due to momentum. Following its successful leap, the black truck continues driving off-screen to the left. The electric-themed monster truck then attempts its jump. It lands awkwardly and begins to tilt dangerously to one side. The crowd's anticipation turns to concern as the monster truck balances precariously on two wheels. The crowd's reaction is audible but not individually distinguishable due to the wide shot used. The lighting in the arena is bright and artificial, highlighting the central area where the trucks perform and contributing to the overall spectacle of the event." ]	Oh
3F_IYbPK7hk	3F_IYbPK7hk-Scene-083	THEY ARE TWINS!	[ "Toddler's Adventurous Journey Through Home", "Toddler's Adventurous Exploration Through Home" ]	[ "The clip employs a Point-of-View (POV) shot type, often resembling an over-the-shoulder shot but closely following behind a toddler.", "The clip consists of a series of point-of-view (POV) shots." ]	[ "The camera exhibits a smooth, following motion, tracking the subject from behind as they navigate through various rooms.", "The camera moves in a handheld, following motion, tracking the subject's movement." ]	[ "The video opens with a close perspective following a toddler in a diaper, who is energetically moving along a carpeted hallway of a residential home. The walls are painted yellow, and the lighting is warm, suggesting an indoor evening setting. The child first approaches a white vent on the wall and then turns away, venturing towards an open space guarded by a black safety gate, with toys and a plastic bag visible on the floor. The toddler's movement is lively and confident, displaying early walking skills. As the child proceeds down the hallway, pastel-colored walls adorned with framed picture that creates a cozy atmosphere. The child bypasses objects like a book titled 'Pat A Cake' and continues unobstructed. Various household items are scattered throughout the environment, indicating an active family space. The child rounds the corner into another room where an adult is seated on the floor wearing grey loungewear; their presence is calm and welcoming. This room appears to be a nursery or play area with toys and child-friendly decor scattered about. White doors, beige carpets, and white furniture add to the homey ambiance. There is also a noticeable amount of laundry and baby-related items such as diapers in this space, suggesting everyday domestic life. The clip concludes with the child approaching the seated adult before it cuts off.", "The scene unfolds in a domestic setting with yellow walls and a carpeted floor. The focus is on a small child, toddling energetically through various rooms of the house, with the camera following closely behind. The child is wearing light-colored bottoms, and their upper body is bare. As the child moves around, we see different parts of the house, including a hallway with a louvered door and baseboard heating, a safety gate, and a room with toys scattered on the floor. The house appears lived-in with items such as a bag of diapers and a stuffed animal visible. The lighting throughout the house is warm, giving the scene a cozy and intimate feel. As the child navigates the space, the child tries to follow the dad at the front, passing by various objects, such as a picture book lying on the floor. The baby's movements is slightly unsteady yet determined, characteristic of early walking stages. There's an air of excitement and discovery in their journey. The textures in the environment vary from the soft carpet to what looks like a plush ottoman in one of the rooms. The child eventually reaches an adult sitting on the floor of what seems to be a nursery or playroom. Throughout this journey, there is no dialogue, only ambient sounds and background noises typical of an indoor setting." ]	Thanks for watching!

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🎬 Vript: Refine Video Captioning into Video Scripting [Github Repo]

Vript-CAP

A benchmark with detailed captions rather than short captions.

Getting Started

By downloading these datasets, you agree to the terms of the License.

Vript-CAP/
|
├── CAP_scenes/
│   ├── -_MRAAhEKio-Scene-010.mp4
│   └── ...
│  
└── CAP_annotations.jsonl

CAP_scenes: The trimmed video clips in the Vript-CAP benchmark.
CAP_annotations.jsonl: The file contains all the annotations in the Vript-CAP benchmark.

License

By downloading or using the data or model, you understand, acknowledge, and agree to all the terms in the following agreement.

ACADEMIC USE ONLY

Any content from Vript/Vript-Bench dataset and Vriptor model is available for academic research purposes only. You agree not to reproduce, duplicate, copy, trade, or exploit for any commercial purposes

NO DISTRIBUTION

Respect the privacy of personal information of the original source. Without the permission of the copyright owner, you are not allowed to perform any form of broadcasting, modification or any other similar behavior to the data set content.

RESTRICTION AND LIMITATION OF LIABILITY

In no event shall we be liable for any other damages whatsoever arising out of the use of, or inability to use this dataset and its associated software, even if we have been advised of the possibility of such damages.

DISCLAIMER

You are solely responsible for legal liability arising from your improper use of the dataset content. We reserve the right to terminate your access to the dataset at any time. You should delete the Vript/Vript-Bench dataset or Vriptor model if required.

This license is modified from the HD-VG-100M license.

Contact

Dongjie Yang: djyang.tony@sjtu.edu.cn

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122

Collection including Mutonix/Vript-CAP

Vript Datasets

Collection

A large-scale video-text dataset of high-resolution videos annotated with dense and detailed captions. • 4 items • Updated 1 day ago