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gangs , despite the gravity of its subject matter , is often as fun to watch as a good spaghetti western .
1
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in other words , it's just another sports drama/character study . yet this one makes up for in heart what it lacks in outright newness . plus , like i already mentioned . . . it's robert duvall ! c'mon !
2
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woo has as much right to make a huge action sequence as any director , but how long will filmmakers copy the " saving private ryan " battle scenes before realizing steven spielberg got it right the first time ?
3
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the script isn't very good ; not even someone as gifted as hoffman ( the actor ) can make it work .
4
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in scope , ambition and accomplishment , children of the century . . . takes kurys' career to a whole new level .
5
0
. . . too slow , too boring , and occasionally annoying .
6
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beautifully acted , smart and funny . it steers clear of being a maudlin soap opera normally found on lifetime .
7
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in comparison to his earlier films it seems a disappointingly thin slice of lower-class london life ; despite the title . . . amounts to surprisingly little .
8
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a bit of whimsically warped history elevated by the central performance of ian holm .
9
0
it is so refreshing to see robin williams turn 180 degrees from the string of insultingly innocuous and sappy fiascoes he's been making for the last several years .
10
0
a terrific insider look at the star-making machinery of tinseltown .
11
0
it's a celebration of self-confidence and a slap in the face of a society that cherises impossibly unnatural physical perfection .
12
0
the sweetest thing , a romantic comedy with outrageous tendencies , may be a mess in a lot of ways . but it does have one saving grace . a lot of its gags and observations reflect a woman's point-of-view .
13
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instead of a hyperbolic beat-charged urban western , it's an unpretentious , sociologically pointed slice of life .
14
0
an absurdist comedy about alienation , separation and loss .
15
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a stunning and overwhelmingly cogent case for kissinger as a calculating war criminal .
16
0
the only camouflage carvey should now be considering is a paper bag to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers .
17
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a film that begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i saw the film .
18
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malone does have a gift for generating nightmarish images that will be hard to burn out of your brain . but the movie's narrative hook is way too muddled to be an effectively chilling guilty pleasure .
19
0
one regards reign of fire with awe . what a vast enterprise has been marshaled in the service of such a minute idea .
20
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a profoundly moving document . . . the filmmakers' refusal to downplay the situation's intractability makes the glimmer of hope the film offers that much more powerful .
21
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the pace and the visuals are so hyped up that a curious sense of menace informs everything .
22
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a sparkling cosmopolitan comedy that plays fast and loose with sacred cows of family values .
23
0
there are a few laughs and clever sight gags scattered about , but not enough to make this anything more than another big-budget bust .
24
0
an energetic and engaging film that never pretends to be something it isn't .
25
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[city] reminds us how realistically nuanced a robert de niro performance can be when he is not more lucratively engaged in the shameless self-caricature of 'analyze this' ( 1999 ) and 'analyze that , ' promised ( or threatened ) for later this year .
26
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not quite as miraculous as its dreamworks makers would have you believe , but it more than adequately fills the eyes and stirs the emotions .
27
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if the film fails to fulfill its own ambitious goals , it nonetheless sustains interest during the long build-up of expository material .
28
0
if high crimes were any more generic it would have a universal product code instead of a title .
29
0
it is a testament of quiet endurance , of common concern , of reconciled survival .
30
0
it's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan . make chan's action sequences boring .
31
0
it's a feel-good movie about which you can actually feel good .
32
0
a tender and touching drama , based on the true story of a troubled african-american's quest to come to terms with his origins , reveals the yearning we all have in our hearts for acceptance within the family circle .
33
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i admired it , particularly that unexpected downer of an ending .
34
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definitely not the knee-slapper that i was told it would be , but enough hahas for me to grade as passable .
35
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oliveira seems to pursue silent film representation with every mournful composition .
36
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for the most part , director anne-sophie birot's first feature is a sensitive , extraordinarily well-acted drama .
37
0
the longer the movie goes , the worse it gets , but it's actually pretty good in the first few minutes .
38
0
it's fun , wispy , wise and surprisingly inoffensive for a film about a teen in love with his stepmom .
39
0
. . . a vast adventure that bristles with romance , action and heroism .
40
0
it was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo .
41
0
one of the year's most weirdly engaging and unpredictable character pieces .
42
0
it's not a bad plot ; but , unfortunately , the movie is nowhere near as refined as all the classic dramas it borrows from .
43
0
the trials of henry kissinger is a remarkable piece of filmmaking because you get it .
44
0
an afterschool special without the courage of its convictions .
45
0
a merciless thriller , threateningly beautiful to look at and eerie to behold .
46
0
certain to be distasteful to children and adults alike , eight crazy nights is a total misfire .
47
0
this gorgeous epic is guaranteed to lift the spirits of the whole family .
48
0
presents a most persuasive vision of hell on earth .
49
0
no worse than a lot of the crap we've been offered this summer , and slightly better than men in black 2 as far as slapdash extraterrestrial comedies go .
50
0
elmo touts his drug as being 51 times stronger than coke . if you're looking for a tale of brits behaving badly , watch snatch again . it's 51 times better than this .
51
0
hoffman's performance is authentic to the core of his being .
52
0
i wish windtalkers had had more faith in the dramatic potential of this true story . this would have been better than the fiction it has concocted , and there still could have been room for the war scenes .
53
0
a quirky comedy set in newfoundland that cleverly captures the dry wit that's so prevalent on the rock .
54
0
exploits [headbanger] stereotypes in good fun , while adding a bit of heart and unsettling subject matter .
55
0
a dizzying digital video oddyssey through the snowy woods of upstate new york .
56
0
more than the last time around , it has elements that might help divert those bigger people who find themselves unavoidably in attendance .
57
0
the film's thoroughly recycled plot and tiresome jokes . . . drag the movie down .
58
0
a biopic about crane's life in the classic tradition but evolves into what has become of us all in the era of video .
59
0
like a comedian who starts off promisingly but then proceeds to flop , comedian runs out of steam after a half hour .
60
0
" the best disney movie since the lion king "
61
0
the storytelling may be ordinary , but the cast is one of those all-star reunions that fans of gosford park have come to assume is just another day of brit cinema .
62
0
uses sharp humor and insight into human nature to examine class conflict , adolescent yearning , the roots of friendship and sexual identity .
63
0
a mess when it comes to the characters and writing . . . but works its way underneath the skin like few movies have in recent memory .
64
0
i was perplexed to watch it unfold with an astonishing lack of passion or uniqueness .
65
0
although mainstream american movies tend to exploit the familiar , every once in a while a film arrives from the margin that gives viewers a chance to learn , to grow , to travel .
66
0
the quirky and recessive charms of co-stars martin donovan and mary-louise parker help overcome the problematic script .
67
0
the lively appeal of the last kiss lies in the ease with which it integrates thoughtfulness and pasta-fagioli comedy .
68
0
jason x has cheesy effects and a hoary plot , but its macabre , self-deprecating sense of humor makes up for a lot .
69
0
mature , graceful documentary on conservative christian parents with homosexual children .
70
0
while some will object to the idea of a vietnam picture with such a rah-rah , patriotic tone , soldiers ultimately achieves its main strategic objective : dramatizing the human cost of the conflict that came to define a generation .
71
0
i can't remember the last time i saw a movie where i wanted so badly for the protagonist to fail .
72
0
the script feels as if it started to explore the obvious voyeuristic potential of 'hypertime' but then backed off when the producers saw the grosses for spy kids .
73
0
the journey to the secret's eventual discovery is a separate adventure , and thrill enough .
74
0
the script covers huge , heavy topics in a bland , surfacey way that doesn't offer any insight into why , for instance , good things happen to bad people .
75
0
mcgrath has deftly trimmed dickens' wonderfully sprawling soap opera , the better to focus on the hero's odyssey from cowering poverty to courage and happiness .
76
0
it would be a mistake to write this movie off as yet another star is born-type biopic about the rise and fall of a latter&#8209 ; day celebrity . schrader is after something deeper here and even when he misses the mark , the film remains involving .
77
0
one of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time .
78
0
jones has crafted a natty narrative that , enhanced by erin nordstrom's editing , is filled with payoffs .
79
0
it's all gratuitous before long , as if schwentke were fulfilling a gross-out quota for an anticipated audience demographic instead of shaping the material to fit the story .
80
0
there's not a comedic moment in this romantic comedy .
81
0
smith's approach is never to tease , except gently and in that way that makes us consider our own eccentricities and how they are expressed through our homes .
82
0
the animation merely serves up a predictable , maudlin story that swipes heavily from bambi and the lion king , yet lacks the emotional resonance of either of those movies .
83
0
beresford nicely mixes in as much humor as pathos to take us on his sentimental journey of the heart . it really is a shame that more won't get an opportunity to embrace small , sweet 'evelyn . '
84
0
a deliberative account of a lifestyle characterized by its surface-obsession Ц one that typifies the delirium of post , pre , and extant stardom .
85
0
tsai may be ploughing the same furrow once too often .
86
0
russian ark moves beyond a simple technical exercise and into the realm of greatness . it's a masterpiece on every level .
87
0
a coming-of-age film that avoids the cartoonish clichйs and sneering humor of the genre as it provides a fresh view of an old type -- the uncertain girl on the brink of womanhood .
88
0
this humbling little film , fueled by the light comedic work of zhao benshan and the delicate ways of dong jie , is just the sort for those moviegoers who complain that 'they don't make movies like they used to anymore . '
89
0
a documentary to make the stones weep -- as shameful as it is scary .
90
0
savvy director robert j . siegel and his co-writers keep the story subtle and us in suspense .
91
0
although olivier assayas' elegantly appointed period drama seems , at times , padded with incident in the way of a too-conscientious adaptation . . . its three-hour running time plays closer to two .
92
0
whenever you think you've figured out late marriage , it throws you for a loop .
93
0
. . . perhaps the heaviest , most joyless movie ever made about giant dragons taking over the world .
94
0
without blowing the jokes we can say that , if you have found that your sense of humor fit well with christopher guest's screen outings , you'll find yourself in the flow with shearer as well .
95
0
if oscar had a category called best bad film you thought was going to be really awful but wasn't , guys would probably be duking it out with the queen of the damned for the honor .
96
0
. . . feels as if ( there's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something .
97
0
has an impact that transcends politics and some dramatic overreaching by writer-director randall wallace .
98
0
we just don't really care too much about this love story . in that setting , their struggle is simply too ludicrous and borderline insulting .
99
0
it is just too bad the film's story does not live up to its style .

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