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classify the instruction below as having a negative or positive sentiment. Your response should be either positive or negative.
### Instruction:
I can't remember many details about the show, but i remember how passionate i was about it and how i was determined not to miss any episodes. Unfortunately at the time we had no VCR, so i haven't ever seen the series again. However i can remember strongly how i felt while watching it and how thrilled i was every time it came on. Sam Waterstone was my favorite actor these days (i think i was almost in love) and he remains one of my favorite actors to the day, mostly due to his appearance in the series. I would gladly buy/steal/download this series, i think i would go to great lengths in order to see it again and revisit a childhood long gone... Any ideas? Does anybody knows of a site devoted to the series or has the episodes on tape from their first airing?
### Response: | positive |
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### Instruction:
Of course, "Flatley" is already not exactly the ideal name for a dancer, but I think Michael is really pushing the irony envelope with this new title: "Feet of Flames" <br /><br />One really can't resist recommending Desenex Foot Spray to the retiring (and clearly, ailing) Flatley.<br /><br />I might add that, much like that cheering London crowd (per review below), I too am enthusiastic about this being his last live performance.<br /><br />"Hinting that it may be his last live performance, Flatley is cheered on by an enthusiastic London crowd." ~ Perry Seibert, All Movie Guide
### Response: | negative |
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### Instruction:
When its DVD was released i came to market and bought it. And i think my money was on right way as i expected before buying it. Awesome movie what else i can say for Will Smith, He's been an awesome actor like always whether in actions movies or serious. Always he gives a record braking performance. I think this is the movie after August Rush which makes a person cry while watching it. The way the director described the story was really awesome. His previous life and his new life in movie was correctly elaborated to the audience. Even i could not find any fault in the story or the way they shoot it. I think its DVD should be a household because this will be really a nice thing for your collection. It is not the movie which needs pop-corns for enjoyment, this is the movie which let the audience learn a lesson. now what is the lesson you can see that while watching. And i advise those people who are movie critics please watch this if you could find any criticism about this movie then please talk to me.
### Response: | positive |
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### Instruction:
Cashing in on the "demons-meets-clergy" trend of the late '60s/early '70s that most prominently included the triptych of "Rosemary's Baby," "The Exorcist," and "The Omen," "The Sentinel" is an addition that's just as good (albeit the most overlooked of the lot). In a way, it combines the best elements of those films and tosses in a dash of Polanski's "The Tenant" (which came out the same year) for good measure. A New York model unable to commit to her lawyer boyfriend takes up residence in a moss-coated townhouse that initially seems like the perfect locale; she meets a wily old coot of a neighbor (the brilliant Burgess Meredith), plus the other off-center tenants. Kept awake by loud noises above her apartment, she soon discovers that a mute priest and herself are the only residents in the otherwise deserted building. From there, director Michael Winner ("Death Wish") kicks this supernatural thriller into gear, and there is a devilish glee to the hallucinogenic tortures he inflicts on his heroine. Aided by a brilliant ensemble cast, a subtle storyline, and excellent makeup FX by Dick Smith ("The Exorcist"), "The Sentinel" is a genuinely creepy horror flick.
### Response: | positive |
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### Instruction:
For those of you unfamiliar with Jimmy Stewart, this is one of his "lesser" films from later in his career. And, while it isn't a great film compared to many of his other pictures, it isn't bad and is a decent time-passer--but not much more.<br /><br />Kim Novak is a witch in New York City and for some inexplicable reason, she decides to cast a spell on poor Jimmy to make him fall in love with her. Over time, the cold and detached Ms. Novak also begins to fall in love with Stewart--and apparently in the witch's rule book, this is a definite NO, NO!! <br /><br />The film is odd in its sensibilities about the witches. They are neither the baby-sacrificing nor the all-powerful variety. Most of their magic is pretty limited and pointless (such as Jack Lemmon using his powers to turn off street lamps). And, very oddly, the witches all seem to be bohemians who hang out in hip bars where you might find people wearing berets and listening to crappy jazz. Considering what I think of jazz, it must really stink to be a witch in this movie's world!<br /><br />Anyway, the film is pretty romantic and mildly comedic, but not something I would rush out to watch. The acting is pretty good, but the script doesn't offer enough payoff to make this an exceptional film--in fact, I almost scored the film a 6--it was really close.
### Response: | positive |
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### Instruction:
We really enjoyed Grey Owl: a simple tale well told in classic Attenborough fashion: a little over-romanticized, with archetypes, humor, and a stress of dignity and values.<br /><br />Beautifully shot and told at a nice pace this is the true story of Archie, an Englishman who turned native Indian, and went to live and trap in Canada.<br /><br />Solid performances from all makes this film with a message easy viewing.<br /><br />Two of the stars of the film are without a doubt the cutest we have ever seen - and the message is a good one with its ecoleanings. It must have been great to meet or read Grey Owl in the 1930s, a unique character and this is a fitting film tribute.
### Response: | positive |
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### Instruction:
Been lurking for a couple of years or so. I have never been moved to post on here before, so perhaps this movie is worth a star for that, but I doubt it. I just watched it on DVD, having missed it in the movies due to illness and never got around to watching it till now. I had not read extensively about it, certainly not even thought about the movie in some months. It was just what the buddy picked up in the store, so it got watched.<br /><br />Bad mistake.<br /><br />The shot I spoke of in the the summary up top is in the trailer and on the poster. Right from the off, Jason Statham has hair. Like in no other GR movie. Or any JS movie that I've seen. At least not in the quantities on display here. And Ray Liotta in underpants SHOULD be advance warned. It's scary and funny but not in a ha-ha-humour way. Its more in an almost-TheOffice-but-slightly-mutated-and-so-failing-sort-of-humour way. They each say the same thing: "This movie is not like anything you expect this movie to be."<br /><br />Now, based on previous, extensive, movie-watching experience, I expected this movie to be a few things. Like:<br /><br />() Coherent,<br /><br />() Interesting or engaging,<br /><br />() Not a complete and utter farrago of navel-gazing,<br /><br />() Something more substantive than a motley bunch of badly-realised fables from what is just a standard eastern mystic ideology dressed up as a "cool, modern, self-aware art-form",<br /><br />() Hopefully better than "The Idiots".<br /><br />As you may have guessed by my tone, it thoroughly failed to check any box above. Instead it was:<br /><br />(x) Badly edited {pace all over the shop, 70s-amateur high-8 style jump cuts, incomprehensible "plot" "twists!!!" delivered through hackneyed flash-back montages, I could go on...},<br /><br />(x) Shot as if by a depressed 14yr-old goth who'd just spent the weekend watching Truffaut and Godard with the drapes drawn<br /><br />(x) So up its own behind with the whole "I'm really smart, me" motif/ message, that it feels determined to repeat it every 20 minutes or so, just to make sure the dumb people (ie: everyone who doesn't like it) in the audience make sure they get the point,<br /><br />(x) A genuine waste of my time.<br /><br />As for the undoubted ability of some people to "get" something from this, fine. I'm glad you enjoyed it. One poster said something that caught my attention: under-25s probably understood it better because of the editing. Maybe, but editing is supposed to make your work more accessible, not less. As for the "Genius is only recognised by the enlightened" brigade out there, go suck an onion and grow up. There is nothing more presumptuous and self-serving than people who say the reason another person doesn't know great art is because they don't understand the 'craft /materials /moon cycle /filaments of supreme rational thought' which the 'auteur /poet/ artist/ palm reader/ idiot savant' is using to explain his or her 'vision /grand scheme /oneness with Gaea /great big bucket of dog-sick'.<br /><br />For me and many, many more people, its garbage. <br /><br />Movies, art, stories, poetry, anything designed to be viewed by another human is supposed to be engaging and moving. In some direction be it metaphorical, spiritual, emotional or whatever you're having yourself.<br /><br />The only way this moved me was forward in time, two hours closer to my own inevitable demise. "The greatest trick He ever pulled was making You believe Any Part of this movie meant Anything at All"<br /><br />And now, please, by all means, toast my buns for me.
### Response: | negative |
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### Instruction:
At first sight, Who's Singing Over There just seems to be an absurd and excellent comedy
with only a kind of unusual, quiet and slow motion : what a mistake ! <br /><br />Beginning with two singers on a desert landscape, then a bus and a wonderful bunch of actors, it hides a gem !<br /><br />The folded story, and a false rhythm induces you to think, yes it is comic, but just lets you guess it will be a gentle kind of movie. <br /><br />Not at all : very funny by instant, dark subtle cynical on others, its development surprises you all along the story
Very ingeniously and cleverly presented, all the characters are important, and the actors give them full life.<br /><br />And what is astonishing, it's based on deep observation, great mastering of the camera work and has a great meanings, and really everything, the general direction and how also the details are presented, that it simply makes you forget it's a movie: it is like to watch a kind human society, you yet don't know,shot by a friend behind a camera.<br /><br />And you're the one behind him. It is simple, and simply exceptional !<br /><br />Don't misunderstand me; in no way that would means the script , the quality of picture, the music score have a kind of amateurish way, no, no ! It's great Art ! <br /><br />Because it flows like a river
From high up in the mountain, down to the sea, with all the different sort of grounds and peregrinations that a real river will face on its journey to the sea
from a tiny thing to a main stream.<br /><br />This metaphoric image I used is the very best way I can find to explain all the charm that has Who's Singing Over There. For me, again, I take the hammer : simply exceptional...<br /><br />I've seen that The Director is the one who made Chat Blanc/Chat Noir, which I know is quiet famous
But as I yet didn't see it, I had no idea about this gentleman.<br /><br />Others reviewers wrote dithyrambical comments on that film, I fully agree !<br /><br />European Eastern Cinema is not well know because seldom translated, but I am lucky to have this exemplar one in original language, with good English subtitles. All in all : deep, delicious and exceptional...<br /><br />For fast and empty exploding types and special effect buffs, avoid it at any cost, it may be too subtle and good for you !<br /><br />But if you're interested in different genres and/or classics, I guess you won't regret this one, and in case of buying, it will have good companionship in your personal DVD library, with such no less than merited big names like Billy Wilder, Lubitsch, or Sacha Guitry among some of my preferred directors . At least for this movie !<br /><br />***A film is never really good unless the camera is an eyes in the head of a poet Orson Welles***
### Response: | positive |
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### Instruction:
To be fair, I expected car chases in this film. There was only really one, but apart from that, 'Freeway' was a great movie which I am glad to own on DVD. The only really big names in the cast are HOMICIDE's Richard Belzer as the radio psychiatrist and B-Movie villain par-excellance Billy Drago as the Revelation-quoting Freeway Killer. But the rest of the cast generally give good performances. I especially liked how Darlanne Fluegel gave her character, Sunny, a bit of guts. She could have been a helpless victim character but she is fully rounded as she seeks out Drago with the help of bounty hunter James Russo.<br /><br />Russo, I'm afraid, comes across as rather wooden, but then again, the character he plays, Frank, isn't very well fleshed out save for a back story Sunny is given by his former commanding officer. The tone of menace is kept up superbly throughout the film and the atmosphere of the lonely LA freeway at night with the killer prowling its' length in his sinister grey sedan is an excellent way of building tension, and the music used to underscore the film is suitably composed. I don't know why there are some people who hate this movie so. Different strokes for different folks, I suppose. But I absolutely enjoyed 'Freeway' and I can strongly recommend it.
### Response: | positive |
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I have only managed to see this classic for the first time a few weeks ago. Being made almost 30 years ago I thought the scary moments would be rather tame. Boy was I wrong. There are some great moments that sent shivers down my spine. Even the acting was great, Jamie Lee Curtis was fantastic and Donald Pleasance was superb.<br /><br />On the downside it can be rather slow to start but once it gets going there is no stopping it. It makes all the copycats, e.g. Nightmare on Elm Street, Scream look very tame. I can't really say it is Carpenter's best because I have not seen many of his, the only one I can remember of his is Starman (I think he made it). Halloween is the crowning achievement of the horror genre.
### Response: | positive |
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### Instruction:
From the very opening scene you will notice just how hard they tried to mimic the very smart and powerful 'Cruel Intentions', and how flat it landed. You'll also notice what a terrible choice they made by casting Robin Dunne as Valmont... Then in the second scene, you meet the two best things in this movie, Amy Adams and Mimi Rogers as Kathryn and her mother. That is, if you can get past the fact that Kathryn wasn't blonde in the first film... Then the movie goes on, you see the cheap romantic story from miles ago, and you notice Sebastian has already met an Anette in the past, here called Danielle, and a Cecile, here called Cherie... How original is that for a prequel. Then it turns into a low budget 'Wild Things' type of film with lots and lots of oh-my "twists". As I mentioned, Robin Dunne was a very bad choice. Not that he is a bad actor, he's good.. He just doesn't have the charisma Ryan did. Amy Adams, who is in my opinion one of the most talented young actresses of our time, once again delivers. But with all the talent in the world, there is no way one could save this trash. As a whole, this "movie" feels like a 'Beverly Hills, 90210' episode. The score has been stolen from 'Cruel Intentions' and 'Jawbreaker'... Yes, they used the score from JAWBREAKER... Couldn't they at least leave that one alone?! You'll want to pass this one. If you want more Cruel Intentions, watch Stephen Frears' Dangerous Liaisons.
### Response: | negative |
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### Instruction:
This is my first comment on IMDb website, and the reason I'm writing it is that we're talking about ONE OF THE BEST FILMS EVER! 'Ne goryuy!' will make you laugh and cry at the same time, you will fall in love (if you're not a fan yet!) with Georgian choir singing tradition, and possibly you will accept the hardships of your own existence and just feel good after watching it:) What I like a lot about this film is that actors in the non-leading roles create vivid and memorable characters and are just as interesting and important as the central character. The film is starring Vahtang Kikabidze (who is great), but you will remember every single face around him in the film. You will find yourself quoting their lines, that have become household names for so many Russian-speaking people. A film to live with. Simple, yet deep, you will want to watch it again and again.
### Response: | positive |
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I was really looking forward too seeing this movie as it has been advertised as a must-see movie for people that love movies about nature. The movie shows different climates and the animals associated with them by starting at the North Pole and going down south as the movie progresses. The footage from this movie is often breathtakingly beautiful and I many times wondered how on Earth they could have taken some of the shots under water or in the sky. However beautiful, a large part of the footage I had already seen in the TV series 'Planet Earth', narrated by David Attenborough. I found Attenborough's narration of Planet Earth to be much better than the narration of Earth. 'Earth' is an easier movie. It skips much of the scientific detail that Attenborough covers in his 'Planet Earth' series. For instance, Earth will tell you that a tropical sea is an ideal nursery for a young humpback whale, because there are few predators. Planet Earth will tell you that a tropical sea is a good nursery, because the water is low in oxygen and doesn't contain enough nutrients to support very large animals, like large sharks, etc. To me, that's an important difference. That, together with Attanborough's far superior voice make Planet Earth a far better documentary than Earth. Still, however, I think Earth is worth watching for the beautiful footage and the fact that it's easier to understand makes it interesting for children too.
### Response: | positive |
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An excellent film depicting the cross currents in the lives of a multi-ethnic mix of not so ordinary people in the rural Pacific Northwest. Solid directing and writing along with fine acting, especially the performances by Kwami Taha and Dan Stowe. Interestingly, this film was made in the same year as the highly successful "Crash," written and directed by Paul Haggis. The pace of the action may not be as frantic as that in urban Los Angeles, and the characters may seem to be better acquainted with each other in "Apart From That," but the personal relationships of the characters are as flawed and troubled and their stories as resonant as any of those in "Crash." For those viewers who appreciated "Crash" this is a must see film. Also, fans of Jim Jarmusch and John Cassavetes will like this movie.
### Response: | positive |
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Dolph Lundgren broods and scowls his way through this incoherent mystery/thriller that's not nearly as cool as the box would have you believe. He is actually quite good here, but the story is a mess of B-movie cliches (detectives, revenge, tycoons, hookers, S&M) that looks like it was made up as they went along. The film picks up a bit in the second half but for a more decent Lundgren flick, rent RED SCORPION instead.
### Response: | negative |
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If you're a T-Rex/Marc Bolan fan, I recommend you check this out. It shows a whimsical side of Marc Bolan as well as Ringo Starr, apparently having a pretty good time shooting some of the scenes that aren't part of the concert, but fun to watch, leaving you with a sense of getting to know them as just people, and when the concert is shown a talented musician, both playful and professional that rocks and seems to impress the screaming girls. Watching him in concert, you would never know that being a rock star is a job, but just having a great time playing some great songs with some good friends, like Elton John and Ringo Starr appearing in some of the live performances. True, there are a few songs missing that I would like to have seen on there, but like any album it can't have everything. I just bought this in 2006, but if I would have know it came out in 1972, I would have definitely bought it years ago. Sad and strange that a man with so many songs about his love for cars, would never learn to drive and would die in a car crash!
### Response: | positive |
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A woman's nightmares fuel her fear of being buried alive.The cheating husband wants her dead and decides to make good use of her phobia by sticking her in a coffin and leaving her in the basement.Of course B-horror movie queen Brinke Stevens transforms into hideous ghostly creature.The only reason to see this amateurish junk flick is Michael Berryman in a really small cameo and two sex scenes with Delia Sheppard.And the last twenty minutes of Brinke's bloody rampage are quite fun to watch.The special effects for example laughable decapitated head are truly awful.Better watch "Scalps" or "Alien Dead" again.Of course I ain't expecting classy entertainment from Fred Olen Ray,but "Haunting Fear" is too dull to be enjoyable.
### Response: | negative |
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First I'd like to excuse my bad English.<br /><br />I'm not a HOSTEL-hardcore-fan, but I liked that movie nevertheless. Live Feed, however, SUCKED BIG TIME! I have never seen a gore-movie with superb acting, but hey, who's surprised? The acting in Live Feed was... well, not there! I've seen some commented this as it must have been a school project or something. Okey, but not by students in media or acting school. This was NO class at all! And what about the story? A really sad rip-off on Hostel. And what about the gore? What about the psychopathic torture scenes that supposed to make your guts twist and leave you cold-sweating? That was the most disappointing about the hole movie! Short, quick and NO edge. More like an execution rather than a torture. Okey, there where buckets of blood, but it didn't even look real. The slaughtering and the violence reminded more of Braindead than Hostel or any of the Saw-movies. And Braindead was fun! Okey, I laughed at Live Feed a couple of times, but that was more out of disappointment than out of sheer fun!<br /><br />So instead of wasting 80 minutes by watching Live Feed, watch ANYTHING else!
### Response: | negative |
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This insipid mini operetta featuring a Eddy-McDonald prototype in a Valentino scenario is so bad it becomes an endurance exercise after five minutes. It's silly from the get go as this brevity opens two military men discussing the lack of manliness in the son of one of the officers. In under a minute he is packed off to Morrocco where he lives a double life as the Red Shadow; the leader of an Arab tribe that would rather sing than fight.<br /><br />Alexander Gray and Bernice Clare possess fine light opera voices (with little acting ability) and there's a decent bass in there as well but the acting is so haphazard scenes so ill prepared you get the feeling they are making things up as they go along.<br /><br />This two reeler was part of a larger stage production that lists six writers. With more room to spoof and warble the show may have had some entertainment values but this rushed quickie is little more than an insult to an audience waiting for the feature presentation.
### Response: | negative |
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For most younger viewers out there, they probably have no idea who Buster Keaton was. So, because of this, they probably won't feel nearly as sad when watching this film as I did. I happen to be a silent comedy freak--having see just about every Keaton film still in existence. My being a huge fan made this film very painful from start to finish. This is because during his silent days, Keaton was a very vibrant and creative comedian. He was amazing in his physicality and his films were almost never dull. However, in a move that movie historians still are baffled by, at the end of the silent era, Keaton gave up his independence and became a stock MGM actor. Instead of being a great creative force, MGM now saw Keaton solely as an actor--and they wrote scripts for him that had no respect for what made him great. At first, these films with MGM were not that bad (such as THE CAMERAMAN) but with talkies, the studio really blew it--putting him in several films with Jimmy Durante. Durante's humor was based on his gift for gab and was abrasive. Keaton, in contrast, was quiet and based on action. Two more unlike and incompatible actors would have been hard to find. As a result of this deadly combination, Keaton made some truly dreadful films.<br /><br />Now this isn't to say that SPEAK EASILY is a terrible film. No, instead it's just more of a time-passer and an amazingly unfunny one at that. In fact, if you go into the movie assuming it's a comedy, it will probably make the film harder to enjoy. Instead, it's sort of like a drama with a few comedic elements. It is NOT a film that will produce belly laughs--especially for Keaton fans.<br /><br />The film begins in an odd setting. Keaton is cast as a college professor whose entire life is teaching. He knows nothing of the world and has his nose stuck in his books. In a bizarre move, Keaton's servant tricks him into believing Keaton has received $750,000 from a dead relative--hoping that this would spur Keaton to get out and enjoy life. This is amazingly contrived but somehow it manages to work. Not terribly well, but it works.<br /><br />Keaton immediately leaves school and goes on a journey to New York to have some fun. On the way there, he meets up with an incredibly untalented theater troop. Because he knows nothing of the world, he doesn't seem to realize they stink. And, because he thinks he's rich, Keaton decides to take them all to New York to perform on Broadway. However, just before the show opens, his friends find out that Keaton is NOT rich. So, they decide not to tell Keaton and try to keep him away from process servers that want to close the show. They assume that if the show is a hit, then they can pay off the debts and everyone will be happy. However, they forget that the show itself stinks. What are they to do? And, will Keaton get the nice girl, get roped by a gold digger (Thelma Todd) or be flat broke and alone? If you care, see the film.<br /><br />As for Keaton, he has few stunts in the film, though there are some dandy ones near the end. Instead, Keaton just kind of walks through the part in a very subdued manner. There's really little to love about this film or hate. It's just blah....when it SHOULD have been a heck of a lot better.
### Response: | negative |
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I rated this a ten just because I find it so impressive what a single eighteen year old can do with a video camera. It's no epic but it's plenty engaging and I was never bored. If tens of millions of dollars can go into the countless bad films that are poured out en masse, then give this director the same amount of money and see what happens. I know I'll be lining up at the local cinema for her first major release. Damn good job, and well worth the money. What a script! It might be low budget but it beats the hell out of half the major pictures I've seen lately. Nanavati knows how to tell a story, both in writing and on screen. Serious kudos to her, can't wait to see more.
### Response: | positive |
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If you are the sort of person looking for a realistic film or one with a strong and believable plot, then this film is NOT for you. Nope--you'll hate it. However, for those who like sweet, slightly screwball comedies, then you'll have a nice time watching this slight film.<br /><br />Tony Randall works for the IRS and he investigates a very nice farmer who never realized he needed to file an income tax return. However hard he tries to convince them of the seriousness of his visit, everyone in the family is thrilled to have company. They dote on him and treat him like one of the family,...and have plans on getting him hitched to their daughter, Debbie Reynolds. That's really about all the plot there is. But the film gets high marks for a fun script and decent acting. A really nice little curio from the late 1950s.
### Response: | positive |
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A delightfully unpretentious send up of Romeo and Juliet. Approach with no expectations other than having a good time and you will enjoy this one. A talented group of comic actors let go and have a riot in this light-hearted performers' vehicle. Bad reviews were due to a snobbishness about treatments of Shakespeare. Some people feel that all film must be "important" ---If you share those views, don't bother. The credits read "introducing" Angelina Jolie, which is not even close to being true, but she is astoundingly beautiful as the Juliet character, and, as always, her acting is wonderful--- and, considering her age at the time, even her dialect is pretty good. Recreating this classic tale with feuding Italian families in the catering business in New York results in great fun. See it in the right frame of mind and you will laugh out loud.
### Response: | positive |
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I actually had hopes for this movie since I've seen Kari in a few other things and think she has some talent. Alas, this dud is a case study in what not to do in a screenplay. Completely undefined characters without a shred of likeability, and no plot whatsoever. Is it a road/buddy/comedy/thriller/romance/drama? The filmmakers don't have a clue, and neither do we.
### Response: | negative |
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### Instruction:
This is possibly the worst film I've ever seen. The fact that it has a flimsy storyline is bad enough, that they've hooked it around the subject of football violence makes it 100 times worse.<br /><br />I had severe doubts about the premise of this film even before I started watching, but went into it open minded enough even to accept the way that the writers saw fit to introduce Elijah Wood's character Matt into the hooligan scene.<br /><br />But the film throws up inaccuracy after inaccuracy, to the point that by the middle of the film each one makes you cringe harder than the time before.<br /><br />Let's clear up a few things: Hooligans don't tend to virtually smash up their own pub before a run-of-the-mill league game; they don't set out to kill each other; they don't ONLY wear Stone Island (and others in the crowd, hooligans or not, do). They most certainly don't, when having taken exception to a new firm member, trot off to their rival firms territory for pie and mash. And I'd love to meet the hool who would go and grass on his firm's top boy to the rival firm. (Although you can scratch what I said about setting to out kill each other if one does exist).<br /><br />Don't get me wrong,I'm yet to see a film on the subject that doesn't contain some fantasy whims, but this is on a par with The Firm for cluelessness.<br /><br />I found it ironical that Wood's American nemesis is morally condemned by his character for being a cocaine user, when this is part and parcel of the British hooligan scene. The film chooses not to challenge Wood's morals and instead steers clear of any of the firm using coke.<br /><br />I could go on, but I think I've made my point.<br /><br />As for the plot, it's highly unimaginative, and I'm sure if I hadn't spent the entire film bemoaning the points, and more, made above then I would have guessed what was going on sooner than I did. And believe me, I was well in front.<br /><br />I get the distinct impression this film is aimed at men, with the hope that women will enjoy the injection of emotional issues that are raised.<br /><br />If I'm right, then the makers have failed completely. It's too unrealistic to be enjoyed by anyone who knows about the scene, and I can't believe the kind of female who looks for emotive films would give a damn about any of the characters given their violent tendencies.<br /><br />Are there any good points? Maybe the fight scenes are well choreographed and filmed, but I'm rarely impressed by slow-mo action, certainly not when it's a fight as the point is a ruck is rousing enough anyway.<br /><br />There are some funny, if unrealistic moments. Wood's trip to school did raise a smile for me. But a few mildly funny moments hardly make up for watching two hours of complete fabricated dross.<br /><br />If you're British avoid like the plague, if only not to further develop misconceptions of the scene if you're not in the know. If you're American, you may enjoy it, as it's clearly tailored to the market. But no one can deny the plot is flimsy, predictable and ultimately over the top.
### Response: | negative |
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### Instruction:
the movie is great, like every other international project that includes strong impressions. three of them (israel, bosnia and egypt) should've been cut out. especially bosnian clip, which is pathetic beyond all reason, and doesn't contain a single original thought or element on it's own. everything else is really great, unrecognizable for most of americans, known for the rest of the world. unfortunately, clips speak about misery of the people all over the world. and, as i see it, there are so many of those who won't give a damn about it...<br /><br />top 5: 1. loach 2. penn 3. inarritu 4. lalouche 5. imamura
### Response: | positive |
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### Instruction:
I saw this ages ago when I was younger and could never remember the title, until one day I was scrolling through John Candy's film credits on IMDb and noticed an entry named "Once Upon a Crime...". Something rang a bell and I clicked on it, and after reading the plot summary it brought back a lot of memories.<br /><br />I've found it has aged pretty well despite the fact that it is not by any means a "great" comedy. It is, however, rather enjoyable and is a good riff on a Hitchcock formula of mistaken identity and worldwide thrills.<br /><br />The movie has a large cast of characters, amongst them an American couple who find a woman's dog while vacationing in Europe and decide to return it to her for a reward - only to find her dead body upon arrival. From there the plot gets crazier and sillier and they go on the run after the police think they are the killers.<br /><br />Kind of a mix between "It's a Mad Mad Mad Mad World" and a lighter Hitchcock feature, this was directed by Eugene Levy and he managed to get some of his good friends - such as John Candy - to star in it. The movie is mostly engaging due to its cast, and the ending has a funny little twist that isn't totally unpredictable but also is kind of unexpected.
### Response: | positive |
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### Instruction:
I am not one of those people that will walk out of a movie that was based on source material and automatically say, "The book was better." I know better than to demote the value of a movie just because it wasn't a faithful adaptation. There is a lengthy process and lots of decisions that go into making a movie that are sometimes out of the director's/editor's/cinematographer's/producer's control and certainly out of the original author's control. Therefore, it is unreasonable to expect a movie to be exactly the same, word for word, as a book or play or video game or Disneyland Ride, or whatever! A movie should be judged on its own standard and how it fits in society. Moreover, a successful movie should be made because the material is relevant to the society which it belongs and, if it is based on source material, its relevance needs to be reexamined and enhanced by the filmmakers. <br /><br />Films like There Will Be Blood follow this paradigm because while it was based on a novel written at the turn of the century, Oil!, it feels relevant because of things like the Iraq war and energy concerns that the film's country of origin, the US, was and is experiencing. Even King Kong, based on the original film, benefits from using new technology and concerns of animal rights that people have.<br /><br />With that said, I just don't understand why they even bothered to make this movie? Besides the great performances, guaranteed Oscar nods and Shanley's director/writers fee and royalties he will get, this movie seems to come from nowhere. It should have simply stayed as a play. The movie (which is essentially the same as the play) says nothing new about the reprehensible sexual atrocities committed and in many cases covered up by the Catholic church here and abroad. It says nothing new or different than the original play. I can't help but compare this movie to another movie that came out at around the same time: Frost/Nixon, which was also based on a play. Frost/Nixon, while about Nixon's regrets, seems relevant because it seems to have come at a time when President Bush was about to leave office. The regrets that Nixon had, as depicted in the play/movie, about the war and his presidency could just as easily reflected on Bush and his presidency. In that respect Frost/Nixon seemed more relevant and actually benefited from a wider distribution via film because it got people talking and reflecting about the political status quo in the country at the time. In contrast, Doubt felt like it was yesterday's news and didn't seem to offer anything that the play didn't offer.<br /><br />Of course the movie is "good," the performances are outstanding, and the screenplay adaptation is apt, but so what? Why didn't it just stay as a play? Why, besides marketing and financial reasons, make it into a movie? It gave audiences nothing new to discus about the awful subject.
### Response: | negative |
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10 ITEMS OR LESS was made in two weeks on a shoestring budget by writer/director Brad Silberling, just a little film shot in Carson, CA that feels like the entire story was improvised...in the best sense of the word. Silberling had the good fortune to pair veteran actor Morgan Freeman, in between his big projects, with Spanish actress Paz Vega, and the result is a dialogue between two people from different vantages who manage to enhance the life of the other.<br /><br />Morgan Freeman plays himself - yet part of the comedy is that he is depicted as an actor who has been out of work for four years, scouting a location for a little 'filler film' to get back into the flow of things. His 'role' is to be that of a market manager and he is dropped off at seedy market in Carson where he encounters, among others, one Scarlet, the girl at the argumentative 10 Items or Less checkout line. Not only is Scarlet tired of her static job, she is also generally angry about her philandering husband (Bobby Cannavale), currently sleeping with Scarlet's lazy co-worker (Anne Dudek), and her lack of ability to get a decent job elsewhere. The two pair after a few shared problems and off they go on a 'road trip' that results in each of the characters growing from the presence and life story of the other.<br /><br />It is a simple story, simply told, but because of the tender bonding between Freeman and Paz it works very well. This is one of those little films about human relationships where being vulnerable to change and exchange is the message. It is well worth viewing, and this is a DVD that has featurettes that are touching, informative, and comic - a pleasure to view. Grady Harp
### Response: | positive |
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"Someones at the Door". OHHH, How I miss this show so bad.. but we are lucky to now have "Invasion". Thank You, Shawn Cassidy. American Gothic, had it all.If I had to pick one thing that I liked best about the show, it has to be its "not predictable plot-lines". Favorite actor was Lucas Black.. I adore that southern accent. I bought the DVD asap, and my kids are fans too. There is some hot n steamy scenes. Some Devilish ones too. So, if kiddos will be watching you may want to edit(fastforward/skip). It has humour, on a Joss Wheedon level, which so many shows lack. Adult wit and adult situation, that are handled with finese. The DVD has some extras, but I wish it has many more. If you want to get thrilled and enjoy a great show, come watch "American Gothic"!
### Response: | positive |
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After watching this film, I was left with a two very annoyances about this film: why did they make Chen's character this "McGuyver hit-man" and Lee's character such an incompetent idiot? Chen's character's background is that he was raised in an underground Cambodian orphanage for blood thirsty fighter where they learn to brawl it out to the death like wild "dogs." This detail is pushed early on during a scene where he gets into a cab and as it starts to drive, he shows how he is unfamiliar with a seat belt. Soon after this scene, he has a similar situation at a dim sum restaurant. Not only is he uneducated, he is starving. This is not a reference to Chen's scrawny physique but to the two early scenes in the film where he is scarfing down food, one of which, being rice porridge off the floor of the lower deck on an old ship. Si in the first ten minutes of the film, it is established that Chen is malnutrition-ed, unmodernized,and has only thing going for him, his "dog" brawling fighting style of some sort. Despite this situation, Chen manages to out-shoot every policeman (even managing to ricochet a bullet off a metal pipe to hit a guy in a head, whom was holding Chen's girlfriend hostage) and has somehow attained a super human strength (swings a 50 lb block of concrete, plastered on the end of a metal pipe, to the head of the police chief AS he is getting shot in the chest, by said chief).<br /><br />Now Lee's character...okay, I get it, he's depressed, he's got some baggage, but wow, can he do anything right? One moment, they try to make him cool, composed and ready to take care of business, and the next moment, he just got beat again. First scene he runs into Chen, and he manages to misses him, from approx 15 ft, multiple times. Toward the end of that scene, Lee watches Chen as his close friend and coworker gets slowly stabbed in the neck with a long knife for a good full 5 seconds, while holding a gun to Chen face, at a 10 ft distance. Even at the end of the movie, Lee manages to get stabbed to death and fails once again.<br /><br />And my biggest problem with this movie is that it is presented in a manner that film makers are trying to get the audience to sympathize with Chen's character and that he is just "killing to survive." That would be a lot easier if I didn't just watch Chen kill innocent people throughout the whole awful movie. Of the numerous people he killed, only two people had the intention of trying to kill him, the police chief and Lee. Others were just people who were eating, boat owners, taxi drivers, and policemen trying to arrest him, not kill. Overall, Chen's character is a just a cold blooded killer who kills for what he wants, even if its just a free ride. (Did I mention he is carrying a wad of hundred dollar bills throughout most of the film?) My 3 stars go to some of the interesting director/camera work who got in some nice shots.<br /><br />Bottomline: One made for the nut-hugging Chen fans. For me, "Dog Bite This DVD"
### Response: | negative |
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### Instruction:
Set in Japan, Ashura is the story of Demons taking over the earth. The premise is far more complicated, but the arching storyline should not be forgotten. Japan is in turmoil, with Demons occupying human form roaming the lands. Generally speaking Demons look and act like humans, but are evil. The Japanese word they use is not just demons, but rather the classical form of 'ogre' which is a mythological creature of some historic stature. We're talking about creatures that would appear more like gods than simple ugly child-eating monsters.<br /><br />However in human form all that remains is the green eyes and green teeth, which appear when put under any sort of stress. In order to save the world from Demons there are Demon-slayers. Trained and skilled warriors who can spot and defeat most every kind of demon, and who guard the passage-way between the realm of hell and that of the real world. These are the basic premises.<br /><br />The story begins with a festival in a local town. Amid these festivities, 3 men ride in, dressed in all black, seemingly intent on doing harm. The villagers run, excepting those which are demonic in nature, who turn green-eyed and try to kill them. The Demon-Slayers end up killing off the majority of the demons. From here the story gets interesting. The whole essence of the story begins when at the gate to hell a fortune-telling demon appears before the 3 gate-keepers, revealing the arrival of Ashura. With it, comes the end of the reign of man, and begins the reign of demons. Ashura however requires some form of birthing process, the first step of which occurred during the opening battle, but which won't be revealed to you until you see the film. The 3 demon-slayers are a wise old man, a powerful yet unprincipled man, and a skilled and compassionate warrior. Immediately you can see the split between them, the old man wanting to stop the demons, the powerful one wanting to bend them to his increasing ego maniacal wishes and the third looking to stop the second. Along the way he meets a woman who he begins to take fancy to, and believes himself to have a special relationship with. She in turn is a brigand who is good-natured, sought after by authorities. When the two finally meet face to face, he places his hand on her shoulder, and suddenly she is scathed by a mark on her shoulder. Needless to say, the mark is not a good sign. What ensues is a battle for earth, a battle between both good and evil, as it should be, but also between good and good itself.<br /><br />The point for me of this film became something other than what I thought it would. I came in thinking it would either be a fast-paced action style film with demons, or a horror film with macabre evil and foul creatures the likes of which would be seen in Ringu and Ju-on. I was however mistaken in the best possible way. The story it seemed to me is an adaptation of a very old Japanese play, and it plays itself out as such, combining the essentially action driven adrenaline scenes with a great concept, an amazing narrative, and a style which makes you compelled to think rather than just sit wallowing in gore. Many scenes are painted with luxurious dialogue between two characters the likes of which will never be seen in a Hollywood film. It becomes a practically theatrical experience which takes your breath away.<br /><br />The film makes use of some immaculate scenery and camera-work comparable to many great Samurai films of our days, but adding to it a well-thought and classical plot. With great acting, great music, and thoroughly stunning scenes, its a must watch in my book.<br /><br />That being said, it does need the disclaimer that it is not for everyone. Its not cheap thrills horror, its not balls to the wall action. Its a horror style play thats been filmed. It has very much to say and takes the time to do so, flying in the face of the conventional one-liners. Like Japanese plays, the exchanges between the characters can last for many minutes before they come together for a quick yet marvelous battle scene. If you can enjoy such a thing, this is a masterpiece. If your idea of a good film is slasher flicks with little plot and excessive nudity, then you can easily watch something else.<br /><br />Overall, this film to me is a unique and amazing one, which keeps you riveted and amused. it has good writing, good acting, and good direction. It is all in all a solidly great film.
### Response: | positive |
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I don't think I've ever felt this let down by a film before. After loving Guy Ritchie's two previous films (I don't count Swept Away - he was pussy blind), I was so looking forward to seeing this. <br /><br />The reviews were poor, then again, I don't trust the press anyway. More worrying was the fact that the internet buzz was that this was a bit of a stinker, so it was with some trepidation I handed over my £4.80 yesterday afternoon.<br /><br />I'm not even going to try to explain this film, mainly because I haven't got a clue what was going on and at one point I was honestly close to standing up and asking if it was just me who didn't get it! <br /><br />Unfortunately I think Ritchie seems to have fallen into his wife's trap of taking himself far too seriously.It seems it wasn't good enough for him to make films with good plots, laughs, snappy dialogue and good characters. It's almost as if he had a checklist of films he wanted to rip off, here are some of the ones I noticed:<br /><br />The Matrix, Fight Club, Kill Bill, The Usual Suspects, Vanilla Sky...<br /><br />I think the most frustrating thing is that the performances from the two main actors, Jason Statham and Ray Liotta, were actually very good and it was really the self indulgent story and editing / direction that let the film down.<br /><br />So a big, big thumbs down from me.
### Response: | negative |
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### Instruction:
I enjoyed Longstreet, which followed in the steps of Raymond Burr's successful Ironside TV series and was intended to give it competition. But this show was canceled after one season because it was decided--I believe wrongly--that Longstreet was not able to compete with Mr. Burr's Ironside.<br /><br />I may add that the pilot for this show was especially well done and very memorable. I hope that a box set of Longstreet will appear.<br /><br />Writers should note that this story idea was only briefly explored here and that much more could and should be done to show the play and interplay of disabilities on TV.
### Response: | positive |
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2054. Paris is an Escher drawing with people and vehicles scurrying along at multiple levels in an obvious homage to Fritz Lang's Metropolis. Paris is both ultramodern and crumbling into decay. And in the blink between surveillance sweeps, a pretty young medical researcher is kidnapped just after leaving her sister in a seedy nightclub. A tough police captain investigates. Shown in stark black and white, with the gloomy corridors, shadowy alleys and single source lighting characteristic of the most hard-boiled of film noir, comparisons to Sin City are inevitable. But the story owes more to Masamune Shirow and William Gibson than to Frank Miller, as high tech surveillance, near-invisible stealth suits and ruthless super-corporations are as much a part of the landscape as guns and cars. The film never quite generates the doom-laden atmosphere of Gibson's cyberpunk vision, with its tech-heavy marginal characters clashing with industrial types from corporations that all seem to have their own Ministry of Fear, but the viewer definitely gets the sense that future Paris is no Utopia and future science is less than benevolent. And as the police procedural plot line unfolds we are taken into the darker recesses of individual ambition beneath the shiny veneer of Avalon corporation's cultivated PR image. The motion capture process used here produces a look somewhere between B&W comic books and next generation rotoscoping, and is either captivating or intrusive depending on your tastes. Nevertheless, a great visual sense is on display here, and future Paris is filled in down to the tiny details giving the picture a unique look which is in turns both spartan and baroque. Worth a look.
### Response: | positive |
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Cassandra Peterson originally created Elvira as the television hostess of late-night horror films, and when the character proved unexpectedly popular she suddenly found herself doing everything from beer commercials to spots on The Tonight Show with Johnny Carson. She reached the peak of her popularity in the late 1980s, and the film ELVIRA, MISTRESS OF THE DARK was the result.<br /><br />The plot is flyweight. Television horror film hostess Elvira dreams of success in Las Vegas. When her great aunt dies, she travels to New England in hopes that the estate will provide enough money to back a stage show; she is disappointed to find she has inherited a rundown house, a poodle, and an old book. It happens that the town is puritanical beyond all description, and she provokes righteous indignation everywhere she goes. It also happens that her great uncle is secretly an evil warlock and very intent on laying hands on "the old book." Throw in a few teenagers, a stud muffin, and a hateful woman with falsies and there you go.<br /><br />No one would accuse it of being a cinematic masterpiece, and it does drag now and then. But Cassandra Peterson demonstrates tremendous flair from start to finish: squirmy, sexy, and mixing lowbrow humor with flashes of sharp comedy, she dances through the film like a ringmaster in a circus of corny and often self-mocking jokes. From a FLASHDANCE disaster to witchcraft craziness, she is never less than wildly entertaining. It's a tremendous amount of fun, and the film's conclusion even manages to generate considerable suspense. Will Elvira best her evil uncle and save the day? Well, I don't want to give anything away, so let's just say you'll have a lot of fun finding out.<br /><br />DVD quality is okay and there's little in the way of bonus material, but if you're in the mood for something silly this one is sure to answer the urge. And if you've never seen tassle-twirling, you're in for a treat. Recommended.<br /><br />GFT, Amazon Reviewer
### Response: | positive |
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This is the second movie I saw for Horrorfest this past weekend, The Gravedancers being the first. Gravedancers was better. I can only guess from watching this that the production must have been quite limited. I will admit the story started out interesting but really fizzled for me in the end. We weren't really given time to sympathize or understand any of the characters which only made each of their erratic characteristics even more annoying. I have to mention that there was also a bit of mis-casting with a 12-year-old boy acting as Sheriff. The only reason I sat through the whole film was to find out what the big secret was, which turned out to not be all that interesting. Some more background about the family would have helped but they didn't really seem like a family at all to begin with.<br /><br />To me, this film is so amateur that I couldn't even see putting it on DVD. The four rating is for the initial potential the story might have had. This was one to skip for horrorfest.
### Response: | negative |
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This was one of the worst movies i have ever seen. The plot is awful, and the acting is worse. The jokes that are attempted absolutley suck. Don't bother to waste your time on a dumb movie such as this. And if for some reason that you do want to see this movie, don't watch it with your parents.
### Response: | negative |
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Ooverall, the movie was fairly good, a good action plot with a fair amount of explosions and fight scenes, but Chuck Norris did hardly anything, except for disarm the bomb and shoot a few characters. The movie was very similar to the events of Sept. 11, with a bin laden-like terrorist sending a video to the president (Urich) and threatening to detonate it. Judson Mills had some superb action roles, taking out Rashid's compound and various kick-butt roles but, there was a lack of Chuck Norris. Judson took over most of the action, leaving Joshua (chuck) with Que on her computer. But, overall, it was realistic and didn't lack the action, but only did it on Mr. Norris' part. I gave the film 7/10.
### Response: | positive |
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1st watched 12/24/2009 4 out of 10 (Dir-Robert Ellis Miller): Emotional Christmas fluff that doesn't really get specific enough to explain how the real story happened in this factual-based incident of a man who is wrongly put in jail trying to get a job for his family to make Christmas happen for them. The three kids in the family then run away from home on a trek to Washington D.C. to enlist the then President of the United States, Herbert Hoover. This trek provides some side stories like their positive encounters with a hobo and a puppeteer, which makes the story kind of like a Disney "animals on the run" movie and doesn't quite fit here. At the ending, there isn't any details given as to how the President helped the family and this is another downpoint to the movie, in my opinion. The movie does eventually bring tears, but it takes too long to get to this. The movie isn't supposed to have been an original TV movie(according to IMDb) but it has the obvious fade-outs that make it look this way so I'm not sure their information is accurate. All in all, this is a simple movie(that could have been more complex) with a happy Christmas-like story but blandly played and without a lot of substance.
### Response: | negative |
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I haven't seen all of Jess Franco's movies, I have seen 5, I think, and there are more than 180 of them. So maybe it's a bit early to say so but "Necronomicon Geträumte Sünden" (better known as 'Succubus', but that is the cut version) is according to me if not the best, certainly on of Franco's best. Franco is best known (although 'known' might be slightly exaggerated) for "Vampiros Lesbos", a weird cultish movie that got more acclaim in the mid 90's when people found out Jess Franco was also an interesting composer. Through the soundtrack a happy few discovered the man and found out what was to be expected after seeing the video clip of 'The lion and the cucumber' ('Vampyros Lesbos OST'): Jess Franco is an overwhelming director. When the phone rang during 'Vampiros', I let it ring. I just wanted to see more of the movie. Since that moment Franco never could grip me that much. But then I stumbled on this movie. It is even better than "Vampiros Lesbos", I think. Franco is looking for what he can do with a story and a camera. We find out he can do a lot. I certainly didn't expect to find "Necronomicon" that great: its beginning didn't impress me at all. Remember, I had seen "Vampiros Lesbos" before (although chronologically that came only three years later) and both movies kinda start the same. But then the story went on, puzzling and gripping, beautiful camera work and the stuff you would like to see Godard do if he weren't so occupied with spreading his political messages. Later on in the movie I heard a dialogue about which art was or wasn't old-fashioned. The man says that all movies have to be old-fashioned because it takes weeks before the audience sees what got filmed. But the girl replies that "Bunuel, Fritz Lang and Godard yesterday made movies for tomorrow". Janine Reynaud is an interesting lead actress and of course Howard Vernon, a Franco regular, is also there. Luckily the acting is good (something that can spoil a lot of Franco movies for you, but not this one). But certainly watch out for the dummy scene. The erotic tension, the wild directing and the fact that it's a yesterday's movie for tomorrow make it a movie a lot of people should see. The fact that it is a bit more accessible than "Vampiros Lesbos" certainly helps.
### Response: | positive |
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this movie was a horrible excuse for...a movie. first of all, the casting could have been better; Katelyn the main character looked nothing like her TV mom. <br /><br />also, the plot was pathedic. it was extremely cliché and predictable. the ending was very disappointing and cheesy. (but thats all i'll say about that). <br /><br />the nail in the bag though, was a scene when Katelyn (jordan hinson) was supposed to be crying, but the girl couldn't cry on command! there were no tears streaming down her face, just a few unbelievable sobs. she is not a dynamic actress at all. she gave the same fake little laugh identical to that of hillary duff on lizzie Maguire (sp?). thats when the movie went from not-so-good, to just plain bad. it really looked like she was acting. <br /><br />in a nutshell: this movie was really bad! it was kind of a mix of every cliché kid movie from the 1990's that everyone's sick of--only worse!<br /><br />i give it an 'F', because it was just so darn hard to sit through (b/t/w, i was babysitting when i saw it). <br /><br />however, you may like it if your 9 or under. ;)
### Response: | negative |
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The fluttering of butterfly wings in the Atlantic can unleash a hurricane in the Pacific. According to this theory (somehow related to the Chaos Theory, I'm not sure exactly how), every action, no matter how small or insignificant, will start a chain reaction that can lead to big events. This small jewel of a film shows us a series of seemingly-unrelated characters, most of them in Paris, whose actions will affect each others' lives. (The six-degrees-of-separation theory can be applied as well.) Each story is a facet of the jewel that is this film. The acting is finely-tuned and nuanced (Audrey Tautou is luminous), the stories mesh plausibly, the humor is just right, and the viewer leaves the theatre nodding in agreement.
### Response: | positive |
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Well. this was not a surprise. many people will tell you this is gory. but they are all talking "shiztz" this film is very slow.<br /><br />It starts off with some guy who makes a concoction to feel no pain he calls it "my son" there is some gory scenes but i found them kind of weak. you might as well skip 40 minutes of the movie and get to the eyeball scene which was surprisingly impressive and sickening. there is some really stupid scenes in this. and they dub over the hits and slaps with stupid fake slapping sound which makes me laugh! i would not recommend it. keep looking gore hounds.<br /><br />check this out if you want the like 20-10 minute ending scene which still is not that amazing and has a random scene of the guy trying to like rape his mum.. yeah its weird.
### Response: | negative |
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Does any one know what the 2 sports cars were? I think Robert Stack's might have been a Masseratti.Rock Hudson's character told his father he was taking a job in Iraq ,isn't that timely? I have had Dorthy Malone in my spank bank most of my life ,maybe this was the film that impressed me.Loren Bacall sure did have some chops in this film and probably out-acted Malone but Malones's part made a more sensational impact so she got the Oscar for best supporting role.Was Loren's part considered a leading role?Old man Hadley character was was probably a pretty common picture of tycoons of his era in that he was a regular guy who made it big in an emerging industry but in building a whole town he had forgotten his children to have his wife bring them up.In time,being widowed he realized that they were all he really had and they were spoiled rotten,looking for attention,so rather than try to relate to his children he blew his head off.An ancient morality tale.But seriously,what were those sports cars?
### Response: | positive |
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Peter Sollett has created an endearing portrait about real people living in poverty in the Lower East Side of New York, or Loisaida, as it's known by the locals.<br /><br />Mr. Sollett's heart is in the right place as he examines this dysfunctional family, that is typical of the different 'inner cities' of the country. Mr. Sollett accentuates the positive in the story he presents. These are basically good kids, the children of parents that have left them and whose grandmother has taken under her wing. <br /><br />Instead of presenting his characters as losers, Mr. Sollett shows a positive side they all have. These kids are not into drugs, or are stealing because they are poor. Had this story been done by Hollywood we would have seen a parade of stereotypes, instead of children that are struggling, but deep down inside, they are not defeated.<br /><br />Victor Rasuk, as Victor Vargas, was a revelation. He is a natural. So is July Marte. Her character shows us a no nonsense girl who will not be fooled or driven to do anything she doesn't want to do. Altagracia Guzman, as the grandmother is excellent. She conveys her frustration at not being able to steer her grandchildren into the things she believes in and that are so important to her. <br /><br />All in all, this was an excellent picture thanks to Peter Sollett.
### Response: | positive |
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i, too, loved this series when i was a kid. In 1952 i was 5 and my family always watched this show. My favorite character was the one played by Marion Lorne as a rather stuttering, bumbling and very lovable "aunt" type person. i can still recall her "ubba bubba um um" type comments as she would try and say something important. And then when she came back and played Aunt Clara in Bewitched it was great casting! <br /><br />It was the first time that i can remember seeing Walter Matthau whose career i followed as a fan for many many years.<br /><br />i have a question if anyone can verify: was the title or end credits music the "Swedish Rhapsody" by Hugo Alfven? Every time i hear it played on my classical radio station here in Southern California it brings back memories of the image of Mr. Peepers walking away with his back to the camera. i'm not even certain if this image in my mind's eye is correct.
### Response: | positive |
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When "Girlfight" came out, the reviews praised it, but I didn't get around to seeing it. I finally saw it when it got released on video, and understand the glowing reviews.<br /><br />The movie opens in a high school in the middle of a ghetto. We quickly get introduced to student Diana Guzman (Michelle Rodriguez). She has a bad-ass expression on her face, and any idea about Diana that we might derive from this expression soon gets corroborated when she gets in a fight. As Diana gets in trouble for this, we then meet her father, an aggressive type in his own right; clearly we can't totally blame Diana for her attitude.<br /><br />But then the movie really picks up, as a new thought germinates in Diana's mind: boxing as a way to escape this grim existence. Her older brother has already gotten into boxing, but her father most likely won't approve. Only Diana herself can decide what to do.<br /><br />Just the first few minutes alone identified that I was in for a very gritty, non-Hollywood movie, but the brief appearance of John Sayles in a supporting role truly affirmed that. Even before they get to any boxing scenes, you feel like you're getting pounded in the face at seeing the ugly life that Diana lives. And when they finally arrive at the film's main story, there's no turning back.<br /><br />All in all, I definitely recommend this movie. I will admit that using boxing as a means to show someone trying to make something of himself/herself has been sort of a cliché in cinema for many years ("Rocky", "Million Dollar Baby"), but I still think that they did a great job with it here. In fact, this may have brought the genre to its apex. Really good. Too bad that Michelle Rodriguez wasted herself in Hollywood movies after this one.
### Response: | positive |
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This is a pretty decent example of film noir. The setting is the early 50's with the Communists trying to steal weapon secrets from the US Government.<br /><br />Richard Widmark is the suave pickpocket without scruples. He gives a pretty decent performance but there is nothing A-List about him. The interesting thing was that he was not only an anti-hero but through most of the film, an unlikeable anti-hero. That is not very normal. Jean Peters gave a so-so performance as the hooker with the heart of gold. That great character actress Thelma Ritter shines as the stool-pigeon.<br /><br />The plot had its fair share of twists and turns, wisecracks and tough talk. There is a fight scene near the end of the movie (in the subway station) that was pretty gritty and exciting.<br /><br />I think noir fans (like myself) will enjoy this film. For non-noir viewers, it may seem a little dated and the whole Commie thing a tad overdone.
### Response: | positive |
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The Ring was made from the only screenplay Hitchcock wrote himself and it deals, as many of his earliest pictures do, with a love triangle. At first glance, it looks like a more cynical update of the infidelity-themed morality comedies of Cecil B. De Mille, but more than that it is the first really competent Hitchcock picture. Even if he was not yet using the ideas and motifs of suspenseful thrillers, he was at least developing the tools with which to create suspense.<br /><br />As well as being a student of the German Expressionist style, the rhythmic editing style of Sergei Eisenstein had had its impact upon Hitchcock. But here he keeps tempo not just with the edits but with the content of the imagery. This is apparent from the opening shots, where spinning fairground rides brilliantly establish a smooth tempo. And like Eisenstein, the editing style seems to suggest sound for example when a split-second shot of the bell being rung is flashed in, we almost subconsciously hear the sound because the image is so jarring.<br /><br />There is also a contrast, particularly with silent films from the US, in that The Ring is not cluttered up with too many title cards. As much as possible is conveyed by imagery, and Hitch has enough faith in the audience to either lip-read or at least infer the meaning of the bulk of the characters' speech. And it's not done by contrived symbolism or overacting, it's all done by getting the right angles and the right timing, particularly with point-of-view shots, as well as some strong yet subtle performances. There are unfortunately a few too many obvious expressionist devices (particularly double exposures), many of which were unnecessary, but there is far less of this than there is in The Lodger.<br /><br />Let's make a few honourable mentions for the aforementioned actors. First up, the stunningly handsome and very talented Carl Brisson in the lead role. In spite of his talent I was at first a bit confused as to why he got the role, as to be honest he looks more like a ballet dancer than a pugilist! But that just goes to show how much I know, as it turns out Brisson was in fact a former professional boxer and inexperienced in acting. Playing his rival is the competent Ian Hunter, who would go on to have a lengthy career in supporting roles right up to the 60s. The most demanding role in The Ring has to be that given to Lillian Hall-Davis, torn between two lovers. She pulls it off very well however with an emotive, understated performance, and it's a shame her career never lasted in the sound era. And last but not least the great Gordon Harker provides some comic relief in what is probably his best ever role.<br /><br />The Ring's climactic fight scene is among the most impressive moments of silent-era Hitchcock. Martin Scorcese may have had his eye on The Ring when he directed the fight scenes in Raging Bull, as his watchword for these scenes was "Stay inside the ring". The fight in The Ring starts off with some fairly regular long shots, but when the action intensifies Hitchcock drops us right in the middle of it, with close-ups and point-of-view shots. Hitchcock's aim always seems to have been to involve his audience, and this was crucial in his later career where the secret of his success was often in immersing the viewer in the character's fear or paranoia.<br /><br />The Ring really deserves more recognition than the inferior but better known The Lodger. It's a much more polished and professional work than the earlier picture, and probably the best of all his silent features.
### Response: | positive |
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This is a really stupid movie in that typical 80s genre: action comedy. Conceptwise it resembles Rush Hour but completely lacks the action, the laughs and the chemistry between the main characters of that movie. Let it be known that I enjoy Jay Leno as a stand-up and as a talk show host, but he just cannot act. He is awful when he tries to act tough - he barely manages to keep that trademark smirk off his face while saying his one-liners which, by the way, aren't very funny. And seeing him run (even back then) is not a pleasant sight. In addition, I have a feeling that Pat Morita - at least by today's standards - doesn't give a very politically correct impression of the Japanese. Don't even get me started about the story. I give it a 2 out of 10.
### Response: | negative |
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Easily the best known of all the Shakespeare plays, it has been seriously let down here. Shoddy direction, stagnant studio work and erratic performances spoil a fine tragedy.<br /><br />In the town of Verona, the Capulets and the Montagues have been feuding for centuries but tragedy is imminent when Romeo (Patrick Rycart), a Montague, falls in love with Juliet (Rebecca Saire), a Capulet. Bloodshed soon erupts...<br /><br />The studio work, especially in daytime scenes, seriously stagnates the energy of the play. It's a story that, with it's energy, deserves to be shot outdoors. Coupled with this the costumes are hideous, with too many tights and ludicrous codpieces. The stage fighting looks horrendous, with far too much stretching and running around to be engaging.<br /><br />Patrick Ryecart is too lightweight to be a truly effective Romeo. He manages the character's intensity when the plot gets going but his stately accent and bland, often inexpressive eyes limit his range. It is very hard for the audience to relate to this Romeo. Rebecca Saire is too youthful to be a good Juliet - she captures the character's naiveté but a little more sassiness would have been welcome.<br /><br />The supporting roles don't fare much better. Joseph O'Connor's Friar Laurence is fine but too many of his best lines have been cut. Anthony Andrews' Mercutio belongs on stage and not on camera. He gurns and gesticulates excessively and looks rather ridiculous as a result. Alan Rickman, underplaying his role, has virtually no presence as Tybalt. He did develop an edge and intensity to deliver some fine screen performances in later years, but that isn't in evidence here. The Prince can be a fine role with his brief appearances but actor Lawrence Naismith fails to give the part any authority on camera. Only Micheal Hordern, in probably his best role in this series, comes out of this with any dignity. His Capulet is well-played and a joy to watch.<br /><br />See one of the other versions of this story instead.
### Response: | negative |
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I understand that Paramount wanted to film this with the Rodgers and Hart score, but couldn't work out the copyright problems, so Burke and Van Heusen who wrote the between them the most songs for Bing Crosby contributed a very nice score.<br /><br />I read Leonard Maltin saying that this movie, "fit Crosby like a glove" and I couldn't have put it better. No, it's not Mark Twain's satire, it's a Bing Crosby film and in 1949 Crosby was the most bankable star in Hollywood. For once Paramount used technicolor and Rhonda Fleming was never lovelier on the screen. This was a woman that technicolor was invented for.<br /><br />William Bendix's Brooklyn origins kinda stand out, but it's to a good comic effect. The trio of Crosby, Bendix, and Sir Cedric Hardwicke have a rollicking good time with Busy Doing Nothing. Bing has one of his patented upbeat philosophical numbers with If You Stub Your Toe On The Moon.<br /><br />The third song he sings Once and For Always by himself and with Rhonda Fleming. That song was nominated for best song, but lost to Baby It's Cold Outside. <br /><br />Nice also that Bing managed to record the score for Decca with Rhonda Fleming and Bendix and Hardwicke.<br /><br />One thing I like about this film is that it shows Crosby's comic talents without Bob Hope. I like the Road pictures, but Bing was a comic talent onto himself and this film better demonstrates than any other.<br /><br />This is Crosby at the top of his game.
### Response: | positive |
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This wasn't all that great. Not terrible or hateful or anything, just forgettable.<br /><br />It had a sort of, um, hesitant, diluted air, like it never properly knew whether it wanted to go for laughs or for sweetness or for satire. So we were left with weak mix of the three. The actors seemed kinda lost.<br /><br />Also, the ideas were really tired and recycled, almost zombified themselves. How many more times do we have to be told the 50's in the States were infected with a banal sense of conformity? And that this was perpetuated by aggressive consumerism? And that emotional repression in men is a baaaaad thing? Old hat.<br /><br />Its biggest crime in my eyes though was just how detached from reality it was. I know it was a comedy and all, but - especially in a full movie where you must keep the interest of an audience for a prolonged period - you still need some sort of emotional anchor, some relatable guide through the story, to make it engaging. For the 'hero' kid to watch an old woman, two fellow school pupils and ultimately his father die painfully at the hands of zombies or whatever and for him to greet it all with a cheery smile and a shrug of the shoulders, then I just struggle to deal with that in any sort of positive way. The mum was the same. If you make your two main characters so inhuman on that level, then you risk losing me and that's what happened.<br /><br />Biggest positive I can offer is that I love the look of that sort of apple pie suburbia and this captured it well enough, it was a handsome film, especially some of those wide angled shots of the street and inside the Robinsons' house. Also, the opening newsreel was cute, in a been-done-before-but-still-funny sort of way.<br /><br />And I thought Billy Connolly was OK and that comes from someone who isn't a big fan of Billy Connolly: Movie Star. I just had this fear he was going to be hamming it up and trying to steal every scene, but he played it pretty low-key for him and probably came out the most sympathetic character in the whole film.<br /><br />All in all, not great though.
### Response: | negative |
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Actually, Goldie Hawn is from Washington (Takoma Park, Maryland), but I digress. This is sort of a Mr. Smith goes to Washington type of movie, with some variations but the same premise. I taped this movie off of cable years ago because I had a huge crush on Goldie Hawn. The story is interesting, but it's highly unlikely that some cocktail waitress will get an important job in the government just because she saved some big shot's life. It made me laugh and made me mad at the same time. It made me laugh because some of the situations she found herself in were so ridiculous, I had to laugh. (POSSIBLE SPOILER AHEAD). It made me mad to think that our government would set up an average citizen in the manner she was set up. And the speech she made at the end...beautiful. Too bad not many people have guts like that in real life.
### Response: | positive |
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"National Treasure" (2004) is a thoroughly misguided hodge-podge of plot entanglements that borrow from nearly every cloak and dagger government conspiracy cliché that has ever been written. The film stars Nicholas Cage as Benjamin Franklin Gates (how precious is that, I ask you?); a seemingly normal fellow who, for no other reason than being of a lineage of like-minded misguided fortune hunters, decides to steal a 'national treasure' that has been hidden by the United States founding fathers. After a bit of subtext and background that plays laughably (unintentionally) like Indiana Jones meets The Patriot, the film degenerates into one misguided whimsy after another attempting to create a 'Stanley Goodspeed' regurgitation of Nicholas Cage and launch the whole convoluted mess forward with a series of high octane, but disconnected misadventures.<br /><br />The relevancy and logic to having George Washington and his motley crew of patriots burying a king's ransom someplace on native soil, and then, going through the meticulous plan of leaving clues scattered throughout U.S. currency art work, is something that director Jon Turteltaub never quite gets around to explaining. Couldn't Washington found better usage for such wealth during the start up of the country? Hence, we are left with a mystery built on top of an enigma that is already on shaky ground by the time Ben appoints himself the new custodian of this untold wealth. Ben's intentions are noble if confusing. He's set on protecting the treasure. For who and when?
your guess is as good as mine.<br /><br />But there are a few problems with Ben's crusade. First up, his friend, Ian Holmes (Sean Bean) decides that he can't wait for Ben to make up his mind about stealing the Declaration of Independence from the National Archives (oh, yeah brilliant idea!). Presumably, the back of that famous document holds the secret answer to the ultimate fortune. So Ian tries to kill Ben. The assassination attempt is, of course, unsuccessful, if overly melodramatic. It also affords Ben the opportunity to pick up, and pick on, the very sultry curator of the archives, Abigail Chase (Diane Kruger). She thinks Ben is clearly a nut at least at the beginning. But true to action/romance form, Abby's resolve melts quicker than you can say, "is that the Hope Diamond?" The film moves into full X-File-ish mode, as the FBI, mistakenly believing that Ben is behind the theft, retaliate in various benign ways that lead to a multi-layering of action sequences reminiscent of Mission Impossible meets The Fugitive. Honestly, don't those guys ever get 'intelligence' information that is correct? In the final analysis, "National Treasure" isn't great film making, so much as it's a patchwork rehash of tired old bits from other movies, woven together from scraps, the likes of which would make IL' Betsy Ross blush.<br /><br />The Buena Vista DVD delivers a far more generous treatment than this film is deserving of. The anamorphic widescreen picture exhibits a very smooth and finely detailed image with very rich colors, natural flesh tones, solid blacks and clean whites. The stylized image is also free of blemishes and digital enhancements. The audio is 5.1 and delivers a nice sonic boom to your side and rear speakers with intensity and realism. Extras include a host of promotional junket material that is rather deep and over the top in its explanation of how and why this film was made. If only, as an audience, we had had more clarification as to why Ben and co. were chasing after an illusive treasure, this might have been one good flick. Extras conclude with the theatrical trailer, audio commentary and deleted scenes. Not for the faint-hearted just the thick-headed.
### Response: | negative |
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Okay, there are a ton of reviews here, what can I possibly add?<br /><br />I will try anyway. <br /><br />The reason this is my favorite Scrooge is because of EVERYthing. The sets, outdoor locations, costumes are so beautiful and authentic. The music is sweet. The supporting cast is very well done. One of my favorites is the narrator & nephew, played by Roger Rees. His understated sincerity is touching and his voice is the sound of Christmas to me. David Warner is also a totally believable Bob Cratchit. His is a difficult life, but he remains positive and dignified. <br /><br />The best part of course- is George C. Scott as Ebenezer Scrooge. Some have said his portrayal too gruff. I couldn't disagree more. His exchanges at the beginning while cold or harsh, weren't out of character. He is a terribly disillusioned man who's heart has been hardened by the vicissitudes of life and his own lust for wealth. <br /><br />During the flashbacks, it's obvious that he isn't all gruff. This is where we see that there is hope for him. If he was totally gone, his partner Marley would never have come for his sake in the first place. And after all, we are none of us past hoping. I think that is a HUGE part of what Dickens was trying to say. When Scrooge looks in on his dance at his employer's with Belle, you see him smile regretfully as he tells Belle in the flashback that he will go through life "with a grin on my face." Clive Donner was smart enough as the director to allow these moments on film. Sometimes they get left on the editing room floor.<br /><br />And finally, his conversion is so absolutely full of joy that it makes me cry tears of joy EVERY time I see it. His apology to his nephew Fred, so sincere, so moving, it is the spirit not only of Christmas, but of humanity itself. The joy he brings to Fred, to his wife are so apparent. And the line that gets me every time, "God forgive me for the time I've wasted." <br /><br />Bravi tutti!
### Response: | positive |
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Nice attempt and good ideas (redemption of the prostitute, human beings helping each other out,...) but a poor result... The director obviously tried to emulate his French colleague Tran Anh Hung by recreating an ambiance which is suppose to portray Viet Nam... The only problem is that this Viet Nam is long gone and when "The scent of the green papaya" had a historical background... trying to project this kind of ambiance (muffled sounds and the slow pace of life...) on modern days leaves a feeling of fake. Besides it rapidly creates a sentiment of boredom and the outcome becomes too obvious.<br /><br />I can only suppose the action takes place in Saigon or Da Nang because that is where Harvey Keitel, ex-marine in the movie, was probably stationed during the war... But in Southern Viet Nam nobody or very few people speak with the clip Northern accent displayed by the actors... Seriously odd even for a bad Vietnamese speaker.<br /><br />An old poet with leprosy...very doubtful (not a disease for people of his condition), a peasant girl who can read and write elaborate Vietnamese poetry,... even more doubtful... <br /><br />
### Response: | negative |
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A good Korean film about not just Taekwondo but what its takes to be good, like a thugs way of fighting cannot beat a taekwondo guy in his sport because there are rules, just as there are to life and school and this film has undertones of this notion.<br /><br />The martial arts in the film isn't that good but it is passable and enjoyable. Friends who go on to achieve something they once would mock become stronger through the mind and heart. This film isn't meant to be taken too seriously as it does have slapstick, but it also carries a message.<br /><br />A good film again from Korea.
### Response: | positive |
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I found this film to be an interesting study in cause and effect but little more than that. The basic plot follows the lives of a handful of people and how their actions (deliberate and otherwise) effect the lives of the others. The film's premise holds great promise but I feel it fails to deliver on its promise. Too much time is spent telling the audience about chaos theory and too little time actually showing it. As a result, I never got a true feel for any of the characters and never made a good connection with them emotionally. By the end of the movie, I had a "so what" attitude about all of them. A stronger direction in character development would have made this movie great, but as it stands it is merely so-so
### Response: | negative |
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The main problem I see with this film is its score, which screams with every note, "This is a cheap-ass movie." There's not much more to say here. The score just plain sucked.<br /><br />The second problem, which I see as quite severe as well as it involves the unwinding of the plot near the end of the film (one of the the money shots, if you will), is the dialogue between Martha (Adrienne Barbeau) and the sunflower man (Richard Ziman), in which Martha is revealed to be the leader of the experiment. At all times during this dialogue, the viewer is very much aware that s/he is listening to a movie dialogue. In other words, suspension of disbelief breaks down here. The integrity of a believable dialogue between two people is sacrificed for a willy-nilly stuffing of information the movie makers wish to impart to the audience.<br /><br />The third problem was the casting of Adrienne Barbeau. While I honestly believe her to be a fabulous actress within her oeuvre, I feel that this part may have been too much of a stretch. The main point of her performance that didn't seem to mesh was the spectrum across which the character moves through the film from a loving mother of a troubled family to an almost Rambo-like woman on a mission. This aspect of the script would obviously have been a stretch for any actress, and one cannot place too much blame, therefore, upon Barbeau. To the degree that she fairly competently acted her part, however, I would only call this a moderately severe problem to the film as a whole.<br /><br />Finally, the film did a wonderful job in the first half building a creep factor, most notably during its horror flashes. I feel that the film would have benefited by more of a commitment to these flashes as a mechanism for preventing a fizzling of the creep factor in the second half of the movie.<br /><br />So what's my holistic grading of this piece? I'd give it a solid C+ to B-, depending upon how much credit you're inclined to give the makers for producing this film on a limited budget. Even with two severe and two moderately severe problems, the film is premised on the solid plot of the Jungian side of Nazi mysticism. I see no problems with plot development or coherence; the dialogue, with the noted exception above, is downright brilliant in places, especially the all important keystone scene between mother and daughter at the beginning of the movie; as mentioned, the creep factor was well crafted, if a bit fizzly in the second half; and Nicholas Brendan, who also associated produced, delivered a wonderful performance.<br /><br />All in all, this film is definitely worth the view---see it with a Nazi you love. :)
### Response: | positive |
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It's very very funny. You know, just like a comedy is supposed to be. It also looks very very good, like a Hollywood Spectacular should. So, what more do you want? Howz about a very VERY good Sally Fields. She is so much better here than in anything else I've ever seen her in, and she looks so damn good. This movie is all you need to understand why she's a Star. Those eyes! Like a silent movie star, but better. In fact, everyone's eyes are so good. I used to pretend to be a bad TV soap actor with my girlfriend. We'd do that thing where you look real fast from one eye to the other of your partner. They don't do that at all in Soap Dish. Great. The Eyes Have It! (sorry) <br /><br />There's so many terrific performances, its fun just waiting for each of them to reappear. There's a whole workshop going on with Kevin Kline on how to Overact very very subtly. Got that? Yeah, he's damn good. So is Robert Downey, Jr. who has since made sumthin of a career of playing the Slick, Slimy Executive. Cathy Moriarity, while not the most gifted actress, is so charismatic and riveting, especially when she's angry. And even Whoopi Goldberg is decent, her natural timing giving here somewhat flat delivery a little Zing. OK, no Whoopi Bashing, I hear ya.<br /><br />And then, there's the Hair. Soap Dish was made at the end of the BIG Hair Eighties, so the ridiculous doos are like a great character in themselves. They get bigger and sillier, just like your's did. Yeah, we got pictures.<br /><br />Soap Dish is better than I thought it'd be, better that I wanted it to be. I'm sick of Movies that tell me I'm supposed to care about shallow, self centered, semi-talented egomaniacs, ie. TV Soap Actors. Soap Dish seems happy just to have me laugh at 'em. Thank You.
### Response: | positive |
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Okay, I'll admit it--I am a goof-ball and I occasionally love a really silly comedy. While I have seen more films by Kurosawa, Bergman and Truffaut than practically anyone on the planet, I still have a soft spot for a dopey comedy that doesn't try to be sophisticated but is simply funny. A few such films that immediately come to mind are MONTY PYTHON AND THE HOLY GRAIL, UHF, START THE REVOLUTION WITHOUT ME, STRANGE BREW and the Bill and Ted movies. They all lack snob appeal but only a zombie or professional film critic could dislike them.<br /><br />While BILL & TED'S BOGUS JOURNEY isn't as wonderful as the original Bill and Ted film, it still is great fun. Also, unlike the original, it actually seems to improve with repeated viewing. I remember not loving the film the first time I saw it--possibly because the other movie set such a high standard for laughs. But, every time I see it again I am amazed at all the great moments--particularly those involving the Grim Reaper. And, by the way, this reaper is about as different from Bergman's in THE SEVENTH SEAL as you can get!! In addition to a lot of laughs, this film features some excellent music--one way that it's actually better than the first film. The Kiss anthem at the end is great but so are the rest of the hard rock tunes--provided you aren't an old killjoy like De Nomolos. Great viewing for kids and adults alike.
### Response: | positive |
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I haven't written a review on IMDb for the longest time, however, I felt myself compelled to write this! When looking up this movie I found one particular review which urged people NOT to see this film. Do not pay any attention to this ignorant person! NOTHING is a fantastic film, full of laughs and above all... imagination! Aren't you sick and tired of being force fed the same old cycle of bubble-gum trash movies? Sometimes a film like NOTHING comes along and gives you something you have never seen before. I don't even care if you dislike (even hate) the movie, but no one has a right to discredit the film. IMDb has a monumental impact on reputations and no negative review should discredit the film like that. Just say you hate it and why you hate it... but don't try to tell people that they shouldn't watch it. We have minds of our own and will make up our own minds thank you.<br /><br />If my judgment is any good, I'd say that more people will enjoy this movie as opposed to those who hate it.<br /><br />Treat your mind to a bit of eye-candy! See NOTHING!
### Response: | positive |
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"La Bête" by Walerian Borowczyk is based on the short story "Lokis" written by Prosper Merimée.Lucy Broadhurst(Lisabeth Hummel),an American heiress betrothed to the son of an impoverished Marquis,arrives at the family's crumbling château and learns of a mythical ursine beast purported to prowl the nearby forest.It is fabled that a former lady of the house(Sirpa Lane)once engaged in perverse sex with the creature and Lucy finds herself consumed by dreams of the incident. "The Beast" is an art-house mix of surreal horror,explicit sleaze and porno.There's implied bestiality,assault and perversion in the priesthood,copious fake ejaculate smeared on bared breasts,masturbation with a rose and, most graphic of all,the eponymous beast toying with incredibly big phallus.Still this genuinely erotic film is wonderfully photographed and tasteless.The women here are stunningly beautiful and they are naked most of the time.Overall "La Bête" is a visual feast.Whether it be from the fetishistic attention to detail,or the visual motifs pregnant with information,Borowczyk's masterpiece should be watched with care and attention.A must-see for fans of European cult cinema.
### Response: | positive |
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Reese Witherspooon's first movie. Loved it. The plot and the acting was top notch. You are emotionally involved with the characters. In my opinion, a must see.<br /><br />After watching this movie you will see why Reese Witherspoon's acting career has been so successful. <br /><br />The other cast members do a great job also. <br /><br />The movie flows extremely well. There is not a boring moment in the whole picture. The Man in the Moon's length is just right. <br /><br />As I said earlier, I think this movie was excellent. I have seen it numerous times, and have enjoyed every one of the viewings.
### Response: | positive |
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i went into this hoping it would be the "thought provoking" little gem people have reviewed this as. i love indy films and expected to dig this too. knowing what a hot button this topics is i expected to be really entertained, maybe even see an outsiders perspective.<br /><br />all i can say is wow....if your into self torture, or mutilation then maybe you'll like this. personally i don't like the idea of being pee'd on or cutting myself so i thought it was garbage. bad script, bad acting, bad story, bad directing, bad editing....i could go on. i have no clue why a reviewer claimed he or she was making a political point by giving this movie a 10. that's misleading and ignorant. voting for a movie on IMDb isn't setting a precedent! it just lets other people think that a garbage bomb like this is OK to watch as long as it's controversial (this film is not, it tries VERY HARD to be but fails). <br /><br />you know the movie is bad when 15 minutes into it your praying that all main characters die horrifically. unfortunately they do die, but not in the painful manners that would have given the viewer some justice or vindication for having watched the 2 hours of crap they just endured. <br /><br />do yourself a favor, just don't even bother. i got this movie in a bargain bin at my local video store for .50 and feel ripped off!
### Response: | negative |
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I am not a very good writer, so I'll keep this short. World at War is the best WWII documentary that I've seen. I've seen different WWII documentaries (not only English/North American) and this documentary seems to be the most complete WWII documentary that I've seen. I think it could talk a bit more about the Great Depression and why/how Hitler got to power, but it does a very good job at covering the war. It seems to be complete and objective/fair to everyone. It does not exaggerate or diminish roles of different nations. It has a lot of original footage, including color footage and many eye witnesses (it was made in 70's when a lot more were alive). It has great music and narrator. All-in-All I gave this one 10/10, because it's that good. (I haven't seen specials in DVD version so I cannot comment on those)
### Response: | positive |
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MYSTERY MEN has got to be THE stupidest film I've ever seen, but what a film! I thought it was fabulous, excellent and impressive. It was funny, well-done and nice to see ridiculous Super Heroes for a change! And being able to pull it off! This was great! I'll definitely watch it again!
### Response: | positive |
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I went into this movie after having read it was a drama about a man with a supernatural gift, who was made into a monster by society. Suffice to say I was expecting something entirely different from what I got. But it was a happy surprise. My friend and I both thought the movie was very romantic (the fact that the male lead isn't bad to look at surely helped), and there was enough plot development, action and even humor (the fact that it takes them until the 3rd part of the movie to now each other's name had the whole movietheatre laughing) to keep you entertained and invested in the story. So in short: Not what I expected, but a very good surprise indeed. I'll definitely buy this movie when it comes out on DVD.
### Response: | positive |
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Anyone notice that Tommy only has 3 facial expressions.<br /><br />1. The angry eyes look he gives every enemy. 2. The holding of the hands to face, mouth agape and frightened eyes. 3. The smiling Tommy Turnbull.<br /><br />I have to say that i pretty much hate this show, i don't watch it but it's like Code Lyoko, we've all watched at least one, i must say that this show is borderline racist, uninteresting and pointless.<br /><br />every episode ends with robotboy winning, except for one exception when robotboy basically let this overly geeky freakazoid fly away on a jetpack.<br /><br />The jokes are pretty crude too, i think it's mostly people saying the word "Suck" or farting, i think the bullies of the show are quite shocking too.<br /><br />Isn't there one that hides a bowling ball under his hate, and the other uses a chain, for god sake, what kind of school is he going to. Not to mention his older brother, who is borderline psychopathic and has no other character qualities.<br /><br />The whole show i feel is ripping off megas XLR and Fosters. Like you could say the trio of coop, jamie and Kiva, as well as Robotboy being similar to Megas where he beats everyone no matter what the odds and he's free spirited despite being a robot.<br /><br />There is simply no appeal to this show, i'm surprised that it's still running.
### Response: | negative |
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what a relief to find out I am not imagining this programme! the summary from taxman is great. I too remember finding it haunting and not particularly family viewing, I must have been 10/11 at the time I watched it. I think for a girl that age part of attraction was lead's very blond hair, and his permanently sad state. The theme was played on a flute I recall - although I cannot remember how it went. I think the intro showed him playing it - or maybe he played a flute in the programme and especially when he was sad? Maybe I am destined never to know how it ended or to see clip or hear the tune, but at least I now know it is not just me.
### Response: | positive |
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I saw this movie in 1976, my first year of living in New York. I went on to live there for the next 26 years,but never saw anything as delicate and beautiful again as this small TV movie. It was part of a PBS series as I recall, and I've never forgotten it. <br /><br />There are no sex scenes to speak of, just delicate, moving, extraordinarily touching moments full of tension and excitement, all set within a conservative, Boston (I think), World War 1 environment where women played the role of devoted wife awaiting the return of husband from the war, and did not seek out a career and financial independence. Frances Lee McCain is superb in the role of career photographer and I have spent the next 30 odd years searching for her in equally challenging roles to no avail.<br /><br />There has to be a video of this movie? Sure it should be on DVD but surely at least a video?
### Response: | positive |
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102 Dalmatians (2000, Dir. Kevin Lima) <br /><br />Believed to be cured, Cruella de Vil (Close) is released from prison and sets out to make a new start in life. Things are going well for Cruella who is busy helping homeless dogs off the street. When the clock strikes on Big Ben, things turn bad. The hypnotic cure is reversed and Cruella is back, and this time she is determined to make that spotted coat she always wanted.<br /><br />Glenn Close reprises her role as Cruella de Vil and once again is the highlight of the film. Every scene with her in is worth watching in this dull sequel, which feels more of a repeat of the previous film, rather than a new story.<br /><br />She's Changed. Ken Sheperd (Ioan Gruffudd)
### Response: | negative |
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The feel of this movie was amazing. Adam Sandler's performance was very inspiring. As he played a very rattled and fragile character, he took his ability to the very edge and really worked the role. His character was really interesting. I can see myself reading the script for this movie and not being half as interested in the part as Sandler made me. For someone who plays primarily comedy roles, he pulled off a serious role with what seemed to be his own quirks and input. I especially loved the scene in which Adam and Don's characters rode the motorized scooter around the city. I familiarized with the moment, because it seemed like Don was witnessing one thing Adam does to get away from it all. With his video games, music, and many other things he does to keep him from thinking about the past, riding his scooter with his headphones on seemed like an escape from his thoughts. This movie is definitely worth the watch.
### Response: | positive |
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Where to even start? The horrendous acting? The nonsensical plot? The bargain basement effects? The completely loathsome characters? The choppy editing? The headache-inducing Casio keyboard score??? The embarrassingly racist remarks ("Watch it, Charlie!", "Back off, Jackie Chan!!"??? The constant misogyny??? I am a lifelong horror fan, and I have no problem at all with the current "torture-thon" trend of movies. However, this is a poorly-made piece of garbage. I think I suffered more pain watching this than the characters did dying in it! If you like girls being forced to eat stir-fried penis, really poor soft core porn and think lines like "I'm gonna find that b**** and staple her c*** shut!!" are clever, LIVE FEED is for you.<br /><br />As for me, I feel the need to go wash my eyes out with oven cleaner to prevent from ever seeing this movie again!
### Response: | negative |
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Sorry, not good.<br /><br />It starts out interesting, but looses its way a few minutes into the movie.<br /><br />It does not help a lot that none of the normally great actors (Quaid, Glover, Ermey, Leto etc.) delivers a really good performance. <br /><br />It might be owed to the fact that I saw a dubbed version (german), but Dennis Quaid's character was especially wooden and annoying, and Danny Glover does not really make for a believable villain. Moreover, Jared Leto's character does not really contribute to the story whatsoever (except saving one main character's life at one point, but that scene is as necessary as a windshield wiper on a submarine in the first place ;-)<br /><br />Speaking of unnecessary scenes - the main complaint is really the tangled and cliché-ridden storyline: The detective (of course!) has to settle a personal matter with the villain and is (of course!) suspended from his official duties courtesy of his personal entanglement. The killer (of course!) *wants* to be tracked down and plays a cat-and-mouse game with his opponent for years ... I don't know how many movies build on a similar plot - most of them better, however.<br /><br />The plot has got holes galore and many completely unbelievable and unnecessary scenes that do not contribute to or work well with the storyline at all (e.g. the truck stop scene or the car at the cliff's edge etc.)<br /><br />To top it off, the ending tries to be original and exciting, but fails completely in these regards. We've seen *much* better finales with a similar kind of ultimate-battle-on-a-train-in-a-forlorn-winter-landscape setup ... In the end there is the supposedly moving reunion of parent and child ... hokey, at the least.
### Response: | negative |
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I just rented (yes! I paid money to see!) this film. OMG. It is one of the very worst films I have ever seen. As another reviewer put it, Ms. Colagrande, get out of films, PLEASE! Please never make or appear in another film! The lady has the charisma of a cantaloupe. No, that's not fair to the cantaloupe, which probably has more going for it. She does not know how to act; she affects a disgusted look ALL the time (reminded me very much of my always-disgusted young sisters-in-law from Europe). She is not charming; she is not pretty. There is no real story. And the editing! There WASN'T any, that I could see! It's pretty bad when you are watching a film and, just to get through it, you press "forward forward" on your remote, and STILL nothing happens! I mean!..... I kept involuntarily screaming, "Cut! Cut!" What WERE they thinking? Well, obviously, they thought they would make a film together and get PAID to make love on screen! Pretty good deal for THEM; pretty raw deal for the viewer! I think I'm going to throw up now....
### Response: | negative |
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The plot has already been described by other reviewers, so I will simply add that my reason for wanting to see this film was to see Gabrielle Drake in all her undoubted glory.<br /><br />Miss Drake has to be one of the sexiest, prettiest examples of "posh totty" to have been committed to celluloid. Of her era and ilk, only the equally exquisite Jane Asher comes close. What was it about actresses with musical brothers? (Nick Drake and Peter Asher) For those who like me have admired Gabrielle, her scenes in this movie will not disappoint. She has a magnificent figure and none of it is left to the imagination here.<br /><br />As a whole, the movie is very poor and being of its time, very cheaply made. The song that covers the opening credits seems to go on forever and is appalling.
### Response: | negative |
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Rex Reed once said of a movie ("Julia and Julia" to be specific) that it looked like it was shot through pomegranate juice. I was reminded of that as I snored through Purple Butterfly. This one appeared to be shot through gauze.<br /><br />The story was boring and it was not helped that for large portions of scenes actors' faces were literally out of focus or would only come into focus after extended periods of time. <br /><br />Also, everyone looked the same so it was hard to distinguish among the characters. I call this the "Dead Poets Society" syndrome.<br /><br />There was nobody to care about, nobody to become interested in dramatically, and the movie shed no historical light on a very interesting period of time and set of circumstances.<br /><br />A total disappointment.
### Response: | negative |
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Well, I'll be honest: It is not exactly a Sholay. But you cant get a Sholay every week. In fact, you could see distinct signatures of "not without my Daughter"(Sally Field, 1991) in this movie. However, as most "inspired" movies go, this one was a well-inspired one, well handled and well done. Nana Patekar, as usual, tends to overdo his hysterics, but all others are commendable. Specially so about Dipti Naval: Saw her after a long time, but she hasn't lost any of her grace. In fact, she has performed much better that when I last saw her. Another one of the Bollywood stars that seem to grow more beautiful as they age?<br /><br />All in all, a nice watch.
### Response: | positive |
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In my opinion, this is a good example of the movie that could have been much better if it had been short 10 years earlier. I doubt it would benefit from modern technologies, but it would have looked much better if it was at least 90 minutes instead of 70.<br /><br />The artists and animated did a great job. In my opinion, this movie can boast the best background art and one of the best character design. Animation are extremely smooth and realistic. For the duration of the movie you believe in the world you see, so everyone did a great job. It can also boast one of the sexiest female animated characters, if not the sexiest, that beets typical anime girls with ease.<br /><br />Unfortunately, there are a couple of bad thins about this movie that will make it not so appealing at the moment. First, the plot and execution is comparable to contemporary adventure movies, and is really old-fashioned by modern standards. Second, due to the duration time it would benefit a lot from extra 20 minutes of dialogs. Finally, the setting is not so popular at the moment.<br /><br />Conclusion: a great alternative to another short story about Conan the Barbarian, but not to a novel.
### Response: | positive |
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I ran across this several years ago while channel surfing on a Sunday afternoon. Though it was obviously a cheesy TV movie from the 70s, the direction and score were well done enough that it grabbed my attention, and indeed I was hooked and had to watch it through to the end. I recently got the opportunity to buy a foreign DVD of this film (oops, didn't notice a domestic one had finally come out a couple months prior), and was very pleased to be able to watch it again (and in its entirety).<br /><br />I don't wholly understand the phenomenon, but somehow the 70s seem to have a lock on horror movies that are actually scary. The decades prior to the 70s produced some beautifully shot films and the bulk of our enduring horror icons, but are they actually scary? No, not very. Likewise in the years since the 70s we've gotten horror movies that are cooler, more exciting, have much better production values and sophisticated special effects, are more fun, funnier, have effective "jump" moments, and some very creative uses of gore, but again... they aren't really scary! There's just something about the atmosphere of the 70s horror films. The grainy film quality. The spookily dark scenes unilluminated by vast high-tech lighting rigs. The "edge of dreamland" muted quality of the dialogue and the weird and stridently EQ'd scores. The odd sense of unease and ugliness permeating everything. Everything that works to undermine most movies of the 70s, in the case of horror, works in its favor.<br /><br />Specifically, in this film, the quiet, intense shots of the devil dog staring people down is fairly unnerving. So much more effective than if they had gone the more obvious route of having the dog be growling, slavering, and overtly hostile ("Cujo"?). The filmmakers wisely save that for when the dog appears in its full-on supernatural form. The effects when that occurs, while unsophisticated by today's standards, literally gave me chills. The bizarre, vaguely-defined, "I'm not quite sure what I'm looking at" look intuitively strikes me as more like how a real supernatural vision would be, rather than the hyper-real, crystal clear optical printer / digital compositor confections of latter-day horror films.<br /><br />While the human characters in this film are not as satisfyingly rendered as their nemesis or the world they inhabit, the actors all do a decent job. The pairing of the brother and sister from the "Witch Mountain" movies as, yes, brother and sister, is a rather cheesy bit of stunt casting, but they do fine. Yvette Mimieux always manages to be entertaining if unspectacular. Richard Crenna earns more and more empathy from the audience as the film progresses. His self-doubt as he wonders whether his family's alienness is truly due to a supernatural plot or whether he's merely succumbing to paranoid schizophrenia is pretty well handled, though his thought that getting a routine physical may provide an explanation for what he's been experiencing is absurd in its naïveté.<br /><br />The movie's The-End-Question-Mark type ending is one of the only ones I've seen that doesn't feel like a cheap gimmick, and actually made me think about the choices these characters would be faced with next and what they'd be likely to do and how they'd feel about it.<br /><br />Detractors of this film may say it's merely a feature-length vehicle for some neato glowing retina shots, but hey, you could say the same thing about "Blade Runner". :-)
### Response: | positive |
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I was very moved by the story and because I am going through something similar with my own parents, I really connected. It is so easy to forget that someone whose body is failing was once vibrant and passionate. And then there's the mistakes they made and have to live with. I loved Ellen Burstyn's performance and who is Christine Horne? She's fantastic! A real find. There is probably the most erotic scene I've ever seen in a film, yet nothing was shown - it was just so beautifully done. Overall the look and feel of the film was stunning, a real emotional journey. Cole Hauser is very very good in this picture, he humanizes a man spiraling downwards. I liked the way the filmmaker approached this woman's life, never sentimental, never too much - just enough to hook us in, but not enough to bog down.
### Response: | positive |
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Shower keeps within itself in so many ways. Almost all of the movie takes place in an old- time bathhouse, with the denizens supplying the humor, pathos, and emotional touches. The love and friendship between the proprietor and his retarded son is deep and moving. The way the older brother is drawn into this tiny world seems unforced and persuasive. The plot is meandering, full of surprises and ironies, and touched overall by a sense of what I'd have to call neighborliness in the relations and conflicts of the performers. This is a film I pull out when I want to believe in the world again.
### Response: | positive |
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Screened at the San Francisco International Film Festival under the title ' Come Undone', April 25, 26, & 27, 2001. The cinematographer uses techniques that add to the storytelling. Even with fall/winter backgrounds for the 'present' and spring summer for the 'flashbacks' there can be some difficulty following the continuity.<br /><br />Whether either lead is gay, the actors well-portray the budding relationship in real life terms; from physical violence toward each other to their passionate lovemaking. The story pulls you into the characters a bit slowly in the beginning. But as the end approaches, you really care about where these guys will be next summer! You, too, will want a sequel to find out.
### Response: | positive |
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Daniel Day-Lewis is Christy Brown, a victim of cerebral palsy who uses "My Left Foot" to write and paint in this incredible 1989 film. The movie also stars Brenda Fricker as Christy's mother, Ray McAnally, Fiona Shaw and Hugh O'Conor. Their brilliant performances, great script and wonderful direction by Jim Sheridan help to paint a vivid portrait of Christy Brown, an artist and writer who died in 1981 at the age of 49.<br /><br />Brown was born into a lower middle-class Catholic family where his mother was constantly pregnant (22 children in total, 13 of whom survived). His father considered Christy mentally retarded as well as physically handicapped, but he would not permit his son to go into a home. The children in the family would bid goodbye to him each day as they went off to school, and then his mother would feed him and talk to him.<br /><br />In the movie, Fricker conveys the sense of a woman who, despite being surrounded by a huge family, needs someone to talk to. Christy doesn't talk back. Eventually a cart is found for him to ride in, and the neighborhood kids, all of whom have known him since he was a baby, include him in all of their activities. The only part of his body that works really well is his left foot, and when the kids find out how well he kicks, they put him into soccer games for just that purpose. One of the nicest parts of the film is the relaxed way the in which the other children treat him.<br /><br />There are many powerful scenes, but none as powerful as Christy writing "Mother" on the floor holding a piece of chalk between his toes. "He's a true Brown," his father declares, hoisting him on his shoulders and carrying him to the pub. Walking into the pub, he announces, "My son's a genius." Things change when Christy grows older because he has a young boy's desires and emotions. He develops crushes, is rejected and goes more into himself, turning to painting. Eventually he goes into therapy in a nearby clinic and works with a therapist, Eileen (Fiona Shaw) at home. He falls in love with her. When he finds out she's engaged, he nearly goes crazy. But he survives to live, to paint, to write (three books in total) and to love again.<br /><br />Because it's a film, by necessity certain things had to be left out and characters combined. Brown wasn't actually diagnosed with cerebral palsy for some time, which was left out of the movie. The therapist Eileen is actually a combination of three important therapeutic figures in Christy's life, and though we know that his mother believed he had a good mind, in truth, she worked very hard with Christy when he was a child teaching him the alphabet, etc. Also, before Mary, Christy had a 12-year relationship with the woman to whom he dedicated "My Left Foot." And the typical Hollywood ending, 9 years before his death where neglect by his wife may have been a factor, doesn't finish the story.<br /><br />Despite all of that, Christy Brown's biopic is incredibly powerful, all the more so because of two performances: Hugh O'Conor as young Christy and Daniel Day-Lewis as the adult Christy. O'Conor's facial expression and the way he drags his warped body is gut-wrenching. One is exhausted for him and heartbroken at the same time.<br /><br />And what can be said about Daniel Day-Lewis, one of the greatest actors in the world - he brings Christy totally to life, a fully fleshed out, intelligent human being capable of swearing, becoming angry, bitter, drunk, pushy, lecherous, funny and loving. A well-deserved Oscar won in the same year that Tom Cruise was nominated for "Born on the Fourth of July." I remember someone writing a letter to the editor somewhere that Cruise was so sensational, what was wrong with the Academy? Uh, nothing for a change. Nothing at all.<br /><br />Brenda Fricker is amazing as Christy's mother, who never stops believing in him and what he can do and who holds her family and husband together during the hard times. The wonderful thing about Fricker's performance is that the support, love and work ethic seem to come naturally to the mother. The character would never consider herself a heroine or as someone doing something out of the ordinary. Fricker shows us a religious but not fanatic woman who believes her duties on earth are to be a good wife and mother. And no matter what, even when her husband is out of work, throws their daughter out of the house for being pregnant, whatever, she manages. She saves money for Christy's wheelchair, she receives photos of her daughter and the baby, she starts building a room for Christy in the back of the house. All part of a day's work. A performance worthy of the Oscar she received.<br /><br />Brown's life was more complicated than this inspiring film, but this is an amazing achievement by all involved and a must-see.
### Response: | positive |
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When this movie was first shown on television I had high hopes that we would finally have a decent movie about World War I as experienced by American soldiers. Unfortunately this is not it.<br /><br />It should have been a good movie about WWI. Even though it was made for television it is obvious that a real effort was made to use appropriate equipment and props. But the writing and directing are badly lacking, even though the makers of this movie obviously borrowed freely from quite a few well made war movies. War movie clichés abound such as the arrogant general who apparently does not care a flip about the lives of his men. When will Hollywood realize that, even though there have been plenty of bad generals, most combat unit generals have seen plenty of combat themselves and are not naive about what the average grunt experiences? The first part of this movie appeared to be "Paths of Glory" with American uniforms. Except that "Paths of Glory" was emotionally gripping. Later on there was Chamberlain's charge (except uphill) from "Gettysburg" and even the capture of the American soldier by a ring of enemy soldiers from "The Thin Red Line". But in "The Thin Red Line" the soldier was alone when captured. In this movie a ring forms around the new prisoner in the middle of a battle.<br /><br />If this movie used a military adviser they ignored him. Even though the actors (and I never could forget they were actors while watching) mouthed military tactics I didn't see very much of it. The American soldiers would stand up to be shot while the Germans attacked. And the infamous Storm Troopers, who were apparently blind, appeared to use no tactics whatsoever in their attack. In the real war, the tactics were what made storm troopers so effective. But the silliest scene was the attack of the German Flamethrowers. In this scene the German flamethrower operators walked in a broad line towards the defending Americans. If that had been real they would never have gotten close enough to use their flamethrowers before they had all been dropped by the defender's bullets.<br /><br />Okay, so most war movies are unrealistic when it comes to the tactics shown. But it is still disappointing. But what really turned me off to this flick was the typical anti-war anti-military angle that movie makers seem to think is important. True, war is hell. But most American soldiers, even though they grumble and gripe, tend to believe in what they are doing and can be rather gung-ho about it. My Grandfather served in World War I. And even though he died four years before I was born I have been told how proud he was of his service.
### Response: | negative |
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If this could be rated a 0, it would be. From the atrocious wooden acting to the dull, plodding pace, the puerile exploitation angle and the sophomoric pseudolesbian titillation added purely for the sake of the sad viewers, this is a disaster of a film.<br /><br />The plot is predictable, as from the beginning one is absolutely certain of what will happen to all of the characters and how the plot will commence. From a boring, unexceptional beginning to a pathetic and bleak ending, every single presence in this film is wasted, and every meagre scrap of talent dug up for this turkey is squandered.<br /><br />If you want to watch something as relentlessly bleak with plenty of the same childish titillation, watch one of the Ilsa films. At least they're unapologetic and up-front about what they're trying to do. How something this horrendously bad ever managed to be rated above a 5 is a miracle of how people with no taste or discerning standards can sometimes come together for the most dubious of purposes.<br /><br />It's not scary, it's not interesting, and above all it's not arousing in any sense of the word. It is, in my opinion, a crime; it is a crime that such a horribly offensive and incompetent piece of trash was ever conceived of and given the resources to come into existence, and even more a tragedy that it is still defended by some woefully misguided viewers.<br /><br />Not even Elvira's cheerful personality and joking ways could soften the blow that this horrifying travesty of film is. Avoid it at all costs.
### Response: | negative |
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### Instruction:
I realize it's not supposed to be BSG and I can handle slow-paced shows if they're interesting but I find myself completely uninterested and bored with this series.<br /><br />The formula for BSG seemed to be: Action + Adventure + SciFi + Suspense + Mystery + Drama<br /><br />the formula for Caprica seems to be: Bland Drama + Moderate Scifi<br /><br />Maybe it will get more interesting but as of episode 3 I can barely watch it. In fact, it's at the bottom of my to-watch list for the week. This is a sad state of affairs. The Syfi channel really destroyed their Friday night lineup. Whatever happened to the glory days of SG1, Stargate Atlantis, and BSG on Friday nights? They had a good thing there.
### Response: | negative |
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### Instruction:
During the early 1980's, Kurt Thomas was something of a hero in the United States. Inevitably, men in his position get offered film roles that exist solely to capitalize on that. I have no idea what Thomas was paid to make this film, but I would have to be paid a big heap of money to agree to make a national fool of myself in a motion picture. The film is obviously derived from "Enter The Dragon," as are most martial arts pictures. Only instead of a real martial art, they concoct an absurd new martial art, accurately described by one critic as "a cross between Kung Fu and break dancing." A gymnast (Thomas, of course) is hired to rescue some lady from an impenetrable fortress, yet every room has a prop that is exactly what Thomas needs to kick the assistant baddies. Of course, he fights his way to the lead villain, and of course they have a fancy-dancy fight, with an ending that will surprise only those who have never seen a marshal arts film. There are touches which nostalgic types will like, particularly the mullet haircuts of Thomas and many of the male co-stars have. But the only reason to watch this film is if you have a grudge against Kurt Thomas, who now wishes he had never set foot on the film set.
### Response: | negative |
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### Instruction:
A masterpiece of comedy, a masterpiece of horror, a masterpiece of romance, if there is anything negative to say about A Chinese Ghost Story, it might be that the special effects looked dated in comparison to modern technology. The film has a simple premise: a poor debt collector has to stay in a secluded area while trying to collect a debt. Of course, it happens to be haunted as well.<br /><br />What I wasn't expecting the first time I saw this film is that it's one of the most touching love stories I've ever seen; that is without losing any of the slapstick comedy that will have you in stitches. Unlike some films of Asian cinema, A Chinese Ghost Story isn't hard to swallow for those that aren't versed in Chinese culture. Indeed, it plays on timeless, cultureless themes of the paranormal and romance.<br /><br />Think Evil Dead 2, if they had thrown a wonderful love story into the mix. This film is for real, despite being overlooked by many. It's absolutely among the best I've ever seen. It's ability to combine the best aspects of multiple genres, and cross cultural boundaries in order to appeal to humanity everywhere, is nothing short of fantastic. Highly recommended, 10/10.
### Response: | positive |
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As with most of the reviewers, I saw this on Starz! OnDemand. After watching the preview with my girlfriend, she decided not to watch it from how bad the preview watched. I, on the other hand, thought it looked weird enough to warrant a watching. I mean, the design of Dr. Meso alone warranted at least a brief sweep over this title. After watching it, I can say that while there are some interesting aspects to it (namely the browsing over the notebooks and trying to figure out the incomprehensible story), it's best to pass over this one.<br /><br />*Major Spoilers Ahead* After making their first video for their as-yet-unfinished CD, the lead singer, Cassidy, kills herself in an attempt to get her boyfriend Neil to notice her. 3 months later, the band is trying to decide if they're going to finish the album or not. To try and see what Cassidy would have wanted, they go to see an old psychic friend of hers, Dr. Meso, and try to contact her through him. In his card reading, Dr. Meso turns up four straight Death cards for the four remaining band members. Bad times are ahead. (I just wanted to make a point that later in the film, they do explain that the Death card really just represents change. Kudos to them on that at least.) Even without the approval of their deceased friend, they decide to go ahead and finish the album. But while in the bathroom, Cassidy's best-friend, Dora, catches a glimpse of her deceased friend. When another band-mate goes in to check on her, Dora is standing in the dark, requesting his sunglasses. That's when the killing begins.<br /><br />My main problem with the film from the very get-go is that it seems to be heavy stylized to a fault. Too many warping effects, unnecessary zooms, and a plethora of other cheap effects riddle this film. An incoherent storyline doesn't help anything either. While the narrative hangs together for the first part, once Cassidy is resurrected, everything falls apart. We have jump-cuts between Cassidy and Dr. Meso (who mysteriously was able to get into a locked building), which show they are connected in some way or another. However, within a few minutes of that revelation, we find that Cassidy really is an independent being from Meso. She then turns on the guy who had been helping her revenge and he scurries away in a way that calls to mind Jack Nicholson as The Joker. But not in a good way.<br /><br />From this point on, the whereabouts of Cassidy are shown, but there are strange lapses as character moves from place to place almost out of sequence. One scene we see Cassidy standing at a desk, when a character enters in the next, she's nowhere to be found. As he moves behind the desk, we see her at the end of a hallway. Then in another room grabbing the keys (which Neil already has), then back again. Not to mention that from one moment to the next, Cassidy's mood seems to go a complete 180 without a catalyst to it. One moment, she wants to kill everyone (although she's only wounded 90% of the characters) - the next she's apologizing to everyone and walks out the door to die again. Sound confusing? That's because it is. It's a jumbled mess that I'm sure the writer couldn't even figure out.<br /><br />As for the performances, most are particularly wooden. Some though are interesting, but overall this isn't a piece that would be known for it's acting. The story is the driving force behind this piece.
### Response: | negative |
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### Instruction:
When one thinks of 1950s science fiction films one thinks of the sort of schlocky black and white B films that were parodied on the old Mystery Science Theater 3000 television show. Yet, while there were far more films like Plan 9 From Outer Space and Robot Monster than good films, the 1950s did have some very good, if not great, science fiction films like The Day The Earth Stood Still, The Incredible Shrinking Man, Invasion Of The Body Snatchers, War Of The Worlds, and The Thing From Another World. Yet, the best of the bunch, for its literacy and production values, was undoubtedly MGM's first big foray into A level science fiction, Forbidden Planet, released in 1956. It was a 98 minute color film, directed by Fred M. Wilcox, that featured then state of the art special effects, and was endowed with a very good screenplay by Cyril Hume, from a screen treatment called Fatal Planet, by Irving Block and Allen Adler, who adapted aspects of William Shakespeare's The Tempest into it.<br /><br />The film drew raves when it was released, for its Oscar nominated special effects, its all electronic music score, by Louis and Bebe Barron (although credited as Electronic Tonalities, to avoid music guild fees), vivid matte paintings- inspired by Chesley Bonestell, and the famed Monster Of The Id (MOTI), which was animated by an animator, Joshua Meador, on loan from the Walt Disney studio. Even more famous was the appearance of Robby The Robot, in his first role in either film or television. Later he would appear in the film The Invisible Boy- included in this DVD as a bonus, as well as several appearances in the 1960s sci fi TV shows The Twilight Zone, Night Gallery, and Lost In Space- with whose own robot he is often confused, and a cameo appearance in the 1984 film Gremlins.<br /><br />The tale is simple, but elegantly constructed, and filled with humorous asides that leaven the forced 'love story' aspect in the film. In the 23rd Century, the United Planets Cruiser C-57D- a flying saucer, led by Commander J.J. Adams (Leslie Nielsen- yes he was once a leading man type before his Police Squad days), is en route to the planet Altair IV, to investigate what happened to the crew of the Bellerophon, sent to the planet twenty years earlier. After a year's journey, there they encounter the lone survivor of the party, Doctor Edward Morbius (Walter Pidgeon), the Prospero stand-in- a philologist, his gorgeous blond daughter Altaira (Anne Francis)- the Miranda character in a pre 1960s miniskirt, and Robby the Robot, the domestic servant who is the Calibanian counterpart. Morbius warns the crew of a mysterious force that killed the Bellerophon party in their first year, yet he was immune to it
. All in all, it's a technically good film- especially with some rear projections and matte paintings, and the absurdity of the adult reactions to Timmy's and Robby's exploits borders an Dalian surreal absurdity. Yet, it's manifest that the filmmakers had no sense of the sublime absurdity the film conjures, for it's played straight, thus making it even funnier. As for the main feature? Forbidden Planet deserves all its kudos. It's not a perfect film, but it's a great way to spend a couple of hours, and far better than Star Wars, which although made twenty years later seems much more outdated, and juvenile. Only such films like 2001: A Space Odyssey, Solaris, Alien and Aliens, and the first two Terminator films, have really equaled or surpassed this classic in depth and effects.<br /><br />It's worth knowing that, despite Forbidden Planet's 'happy ending', there is the possibility that the MOTI is still dormant within Alta, as well. After all, she is her father's daughter, and had an even more vivid nightmare than her father when the MOTI attacked the ship a second time. Also, the film wisely only 'shows' the MOTI once, and never shows the Krel, for the imagination can always conjure greater scares than the best special effects. The film also makes good use of narrative ellipses to condense the tale, something that far more realistic art films often fail to do. Forbidden Planet is one of those rare films that both defines yet transcends its era- unlike other sci fi films which were rather obvious Cold War allegories. Watch it, and you will agree, as well as sleep a little less easy. But, even if you don't, there's still the scene of Anne Francis skinnydipping. That alone is timeless.
### Response: | positive |
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This movie was boring! <br /><br />Yes, there are a few funny moments and jokes, but you cannot base a whole movie on that! <br /><br />The characters are too stereotyped, there is no real story - but short episodes with freaky side-characters, who are not freaky enough to make the plot genuine.<br /><br />Shame, because most of the actors are acknowledged in Hungary, a mystery why they took the roles. <br /><br />This is *not* a new hope for the Hungarian film. It was boring, though it was meant to be genuine or unique. They could have tried much more harder than this... 2 out of 10
### Response: | negative |
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Let's keep it simple: My two kids were glued to this movie. It has its flaws from an adult perspective, but buy some jelly-worms and just enjoy it. <br /><br />And the Pepsi girl was excellent!<br /><br />And Kimberly Williams was pretty gosh-darned hot, although she's not in the film very much, so don't get too excited there.<br /><br />Not that's it's really a bad thing, but it is the kind of movie you watch just once. Don't buy the DVD.<br /><br />Enjoy!<br /><br />Did I mention Kimberly Williams? (That was for the dads.)
### Response: | positive |
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David Beckham is a British soccer star and the husband of Victoria Beckham ("Posh Spice" of the Spice Girls). His trademark is a goal shot that curves across the pitch and into the net. The soccer equivalent of an unhittable curve ball in baseball. "Bend it like Beckham" means making that type of spectacular shot. Apart from that, and a little shrine to him in the main character's bedroom and a faux-cameo at the very end, the movie has nothing to do with him.<br /><br />The movie is full of little soccer in-jokes, such as the present that one of the characters' parents give her of a jersey with the number 9 on it (property of the great Mia Hamm, to those in the know), references to "Posh 'n' Becks," the video homage to the WUSA one of the characters plays for a disbelieving friend ("They *have* that??"), lesbian gags, sports-bra gags, and so on.<br /><br />The story is about a teenage girl in England who idolizes Beckham and wants to be a soccer star. She has a real gift, but the two seemingly insurmountable obstacles she must overcome are the absence of a professional women's league in the UK (hence their fascination with our WUSA), and her parents, who are Indian immigrants set in very old-fashioned ways that do not allow daughters, among other things, to engage in contact sports. The girl's family are portrayed as figures of ironic fun, but with great affection -- think My Big Fat Greek Wedding. The girl loves and respects them enough to go through sitcom hell to conceal her growing soccer stardom from them.
### Response: | positive |
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OK, not possibly, honestly the worst movie i've ever seen.<br /><br />this made absolutely no sense, there was no plot, no characterization, no acting, just nothing.<br /><br />here's what i thought when i first saw it may 28th, 2003 **caution, this is a spoiler alert. it's also alot of me complaining about how bad the movie is::<br /><br />ok so the movie begins and the characters are introduced, but there is no character explanation. as far as i knew the main character was new to this school, but apparently not. also it appeared that he lived by himself... then that he was a foster kid... then that his mother was a raging alcoholic who lived with him still. also all his friends apparently had no parents and lived by themselves.<br /><br />now we come to a main plot point, this insane guy has broken out of the insane asylum and is running rampant. now our main character is obsessed with this guy and focus' intently on him for the contingency of the movie. i think i must have missed a main plot element here, there was no REASON for the main character to get hooked. even if that's the point, having no reason, why do all his friends, who are skeptical like 5 minutes before, suddenly follow him and do what he wants.<br /><br />so the movie continues on, and it gets all right. they're running havoc on the school, blah blah blah. but wait a minute... suddenly everyone knows that the main character is running the 'show' here. wait a second, didn't the insane guy specifically tell the main character NOT to do that? it was supposed to be anynomous.<br /><br />ah another important plot element has been skipped over... the insane guy was supposed to not be insane... everyone said he wasn't insane. but as the story goes on, he is VERY CLEARLY OUT OF HIS MIND. but i thought the news people said he wasn't... hm...<br /><br />now the movie comes to a close. THAT WAS THE CLOSE? WHAT THE HELL WAS THAT? not only did the ending not answer any questions about the main character, it didn't answer any questions about the insane guy. are these people in the same situation? if yes, then there are some very basic story lines that do not tend to this. if no then what is the point in saying "that's you in two weeks."??<br /><br />*end of the thing...*<br /><br />that's what i thought then. that is pretty much what i still think now. it's 6 months down the line, and if i can get it for free, i might give it another chance, but i doubt it. i highly doubt it.
### Response: | negative |
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Small college town coed OD's? (Why do we care?) Acting sheriff investigates the incident. (Why do we care?) The interviews show us the comatose subject (Kirshner) as different as the opinions of the subjects being interviewed. (Why do we care?) Result? A mess of flashbacks in this mess of a movie featuring a handful of one-hit wonders and B-flick divas which begs the question...Why do we care?
### Response: | negative |
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I rented this one to see Vanesa Talor one more time. She can act, but doesn't get a chance in this clunker. The opening sequence is an elaborate crane shot of mountain landscapes. Must have come from a stock archive, because the movie is shot direct to videotape. The production values make _Blair Witch_ look professional. There's a really cheesy animated statue, but no other effects worth noting. This movie is bad, but not amusingly so. The players would do well not to mention it on their resumes.
### Response: | negative |
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