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[ { "content": "Who is Mark Hunter?", "role": "user" } ]

[ [ "He is a high school student in Phoenix.", "A loner and outsider student with a radio station." ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

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[ { "content": "Where does this radio station take place?", "role": "user" } ]

[ [ "It takes place in Mark's parents basement. ", "Phoenix, Arizona" ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

[ 0.9924944043, 0.9921500683, 0.9920877218, 0.9920842052, 0.9918878078 ]

[ 15, 218, 916, 879, 899 ]

[ { "content": "Why do more students tune into Mark's show?", "role": "user" } ]

[ [ "Mark talks about what goes on at school and in the community.", "Because he has a thing to say about what is happening at his school and the community." ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

[ 0.9924944043, 0.9921500683, 0.9920877218, 0.9920842052, 0.9918878078 ]

[ 15, 218, 916, 879, 899 ]

[ { "content": "Who commits suicide?", "role": "user" } ]

[ [ "Malcolm.", "Malcolm." ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

[ 0.9924944043, 0.9921500683, 0.9920877218, 0.9920842052, 0.9918878078 ]

[ 15, 218, 916, 879, 899 ]

[ { "content": "What does Paige jam into her microwave?", "role": "user" } ]

[ [ "She jams her medals and accolades. ", "Her award medals" ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

[ 0.9924944043, 0.9921500683, 0.9920877218, 0.9920842052, 0.9918878078 ]

[ 15, 218, 916, 879, 899 ]

[ { "content": "What does Mark do with his radio station?", "role": "user" } ]

[ [ "He dismantles it and attaches it to his mother's jeep.", "Dismantle it." ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

[ 0.9924944043, 0.9921500683, 0.9920877218, 0.9920842052, 0.9918878078 ]

[ 15, 218, 916, 879, 899 ]

[ { "content": "What does Mark tell the protesting students?", "role": "user" } ]

[ [ "He tells them to make their own future.", "That they should make their own future because the world belongs to them." ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

[ 0.9924944043, 0.9921500683, 0.9920877218, 0.9920842052, 0.9918878078 ]

[ 15, 218, 916, 879, 899 ]

[ { "content": "Who gets arrested?", "role": "user" } ]

[ [ "Mark and Nora.", "Mark and Nora." ] ]

[ " Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM pirate radio station that broadcasts from the basement of his parents' house. Mark is a loner, an outsider, whose only outlet for his teenage angst and aggression is his unauthorized radio station. His pirate station's theme song is \"Everybody Knows\" by Leonard Cohen and there are glimpses of cassettes by such alternative musicians as The Jesus and Mary Chain, Camper Van Beethoven, Primal Scream, Soundgarden, Ice-T, Bad Brains, Concrete Blonde, Henry Rollins, and The Pixies. By day, Mark is seen as a loner, hardly talking to anyone around him; by night, he expresses his outsider views about what is wrong with American society. When he speaks his mind about what is going on at his school and in the community, more and more of his fellow students tune in to hear his show.\nNobody knows the true identity of \"Hard Harry\" or \"Happy Harry Hard-on,\" as Mark refers to himself, until Nora Diniro (Mathis), a fellow student, tracks him down and confronts him the day after a student named Malcolm commits suicide after Harry attempts to reason with him. The radio show becomes increasingly popular and influential after Harry confronts the suicide head-on, exhorting his listeners to do something about their problems instead of surrendering to them through suicide—at the crescendo of his yelled speech, an overachieving student named Paige Woodward (who has been a constant listener) jams her various medals and accolades into a microwave and turns it on. She then sits, watching the awards cook until the microwave explodes, injuring her. While this is happening, other students act out in cathartic release.\nEventually, the radio show causes so much trouble in the community that the FCC is called in to investigate. During the fracas, it is revealed that the school's principal (Annie Ross) has been expelling \"problem students,\" namely, students with below-average standardized test scores, in an effort to boost the district's test scores while still keeping their names on the rolls (a criminal offense) in order to retain government funding.\nRealizing he has started something huge, Mark decides it is up to him to end it. He dismantles his radio station and attaches it to his mother's old jeep, creating a mobile transmitter so his position can't be triangulated. Pursued by the police and the FCC, Nora drives the jeep around while Mark broadcasts. The harmonizer he uses to disguise his voice breaks, and with no time left to fix it, Mark decides to broadcast his final message as himself. They finally drive up to the crowd of protesting students, and Mark tells them that the world belongs to them and that they should make their own future. The police step in and arrest Mark and Nora. As they are taken away, Mark reminds the students to \"talk hard.\" As the film ends, the voices of other students (and even one of the teachers) speak as intros for their own independent stations, which can be heard broadcasting across the country." ]

[ " Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works in the same place, but as a porter. Their real dream is to perform as radio comedians on the air, with their own show. Unfortunately they haven't convinced anyone about their great sense of humor yet. When they try to help the station receptionist, Anne Mason, by setting up a false audition for the position as singer, they are almost fired for their antics.\nThe station has financial problems related to their current moody singer Rita Wilson, and try to find a way to get rid of her. Their prayers are heard when Rita is shot and killed during a blackout when she is rehearsing for a broadcast.\nPolice detectives Marty Phillips and Delaney arrive at the scene, and even though they haven't found the murder weapon, they start suspecting a wannabe cowboy singer, Tex Barton, who tried to slip out the back door after the shooting. He was in the audience when Rita was rehearsing before the blackout.\nStation producer Farrell is afraid of being suspected as well, since he had an argument with Rita not long before the shooting. He asks Frankie, who overheard the discussion, to not tell the police about it. As a sign of gratitude, Farrell promises to give Anne a real audition for the position as singer, which is empty since Rita is gone.\nFrankie soon finds the weapon used to shoot Rita, hidden in a ventilator duct. It turns out the gun belongs to Tex, and has been used in a prior shooting by a woman named Gladys Wharton. When Frankie and Jeff audition for a comedy spot on air (with Frankie in blackface as a disguise), the police come looking for Tex. Later, Tex is found murdered in the office of the station owner.\nFrankie and Jeff decide to do a little investigation of their own, and search Tex's room to see if they can find anything. The only thing of interest is a picture of Anne, suggesting that her real name is Gladys. Anne is therefore suspected of the murder and arrested by the police. However, a while later she makes bail and is released.\nFrankie discovers from a radio station in Cheyenne that the shooter Gladys Wharton was a blonde woman who fell for one of her superiors and left her husband - Tex. Since Anne is a true brunette, Frankie concludes that Rita could be Gladys instead of Anne.\nWhen all the station executives are gathered in one room by the police, one of them, Van Martin, pulls out a gun and confesses to both crimes. When Jeff enters the room unannounced, he accidentally knocks the gun out of Van's hand and the police arrest him.", " Chris Hughes (Davis), an adopted and geeky Ohio high school senior, discovers that his recently deceased birth parents are the proprietors of a vast pornography empire and he is the inherited heir. Dropped into a bitter power struggle, his new flock of beautiful co-workers come to his aid. Chris Hughes was an outsider and geek in Ohio. He is in the middle of his senior year at high school and he is 18 years old. Chris earns extra money working on a paper route riding a moped. Right now, he would do anything to get out of here. Mostly Chris is raised by his religious parents, Carl Hughes (Dave Thomas) and Beverly Hughes (Colleen Camp). They own a grocery store, they are very strict on no drinking, smoking and no sex until you are married. They also don't tolerate porn or porno magazines, that Chris hides under his bed. His little adopted brother Danny Hughes is popular and has a better chance with a girl than Chris. Danny usually gets away with murder by his parents, mostly Chris always ends up getting in trouble. Chris is a reporter in the school newspaper, but he is a good writer. But he is always late on deadlines or dedication. He has a crush on the most popular girl Brittany Van Horn (Marnette Patterson), who is the mean girl of their school. She dreams about getting out of this town and becoming a famous actress or model. She has an entourage, too, and mostly she is dating Hudson Reed (Ryan Bittle) off and on. Hudson is the popular jock, handsome and able to get any girl he wants. Chris always wished he could be like him sometimes, he even fantasizes a lot of times, he wishes he could hook up with Brittany. It is never going to happen, as she doesn't know Chris even exists, she only dates good looking hot guys. Chris and his friends, who are nerdy perverts like Adam Torey (Charlie Talbert), Scooter (Martin Starr), Murphy (Robert Ri'chard) and Steven Chambers, are labeled as the outsiders and geeks of their high school. For once, they want to do something cool to earn a ticket to the popularity train. Chris had an idea, to throw a huge cool party at his house, while his parents out of town. They need the booze to attract the popular crowd, especially Brittany and her entourage.", " \"The Kid\" is the talented but troubled frontman of his Minneapolis-based band The Revolution. To escape his difficult home life – his father is verbally and physically abusive, and his mother is emotionally abusive – he spends his days rehearsing and his nights performing at the First Avenue nightclub. First Avenue's three house band slots are held by The Revolution, the flashy Morris Day and his group The Time, and Dez Dickerson and his group The Modernaires. Morris, aware that The Revolution's guitarist Wendy and keyboardist Lisa are frustrated by the Kid's unwillingness to play their compositions, lobbies Billy Sparks, the nightclub's owner, to replace the Revolution with a girl group which Morris is already forming. He targets the Kid's girlfriend Apollonia – an aspiring singer and new arrival in Minneapolis – to lead his group, and tries to persuade her that the Kid won't help her because he's too focused on himself. She eventually joins Morris's group, which Morris names Apollonia 6. When she reveals her partnership to the Kid, he becomes furious and slaps her, as his father had struck him earlier.\nAt the club, the Kid responds to the internal band strife, the pressure to draw more crowds, and his strained private life with the uncomfortably personal \"Darling Nikki\". His performance publicly humiliates Apollonia, who runs off in tears, and angers both Morris and Billy, worsening his situation. Billy confronts the Kid, castigating him for bringing his personal life onto the stage and warning him that he's wasting his musical talent like his father did. The debut of Apollonia 6 is a success, and Billy warns the Kid that his First Avenue slot is at risk. The Kid seizes Apollonia from a drunken Morris and the two argue; Apollonia then abandons him. Returning home, he finds the house in tatters, with his mother nowhere to be found. When he turns on the basement light, his father – who had been lurking in the basement with a loaded handgun – shoots himself in the head. In a frenzy after a night of torment, the Kid tears apart the basement to release his anger, only to find a large box of his father's musical compositions. The next morning, the Kid picks up a cassette tape of one of Wendy and Lisa's compositions, a rhythm track named \"Slow Groove\", and begins to compose.\nThat night at First Avenue, all is quiet in the Revolution's dressing room until Morris stops by to taunt the Kid about his family life. Once on stage, the Kid announces that he will be playing \"a song the girls in the band wrote\", dedicated to his father – revealed to be \"Purple Rain\". As the emotional song ends, the Kid rushes from the stage and out the back door of the club, intending to ride away on his motorcycle. However, before he can mount his motorcycle, he realizes that the crowd is thrilled by his new song. The Kid returns to the club, to be greeted by the approval of his fellow musicians and the embrace of a teary-eyed Apollonia. The Kid returns to the stage for two encores with the Revolution, to the wild approval of the crowd (even Morris); overlaid scenes show the Kid visiting his father and mother in the hospital and sorting his father's compositions in the basement, accompanied by Apollonia. A montage of all the songs plays as the credits roll.", " Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, \"Some folks call it a sling blade. I call it a kaiser blade.\" Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also.\nThanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide.\nFrank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America.\nKarl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home where Karl grew up. Karl's parents performed an abortion, causing the baby to \"come out too soon,\" and Karl was given a bloody towel wrapped around the baby, which survived the abortion. Karl was instructed to \"get rid of it,\" but when Karl detected movement inside the towel, he inspected it, discovering \"a little ol' boy\" that \"wasn't no bigger than a squirrel.\"\nWhile recounting this story to Frank, Frank asks why Karl just didn't keep the baby, but Karl replies he had no way to care for a baby. He placed the baby, still in the bloody towel, inside a shoe box and buried the baby alive, saying he felt it was better to just \"return him to the good Lord right off the bat,\" because of the abuse and neglect he himself had received at the hands of his own parents. Karl tells his father that killing the baby was wrong, and that he had wanted to kill his father for making him do it, but eventually decided that he wasn't worth the effort.\nMeanwhile, Doyle becomes increasingly abusive towards Karl and Frank, leading to an eventual drunken outburst and physical confrontation with Linda and Frank, angering the boy. Linda then kicks Doyle out of the house (despite his threats to kill her if she ever left him). The next day, Linda and Doyle reconcile. Knowing that he has the upper hand again, Doyle confronts Karl and Frank and announces his plan to move into the house permanently; he plans \"big changes\" including Karl's removal from the house. Karl begins to realize that, eventually, Frank is going to kill Doyle and end up just like him. In order to prevent this, Karl makes Frank promise to spend the night at Vaughan's house, and asks Vaughan to pick up Linda from work and have her stay over also.\nKarl returns to Linda's house, but seems undecided about whether to enter. When confronted, a drunk Doyle asks what Karl is doing with the lawnmower blade he had sharpened and fashioned into a weapon. Karl replies, \"I aim to kill you with it.\" Karl asks how to reach the police by phone, Doyle says Karl should dial 911 and request \"an ambulance, or a 'hearst'\". Karl kills Doyle with two chopping blows of the lawnmower blade to the head. Karl then calls the police to turn himself in, and requests a \"hearst\" be sent for Doyle. He eats biscuits while waiting for the police.\nReturned to the state hospital, he seems a different person than he was during his previous incarceration, having learned the value of sacrificing one's self to save others. He silences a sexual predator (played by J. T. Walsh) who had previously forced him to listen to tales of his horrible deeds.", " Charlie MacKenzie (Myers) is a beat poet living in San Francisco, after having broken up with yet another woman based on paranoid perception. His friend Tony, a policeman, points out that Charlie simply is afraid of commitment and tries to think of or invent any reason to break up with someone.\nCharlie encounters a butcher named Harriet, and the two quickly find common bonds between them. They start to date, and Charlie learns she used to live in Atlantic City, had been involved with a trainer in Russian martial arts, and screams at someone named Ralph in her sleep. After staying at her place one night, Charlie meets Harriet's sister, Rose, who warns Charlie to be careful. As they continue to see each other, Charlie and Harriet fall in love. He arranges a dinner with her to meet his parents, Stuart and May, who both believe in conspiracy theories and get their news from the Weekly World News tabloid. While there, Charlie spots one paper that describes the story about a \"Mrs. X\", a bride who kills her husbands on their honeymoons using an axe, and matches all the mannerism that Harriet has shown.\nCharlie becomes paranoid and asks Tony to investigate Harriet and the Mrs. X story. Tony reveals that the husbands of Mrs. X were all reported missing alongside their wives, assuring that Harriet is unlikely to be Mrs. X. Charlie remains on edge, and after a few more troubled dates, decides to break up with her. Tony later reports that a killer in the Mrs. X story has confessed. Relieved, Charlie apologizes to Harriet by reciting one of his beat poems to her from his rooftop. They make up, and Harriet explains away some of the confusion Charlie had from her history, such as Ralph being the name of a woman she knew.\nSome time later, Charlie proposes to Harriet, which she reluctantly accepts after some hesitation and they arrange for a wedding in a secluded mountain hotel. After they depart, Tony learns that the confessed killer is actually a compulsive liar. He sends a photo of Harriet to the known associates of the missing husbands, and all report back that she was their friends' wife. With phone lines to the hotel down, Tony charters a plane. Once he lands, he is able to call Charlie locally and warn him that Harriet is really Mrs. X, but the hotel phone line is knocked out and power is lost.\nCharlie is panicked and tries to stay away from Harriet without letting her know what he knows, but the hotel staff force him into the honeymoon suite for their first night together. Charlie finds himself alone and discovers a \"Dear Jane\" letter, purportedly written by him, explaining his absence to Harriet. Suddenly, Rose appears wielding an ax. Rose tells Charlie he was not supposed to find the letter, and reveals herself as the Mrs. X killer - she feels that Harriet's husbands are taking her sister from her, and so killed them on their honeymoon night and leading Harriet to believe that each husband simply left her. Charlie begins a game of cat-and-mouse to stay away from Rose while waiting for the police to arrive.\nTony leads the police into the hotel but arrests Harriet, still believing her to be the murderer. Having chased Charlie to the hotel roof, Rose swings the ax at Charlie and is thrown off the building, with only Charlie holding her up from falling to her death. Tony comes to catch her fall, where she is arrested and taken away. Charlie and Harriet resume their lives afterward as a happy couple." ]

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[ { "content": "What does the radio show cause?", "role": "user" } ]

[ [ "It causes trouble. ", "It causes much trouble in the community." ] ]

[" Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM (...TRUNCATED)

[" Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works i(...TRUNCATED)

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[ { "content": "Where does Mark Broadcast his station from?", "role": "user" } ]

[ [ "Parent's Basement", "At the basement of his home" ] ]

[" Mark Hunter (Slater), a high school student in a sleepy suburb of Phoenix, Arizona, starts an FM (...TRUNCATED)

[" Frankie Ryan works as a page boy at a radio station located in Hollywood. His friend Jeff works i(...TRUNCATED)

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