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disdain
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bring to imax
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its limit to sustain a laugh
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is a loose collection of not-so-funny gags , scattered moments of lazy humor
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note that this film , like the similarly ill-timed antitrust , is easily as bad at a fraction the budget
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confuses its message with an ultimate desire to please
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he brings together
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the chateau belongs to rudd , whose portrait of a therapy-dependent flakeball spouting french malapropisms
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plunges you into a reality that is , more often then not , difficult and sad ,
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must have baffled the folks in the marketing department
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holes that will be obvious even to those who are n't looking for them
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remains fairly light ,
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tom tykwer , director of the resonant and sense-spinning run lola run
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goofiest
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anarchists who face arrest 15 years after their crime
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one of the worst of the entire franchise
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sucks , but has a funny moment or two .
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it would count for very little if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is
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has the same sledgehammer appeal as pokemon videos
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your interest until the end and even leaves you with a few lingering animated thoughts .
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of candid camera
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black indomitability
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its standard formula
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of the most entertaining monster movies in ages
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are forced to reflect that its visual imagination is breathtaking
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a kids-and-family-oriented cable channel
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brilliantly constructed work .
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laugh-out-loud lines , adorably ditsy but heartfelt performances , and sparkling
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that can calm us of our daily ills and bring out joys in our lives that we never knew
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of quirky characters and an engaging story
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is a remake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how funny they could have been in a more ambitious movie .
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it 's just another cartoon with an unstoppable superman .
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beating the austin powers films at their own game
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that loves its characters and communicates something rather beautiful about human nature
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whenever you think you 've figured out late marriage , it throws you for a loop .
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will have found a cult favorite to enjoy for a lifetime
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is nearly incoherent , an excuse to get to the closing bout ... by which time it 's impossible to care who wins
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is clever , offbeat and even gritty enough to overcome my resistance .
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would make this a moving experience for people who have n't read the book
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one helluva singer
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to feel funny and light
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it 's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland .
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without reeking of research library dust
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faithful without being forceful , sad without being shrill
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does n't feel like a film that strays past the two and a half mark
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of the greatest date movies in years
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not only does spider-man deliver , but i suspect it might deliver again and again .
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it 's also not very good .
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gay-niche condescension
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, the director 's experiment is a successful one .
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the narrator and the other characters try to convince us that acting transfigures esther , but she 's never seen speaking on stage ; one feels cheated , and esther seems to remain an unchanged dullard .
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rare capability to soothe and break your heart with a single stroke
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pan nalin 's exposition is beautiful and mysterious , and the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic .
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thriller form to examine the labyrinthine ways in which people 's lives cross and change
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although this idea is `` new '' the results are tired
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comic barbs
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scarily funny , sorrowfully sympathetic to the damage it
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it 's secondary to american psycho but still has claws enough to get inside you and stay there for a couple of hours .
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a sometimes incisive and sensitive portrait that is undercut by its awkward structure and a final veering toward melodrama .
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has a nearly terminal case of the cutes
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fun factor
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rich in shadowy metaphor and as sharp as a samurai sword
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as boring before i see this piece of crap again
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sophisticated and unsentimental treatment
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into a really funny movie
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its heart ,
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is a distinct rarity , and an event .
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, robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
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played and smartly
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after an hour and a half of wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be
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rises in its courageousness , and comedic employment .
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not everyone will welcome or accept the trials of henry kissinger as faithful portraiture , but
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weighed down by supporting characters who are either too goodly , wise and knowing or downright comically evil
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systematically destroy everything we hold dear about cinema , only now it 's begun to split up so that it can do even more damage
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cheap-looking version of candid camera staged for the marquis de sade set
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one that will have you at the edge of your seat for long stretches
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anyone else who may , for whatever reason , be thinking about going to see this movie
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of holes and completely lacking in chills
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almost every relationship and personality in the film yields surprises .
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the real thing
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last count
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a hallucinatory dreamscape that frustrates and captivates
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is advised to take the warning literally , and log on to something more user-friendly .
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an angel simplicity
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fascinating , bombshell documentary
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himself a deft pace master and stylist
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is ultimately about as inspiring as a hallmark card
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how i killed my father compelling
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of `` his girl friday , '' maintaining a light touch while tackling serious themes
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if the movie were n't as beautifully shaped and as delicately calibrated in tone as it is
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( janey ) forgets about her other obligations , leading to a tragedy which is somehow guessable from the first few minutes , maybe because it echoes the by now intolerable morbidity of so many recent movies .
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cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and
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are more involving than this mess
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a sweet , tender sermon about a 12-year-old welsh boy more curious about god
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audacity
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like a rejected x-files episode than a credible account of a puzzling real-life happening
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second helpings of love , romance , tragedy , false dawns , real dawns , comic relief
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less of a trifle if ms. sugarman followed through on her defiance of the saccharine
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hard to make the most of a bumper
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if the real-life story is genuinely inspirational , the movie stirs us as well .
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